#mateo pollock

[zanephillips]

MATEO POLLOCK Harlem 2.07 "Fall Back to Rumspringa Forward"

[cosmicanger]

MATEO POLLOCK

Harlem 2.07 "Fall Back to Rumspringa Forward"

[yama-bato]

Sam Francis (1923 - 1994)

Sam Francis: Untitled (Sketch)

“ Biography(b San Mateo, CA, 1923;d Santa Monica, CA, 1994) American Painter and Printmaker. Sam Francis began to paint after a plan crash and illness hospitalized him.  He completed his BA (1949) and MA (1950) at the University of California at Berkeley. During this period, Surrealism and the Abstract Expressionism of Jackson Pollock, Mark Rothko and particularly Clyfford Still influenced Francis.  In 1956, he was featured in the “12 Americans” exhibit at the Museum of Modern Art in New York.  Besides his work on canvas, Francis painted several murals for major institutions and established The Litho Shop to create his own prints.  Francis died due to complications of cancer in 1994. (Biographical information courtesy of the Sam Francis Foundation) “

[mallard-mateo-blog]

@oliverthemockingbird

“Jackson Pollock’s simplicity and complexity concurrently annoys me,” Mateo responded. He hated how Pollock could use a technique so simple and yet be a recognized name and even a highly acclaimed painter when Mateo didn’t understand his brand of paintings.

“I’d never fling paint at you. I’d absolutely hit you with it,” he joked, not raising his eyes from his painting. “And how are you?” Finally, he looked up and offered Oliver a smile.

Mateo was already a busy man, just a week into the school year. He took a heavy course load in hopes of completing a double major in a timely manor, and was already shin-deep in that.

Planted comfortably under the shade of a tree on campus, he gently sketched away on a canvas board, only pausing to hold up his pencil and measure the exact size of something in the distance.

Once he was satisfied with the precision of his sketch, Mateo turned his direction to the travel tableau he had and began mixing colours for his painting. When he looked back up to match a color, there was unexpectedly someone new sitting right in the way of his perfect scene. Frowning, Mateo spoke up politely.

“Excuse me. If you would care to move, you’ve just taken a seat in the middle of my painting. I would love to add a subject to my work but, you see, that isn’t the assignment and this compusition would be terrible.” He offered a bright smile and gestures to the open grass beside himself. “You’re welcome to stay, just please not in your current spot.”

[newyorktheater]

Cindy De La Cruz as Marie, with video game-playing Mateo Ferro as her younger brother Butchie

In “The Siblings Play,” a teenage girl and her two brothers are left to raise one another in a Harlem apartment where the rent is past due, after first their father and then their mother abandoned them. But the story is more complicated than that.  We discover an essential truth about this family as the play unfolds and in flashbacks: All members of the family abandon one another in one way or another, not just the parents, but in all cases the abandonment is only temporary; the love is permanent.

In a way “The Siblings Play” itself had been abandoned –  temporarily.  Beginning previews at Rattlestick Playwrights Theater on March 3, and scheduled for an official opening on March 18, it shut down after the performance on March 14 — as has every other play in New York on order the authorities to curb the spread of the pandemic.

But that last performance was recorded – and is being offered online through April 5th to patrons who purchased tickets to the canceled performances, as well as to new viewers for $15 a ticket.

I was invited to watch it online to review.  I suspect this worked better live. Understandably, the camerawork doesn’t rise to the level of the stage-to-screen recordings we’ve gotten used to on platforms like Netflix. A clue as to why the theater went to the trouble of offering it online  seems embedded in the playwright’s note in the (virtual) program, which reads like a poem.

“The story we’re sharing here today is about survivors, not victims,” Ren Dara Santiago writes. “I wrote this play to heal heroes. And heal myself, and each of you.”

“The Siblings Play,” which marks playwright Santiago’s

professional debut, is heartfelt and well-intentioned. The production is first-rate, with some really fine performances in the five-member cast. And, not incidentally, Rattlestick Playwrights Theater, which over the past quarter century has offered much splendid theater, deserves the support during this perilous time.  Yet, though others will surely respond more enthusiastically to the message of healing, my problems with the play were not limited to the sudden change of medium.  I more admire the effort than fully embrace the results.

And much is admirable. The language of “The Siblings Play” has the authentic-sounding rhythms of the streets of Harlem circa 2010, and the issues with which they grapple are certainly widespread. The characters are each vividly etched.  Mateo Ferro stands out as Butchie, aka Marian and Mars, who has the most on the ball – at 13 years old, he has learned computer coding on his own, he’s an exemplary tennis player; he’s the hope of the family. But he’s also the baby of the family, and his siblings baby him, and worry about him, which he resents.  There are riveting moment as well between the two other siblings, Cindy De La Cruz as Marie/Rie-rie/Sweet-pea, and Ed Ventura as Leon/Lee/Chookie. That they each are given several names is the playwright’s clever hint that each is struggling with their manifold and sometimes conflicting identities, trying to grow up, trying to navigate between their roles as children, siblings, breadwinners and protectors. It’s telling that they keep on telling their parents not to call them by their childhood nicknames.

