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pocima · 11 months ago

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Curating an aespa remix album because the S in SM stands for “sleeping on opportunities”

aespa are not only a group whose talents, incredible music and polished concepts I’ve appreciated for more than 2 years, but they were also a key in reviving my love for hard-hitting electronic music and discovering new kinds of it. A K-pop group fueling my love for entire EDM subgenres may sound absurd, however you’ll understand what I’m saying if you reassess how much potential they have off of the sound they’ve already built. Through both the fandom’s reach on wonderful producers and my own interest, I took proper deep dives into numerous genres such as hyperpop, UK garage, drum and bass, breakcore, trance and future bass, all genres that aespa have either done or would pull off perfectly. As I took my deep dives, one of the things I learned to appreciate tremendously more is remixes. When I was way younger, I had this misconception of remixes just being crappy badly mixed oontz oontz flips of songs due to the atrocities I would regularly hear on pop radios. Talented producers remodeling already high-quality tracks and showing their own stunning perspectives through their own approaches to music completely changed my mind, and I currently often find myself looking forward to how some of my beloved tunes will be reshaped. Now here I am, making a comprehensive list of my desired aespa remixes that also serves as a list of electronic producers that the girls’ A&R team need to get on their roster. (This list was roughly freestyled after @nayeonline came up with the idea of an aespa remix album, and of course I had to make them a victim of my extensive yapping at the mere thought.) Some of these I discovered through MYs, some of these are my own personal faves that the fandom may be overlooking. Enjoy observing my A&R syndrome, and let this serve YOU as a mini aespacore playlist.

Track 1: Welcome to MY World - Sega Bodega Remix

Sega Bodega is most likely my favorite producer of all time. Aside from his objective immense talent, versatility and inability to make a single track of his any less than superb, his musical style (especially recent songs) is otherworldly; his music lulls you into a higher setting. While the possibilities of the outcome of Sega Bodega producing/remixing aespa are endless, WTMW’s orchestration, harmonies and beauty go hand in hand with Sega’s work in that sense. His touch would take the song into another dimension, from an introduction story to aespa’s real world side to a guided trip all around it. It would be a Kwangya-ified but still earthly version of WTMW.

Below attached is his song Cicada, which gives a hint on what can be done with the guitars in WTMW and how the song could become more electronic and intricate.

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Track 2: Next Level - Masayoshi Iimori Remix

A vast majority of the tracks with Masayoshi Iimori’s involvement give me the feel of racing around in a city with neon lights, with a mission to return to my time machine to come back from the future to the present time before it’s too late. Doesn’t this description fit Next Level like a glove? Iimori could make Next Level more punchy, which is perfect for the confidence of the Kwangya rider anthem, with his “mixed and mastered on a BlackBerry in the best way possible” sound adding to the daring, cosmic atmosphere. He definitely needs to be involved in aespa’s Japan debut and quite frankly, he’s not an unrealistic pick even for SM.

Below attached is Freedom Kingdom by 4s4ki feat. Swervy, produced by him, which is my favorite example of his frequent trance incorporation and use of gritty motor-like synths. Spoiler: this will not be Miss 4s4ki’s only appearance in this post.

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Track 3: Savage - A.G. Cook Remix

In all honesty, I don’t believe this needs much elaboration. This man is considered the father of hyperpop, one of the genres aespa are the most influenced by and certainly a genre they could take more advantage of. Savage, the song that solidified aespa as experimental trendsetters in K-pop, becoming more of an outrageous banger than it already is with the A.G. Cook touch, would be a K-pop moment going down in history books.

The track attached below, produced by him, summarizes my vision for a gritty, banging dream Savage 2.0.

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Track 4: Drama - umru remix

Let’s preface this with a fun fact: umru’s splice pack was put to good use in Savage, confirmed by the song’s producers and umru himself! His involvement would transform the twinkling, forceful, electric Drama into an even more hardcore anthem. The synths in the song’s chorus already catch your attention before you’re able to catch your breath after the beauty of the intro and verses, and making all the instruments hit even harder would be a move that totally suits aespa to the core.

Below attached is umru’s take on Fire Truck by SG5, which is one of my favorite productions by him and one of the most hard-hitting of his too. I recommend comparing all the remixes in this post to their respective originals to get a better sense of how these producers can change the tracks.

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Track 5: I’ll Make You Cry - Iglooghost Remix

From the 8-bit synths to the sudden kicks and claps and the video game finale soundtrack vibes, I’ll Make You Cry and Iglooghost’s production go hand in hand. If I were to pick a word to describe the style of his work, without hesitation, it would be “cyber-sigilism”, and he converts it into sound like no other. I’ll Make You Cry could become more even more mystic and mellow, making aespa’s darker side visible once again. (Word to SM: this is how you expand aespa’s range instead of making an EDM-based group release country song demos.)

Below attached is Iglooghost’s take on Crybaby by ABRA, and if this is what he can do to the original Crybaby (love both and please listen to both versions), that IMYC remix would be something never seen in music, let alone K-pop. I also highly suggest checking out his own work to understand the sigilism bit better.

