#mariette pathy allen
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Sylvia Rivera during the filming of "The Transexual Menace" (1996)
photo by Mariette Pathy Allen [website] [instagram]
#mariette pathy allen#sylvia rivera#pride#trans pride#trans#transgender#queer#kitten#vintage photography#queer history#true trans soul rebel
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During gay pride, early 1980s
📸 Mariette Pathy Allen
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[HUMANIZED C!BEEDUO THESE AREN'T THE REAL GUYS DON'T GET IT TWISTED!!!!!]
ahem. silly, unpractical bath time ft. 1950s au c!beeduo. inspired by a photo of Max and Corissa Anderson taken by Mariette Pathy Allen (below cut)

#old queens au#<- that's my 1950s c!beeduo au. after 3 years i finally feel brave enough to post abt it LOL#might post other drawings i've done for it as well#c!beeduo#c!tubbo#c!ranboo#ronnie USB#teddy USB#<- erm. don't mind that#fan art#digital art#digital illustration#digital drawing#m'art
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Lilies In Transition: The state of trans representation in yuri

Content Warning: Discussion of transphobia, transmisogyny
Spoilers for I Wanna Be Your Girl
Yuri is a growing genre, increasingly depicting more and more varied stories about sapphic love. As yuri continues to get queerer, the existence of trans people in these stories would be one way to provide validation for trans readers in their gender and sexuality while also helping cis people understand and internalize our long standing place in the sapphic community. Yuri works featuring trans characters do exist, though their history is complex and they remain relatively few.
A Slice of Reality
Trans people are rooted in the sapphic community and have been a core part of it for as long as it could be called a community. Lesbians, by their very sexuality, defy the gender binary which was so strictly defined by heterosexuality, and in many cases they lose access to their conditional womanhood. This is furthered by the very long history of people engaged in the sapphic community who actively defied gender norms by presenting masculine, be that as a Butch, a Stud, lacking a label or some other label. Following from this, there is plenty of evidence of gender-defying companionship between lesbians and trans people in historical documentation, such as the works of Mariette Pathy Allen, who has chronicled transgender people for over 40 years as a photographer and released several books of her work. This is also present in fiction: for example, Alison Bechdel’s classic comic series Dykes To Watch Out For (1983) features a strip talking about the need for cis lesbians to have solidarity with trans women.
Read it at Anime Feminist!
#double house#i wanna be your girl#kanojo ni naritai kimi to boku#kashimashi#ranma one half#ranma 1/2#ranma saotome#mermaid line#yuri#yuri manga#transgender
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https://linktr.ee/nichproductions From the 1970s to Now, Mariette Pathy Allen Traces Transgender Stories https://www.featureshoot.com/2023/05/from-the-1970s-to-now-mariette-pathy-allen-traces-transgender-stories/?utm_source=dlvr.it&utm_medium=tumblr https://linktr.ee/nichproductions
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BALAM
N8 FAMILIAS ELEGIDAS / C.2
AGOTADA SOLD OUT
☆ FAMILIAS ELEGIDAS ☆ Este nuevo número de Balam se centra en las Familias Elegidas como tema principal, haciendo un recorrido en 280 páginas donde manifestamos las experiencias, las historias y los vínculos de las familias imperfectas. ¿Qué son las familias imperfectas? son todas aquellas que no entran en la historia de un sistema que ha rechazado, negado e invisibilizado las realidades y las vidas de familias de la disidencia sexual.
En esta edición vemos familias que construyen y habitan un espacio seguro, de superación, un refugio empático y libre donde las palabras “rechazo” y “vergüenza” no tienen lugar.
“De esto habla la revista Balam n.º 8: de las familias reales, no de las perfectas. Vamos a conocer y reconocernos en familias imperfectas, en familias del rechazo, en familias colonizadas, en familias futuras, en familias racializadas, en familias estigmatizadas, en familias que sobreviven y se reinventan por fuera de la norma; en familias que aprendieron a desaprender las maneras de relacionarse y de amar: las familias elegidas.” Carta de Editor
☆ CHOSEN FAMILIES ☆ This new issue of Balam focuses on Chosen Families as the main theme, making a journey in 280 pages where we manifest the experiences, stories and bonds of imperfect families. What are imperfect families? They are all those who do not enter into the history of a system that has rejected, denied and made invisible the realities and lives of families of sexual dissidence.
In this issue we see families that build and inhabit a safe space, of overcoming, an empathetic and free refuge where the words “rejection” and “shame” have no place.
