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arachine · 1 year

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yes, i'm ready (to fall in love)

── ˚₊✩‧₊ genre: smut, fluff, mild angst

── ˚₊✩‧₊ synopsis: after reader is persuaded into putting herself back out there by long time friend, shoko, she successfully ends up scoring a date. unbeknownst to her, though, the gods have different plans—and one of them seems especially interested in her relationship with ex-husband, gojo satoru.

or in other words: a failed date results in a night of passion amongst former lovers.

── ˚₊✩‧₊ contents: 13.5k words, ex-husband!gojo + co-parent!gojo, slight dub-con (alcohol use), dumbification, overstimulation, vaginal penetration, unconventional form of contraception (pull-out method - don’t do this), pussy eating + one oc for the sake of plot

── ˚₊✩‧₊ note: i know this is really long and most people don’t have the attention span for it but PLEASE give it a chance! this is literally the longest piece of fiction i’ve ever written and i’m really proud of it :(

songs to listen to for best reading experience: donny hathaway - i love you more than you’ll ever know barbara mason - i’m ready partynextdoor - showing you bryson tiller - been that way

After you divorced your ex-husband, and decided to devote all of your time to being a mother, you never really considered getting back into the dating world. Not that you didn’t eventually want to settle down with someone new, but the dating world now was just so–different.

Different in the sense that meeting people organically was becoming increasingly difficult. It wasn’t like how it used to be in high school or college, and it really didn’t take that much effort then to get a man’s number by the end of your outing.

When you were in your early twenties, a brush of your hand on a man’s arm would’ve worked. An ‘accidental’ bump into someone at a grocery store or cafe might’ve ended in a quick lay. Using these tactics today, though, might earn you some weird looks–have–earned you some weird looks.

You’re on call with a friend from college when you begin recounting something embarrassing that happened to you recently. At first, the conversation started out about all of the professors you would’ve slept with (if given the chance), but then, one thing led to another, and she asked you something that made you wince:

“‘How’s your dating life been since, you know, Satoru?’”

There’s a heavy silence from your end, and she almost thinks you hung up.

“I mean, if you want to share,” she splurts, attempting to approach this gently, “I know that after the divorce, I wasn’t there for you like you needed, but I’d like to make up for that–if you’d let me.”

Shoko’s always been like that. Blunt and charismatic, but gentle and zephyr-light in the way she cares for those closest to her. It’s a trait of hers that you admire, because not so many people would care to treat your heart with such fragility.

“No, it’s okay. You can ask, you know, it’s not this secret thing,” you start, sighing before continuing, “it happened, and it was a mutual decision.”

Shoko hums on the other side, “Well, I’m still sorry. I let us go without talking for far too long…”

“Well, I accept your apology, even if it’s unwarranted. Like I said, it was mutual and…there wasn’t really an intense grieving period for me? The only thing that hurt me is that you distanced yourself. I mean, the girls did miss their aunt Shoko…” you say, trying to make her feel bad but not too bad.

“I know, I know, I’m a bad aunt,” she jests, then the tone shifts to something serious. “I think I was just scared because both of you were my best-friends. I didn’t want to ‘pick sides’, but I see now that it was a mutual decision, so I’m assuming you two are on good-terms?”

Again, you pause, “I mean, yeah. Satoru will always be my best friend. We may not be together romantically but he’s such an integral part of my life, I couldn’t do this–all of this–alone.” After you say it, you feel a weight being lifted off of your chest that you didn’t know was even there.

You think nobody would understand if you told them this. You think they’d question how a person could divorce someone who’s supposed to be their best-friend. And with the way you describe it, they’d probably think you were still in love with him. But Shoko’s different, she gets it. Which is why saying it to her came so easily.

“He is a great father,” she chimes in, “but you two rushed into it so quickly, I don’t think either of you had time to discover yourselves after college.”

Although she can’t see it, you smile. Because she gets it. Even if time did place itself in between the two of you, she was there for most of it, when things were still touch-and-go. When things were fresh, and clumsy.

“Exactly, that was our biggest gripe,” you admit, “We didn’t afford ourselves that time to grow, and I think that hindered our relationship. We weren’t husband and wife first, we were parents–and we were young, way too young.”

“You made it, though,” Shoko tries to brighten the mood, “you’re both amazing parents, and I know those beautiful girls that you created are lucky to have you.”

The intimacy of the conversation sends your emotions into overdrive. You quickly realize how much you missed her, how much you yearned to talk to her. To reconnect on this level.

A single tear cascades down your cheek, and you try not to sound like you’re crying when you say, “Ok, enough about that. You wanted to know about my shitty dating life, right?”

It happened last week, the grocery store incident. You were out picking up a few things for dinner when you spotted a cute guy standing outside of the aisle a few rows from you. He was fit beyond measure, in looks and strength, and was wandering around aimlessly in pursuit of red pepper flakes.

Coincidentally, you just happened to be in the seasoning aisle, and like the good samaritan you were, decided to personally hand-deliver it to him.

You wince as you vividly recall the embarrassing ordeal that ensued immediately after.

“Hey,” you peer from behind the aisle, with a bottle of red pepper flakes in tow. “I heard you mumbling about finding this, and you looked pretty lost, so I thought I’d pick ‘em out for you.”

The man’s brows furrow briefly before his lips up-turn into a grateful smile, “Oh, cool, thank you so much!” As quickly as the conversation started, it ends even quicker. He gives you a final nod of endearment before he’s turning around on his heels to resume his shopping.

“God, could he be any more dense? The men today really make you work for it, huh?” you mumble to yourself, pulling the bosom of your blouse down until a good amount of cleavage is on display. “Okay, alright. You got this, you got this. This always used to work, right? Yeah, men love boobs.”

Walking up to the man again, you try a different approach–a bolder approach. “Not to be a bother but I was wondering if I could-”

“Babe? Oh, there you are,” a new voice interjects. The owner of the voice emerges from around the corner and walks up to the man with a cart and a baby in tow. You’re stunned, to say the least. All you can do is stand there and blink in complete and utter dumbfoundment. As you remain in their presence, you take a moment to analyze the woman. She’s gorgeous, and toned. A real model-type broad, with feline-ish features that make so much sense paired with the man who appears to be her partner.

Oh, you think, and apparently say aloud, too. That’s when the woman turns to you, finally acknowledging your much smaller, and much quieter presence.

“Hi, can we help you?” she smiles, and it’s actually genuine. Toothy and perfect, and totally not jealous. You blink once, twice, before gathering your wits to answer her question.

“Yeah, uh, no. I actually, uhm, was helping your h-husband. He was looking for red pepper flakes,” you mutter embarrassedly, and point to the bottle in his hand. Upon further observation, you notice that she isn’t exactly wearing a ring. You find this odd, especially because his not wearing a ring is what encouraged you to pursue him. Carefully, you prod.

“If I may ask, how come neither of you are wearing rings?” The couple gives each other a look, one that makes you feel like the odd man out. A look that is universally known, and without a doubt, could easily be translated to: ‘did this chick really just ask that?’

Still, you smile as you wait for an answer. The woman takes the initiative. “Yeah, we don’t really believe in rings, isn’t that right, babe?” she says so matter-of-factly. You blink again for what seems like the thousandth time, because of all things, you did not expect that to come out of her mouth. Her husband is quick to validate her statement.

“Yeah, we think rings are unnecessary, you know? You don’t need a piece of metal to confirm your feelings,” he says walking to his partner’s side and wrapping an arm around her.

Disgustingly, the two give each other googly eyes before locking lips briefly. You can tell they’re the type to probably share this information with just about any soul who asks. Today, you just happened to be that unfortunate soul.

“Are you married?” she queries, tilting her head against her husband’s chest.

“I was, now we just…co-parent,” you purse your lips, ready for this entire interaction to be over. The woman frowns at your answer, and this time it’s not as genuine.

“Awe, well, I’m sorry to hear that.”

“It was actually a mutual decision,” you quip.

“Okay,” she smiles, widening her eyes at her husband to signal a departure, “well, it was nice meeting you, and thank you for the red pepper flakes.”

The family turns away and heads to the front where check-out is. You don’t even buy the items you intended to purchase, just leave your cart in the middle of whatever aisle you abandoned it and leave the store.

“Oh, baby, you didn’t?” Shoko asks in horror. You nod your head, still forgetting she can’t see you and the way you’re sliding down against the wall.

“I did, and I shan't ever again,” a laugh erupts from your throat.

