#market place script.

[averlym]

local adeptus doesn't get human phrases

[timothylawrence]

People are excited for borderlands 4….

[windmill-ghost]

My opinions on “AI”/artificially generated art is that there should be a universal basic income.

[nsuyeula]

Rundown of the more interesting parts from the Necrits live stream with Christian Linke (Creative Director and Co-Creator of Arcane) :

There was a longer version of the Caitvi sex scene but they got bonked by the ratings people, and because it would have raised Leagues rating to mature, it got brought down to what we got.

The entire Caitvi sex scene was directed and animated by Fortiche with zero input by Riot. Christian says, "That was French people being French."

Riot making Arcane canon didn't change where they were taking characters or the story, it just made them more aware of how it would affect other Riot projects.

Christian refused to confirm exactly when the events of Arcane take place in the existing timeline.

The Arcane doesn't originate from Hextech. It is just one - in universe - interpretation of magic.

Christian doesn't view Viktor and Jayce's love as romantic, and that romance wasn't the intention when writing their relationship. However, by the way he talks, it doesn't seem he's against people shipping them romantically - just as a creative team, they were more interested in exploring a close, complex male friendship / brotherhood.

The 250-million dollar show budget number is not accurate as marketing is included in that fund. Fortiche's goal from the beginning was to bring the level of animation found in feature animated films to serialised content. While the show was very expensive for an animated series, it was way cheaper than an animated feature film because they try and work efficiently. As an example, Christian says how often in Hollywood, it's not uncommon for sometimes 40-50% of what is animated to end up on the cutting room floor while with Fortiche they try and keep it around 5%

Ekko's hair was changed from a mohawk to dreads because the artist who worked on him told them that black hair doesn't work like that (in reference to the mohwak), and here's how it would actually work.

Legends of Runterra affected Arcane in terms of giving the team inspiration for how the everyday street life is for people in the regions.

Caitlyn's LOR Tactical design (2021) and Warwicks VGU Voicelines (2017) were made to reflect what was going to happen in Arcane - production of Arcane just took a long amount of time.

They've said from the beginning that the only person who could ever defeat Viktor at the height of his power was Viktor himself. His story is about the glorious evolution, the pursuit of that, and what it actually means to remove these human elements until there is nothing left.

All projects Riot is working on - whether the MMO, Games, Written or Animated projects - are in talks with one another at all times.

Christian comments on how very few games have remain in service as long as League has, and because of its ever growing and evolving story, it's hard to bring everything together cohesively since everything was made at different times, in different era's, by a multitude of different people. So, while many things may be very cool creatively, it makes it impossible to successfully bring it all together more often than not. So for new projects, they are more focused on making something good and successful with the team and talent they have, even if it retcons or replaces content made in the past.

Christian pitched singing Heimerdinger.

Arcane's scripts for S2 were locked in before S1 was released, so they were not impacted by fandoms or online reactions. Christian thinks maybe some animation choices were influenced by things the animators saw online, but not the story.

When watching the premier of the final arcane episodes in LA - the entire 4000 seat theatre cheered when Maddie died.

The butterfly motif shared between Jayce and Viktor specifically was used to represent transformation.

Christian talked about how they don't think about really whether people will like something or not, but whether it's the right consequence for the story (this is in discussion to Caitlyn losing an eye). What makes a character likeable to an audience in his eyes is their decisions in the story; the choices that they make.

Continuing on from this, he comments on how the choices Caitlyn makes now are so different now compared to the beginning of the show. She is now willing to take risks and sacrifice parts of herself for people, for Piltover and for what is right.

When asked about Caitlyn's signature hat, Christian says that the team saw it as somthing that didn't really fit this version of Caitlyn they were writing and the person she becomes and that's why it was never incorporated into her designs.

Back in the beginning, when they were first working on Arcane, Christian would constantly going back to Jinx and Vi's original design artists & Riot August who was their champion designer to make sure they weren't messing anything up with these characters.

Christian goes on to tell an anecdote of when Paul 'Zeronis' Kwon was drawing the first concepts for Vi. This was back when Christian was in music. She didn't have a name at the time, but when Christian looked over Paul's shoulder at the art, he comments "she kinda looks like a Violet to me." They never spoke about it, but months later, when she became a serious character concept internally, she was gifted the name Vi. To this day, Christian doesn't know if his comment resulted in her name or if it was just a coincidence, but Violet became stuck in Christian's brain as Vi's true name. Riot August (who was in chat) then confirms that her name came from her tattoo, which came from one of her key design elements, being that she had the number 6 on her face. So, just a happy coincidence.

Talking about the tattoo. The tattoo was shrunken in size so, from a distance, it would look more like a beauty mark and the brain can more easily disregard it. One of the many things that they had to think about when translating the designs over as, is animation, you would be looking at a characters face a lot more than you do in league where the camera is situated top down.

As they were wrapping up the stream, Christian talks about how there always needs to be a bit of space between what content creators / content consumers do (pointing at Necrit) and what Riot does. He thinks it's good that there is space for criticism and a critical view of the things Riot does. In order to succeed, he believes they need to listen to their audience but also that they need to have their own vision, take risks, and be bold. It's a delicate balance in his eyes, and projects tend to fail when these two sides are too in cahoots.

He iterates that they are not trying to shove anything down anyone's throats. They are just trying to find what makes these characters cool, tell their stories, and be true to the regions they come from. With taking the characters from League to Arcane, it was important that they translate these stories and characters so they can hold up with the best storytelling in the world.

This circles back to the earlier point about retconning things and replacing past stories and content. He comments on how some characters are very outdated or too archetypal, but they still have an essence that people love about them.

Arcane was something Christian worked on for 9 years, and he was getting clearly emotional near the end. He also adds they're just getting started and he wants to make sure they do a good job with this IP and the characters we really love.

To those who are not happy with certain decisions, he's sorry they didn't hit what you personally wanted, but there is simply no way they can please everybody. While they are trying to make as many of the Riot / Arcane audience happy, they as the creators and artists need to follow their own compass, be the shepherds of this IP; that being creative is hard. They will keep doing that even if they sometimes have to ruffle some feathers.

He closes the stream by confirming that they are investing quite a bit in Noxas, Ionia, and Demacia for the next regions they explore.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[yesornopolls]

The article is under the cut because paywalls suck

This is an edited transcript of an audio essay on “The Ezra Klein Show.” You can listen to the conversation by following or subscribing to the show on the NYT Audio App, Apple, Spotify, Amazon Music, YouTube, iHeartRadio or wherever you get your podcasts.