“This is what Balam No. 8 magazine is about: real families, not perfect ones. We are going to meet and recognize ourselves in imperfect families, in families of rejection, in colonized families, in future families, in racialized families, in stigmatized families, in families that survive and reinvent themselves outside the norm; in families that learned to unlearn the ways of relating and loving: the chosen families.” Letter from the Editor in Chief
☆ FAMÍLIAS ESCOLHIDAS ☆ Esta nova edição de Balam focaliza as Famílias Escolhidas como seu tema principal, fazendo uma viagem de 280 páginas através das experiências, histórias e laços de famílias imperfeitas. O que são famílias imperfeitas? As famílias imperfeitas são todas aquelas que não se encaixam na história de um sistema que rejeitou, negou e tornou invisíveis as realidades e vidas das famílias de dissidência sexual.
Nesta edição vemos famílias que constroem e habitam um espaço seguro, um espaço de superação, um refúgio empático e livre onde as palavras “rejeição” e “vergonha” não têm lugar.
“É disto que trata a revista Balam nº 8: famílias reais, não as perfeitas”. Nos encontraremos e nos reconheceremos em famílias imperfeitas, em famílias de rejeição, em famílias colonizadas, em famílias futuras, em famílias racializadas, em famílias estigmatizadas, em famílias que sobrevivem e se reinventam fora da norma; em famílias que aprenderam a desaprender as maneiras de se relacionar e amar: as famílias escolhidas”. Carta do Editor
FOTÓGRAFXS. PHOTOGRAPHERS Anne-Sophie Guillet (BE), Archivo Honduras Cuir (HN), Archivo Memoria Trans México (MX), Benoit Rousseau (FR), Clifford Prince King (US), Dana Balajovsky (AR), Enantios Dromos (BR), Fotos dos Outros (BR), Gê Viana (BR), Kasa Loka (AR/ES), Laíza Ferreira (BR), Leonard Suryajaya (US), Lucas Cordeiro (BR), Mariette Pathy Allen (US), Matheus Morani (BR), Nídia Aranha (BR), Ode & Ibrahem Hasan (BR/US), Óscar Sánchez Gómez (MX), Otras Vidas (CL), Sabelo Mlangeni (ZA), Sunil Gupta (UK/IN), Tadáskía Willan Oliveira Morais (BR)
TEXTOS. TEXTS Davi de Jesus do Nascimento (BR) Marce Joan Butierrez (AR) Yná Kabe Rodríguez Olfenza (BR) Ventura Profana (BR)
EDICIÓN. EDITION Ventura Profana & Luis Juárez
EDITOR DE TEXTOS. TEXTS EDITOR Juan Ruades
DIRECCIÓN DE ARTE. ART DIRECTION Gustavo Eandi
TIPOGRAFÍA. TYPOGRAPHY Repro, de Erkin Karamemet Publicada por Dinamo Typefaces Repro, by Erkin Karamemet Published by Dinamo Typefaces
ESPECIFICACIONES. SPECSPáginas. Pages: 280 Formato. Size: 21×28 cm. Encuadernación cosida. Stitched binding Idioma: Español, Portugués e Inglés. Language: Spanish, Portuguese & English Año. Year: 2022
TAPA POR. COVER BY: Sabelo Mlangeni (ZA)
Impreso en Buenos Aires, Edición Limitada Printed in Buenos Aires, Limited Edition
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During gay pride, early 1980s.
photo & caption by Mariette Pathy Allen [website] [instagram]
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Photographers: On Beauty
What is Beauty? What does it mean when we call something beautiful?
In this final post for 2024, TALKING PICTURES presents twelve personal reflections on beauty by acclaimed contemporary photographers from around the world. Their insights, and the images they have selected to illustrate their ideas, are as richly diverse as are their individual creative practices.
Roger Ballen (South Africa); Rona Bar & Ofek Avshalom, aka Fotometro (United Kingdom); Ciro Battiloro (Italy); Judith Nangala Crispin (Australia); Maika Elan (Vietnam); Luis Gonzalez Palma (Guatemala); Lin Zhipeng / No. 223 (China); Cecilia Paredes (Peru); Mariette Pathy Allen (USA); William Ropp (France); Tomoko Sawada (Japan); and Danielle van Zadelhoff (Belgium).
IMAGE: © Tomoko Sawada ‘TIARA’ [detail] 2008 (courtesy of ROSEGALLERY)
Wishing all our readers a beautiful 2025, however you define it!
*** Please note that Talking Pictures has a new URL: www.talking-pictures.online ***
#photography#photographer#creativity#art#artphotography#photographerinterview#photographerinterviews#rogerballen#ofekavshalom#ronabar#cirobattiloro#judithnangalacrispin#maikaelan#luisgonzalezpalma#linzhipeng#ceciliaparedes#mariettepathyallen#williamropp#tomokosawada#daniellevanzadelhoff#talkingpictures#photographylovers
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Exclusive Interview: Mariette Pathy Allen on five decades of photographing trans, nonbinary & gender nonconforming people
Mariette Pathy Allen has been photographing, interviewing, and advocating on behalf of transgender, nonbinary, and gender nonconforming people for five decades, following a chance meeting with a group of cross-dressers in the late 1970s in New Orleans. Through her artistic practice, she has been a pioneering force in gender consciousness, contributing to cultural and academic publications and…

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1987, pathy allen
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Photo by Mariette Pathy Allen
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Tommy Wang - Gender Frontier by Mariette Pathy Allen , NY: 2003
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