#mary is that a police

[hufflpuffin]

As the police escalate violence, beat and attack students and professors, and conduct mass arrests, student protesters should know their rights.

Here is the link to the National Lawyer's Guild booklet for protesters.

If you plan on going out to support the protests, please take some time to read through this and know your rights.

[365filmsbyauroranocte]

Série noire (Alain Corneau, 1979)

[artfartt]

Originals under the undercut

[ask-the-sagents]

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[weirdo-from-bonesborough]

I prefer “Mary and John were normal people” so so so SO much more, however,

Time traveling Dick Grayson: I kinda… don’t join the family business? I mean I still use everything you taught me! Just for vigilantism instead?

Mary: I’m… not sure I’m surprised or not

Dick: really?

Mary: well… you always did love Robin Hood. I should have known you would try your hand at the whole “steal from the rich, give to the poor thing.” I mean, you are my son after all.

Dick: um.

Mary: you stick it to the man. Right, Dick?

Dick: uhh well you see-

John: it’s okay sweetheart, we support you as long as you’re happy, right dear?

Mary: oh of course I am! I would still love you even if you became… oh I don’t know what, John help me out

John: a walking corpse enslaved to the bourgeoisie whom’s every emotion and individuality has been torn away leaving nothing but a shell who knows only violence and obedience

Mary: right- what?

Dick: yeah I’ve been meaning to ask-

John: -about Aunt Harriet? Because I’ve been wanting to ask about what Aunt Harriet’s been up to!

[jubileepizza]

Episode 7 of miracle day is (literally) hit after hit after hit after hit

Gwen and Jack car drive (top ten scenes of all time);

Gwen talking about her survivors guilt and survivors glee from torchwood;

Gwen and Jack both swearing in no uncertain terms that they will kill the other to save themselves/their families and the silent forgiveness and mutual understanding despite it all;

Jack’s desperate unapologetic desire to survive;

Gay sex;

Jack getting teary talking about the doctor’s companions (and maybe he could have one too (Jack doctorification fans rejoice)(Jack’s-rejection-issues fans rejoice));

Betrayal;

Gay sex turned into betrayal;

Really bloody brutal violent betrayal;

The whole basement scene is just… and to culminate in angelo washing jacks bloody feet… god;

ANDY SHOOTS A MAN IN THE HEAD

[powerupcomicstonight]

[angelsdean]

the trouble with watching other shows is. i will then plot out a whole destiel AU abt it. and then never write it!

[haveyouseenthishorrormovie]

Mod Sus got a little bit lost in thoughts while doing the re-taggings again and just wondering.

If you peeps know any good medical horror movies that are not just fetishizing the surgeries or medical body horror, I could use some recommendations. Love me some good medical gore but could use seeing something else than some crazy pervy doctor drooling over their working.

[noir-ish-bee]

duts bnuuy

[omniversalobservations]

Mary Poppins: Slap Fighter II (2024)

I always wanted to see Childhood classics conceptualized as an arcade fighting game, so here we are. Mary Poppins, Slap Fighter. An homage to Mortal Kombat, Street Fighter and Punch Out. Source: YouTube

[cherrylng]

UK ROCK BEST 100 ALBUMS - The 80's [CROSSBEAT (August 2006)]

80's The turbulent 80s, from New Wave to dance revolution

Continuing the trend from the rise of punk to post-punk at the end of the 1970s, up-and-coming bands burst onto the scene one after another, trying to break out of the established framework, and the 80s opened with new wave currents. Derived from the radical, highly artistic and experimental post-punk/art-punk (P.I.L., Gang of Four, etc.), New Wave "combined elements of other genres (electronic music, world music including Latin American and African music, funk and soul, black music such as jazz, etc.) into rock music, while breaking new ground". This includes electronic-pop (Depeche Mode, New Order, etc.) / New Romantics (Duran Duran, etc.), ska revival (The Specials, Madness, etc.), neo-psyche (Echo & The Bunnymen, etc.), positive punk/goth/dream pop (Bauhaus, The Cure, Cocteau Twins), industrial/noise, funka latina, and early neo-acoustic (Aztec Camera).

Although the New Wave originally started out as a non-mainstream movement, many of the bands with a pop and danceable side were caught up in the zeitgeist and gradually absorbed into the mainstream. By the mid-1980s, the controversial Frankie Goes to Hollywood and the sophisticated sound of the Style Council and Police had achieved international success.

