#market identity

[a-flickering-soul]

OTC BIRTH CONTROL APPROVED BY THE FDA

[michellesanches]

How to Register a Trademark: A Step-by-Step Guide

Registering a trademark for your brand is crucial to protect your intellectual property and establish exclusive rights to use your mark in commerce. A trademark serves as a valuable asset, safeguarding your brand identity and preventing others from using similar marks that may cause confusion among consumers. This should not be confused with registering a business name. In some instances, your…

[nelkcats]

Double Trouble

During a convention in Gotham, the Fentons brought the rebuilt Fenton Ghost Catcher, they were extremely proud of their invention and were going to catch as many ghosts as possible at their paranormal convention.

But as is normal in Gotham, a rogue attacked. Croc personally wasn't too interested in what was going on there but he was paid by some others to cause a distraction while some villains robbed the place and extra money was always great.

From the looks of it, the news that the Fentons were coming to Gotham were public. The Fentons were known as very reclusive weapon makers with peculiar interests. Their inventions sold very well, and were extremely dangerous so Peguin assumed that even if they were destined for "ghosts" they would work perfectly fine with bats.

Jason already knew that the two weapon inventors were in the city, the Bat was too paranoid not to know, but the Fentons never showed that they wanted to cause harm so when Croc attacked Red Hood was guarding the place.

The problem was that during the battle he was pushed into the Ghost Catcher and separated into two halves. One looked like the normal him but more ghostly? while the other was more lively and energetic. The second one looked like a bigger version of what Robin would have been without his death. Of course, the invention blew up right after that, and the Fentons looked sad.

Danny scrambled to hide both Jason before his parents noticed, motioning for him to be quiet as he watched the villains make off with the anti-ghost weapons. He knew the convention would turned into a mess since the beginning.

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[thepoisonroom]

Is the English teacher good? I believe in bja supremacy but the trailer made it look like very standard sitcom humor

it's honestly pretty solid! i would say it's more toned down than caleb gallo and they're doing something a bit closer to sitcom-brand pseudorealism but a lot of the signature stuff (odd/unnatural-sounding dialogue, the camera work during conversations, the visual gags, the casual absurdism, etc) is still there. i do think that it's not hitting the sort of pat heartwarming triumph beats that i would expect from a standard sitcom with the same premise, and there's a lot of interest in exploring sort of casual self-absorption which has always been an interesting aspect of the characters bja writes/plays. i think it's worth trying out an ep or two and they are only 20 minutes! and his take on what's funny about being gay in sort of a modern american context has always been a lot more interesting and resonant to me than 99% of other "gay comedy" writing

[ilovedthestars]

why are all the queer stories romance (unless they're about the 1 token ace person)

[beaft]

i'm into horror for a lot of reasons, but one of them is that it has this capability for externalising a kind of violence that is often only felt, not seen. my favourite works of horror use experiences like mental illness or oppression as springboards - they elevate psychological terror into something you can actually see and fight against. like, yeah, depression DOES sometimes feel like you have a monster living in your cellar that nobody can see except you! puberty DOES sometimes feel like you're transforming into something weird and dangerous! that's why i often find horror movies so cathartic - even comforting, in some cases.

and that's why i originally started to explore splatterpunk - because i read exquisite corpse and loved it, because it was a queer novel by a queer author that took the political violence of the aids crisis and made it literal, blew it up to a monstrous scale that matched the monstrous pain felt by the victims and their families. it felt genuinely subversive. it felt visceral. and then i read a bunch of other splatterpunk fiction, and was disappointed to discover that most of it was just an excuse for men to self-publish their badly-written snuff porn.

[walterdecourceys]

my theory is that people aren't actually as tired of musical adaptations as they think they are because some of the most popular musicals both in general and right now are adaptations in some form or another. the issue is that recently there have been a lot of musical adaptations of properties that simply do not lend themselves well to the stage

[wisteriasymphony]

"We're nothing more than toys to these gods, Marinette!" Adrien continued to dodge her strikes, that accursed spinning yo-yo whirring past his ears every instance it was thrown and retrieved. "They're going to get rid of us soon, taking their side won't change that!" "Maybe they wouldn't want to get rid of us if you played your flipping part!"

The yo-yo missed again, clacking against a wall behind him. Adrien took a breath, the soles of his boots digging further into the ground.

"I did what I had to," he cried out. "My part was slavery, Marinette! My part was torture!" Marinette's tear-stained frown was deep and furious, the corner of her mouth drooping to bare her lower teeth. Her face—her ears—were a bright, blinding red.

"A future with me is torture to you?!"

[lunasilvis]

Word's out! I'm enrolling in a specific paid UX/UI design traineeship given in Rotterdam with ties to the international market. Will probably relocate to Rotterdam/The Hague by the end of the year. Hitting a career ceiling in regards to international ambitions, and I decided I cannot continue riding the wave on which I find myself now. I am unplugging the blockage, and it feels like a weight off my shoulders.

The communications field to me is too broad, too unspecific, limited global growth opportunities (unless you are part of some royal network) and too biased/discriminatory/prejudiced. From my experience, much of it revolves around who you are as a person (Dutch employers love 'em happy-go-lucky, blonde, giggly marketing 21 y.o. girlies, and hey that's just not me), instead of the quality of work you deliver.

