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#matrons
magdalene-spirit · 1 year
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𝐐𝐔𝐀𝐋𝐈𝐓𝐈𝐄𝐒
Manifestation of heart’s desire
The rule/law is this—
Quality manifests quantity.
Qualitative factors give rise to quantitative factors.
Qualities (virtues, attributes or Shaktī’s) precede Variety (abundance, cornucopia, generativity).
To open the flow of plenty, giving has to precede receiving. The gradient-force (drawing out of a line) is the sacred law of the promised land of milk & honey that nourishes & satisfies one & all.
The people are thirsty & crying for the promised Mother land of fruitful plenty.
Mother is she who measures out, she is the Matrika, the Measure/r.
The people so badly want to manifest whatever it is they want.
Perpetuating patriarchy, by taking before asking, by milking Mother dry & empty.
Fruitfulness results from bringing things together correctly, seed in soil with water & light yields trees with fruits of plenty.
𝓢𝓪𝓶kalpa is connecting things (𝓢𝓪𝓶) through work (intention, attention & action) to beget fruits, to generate more, to bring forth abundance.
This is the fertility of Mother.
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jeffreystewart · 3 months
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Norsery Rhymes from A to Z Matrons Frisavae, the Paternal Frisian Mothers
Happy Thorsday! - Here’s another 20 min sketch of a Norse (and Germanic, Celtic) mythological characters. This week it’s the Matrons Frisavae /  Matronis Frisiavi / Frisaevones / Frisiavian
Three guardian ancestral protective Matron (Mothers) and Goddesses, found mentioned in several shrines and stones around Wissen near Xanten.
Their name has generally been understood to simply be a place , or tribal name. The Frisian Tribes. The Full name found was Matribus Frisavis Paternis. Meaning the Germanic matrons would be the matrons and protectors of the Frisians Paternal lines.
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floweroflaurelin · 2 months
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Are you here to take me to Mama?
Rewatching ep3 and every time I think about the Emissary I get choked up, so I painted them again! He’s going home, and there will be light 🍎
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malsorie · 3 months
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Nightwarden.
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There's just something so fascinating about the way the Exandrian pantheon has decided to handle the Aeor Situation™ - by electing a few of their kind to be born as mortals in order to infiltrate the city.
The first to bring herself low was Ioun, and I can only imagine how lonely that must have been for her. To feel infinite wisdom creeping into her adolescent mind? To rise through Aeor's ranks knowing what they'd do to her if the authorities discovered the truth of her existence? Waiting, hoping, perhaps even praying that the other gods would follow through with the plan.
Sarenrae has a husband and children as Trist. I can't help but consider the parallels to Liliana Temult, with a 'higher calling' pulling a mother away from her family. The conversations in the temple suggest that she would have been aware of what she was by the time she started her family. Yet she loves them, cherishes them, even knowing that she might not see them again. Will Amaris, Haylie, and Topher learn that Trist is a goddess? Or will that only be discovered when they find their way to her realm in Elysium?
The Matron was once mortal, and she willingly returned to that form in order to help her newfound siblings dismantle the Aeorian threat. Her steward since childhood was Purvan, helping raise and guide her despite his old age. Imagine being a little girl, guarded by the Champion of Ravens himself and his wolven companion, completely unaware of your own divinity until later in life. Imagine the night she woke up, remembering her ascendency, seeing Purvan and recognising him.
And what of the families that gave birth to and raised the four Betrayer Gods? What of the halfling family who watched their precocious daughter scale a fence with far too much ease than it should be? The day the tortle's parents found him crying in pain and tearing at his skin to distract himself from a memory so distant and yet so real? Or Milo, who became a priest, not to follow in the light of the Dawnfather (like his parents may have thought), but to mock his brother even as a mortal?
These gods spent entire childhoods with families and friends, taking refuge from the skirmishes caused by their other siblings. Who, despite those similarities, have very different opinions of humanity, of Aeor, and themselves.
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undead-knick-knack · 2 months
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smilelikeawolf · 2 months
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Ioun: "The only way to protect this world is to step away from it and seal the door behind us."