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Track 6: Yeppi Yeppi - Giga/Reol Remix

When I first listened to Reol last March, specifically starting off with the Kinjitou album, “I have to make this woman collab with aespa one way or another” was the second thought to cross my mind. Her and Giga, the producer she works with the most frequently including on Kinjitou, have kept their high spots on the list of Japanese artists I NEED to see working with aespa ever since. Giga’s production is fun, bouncy and radiant, allowing Reol’s expressive songwriting and masterly vocals to shine. I don’t need to mention who else has top-tier production and vocals, you already know who this entire post is dedicated to. The duo, who are also some of the most well-known in Vocaloid/utaite communities, creates pure pop excellence, some of which I’m still convinced were created FOR aespa, to the point I’m genuinely surprised they’ve never mentioned our beloved girls. Reol, I know you’ve been streaming aespa’s music, don’t be shy, at least give them a follow on IG or something.

Kinjitou the title track is Yeppi Yeppi’s older sister and there’s not a single soul that can convince me otherwise. Just tap on the Youtube embed and see for yourself. These two could do WONDERS on Yeppi Yeppi itself. The even crazier instrumentals, and a Reol feature on top? A dream. I also HAVE to see an aespa-ified Kinjitou, to the point where I made a whole line distribution of how they would sing it. At this point I’m begging SM to steal my ideas verbatim. I’d still like a check though.

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Track 7: Illusion - 4s4ki remix

Two scrolls through my account and you’ll immediately know I am THE aespa x 4s4ki truther. President of aes4ki nation. aes4ki priest who has converted three people so far into believers of their joint supremacy so you know it’s tried and tested. 4s4ki and aespa are musical soulmates: the mixture of cybercore and ethereal real world aesthetics and mind-blowing composition on every single song and the lyrics ranging from game/fiction themes to genuine confrontations of virtual worlds to love and sorrow and recovery and the artistry and excellent execution are some incredible traits they have in common as musicians. About Illusion specifically, well firstly I just know that 4s4ki, openly a gamer and anime nerd, would have so much fun working on a song about a virtual snake slurping up some heroines, and she’d eat up aespa’s lore in general. Second, her use of autotune somehow makes her vocals magical and she’s very unafraid to take risks when it comes to music. Illusion’s voice filters, the bass, the surreal atmosphere and that hyper-cosmic feel would be so much more elevated and outrageous with her involvement. If we can’t get a whole album produced by her (I NEED IT SO BAD) at least make this happen. Besides, it would be an incredible full-circle moment for 4s4ki herself, as she has a history of songwriting and producing for others pre-debut, and now she’d be doing it with infinitely much more confidence in her skill and vision.

Now introducing you to into the darkness, my personal fave song of hers and my most played song of 2023. Look at the album cover and listen for yourself. I swear I could praise this woman all day, but I’ll leave it at saying artists like THIS is what aespa deserve, nothing less. MYs, stop what you’re doing and listen to the Killer in Neverland album right now if you haven’t, and you will thank me later.

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Track 8: Thirsty - Donatachi Remix

There are artists who just know the recipe to fun, exciting, girly yet still intriguing pop music and Donatachi is a producer who undoubtedly mastered exactly that. Thirsty already has the bubbliness and joy you could ask from a summer jam so why not double it with this remix? This would be perfect to amplify aespa’s ‘00s spy cartoon-coded colorful real world side, and Donatachi is also a perfect choice for this if you take into account his bright cartoon-avatar 3D visuals. aespa’s real world aesthetics and soundscape should definitely be utilized and expanded to truly fit how surreal their concept is.

Below attached is b2b heartbeat feat. Cowgirl Clue, demonstrating the upbeat drum patterns and euphoric feel that could also be used in a Thirsty remix.

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Track 9: Trick or Trick - Safety Trance Remix

Trick or Trick is the trick-or-treat anthem MYs deserved, and a remix of it needs to maximize its spookiness while setting it apart from all the familiar creepy-ish K-pop songs. Safety Trance brings his grimy industrial genre-bending sound wherever he goes, which hits the target of creating a more experimental, haunting version of the track. Additionally, as reggaeton and dembow influences become increasingly wide-spread in K-pop, a techno-infused neoperreo take on the wave is the most fitting choice for aespa. With the lead of a prominent figure in the electronic neo-reggaeton scene, the execution of this would turn out flawless.

Below attached is his remix of Incredibly Annoying by VTSS. One of my favorite examples of his consistent style and shows how all-in Trick or Trick could possibly go.

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Track 10: Better Things - Florentino Remix

You might be wondering why I chose to give Better Things yet another remix when we already have like 3 of those. Of course the existing remixes are wonderful in their own ways, and the Tropkillaz one is my personal favorite due to its blending of funk, however there’s always room for a full-on Brazilian funk Better Things mix, especially if it’s produced by Florentino. Florentino works with and often seamlessly fuses many genres I have a soft spot for as you could tell, including deconstructed club, neo-reggaeton, baile funk, jungle, breakcore and grime. With such a concoction, the summer anthem could become more distinctive and timeless than it already is.

