#mark aldrich

[mthguy]

Newsies forever!

Newsies opened on Broadway at the Nederlander Theatre for a limited engagement starting in previews on March 15, 2012, and officially on March 29, 2012. On May 16, 2012, Disney announced that Newsies was an open-ended engagement. The engagement was extended through August 19, 2012, after the first previews.

The original cast of the Broadway production featured Jeremy Jordan as Jack Kelly and John Dossett as newspaper tycoon Joseph Pulitzer. The cast also included Kara Lindsay as Katherine Plumber, Capathia Jenkins as Medda Larkin, Ben Fankhauser as Davey, Andrew Keenan-Bolger as Crutchie, Lewis Grosso and Matthew Schechter sharing the role of Les, Tommy Bracco as Spot Conlon, Ryan Breslin as Race, Andy Richardson as Romeo, Garett Hawe as Albert, Ryan Steele as Specs, Aaron J. Albano as Finch, Mike Faist as Morris Delancey and Jordan’s understudy, Mark Aldrich as Seitz and Kevin Carolan as Nunzio and Theodore Roosevelt. The Broadway production cost about $5 million to stage. Newsies recouped its initial investment of $5M in seven months, becoming the fastest of any Disney musical on Broadway to turn a profit, and closed on August 24, 2014, having played 1,004 performances.

[chrism02]

what do the following Molina!Characters wear to sleep? 😗😉 (based on these choices: nothing at all/ shirt or tank top and underwear/ just shirt or tank top/ just underwear/ pajamas)

Molina!Characters: Maxim Horvath, your version of Oswald Cobblepot, Gabriel Duvall, Harding Hooten, Mark Rothko, Andres Galan, Ricardo Morales, Chandler Manning, Hank Spallone, Otto Octavius, Robert Aldrich (oh god somebody stop me the list is growing)

Maxim Horvath: nothing at all or pajamas (depending on the version of him)

My version of Oswald Cobblepot: pajamas

Gabriel Duvall: the comfiest pajamas in existence

Harding Hooten: just underwear

Mark Rothko: nothing at all

Andres Galan: pajamas

Ricardo Morales: just underwear

Chandler Manning: tank top and underwear

Hank Spallone: nothing at all

Otto Octavius: pajama pants

Robert Aldrich: tank top and underwear or pajamas when he is on the road with his movies

[nerds-yearbook]

A singing mechanic got knocked on the head in the year 1912 and woke up in King Arthur’s Court. ("A Connecticut Yankee in King Arthur’s Court", flm)

[goldieclaws]

Me being me, which basically qualifies as being incredibly particular, I felt like Blue Bones looked too human (minus the pointy ears ofc) when I draw her from the shoulders up, so I decided to add in some markings on her to make her that little bit more unique/interesting to look at.

So, I opted for swirly markings that made me think of a pretty tiara, which I think suits her quite well :>

Reblogs appreciated, thank you! 💖✨

Patreon | Tw//tter | AO3 | Itchio | Commissions | Webcomic

[pampanope]

~7-11 Lore~

Name: Efren Torres Aldrich

Alias: 7-11, Cerberus, Shadow Company’s Dog (Konni)

Affiliations: Shadow Company, USMC (former)

Age: 34 yo

DoB: May 7 1990

Height: 6’1

Nationality: American

Ethnicity: filipino/white

Born in: Queens, NY

Pronouns: He/him

Gender: cis man

Orientation: panromantic homosexual

Specialty/Résumé

• Former Marines Force Reconnaissance operator

• Deep reconnaissance with qualifications in parachuting and combat diving (MOS 0326)

• Profficiency as a sniper and rifleman, at intelligence collection, mountain warfare, CQB, and small squad tactics.

• Dutiful Shadow babysitter

• Graves whisperer (usually)

Personality

• calm, quiot, generally easy going; speaks in low even tones

• observant, pays attention to the goings on of those around him, and completes tasks efficiently.

• treats fellow Shadows with warmth, courtesy, and long-suffering exasperation. Takes some time before he feels comfortable enough to freely goof off with other people.

• Has a playful side; likes to harmlessly tease other Shadows to a certain degree but is all business when working or on an op

• sees all of Shadow Company as his family; their success and well-being are his top priorities.

• this devotion towards Graves and SC has a possessive slant to it; he’s willing to destroy anyone and anything that threatens his family

Physical Description

• lean, fit overall build

• dark brown hair and dark sleepy looking eyes

• mole beside left eye

• very light stubble

• scars on left arm (IED shrapnel), wrists (rope scars), around fingers (balisong flipping) and upper left side of torso (gunshot wound)

• Usually wears neutral dark colors, mask, tactical gloves, combat boots and baseball cap

Psychology

• the loss of his parents at a young age, years of instability, and military training have led to the creation of a mental coping mechanism that can be described as “a feral hind-brain creature” that views individuals as pack, predator, prey, those who need protection and those who need to be cut down.

• 7-11 understands it’s not normal to look at the world in such a way, nor is it normal to want to sink his teeth into the throats of his enemies or into the flesh of those he cares about, in the hopes that he leaves a mark that they’ll carry even after they’ve gone.