The Siblings Play, which was in previews Off-Broadway, will now be offered pay-for-view online.

Since much of the point of the play is to emphasize how responsible the children must be to take care of themselves, Dalia Davi as Lenora and Andy Lucien as Logan  have the more challenging roles as the irresponsible parents. It’s a credit to both the writing and the acting that they don’t come off as monsters, but as people grappling with their own demons. Andy Jean’s costume for Davi – a bright red dress with too much bodice showing –gets right at her character.

While I was watching “The Siblings Play,” it occurred to me that its subject was similar to Bess Wohl’s play last year, Make Believe – siblings who have to fend for themselves,  because of parental neglect.  Where “Make Believe” was elliptical, however, “The Siblings Play”  is akin to blunt-force trauma. The characters spend much time yelling at one another, which of course families do, but it’s tedious enough when it’s your own.

I’m not sure whether “The Siblings Play” precisely fits the 1950s genre of kitchen sink drama, but there is a familiarity to the pile-up of contemporary family problems that, perhaps paradoxically, often makes the play feel awkward and old-fashioned.

“The Siblings Play” is partially redeemed by its performers, even though we no longer get to see them in the flesh and the glory of live theater.  They will appear, though, in  live (albeit remote) post-show conversations. (See below.)

  The Siblings Play

Written by Ren Dara Santiago Directed by Jenna Worsham Scenic design by Angelica Borrero, costume design by Andy Jean, lighting design by Zach Blane, sound design by Michael Costagliola Cast: Dalia Davi as Lenora, Cindy De La Cruz as Marie, Mateo Ferro as Butchie, Andy Lucien as Logan, and Ed Ventura as Leon. Running time: About two hours Tickets: $15 “The Sibling Play” is online here, through April 5

There will be post-show live performances on selected dates via Zoom. March 26 at 5pm – A Conversation with Director Jenna Worsham and cast members on how this play speaks to their own personal experiences.

March 31 at 3pm – A Conversation with David Kener and Monica Caballero from Counseling-in-the-Schools with Playwright Ren Dara Santiago.

April 2nd at 5pm – A Conversation with Robert Pollock from PEN America and Josie Whittlesey from Drama Club with Playwright Ren Dara Santiago

The Siblings Play Review: Harlem Kids Taking Care of Themselves, In a Debut Play That’s Moved Online In “The Siblings Play,” a teenage girl and her two brothers are left to raise one another in a Harlem apartment where the rent is past due, after first their father and then their mother abandoned them.

[praza-catalunya]

As creacións surrealistas seguen a estar vivas en obxectos deseñados

O onirismo, os ditados do subconsciente que tanto condicionaron a creatividade de mulleres e homes do surrealismo hai un século, seguen vixentes agora na súa aba máis industrial, no deseño. A mostra Surrealisme i disseny que organiza a Fundació LaCaixa trata precisamente dese diálogo no tempo e nos espazos. Pódense facer relecturas dos ready-mades de Marcel Duchamp? E das elaboracións de Dalí ou de Magritte?

Lito Caramés

Surrealismo e deseño. Surrealismo e vida.

La nit és la porta a la verdadera vida, aquella vida plena on l’impossible regna i la mort no imposa la seva llei. És l’imperi dels somnis enigmàtics, insondables però també tendenciosos i perillosos perquè atempten contra la nostra lògica de pensament. Però, per sobre tot, els somnis representen desitjos. Són comuns a tots els éssers humans i estructuren el nucli més íntim del nostre jo, fent visible un jo operatiu que basa tota la seva activitat en la pulsió del desig… ( Albert Serra, cineasta, 2017)

Expresións artísticas albergadas baixo o extenso paraugas do surrealismo están presentes agora na mostra Objectes de desig. Surrealisme i disseny, 1924-2020 que Caixaforum vén de abrir nas súas instalacións de Barcelona. O surrealismo, as manifestacións que xera nos humanos, sempre están presentes. Neste caso, a Fundació LaCaixa propón un diálogo entre as bases estéticas do surrealismo máis coñecido (ese movemento estético que comezou -oficialmente- en 1924, cando Andre Breton publicou o Manifest Surrealiste) e as realizacións prácticas que ao longo de cen anos foron saíndo das mentres de artistas e inventores para satisfacer necesidades sociais; o deseño.

