#matthias stom

[illustratus]

Mucius Scaevola in the Presence of Lars Porsenna by Matthias Stom

[stigmatam4rtyr]

The Incredulity of Saint Thomas (between c.1641-1649, oil on canvas) | Matthias Stom

[robertisaworkofart]

I can’t stop seeing:

Salome with the Head of John the Baptist

Matthias Stom; Onorio Mariani

Luther with the Head of Klaus the Baptist

Netflix

[granstromjulius]

Matthias Stom

[artandthebible]

The Arrest of Christ

Artist: Matthias Stom (Dutch, 1600 – after 1652)

Date: c. 1630-1632

Medium: Oil on Canvas

Collection: National Gallery of Canada, Ottawa, Ontario, Canada

Description

Christ and Judas are dramatically lit by the torch while the other figures emerge from the darkness only where the light catches them. This work was likely painted in Rome, where Stom was inspired by the example of Caravaggio and his followers. Christ's robes would have suggested historic costume to contemporary viewers; in contrast, the men arresting him wear something closer to modern dress. Caravaggio championed anachronism - the violation of historical accuracy - as a means of giving biblical subjects urgency by connecting them to modern life. Significantly, Stom has applied this interpretive freedom only to the secondary figures; Christ's appearance and clothing are traditional. The image is a compound of new and old - Christ's life played out in modern times. Frame: carved and gilded wood. Italy, 17th century.

The Arrest of Jesus | Matthew 26:47-56

Judas arrived with a large crowd armed with swords and clubs and sent by the chief priests and the elders. They were to arrest the man Judas kissed. Judas went straight to Jesus and said, “Peace be with you, Teacher,” and kissed him.

[frostywulf90]

Jesper: Kaz! Wylan’s been hurt! *carrying an unconscious, very beat up Wylan*

Kaz: What?

Inej: What?!

Jesper: You have to do something!

Nina: Put him on the table!

Matthias: *shoving everything off a table*

Kaz: Who did this?

Jesper: *panicking*

Kaz: Jesper?

Jesper: WHAT?!

Kaz: Who…did this?

Jesper: Some Dime Lion who caught him looking around a garden.

Kaz: What did he look like?

Jesper: Um…someone said…big guy, scar over his left eye, missing a pinky anchor tattoo on his right forearm. I would’ve gone after the bastard but…. *looks back at Wylan* He was just looking at plants Kaz!

Kaz: Inej. Matthias.

Inej: Fully breathing or barely?

Kaz: Enough that he can pay.

Nina: I’d like to be there as well.

Kaz: You have my word you will be. I want him kept alive long enough to give me a good excuse.

[lionofchaeronea]

Christ and Nicodemus, Matthias Stom, 1640s

[peoplematchingartworks]

[weary-hearted-art]

Matthias Stom, Christ Chasing the Money Changers from the Temple, 1630-1633. Oil on canvas

[themuseumwithoutwalls]

MWW Artwork of the Day (1/19/23) Matthias Stom (Dutch, fl. 1615–1649) Mucius Scaevola in the presence of Lars Porsenna (c. 1642) Oil on canvas, 167.5 x 220 cm. Art Gallery of New South Wales, Sydney

In the dazzling comet's tail of painters called the Caravaggisti - the admirers of Caravaggio who kept alive his flame for more than a century - Matthias Stomer stands out for his considered temperament and cool execution. Almost an academic of the movement, though never an imitative hack, Stomer built a body of work on the basis of subjects like this. Antiquity in general and Roman history in particular were his primary source material, reflecting a classicism which had little to do with Caravaggio's own almost exclusively biblical interests. Stomer's 'Mucius Scaevola in the presence of Lars Porsenna' could be seen to anticipate the high moral tone, and consequent sober rendition, found in the works of later neoclassical figures such as David. 

[iamainhoa]

Matthias Stom

Young Man Reading by Candle Light, 1628-32 Óleo sobre lienzo, 58,5 x 73,5 cm Tenebrismo

Se cree que Matthias Stom fue alumno de Gerrit van Honthorst en Utrecht, antes de ir a Roma en 1628. Pintó principalmente piezas de género y temas bíblicos. Sus obras se diferencian de las de Honthorst en que los rostros de sus personajes están más elaborados y tienen rasgos más anchos y más surcos. Sus pinturas utilizan una paleta más cálida, dominada por los rojos y amarillos. Durante su estancia en Roma, Stom pintó varias piezas de género como la presente obra.

⭐Favorite Painting

📍Nationalmuseum, Stockholm

[instantbelieverwhispers2]

Matthias Stom - Le sacrifice d'Abraham, beginning of the 17. century, Musée Fesch, Corsica

[pomegranatetemples]

Sarah Leading Hagar to Abraham (1837-39) - Matthias Stom

[proartsblog]

A man with a Glass of Wine by Matthias Stom (c. 1600-1650)

[granstromjulius]

Matthias Stom

[lemuseum]