Meanwhile, the 1980s saw the exponential growth of a number of indie labels that emerged from the D.I.Y. spirit of punk. These included 4AD, a decadent aesthetic label, Factory, which became the nucleus of the Manchester scene, Creation, which produced the revolutionaries The Jesus & Mary Chain with their violent noise and sweet melodies, and Rough Trade, which featured The Smiths, a group supported by the "social heretics".

The Smiths did much to elevate indie rock to the foreground and spawned many followers. However, as if to replace their break-up (1987), the central scene was dominated by house and other dance music. So-called 'C86' indie bands (Primal Scream, Wedding Present, Pastels, etc.), who mainly focused on guitar-pop, were steadily active in the underground scene. It was also around this time that US hardcore flowed into the UK, having no small influence on UK indie bands.

Against this backdrop, a new trend was emerging in Manchester that was different from the rest of the country. The city had always had a natural affinity for both dance music and guitar rock, and the Happy Mondays and Stone Roses, who frequented clubs and raves, blended the two effortlessly. In 1989, this led to the explosion of a major musical revolution known as 'Madchester' (indie/dance crossover). -Sumi Imai

Tin Drum Japan (1981) The greatest work of the band led by David Sylvian, who is now an electronica hermit. The sober negotiation sound with full-blown oriental taste has the chic of 'Wabi-sabi'. Eagerly awaits reappraisal. -Mima

Rio Duran Duran (1982) A big hit that successfully dispelled the prejudice that this band was just a band with good looks. The arrangements are still fresh today, with a rich variety of styles ranging from 60s pop to funk. -Kuroda

The Dreaming Kate Bush (1982) A masterpiece in which Kate, who debuted as a girl genius, transformed into a magical woman. The labyrinthine forest-like mystique of her perfectionist, meticulous sound and her uninhibited, magical voice is unique. -Hirokawa

You Can't Hide Your Love Forever Orange Juice (1982) A representative of the neo-acoustic group that emerged to put an end to the dwindling punk movement. Their deep knowledge of black music, insatiable pursuit of guitar sounds and naïve lyrics captivated young people. -Kuroda

High Land, Hard Rain Aztec Camera (1983) A masterpiece that made 'neo-acoustic', or rather 'music city Glasgow', a household name. Beautifully crafted with a meaty soul sensibility lurking in the folkiness, and later evolved from it. -Sawada

Construction Time Again Depeche Mode (1983) A perfect balance of hard elements and beautiful ennui melodies, including an early introduction of industrial beats. A monumental work that established the uniqueness of the Depeche sound. -Mima

Porcupine Echo & The Bunnymen (1983) The third Echo & The Bunnymen album, the quintessential UK New Wave record. Ian McCulloch's cool-headed gaze and sharp soundscape heralded the arrival of a new era that had broken away from punk. -Otani

Power, Corruption & Lies New Order (1983) A seminal work that attempted to 'break away from rock' by approaching New York house, but ended up having the influence to advance rock music itself. It was topsy-turvy at the time. -Mima

Synchronicity The Police (1983) The Police were actually a group of techie carriers who borrowed from punk. Each of their albums is "a perfection that you wouldn't expect from three people", but this last album is also a superb pop album. -Koguchi

Treasure Cocteau Twins (1984) Third album from the 80s 4AD representatives. This album pushed Elizabeth's voice out of the dark sound world and broke new ground filled with light and a sense of floating. Includes the classic song "Lorelei". -Yamashita

The Top The Cure (1984) The Cure's sixth album, which established a unique world with its pop sensibility and gloomy lyricism. Robert Smith's character became prominent from this time onwards. 'The Caterpillar' was a big hit. -Yamashita

Welcome to the Pleasuredome FRANKIE GOES TO HOLLYWOOD (1984) FGTH caused a stir in British society in 1984 only. The treatment of gays, politics, and sexuality is intriguing and Trevor Horn's sound is lively and too ostentatious, but in a way a symbol of the times. -Sawada

Café Bleu Style Council (1984) After the break-up of The Jam at the height of their popularity, Weller chose jazz and soul as his next design. What the bewildered fans heard was destructive anger and beauty in a cool soundscape. -Kuroda

Psychocandy The Jesus & Mary Chain (1985) Sweet, decadent melodies emerged amidst raging feedback noise. A shocking work from 1985 that had a profound influence on subsequent shoegaze and alternative bands. -Kuroda