Non é fácil acoutar o surrealismo. O surrealismo vén sendo unha necesidade humana para entender a propia existencia. Que soñarían, e como interpretarían eses soños, os xamáns poñamos do Paleolítico Superior? Que necesidades levaron a aquelas comunidades a pintar nas paredes?, acaso as respostas aos soños individuais ou colectivos? Os soños inspiraron moitos contos populares, de calquera lugar do planeta. Iso quere dicir que nos miolos humanos hai unha necesidade de encarar a realidade desde parámetros non-racionais. O exceso de lóxica non enche de todo as vidas. Cómpre ter espazos para a maxia, para o inexplicable. As grandes preguntas sempre estarán aí. A literatura de calquera época estivo, está, tinguida de relatos fantásticos, de mundos imaxinados. Por que?

As artes plásticas de sempre meteron nas súas pezas o surreal en conversa directa co sobrerreal. Cantos capiteis románicos presentan mundos alucinantes para poñelos en contacto directo coas divindades? Non cómpre chegar ao Bosco, ou a Goya para percibir en telas, frescos e relevos a pegada de realidades paralelas. Paralelas, si, pero tan reais como tantas outras. Que vén sendo o Entroido?, a inversión da orde social establecida?, a liberdade imaxinativa? Sempre se comenta que a Marcel Duchamp lle agradaba moito vestirse de muller: Rose Selavy (nome inventado que ben se pode traducir por “Rosa, isto é a vida”). É dicir, que Duchamp estaba a dicir que o seu verdadeiro eu manifestábase cando se travestía. E cal é o disfrace popular máis utilizado desde sempre no Entroido? Pois iso: a inversión dos sexos. Duchamp non estaba a inventar nada, deixábase levar das ansias de reverter a vida para facela máis soportable.

El sueño de la razón produces monstruos. Con que soñaba Francisco de Goya? Que monstros lle ocuparon o cerebro perante aquela enfermidade tan dura, en Cádiz, que o deixa xordo? Que soños tivo en Burdeos?, acaso soñou con Fuendetodos? Ou, por ventura, o soño da razón aproximouno á xuventude que reflicte no cadro da leiteira?

Dalí. Taza gigante volando, 1944

Objectes de desig. Surrealisme i disseny, 1924-2020 Cúmplense os soños?

Je rêve que je suis dans mon lit et qu’il est tard. Impossible de dormir. Je souffre de partout. J’essaie d’allumer. N’y parvenant pas, je me lêve et, dans le noir, je me dirige à tâtons vers la chambre de N… Dans le corridor, je tombe. Incapable de me relever, j’avans lentement en rampant. J’étouffe, j’ai très mal dans la poitrine. A l’entrée de la chambre de N…, je m’endors (je rêve que je m’endors). (Paul Eluard. Je rêve que je ne dors pas. Rêve de 18 de juin de 1937, recollido no libro André Breton, Trajectoire du rêve, 1938).

A mostra temporal con que agora Caixaforum agasalla ao público das súas salas en Barcelona, Objectes de desig. Surrealisme i disseny, 1924-2020, redunda no atractivo tema do surrealismo, unha das tendencias estéticas máis frutíferas da pasada centuria e fonte permanente de lecturas e interpretacións, aínda  que desta volta as/os responsables aproveitan a lucidez (nunca mellor dito) que producen os soños para conectar ese mundo onírico, persoal, inmaterial, coa produción material, industrial. O entallado entre produción plástica e as realizacións do deseño ao longo dun século.

Para argumentar semellante casamento, os organizadores da exposición --a Fundación LaCaixa e o Vitra Design Museum--, presentan un total de 285 pezas de arte e mais obxectos deseñados que pretenden establecer unha coherente relación entre a plástica emerxida do subconsciente e a produción industrial. Unha mostra ampla, e ben estruturada dentro do espazo de Caixaforum; vese que queren lucir o deseño tamén na distribución espacial das pezas nos diferentes apartados en que se distribúen. O Vitra Design Museum é unha institución sita no occidente de Alemaña, preto de Basel, dedicada ao fomento e conservación do deseño. Precisamente a mostra está comisariada por Mateo Kries, que vén sendo o actual director do Vitra Design Museum e mais por Tanja Cunz, comisaria e traballadora do mesmo museo.

Aulenti, Tour, 1993

O dialogo entre creatividade artística e creatividade manufactureira establécese por medio de pinturas, de esculturas, debuxos, de carteis, revistas, libros, así como por medio de fotografías, films antigos e por suposto pezas de mobiliario. Para auxiliar o devandito diálogo, os organizadores contan con obras de artistas como Salvador Dalí, Man Ray, Lee Miller, Giorgio de Chirico, René Magritte, Joan Miró, Marcel Duchamp ou Meret Oppenheim; e tamén con pezas de deseñadores e arquitectos tales como Gae Aulenti, Le Corbusier, Antoni Gaudí, Ray Eames ou Achille Castiglioni. Nesta nómina de nomes que Caixaforum publicita para a prensa hai poucas mulleres (a extraordinaria fotógrafa Lee Miller, a frutífera arquitecta Gae Aulenti), mentres que no cómputo xeral de autoras/es hai moitas máis mulleres. Segue resultando máis atractivo ao público as relacións de nomes masculinos?

