#marvel studios’ hawkeye

[marveluniversehero]

The Avengers Teaser Trailer

[allthosepeopleilovetofangirlover]

Favourite assassins����

[joezy27]

HAWKEYE - Clint Barton (MCU)

Jeremy Renner Hawkeye (Disney+)

[audreythebookworm]

rewatched Endgame for the 5 yr anniversary...I am not ok

say it with me: NATASHA ROMANOFF DIDN'T DESERVE TO DIE

and I sure wish the rightful King of Jotunheim would've stepped through the orange portals along with the others 🤧

[thena0315]

[jeremy-rennerr]

JEREMY RENNER | Screen Test for Hawkeye (2019)

[haaam-guuuurl]

I did this poll for Star Wars so I guess I gotta do it for the new Marvel stuff too

[they-have-the-same-va]

Laura Barton (Earth-199999) from Avengers: Age of Ultron, Avengers: Endgame and the Hawkeye TV series shares an actress with Lylla (Earth-199999) from Guardians of the Galaxy Vol. 3.

Portrayed by Linda Cardellini

[mediaomnivore]

The Marvel Mangaverse happened twice, in 2002 and then in 2006. My single favorite issue is probably Avengers Assemble! the art for which was done by Udon Studios.

[marveluniversehero]

Deadpool as The Avengers

[guardianjameslight]

It's nice that since 2021 Marvel been giving us Christmas content.

[joezy27]

Hawkeye - The Complete 1st Season coming on 4K UHD

Marvel Studios' Hawkeye is an original series set in post-blip New York City where former Avenger Clint Barton/Hawkeye (Jeremy Renner) has a seemingly simple mission: get back to his family for Christmas. But when a threat from his past shows up, Hawkeye reluctantly teams up with Kate Bishop (Hailee Steinfeld), a 22-year-old skilled archer and his biggest fan, to unravel a criminal conspiracy.

Bonus Features

- A Tale of Two Hawkeyes - Discover how the cast and crew extended the Hawkeye legacy, bringing together Clint Barton and new character Kate Bishop.

- Gag Reel - Take a look at some of the hilarious outtakes on set with the cast and crew of Hawkeye.

- Assembled: The Making of Hawkeye - Peer behind the scenes of the show with Jeremy Renner, Hailee Steinfeld, and the rest of the cast and crew.

Deleted Scenes

Follow the Trail: Young Kate leaves behind clues for a scavenger hunt.

At The Stake: Clint reluctantly celebrates with a group of fans in the city.

Burning of the Suit: Clint burns the Ronin suit.

Kate’s First Day at Work: Kate uses her awkward first day at work to her advantage.

Ice Cream: Little Maya finds out her dad can't pick her up from -practice.

Detour: Clint and Kate find an unmarked car in front of her apartment.

Friends?: Little Maya and Little Kazi meet for the first time when their fathers do business together.

You Never Miss: Clint's relationship with his mom is revealed through childhood memories. Clint and his mom attempt to rob a convenience store, which ends up a disaster.

Moira Comes Home: Moira chases Clint and Kate out of her apartment.

Old Friend: Clint prepares a familiar weapon.

Sorry: Maya and Clint have a moment of understanding after a battle.

Until It’s Done: Eleanor takes a trip to have dinner. A shocking insight is revealed.

Boomerang: Clint and Kate gather supplies at a sporting goods store to build trick arrows.

SteelBook artwork by Attila Szarka

- Release date: December 3, 2024

[lovelyy-moonlight]

Florence Pugh as Yelena Belova on the set of Hawkeye (2021).

[britesparc]

Weekend Top Ten #672

Top Ten MCU TV Shows 2024

Once more, with feeling, we return to the MCU. Last week I ranked my favourite MCU movies – the third time I’d done that in the nearly thirteen years I’ve been writing this dumb blog. Time passes, tastes change, and Marvel keeps making more movies. But one thing I’ve never done before is rank their TV shows.

There are two very good reasons for that. One is the simple fact that Marvel Studios haven’t really been in the TV-making business all that long; y’see, I’m not counting MCU-adjacent series such as Agents of SHIELD, Daredevil, or Jessica Jones; and as good as X-Men ’97 is, I’m also not counting the many animated series based on Marvel comics. No, I’m very specifically referring to the Marvel Studios/Marvel Television productions that are explicitly set in the MCU; so, basically, the ones they’ve made for Disney+. As a result, I can only go back as far as 2021’s WandaVision; and in all that time, they’ve only recently slipped past ten total productions (eleven series and two one-off TV specials). So I couldn’t really have done this list very much earlier regardless.

And the second reason is that I never thought of doing it till now.