Steve McQueen Prefab Sprout (1985) One of the finest albums by the mixed gender group led by legendary songwriter Paddy McAloon. Brilliantly produced by Thomas Dolby. -Kuroda

Cupid & Psyche 85 Scritti Politti (1985) The second album by Scritti, who at the time were a trio. Their sweet voices and pleasing sound were well received, and songs such as 'The Word Girl', which incorporated reggae rhythms, were big hits. -Yamashita

The Queen Is Dead The Smiths (1986) The Smiths are the charismatic band of those who turned their backs on the glamorous 80s. A masterpiece in which Morrissey's fanged words, heightened by criticism of the national anthem, and Johnny Marr's lyricism intersected at the boiling point. -Sawada.

Saint Julian Julian Cope (1987) Made in 1987 by the Phantom of Liverpool. Narcissism is still alive and well, but the artist aims to conquer himself with ever more straight-forward playing and singing. The artist's confident, robust expression is dependable. -Hirokawa

If I Should Fall from Grace with God The Pogues (1987) The Pogues' best work, combining the melancholy melodies of Irish trad with fun-filled beats. The indie spirit of the Pogues brought a breath of fresh air to the rigid UK scene. -Otani

The Stone Roses The Stone Roses (1989) A work that set the standard for the UK sound from the 1990s onwards, including the band's eclectic sense of combining guitar rock with acid house and the attitude of the band. A masterpiece under the sun that gave birth to Oasis. -Mima

Translator's Note: Haven't posted a series from this article for the last few days. I've only caught up now.

[whitesinhistory]

On August 19, 1916, a mob of white people in Alachua County, Florida, lynched five Black individuals—Andrew McHenry, Bert Dennis, John Haskins, Mary Dennis, and Stella Young—while a Black man named James Dennis was also killed nearby by a “sheriff’s posse.” On the same day, almost 1,000 miles away in Navarro County, Texas, a mob of 200 white people lynched Edward Lang, a 21-year-old Black man. These incidents of racial terror violence occurred just months before the U.S. entered World War I to fight on behalf of the principles of democracy and freedom.

On August 18, in Jonesville, Florida, a Black man by the name of Boisey Long was accused of murdering the local constable. When Mr. Long went missing, word spread that four Black men—Andrew McHenry, Bert Dennis, James Dennis, and John Haskins—and two Black women—Mary Dennis and Stella Young—had allegedly aided Mr. Long in an escape. On Saturday, August 19, a mob of white people captured Andrew McHenry, Bert Dennis, John Haskins, Mary Dennis, and Stella Young, and lynched them. According to reports, on the same day James Dennis was captured and killed by a “sheriff’s posse.”

As was the case here, and typical of the era, white people sought to maintain white supremacy and dominance by instilling fear in the entire Black community through brutal violence that was often unpredictable and arbitrary. With no reported evidence connecting these men and women to the alleged crime, the white mob’s focus clearly expanded beyond a specific person accused of an offense and instead targeted members of the wider Black community, instilling community-wide fear.

Nearly 1,000 miles away, on the same day, a 21-year-old Black man named Edward Lang was accused of assaulting a young white woman near the town of Rice in Navarro County, Texas. A mob of white people captured Mr. Lang four miles from where the alleged attack took place and handed him over to the sheriff. However, before Mr. Lang could be tried, on that same day, an unmasked and armed mob of 200 white farmers seized Mr. Lang from the jail and hanged him from a telephone pole.

During this era, almost 25% of lynchings involved allegations of inappropriate behavior between a Black man and a white woman that was often characterized as "assault."

Lynchings and racial terror during this era reinforced racial hierarchy and fostered lawlessness and disregard for constitutional guarantees of equal protection. Despite the tragedy of this violence, hundreds of thousands of Black people fought to defend the U.S. when it was threatened during World War I.

[fallfairfreelancer]

Two posts in two days? It’s a Christmas miracle

[camocuties]

https://instagram.com/littlefitdevil?igshid=YmMyMTA2M2Y=

[emblazons]

—just realized I have watched this show front to back, not counting the MILLION times I’ve now rewatched scenes for specific analysis contexts, is 4 entire times, not counting each time I watched seasons 1-3 when they dropped in 2016, 2017, and 2019.

I…I don’t know how I feel about this. But it explains why I feel so confused when people don’t remember things that seem obvious to me lmao I’ve spent a minimum of 150 hours watching this shit in the last year in its actual context on top of scenes alone ☠️☠️☠️