If you want to understand the first few weeks of the second Trump administration, you should listen to what Steve Bannon told PBS’s “Frontline” in 2019:

Steve Bannon: The opposition party is the media. And the media can only, because they’re dumb and they’re lazy, they can only focus on one thing at a time. … All we have to do is flood the zone. Every day we hit them with three things. They’ll bite on one, and we’ll get all of our stuff done. Bang, bang, bang. These guys will never — will never be able to recover. But we’ve got to start with muzzle velocity. So it’s got to start, and it’s got to hammer, and it’s got to — Michael Kirk: What was the word? Bannon: Muzzle velocity.

Muzzle velocity. Bannon’s insight here is real. Focus is the fundamental substance of democracy. It is particularly the substance of opposition. People largely learn of what the government is doing through the media — be it mainstream media or social media. If you overwhelm the media — if you give it too many places it needs to look, all at once, if you keep it moving from one thing to the next — no coherent opposition can emerge. It is hard to even think coherently.

Donald Trump’s first two weeks in the White House have followed Bannon’s strategy like a script. The flood is the point. The overwhelm is the point. The message wasn’t in any one executive order or announcement. It was in the cumulative effect of all of them. The sense that this is Trump’s country now. This is his government now. It follows his will. It does what he wants. If Trump tells the state to stop spending money, the money stops. If he says that birthright citizenship is over, it’s over.

Or so he wants you to think. In Trump’s first term, we were told: Don’t normalize him. In his second, the task is different: Don’t believe him.

Trump knows the power of marketing. If you make people believe something is true, you make it likelier that it becomes true. Trump clawed his way back to great wealth by playing a fearsome billionaire on TV; he remade himself as a winner by refusing to admit he had ever lost. The American presidency is a limited office. But Trump has never wanted to be president, at least not as defined in Article II of the U.S. Constitution. He has always wanted to be king. His plan this time is to first play king on TV. If we believe he is already king, we will be likelier to let him govern as a king.

Don’t believe him. Trump has real powers — but they are the powers of the presidency. The pardon power is vast and unrestricted, and so he could pardon the Jan. 6 rioters. Federal security protection is under the discretion of the executive branch, and so he could remove it from Anthony Fauci and Mike Pompeo and John Bolton and Mark Milley and even Brian Hook, a largely unknown former State Department official under threat from Iran who donated time to Trump’s transition team. It was an act of astonishing cruelty and callousness from a man who nearly died by an assassin’s bullet — as much as anything ever has been, this, to me, was an X-ray of the smallness of Trump’s soul — but it was an act that was within his power.

But the president cannot rewrite the Constitution. Within days, the birthright citizenship order was frozen by a judge — a Reagan appointee — who told Trump’s lawyers, “I have difficulty understanding how a member of the bar would state unequivocally that this is a constitutional order. It just boggles my mind.” A judge froze the spending freeze before it was even scheduled to go into effect, and shortly thereafter, the Trump administration rescinded the order, in part to avoid the court case.

Sign up for the Opinion Today newsletter  Get expert analysis of the news and a guide to the big ideas shaping the world every weekday morning. Get it sent to your inbox.

What Bannon wanted — what the Trump administration wants — is to keep everything moving fast. Muzzle velocity, remember. If you’re always consumed by the next outrage, you can’t look closely at the last one. The impression of Trump’s power remains; the fact that he keeps stepping on rakes is missed. The projection of strength obscures the reality of weakness. Don’t believe him.

You could see this a few ways: Is Trump playing a part, making a bet or triggering a crisis? Those are the options. I am not certain he knows the answer. Trump has always been an improviser. But if you take it as calculated, here is the calculation: Perhaps this Supreme Court, stocked with his appointees, gives him powers no peacetime president has ever possessed. Perhaps all of this becomes legal now that he has asserted its legality. It is not impossible to imagine that bet paying off.

But Trump’s odds are bad. So what if the bet fails and his arrogations of power are soundly rejected by the courts? Then comes the question of constitutional crisis: Does he ignore the court’s ruling? To do that would be to attempt a coup. I wonder if they have the stomach for it. The withdrawal of the Office of Management and Budget’s order to freeze spending suggests they don’t. Bravado aside, Trump’s political capital is thin. Both in his first and second terms, he has entered office with approval ratings below that of any president in the modern era. Gallup has Trump’s approval rating at 47 percent — about 10 points beneath Joe Biden’s in January 2021.

There is a reason Trump is doing all of this through executive orders rather than submitting these same directives as legislation to pass through Congress. A more powerful executive could persuade Congress to eliminate the spending he opposes or reform the civil service to give himself the powers of hiring and firing that he seeks. To write these changes into legislation would make them more durable and allow him to argue their merits in a more strategic way. Even if Trump’s aim is to bring the civil service to heel — to rid it of his opponents and turn it to his own ends — he would be better off arguing that he is simply trying to bring the high-performance management culture of Silicon Valley to the federal government. You never want a power grab to look like a power grab.

But Republicans have a three-seat edge in the House and a 53-seat majority in the Senate. Trump has done nothing to reach out to Democrats. If Trump tried to pass this agenda as legislation, it would most likely fail in the House, and it would certainly die before the filibuster in the Senate. And that would make Trump look weak. Trump does not want to look weak. He remembers John McCain humiliating him in his first term by casting the deciding vote against Obamacare repeal.

That is the tension at the heart of Trump’s whole strategy: Trump is acting like a king because he is too weak to govern like a president. He is trying to substitute perception for reality. He is hoping that perception then becomes reality. That can only happen if we believe him.

The flurry of activity is meant to suggest the existence of a plan. The Trump team wants it known that they’re ready this time. They will control events rather than be controlled by them. The closer you look, the less true that seems. They are scrambling and flailing already. They are leaking against one another already. We’ve learned, already, that the O.M.B. directive was drafted, reportedly, without the input or oversight of key Trump officials — “it didn’t go through the proper approval process,” an administration official told The Washington Post. For this to be the process and product of a signature initiative in the second week of a president’s second term is embarrassing.

But it’s not just the O.M.B. directive. The Trump administration is waging an immediate war on the bureaucracy, trying to replace the “deep state” it believes hampered it in the first term. A big part of this project seems to have been outsourced to Elon Musk, who is bringing the tactics he used at Twitter to the federal government. He has longtime aides at the Office of Personnel Management, and the email sent to nearly all federal employees even reused the subject line of the email he sent to Twitter employees: “Fork in the Road.” Musk wants you to know it was him.

The email offers millions of civil servants a backdoor buyout: Agree to resign and in theory, at least, you can collect your paycheck and benefits until the end of September without doing any work. The Department of Government Efficiency account on X described it this way: “Take the vacation you always wanted, or just watch movies and chill, while receiving your full government pay and benefits.” The Washington Post reported that the email “blindsided” many in the Trump administration who would normally have consulted on a notice like that.

I suspect Musk thinks of the federal work force as a huge mass of woke ideologues. But most federal workers have very little to do with politics. About 16 percent of the federal work force is in health care. These are, for instance, nurses and doctors who work for the Veterans Affairs department. How many of them does Musk want to lose? What plans does the V.A. have for attracting and training their replacements? How quickly can he do it?