Entrando no que son os miolos da mostra (Objectes de desig. Surrealisme i disseny, 1924-2020) é doado argallar que o que se está a ver e a comprobar nas salas de Caixaforum é que os soños fanse realidade. O subconsciente, os seus derivados, os soños, o erotismo, o azaroso azar, xerador de tantas coincidencias, a irracionalidade, todo iso son elementos que os artistas englobados no surrealismo (e movementos asimilados: está demostrada a forte influencia que a artistada --Miró, Tanguy, Dalí-- que por culpa da II Guerra Mundial emigran de Europa a EEUU exerceu sobre os creadores que se denominan baixo o paraugas do Expresionismo Abstracto –Pollock e compañía), artistas do surrealismo, souberon aproveitar para inventar mundos novos. Posteriormente arquitectos e deseñadores, de ambos sexos, botan man daquela reacción contra a excesiva racionalidade do cubisme e mais da Bauhaus –que foi o surrealismo--, para producir novidades estéticas industriais. Un exemplo pode ser o arquitecto Le Corbusier que en moitos dos seus edificios déixase gañar polas liñas curvas, foxe do ángulo recto, para dar aos seus edificios aspectos totalmente novos (ver a igrexa de Notre Dame du Ronchamp). Aspectos que tamén teñen moito que ver co que o antropólogo Levi Strauss chamou o Pensamento Salvaxe (que é un dos apartados da mostra Objectes de desig. Surrealisme i disseny, 1924-2020): a influencia de estéticas e solucións prácticas que tiñan feito pobos que se consideraban primitivos, non evolucionados. Todo parece indicar que nas estéticas de Le Corbusier influíu moito a arquitectura que puido coñecer e admirar nalgunhas zonas de Arxelia (daquela colonia francesa), en concreto nas vilas de Ghardaia.

Outro tanto se pode dicir da relación de Dalí con creadores posteriores. Os labios vermellos que o de Cadaqués elaborou para a famosa face de Mae West acabaron facéndose verdadeiros sofás deseñados polo italiano Carlo Molino, nos anos 40; e posteriormente por Studio65 e outros. Das especiais creacións pictóricas de Magritte, o deseñador Roberto Matta acaba por elaborar no ano 1970 un asento titulado MagriTTA: que vén sendo un chapeu típico dos que pintaba Magritte cunha mazá, (das que tamén pintaba o artista belga) dentro. As similitudes e relacións pódense seguir por todas as salas.

Somers. High Tea Pot, 2003

Objectes de desig. Surrealisme i disseny. Os soños das mulleres tamén se cumpren?

O que desexo é a liberdade de ir polas rúas soa, entrar e saír, sentarme nas Tulleries, e especialmente o pracer de mirar as tendas de arte, entrar nas igrexas e museos, camiñar polas rúas de noite. Iso é o que quero; e sen esta liberdade non se poder ser unha verdadeira artista (...) Todo iso é o que me fai rinchar os dentes cando penso que son unha muller. Cun vestido burgués e unha perruca, estarei tan fea que serei libre coma un home! (Marie Bashkirtseff, Diario, 1879).

Estas verbas tan duras e sentidas da pintora impresionista Bashkirtseff reflicten as condicións de vida das mulleres a finais do século XIX, as limitacións que tiñan que soportar e, tamén, os seus estado de ánimo. Desde entón, mudou tanto o mundo?

Na interesante proposta temporal que agora propón Caixaforum Barcelona (Objectes de desig. Surrealisme i disseny, 1924-2020) están presentes creacións, xa artísticas, xa artístico-industriais, de mulleres que decidiron expresar “todo o libremente que poden” as súas inquietudes intelectuais e profesionais. Desde que no ano 1971 a profesora Linda Nochlin publicou o seu histórico artigo Why Have There Been No Great Women Artists? na revista Art News moito se leva traballado para poder  situar ás creadoras nos lugares que lles corresponden.

Con todo, a primeira exposición dedicada exclusivamente ás mulleres artistas e surrealistas non se fixo en España ata o ano 2017 (cen anos despois!): Dones surrealistes i la seva conexi�� amb Catalunya, atractiva e necesaria mostra organizada e presentada pola galería Mayoral. Nela estaban presentes obras de Maruxa Mallo, Eleanor Carrington, Frida Kahlo, Ángeles Santos, Remedios Varo, Lee Miller, entre outras artistas. Curiosamente, meses despois, no Museo Picasso de Málaga presentouse outra exposición sobre o mesmo tema (Somos plenamente libres. Las mujeres y el surrealismo) e con moitas máis artistas representadas.