• he keeps this part of himself carefully contained within with the majority of Shadows non the wiser,

Love Language: Touch, Gift Giving

Prefers affection via: Touch, Quality time

_____________________

Strengths

• loyal

• diligent and efficient

• puts his subordinates before himself

• smooth operator on the field

• stays calm under pressure and in the face of unusual situations

• thoughtful and empathetic

• can fall asleep anywhere

Weaknesses

• can be stubborn

• tends to forgo personal safety and care if he thinks it’s necessary

• has abandonment issues

• guilt-ridden

• may be vengeful, especially so on behalf of someone else

Hobbies

• photography

• karaoke

• balisong flipping

• sparring

**• Graves**

Likes

• cuddles and head scritches

• SC gossip

• collecting large, huggable plushies

• napping in warm cozy places

• training Shadows (usually)

• getting ragdolled and tossed around like a salad

• displays of physical strength

• training or games that allow him to hunt down others (or be hunted)

Dislikes

• incompetent and callous leadership

• humidity

• the sun (this boi burrrns)

• watermelons (tastes like sugary wet sand)

• Shadows or Graves getting hurt

• being cornered

• Shepherd

• disorganization

Fears

• Losing everyone and everything

• not being enough

• substance abuse and addiction

Preference

Fave Color: Blue

Fave Season: Autumn

Fave Music: 80’s rock and power ballads, most of 90’s and 2000s

Fave Animals: Crows and cats

Fave Food: savory snacks, burgers, lumpia, kare kare

Favorite Plants: blue orchids and monstera

Coffee or tea: coffee (once a day)

Night or Day: Night

____________________

Idiosyncrasies & Random Stuff

~ named after his mother’s favorite billiards champion (Efren “Bata” Reyes)

~ He’s always had a blushing problem; doesn’t matter what emotion it is, if it’s strong enough, he gets flushed.

~ started out wearing a mask to hide the blushing and hide his expression; it’s fun keeping fellow Shadows guessing

~ likes to make up reasons why he wears the mask all the time

~ eventually realizes that he got so used to freely making silly expressions behind a mask that he can’t school his features without it anymore

~ which is fine, it became habit anyway; he enjoys any rumors among the Shadows about him and why he stays masked when others remove theirs outside of ops.

~ there are way too many benefits to wearing a mask for him to quit

~ Biting is a very valid tactic, on and off the battlefield; as an offensive move and form of affection (but he doesn’t bite out of affection as often as he’d like because he doesn’t wanna scare the other Shadows lol)

~ kinda short circuits a bit when handled roughly

~ Tore a man’s throat out with his teeth on Grave’s behalf; Graves **really** liked that and decided to give him the callsign Cerberus and collared him (it’s a pleasant grounding presence around his neck)

~ will start growling when stress levels are maxed out or if very sleep deprived

~ keeps a cork board of photos in his quarters; photos of Shadows past and present

~is banned from the kitchen(s), no, not just SC HQ or bases.

~ grabs ahold of anyone or anything that comes into contact with him while

sleeping; he’s like a bear trp that way

~ he’s seen the effects of substance abuse and addiction first hand; it’s why he limits alcohol intake, drinks one cup of coffee a day (hence the regularly scheduled naps), and avoids gambling and smoking

~ deeply misses his parents and his childhood; often wonders if they’d even recognize him as their son

- Voice claim: Isaac Clarke (VA: Gunner Wright) (Dead Space games)

______________________

Backstory

7-11/Efren is one of Graves’ most loyal Shadows and considers himself a vanguard of the Company.

After losing his parents at 13 to a vehicular accident (for which he blames himself for) and the subsequent abuse and neglect from his uncle, Efren spent most of his teenage years feeling untethered, numb yet seething with anger and guilt.

He spent his early years working part time jobs to make ends meet while getting into fist fights with the local gangs to release the deep seated fury within.

A final altercation with his uncle drove Efren to seek structure and a place to belong in the Marine Corps.

There, Efren, while excelling at every aspect soldiering, would often be easily goaded and provoked into brawling with other recruits of his cohort.

This led to his first meeting with Graves, a cocky, silver tongued, MARSOC operator in his mid twenties.

Graves issued a challenge to Efren, which ended with Efren being so thoroughly *humbled* that it altered his brain chemistry, quieting his feral hind brain to a dull roar for the first time in what felt like forever.

Fixated on Graves after that meeting, Efren joined Force Recon with the hope of providing crucial intel to support his fellow Marines (especially Graves).

He always kept an ear out for news of KIA personnel; thankfully Graves was never one of them.

After years of serving in Force Reconnaissance, Efren was faced with making a decision whether or not to re-up to continue his service or to move on into civilian life.

As if summoned, Graves appeared after so many years, and whisked Efren away to his new Shadow Company, where he world finally find a new home.

The irony of feeling at peace in a PMC was not lost on him.

Wherever Graves went, he would be his Shadow and support. For Efren, it was the least he could do after the man gave him everything.

((May add more as i go✨))

[antifainternational]

Far-Right Mass Shootings, May 2022-May 2023

Now that we know that the mass murderer in Allen, Texas was a far-right extremist and incel (as well as that puzzling but not-that-uncommon mix of being a racialized neo-nazi/white supremacist), we wanted to illustrate that mass shootings by the far-right are not aberrations with this list of similar events from over the last twelve months: December 23, 2022: A gunman opens fire in Paris, killing 3 Kurdish people & wounding 3 more in a plan to “kill non-European foreigners.” The attacker had just been released from prison after attacking migrants in Paris with a sword the year before. December 19-20, 2022: 22-year-old Anderson Aldrich enters a CO. gay bar with an assault rifle & opens fire, killing five and wounding 25 others before he is subdued. November 25, 2022: A 16-year-old former student storms two schools in Aracruz, Brazil, armed with two pistols and wearing a bulletproof vest emblazoned with a swastika. The teen shoots 16 people in the rampage, killing three of them. October 12, 2022: After posting an online manifesto against Jewish & LGBTQ+ people, a Bratislava, Slovakia teen shoots three people outside a local gay bar, killing two and wounding the third person before fleeing. The suspect was found dead the next day. September 27, 2022: Brothers Mark & Michael Sheppard are charged with manslaughter for opening fire on a group of migrants getting water near Hudspeth County, TX. One victim died from gunshot wounds, and one is recovering at an El Paso hospital. September 26, 2022: A gunman wearing a balaclava and a t-shirt with a swastika emblazoned on it enters an elementary school in Izhevsk, Russia, killing 15 people - 11 of them children - and wounding another 39 before turning the gun on himself. September 11, 2022: 53-year-old Igor Lanis’ obsession with far-right conspiracies ends when he guns down his wife, 25-year-old daughter, & family dog, before turning his shotgun on responding police, who shoot him dead. Only his daughter survives. August 9, 2022: A group of Black men helping someone jump-start a car in a Macon, GA. Wal-Mart parking lot are subjected to racial abuse by another man who then pulls a gun and begins shooting at them. May 15, 2022: 68-year-old David Wenwei Chou is charged with hate crimes after storming a Taiwanese church in Laguna Woods, CA. and shooting parishoners, killing one and injuring five others