“I mean, fuck, are we getting old? ‘Don’t believe in rings,’” she mumbles, “Don’t believe in rings, my ass! Is this what the youth are doing these days? Not proposing with rings?”

Now that you think about it, you wonder how that would even work. “Yeah, right? I mean, how does that even work? ‘Will you marry me? But, actually, you should know I don’t have a ring for you, so people will have to guess that we’re together purely based on vibes and energy,’” you mock, in a not-so-great man voice.

Shoko’s laughing so hard by the end of your bit that she breaks the sound barrier, and the sound that makes on the phone sends you into your own fit of laughter. You laugh so hard it seems like a stream of pee comes out. Curse your developed incontinence after motherhood.

“God, you’re so stupid, I can’t breathe,” she says exasperatedly, and you know that on the other side she’s probably keeling over in her bed.

“Oh, please. I bet you haven’t laughed this hard in a long time, bitch.”

“I haven’t,” she cackles. This back-and-forth continues until the two of you settle down enough to continue discussing your (pee-inducing) love life.

“You tried any dating apps?”

It’s a simple and valid question, but it only makes you laugh even harder. You only stop when the other side of the line goes quiet. “Wait, seriously?”

“Yeah, seriously. It’s what everyone’s doing these days! You’re not that old, you know.”

“Shut up,” you kid, “ it’s just that I never considered it. I mean, dating apps feel so impersonal. How serious do people even take it?”

“Sure, there’s people who use it for casual hook-ups and stuff, but a lot of people do come out of it with a relationship. Just don’t knock it ‘till you try it.”

“Oh?” you muse, curious. You wish Shoko could see your face, and the weird little dance your brows were doing. “Shoko, have you used a dating app before?”

The brunette kisses her teeth. “Can’t get anything past you.”

“Never.”

There’s a sense of hesitance but you encourage her to elaborate because ‘she became estranged from you for almost a decade and needed to pay her dues’. Sighing defeatedly, she eventually acquiesces.

“Fine, fine, maybe I’ve…been on a few dates,” she starts, “–and had a few one night stands, maybe more than a few, and maybe even dated a guy that turned into my stalker–”

“Ieiri Shoko! You naughty, naughty girl! Wait, stalker?”

“To make a long story short, I got a restraining order on that creep. Anyway,” she segues, attempting to change the subject, “We should make you a profile!”

For the rest of your phone call, Shoko guides you through all of the dating app basics. She offers her expert advice as you scroll through your camera roll for potential photos to use. You go through about a hundred before you finally settle on five that she really likes.

The one that she tells you to put first is a photo of you in a bikini. It’s a few years old but she says you look ‘radiant’ and that your ‘tits were practically spilling out of the cups’. Plus, for further consolation, she says most people on dating apps are liars.

“Everyone’s got at least one old photo on their profile, doesn’t make you a catfish,” she quips, “just means you’re a nostalgic person!”

“Right…”

The next one is a selfie. You’re smiling big in it, showing your gums, and it’s genuine. Shoko says guys like those types of photos because it shows them that you’re approachable. It also won her over because it’s fairly recent, too.

Out of all your photos, there’s only a select few that were taken within the year. You had to admit to her that you never really took photos of yourself anymore. Satoru took most of your candids. Still, she had a mission. And she wasn’t going to be satisfied until she stuck around to see your first match.

“After the selfie you should put the one of you with the girls.”

The picture she’s referring to is one Satoru also took. You remember that day fondly, and even now, the memories feel like a warm embrace.

about 8 years ago . . .

“Dad, mom, look! Hurry!” Hana, your oldest, shouts. Satoru and you are sitting on a blanket up on the sand dunes with Haruki, who’s trying her best to make a sand castle–to no avail.

“What is it, hon?” Satoru and you rush over to her, snatching toddler Haruki in the same breath. When you get to the scene, a flood of warmth washes over you upon discovering the ‘threat’.

“See, it’s baby turtles!” Hana’s squatting in the sand, watching with pure and unfettered fascination as the hatchlings crawl north to the ocean. When she looks up at you, with eyes so bright, and a smile so big that’s missing two of her front teeth, you want to cry.

“Oh, hon, that’s beautiful,” you gasp, lowering to your haunches so that you can join her. Satoru is about to follow suit before deciding at the last minute to go back to the blanket. When he returns, he snaps a picture unbeknownst to you. Eventually, though, you turn your gaze to him and he captures–what he used to think then–the ‘prettiest’ photo of you.

“You sneaking photos of me?” you squint, pointing at him. He trods closer until he’s standing above you. Then he snaps another. Your head’s tilted up, and you’ve got one eye open, and the other closed because of the sun. He always liked when you squinted like that because it made your nose do this cute little scrunch.

“Yup, ‘cause you’re my muse.”

You’re pulled out of your daydream when Shoko says your name on the other line.

“You still there?”

“Yeah, it’s just…”

“Just what?” she queries, waiting for a response.

“I wanna use it, but my ex-husband took it. It feels weird, you know? And do I want to use a photo of me with the girls?”

“Hon, who cares if Satoru took the photo? It’s still a good photo, and to answer your second question, why wouldn’t you include a picture with your girls?”

“I don’t know, I guess I’m just afraid no one will be interested. Nothing about a picture of a mom with her two daughters exactly screams ‘fuck me’.”

Shoko lets out a small chuckle but you’re being serious. “Oh, sweetie. You’re so cute. Milfs are in these days, I don’t think I’m the one getting old, I think it’s just you!”

“Ha-ha, laugh at the mom,” you feign annoyance, but give her a laugh in return.

“But seriously, please use that photo. Nobody’s going to skip you just because you’re a mom. A lot of men on there have kids of their own, just gotta tweak your settings,” Shoko reassures you.

By the end of your call, the profile is set. You thank your old friend for the previous heart-to-heart conversation, and the time she spent helping you set up your profile.

“Keep me updated, and don’t talk about mom stuff, okay? Now, I’m not saying you can’t talk about them,” she begins, “but show these guys your personality! I know she’s in the closet somewhere hiding next to our old slutty clubbing clothes.”

Then, the both of you say your goodbyes and she wishes you a good-luck on your newly established dating journey. As you lay in your bed, you give your profile a final onceover. Not too bad, you think to yourself.

You ended up using all of the photos she had originally picked out for you. Even the beach photo. To compensate for your old photos, though, Shoko made sure that your prompts were witty and full of personality.

“I’d match me, I think. No, yeah, these are funny. She did a good job.”

The following day, you open your phone to fifty notifications from the dating app. A tingle of excitement shoots through your body from the tip of your toes, to the top of your head. It takes all of your might not to squeal in the office.

“Holy fuck,” you whisper at your desk. The amount of notifications that you initially saw on your homescreen read ‘50’ but when you opened the app, it showed you an overwhelming ‘100’ with a fat plus sign next to it. “Wait, are these all the people who liked me? Shoko’s gonna flip.”

Getting up from your chair, you make a beeline to the nearest bathroom. Not that you have to use it, but so you can scroll through all the potential prospects without your boss seeing you on your phone.

Pulling open the door to the bathroom, you close it shut behind you and lock it. A few minutes pass in the time you’re able to get through about half of the people who liked you. You end up skipping a lot of them. They’re either too young, too self-absorbed, creepy, or just downright not your type.

Some stick out, though. Even trick you into thinking they’re potential matches, but then the other shoe drops–because there’s always another shoe. You’ll scroll through their profiles, and they’ll seemingly have all the perfect traits: intelligent, witty, handsome, tall–and then, boom. You see their ‘don’t want kids’ preference. Every failed match only discourages you more and more.

It’s weird, because your profile preferences are set to ‘have kids’ and you even have a photo pictured with your girls. So why are men liking your profile despite that? After a few more scrolls, you’re just about ready to head back to your desk but then–you have a hit.

Your finger hovers over the ‘x’ at the bottom of the screen, then retracts. The guy’s profile at first impression is miles better than the rest, it’s almost too good to be true. His first photo is what piqued your interest. It’s of him posing for a silly photo with his sons, and he’s got his arms draped around their shoulders.

As you scroll down his profile, you see that there’s even more of him with his children. You take this as a green flag. He wants people to know he has kids, and that he isn’t embarrassed to show them off. You admire him for it.

The last few remaining photos are an amalgamation of selfies and full-body photos. To the average, well-adjusted adult, looks wouldn’t be a deal breaker. But he definitely wasn’t too bad on the eyes, and you were not complaining about that–especially, after the odd men you had to scroll through to get here. In other words, he was gorgeous and still fit despite being older than you (him, respectively being in his early forties).