Na exposición temporal que agora se está a comentar --Objectes de desig. Surrealisme i disseny, 1924-2020-- hai presencia de mulleres artistas. Consultando, a grosso modo, a lista de obras expostas, e as súas autorías, pódese dicir que as mulleres artistas con pezas expostas case chegan ao 30% do total; algunhas con máis dunha obra exposta. Hai nomes tan importantes como a fotógrafa francesa Denize Bellon, a atrevida Lee Miller, Louise Bourgeois, Gae Aulenti, Dorothea Tanning, Elsa Schiaparelli, así ata un total dunhas vinte artistas de diversas disciplinas.

van Herpen. Syntopia, 2018

Entre as pezas que pertencen a mulleres creadoras pódese reseñar Syntopia, da deseñadora Iris van Herpen. Esta nova deseñadora xoga, para a elaboración dos seus vestidos de alta costura, coa innovación tecnolóxica e mais con novos materiais, e todo metido dentro dos xeitos do traballo artesanal. Os resultados son espectaculares, como é o caso deste vestido (Syntopia) que aposta polo movemento, pola vaporosidade das formas. Noutro extremo está a mesa que representa á arquitecta Gae Aulenti: Tour (1993). Aulenti foi unha decisiva arquitecta no que respecta, por exemplo, ás reestruturacións e melloras de museos (Musée d’Orsay, Museu Nacional d’Art de Catalunya, Centre Pompidou), e tamén unha innovadora no deseño. A súa peza Tour en realidade é un xogo, e unha homenaxe a Marcel Duchamp. Duchamp elaborara a súa famosa Roue de bicyclette (1913), un ready-made dos primeiros. Pois Aulenti segue as pegadas de Duchamp e instala a mesa de vidro sobre catro roues de bicyclette, en clara alusión á concepción do autor de Fontaine. A deseñadora Alicja Kwade, que traballa en Berlín, é coñecida polos seus traballos visuais nos que procesa o espazo e o tempo sempre desde unha perspectiva totalmente subxectiva. Iso é o que fai coa peza que está agora en Caixaforum: Besen! Besen! Sieds gewesen! (Vasoira! Vasoira! Estás aí!), un xogo visual, unha crítica social aos traballos das mulleres, unha parodia de como a longa permanencia da vasoira recostada lévaa a tomar as formas do espazo circundante.

Lito Caramés

 EXPOSICIÓN:  Objectes de desig. Surrealisme i disseny, 1924-2020

Caixaforum Barcelona

ata o 7 de xuño de 2020

[viviendoyaprendiendoenespanol]

Reflexión sobre Recuerdos Recuperados: España y su Apoyo a la Revolución Estadounidense

      El domingo 14 de octubre del 2018 mis compañeros del Georgetown University European Club y yo fuimos a ver la exposición de historia Recuerdos Recuperados: España y su Apoyo a la Revolución Estadounidense en la Ex-residencia de los Embajadores de España, ahora un museo y centro cultural de España en Washington, DC. En verdad me gustó mucho haber ido con mis compañeros, sobretodo porque creo que no habría ido por mi cuenta, no por falta de interés sino por no estar enterada sobre las oportunidades que brinda este centro. Aquí les va un pequeño resumen sobre mi experiencia en general y una breve descripción sobre mis piezas favoritas.         Sin duda lo que más aprecié sobre mi visita fue la compañía–sobretodo su diversidad. Como representantes de la junta directiva del European Club fuimos mi amigo Victor de las Islas Canarias, un chico italiano llamado Mateo, un chico argentino llamado Brandon, Laure y Lucie, dos estudiantes francesas que estarán en Georgetown de intercambio durante un año, y yo. De nuestros miembros generales, quienes no están involucrados en la organización de nuestros eventos, pero sí reciben invitación para asistir, fueron dos chicos chino-americanos y un amigo de Madrid llamado Carlos. Me encantó poder caminar por la exposición mientras comentaba lo que me parecía interesante con mis compañeros. Fue especialmente divertido comentar con mis amigos Victor y Carlos, quienes se educaron en España. A todos nos pareció muy interesante que a pesar de que ellos tomaron clases de Historia de España toda la vida y yo tomé una clase de Historia Estadounidense por un año, ninguno de nosotros estábamos muy familiarizados con el rol de España en la Revolución estadounidense.       Mis objetos favoritos en la exposición fueron las monedas españolas del siglo XVIII. No tenía ni idea que el real de a ocho español le dio legitimidad al billete del dólar americano cuando este empezó a emitirse en papel. Tampoco sabía que el símbolo del dólar viene de las columnas atadas por una banda en el real de a ocho, símbolo que fue utilizado por Oliver Pollock en su correspondencia desde Nueva Orleans.        Por último, la última sala, la cual técnicamente no forma parte de la exposición temporal, también fue una de mis favoritas. La sala muestra la extensa presencia global de la empresa española de energía y electricidad Iberdrola. Me pareció fascinante aprender sobre el sorprendente alcance de la empresa a través de las explicaciones interactivas encontradas en la sala y a través de mis amigos españoles.       A pesar de solo haber mencionado mis dos cosas favoritas de la exposición, hay muchas más que sin duda son interesantísimas. De la misma manera, a pesar de haber tenido una experiencia distinta al resto de mis compañeros del piso de español debido a no haber ido con ellos, no me cabe duda que les pareció tan interesante como a mi. Ir a esta exposición vale mucho la pena–ilustra de manera divertida la relación entre España y Estados Unidos y sobretodo, brinda una oportunidad de educarnos rodeados de amigos.