I am not abandoning communications completely. I just find myself facing closed door after closed door. So for now, let me craft some lush stuff, become great at what I do, and live in international-minded vibrant cities :)

[un-pearable]

“miku as your home culture really shows that the USA has no culture” discussion has lost the plot. say it with me folks . it’s not that USamericans don’t have a culture it’s that we’ve so aggressively globalized it that people feel it’s the “default” rather than an amalgamation of the popular culture we produce and export and explicit geopolitical decisions. it’s neocolonialism. this is like. necessary to understand if you’re going to meaningful critique the USA’s impact on the rest of the world culturally and otherwise

[rukafais]

I played Never Grave's demo so I could see if it had any ambition at all beyond smashing a bunch of popular things together to create something kind of interesting and in short:

no lol

The unique mechanic, possession, is so sidelined you might as well be playing as the Cutesy Witch Character that is the mascot despite being a hat that possesses corpses, because it's not actually a hollow knight style metroidvania, it's smashing hollow knight's style and pacing into dead cells' room generation and enemy placement and creates an unhappy compromise that makes me wish it would shit or get off the fucking pot. It also has drops which are supposed to incentivize replay so you can get upgrades and whatnot, but what it mostly does is make me resent how transparently shoehorned the mechanic is.

also why is the build mode so crusty

Oh also this area is like 50% of the demo (since it is the area you actually do all the combat exploration in):

If you have a game that is making me think, at all times "man i wish i was playing another, better game that looks like this/plays like this that I enjoyed more" you've failed to give your game a unique identity and that, more than anything, irritates the shit out of me. The video game industry is built on clones, at least make it a fucking GOOD clone that isn't creatively bankrupt.

Also they have the whole roguelike random upgrade thing going on but they all feel pretty meaningless because there's no real indication or sense of balance. Everything feels like it's there because it has to be there, because it's popular, instead of trying to have some kind of creative identity and stand on its own. It's deeply, agonizingly mediocre. It feels like it was designed by a fucking marketing team because This Is What's Popular, Right?

Which sucks. Because I would play a game about being a fucked up little creature that possesses corpses to get around! But it doesn't even commit to that premise enough to get me interested, DO YOU KNOW HOW MUCH OF A SUCKER I AM FOR EVEN THE SLIGHTEST BIT OF AESTHETIC PANDERING?

Also there's no flavor text or lore or plot which like, if there was SOMETHING i could be interested. There is fucking nothing. It feels like someone slapped this together from a bunch of premade templates and expects you to get excited about it.

ALSO IT'S GOING TO BE ANOTHER EARLY ACCESS GAME, FROM A STUDIO THAT SEEMS TO PRODUCE NOTHING BUT EARLY ACCESS GAMES THAT NEVER MAKE IT OUT OF EARLY ACCESS, JESUS CHRIST POCKETPAIR

[femmefatalevibe]

Hello! Any tips for starting your own ig blog?

Hi love! Some tips are below:

Consider whether you're crafting a personal brand, professional image, aesthetic, or e-commerce/product-focused account

Choose your handle name wisely. Always do your first name/last name or name of your business when applicable

Add relevant search terms to your headline/bio to make your page more easily discoverable to your intended audience. Hashtags can also be added to this section for discoverability

Select a bio image that best speaks to your personal/brand personality. Keep it polished but approachable like a well-executed mirror selfie, professional editorial photo, or your brand's logo

Craft a clear, compelling, and comprehensive bio that makes it simple to understand who you are/the purpose of your page while still showcasing your personal/brand personality. Include a CTA link (to your website, TikTok, Pinterest, press mention, etc.) or use a LinkTree link for more comprehensive accessibility

Decide on your blog purpose/themes covered, USP, key messages, content pillars, and brand voice/image guidelines (content/colors) before posting

Use the same/coordinating filters on all your photos, and try your best to have an aesthetically pleasing feed, so it looks very editorial and professional when people are debating whether to follow

Ensure your captions are engaging, and conversational. Follow a uniform brand voice/personality. However, you don't want your content to look overly edited and distant. Try to find the right balance between polished and relatable. Use the carousel feature liberally and relevant hashtags to optimize SEO value and discoverability

Utilize Instagram stories to provide an insider look at day-to-day happenings, share inspiration, engage in friendly/conversational dialogue with your audience, and promote engagement through polls, Q&As, etc.

Curate some highlights that best speak to your brand pillars/USP with uniform icon covers. Design them with a tool like Canva for a personal touch

Hope this helps xx

[brbuttons]

We're excited to announce that- for the first time- we're a part of an art exhibition! Our work is featured in 'Transmission', amongst the art of a selection of incredible trans artists from the local area. Our two pieces are:

• 'My Evil Alters' - A Dissociative Identity Disorder awareness mini-zine showcasing some of the most common stigmas, plus their corrections. • 'Elly.' - a love letter to our beautiful, brilliant fiancée. A portrait of her confidence post-transition, surrounded by little notes of love and thanks and pride, each from a different alter in our system. (sneak-peak above!)

If you're around Plymouth (UK) over the next week, please do pop into Ocean Studios in Royal William Yard!

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[hellomuller]

Future-forward work that makes an impact on the cultural landscape turning design and brand storytelling into compelling identities that inspire a global audience.

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