May 14, 2022: An 18-year-old white supremacist opens fire in a supermarket in a black neighbourhood in Buffalo, NY, killing ten customers and wounding three others while livestreaming the attack.

May 11, 2022: A masked gunman walks shoots 3 Korean women working in a Dallas hair salon. Authorities believe the incident is connected to two earlier drive-by shootings targeting Asian-owned businesses in the Dallas area on April 2nd and May 10th. This is just a list of mass shootings committed by bigots, fascists, and far-right extremists over the last 12 months. We haven't included shooting with less than two victims, thwarted mass shootings, or any of bombings, stabbings, vehicle attacks, or other acts of violence.

In 2022 we documented 477 violent incidents motivated by hate or committed by bigots, fascists, or right-wing extremists, including 112 shootings. These attacks killed 366 people and injured 399 others. Read our 2022 report here. When we say anti-fascism = self-defence, we meant it. The endpoint for far-right ideology is mass murder. Fascists intend to do harm to our communities and will seize on any opportunity to hurt others. The only thing stopping them is ourselves. WE PROTECT US!

[sexiestpodcastcharacter]

Who is the Sexiest Fictional Podcast Character?

After receiving 219 submissions for 152 characters from 52 podcasts and a round of preliminaries, we have our brackets!*

*20 characters from the podcast Welcome to Night Vale will appear later in a Night Vale-only bracket.

Round 1:

Scripted Bracket

Isabel Lovelace (Wolf 359) vs Cyrille (5 Minuten Harry Podcast)

Krejjh (The Strange Case of Starship Iris) vs Lady Ethel Mallory (Hello From The Hallowoods)

Lord Arum (The Penumbra Podcast: Second Citadel) vs The Witch Queen A.K.A. Daughter Dooley (Old Gods of Appalachia

Warren Kepler (Wolf 359) vs Ashley "Ash" Ramis (Georgie Romero is Done For)

Brutus Feels (Kane and Feels) vs Shan (SPINES)

Sir Caroline (The Penumbra Podcast: Second Citadel) vs The Dragon Narrator (Unseen)

Alé (The Penumbra Podcast: Second Citadel) vs Hester/The Narrator (Within The Wires: Season 1)

Thistle/The Woman (Alice Isn't Dead) vs Sam Bailey (The Sheridan Tapes)

Peter Nureyev (The Penumbra Podcast: Juno Steel) vs Butt (Pounded In The Butt By My Own Podcast: Episode 1)

Alice (Alice Isn't Dead) vs Diggory Graves (Hello From the Hallowoods)

Antigone Funn (Wooden Overcoats) vs Ryan Dallas (EOS 10)

Martin Blackwood (The Magnus Archives) vs Galileo (Let's Make A Music)

Lucifer Kane (Kane and Feels) vs Gin (Story Break: Heaven Heist)

Amaryllis of Exile (The Penumbra Podcast: Second Citadel) vs Mabel Martin (Mabel)

Pilot Pereya (The Penumbra Podcast: Juno Steel) vs Hester Oleta (Within The Wires: Season 1)

Strelitzia (Additional Postage Required) vs Harold "HBD" Bastion Demetrius (The Soft-Boiled Detective)

Akmazian (EOS 10) vs Everyone from The Strange Case of Starship Iris

Damien (The Bright Sessions) vs Mari Datuin (Hi Nay)

Count Dracula (Re: Dracule) vs Static Man (Archive 81)

Dragana Vukovic (The White Vault) vs Elias Bouchard (The Magnus Archives)

Agnes Montague (The Magnus Archives) vs Vega Rex (Vega: A Sci-Fi Adventure Podcast!)

Mina Murray (Re: Dracula) vs Nicholas Waters (Archive 81)

Mark Bryant (The Bright Sessions) vs Laura (Hi Nay)

Georgie Crusoe (Wooden Overcoats) vs Kate Burnham (The Bridge)

Keisha (Alice Isn't Dead) vs SAYER (SAYER)

Chance Sequoyah (The Penumbra Podcast) vs Yaretzi (Hello From The Hallowoods)

Buddy Aurinko (The Penumbra Podcast: Juno Steel) vs Dane (Dreamboy)

Sadie Doyle (Thrilling Adventure Hour: Beyond Belief) vs Hera (Wolf 359)

Tim Stoker (The Magnus Archives) vs The CryptoNaturalist (The CryptoNaturalist)

Rita (The Penumbra Podcast: Juno Steel) vs Lou (Archive 81)

Dr. Joan Bright (The Bright Sessions) vs Ashvin Beeharee (Hi Nay)

Renée Minkowski (Wolf 359) vs Clara Page (Who is Aldrich Kemp)