Below is Florentino’s remix of the adored Nice To Meet You by PinkPantheress, adding in glitchy UK bass, jungle and classic funk drums and grime. The vision for the Better Things remix is crystal clear.

Now, I want to end this post by talking about fans’ wishes for aespa’s future sonic direction. I find many MYs wanting aespa to release hyperpop albums or stick to hyperpop, and while I understand that it’s the bare minimum after the horse girl harmonicas and meemaw ballads that somehow make their way into their God forsaken EPs, even this is nowhere near what’s beneficial for the group in the long-term. Again, aespa have this lingering (thankies to SM 😒) potential to be a multi-faceted EDM group and have one of, if not the, most sophisticated, one-of-a-kind discographies in all of K-pop. It is crucial for them to explore all these EDM subgenres and more instead of getting swayed by shallow trends that come and go. That’s the way to becoming a truly futuristic group that will stand the test of time.

Thank you for reading some of what I got off my chest. Show some love to Drama and Trick or Trick. Being an aespa fan is not for the faint hearted though.

#keyboard.com #aespa #why did this take sm longer than planned…#anywayyyy SM WRITE THIS ENTIRE LIST DOWN.#sega bodega #masayoshi iimori #a.g. cook #umru #iglooghost #giga #reol #4s4ki #donatachi #safety trance #florentino

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scibot9000 · 11 months ago

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top discovered albums this year. as in, top albums from not-2023 but that I found in 2023. i dont have spotify so i gotta do this manually.

rankings approximate. links and thoughts under the cut

hizmi - Soak (2021)

sometimes it's the technicalities that blow my mind. this is…… unmodified X68000 music????

Yeah listening to this has expanded my mind on what's possible with old FM chips. None of this sounds like the artist found any restriction with any aspect of the system.

"Rivulet" blows my mind every time. It's just an ilkae song. Like cmon.

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SDEM - ZNS (2020)

After AE_LIVE 2022, I went on a little bender, looking for anything else ae-esque.

I pretty much immediately struck gold. I had been digging through SDEM stuff anyway but man this is another level.

"dysp 0m" in particular is one of the tracks of all time. I keep coming back to it. it's HEAVY on headphones.

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Ssaladd - Ssaladd (2020)

This is a funny selection to land on a TOP8 because it's so understated. It even kinda feels distant.

But damnit that's why it stuck with me.

The use of wow and flutter is crazy good here!

It feels like carefully applied vibrato, an application of the expression MIDI CC. But completely unlike any other vibrato I've heard.

It feels like a pioneering mix of techniques. And I can't stop thinking about it.

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Cryptovolans - Passenger (2022)

Is it possible to have a wall of sound in MIDI?

No, not Black MIDI. Something prog.

I keep coming back to "Board Room" in particular because it's so... weird? Slightly beyond just SC, but not by much. Heavyweight album.

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Kid606 - GQ on the EQ++ (2000)

The textures on this absolutely blew me away.

"My Kitten Went To London" sounds insanely fresh. I can't believe it's pushing 23 years old!

That and "Dandy" really stuck wth me. The latter sounds a bit more era-appropriate somehow (maybe because of oval?), but still vibes really good.

This was actually me revisiting the album. I initially listened to it about a decade ago and didn't like it. Crazy to think I turned away from such gold back then.

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nagz - Good (2020)

nagz has been a longtime favorite and inspiration of mine. He's been making music from the future for years and years. Blowing my mind since 2006 or so.

One of his earlier releases, hringur, stuck with me for years. It had an atmosphere that I had never heard before or since.

…until now.

It's not actually a sequel, but it's got a flavor that I just. Don't know where else you can find.

If I were to highlight a single track: "I Like You But Not Too Much" hits astoundingly hard. It's what I imagine Earthbound music might be like if it were made today.

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DJ Technorch & 九十九音夢 – Strong Anthropic Principle (2016)

An absolutely mind melting early (found in January) favorite. Hard, hardcore, and psychedelic. And a bit silly.

"猫の気持ち〜Cat's Mind〜 (Masayoshi Iimori Remix)" and "解熱鎮痛一撃必殺〜Critical Arts〜" in particular stuck with me as great experiences.

I really really like the preview video, too. (nsfw warning?) (flashing lights warning?). It truly captures the vibe.

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AE_LIVE / elseq 6-10 / onesix

I had already listened to some of these, but around march, I found fanmade CUE sheets, and that brought a whole new level of love for this release.

And then I found fan edits with another set of fan titles. Two names for all of my favorite bits? Sure!

"ceramic / clipcon" i love that percussion! the ringmod in "(drunk) / probat emp2" is some of my fav ae work ever. having splits made me fall in love with the density of "sentinel / sinistrail casual"

and then I discovered the onesix sets and fan-cuts, giving a more ambient dive which I'll only mention briefly here. But man, "reflected / seven of twelve" is one I revisit OFTEN.

#wrapped

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