The Matron: "This is the only home I've ever known."
Melora: "This was ours. We, we... no! No!"
Erathis: "Look how far they came, my love. The almost overtook us by force."
The Matron: "If we do this it protects them from the others as well."
Pelor: "We protect them."
Erathis: "Do we? Look at what you've wrought, Dawnfather."
The Matron: "I have ushered many souls this day."
Erathis: "We killed them for being good. My heart is tired."
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Lament for Vax’ildan
This is genuinely one of my favourite pieces I’ve ever done and I’m still not over it. I love Vax and his story so much, and I wanted to capture a bit of the eeriness of being a token of a god.
Prints here!
✨inspired by Lament for Icarus by Herbert James Draper
✨painted in procreate on ipad pro/do not repost
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triaelf9 · 2 months
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~Family~
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sonsieandthematron · 6 months
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toaarcan · 2 months
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Molaesmyr, or "Why wiping out a city is okay if you're me", by Ludinus Da'leth.
I was waiting for a drop like that, to be honest. To find out that Ludinus has already done what was, for the gods, their darkest moment, and for him it was Tuesday.
The gods destroyed Aeor because Aeor was pointing a gun at their heads, for them it was self-defence and they still tried to find other options first. Ludinus destroyed Molaesmyr to try and reach the moon, and wrote it off as an acceptable loss.
And the thing is, the people of Molaesmyr were just as, if not more helpless against Ludinus than Aeor was against the gods! Aeor had a god-killing weapon in their basement that they were gearing up to use! And when the gods did attack Aeor, they had to do so in mortal form, which rendered them much weaker. For the first half of the battle in the Factorum Malleus, Aeor is winning, the gods are losing HP and falling to bad saving throws and getting interrupted at every turn. It's only once SILAHA gets free of the stun and manages to drop his Meteor Swarm on the wards that the tide turns.
There was no such chance for Molaesmyr. They probably didn't even know what he was doing until he'd already exploded their homes. They weren't pointing a gun at him. They were just in the way.
But it's okay when Ludinus has vastly more power than anyone else and throws their lives away to achieve his goals.
I think gods like the Dawnfather, the Everlight, the Arch Heart, the Lawbearer, the Knowing Mistress, and the Matron of Ravens care vastly more about the mortals that Ludinus claims to champion than he does. I think it broke their hearts to kill as many as they did, while for Ludinus, it was easy.
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jeffreystewart · 2 years
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Norsery Rhymes from A to Z Matrons Fernovinea, Goddesses of Aged Wines and Old Rivers.
Happy Thorsday! - Here’s another 20 min sketch of a Norse (and Germanic, Celtic) mythological characters. This week it’s the Matrons (Matronae) Fernovinea / Fernovenea / Fernovineae / Fernovinius / Ferorinehae 
Three guardian ancestral protective ‘Divine Matrons’ (Mothers) and Goddesses, found mentioned on votive stones and altars around Meckinheim near Bonn, and Collogne.
Their name has generally been thought to be either water related such as ‘Old River’, or ‘Old Stream’ from the Old Germanic “fernawi”. “Fern” meaning ‘old’, and “awi” meaning a ‘waterway’. Or ‘mellow wine’ from the Old Germanic “firnewein’. With “fern” meaning ‘old’, and “venea” meaning ‘wine’. Either indicating wine or waterways.. It’s been suggested this would make them goddesses of aged wines, or goddesses of old rivers. 
They were made offering to for protection and blessings of peoples families. Not much else is known about them.
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shorthaltsjester · 2 months
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Why are your children bound by rules you will not follow?
Critical Role, Campaign 3, Downfall Parts 1-3 // Commandments of The Prime Deities according to the Tal'Dorei Campaign Setting Reborn
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dangergggg · 2 months
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"If it's an end you want, darling, I can make that happen."
A Raven Queen doodle.
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just vibing with her new step-siblings
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loserwithanartacc · 2 months
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The sketch for this one was kinda iffy but I really like the final :D
I think it turned out well in the end, but I kept having to tweak the face because something just wasn’t right, but I got it eventually.
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