Unscripted Bracket

Pickman (Friends at the Table: Sangfielle) vs The Shadow Man ('Til Death Do Us Blart)

Beacon (The Adventure Zone: Amnesty vs Glenn Close (Dungeons and Daddies)

Oscar Wilde (Rusty Quill Gaming) vs Grand Magnificent (Friends at the Table: Twilight Mirage)

Taako (The Adventure Zone: Balance) vs Bathin (Stella Firma)

Lup (The Adventure Zone: Balance) vs Sago Glegg (Rotating Heroes: Arc 6)

Sans Undertale (Interstitial: Our Hearts Intertwined: Authority) vs M. Leopold Duvall (Friends at the Table: Sangfielle)

Duck Newton (The Adventure Zone: Amnesty) vs Chine (Friends at the Table: Sangfielle)

Tryst Valentine (Campaign: Star Wars) vs Mini Smithson (Chapter and Multiverse: Masks)

Gable (Campaign: Skyjacks) vs Hector Hu (Friends at the Table: Bluff City)

Michael (The Adventure Zone: Dust) vs Nicky Close (Dungeons and Daddies

Zolf Smith (Rusty Quill Gaming) vs Fourteen Fifteen (Friends at the Table: Twilight Mirage)

Coco Cashmere (Hey Riddle Riddle) vs Trexel Geistman (Stella Firma)

Killian Fangbattle (The Adventure Zone: Balance) vs Henrietta Salm (Pest Control: Fate)

Kalvin Brnine (Friends at the Table: PALISADE) vs Lye "Lyke" Lichen (Friends at the Table: Sangfielle)

Indrid Cold (The Adventure Zone: Amnesty) vs Rigour (Friends at the Table: COUNTER/Weight)

Chunt (Hello From The Magic Tavern) vs Suvirin Kedberiket (Worlds Beyond Number: The Wizard, The Witch, and the Wild One)

Tender Sky (Friends at the Table: Twilight Mirage) vs Pox (NeoScum)

The Firbolg (The Adventure Zone: Graduation) vs Ron Stampler (Dungeons and Daddies)

Azu (Rusty Quill Gaming) vs Hadrian (Friends at the Table: Seasons of Hieron)

Moonshine Cybin (Not Another D&D Podcast: Bahumia) vs Caspian (Just Roll With It: Riptide)

Amber Gris (The Adventure Zone: Ethersea) vs Jens Lyndelle (Not Another D&D Podcast: Trinvyvale)

Perennial (Friends at the Table: PARTIZAN and PALISADE) vs Throndir (Friends at the Table: Seasons of Hieron)

Nadiya Jones (The Adventure Zone: Commitment) vs Ibex (Friends at the Table: COUNTER/Weight)

Cassander Timaeus Berenice (Friends at the Table: COUNTER/Weight) vs Tech Wizard (NeoScum)

Vermillion "Milli" Blue (Friends at the Table: PARTIZAN) vs Dak Rambo (NeoScum)

Rainer (The Adventure Zone: Graduation) vs Mercedes Oak-Garcia (Dungeons and Daddies)

Thisbe (Friends at the Table: PARTIZAN and PALISADE) vs Echo Reverie (Friends at the Table: Twilight Mirage)

Kravitz (The Adventure Zone: Balance) vs Henry Hogfish (Not Another D&D Podcast)

Aubrey Little (The Adventure Zone: Amnesty) vs Glenfyr "Glen" Gladewyn (Not Another D&D Podcast

Cel Sidebottom (Rusty Quill Gaming) vs Adelaide Tristé (Friends at the Table: Seasons of Hieron)

Kardala (The Adventure Zone: Commitment) vs Jacqui Green (Friends at the Table: COUNTER/Weight)

Hella Varal (Friends at the Table: Seasons of Hieron) vs (Former) Confessor Bartholomew Lamentations (The Unexplored Places: Ruin's Gate)

[justforbooks]

Donald Sutherland

Commanding and versatile actor known for his roles in MAS*H, Don’t Look Now and The Hunger Games

Donald Sutherland, who has died aged 88, brought his disturbing and unconventional presence to bear in scores of films after his breakthrough role of Hawkeye Pierce, the army surgeon in Robert Altman’s M*A*S*H (1970), one of the key American films of its period. It marked Sutherland out as an iconoclastic figure of the 60s generation, but he matured into an actor who made a speciality of portraying taciturn, self-doubting characters. This was best illustrated in his portrayal of the tormented parent of a drowned girl, seeking solace in a wintry Venice, in Nicolas Roeg’s Don’t Look Now (1973), and of the weak, nervous, concerned father of a guilt-ridden teenage boy (Timothy Hutton) in Robert Redford’s Ordinary People (1980).

Although Sutherland appeared in the statutory number of stinkers that are many a film actor’s lot, he was always watchable. His career resembled a man walking a tightrope between undemanding parts in potboilers and those in which he was able to take risks, such as the title role in Federico Fellini’s Casanova (1976).

Curiously, it was Sutherland’s ears that first got him noticed, in Robert Aldrich’s The Dirty Dozen (1967). During the shoot, according to Sutherland, “Clint Walker sticks up his hand and says, ‘Mr Aldrich, as a representative of the Native American people, I don’t think it’s appropriate to do this stupid scene where I have to pretend to be a general.’ Aldrich turns and points to me and says, ‘You with the big ears. You do it’ … It changed my life.” In other words, it led to M*A*S*H and stardom.

Sutherland and his M*A*S*H co-star Elliott Gould tried to get Altman fired from the film because they did not think the director knew what he was doing due to his unorthodox methods. In the early days, Sutherland was known to have confrontations with his directors. “What I was trying to do all the time was to impose my thinking,” he remarked some years later. “Now I contribute. I offer. I don’t put my foot down.”