The Social Security Administration has more than 59,000 employees. Does Musk know which ones are essential to operations and unusually difficult to replace? One likely outcome of this scheme is that a lot of talented people who work in nonpolitical jobs and could make more elsewhere take the lengthy vacation and leave government services in tatters. Twitter worked poorly after Musk’s takeover, with more frequent outages and bugs, but its outages are not a national scandal. When V.A. health care degrades, it is. To have sprung this attack on the civil service so loudly and publicly and brazenly is to be assured of the blame if anything goes wrong.

What Trump wants you to see in all this activity is command. What is really in all this activity is chaos. They do not have some secret reservoir of focus and attention the rest of us do not. They have convinced themselves that speed and force is a strategy unto itself — that it is, in a sense, a replacement for a real strategy. Don’t believe them.

I had a conversation a couple months ago with someone who knows how the federal government works about as well as anyone alive. I asked him what would worry him most if he saw Trump doing it. What he told me is that he would worry most if Trump went slowly. If he began his term by doing things that made him more popular and made his opposition weaker and more confused. If he tried to build strength for the midterms while slowly expanding his powers and chipping away at the deep state where it was weakest.

But he didn’t. And so the opposition to Trump, which seemed so listless after the election, is beginning to rouse itself.

There is a subreddit for federal employees where one of the top posts reads: “This non ‘buyout’ really seems to have backfired. I’ll be honest, before that email went out, I was looking for any way to get out of this fresh hell. But now I am fired up to make these goons as frustrated as possible.” As I write this, it’s been upvoted more than 39,000 times and civil servant after civil servant is echoing the initial sentiment.

In Iowa this week, Democrats flipped a State Senate seat in a district that Trump won easily in 2024. The attempted spending freeze gave Democrats their voice back, as they zeroed in on the popular programs Trump had imperiled. Trump isn’t building support; he’s losing it. Trump isn’t fracturing his opposition; he’s uniting it.

This is the weakness of the strategy that Bannon proposed and Trump is following. It is a strategy that forces you into overreach. To keep the zone flooded, you have to keep acting, keep moving, keep creating new cycles of outrage or fear. You overwhelm yourself. And there’s only so much you can do through executive orders. Soon enough, you have to go beyond what you can actually do. And when you do that, you either trigger a constitutional crisis or you reveal your own weakness.

Trump may not see his own fork in the road coming. He may believe he has the power he is claiming. That would be a mistake on his part — a self-deception that could doom his presidency. But the real threat is if he persuades the rest of us to believe he has power he does not have.

The first two weeks of Trump’s presidency have not shown his strength. He is trying to overwhelm you. He is trying to keep you off-balance. He is trying to persuade you of something that isn’t true. Don’t believe him.

You can listen to this conversation by following “The Ezra Klein Show” on NYT Audio App, Apple, Spotify, Amazon Music, YouTube, iHeartRadio or wherever you get your podcasts. View a list of book recommendations from our guests here.

[kiefbowl]

wait ok genuinely kind of interested in your opinion on porn now......... if only because those big 3 you mentioned are always the reasons i see people throwing out so id love to hear a deeper take than that

I'm genuinely surprised anyone could follow me and not know my stance on porn, but that's okay. simplified and in no particular order and in no means exhaustive:

porn creates perverse incentives

porn normalizes the purchase of women as sexual objects for men to use

porn is often called "rape on tape" by feminists, which I mostly agree with in the sense that if a woman would otherwise not have had sex except that she is being paid, then she is not consenting. you cannot purchase consent, the consent is not meaningful then.

additionally, you can not verify if you are watching people be raped in any other way. porn sites are filled with stolen videos, coerced videos, actual minors, aggressive rape that was filmed with or without the victim's knowledge, and other videos of this nature. there is no way to verify this at all from videos that are somehow not these things. things like "amateur" are often just marketing by the porn company or pimp, or they're stolen videos.

porn creates a social script for sex. this social script is least of all - boring and predictable. it also reinforces the long standing conservative gender understanding (see 2). porn also reinforces ideas of homophobia and racism under the guise of "taboo." porn is literally so conservative, but because it's considered "shocking" to "puritans" (religious men watch porn all the time), people talk like it's this liberal fantasy. porn is constantly reestablishing the status quo in the most perverse ways.

it's been demonstrated that people who are porn addicts very quickly escalate to more violent porn, and that this plays out in their sex lives with their (often vulnerable) sex partners.

the violence that happens in porn is real. the idea that it's a "fantasy" is marketing by porn website and pimps. if a man slaps a woman across the face, that really happened. why does it matter if she says "yes" to it - that's her "job" so how can she say no? (see 3 and also 4).

there is so much evidence and testimony by porn stars of the absolutely awful and terrifying conditions in which they work, even in the quote unquote "real" industry. drugs, alcohol, violence, coercion, exposure to STIs, homelessness, pimping, prostitution, mental illness, suicide, lack of benefits. It's bananas that anyone would be surprised by this when it's pointed out, we're talking about an industry that films sex on video. The majority of people in the sex industry want out. It ruins their lives, and once in it's very hard to leave and lead a normal life. The idea that the industry needs regulation to be "fixed" is bizarre and just seems like pimp and porn industry marketing to get people to look the other way.

Poverty creates porn. Social welfare for the poorest of our women would prevent them from entering the industry in the first place. Women go into porn out of need, not desire. social media pushes that porn stars loooove their jobs is 1. porn site and pimp propaganda 2. literally marketing because men want to believe this.

I am not religious, I don't believe in god. I love sex and masturbation. it's the most natural thing in the world and people don't actually need to "learn" how to do it - it's innate within us. Porn is just one more way to humiliate women in a misogynist society that requires women to be fearful of sex and rape constantly, and uneducated in their own sexual desires and boundaries.

[darkshrimpemotions]

I cannot stress this enough: Blake Lively made insensitive remarks in press tour interviews where she was explicitly told and contractually obligated to act and speak a certain way about a film she was in. For this, the internet was extremely quick and loud about wanting her to disappear off the face of the earth.

Justin Baldoni sexually harassed and assaulted, and encouraged an environment where it was normalized to harass and assault not only Blake Lively but multiple other women on set during the production of said film.

Justin Baldoni abused his power on set to put Blake Lively in situations where she was naked and vulnerable and being touched in ways that fell outside what was previously agreed upon in her contract and the script.

Justin Baldoni is a sexual predator who used feminism and combating toxic masculinity as part of his brand to hide his own vast shortcomings as a human being.

Justin Baldoni body shamed Blake Lively when she was four months post-partum under the spurious guise of avoiding exacerbating a back injury while lifting her, despite having full creative control over the script and despite stunt doubles existing, meaning there was no reason whatsoever he would ever have to lift her in the first place.