Checking the time on your phone, you realize that you’re pushing your little ‘bathroom break’. Before heading back to your desk, you decide to respond to his first photo.

You: Cute! Could never get my girls to stand so still for a photo like this now haha :)

Work goes by slower than you’d like, but finishes up just in time when you get a notification from the dating app. You’re a little more excited than you’d care to admit. Tidying up your workspace, you say your goodbyes to your colleagues and head to the elevator. Absent-mindedly, you rush to answer his message but realize it won’t go through because of the elevator’s poor service.

Kazuki: Oh, they’re moody and grown now, don’t be fooled. I can't remember the last time I saw my youngest smile.

You don’t answer his reply until you get home. Actually, you do just about everything but answer his reply: check on the girls, shower, prepare dinner, pour a glass of wine–you’re nervous, and you don’t know why. But you know you should probably answer soon before he becomes disinterested. So you get comfortable in bed with your glass of wine and pull open his chat.

You: Lol, know that all too well. Kids are little assholes, aren’t they?

The speed in which he reads your text is startling, you don’t even have enough time to close out of the chat. Then, he responds.

Kazuki: Hell yeah they are!

Kazuki: Sometimes I want to strangle my youngest. He’s at that age where he’s starting to rebel and question everything. I told him he was supposed to be the ‘easy’ one, but his knucklehead brothers are bad influences on him…Tell me, does it ever get easier?

You: Sounds a lot like my oldest. She used to cling to me like a koala but now she’s the ring leader, and I’m the enemy. My youngest still loves her mama, though (for now lol).

You: And to answer your question, I’d like to think so?

You take a second before continuing your response. Shoko told you to keep the mom talk limited, but this seems to be working for you so far, and he’s genuinely interested in what you have to say. So for once, you’re going to ignore her advice.

You: Kids go through phases. It's our job to reassure them that we’re not going anywhere. No matter how much they push us away or try to, that is :)

Kazuki’s chat bubbles pop up, then disappear. You think he’s deciding on what to say.

Kazuki: I can tell we’re gonna get along great. It’s nice opening up like this, you know? Talking to another parent. If I'm being honest, dating apps have always intimidated me…

Kazuki: People see kids as ‘baggage’, and it really bothers me. My kids aren’t baggage. They’re the best parts of me. And if someone doesn’t see that, then we have no business getting to know each other.

Kazuki: Sorry for getting all sappy. Just felt like I needed to say it.

His apology makes you frown. It feels like a breath of fresh air to hear someone talk about their kids so lovingly, because you feel the exact same way. You’re glad you downloaded the app, and you make a mental note to thank Shoko again later (after you debrief her about this).

You: Never apologize for speaking about your kids! And if we’re being absolutely transparent, that was my biggest gripe with downloading this app, too.

You: I’m so glad we matched each other. I’d like to get to know you more. And I’m hoping the feeling’s mutual?

Kazuki: It’s more than mutual.

Kazuki: Don’t want to get ahead of myself but how do you feel about dinner? There’s a cool high-scale restaurant in the city that I haven’t been to yet. Heard it’s got two Michelin stars despite opening up not too long ago.

The prospect of going on a sit-down dinner date has your stomach in knots. It’s been a hot minute since the last time you’ve done so, but you’re eager to know the man behind the screen on a more personal level. Plus, being treated to a high-scale restaurant with two Michelin stars doesn’t seem too bad either. You’re never one to turn down free dinner.

You: I’d love to, but how soon we talkin’? Gotta see if it’ll align with my schedule.

Kazuki: How’s this Friday at 8 sound? :)

The days leading up to Friday breeze by in a blur. For the majority of the week, it feels like you’re walking on cloud nine. Eventually, the conversation transitions from the dating app to exchanging phone numbers, and since then, the two of you have been texting back-and-forth everyday.

You talk about mundane things. Work, shows, movies, books you’ve recently read, what your kids are up to–but the other things? The other messages are flirty, and sexy, and filled with so much tension that it could cut a rope in half.

In between messages, the two of you have also exchanged a few photos. Nothing risqué or anything of that nature, just random photos of you throughout the day. The last one he sent was a few hours ago of him at work, captioned with: ‘Could this meeting be any longer?’.

You reply to the message with the ‘ha ha’ reaction, in consideration of not wanting to get him in trouble at work (even if he was the one who initiated the conversation). As the days go by, though, you make it a habit to update Shoko every step of the way.

Her first reaction to hearing about him was enthusiastic. That is, until you showed her screenshots from his profile. You vaguely remember her saying something that was meant as a compliment, but came out more like an insult.

“‘Oh, he’s a dad!” was her initial response, “oh, he’s a dad…and he really loves his kids. You’re meant for each other.’”

When you tried to ask her what she meant by that, she changed the subject. Every update since then has earned slightly more positive reactions, though.

Today, you ask her for more advice. Only this time, you’re on video call.

“Shokoooo,” you drawl, “our date is tomorrow! You have to help me find something to wear.” The panic in your voice is so palpable, she can almost feel your shaky hands through the screen. Flipping the camera, you hurriedly pan your phone around the closet.

“Breathe, girl, breathe,” she demonstrates first, before telling you to repeat the same motions. “Take me to that section over there–no, not that one–wait, yep, there.” You amble over to the area she’s directing you to through the phone.

“What’s that black little number right there?” She points. You prop the phone up on a shelf and scour through the section, tugging out a dress you haven’t seen in ages (which has you questioning how she even spotted it because it was pretty far back into the closet). Walking back into frame, you hold the fabric up to your body.

Shoko nods in approval, “That’s the one, babe. Try it on!”

It’d been about a decade since the last time you wore this dress. It’d also been about a decade since you were ever this small. Looking in the mirror, you run your hands over every surface inch, every crevice of the dress, in a newfound sense of appreciation for the adult weight you’ve gained since becoming a mother.

The dress was always stunning but it hugged everything perfectly even more so now. When you walk back into frame, your friend gives you a look of pure adoration. She’s so enthralled that she snaps a few screenshots for keepsaking.

“Thank god it’s Satoru’s turn to get the kids tonight,” she says, “‘cause you’re definitely getting some tonight.”

You roll your eyes, reminding her she’s on speaker phone. “Oh, please. It’s just dinner!”

“Not in that dress,” she retorts, wagging her finger in the camera. While the two of you continue to chat about the details of tonight, a knock on your bedroom door draws your attention.

“Mom, can I come in?” the voice sounds. It’s Haruki.

“Come in, hon!”

After you give the ok, you turn to Shoko and mouth to her to behave. Haruki turns the knob and enters, closing the door behind her. She sees you standing in front of the mirror before you see her, and silently utters a ‘wow’. You’re just about done putting your earrings in when you join her in the other room.

“What do you think, bun? Does your mom look hot?” you spin around, smoothing your hands down the length of the dress. You wait in anticipation for her approval, because if anyone could tell it like it is, it was always going to be a kid. Your Haruki was no exception.

“You look really pretty, Mom. I’m glad you’re going out tonight, I mean, you don’t really have friends so I think this will be good for you,” she elaborates, though you wish she would’ve stopped at the compliment.

Still, it puts a smile on your face to hear her verbalize that she’s okay with you doing something for yourself. You never quite discussed the prospect of getting back out there with your kids–and not even intentionally. It just never felt like the right time.

“You could’ve stopped at the compliment, punk!” you grab her, then wrap her in your arms, “but thank you. Love you, bun.”

“Love you more, mama.” Neither of you make the effort to pull away. Instead, you both stand there. Hugging, breathing, embracing each other’s warmth. You don’t always get hugs this good, so when you do, you savor it. Drag it out until your arms and legs get all tingly.

Or until someone interrupts. Another knock on the door. This time it’s Hana.

“Ew, what’s going on?” Hana feigns a look of disgust. You know she’s just jealous; she’ll never admit it, though. Which is why sometimes you have to force her to participate.

“Get over here,” you scrunch your nose, forcefully pulling her into your tight embrace. She tries to protest but eventually accepts defeat. You squeeze them both until they whine that they can’t breathe anymore. Then you squeeze them some more because this one’s for you.

“My special girls,” you breathe in, taking in all of their love. Soaking it all up so that tonight you have the courage to try again. To allow yourself a love of your own. When you let go, there’s a sniffle from the closet. It totally dawned on you that Shoko was still on the phone.