Sutherland, who was born in Saint John, New Brunswick, Canada, was a sickly child who battled rheumatic fever, hepatitis and polio. He spent most of his teenage years in Nova Scotia where his father, Frederick, ran a local gas, electricity and bus company; his mother, Dorothy (nee McNichol), was a maths teacher. He attended Bridgewater high school, then graduated from Victoria College, part of the University of Toronto, with a double major in engineering and drama. As a result of a highly praised performance in a college production of James Thurber’s and Elliott Nugent’s The Male Animal, he dropped the idea of becoming an engineer and decided to pursue acting.

With this in mind, he left Canada for the UK in 1957 to study at Lamda (the London Academy of Music and Dramatic Art), where he was considered too tall and ungainly to get anywhere. However, he gained a year’s work as a stage actor with the Perth repertory company, and appeared in TV series such as The Saint and The Avengers. He was Fortinbras in a 1964 BBC production of Hamlet, shot at Elsinore castle and starring Christopher Plummer. He also appeared at the Criterion theatre in the West End in The Gimmick in 1962.

In 1959 he married Lois Hardwick; they divorced in 1966. Then he married the film producer Shirley Douglas, with whom he had twins, Kiefer and Rachel; they divorced in 1971. Kiefer, who grew up to become a celebrated actor, was named after the producer-writer Warren Kiefer, who put Sutherland in an Italian-made Gothic horror film, The Castle of the Living Dead (1964). Christopher Lee played a necrophile count, while Sutherland doubled as a dim-witted police sergeant and, in drag and heavy makeup, as a witch.

In an earlier era, the gawky Sutherland might not have achieved the stardom that followed the anarchic M*A*S*H, but Hollywood at the time was open for stars with unconventional looks, and Sutherland was much in demand for eccentric roles throughout the 70s.

He was impressive as a moviemaker with “director’s block” in Paul Mazursky’s messy but interesting Alex in Wonderland (1970), which contains a prescient dream sequence in which his titular character meets Fellini. In the same year, Sutherland played a Catholic priest and the object of Geneviève Bujold’s erotic gaze in Act of the Heart; he was the appropriately named Sergeant Oddball, an anachronistic hippy tank commander, in the second world war action-comedy Kelly’s Heroes; and he and Gene Wilder were two pairs of twins in 18th-century France in the broad comedy Start the Revolution Without Me.

Sutherland was at his most laconic, sometimes verging on the soporific, in the title role of Alan J Pakula’s Klute (1971), as a voyeuristic ex-policeman investigating the disappearance of a friend and getting deeply involved with a prostitute, played by Jane Fonda.

Sutherland and Fonda were teamed up again as a couple of misfits in the caper comedy Steelyard Blues (1973). It initially had a limited distribution due mainly to their participation together in the anti-Vietnam war troop show FTA (Fuck the Army), which Sutherland co-directed, co-scripted and co-produced.

Sutherland always made his political views known, although they surfaced only occasionally in his films. In among the many mainstream comedies and thrillers was Roeg’s supernatural drama Don’t Look Now, in which Sutherland and Julie Christie are superb as a couple grieving their dead daughter. Despite the dark subject matter, the film was notable for containing “one of the sexiest love scenes in film history”, according to Scott Tobias in the Guardian, the frank depiction of their love-making coming “like a desert flower poking through concrete”. The actor so admired Roeg that he named another son after him, one of his three sons with the French-Canadian actor Francine Racette, whom he married in 1972.

John Schlesinger’s rambling version of The Day of the Locust (1975) saw Sutherland as a sexually repressed character – called Homer Simpson – who tramples a woman to death in an act of uncontrolled rage. Perhaps Bernardo Bertolucci had that in mind when he cast Sutherland in 1900 (Novecento, 1976), in which he is a broadly caricatured fascist thug who shows his sadism by smashing a cat’s head against a post and bashing a young boy’s brains out. “And I turned down Deliverance and Straw Dogs because of the violence!” Sutherland recalled.

In Fellini’s Casanova, the second of his two bizarre Italian excursions in 1976, Sutherland coldly calculates seduction under his heavily made-up features. The performance, as remarkably stylised as it is, still reveals the suffering soul within the sex machine.

In 1978 he appeared in Claude Chabrol’s Blood Relatives, a made-in-Canada murder mystery with Sutherland playing a Montreal cop investigating the murder of a young woman. More commercial was The Eagle Has Landed (1976), with Sutherland, attempting an Irish accent, as an IRA member supporting the Germans during the second world war, and as a chilling Nazi in Eye of the Needle (1981). Meanwhile, he was the hero of Invasion of the Body Snatchers (1978), who resists the insidious alien menace until the film’s devastating final shot.

In 1981 Sutherland returned to the stage, as Humbert Humbert in a highly anticipated version of Vladimir Nabokov’s Lolita, adapted by Edward Albee. It turned out to be a huge flop, running only 12 performances on Broadway. Both Sutherland and Albee played the blame game. “The second act is flawed,” Sutherland said. “Albee was supposed to have rethought it, but he never did.” Albee told reporters that he had scuttled some of his best scenes because they were “too difficult” for Sutherland because “he hasn’t been on stage for 17 years”.

Continuing his film career, Sutherland played a complex and sadistic British officer in Hugh Hudson’s Revolution (1985), and in A Dry White Season (1989) he took the role of an Afrikaner schoolteacher beginning to understand the brutal realities of apartheid. In Oliver Stone’s JFK (1991), he held the screen with an extended monologue as he spilled the conspiracy beans to Kevin Costner’s district attorney hero Jim Garrison.