Justin Baldoni hired Johnny Depp's PR firm to "bury" Blake Lively (his word) when she pushed back against his treatment of her and other women on set.

Justin Baldoni intentionally departed without warning from the agreed upon Marketing campaign they were both meant to adhere to explicitly in order to appear sensitive and thoughtful on the issue of DV, and to make Blake, who adhered to her contractual obligations, look even more out of touch and callous by comparison.

Justin Baldoni shared the stories of sexual assault and domestic violence survivors on his socials to further paint himself as an ally to women in contrast to Blake Lively. Read it again. He explicitly used DV and SA survivors to cover up his own sexual abuse and further smear the woman he abused in retaliation for her pushing back.

Justin Baldoni is an abuser and a sexual predator, and he explicitly set out, in his own words, to destroy and bury one of the women he targeted for daring to fight back.

Where's the volume. Where's the VOLUME? It was EVERYWHERE within hours when it was her, but now it's been days and it's all so quiet and cautious and slow despite the court documents and text messages! Where are all the countless thinkpieces, youtuber video essays, notes app apologies for conclusions wrongly jumped to, why is it HALF as loud for something orders of magnitude worse than anything Blake Lively said on that press tour? Is this thing on??? IS ANYONE OUT THERE? HELLO???

[ivy-elle]

In Shades Of Gray In Candlelight

Synopsis: With his old life left behind Wanderer has established somewhat of a new home in Sumeru. But the wind decided to rekindle lost days of the past…

Wanderer x gn! reader

“I really don’t have the time for this…”

The burning candle illuminates its light upon his downcast face while the fire carries along the faint smell of jasmine and something sweeter he can’t quite place yet. The fragrance dances on the tip of his tongue, deriding him in a mocking, taunting manner.

He scoffs. How irrelevant.

Yet somehow it still tags on his heartstrings.

His pestering thoughts get disturbed by a cough belonging to an overly excited man rushing closer, eyes fixed pointedly on him. With apprehension, Wanderer realises he hasn’t moved in time and is now stuck to the dooming consultation.

“Sir, I can give you a great deal if you buy the candle as a pair! Let’s say… “ The vendor pretends to ponder for a moment as if the script in his mind hasn’t been written yet. “Thirty per cent off! Perhaps even five per cent on top for that immaculate hat of yours, my dear Sir.”

The Wanderer’s eyes fall back down on the candle, that holds the power to open a pit in his stomach and a familiar feeling of anger rushes into him. He almost welcomes it. “Already bargaining offers without stating the price. Sounds quite questionable.”

His unrefined tone doesn’t seem to dampen the vendor’s enthusiasm at all – even the opposite – the grin on the man’s face widens even more. “My dear Sir,” he says, a fond glint adorning his dark eyes, “this is Sumeru, I assume you must be new. Well, then let me allow you to introduce you-”

But Wanderer turns a deaf ear to the jabbering as his thoughts’ increasing weight suddenly threatens to crush him beneath. Why hasn’t he just moved past like he usually does? He has places to be.

And he is definitely in no mood, nor state of mind to endure Nahida’s disciplinary and integrational lessons. He longs to return to his confinements near the library, where he’s hidden most of the time recently, not disturbed, not to be talked to, preferably for the next couple of days.

Yet, he is still not moving away from the booth. Perhaps he isn’t ready to part yet.

“I take the candle,” he suddenly states more harshly than he intends to. The vendor halts and Wanderer adds with a stern expression. “Just one.”

He pays the full price and it’s not long before he is back striding through the market, the box with the new candle in one hand, as if he expects it to light up on its own and burn down his skin.

What has gotten into him?

He clenches his teeth as the strange anger rises up again, and his feet keep carrying him faster along the paths, just wanting to get away from here as soon as possible. Suddenly he has half the mind to toss the candle box over the cliffs, along with the gut-wrenching sensation of utter yearning annexed to it. As anger threatens to turn into fury he tosses his arm up, about to follow through, to let the wind take his emotional tumult, when he is suddenly knocked down to the ground.

“What-“

“Oh Archons, I am so sorry!”

Wanderer’s face scrunches up in irritation as the voice of apologies sounds through. Normally he’d brush it off. Accidents happen. But today his frustrations got the better of him.

“Are you unhurt?”

He brushes away the dust and rises back up, just as you are about to reach for him. Glaring at you his mouth opens-

But then closes again as the wind carries the fragrance along.

Sakura.

How could he forget?

Jasmine and Sakura.

The unknown and yet familiar smell of your perfume pierces like ice-cold needles into his chest, his gut. Somewhere deep inside his mind the sombre wall fractures a little.

“No harm’s done,” he hears the sound of his own voice answering. For a moment he is taken aback at how raw his voice sounds.

And when he sees your relieved smile the anger in his stomach dissolves into agony.

“I’m sorry, do I know you?”

You shake your head, the vision on your clothes jingling along gently. “No. At least unless you’re from Inazuma too?”

Wanderer’s throat has gone dry at this point. “No," he replies, his hand clenches onto the box of the candle, which he still clings to like a lifeline.

“I’m just a wanderer.”

[loveschoice-if]

DEMO COMING SOON...

A once-in-a-lifetime love... Loading...

You have been a faithful employee at Hanwool Group for about nine years, working diligently as the secretary to the current Vice President of Marketing, Park Joo-seok. Although the world knows him as the future CEO of Hanwool Group and the most eligible bachelor in South Korea, you know him better as your arrogant and workaholic boss.

Now that you have paid off all of your outstanding debts, nothing is holding you back from quitting your job and maybe even starting a whole new life. Just as you're about to hand in your resignation letter, however, your chaebol boss comes to you with an unexpected proposition.

“Marry me.”

??!! Is he being serious? Will you accept his (albeit not super romantic) proposal?? What will happen next?! Play to find out!

Planned Features

Play as the female lead of your very own romance K-drama!

Experience many tropes from the wonderful world of K-dramas (or skillfully avoid them, it's up to you!)

Choose between four different routes, each with its own unique storyline, sub-genre, Male Lead™, Villains, and more!

Fall in love at your own pace, perfect for slow-burn and fast-burn lovers alike!

Will you follow the script to your perfect happy ending, or stumble into a tragic one?

The Male Leads™

The Boss

Name: Park Joo-seok (박주석) Age: 32 Job: Vice President of Hanwool Group's Marketing Division

Pressured by his wealthy family to get married and take over the family business, but also feeling no desire to fall in love anytime soon, he turns to his loyal secretary of nine years (and the only woman he can trust) for help: you. All you need to do is enter a contract marriage with him and convince his family and the press that the two of you are truly in love. Can you successfully pull off this charade without catching feelings?

Inspired by What's Wrong With Secretary Kim?, Business Proposal, and Secret Life of My Secretary.