[haileyguidelli]

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There is absolutely no obligation to go through our process and receive a fast cash offer, so don’t delay.

Cities in California

Acalanes Ridge, Acampo, Acton, delanto, Adin, Agoura Hills, Agua Dulce, Aguanga, Ahwahnee, Airport, Alameda, Alamo, Albany, Albion, Alderpoint, Alhambra, Alhambra Valley, Aliso Viejo, Alleghany, Allendale, Allensworth, Almanor, Alondra Park, Alpaugh, Alpine, Alpine Village, Alta, Alta Sierra, Altadena, Alto, Alturas, Alum Rock, Amador City, American Canyon, Amesti, Anaheim, Anchor Bay, Anderson, Angels, Angwin, Antelope, Antioch, Anza, Apple Valley, Aptos, Aptos Hills-Larkin Valley, Arbuckle, Arcadia, Arcata, Arden-Arcade, Armona, Arnold, Aromas, Arroyo Grande, Artesia, Artois, Arvin, Ashland, Aspen Springs, Atascadero, Atherton, Atwater, Auberry, Auburn, Auburn Lake Trails, August, Avalon, Avenal, Avery, Avilla Beach, Avocado Heights, Azusa, Baker, Bakersfield, Baldwin Park, Ballard, Los Angeles, Los Banos, Los Berros, Los Gatos, Los Molinos, Los Olivos, Los Osos, Los Ranchos, Lost Hills, Lower Lake, Loyalton, Loyola, Lucas Valley-Marinwood, Lucerne, Lucerne Valley, Lynwood, Lytle Creek, Mabie, Macdoel, Mad River, Madera, Madera Acres, Madison, Magalia, Malaga, Malibu, Mammoth Lakes, Manchester, Manhattan Beach, Manila, Manteca, Manton, March ARB, Maricopa, Marin City, Marina, Marina del Rey, Mariposa, Markleeville, Martell, Martinez, Marysville, Matheny, Mather, Maxwell, Mayfair, Mayflower Village, Maywood, McArthur, McClellan Park, McClenney Tract, McCloud, McFarland, McGee Creek, McKinleyville, McKittrick, McSwain, Mead Valley, Meadow Valley, Meadow Vista, Meadowbrook, Mecca, Meiners Oaks, Mendocino, Pleasant Hill, Pleasanton, Pleasure Point, Plumas Eureka, Plumas Lake, Plymouth, Point Arena, Point Reyes Station, Pollock Pines, Pomona, Ponderosa, Poplar-Cotton Center, Port Costa, Port Hueneme, Porterville, Portola, Portola Valley, Posey, Poso Park, Potrero, Potter Valley, Poway, Prattville, Princeton, Proberta, Prunedale, Quartz Hill, Quincy, Rackerby, Rail Road Flat, Rainbow, Raisin City, Ramona, Rancho Calaveras, Rancho Cordova, Rancho Cucamonga, Rancho Mirage, Rancho Murieta, Rancho Palos Verdes, Rancho San Diego, Rancho Santa Fe, Rancho Santa Margarita, Rancho Tehama Reserve, Randsburg, Red Bluff, Red Corral, Redcrest, Redding, Redlands, Redondo Beach, Redway, Redwood City, San Andreas, San Anselmo, San Antonio Heights, San Ardo, San Bernardino, San Bruno, San Buenaventura (Ventura), San Carlos, San Clemente, San Diego, San Diego Country Estates, San Dimas, San Fernando, San Francisco, San Gabriel, San Geronimo, San Jacinto, San Joaquin, San Jose, San Juan Bautista, San Juan Capistrano, San Leandro, San Lorenzo, San Lucas, San Luis Obispo, San Marcos, San Marino, San Martin, San Mateo, San Miguel, San Miguel CDP (San Luis Obispo County), San Pablo, San Pasqual, San Rafael, San Ramon, San Simeon, Sand City, Sanger, Santa Ana, Santa Barbara, Santa Clara, Santa Clarita, Santa Cruz, Santa Fe Springs, Santa Margarita, Santa Maria, Santa Monica

The post Sell Your House Fast in California appeared first on National Cash Offer.

source https://nationalcashoffer.com/sell-your-house-fast-in-california/ from http://nationalcashoffer.blogspot.com/2017/12/sell-your-house-fast-in-california.html

[kathleendebora]

Sell Your House Fast in California

Selling a home in California? You have done your research and understand that the traditional retail route can be lengthy, and sometimes fall through at the last minute. Just because you list your home with an agent doesn’t mean that it will get sold. And if you do receive an offer, it does not mean that the buyer will not fall through.