After having made contact with young audiences in the 70s with offbeat appearances in gross-out pictures The Kentucky Fried Movie (1977) and National Lampoon’s Animal House (1978), the latter as a pot-smoking professor, he was cast as an unconvincing bearded stranger in Buffy the Vampire Slayer (1992).

On a more adult level were Six Degrees of Separation (1993), in which he played an unfulfilled art dealer; A Time to Kill (1996), as an alcoholic, disbarred lawyer (alongside Kiefer); Without Limits (1998), as an enthusiastic athletics coach; and Space Cowboys (2000), as an elderly pilot. By this time, he was gradually moving into grey-haired character roles, one of the best being his amiable Mr Bennet in Pride and Prejudice (2005).

The Jane Austen novel was also featured in the television series Great Books (1993-2000), to which Sutherland lent his soothing voice as narrator. Other series in which he shone as quasi baddies were Commander in Chief (2005) – as the sexist Republican speaker of the house opposed to the new president (Geena Davis) – and Dirty Sexy Money (2007-09), in which he played a powerful patriarch of a wealthy family.

Sutherland continued to be active well into his 80s, his long grey hair and beard signifying sagacity, whether as a contract killer in The Mechanic, a Roman hero in The Eagle, a nutty retired poetry professor in Man on the Train (all 2011), or a quirky bounty hunter in the western Dawn Rider (2012), bringing more depth to the characters than they deserved. As President Coriolanus Snow, the autocratic ruler of the dystopian country of Panem in The Hunger Games (2012), Sutherland was discovered by a new generation; he went on to reprise the role in three further films in that franchise, beginning with The Hunger Games: Catching Fire (2013).

He played artists in two art-world thrillers by Italian directors: in Giuseppe Tornatore’s Deception, AKA The Best Offer (2013), he was a would-be painter helping to execute multimillion-dollar scams, while in Giuseppe Capotondi’s The Burnt Orange Heresy (2019) he was on the other side of the heist as a reclusive genius targeted by a wealthy and unscrupulous dealer (Mick Jagger).

Aside from James Gray’s science-fiction drama Ad Astra (also 2019), in which he co-starred with Brad Pitt, Sutherland’s best late work was all for television. In Danny Boyle’s mini-series Trust (2018), which covered the same real-life events as Ridley Scott’s All the Money in the World, he played J Paul Getty, the oil tycoon whose grandson is kidnapped; while in The Undoing (2020), he was the father of a psychologist (Nicole Kidman), reluctantly putting up bail when her husband (Hugh Grant) is arrested for murder.

For the latter role Sutherland was in the running for a Golden Globe, having already received an honorary Oscar in 2017.

He is survived by Francine and his children, Kiefer, Rachel, Rossif, Angus and Roeg, and by four grandchildren.

🔔 Donald McNichol Sutherland, actor; born 17 July 1935; died 20 June 2024

Daily inspiration. Discover more photos at Just for Books…?

[uwmspeccoll]

Steamy Saturday

Spring Fire by Vin Packer, the pen name of American writer Marijane Meaker (1927-2022), was the first lesbian paperback novel and was published in New York by Gold Medal Books in 1952. It was an instant bestseller, outselling other popular titles of that year, including James M. Cain's The Postman Always Rings Twice and Daphne du Maurier's  My Cousin Rachel, and its publication marks the beginning of the lesbian pulp fiction genre.

The story, based on Meaker's own experience, revolves around the relationship between the shy and awkward, freshman sorority sister Susan ("Mitch") Mitchell and her more experienced roommate Leda Taylor. Both play at heterosexual "normality," while engaging in and at the same time questioning their same-sex attraction. Unfortunately, because it's the early 1950s, the relationship had to end in tragedy, with Leda bound for an insane asylum and Mitch denying to herself that she ever loved Leda.

Meaker was always distressed about having to write that ending. When Cleis Press approached her to republish the novel, she was very reticent. But the project went forward, and according to Wikipedia, Meaker wrote about this in the introduction to that reissue:

"I still cringe when I think about it. I never wanted it republished. It was too embarrassing." Meaker explained in the 2004 foreword that Dick Carroll, her editor at Gold Medal Books, told her that because the book would be sent through the mail, no references to homosexuality as an attractive life could be portrayed or postal inspectors would send it back to the publishing house. He said that one character must acknowledge that she is not a lesbian, and the other she's involved with "must be sick or crazy."

Beside lesbian romances, Marijane Meaker also wrote mystery and crime novels, nonfiction books about lesbians (as Ann Aldrich), children's books (as Mary James), and young adult fiction (as M. E. Kerr), for which she received the 1993 Margaret A. Edwards Award from the American Library Association. The butch/fem cover illustration is by noted American artist and pulp-fiction cover illustrator Barye Phillips.

View more posts on lesbian romance fiction.

View more LGBTQ+ posts.

View other pulp fiction posts.

[reasonsforhope]

"How much safer has construction really gotten? Let’s take a look.

Construction used to be incredibly dangerous

By the end of the 19th century, what’s sometimes called the second industrial revolution had made US industry incredibly productive. But it had also made working conditions more dangerous...

One source estimates 25,000 total US workplace fatalities in 1908 (Aldrich 1997). Another 1913 estimate gave 23,000 deaths against 38 million workers. Per capita, this is about 61 deaths per 100,000 workers, roughly 17 times the rate of workplace fatalities we have today...