So what we have here is something very simple: a top ten ranking of my favourite MCU TV projects. I say “projects” there, and “shows” earlier on, because I’ve decided to include their two TV specials into the mix here. The line between “short film broadcast on TV” and “one-off TV programme” is a very blurry one, but I do think both the Guardians Holiday Special and Werewolf By Night fall into the latter category, and therefore I think I should include them in a ranking of TV shows, rather than shoe-horning them into a movies ranking. But that’s all there is to say, really; this is a top ten of my favourite MCU TV.

Do not adjust your set.

WandaVision (2021): MCU’s TV adventure really exploded out the gate with this stunning, genre-bending, convention-defying mystery. Utilising TV tropes and formats perfectly, it gave us the tragic downfall of Wanda, allowing a slow-burn and rather uncanny conundrum to unfold week-by-week, a fantastic use of episodic TV. Mysteries, guest stars, new characters, big Avengers; it had it all, and some great theme tuns. And it set up…

Agatha All Along (2024): maybe it’s not quite this good, but my mind’s full of it right now. The best MCU show to give us an unfurling mystery since its predecessor, once again we have a drip-feed of revelations that often lead to more questions; once again we have a cool crew of characters to fall in love with. Some terrific acting, some great songs, some real emotional heft, and some overdue progressive representation. Glory at the end.

The Guardians of the Galaxy Holiday Special (2022): at once light, breezy, and throwaway, and yet also incredibly emotional and potentially essential if you want to know these characters. Something of a hangout mini-movie, it’s a knockabout yuletide lark, but also manages to bring a tear to the eye with honest characterisation and earnest, old-fashioned love. Also has not one but two genuinely very good songs.

Ms. Marvel (2022): debuting a character so perfectly formed and perfectly cast, this is Iman Villani’s show and she knows it. Kamala Khan is a joy from start to finish, and her down-to-earth world with its down-to-earth characters is a refreshing change from the MCU’s gods and billionaires. Like Black Panther before it, simply telling these stories through the lens of another culture instantly makes them feel fresh and exciting. I hope we see more Kamala and her family very, very soon.

Hawkeye (2021): essentially a PG-13 Shane Black movie turned into a TV series, this is in many ways the perfect superhero Christmas film. But, er, a TV series. World-weary Jeremy Renner – finding new shades of Clint even now – contrasts beautifully with firecracker Hailee Steinfeld, with lots of great banter and warm feelings. But it doesn’t skimp on action, with some fantastic fights and one outrageous single-shot set-piece involving a car and a ton of trick arrows. More please.

Loki (2021-23): I think you could argue that the only MCU shows thus far that essential to the overall narrative are maybe this and WandaVision. Here we totally unpick not just the central character – and Tom Hiddleston’s multi-faceted, many-layered performance is possibly the best in the entire franchise – but also reality itself. The design of the TVA is extraordinary, and when it goes weird – multi-Lokis, time-slipping, the works – it’s a wibbly-wobbly joy. And it has arguably the best single episode – certainly the best finale – of any MCU show.

She-Hulk: Attorney at Law (2022): Marvel is often funny, but Marvel doesn’t often do outright comedy; this, then, is a rare gem. A snappy, progressive sitcom in superhero clothing, we have a stand-out central performance, a ton of great cameos, lots of genuinely hilarious jokes, and some utterly bananas fourth-wall-breaking meta-gaggery. It cost a fortune and was, I believe, considered a bit of a disappointment, so we’re probably not getting any more. Savour this sweet miracle for what it was, and be grateful.

Werewolf By Night (2022): unashamedly echoing a particular style in a way not really seen apart from the sitcom pastiche of WandaVision, this is a love letter to all kinds of classic horror, with lots of high contrast shadows and keylit screaming. Manages to be a creepy and grisly thrill-ride, but also give us some nice emotional pay-off with Man-Thing at the end.

Moon Knight (2022): a show by turns masterful and frustrating, we’re here seeing something that sadly happens a lot in the MCU: a failure to stick the landing. The magical shenanigans of Khonshu are one thing, but the highlight here is the multiple personalities of Marc Spector/Steven Grant, and how their perceptions of the world colour not just our perceptions of the show but also Moon Knight himself. Meanders a bit with a woolly ending, but some of its highs are stratospheric.

What If…? (2021-2024): a really bold swing for the fences, this is an exciting adventure show that showcases different characters in new and interesting ways. Whilst you could argue that, with the whole multiverse to play with it’s rarely all that inventive or strange, it’s nice to see, say, Nebula as a detective, or a more playful T’Challa. The animation is often very good, and the way the stories dovetail is interesting. Apparently this year’s third season will be the last. Let’s hope it goes out with a bang.

[mightymarvelmemes]

Mighty Marvel Movie Poll! Round 1!

Propaganda

X-Men: The First Marvel Movie

Avengers: The First MCU movie