Tropes: office romance, contract marriage, fake relationship, rich man x poor woman

Links: Pinterest

The Idol

Name: Yoo Jae-min (유재민) Age: 28 Job: Idol in the K-Pop industry, represented by X Entertainment

After turning down your boss' marriage proposal, he assigns you to work on a current marketing project involving one of the biggest stars in the K-pop industry, Yoo Jae-min. Previously known as the cutest member of the former boy group, NOVA, he is now a successful solo artist with a face card that never declines. But don't be fooled by his adorable on-screen persona. For whatever reason, he seems to have a personal vendetta against you. Can you successfully work alongside him without letting tensions boil over?

Inspired by So I Married My Anti-Fan, Sh**ting Stars, Lovely Runner, and Moon In The Day.

Tropes: idol romance, enemies-to-lovers, forbidden love, secret relationship

Links: Pinterest

The Childhood Best Friend

Name: Lee Hae-jin (이해진) Age: 29 Job: Doctor, specifically a General Practitioner (GP)

After turning down your boss' marriage proposal and quitting your job, you decide to leave the high-paced corporate life and move back to your hometown on the coast. Turns out, you weren't the only one who had this idea. Once a successful doctor at one of the best hospitals in Seoul, your childhood best friend, Lee Hae-jin, now lives across the street from your grandmother's old place, where you are now staying. The thing is, you haven't spoken to him in over a decade, ever since your grandmother died. Will you break the ice and rekindle this old friendship, or is the past too painful to face?

Inspired by Summer Strike, Hometown Cha Cha Cha, and Welcome to Samdalri.

Tropes: friends-to-lovers, childhood meeting, second-chance romance, first love

Links: Pinterest

The Grim Reaper

Name: Reaper Kim/Kim Saja (김사자)/??? Age: ???? Job: ...the Grim Reaper

You've turned down your boss' marriage proposal, and quit your secretary job after nine years of dedicated hard work. Now what? You find yourself sitting on the roof of a building, and you slip on something. Just as you're about to fall to a certain death, some person grabs you and pulls you back onto the roof. But this is no ordinary person. There's something oddly supernatural about him and a familiarity you can't quite place. He wants to strike a deal with you. What exactly is his agenda, and will you agree to his terms?

Inspired by Doom at Your Service, Goblin, and My Demon.

Tropes: supernatural being x mortal, doomed love, reincarnation, fated love, amnesia

Links: Pinterest

Anticipated FAQs

Is MC gender-locked female & are the main love interests gender-locked male?

Currently, yes. Right now, it's just easier for me to write if I have consistent variables and characters in my head. It also helps me focus on just finishing the stories because I want to make sure each route gets the attention it deserves. Rest assured, I WILL introduce more gender options for both the MC and the main love interests, and it will be something I keep in mind as I'm writing!

How long is this game going to take to complete?

Unfortunately, it's probably going to take a really long time. This is one of the most ambitious writing projects I've done and life is unpredictable but I will do my best!

Are there more love interests/routes planned?

Um... is four not enough for you?! LOL just kidding! Right now, I just have four love interests/routes that are generally fleshed out. I'm very open to suggestions, so let me know if there is another type of love interest/sub-genre that you want to see represented!

Note: I will update this section as I get more questions :)

[charmac]

Danny did a little interview for AARP Magazine in December. I haven't seen it copied anywhere past the paywall and I enjoyed reading it, so wanted to repost here

(Article is pasted as text below the cut)

Noisemaker I was born in Asbury Park, New Jersey. I was the baby, my sister Theresa was 10 years older, my sister Angie was 16 years older, my mom had two sisters, and none of them shut up, ever. It’s an Italian family, so the decibel level is out there. A little smart aleck I went to Our Lady of Mount Carmel School, because if your mother and father didn’t know what to do with you, they gave you to the nuns. … and still a smart aleck I remember when Peter, my nephew, was born. I was 7 years old, and I went over and looked into the bassinet, and the first thing he did was pee on me. It was great! I don’t think there’s a conversation I’ve had with the guy over all these years where I don’t bring up the fact that he peed on me. Also an old softie Do anything you can to keep on an even keel with your family and friends, no matter what happens in your life. That’s all we have. Don’t hide things. You’ve got to get up every day thinking about how you’re going to make it easier for the people that you’re working with or that you love or that you eat breakfast with. Because it’s infectious; everybody starts feeling good. Falling into the business Growing up, I’d spend the weekends at the movies, but I actually wasn’t even thinking about doing it. I got introduced to the American Academy of Dramatic Arts in a roundabout way, took a couple classes, and I got the bug. And I thought, I’m not like Cary Grant, but I got a feel for this thing. So I studied, and then I went and started looking for jobs in New York, like every other actor does. I didn’t care what the description was—“male, 6 foot 4, 250 pounds”—I’d go out for the audition. Once I got in the room, I’m going to do what I’m going to do. Becoming Louie I wanted that part, Louie DePalma [in Taxi]. I walked into the room to audition in front of the four guys who created it, and I said, “One thing I want to know before we start. Who wrote this shit?” And I threw the script on the table. And I had a nanosecond of, did I screw everything up? Then they fell on the floor. Louie walked into their lives. Sudden fame I went to the market the day after the first episode aired, and people are stopping me on the street: “Hey, Louie!” They weren’t calling me Danny. After a couple of days of this, I called my publicist, and said, “This is really crazy. People are chasing me down the street.” He says, “Danny, you don’t have to worry until that stops happening.” Now it’s all, “Frank, Frank, Frank!” because of It’s Always Sunny in Philadelphia, which is good. The fans are all you have. Still evolving I think I’m bolder than I’ve ever been—I don’t monitor myself as much. I do say things that are, like, pretty far out, that are really weird, and sometimes I’m inappropriate. But I am always respectful, and that’s because of my two sisters, I swear to God. You have to respect other people’s space.

My happy place Since my two grandbabies have been born, I am just in- corrigible. You gotta tamp me down in the joy department, you know what I’m saying? I’m just so lucky. Blessings have been showered down on me. I wish that for everybody.And the thing is to be aware of it. Don’t let it go. Rhea [Perlman, DeVito’s wife, from whom he is separated but with whom he still spends a lot of time] and I were always able to see those little, incremental changes when our kids were growing up. And I tell my kids that, with their babies: Don’t miss a thing, don’t look away. A sudden case of holidays I’m in the movie A Sudden Case of Christmas with my daughter Lucy, who plays my daughter. It’s just a real warm, wonderful movie, and I loved doing it. As far as the actual holidays go, we have family dinners. Basically we’re Italian, so you know, anybody who’s around, we grab. We get to celebrate all the holidays, because Rhea’s parents were Jewish, so we did all the Jewish holidays, and we do all the Catholic holidays or Italian holidays. My mantra It’s always a good thing to be positive about life, and always get out of bed thinking today’s the day you’re really going to kick its ass. That’s the way to do it