In a world of dangerous work, construction was one of the most dangerous industries of all. By the 1930s and early 1940s the occupational death rate for all US workers had fallen to around 36-37 per 100,000 workers. At the same time [in the 1930s and early 1940s], the death rate in construction was around 150-200 deaths per 100,000 workers, roughly five times as high... By comparison, the death rate of US troops in Afghanistan in 2010 was about 500 per 100,000 troops. By the mid-20th century, the only industry sector more dangerous than construction was mining, which had a death rate roughly 50% higher than construction.

We see something similar if we look at injuries. In 1958 the rate of disabling injuries in construction was 3 times as high as the manufacturing rate, and almost 5 times as high as the overall worker rate.

Increasing safety

Over the course of the 20th century, construction steadily got safer. 

Between 1940 and 2023, the occupational death rate in construction declined from 150-200 per 100,000 workers to 13-15 per 100,000 workers, or more than 90%. Source: US Statistical Abstract, FRED

For ironworkers, the death rate went from around 250-300 per 100,000 workers in the late 1940s to 27 per 100,000 today.

Tracking trends in construction injuries is harder, due to data consistency issues. A death is a death, but what sort of injury counts as “severe,” or “disabling,” or is even worth reporting is likely to change over time. [3] But we seem to see a similar trend there. Looking at BLS Occupational Injuries and Illnesses data, between the 1970s and 2020s the injury rate per 100 workers declined from 15 to 2.5.

Source of safety improvements

Improvements in US construction safety were due to a multitude of factors, and part of a much broader trend of improving workplace safety that took place over the 20th century.

The most significant early step was the passage of workers compensation laws, which compensated workers in the event of an injury, increasing the costs to employers if workers were injured (Aldrich 1997). Prior to workers comp laws, a worker or his family would have to sue his employer for damages and prove negligence in the event of an injury or death. Wisconsin passed the first state workers comp law in 1911, and by 1921 most states had workers compensation programs.

The subsequent rising costs of worker injuries and deaths caused employers to focus more on workplace safety. According to Mark Aldrich, historian and former OSHA economist, “Companies began to guard machines and power sources while machinery makers developed safer designs. Managers began to look for hidden dangers at work, and to require that workers wear hard hats and safety glasses.” Associations and trade journals for safety engineering, such as the American Society of Safety Professionals, began to appear...

In 1934, the Department of Labor established a Division of Labor Standards, which would later become the Occupational Safety and Health Administration (OSHA), to “promote worker safety and health.” The 1935 National Labor Relations Act (NLRA), which legalized collective bargaining, allowed trade unions to advocate for worker safety.

Following WWII, the scale of government intervention in addressing social problems, including worker safety, dramatically increased.

In addition to OSHA and environmental protection laws, this era also saw the creation of the Consumer Product Safety Commission (CPSC), the National Highway Traffic Safety Administration (NHTSA), and the National Institute for Occupational Safety and Health (NIOSH).

OSHA in particular dramatically changed the landscape of workplace safety, and is sometimes viewed as “the culmination of 60 or more years of effort towards a safe and hazard-free workplace.”"

-via Construction Physics (Substack newsletter by Brian Potter), 3/9/23

[itsfullofstars]

"Our mission is to collect, preserve, and provide historical UFO materials to the general public and interested parties. With the accumulated data, we hope to assist with serious research endeavors and aid in an accurate chronicling of UFO/UAP history for present and future generations regardless of belief or non-belief in the subject."

Who: An assemblage of the leading U.S. UFO/UAP Historians and Archivists led by David Marler that includes: Jan Aldrich, Rod Dyke, Barry Greenwood, Dr. Mark Rodeghier, Rob Swiatek, and others.

What: The establishment of the largest historical archive dedicated to the preservation and centralization of UFO/UAP information in the United States.

Where: Physical archive to be based in the Albuquerque, New Mexico area.

Why: Our mission is to collect, preserve, and provide historical UFO materials to the general public and interested parties. With the accumulated data, we hope to assist with serious research endeavors and aid in an accurate chronicling of UFO/UAP history for present and future generations regardless of belief or non-belief in the subject.

Context: In recent years, there have been successive U.S. government disclosures acknowledging the UFO/UAP subject as a genuine phenomenon. Subsequently, multiple U.S. military, intelligence, and scientific agencies have started adopting programs to study the subject such as NASA and the AIAA. In addition, within the civilian sector, there has been an influx of new researchers into this field of inquiry. Many academics and scientists are included in this group.However, most of these parties do not have access to the vast array of historical materials and data sets in the hands of civilian U.S. UFO/UAP historians and researchers.

[holylulusworld]

2023 Tony Stark Bingo Mark VII masterlist

Preview for the upcoming fics to fill the squares.

Stories written for: @tonystarkbingo​

S1: ??? (Alpha!Tony Stark x Omega!Reader): Kink: A/B/O society

S2: ??? (Tony Stark x Reader): AU: Canon divergence

S3: Brand-new toy (Tony Stark x Reader): AU: Fucking machines

S4: ??? (Tony Stark x Reader): Super soldier serum

S5: ??? (Tony Stark x Reader): Physical therapy

T1: ??? (Tony Stark x Reader): Kink: Hate sex 

T2: ??? (Tony Stark x Reader): Adopted

T3: Boom! (Tony Stark x Reader): Lab Shenanigans

T4: ??? (Tony Stark x Reader): Identity crisis

T5: I’m the best (Tony Stark x Reader): Aldrich Killian

A1: Baby boy (Tony Stark x Reader): De-aged Tony

A2: ??? (Tony Stark x Reader): Iron Man II 

A3: D.I.L.F. - Prologue (Tony Stark x Reader): Free Space

A4: ??? (Tony Stark x Reader): Survival in the wild

A5: ??? (Tony Stark x Reader): Iron Man & War Machine

R1: Another snap (Tony Stark x Reader): Resurrection

R2: ??? (Tony Stark x Reader): Standing on tiptoe 

R3: Enchanted (Tony Stark x Reader): AU: Fairytale

R4: ??? (Tony Stark x Reader): Takeout/Pizza

R5: Trophy Wife (Tony Stark x Reader): Playboy

K1: ??? (Daddy!Tony Stark x Daughter!Reader): Bedtime stories

K2: ??? (Tony Stark x Reader): Kink: Nipple play

K3: I want love (Tony Stark x Reader): Learning to be loved

K4: Framed (Tony Stark x Reader): Gossip press

K5: ??? (Tony Stark x James „Rhodey“ Rhodes): Bromance

Find all other Bingos and Special Events here: Special Events

[chrism02]