We are cash home buyers, ready to make a cash offer on your house fast. We are the real deal and close quickly. As a cash home buyer, there are no real estate commissions. We even pay the closing costs. We will buy your house in California fast for cash and pay all fees. No need to make repairs because we buy houses in as-is condition.

No-Obligation Fast Cash Offer in California

Our process is simple. Fill out the quick form on our website or call the toll free number @ (877)-990-7774. Schedule a showing with us. Receive your cash home offer.

There is absolutely no obligation to go through our process and receive a fast cash offer, so don’t delay.

Cities in California

Acalanes Ridge, Acampo, Acton, delanto, Adin, Agoura Hills, Agua Dulce, Aguanga, Ahwahnee, Airport, Alameda, Alamo, Albany, Albion, Alderpoint, Alhambra, Alhambra Valley, Aliso Viejo, Alleghany, Allendale, Allensworth, Almanor, Alondra Park, Alpaugh, Alpine, Alpine Village, Alta, Alta Sierra, Altadena, Alto, Alturas, Alum Rock, Amador City, American Canyon, Amesti, Anaheim, Anchor Bay, Anderson, Angels, Angwin, Antelope, Antioch, Anza, Apple Valley, Aptos, Aptos Hills-Larkin Valley, Arbuckle, Arcadia, Arcata, Arden-Arcade, Armona, Arnold, Aromas, Arroyo Grande, Artesia, Artois, Arvin, Ashland, Aspen Springs, Atascadero, Atherton, Atwater, Auberry, Auburn, Auburn Lake Trails, August, Avalon, Avenal, Avery, Avilla Beach, Avocado Heights, Azusa, Baker, Bakersfield, Baldwin Park, Ballard, Los Angeles, Los Banos, Los Berros, Los Gatos, Los Molinos, Los Olivos, Los Osos, Los Ranchos, Lost Hills, Lower Lake, Loyalton, Loyola, Lucas Valley-Marinwood, Lucerne, Lucerne Valley, Lynwood, Lytle Creek, Mabie, Macdoel, Mad River, Madera, Madera Acres, Madison, Magalia, Malaga, Malibu, Mammoth Lakes, Manchester, Manhattan Beach, Manila, Manteca, Manton, March ARB, Maricopa, Marin City, Marina, Marina del Rey, Mariposa, Markleeville, Martell, Martinez, Marysville, Matheny, Mather, Maxwell, Mayfair, Mayflower Village, Maywood, McArthur, McClellan Park, McClenney Tract, McCloud, McFarland, McGee Creek, McKinleyville, McKittrick, McSwain, Mead Valley, Meadow Valley, Meadow Vista, Meadowbrook, Mecca, Meiners Oaks, Mendocino, Pleasant Hill, Pleasanton, Pleasure Point, Plumas Eureka, Plumas Lake, Plymouth, Point Arena, Point Reyes Station, Pollock Pines, Pomona, Ponderosa, Poplar-Cotton Center, Port Costa, Port Hueneme, Porterville, Portola, Portola Valley, Posey, Poso Park, Potrero, Potter Valley, Poway, Prattville, Princeton, Proberta, Prunedale, Quartz Hill, Quincy, Rackerby, Rail Road Flat, Rainbow, Raisin City, Ramona, Rancho Calaveras, Rancho Cordova, Rancho Cucamonga, Rancho Mirage, Rancho Murieta, Rancho Palos Verdes, Rancho San Diego, Rancho Santa Fe, Rancho Santa Margarita, Rancho Tehama Reserve, Randsburg, Red Bluff, Red Corral, Redcrest, Redding, Redlands, Redondo Beach, Redway, Redwood City, San Andreas, San Anselmo, San Antonio Heights, San Ardo, San Bernardino, San Bruno, San Buenaventura (Ventura), San Carlos, San Clemente, San Diego, San Diego Country Estates, San Dimas, San Fernando, San Francisco, San Gabriel, San Geronimo, San Jacinto, San Joaquin, San Jose, San Juan Bautista, San Juan Capistrano, San Leandro, San Lorenzo, San Lucas, San Luis Obispo, San Marcos, San Marino, San Martin, San Mateo, San Miguel, San Miguel CDP (San Luis Obispo County), San Pablo, San Pasqual, San Rafael, San Ramon, San Simeon, Sand City, Sanger, Santa Ana, Santa Barbara, Santa Clara, Santa Clarita, Santa Cruz, Santa Fe Springs, Santa Margarita, Santa Maria, Santa Monica

The post Sell Your House Fast in California appeared first on National Cash Offer.

from https://nationalcashoffer.com/sell-your-house-fast-in-california/ from https://nationalcashoffer.tumblr.com/post/168813990896

[nationalcashoffer]

Sell Your House Fast in California

Selling a home in California? You have done your research and understand that the traditional retail route can be lengthy, and sometimes fall through at the last minute. Just because you list your home with an agent doesn’t mean that it will get sold. And if you do receive an offer, it does not mean that the buyer will not fall through.