[21280]

warnings for fem! reader, street interviewer jiji. quick blurb, srry!

we know jiji is a social butterfly, so i think he'd absolutely rock being a street interviewer. think of tokyo sims, except it's just a one man show, and it's jiji trying to pick up girls and (for once in his life) failing horribly.

jiji is tremendously hot, but only to the teenagers that surround him. in a high school setting, one is more likely to fall for someone who they're around constantly, or, settle for finding the 'school hottie' in order to survive the semester. outside of school, though, jiji is a hottie, in an intense competitive market of hotties.

he starts off with okarun's help, with him being his cameraman. his charisma is insane, and he picks up a following quickly. the people he interviews (which 9 times out of 10 it's women) find him quite odd and subtly laugh as his attempts to flirt, yet let him down nicely. his comments are filled with messages like "i wish i would encounter him irl" or "why is he always getting rejected is this scripted?? he's so cute"

except for one comment. yours. scrolling through your for you page, you find one of his interviews in which he asks a girl if she had ever been cheated on, with her saying yes. jiji goes onto this monologue about how he wouldn't, and asking for her number in the process. and he succeeds! for the first time. so you type out a comment.

"good luck girl, he looks like he ain't even allat 😭😭"

and waking up to around 50 comments proving you otherwise, you also find a dm. it's from jiji's personal, private account, who sent you your comment with a "wym i look like not allat lemme show u" and it leads to your first internet friend, jin enjoji.

and he suggests a date to prove you wrong. with his newfound fame, he's also found some cash that could definitely be spent on you. his words. you decline, because you're not easily moved by material goods. so he suggests you pick an activity, because congratulations! you officially piqued jiji's interest, and have him never asking another woman for her number in an interview again.

and his fans notice it way too quickly. they saw him at a park with 'some really pretty woman' and, since he's not too famous, decided to call it a day, no photographs or anything. but his comments were switching up, saying "why isn't he asking for numbers anymore" or "flirty jiji we miss you!!!"

but jiji is on a mission: to be yours, and yours only. because as much as he is a flirt, he's never been one for easy love. it would take months of him begging and scheming for him to finally ask to be your boyfriend, and for you to say yes. because you denied his other attempts before. he pops the question during a quiet (?) cooking date at his place, where he and you attempt to cook steak.

on his next street interview, people can hear a slight giggle from the camera as he asks questions to another girl, and in his caption, it reads: "got another cameraman so she can see i'm loyal" and it has fans questioning who the lucky lady is. unfortunately for them, only the interviewees can see who you are, because jiji absolutely cannot zip his mouth shut when it comes to bragging about you.

[flower-boi16]

Disney channel is starting to go in a dark place with how it’s starting to treat its shows. The Owl House got its final season shortened forcing the crew to condense all of their ideas into just 3 hour long specials and had to rewrite a whole half of season 2. While the result was ultimately still fantastic given the circumstances the crew were in, it was clearly evident that this affected certain parts of the pacing in the third season mainly for the future with its handling of Hunter as it was unable to resolve points of his arc (his grief of loosing flapjack and his insecurities of being a grimwalker), as well as having to drop things previously set up and not being able to flesh out some things, like the other schools or the coven heads.

But hey, the owl house was at least lucky enough to get a third season at all. The Ghost and Molly McGee on the other hand had its third season cancelled even though scripts were being written, due to Disney just forgetting to market the second drop of episodes on Disney plus leading to it having poor ratings. The show was canned even after the third dropped performed well and the crew had to ask for one more episode to finish of the series.

Then there’s Hailey’s On It, a show that canned in just its first season, and the show ended up being forced to end on a cliffhanger that will never get resolved. Although the show itself received average reception it still continues the trend of Disney cancelling shows. Then, there’s the latest example, Moon Girl and Devil Dinosaur, which had the rest of the first half of its second season dropped on Disney Plus with little marketing.

The fans had to actively campaign for the show to get a third season like it was planned, but unfortunately, despite fan efforts, it was later announced that the show would not be getting that third season, meaning it would have to end at season 2.

This is a very alarming trend for Disney lately and it sets a very dark precedent for the future of Disney TVA.

[alltimefail]

Hi @netflix and @warnerbrostv! I'd like to talk about the show Supernatural and how its history and legacy can provide some insight on why you should reconsider your decision to end Dead Boy Detectives after one singular season.

Supernatural is undoubtedly one of the most successful television fantasy franchises, but many don't know that it was nearly cancelled after season 2. Thankfully (and luckily) for the network they didn't go through with cancelling the show and by season 4 it was regularly breaking viewership records. A show that was nearly cut short in its prime - much like Dead Boy Detectives - became one of the largest and most recognizable fandoms across social media platforms between the years of 2010 and 2014. The show was so wildly popular that a confession scene between two of its leading characters (Dean and Cas) is STILL used today in a meme format to circulate everything from fandom news to world politics and current events. You can't go to a single comic-con without running into something relating to Supernatural, and ever since its conclusion there has been an opening in the market for a show to take its place.

I can say with absolute certainty that, given the proper time to flourish, Dead Boy Detectives would be the show to fill the spot Supernatural has left behind. It has loads of charm alongside a sensational balance of action, whimsy, heartwrenching character development, and horror. Furthermore it is objectively better with representation than Supernatural was, which is always something embraced in fandom spaces (which are diverse and filled to the brim with queer, neurodivergent, and/or a wide range of people of color).

I also think it's fair to remind you that one of your most popular "Nerd" shows, Stranger Things, is coming to an end after a 10-year-run, leaving behind yet another gap to fill, but this time on your very own platform.

It isn't too late to reconsider the cancellation of Dead Boy Detectives. The fanbase is dedicated and hungry for more, and we know you are currently sitting on finished season 2 scripts, making it impossible for the writers to take this story anywhere else for quite some time. The scripts are there, the cast, crew, and writers love what they do and want to make more... there's simply no reason to not give Dead Boy Detectives the chance it deserves - this time with an entire fandom that wants nothing more than to consume this show, market the hell out of it, and buy merch relating to it (another win for you).

(Source x)

Oh and did I mention that Steve Yockey was a co-producer on Supernatural as well? You know, that wildly popular show I just told you about that lasted 15 seasons. You are sitting on a golden goose; Steve Yockey and Beth Schwartz, among the other talented writers, cast, and crew, know what they're doing.

Give this show its time and market it well and you will have a hit on your hands. Frankly just based on the steady, continual fandom growth since Dead Boy Detectives' release in April and the vocal outrage over its cancellation just in the last 24 hours, I'd argue you already have a hit on your hands that rivals several shows you currently have on your platform.

Dead Boy Detectives has one of the most active fandoms of the year - do the right thing by them and bring Dead Boy Detectives back. It isn't too late!

[my-religion-greek-myth]

Freedom far away

It's been burning my brain ever since the finale of Agatha All Along.