what are the main love languages of the characters below based on the 5 love languages (Words of affirmation, Quality time, Physical touch, Acts of service, Receiving gifts)?

Characters: Maxim Horvath, Comic!Otto Octavius, Gabriel Duvall, your version of Oswald Cobblepot, Harding Hooten, Mark Rothko, Hank Spallone, Robert Aldrich, Wilson Fisk, Hannibal Lecter

Maxim Horvath: all in different variations but the main one is quality time

Comic!Otto Octavius: physical touch

Gabriel Duvall: acts of service especially if it assists his autism

My version of Oswald Cobblepot: the things he always lacked growing up - words of affirmation, quality time, and physical touch

Harding Hooten: with his busy schedule he greatly appreciates quality time and acts of service

Mark Rothko: receiving gifts especially if they are handmade

Hank Spallone: physical touch

Robert Aldrich: words of affirmation especially after meetings with Warner

Wilson Fisk: quality time

Hannibal Lecter: all in different variations but the main one is physical touch

[goldieclaws]

🌈 for aldrich and lady beast :3

send me a 🌈 + one of my f/os for my sexuality/gender hcs for them!

Aldrich is Non-Binary and exclusively uses They/Them! They are also Pansexual Panromantic, as well as Polyamorous.

Lady Beast's gender and sexuality is a little vague (since demons, naturally, don't follow the same rules as humans), but by human standards, she's a Trans Woman and Polyamorous Sapphic :>

[prismaiden]

VERSES .

⚘ verse — do you believe in god / i do please stop there’s so much blood

canon . Unwilling acolyte of the Deep, corralled to the cathedral among a sorry stream of men, women, children.  Anri does not remember what came before the long march along the Road of Sacrifices.  Saint Aldrich is the beginning and he is insatiable, he eats endlessly, he bloats and swells.  Anri befriends other children in the course of her domestic and ecclesiastical duties.  They pray for salvation, but no hero comes to their rescue.  Hollow-eyed child, she watches as those she loves are consumed live, one by one, split like pomegranates on the altar while the monstrous choir sings and chants.  It was Horace’s idea that they flee.  In the end, they are the only ones to escape, to outrun the hunters and their hounds. They alone are the sole survivors of Aldrich’s grim appetite.

⚘ verse — teach me the art of small steps

canon . It is chance that sees their paths cross with that of Ryland of Astora.  Stowaways on the sea crossing, their fare paid by a greying knight to keep them from trouble.  He takes them under his wing, under his noble tutelage.  Together, they travel a war-stricken world, they grow accustomed to the weight of weapons in hand, they drink deep from the cup of honour and heroism.  When they are ready, they venture into the smouldering heart of Ryland’s motherland and slay the dark spirit that destroyed Astora.  The battle costs Ryland his life, and with his passing Anri dons his armour.  To those she meets thereafter, she will say she is of Astora, drawn as she is to its history of gallantry and courage, to its current state of desolation.  To drive back the growing dark, she offers herself to link the Flame – but her sacrifice is rejected.  She is deemed unworthy kindling, and she burns for nothing.  Loyal Horace follows her into the fire, together in death as life, and their ash is carried on the same wind.

⚘ verse — i thought even the bones would do

canon . Anri awakens in the untended graves, crawling from the earth with ash thick in her throat.  She is raised from the dead, remade as a Lordseeker.  In a world that rings empty, that is haunted by hollows, she looks to fulfil her purpose – to destroy the resurrected Saint Aldrich and avenge the children she once knew.  Horace is at her side as they take the Road of Sacrifices to the Cathedral of the Deep, though they will not find Aldrich there.  No, he waits beyond Irithyll, in the pale city that was once home of the gods.

⚘ verse — every body is a book of blood

bloodborne . A Blood Saint and custodian of the Orphanage.  Anri bleeds herself dry to bolster those brave and fierce enough to drive back the beastly scourge.  Covered in track marks, she tends to the children, she loves them true.  A low-ranking servant of the Healing Church, she knows not what fate awaits the children in her care, not privy to the machinations and horror of the Choir’s ambition.

⚘ verse — can i hope to become / when a lone lamb can’t be salvaged

modern . Anri owns and runs a flower shop, living a thrifty and simple life. She loves her friends and serves her community, frequently gifting bouquets to hospitals and homes for the elderly. In her spare time, she volunteers as a cuddler in the local neonatal intensive care unit. Beneath her wholesome veneer, there is trauma she dares not speak – that she and Horace are survivors of the Catholic care system.

⚘ verse — love is what sits at the core of the world

ancient greece . A verse inspired by but not limited to Assassin’s Creed: Odyssey.  Anri is a priestess Aphrodite, a caretaker of her goddess’ temple in Korinthia.  There she participates in sacred processions, public prayers, holy feasts in which the people present dine in the presence of divinity.  For a small fee, she may also officiate at private rituals.

[riding-palominos-every-day]

Seitz was cut from the UK show because Mark Aldrich wasn't available-