“They’re so big now, they don’t even know their auntie,” she fakes a sob, blowing her nose into a tissue.

“Mom, who’s on the phone?” Haruki queries with a confused expression etched onto her face. It suddenly dawns on you again that although you’ve been communicating with Shoko again, you haven’t exactly told them.

“Hey, you came in here to tell me something right, Han?” Your attempt to change the subject is poorly done, which doesn’t come as a surprise to you considering deflection has never quite been an ability you excelled at. Nonetheless, the look of suspicion they give you after is fleeting before they explain to you in unison that their father is here.

“Your father’s been waiting down there this whole time and nobody cared to tell me?” you whisper-yell, left eye twitching to emphasize your ill-preparedness. The girls only shrug their shoulders in response, like this was something you were just supposed to know.

“Well, you did force us into a hug and make us do all that Kumbaya stuff,” Hana mumbles under her breath.

“Okay, enough about all that. Are you guys all packed? Where are your bags? I don’t want your dad seeing–”

“You don’t want dad to see your date, right?” Hana raises a brow, all knowing. Sometimes she was a little too smart for her own good. You want to blame that on the private schools Satoru had them enrolled in, but really you just know she’s just a menace in her own right. She learned that from him.

“I agree with the kid,” a voice chimes in. You rush to the closet and grab your phone from the shelf. There’s a huge, shit-eating grin on Shoko’s face. Somehow she’s responsible for this. You don’t know how yet, nor do you have proof, but you know it.

“Okay, thank you, love you, bye!” Before you can hang up, Shoko blurts something.

“Tell him I said hi,” she begins, “–andnottogetahardonwhenheseesyou!”

You hang up the call and roll your eyes, chuckling to yourself because of her idiocy. When you enter the corridor, you hear a faint sound of hushed voices from downstairs. It’s only when you round the bannister at the top, when those voices become discernible and louder.

You stop at the top, and when your eyes meet his, it feels like all the air in your lungs have expelled. Suddenly, you’re hyper-aware of what you’re wearing, and the fabric, and the way it clings to your body. Neither he, nor you, look away–you should, you want to, but you don’t.

And in the time the two of you gaze upon the other, time stops for a modicum of a second. In this second, you and him are the last two souls in the world. At least, that’s how it feels anyway before he breaks eye contact.

You shift your gaze shortly after, and put on a trained smile. Those eyes of his were always so intense. You guess you forgot over the years how easy it was to lose yourself in the crystalline pools of them. Gathering your wits, you resume your movements and saunter down the imperial staircase.

“Hey, didn’t mean to keep you waiting. Sort of lost track of time, but I think the girls are all packed,” you say, your voice coming to a decrescendo upon noticing the way his eyes trail over your frame. They’re unreadable, though. Indifferent, and honestly, you’re not sure how to feel. So, you begin fidgeting uncomfortably with the rings around your finger.

Then, he smiles. It’s eerie and fake. “Not a problem, I haven’t been here too long. But, uh,” he begins ambling around the place, touching random objects around the living room, “Didn’t know you had plans. What’s the occasion? Going out for drinks with your colleagues?”

You furrow your brows, confused with his sudden interests in your plans. It wasn’t really like him to prod. “No, actually,” you rock back-and-forth on the balls of your heels, “i’m…i’m going on a date,” you finish with a pursed smile. He only nods his head in response, still walking around the place touching stuff, messing with the picture frames on the mantle. They’re all crooked now.

“How come this is the only picture you have up of me,” he asks suddenly. You know, that he knows, the answer to that. And he knows, that you know, you’ll indulge in his games anyway.

“The girls wanted them in their rooms. Why do you ask? You want me to go grab them and put ‘em all up around the house?” Again, he doesn’t say anything. Just gives you a final once over before heading back to the foyer to ask if the girls are all set to go.

“Yeah, but I can’t find my tablet, dad. Can I go look for it?” Haruki speaks up. “I thought I packed it.”

Satoru looks at the time on his watch, pinches the crease in between his brows. “Sure, kiddo. Can we make it quick, please?” He throws his hand in the air for emphasis, then points to his watch. Haruki nods, then runs up the stairs.

“Actually, you go on up too and help your sister. You guys are holding up dad,” you turn to Hana and gesture for her to head up with your head. She rolls her eyes, yelling up the stairs for her younger sister to ‘freaking hurry up’.

You and Satoru both turn to each other with wide eyes, laughing at the nerve of those children.

“They get that attitude from you, you know,” you point to him, driving your index finger into his bicep.

“You sure? Their mom’s got a pretty bad mouth on her, too. Or, have you forgotten?” He teases, bending his knees slightly to level his eyes with yours, intruding into your space. The smirk he dons is cheeky, too friendly–too inviting. You want to smack it off of him.

“Oh, shut u–” the sound of your phone chiming interrupts your banter. It’s a message from Kazuki, and you open it while Satoru stands over you. Probably close enough to read the message on his own if he wanted.

Kazuki: Hey, I hate to do this but I don’t think I can go through with tonight.

When you read the message, your heart drops into your stomach. There goes the other shoe, you think, fully embracing your pessimism. Who were you kidding, really? To think that tonight you’d go out and have a good time. Do something for yourself. It was stupidity.

Chat bubbles pop up on the screen. He has more to say.

He has more to say, and you’re fighting the urge to cry–to not shake out of sheer frustration while you’re still standing in front of Satoru. Because nothing would be worse than him seeing you can’t even land a date.

Kazuki: I recently just went through a divorce, and I know that I should have informed you about this before continuing our conversations…Especially since you’ve been so transparent with me about your own divorce and strife.

Kazuki: But if I’m being completely honest, I was scared. I genuinely wanted to see this through, at first. I wanted to forget about my ex-wife for just one night. But I realized I’ve been asking the impossible of myself…I’m still in love with her, and it’s because I’m in love with her that I won’t allow myself to lead you on any further.

Kazuki: I think we would’ve had a good time tonight. It's unfortunate we had to meet under such circumstances because you’re a really lovely woman, and I’m sorry an asshole is standing you up right now.

Kazuki: Take care. I know there’s a guy out there just waiting for his shot.

Satoru takes notice of the way your face drops as you read over the messages. Part of him wants to overstep his boundaries and take a peek at the screen. But he doesn’t. He gives you your space and takes a seat on the couch, waits for you to say something first.

In the meantime, he studies your face. Watches intently as your eyes become glossy the more you scan the messages, watches as your bottom lip catches between your teeth to hold back from crying. He thinks he knows what just happened.

Taking a deep breath, you lock your phone and put on another trained smile, “Well, looks like I’m staying in tonight.” Satoru dislikes when you do that. When you put on a fake smile and overcompensate to make others around you feel better, even when it’s so very obvious you aren’t. He wishes that sometimes you would just be selfish–act out.

And then you continue the façade. It makes his skin itch.

“I was too tired anyway, guess I can just catch up o–”

“Will you stop,” he spits, rising from his seat on the couch to stand. It comes out harsher than he intended, but he doesn’t regret it. You look at him like he’s got two heads as he walks over to the mantle and leans against it. His back is turned towards you, and the palms of his hands hold the crest of it. He uses it as leverage to rock on the heels of his feet. You can tell there’s something he wants to say because of the way his jaw ticks.

Satoru is never one to bite his tongue, so you’re not exactly sure why he’s choosing to be so restrained. If he wasn’t going to spit it out, you were going to poke. “What’s your problem?”

He chuckles at this, rubs his chin then pushes off the mantle to stand in front of you, gets all in your space again. The movement almost sends you back but you hold your ground, tilt your chin up at him and repeat the question. Slowly, this time with more venom.

“My problem? What’s your problem?” He breathes through his nose, his eyes flickering back-and-forth between your own. “Why do you always pretend like you’re not lonely? It’s okay if you were looking forward to having fun tonight. It’s okay to be upset and be mad at the asshole who stood you up!”

With every verbal prod at you, the gap between you decreases. His feet inch closer and closer to your own and force you to retreat farther until your back hits the wall. The coldness of it causes your breath to hitch, and you try to stay calm as Satoru encroaches more into your personal space. Being on the receiving end of his passion was always suffocating, you feel exposed under the intensity of his gaze–even more so as he continues to tear into you.

“Why do you even care?!” you cut him off, eyes wide and veins pumping full of adrenaline. “It’s not your place to be so invested in my life anymore! We’re not together, you don’t have to get so hot and bothered about things going shitty for me. I’m a big girl, and I’m perfectly capable of fighting my own battles.”