This blog isn't for the writing purpose but I'm bending my own rule in the name of Agatha XD. I might upload one more if I can organise my imagination on these two

Fem Reader X Agatha X Rio

You were the firstborn of an esteemed aristocratic house, a position that brought both privilege and a constant, heavy gaze upon you. Eyes followed every room you entered and every event you attended. Though the title of heir would never be yours solely because you were a lady, it never seemed to matter to those around you. They treated you as if the future of the house rested upon your shoulders. The elders murmured of marriage alliances with royalty or influential families, whispering that your union could change the fate of your house. Other noble families saw you as a formidable rival, watching closely, ever-ready to seize on the slightest misstep, to turn it into fodder for gossip and criticism.

But you despised the role thrust upon you. While others revered the traditions, the traditional rules and propriety that dictated your every action, you only saw them as chains, binding you to a life scripted long before you were born. You longed to live on your terms, laugh freely, speak without calculation, and defy the mould others sought to press you into. You knew well that the path to freedom would not be simple—but that only made the dream burn brighter.

Besides, you possessed a power that would bring fear and scorn if anyone found out. In a world so bound by tradition and superstition, it was a power that might get you branded as a freak or, worse, stoned to death. You knew the origin of this ability, even if the elders dared not mention it. One of your ancestors had been a shaman, a fact buried under layers of silence and shame. Shamans were both revered and despised—consulted in times of desperation, yet viewed with suspicion and disdain due to their mysterious power.

Only your parents and siblings knew of your gift; not even the current lord of the household, your grandfather, had any inkling. You could command animals, bending them to your will. It had always been that way. At first, it simply seemed that animals were drawn to you. Birds would land beside you without fear, perching on your shoulder or finger. Dogs and cats would flock around you whenever you went outside, rolling onto their backs, begging for your touch. When an agitated horse reared at the central market, a single whisper from you could calm it. It was a charming quirk to everyone else—a testament to your vibrant, gentle nature. But you knew better. This wasn’t mere kindness; it was a hidden power that connected you to the earth's creatures in a way no one else could understand.

But then, it did not matter.

You sighed deeply, resting your chin on your hand. If anyone from the household saw you like this, they would scold you, demanding you act like a noble lady and not lounge on the ground like some street thug in your fine dress. The thought made you scoff.

Earlier, you had overheard a conversation between your grandfather and parents about a potential marriage proposal, and as soon as the word "marriage" came up, you’d bolted from the house. You ignored the calls of your servants and dashed out, uncaring of the stares you attracted along the way.

You kept running, heading toward the edge of the city to the well at the foot of the mountain, next to an ancient willow tree. It was a public place but one where you felt most free. Hardly anyone came here, as it was too remote, and many were scared in case of tigers coming down from the mountain. There was another well closer to the city centre where people preferred gathering and drinking water. Besides, this well was near a shaman’s house, marked by the colourful ribbons tied to the trees nearby—a symbol of ritual and mysticism that kept most people away.

You savoured the solitude of this place, where you could escape the eyes and expectations of others, if only for a moment. Then, you saw them; a couple approaching the well where you sat. The man was wearing a garment in a shade between blue and green, a black fan flicking in his right hand as he spoke. The woman beside him was clad in a dignified violet and purple dress, her posture commanding, though her face was drawn into a faint scowl. They seemed to be in a heated exchange—not quite arguing, but the woman was rolling her eyes while the man chuckled, clearly amused by whatever they were discussing.

As they came closer, a realisation struck you. The man's voice… it was softer, lighter than you had expected, almost too gentle to belong to an adult man. In fact, there was something subtly feminine about him, something that made you look again. He moved with an effortless grace, and though his features held a certain softness.

You couldn’t help but feel a spark of curiosity. Strangers rarely ventured to this remote spot—especially not ones with the dignified grace this pair exuded. As they noticed you, the man gave a slight nod, acknowledging your presence, while the woman raised a single eyebrow, appraising you with an air of amusement. Despite your longing for freedom, the ingrained teachings of etiquette tugged at you, urging you to be polite. You rose to your feet as gracefully as you could manage, offering them a courteous greeting. The man’s dark brown eyes were warm, but behind their softness, you saw a glint of sharp intelligence and a touch of mischief, as though he saw through everything around him. Then, your gaze fell upon the woman. Her eyes—a striking shade of blue—were unlike any you had seen before, deep and captivating, like the ocean’s endless expanse. You found yourself unable to look away, entranced by their beauty. Noticing your gaze, she offered you a small, knowing smile, soft yet tinged with a subtle seductiveness that sent a shiver down your spine.

"Why would a noble lady be here without anyone to protect you?" the man asked, his gaze drifting over the surrounding deep mountains looming over them.

Hearing his voice so clearly, you began to suspect the man was, in fact, a woman. Her voice was captivating, with a rich, melodic quality, yet there was a subtle softness in her frame—a faint curve at her chest that might go unnoticed by most.

"I always come here," you touched your wrist. "Whenever I feel the need of an escape." You leaned back against the well, feeling the cool stone pressing into your back, grounding you.

The woman exchanged a look with her companion before shifting closer and leaning against the well wall beside you. She gave you a mischievous smile. "Wanna talk about it, doll?"

"I don't even know you," you replied cautiously, sizing them up.

Both exuded a quiet authority, an unmistakable presence. It was obvious they were not ordinary travellers—they bore the poise and refinement of nobility. But were they friends or potential adversaries?

The woman in men’s clothing smiled, her eyes briefly darkening as a cloud cast a fleeting shadow over the sun.

“I’m Rio,” she said, her voice lilting like a soft melody as if each syllable held a secret. Her gaze slid toward the woman standing beside you.

“I’m Agatha,” came the whispered reply, the words warm and close, her fingers grazing yours, sending a shiver of electricity down your spine.

"Rio, Agatha," you murmured, savouring the unfamiliar rhythm of their names as they lingered on your tongue.

This was how you met them, how they welcomed you into their embrace. And it was at this moment that your status as a noble began to crumble, all in the name of seeking freedom. To be with them.

Part A | Part B | Part C&D | Part E | Part F | Part G | Part H | Part I&J | Part K | Part L | Part M | Part N | Part O&P | Part Q | Part ? | Epilogue

[getosfavoritewife]

The Sun Always Rises

✮⋆˙ General Jing Yuan has a way of bringing sunlight to you, regardless of how much you avoid the warm rays. (1.5k words)

✮⋆˙ A/N: first post!! jing yuan has such a lazy/cozy feel and I'm still trying to gauge his personality so sorry if it's a bit ooc!!

✮⋆˙ Warning(s)/Content: forgemaster!reader; implications of mental health concerns (nothing heavy); can be read as platonic or romantic; fluffy fluff, teasing

✮⋆˙ jing yuan x gn!reader

Hearing three knocks against your door on a sunny winter evening could only signify one thing.