We are cash home buyers, ready to make a cash offer on your house fast. We are the real deal and close quickly. As a cash home buyer, there are no real estate commissions. We even pay the closing costs. We will buy your house in California fast for cash and pay all fees. No need to make repairs because we buy houses in as-is condition.

No-Obligation Fast Cash Offer in California

Our process is simple. Fill out the quick form on our website or call the toll free number @ (877)-990-7774. Schedule a showing with us. Receive your cash home offer.

There is absolutely no obligation to go through our process and receive a fast cash offer, so don’t delay.

Cities in California

Acalanes Ridge, Acampo, Acton, delanto, Adin, Agoura Hills, Agua Dulce, Aguanga, Ahwahnee, Airport, Alameda, Alamo, Albany, Albion, Alderpoint, Alhambra, Alhambra Valley, Aliso Viejo, Alleghany, Allendale, Allensworth, Almanor, Alondra Park, Alpaugh, Alpine, Alpine Village, Alta, Alta Sierra, Altadena, Alto, Alturas, Alum Rock, Amador City, American Canyon, Amesti, Anaheim, Anchor Bay, Anderson, Angels, Angwin, Antelope, Antioch, Anza, Apple Valley, Aptos, Aptos Hills-Larkin Valley, Arbuckle, Arcadia, Arcata, Arden-Arcade, Armona, Arnold, Aromas, Arroyo Grande, Artesia, Artois, Arvin, Ashland, Aspen Springs, Atascadero, Atherton, Atwater, Auberry, Auburn, Auburn Lake Trails, August, Avalon, Avenal, Avery, Avilla Beach, Avocado Heights, Azusa, Baker, Bakersfield, Baldwin Park, Ballard, Los Angeles, Los Banos, Los Berros, Los Gatos, Los Molinos, Los Olivos, Los Osos, Los Ranchos, Lost Hills, Lower Lake, Loyalton, Loyola, Lucas Valley-Marinwood, Lucerne, Lucerne Valley, Lynwood, Lytle Creek, Mabie, Macdoel, Mad River, Madera, Madera Acres, Madison, Magalia, Malaga, Malibu, Mammoth Lakes, Manchester, Manhattan Beach, Manila, Manteca, Manton, March ARB, Maricopa, Marin City, Marina, Marina del Rey, Mariposa, Markleeville, Martell, Martinez, Marysville, Matheny, Mather, Maxwell, Mayfair, Mayflower Village, Maywood, McArthur, McClellan Park, McClenney Tract, McCloud, McFarland, McGee Creek, McKinleyville, McKittrick, McSwain, Mead Valley, Meadow Valley, Meadow Vista, Meadowbrook, Mecca, Meiners Oaks, Mendocino, Pleasant Hill, Pleasanton, Pleasure Point, Plumas Eureka, Plumas Lake, Plymouth, Point Arena, Point Reyes Station, Pollock Pines, Pomona, Ponderosa, Poplar-Cotton Center, Port Costa, Port Hueneme, Porterville, Portola, Portola Valley, Posey, Poso Park, Potrero, Potter Valley, Poway, Prattville, Princeton, Proberta, Prunedale, Quartz Hill, Quincy, Rackerby, Rail Road Flat, Rainbow, Raisin City, Ramona, Rancho Calaveras, Rancho Cordova, Rancho Cucamonga, Rancho Mirage, Rancho Murieta, Rancho Palos Verdes, Rancho San Diego, Rancho Santa Fe, Rancho Santa Margarita, Rancho Tehama Reserve, Randsburg, Red Bluff, Red Corral, Redcrest, Redding, Redlands, Redondo Beach, Redway, Redwood City, San Andreas, San Anselmo, San Antonio Heights, San Ardo, San Bernardino, San Bruno, San Buenaventura (Ventura), San Carlos, San Clemente, San Diego, San Diego Country Estates, San Dimas, San Fernando, San Francisco, San Gabriel, San Geronimo, San Jacinto, San Joaquin, San Jose, San Juan Bautista, San Juan Capistrano, San Leandro, San Lorenzo, San Lucas, San Luis Obispo, San Marcos, San Marino, San Martin, San Mateo, San Miguel, San Miguel CDP (San Luis Obispo County), San Pablo, San Pasqual, San Rafael, San Ramon, San Simeon, Sand City, Sanger, Santa Ana, Santa Barbara, Santa Clara, Santa Clarita, Santa Cruz, Santa Fe Springs, Santa Margarita, Santa Maria, Santa Monica

The post Sell Your House Fast in California appeared first on National Cash Offer.

from https://nationalcashoffer.com/sell-your-house-fast-in-california/

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