By the time you finish, you’re a heaving, shaking mess. He takes this as a sign to withdraw from your space, and goes to sit back down on the couch. When you finally settle your nerves, you join him, leaving a foot of space in between you. There’s an awkward silence, one that wouldn’t have even happened if he just respected your boundaries in the first place. Now he feels like the asshole instead of the actual asshole who dumped you. Taking a hesitant breath, he decides to speak up.

“Look, I’m sorry. I didn’t…It wasn’t my intention to come off so strong like that,” he begins, “I just wanted to let you know that you don’t always have to pretend to be fine. It’s not fair, you shouldn’t do that to yourself.” His eyes wander over to you reluctantly, like he’s scared that if he looks too long you’ll disengage from the conversation.

“It’s okay,” your voice is small, just above a whisper. You want to face him, but you know that if you do, you'll break into a million pieces. So you keep your gaze downward, busy yourself with the stray pieces of thread on the bottom of your dress. “You’re right, you know. I think I just…I think I just tell myself to expect disappointment so that when something bad happens, I’ll know it’s not because I got my hopes up.”

Satoru turns to you, and you can see him frown through your peripheral. Still, you don’t face him because you’re not done talking. But you thank him silently for listening without interrupting.

“Even though you’re right, I don’t appreciate the way you came on so strongly. We’re not married anymore, we’re not a couple–we’re co-parents. So if there’s something I want you to know about that’s outside of the scope of our kids, I’ll let you know. Otherwise, leave it alone.”

Satoru’s face softens. For once you’re being selfish, putting your foot down. This is the side of you he likes. “Okay. I respect that,” he says, “But can I ask you something?” The smile on his face is mirthful, like he’s got something else up his sleeves this evening. Skeptical, you finally face him with a raised brow.

“What?”

“Let me take you to dinner.”

You laugh in his face, even go as far as smacking his arm because you want him to know you found the joke really funny. He doesn’t budge, and that’s when you realize he’s being serious.

“Wait, what?”

“Let’s go to dinner,” he stands up, crossing his arms across his chest. You tilt your head in disbelief. You’re just waiting for someone to tell you you’re on that old reality show punk’d.

“Funny, I just poured my heart out to you and now you’re making fun of me,” you roll your eyes, feigning annoyance.

“I’m being serious,” he reassures, “you’re already dressed up. It’d be a shame for it to go to waste.” His eyes are twinkling with hope, and once again, you find yourself falling victim to their persuasiveness.

Being under Gojo Satoru’s gaze was suffocating.

Giving in, you ask, “So what are you gonna do? Drive all the way home to get dressed?”

The question is genuine, but the bastard just grins. “I’m a little hurt,” he throws a hand over his heart, “don’t you know me by now? I’m a businessman. I keep pressed blazers and slacks on me at all times.”

He swings his keys around his index finger, hoping that the promise of a spare change of clothes being in his car is enough to convince you to say yes.

“I don’t know…” you trail.

“C’mon, let me take you out. I promise you won’t regret it.”

Somehow he was able to persuade you into going out. After he changed into his spare clothes, you ended up telling your girls that there was gonna be a change of plans, and that they’d go home with their dad tomorrow.

Of course, before leaving, you made sure to leave some money on the table for pizza, and you also made sure to drill into their heads not to open the door for anyone except the delivery guy. You knew they knew the drill already, but it didn’t feel right to leave without saying it anyway.

“Be good, listen to your sister, she’s in charge,” you pinch Haruki’s cheek. Hana smirks, nodding her head in agreement with you.

“I will mom, I know,” she huffs, crossing her arms.

“And you,” your finger wags at Hana, her smirk drops. “Don’t provoke your sister, be nice. Act like you love each other, please.”

“Fine, whatever. I guess,” she grabs the knob to the door, ready to kick the both of you out already. “So does this mean the two of you are back together, or?”

Satoru and you turn to each other before answering in unison, “No.”

“Okay, cool. Well, have fun,” she practically closes the door on the two of you, locking it after. Satoru is just as dumbfounded as you are, but then you break into a fit of laughter.

“Those kids, man.”

“Your kids!” you correct, pushing him playfully as the both of you walk down the pebbled pathway. He finds his equilibrium in time to unlock the car and open your side of the door. You pause before ducking inside.

“Oh, how gentlemanly of you,” you jest, “And they say chivalry is dead.”

“How could it be when I’m alive?” He says matter-of-factly, closing your side of the door. He taps the top of the car before sliding across the hood to the other side. Nice to see some things never changed.

When he gets inside and turns on the car, he puts his hand on the back of your seat to back out. The proximity sends a shiver down your spine, and you have to physically refrain from letting your eyes linger on his jaw, and his arms, and the face he makes when he’s trying to concentrate.

You try to dispel these less-than-friendly thoughts by looking somewhere, anywhere else but him. But you can’t, and it’s irritating.

This is the second time tonight you’ve been this close, and it’s only this time that you realize something about him is…different. Earlier, he didn’t really smell like anything, but you quickly notice his smell has changed.

There’s a sort of piney scent coming from him. It’s not strong or obnoxious enough to blind your nostrils, but it’s enough for you to just barely pick up on it. You almost think it was premeditated, that he took the liberty of spritzing some on before walking you to the car. Before you separated, he’d made it a habit to wear variations of woody scents for you. If you can recall correctly, a passing comment you made about the cologne he was wearing that day is what sparked the habit.

Surely, this couldn’t be coincidental?

“You smell nice,” you blurt, filling in the silence.

Satoru glances at you, “Thank you.” You hate that from the corner of your eye, you can see his stupid little smirk growing bigger by the minute. He already had a big ego, it didn’t need to be stroked any more.

“Don’t let it go to your head, though. You usually smell pretty rank.”

“Ohhh, is that so? Guess I gotta start wearing this more often then, huh?”

“Sure, do what you want,” you say, trying to remain indifferent even though you’re failing terribly to hide your smile. When the car approaches a red light, you finally decide to ask the big question. “So where are you taking me?”

“You’ll see,” he glances over, “Just know I’m good friends with the owner, so last minute reservations weren't a problem.”

The rest of the car ride is silent, save for the low hum of the music playing on the radio. When you arrive at the location, Satoru makes sure to walk all the way around to your side of the door again and open it. Immediately after, the two of you are greeted by a young male. He’s wearing a white button down, black slacks, and a black vest with a red tie. Judging by his appearance, you assume he’s a valet driver.

Satoru drops his keys in the driver’s hands, and escorts you towards the entrance. The boy bows and goes to park the car. Looking around, you start to wonder where exactly this place is supposed to be. The area is dark and secluded, and from where you stand outside, it doesn’t sound like there’s supposed to be a restaurant here. You don’t hear any voices, you don’t even see any security or other passerbyers.

Still, you follow behind him like a duckling, only coming to a halt when he leads you to a door taller than the both of you. He gestures for you to back up, then raises his knuckles to blow a strong, single knock. You’re taken by surprise when a set of angry eyes appear behind a slot in the door.

The pair of eyes first scan over you, then Satoru. A gruff voice is second to accompany them, “Where can I get a good drink?”

“I heard the bar down the street is nice,” Satoru answers. The hatch to the door closes, then swings open the door, and the man behind it moves aside to welcome you in.

“Follow me, please.” Once he closes the door, he begins guiding you down the dimly lit hallway. After making what seems like your hundredth turn, you eventually reach a staircase. The man gestures for you to go on ahead, and you think this is him implying where the three of you will depart.

“Thank you,” you say softly, disappearing down the stairs. Satoru isn’t too far behind, keeping a pace between you. As you near the end of the long, narrow hallway, a stream of white light brightens up your whole path. It leads you down to another door like a beacon of light, and when you reach it, you can hear voices, live music, and dishes clanking on the other side. It’s bustling with life. A huge, joyous smile plasters across your face. It’s almost child-like in appearance, like you haven’t seen something this cool in a long time.

Satoru stands beside you and winks. “What d’ya think? Any idea yet where we are?”

“I think this is fucking cool, and hm,” you take a second to mull it over, “are we at a speakeasy?”

“Smart girl. Now come on.” Stepping back, you allow him to pull open the door, and when he does, there isn’t a word to describe the atmosphere of the place you step into. All you can do is stand there in astonishment. Before long, a man walks up to you.

“Welcome, what is the name you reserved under?”

“Gojo.”