Not even trying to conceal the lack of surprise on your face, you open the door for your expected visitor; as usual, Jing Yuan greets you with a pleasant smile, hands comfortably clasped behind his back as he strides in like he owns the place, opens the curtains, and makes himself at home.

“Arbiter General,” you murmur, almost as if scripted.

“Forgemaster,” he replies in turn with a twinkle in his eyes, also as expected.

You don’t ask if he wants tea, opting to pour two cups and place them on the table as you both sit down. Forgemaster Yingxing had always taught you to be polite to guests, but that was a very long time ago, and Jing Yuan wasn’t just any guest.

“There’s a festival in Aurum Alley this evening,” Jing Yuan muses as he eyes the tea with interest, picking the small cup up as he gives the hot liquid a gentle blow and careful sip.

You know where he’s going with this, so at this point, the best course of action is feigned indifference and avoidance. “And you came all the way over here to let me know? Especially during such a busy day at The Seat of Divine Foresight?”

You take a ginger sip of the tea, grimacing as it burns the tip of your tongue, before placing it back down on the table. Master Yingxing’s tea was far superior to yours anyway—if he could see the hot garbage you’d brewed, he would have scolded your skills all afternoon.

Jing Yuan’s voice brings you out of your thoughts. “Astute as always. You should get out of the house more.”

“I leave the house,” you try not to sound defensive, squinting at the man sitting across from you. “I go to the forge every day.”

“Other than there?”

“And… I went to the market last week,” you grumble, rooting around in your brain for excuses. Lamely, all you come up with is a throwaway line about being too busy that you know Jing Yuan won’t buy. Anyone else would accept the lies that rolled off your tongue like second nature, but not Jing Yuan. He knew you and your habits all too well.

He stands up, dusting his pants off with a lazy smile. “Wonderful, grab your coat.”

“No, Jing Yuan. No.” You respond too quickly, shooting up as you wrack your brain for an excuse.

The softness with which he calls your name is lost to the roaring silence of the room and you know what face he’s making without even looking.

That corner above the cupboard really needs dusting. Master Yingxing would sneeze because of the dust, and he’d blame allergy season. Maybe tonight—

“Only for a little while,” he coaxes, as he swipes a strand of hair from obscuring your eyes. Maybe that’s what makes you meet his eyes: golden and full of life as usual, albeit with his dark circles that seemed worse than before.

“I’ll think about it,” you sigh tiredly, reaching up to run your fingers under his eyes. “You should sleep more, Jing Yuan. You look tired.”

A laugh rumbles out of him at that as he closes his eyes and leans into your touch. You can’t help but let the corners of your mouth quirk up in response. “Don’t let the others at The Seat of Divine Foresight hear you say that.”

“If only you would stop sneaking away at the sight of paperwork, maybe they wouldn’t be so wary of your work ethic,” you scold halfheartedly.

Jing Yuan simply watches you, an adoring smile peeking out that makes you want to push him away from you, embarrassed. Instead, you card your fingers through his hair, murmuring how his ribbon is coming loose as you free it from his snowy locks.

He sighs, letting his eyes flutter shut as you tug through his fluffy hair, replicating his usual hairstyle with practiced ease. You let your thoughts wander to when you used to re-tie his hair every day after it came loose during sparring while Master Yingxing went to go meet with sword master Jingliu and the others.

“How’s Yanqing’s training coming along?” Breaking the delicate silence, your voice always sounds unfamiliar these days; the results of less use, you suppose.

A golden eye cracks open to peer at you, and Jing Yuan lets out another sigh, this time more rueful. “You know how he tends to be. It still surprises me the speed with which he is able to pick up on new techniques and skills, but that obsession with winning and losing…” Jing Yuan trails off. “It’s like I say, if you treat him as a child, he'll put on the airs of an adult. If you treat him as an adult, he'll show the temperament of a child.”

“It’s a difficult age. Remember how you used to be?”

You bite back a snicker at the mock-offended look Jing Yuan shoots you.

“I don’t quite remember it like that,” he says. “I believe I was a joy to be around at every age.”

“I’m sure you remember it like that.”

“How else could you remember it?”

You take a break from playing with his hair to flick him on the forehead, at which he lets out a soft hiss, rubbing the small red mark and catching your hand before you can give him another one. “So mean.”

With a scoff, you make no move to remove your hand from his grip, letting yourself relax in his grasp. “You were nothing short of a terror. Anytime I tried to hang out with you it was always ‘Let’s spar here!’ or ‘Extra training is basically hanging out!’. I got so sick of you that I told Master Yingxing to stop meeting Master Jingliu when I was around.”

“Was I… really like that?” You can’t help but laugh at Jing Yuan’s face, ignoring the smile creeping onto his face at the sight of your laughter.

“All I’m saying is that he’ll grow out of it, just like you did. Kids are desperate to prove themselves at that age. You ought to praise him a little more,” you advise him softly.

“I give praise where it is deserved,” Jing Yuan places your clasped hands on his chest with fake affrontedness, his eyes crinkling at the corners as he huffs in amusement.

“Yet I am expected to praise you even when you are undeserving?”

“I hadn’t realized there were times where I was ever undeserving of praise?” You can’t help to smack him with the hand that was resting on his chest as he pretends to ponder.

“Speaking of Yanqing though—” you start before Jing Yuan interrupts.

“I thought we were speaking about me?”

The roll of your eyes seemed to simply be an intrinsic reaction to Jing Yuan’s teases after all these years of dealing with his painfully fatherly sense of humor.

“General.”

The pleased smile on his face only curled higher. “I’m listening.”

“As I was saying, Yanqing’s birthday is approaching this month. Maybe it’s time he finally receives a sword from the Forgemaster on his birthday this year?”

“I can already imagine his tears of joy. He still asks when he can meet you sometimes. I admit I have yet to give him an answer in fear that he will spend every moment not used for training to instead bother you incessantly at your forge.”

“Like father, like son, I suppose. Send him around—it’s truly no bother. It would also help me figure out a suitable blade for him.”

You pretend to not see the way Jing Yuan’s brows knit together at your teasing jab.

“Come watch us train sometime soon. To help you gauge his fighting style, of course,” Jing Yuan remarks lightly.

“Of course,” you echo. Giving him a look before sighing, you grab your coat off the hook, opening the door for him as you slip it on. “Only for a little while at the festival, please. And no buying or winning me anything while we’re there.”

Jing Yuan doesn’t even try to hide the smile unfurling on his face and you know the next words that come out of his mouth are bound to be an easy lie. “Wouldn’t dream of anything else, Forgemaster.”

From spending every free minute together as kids to only seeing him when he came knocking on your door every single day. No matter what happened, the sun always rose the next day. And no matter what happened, your Jing Yuan was always there.

thanks for reading!! ✮⋆˙