Nodding, the host instructs you to follow after him. He leads you to a private seating area, somewhere far in the back that’s secluded from the other patrons. The space is much bigger, and much more extravagant. You know you’re only sitting way back here because Satoru is who he is. And in all the years you’ve known him, his connections were just another party trick in his arsenal.

The hostess seats you, then Satoru, and tells you that a waiter will be with you shortly.

“This is nice, really nice, but is it–”

“Legal?” he finishes your sentence, “don’t worry. It’s a modern speakeasy-style restaurant. There’s nothing illegal going on here, promise.”

While you wait for your designated waiter, your focus shifts from the man in front of you to the man singing on the stage. Up until now, his voice was white noise in the background, but then he started singing a tune scarily reminiscent of your past–and your breath catches in your throat.

If I ever leave you, baby

You can say I told you so

And if I ever hurt you

You know, I hurt myself…

Turning your gaze back to Satoru, you squint your eyes mirthfully in disbelief. You wonder if this is just a funny coincidence, if this is the universe playing her tricks, but you know deep down, that coincidences and Gojo Satoru don’t belong in the same sentence.

You open your mouth to speak, but quickly close it when you see the waiter approaching from the corner of your eye. He greets the both of you with a polite smile, then sets down two glasses of water.

“Good evening, I’ll be your waiter for the night,” he says, placing a menu in front of you, “Can I get you fine folks started off with a bottle of wine?”

Satoru nods, tells him to bring the best bottle of red they have and then gestures for him to come closer so that he can whisper something in his ear. All the while, you sit back in your seat observing, clicking your nails on the table until the server pulls back and bows.

When he departs, you immediately lean in over the table, and ask, “Just how much time did you have to plan all of this?”

Satoru feigns aloofness, taking a sip of his water, “What do you mean?”

You roll your eyes, gesturing at the stage with your eyes. Then, as if suddenly coming to a realization, he goes, “Oh, that? Yeah, I had nothing to do with that. But isn’t it funny they’re playing our old song?”

Now he’s smirking, with his elbow leaning back on the chair, and a gaze so piercing, you’re certain you’ll crumble into nothing unless you look away. So you do, avert your gaze back to the stage and sway calmly.

Is that any way for a man to carry on

Do you think I want my loved one gone

Said I love you

More than you’ll ever know

“So funny,” you counter.

Eventually, the server comes back with a bottle. “1982 Chateau Latife Rothschild,” he holds it out to present, “Is this alright?”

Despite the years spent with Satoru, and the many elitist events you often attended with him, your knowledge on wine had never surpassed anything but surface level. You knew the difference between good wine and cheap wine was the taste, but your taste buds had grown accustomed to store-bought, so if anything, store-bought tasted like heaven to you. Anyway, though, you nod your head and urge him to pour a glass.

“Thank you,” you smile, before gently swirling the glass and bringing it up to your nose to smell (something you only know to do after being the odd man out at so many company banquets). Satoru waits for you to sip your glass before he sips his. The way you melt into your seat is a silent assurance that you’re pleased.

“This is great, you’re amazing,” you tell the server, who seems pleased by your compliment.

“Glad to be of service, miss. Are you ready to order?”

Dinner goes by smoothly. In fact, it goes by so smoothly, you and Satoru finish the entire bottle of wine. Now you sit at the table, bellies full, faces flushed and sore from laughing, and now you find yourself telling him about the grocery store incident. If you had half a mind (a sober one), you’d shut up right this second to save yourself from the embarrassment. But you don’t. And Satoru’s very persuasive when you’re tipsy.

“Keep going,” he leans in, hand nestled under his chin. He’s completely invested in the story. Actually, as soon as he heard the words ‘store’ and ‘cute guy’, he just had to know more. And you begging him to change the subject didn’t help, not when the sadist in him loved to see you so embarrassed.

“Fine,” you hiccup, “It was so - so bad, Toru.” He doesn’t miss the way you slip and call him by the nickname you’d always reserved for him. It makes his heart race, and god, does he miss the way it sounds spilling from your lips. But he ignores the feeling, and refocuses on your story instead. Which, by the way, was proving to be a task in itself because his eyes couldn’t stop drifting back down to your lips. So soft, so–

“And then she said ‘we don’t believe in rings,’” you whisper, fist coming down on the table. The sound it makes nearly sobers you up, and you realize just how loud you’re being despite your table being secluded from others. Giggling like a kid, you continue, “I mean, how fucking insane is that?!”

“Something as bizarre as that could only ever happen to you,” he replies, laughing along with you, “those people were crazy.”

“The craziest,” you agree, throwing your head back in another fit of laughter. Gradually, the two of you begin to settle down, and once again, you find your attention being drawn back to the man on the stage. Only this time, he’s making an announcement.

“Good evening ladies and gentleman. Tonight I’ve got a special request,” he says, looking out into the audience. Looking at you. “This one’s for a very special lady who, from what I’ve been told, is a great mother that needs to start doing things for herself.”

The singer steps out of the spotlight and hands the note to a server. Your server. Then he begins to sing, and your heart drops into the pit of your stomach. It was your wedding song.

[...] I don’t even know how to love you

Just the way you want me to

But I’m ready (ready) to learn (to learn)

Yes, I’m ready (ready) to learn (to learn)

“Now this one? This one was me,” Satoru leans forward, and you swiftly turn your head to face him. He smiles as he watches your face go through ten different emotions before ultimately softening. It warms your heart to see how incredibly planned this evening was, despite the amount of time he was given to work with. Even so, it kind of scares you–because then that meant this was a grand gesture–that this was his way of saying something. And you weren’t too sure if you wanted to hear it. Your gaze drops to your lap, and Satoru frowns.

To fall in love

To fall in love with you…

“Look at me,” he says softly, but you don’t. “Hey, look at me.” He reaches over the table to take your chin in between his fingers. The touch alone feels electric. Sends liquid hot lightning down the column of your spine. Reluctantly, you meet his gaze, and like always, it’s suffocating. They’re so wide with hope, and so, so gentle in the way they hold you. The longer you gaze upon them, the more you convince yourself it’ll be okay if you surrender to them.

“It’s been years since we’ve divorced,” his voice is shaky, almost strained, like he’s actively thinking how to choose his words carefully, “and when we sat down that night, I thought it was what I wanted, too, you know? And for a while, it was,” he reaches a hand across the table to rest atop your own, “but you gotta know…you gotta know–you’re it for me. There’s no one else on this Earth that I want to start over with. You’ve always been the beginning and end of my story, and I’ll be damned if I let another man start one with you.”

Your heart is beating faster than you can even process what he’s saying. The only thing you’re focused on is not passing out in the middle of this damn restaurant. But then he’s squeezing your hand, and your focus is drawn back to those piercing, pale blues that even put crystals to shame.

“So what do you say?” he says, so softly, so tender. “Can we try again?”

Waiting for your reply, he squeezes your hand again. It’s like your soul is wandering the line between death and the living, and his touch is the tether that brings you back. In the background, the tune of the song sung at your wedding gives you a push of courage.

I don’t even know how to kiss your lips (kiss your lips)

At a moment like this

But I’m going to learn how to do

All the things you want me to

Yes, I’m ready

(Are you ready?) Yes, I’m ready

To fall in love

To fall in love right now

“Yes.”

The walk back to the car is hurried. Aided by both, years and years of built up tension, and the liquid courage currently bubbling in your systems.

The race back to his apartment is even faster. You thank the gods silently that it’s within close proximity to where you just were.

Once you get there, make your way past the doorman and concierge (who both give the two of you a knowing look), go up the elevator, and finally get into his loft–it’s over. Years of restraint, years of pretending, wanting–yearning, come crashing down.

There’s barely any time to close the door before he’s pushing you against it. His lips trail down the column of your neck, then come up to kiss your jaw, until eventually, they find your lips. And when they do, it’s instantaneous–that familiar feeling, the feeling that feels almost like falling.

Once again, for what felt like centuries, you feel again the rush of helplessness. The push and pull of the tide. It brings you down, down, down to the bottom of the ocean floor, and it’s unmerciful.

Kissing Satoru is like being shocked with ten thousand volts of energy. Like all this time you’ve spent not kissing him, has been costing you your life, and he’s the only one who can deliver you salvation. It’s all teeth and tongue for a minute. Messy, and sticky, and nasty. A true testament to the desperation brewing in the pits of both your stomachs.

The sensation of it all has your knees going slack, and that’s when he says–

“Jump.”

Obeying, you do just that. Jump right into his arms, and wrap your legs around his torso like you’ve done so many times before. The way you feel now is the way you used to feel before then, too. Like you were made to fit like this. To be held in his arms like you were molded from the same clay.

Carefully, he adjusts his grip on your body. Keeps his palms planted on the bottoms of your ass, and begins the trek to his room. He struggles a bit getting there because you haven’t stopped kissing since entering the apartment, but he figures it out after a stumble or two (which resulted in a bitten lip and you apologizing profusely through giggles).

“The turbulence up here is crazy, don’t blame me, blame the pilot,” you jest, kissing down his neck to make up for it.

“I’ll make sure to let him know,” he jokes back. As soon as he gets to the bed, he sets you down at the edge of the bed. You try to bring him down to your height but he stops you, wags his finger in your face playfully before using it to push you back into the bed. His fingers start to play with the fabric of your dress, and then his face takes on an indifferent expression. The same one from earlier that night when he first saw you walking down the stairs.

“Can’t believe you were gonna wear this for him…” he trails, lifting the fabric up slowly, eyeing you while doing so, “as if this dress doesn’t mean something.”

Of course, when Shoko chose it, its significance did make you falter–but in your defense, not once did you ever anticipate for him to see you in it. And you especially didn’t expect for him to remember it, the last time you wore it was almost a decade ago.

“I didn’t…” you start, a smile creeping on your lips, “think you remembered?”

“‘Course I did, how could I not?” He says more sharply than intended, taking offense. He takes offense because he spent the better half of the night showing you he remembered. The little things and everything else in between. Couldn’t you see that?

“It was our 4th anniversary. Bought you this dress and fucked you in it that same night. Funny how the second time I’m seeing you in this dress, the circumstances are the same except only this time we’re divorced,” he says, crawling over your body. “Guess I gotta show you just how much I remember.”

With that, he slips a hand under your dress, pulls your panties to the side and runs a finger down your slit. Oh-so-willingly, do you spread your legs for him. It’s almost subconscious, the way your body responds to him. And he revels in it. Lets his fingers work you, feel you, bring you to ecstasy. Then he heightens your pleasure tenfold when he kisses his way down your body, and takes a seat before you on his knees.

Unceremoniously, he pulls your body to the edge of the bed. Takes his time slipping your panties down the length of your legs, then kisses the insides of your thighs, before finally stopping at your mound.

Slowly, he lowers himself to your cunt, kisses your clit softly. Once, twice, three times. The pace in which he’s moving is killing you, to say the least. But you know he’s savoring the moment, making up for all the years he spent not kneeling like this between your legs. So you let him; let him caress you all over before he comes seeking the honey-sweet salvation dripping from your core.

The second his tongue makes contact with your heat, you find yourself clamping a heavy hand over your mouth. “Fuck, Toruuuu,” you drawl, back arching off the bed. Pleased with his abilities, he smiles smugly, using this as an opportunity to push himself even deeper. Up and down, he licks at your slit, uses his fingers in tandem with his tongue to prod at that spongy spot he knows you love.

“Tastes,” a harsh suck, “so good,” another, “better than I remember.”

You know he’s talking, but his words fall on deaf ears. You’re so caught up in your own high, you don’t even take notice of the obscene sloshing sounds coming from your pussy, or the moans you’re making. All you can do is lay there and take it as he takes, and takes, and takes from you.

Soon, you find your orgasm cutting through you like a knife, and you come with a strangled cry that has you biting back tears. Satoru talks you through the whole thing. He lays his head down on your thigh and continues working you with his fingers until you start to shake from the overstimulation.

For a few, you lay and stare at the ceiling. You think you can see the Milky Way–and all the constellations that make it up. It feels like your soul is floating beyond your physical body, and you don’t come back down to Earth until a sharp, stinging sensation brings you back. Did he just?

“Did you just bite me?” you lift your head, peering down to see the evidence. In all its glory, there it was; a red ring smack-dab in the inside of your thigh with teeth imprints. Looking at Satoru, he grins.

“Had to get you back from earlier,” he says, sitting back on his knees. You attempt to kick him with your foot, but he grabs hold of it. Pretending to be wounded, he gasps, “Is this how you treat the man who just gave you a soul-shattering orgasm?”

You roll your eyes, but to your dismay, it only encourages him to continue.

“Fuck, Toru,” he mimics, “oh my god, Toru. You fuck me so goo–”

“Alright, enough!” you manage to kick him this time, laughing as you bring up your hands to cover your face. “Keep carrying on like that and I won’t let you fuck me…” You’re serious in your bite, but he’s smirking. Like he knows you’re full of bullshit.

“Yeah right. You and I both know I make you feel too good.”

Feeling bested, you scoff, though, there’s no real weight behind it. While he begins to remove his shirt, you sit up and replace his hands. He relinquishes control and allows you to unbutton it until the item falls haphazardly to the floor.

He’s so beautiful, you think. Still so chiseled, so perfect after all these years since you’ve last seen him like this. At his most vulnerable. The only difference now is that there are more freckles littered across his skin. Back then, he’d say they were signs of aging, and he’d hate them.

But he’s older now. More mature. So much so that he even winks at you when you trace your fingertips over them.

“They suit you,” you whisper.

“Yeah?”

You nod your head, “mhm.”

Continuing your ministrations, you begin removing his belt. He holds your gaze the entire time it takes for you to unzip his pants and pull them down–and he doesn’t once shy away when you discover the wet spot on the front of his briefs. Slowly, delicately, you remove the soiled item and let it fall down to the floor with the rest of his clothes.

Still looking at him, you take hold of his length and fist him once, twice, experimentally. A dribble of pre oozes from his slit and you bring it to your mouth. All the air in his lungs expel into the air when you lick it off with your tongue, and god, he thinks he could come from that alone.

God, he’s missed you. Missed your touch, your lips–the way you hold him with your eyes like he’s something worth being gentle with. Nothing could ever compare to you, not even his own hand.

As soon as you’re about to take him in your mouth, he stops you. Pushes you back down onto the bed and slots himself between your legs. “No more playing, I’m tired of playing,” he breathes, lowering himself down until half of his weight is on top of you.

Guiding his cock to your entrance, he pushes past your folds with little resistance. The feeling of your cunt squeezing him in has his arms wobbling like jelly, but he musters enough strength somehow to stay up. You, on the other hand, are close to tears.

The more he eases himself in, the more you feel like you’re being stretched open (despite him previously prepping you). If you were being truthful, this wasn’t a complete shock to you. You’ve known that he’s always been big, but something about tonight feels different. Or maybe it’s just been too long since you’ve had something more than just your own fingers.

Even so, you try your best to ignore the burn of the stretch. You throw your arms around his neck and invite him deeper into you, hooking your legs around him so tightly that it renders his limbs useless. For a minute, all you can feel is the weight of him inside of you, and his chest against yours as they rise and fall asynchronously.

“Toru,” your voice is just barely above a whisper, but enough to make the hairs on the nape of his neck stand. “Make love to me.”

Heeding your request, he begins moving. Painfully slow, he unsheathes himself from you until only the head of his cock is inside, then pushes himself all the way back in with force. Again, and again, he repeats this motion. Pulls out, pushes in. Pulls out, pushes in, until he decides to increase his pace and set a steady rhythm.

Every thrust into you is meticulously calculated. Sharp, and forceful, and not once does he disrupt the rhythm. He listens carefully to the sounds you make. Even listens to the way your breath hitches when he hits a spot right. Everything he’s doing is perfect–and it’s to no surprise. Deep down, you know that Satoru knows your body like the back of his hand. He’d know it if you were all old and wrinkly. He’d know it if his soul reincarnated. Hell, he’d know it blind.

“Missed this,” he grunts, burying his head into the interstice of your neck, “missed you,” a kiss to your neck, “missed us.”

The veracity of his words render you speechless. He’s already professed his feelings for you tonight, but it feels even more real now that you’re beneath him. To be loved by Gojo Satoru was a feeling many couldn’t say they had the consolation of knowing. Only a few in his circle could hold that position–but only one person in this world could truly ever know his love to its fullest extent. You.

Satoru continues his mindless rambling, “I love you,” a thrust, “it’s always been you,” another, “was always going to be you.” Leaning back on his heels, he pushes your dress all the way up to reveal your breasts. Now it’s him who sits back and admires this time. As if he were reacquainting himself, he traces the planes and pastures of your chest with an eager hand. He runs it up and over each mound, squeezing and kneading the flesh experimentally.

Then, he dips down and kisses the space between them. Sucks and licks until the skin bruises, and he has evidence to prove tonight actually happened. Eventually, he withdraws from your chest and returns his focus on easing his cock in and out of your cunt.

“So beautiful,” he says, but it’s more to himself than anything. You’re so lost in your own pleasure, he doesn’t even think you can hear him. “Want you to cum on my cock, know you can do it, baby. Know you can,” he grunts, taking your hand and intertwining it with his own. Letting his head fall into your neck, he begins to quicken his pace. Fucks into you with everything he’s got and willing to give.

“Toru,” you finally manage to say, “‘m so close, keep going. Do it - do it inside.”

Do it inside. Do it inside. Do it inside. The thought is tempting, too tempting. It makes his dick twitch inside of you, and he swears if you say it again, he’ll actually do it. But he knows better than to listen to anything you say out of delirium.

“Trust me, sweet girl,” he cradles your face, to which you lean into, “I want to - I want to so fucking badly. But we both know you’d regret it later.”

Whining, your lips form into a pout, and the sight is so cute, he can’t help but to kiss it off of you. Compared to your kiss earlier, this one is much sweeter. Slower. More relaxed. He kisses you with the intent of making you dizzier than you already are, and it’s scary. Even so, you don’t pull away. You allow him to drink you up. Like your lips are the only source of water around, and he’s been quenched for days.

Finally, with a few more thrusts, you reach your climax. The pressure building in the pit of your belly pops like a balloon, and everything goes white. “Toru!” you shriek, arching off the bed and trembling in his grasp.

Using your arch as leverage, he keeps his hands underneath your back and continues to ram into you without abandon. You’re a babbling, wet mess at this point, and your cunt squeezing around him only encourages him more.

“Fuckfuckfuck, ‘m gonna - ‘m gonna,” he curses, balls beginning to tighten. Quickly, he unsheathes himself and fists himself the rest of the way. With an impassioned moan, he climaxes–spurting thick, white, ropes of seed all over your abdomen. Then, falls onto your limp body with a grunt, chest heaving rapidly, and slick with perspiration.

By this time, you’ve settled down enough to form a proper sentence. “That was…”

Satoru huffs, catching his breath. “Yeah.”

Still spent, he continues to lay atop you. And you, having nowhere else to go, let him. The two of you lay comfortably in silence like this for a long time. Just you tracing shapes into his back, and him purring into your neck. Both of you know you should be getting up, but neither of you make an effort to do so. In this moment, time is transcendent. There is no rush to move when time stands still for you.

Soon, that silence is broken.

“I love you,” you say, and there’s no elaboration. Not even a recant. In fact, you say it so nonchalantly, he’s not even sure it was real. You say it like you’ve never been more certain in your life, like it’s the easiest thing you’ve ever had to do.

“Really?” he queries, almost pathetically like the mere idea of you loving him is something unattainable. You look at him like he’s got two heads.

“Yeah, you’re my best friend. I’ve always loved you,” you admit, pausing your ministrations on his back, “I just had to relearn how to love you.” He smiles at this, hums into your neck to keep from crying.

“I’m glad we found our way back to each other,” he mumbles into your neck, “so where do we go from here?”

“From here we take it slow. We’ll learn together what it means to be individuals, and then from there we’ll see where it goes,” you say matter-of-factly, “no more repeating past mistakes.”

“Agreed,” he nods, “what will we tell the girls?”

That’s when your eyes widen and you sit up, forcefully pushing Satoru off of you.

“What did I say, what’s wrong?” he queries, sitting up on the bed. He watches you rummage around the room maniacally, head on a swivel as you run out of the room and return with a purse. You pull your phone out to see a slew of missed calls and messages.

“We forgot to call the girls!” You yell, showing him your phone screen of missed calls. Gojo jumps up to join you, one leg already sliding into his pants.

“Shit!”

Noticing the state of your appearance, you pinch the skin between your brows. “Satoru, I can’t wear this! You got cum all over it,” you groan, pointing to all the splotches of white. He tells you to wait a second before disappearing into his closet, then he comes back with a fist of clothes and throws it at you.

“I can’t wear this either, they’ll wonder why I’m wearing your clothes!”

Satoru runs to you and pull the dress off of your body, “We’ll wash it!” he screams, disappearing again out of the room, and to where you imagine, the laundry room. When he returns, he’s out of breath and panting. It’s only then do you realize how insane he looks with half his shirt buttoned, and his pants twisted around his hips. A giggle escapes your lips.

“What are you laughing at? Chop chop,” he claps, ushering you into his bathroom.

Yeah, you’d be lying if you said you didn’t miss this idiot.

comments + reblogs very appreciated !!!

#art by: @yamada_souko (twt)#gojo satoru x reader #gojo satoru x reader smut #satoru gojo x reader #satoru gojo x reader smut #gojo satoru smut #satoru gojo smut #gojo satoru x you #satoru gojo x you #gojo satoru x y/n #satoru gojo x y/n #jjk smut

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bunnis-monsters · 1 month

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Bee Hybrid Lore Pt 1

What do the bee hybrids look like?

I’ve had quite a few asks about this and I’m here to explain!

Firstly, with each new queen, the bee hive becomes more diverse and each new generation of bee hybrids looks different. So one generation may look wildly different than the other, while some may look relatively similar with little differences.

For the base bee hybrid that has only had bee queens; they have a somewhat human shape. Their eyes are big and bug like, their mouths always in a smile. They are colored yellow and black, and are fuzzy all over. Some have human like hands and some don’t!

They are usually more bee like than human, and some cannot communicate unless they send pheromone signals to their queen, so they can’t speak. But, they are still a human and bee hybrid, just more bee like. I’d say these are what a hive usually starts with, and it evolves from there.

The bee hybrids you reign over are very diverse! This is usually preferred in a hive, since there is only one female the males are expected to be diverse and provide quality eggs for the queen.

Your bees look a bit more human, most of them have hands and lips, can speak and know bits and pieces about human culture. Some are intelligent while others are your dumb little babies!

Saying this, bees vary in size. Some are as tall as 10 feet(possibly crossed with a giant mother) while others can only grow as tall as your waist. It all depends on who mothered them and which give they’re from.

There’s often trades with other hives for some of the queen’s best children to come and mate with other queens and join the hive. That’s how each hive has so many different types of bee hybrids!

Though, there are some hives that are strictly the base bee hybrid, and those hives are usually run by corrupt queens that refuse to trade their sons or take in any new males to add to the gene pool. This usually results in the eventually death of the hive, because new generations will inbreed with the queen and become unable to produce with honey due to deformities.

So the short answer is they can look a variety of different ways, so use your imagination!

What are some kinks they have?

Most of the bee hybrids are into breeding, lactation, sharing, and praise(giving and receiving).

They’re mostly into pleasuring their queen, and although they enjoy working, they’d rather be between your legs making your eyes blurry with pleasure at all times of the day.

You are their first human queen, so getting to explore your body and find out what makes you tick is very pleasurable for them!

What are they like?

Like with appearances, every generation of bee hybrids is different, but I’ll lost some common traits between them.

Every bee hybrid is extremely loyal and protective of their queen. For some maybe that’s their original queen, or maybe their mother or the one that’s taken over the hive and treated them well. Whoever they choose to be their queen, they will die for them.

Though some bee hybrids are extremely intelligent, a lot of the masses are a little dumb. Not stupid or anything, but not too bright either. They don’t understand some things from the human world and struggle with problem solving, so the more intelligent bee hybrids usually guide the rest while the others so easy repetitive tasks like collecting and making honey.

All bees have a big sweet tooth and can be persuaded into doing things for others if given something sweet to keep for themself in return.

The first person they protect is the queen, and the second are any of her eggs/hatchlings. They are fiercely protective of the queens young and will gather them up and flee after the queen has been taken somewhere safe during a dangerous situation.

Roles in the hive

Queen: this is the female that they have chosen to be queen. The queen can be of any species as long as she can incubate their eggs. She is seen as the top of the hive and if she dies, the hive will either die out or be in grave danger. Usually, queens try to have good relationships with at least one other hive so in the case of her death, her hive can merge with the other, thus saving her children and subjects. Many will die off due to depression and starvation because they are loyal to their queen and would rather die than be without her, but the ones that survive will be taken care of by the sister hive.

Princes: these are the sons of the queen. Some are traded/married off to other queens for diplomatic reasons. Since there is only one female per hive(the queen), more males are needed to help make the hive more diverse and to make sure no inbreeding happens. They are usually loyal only to their mother, and sometimes act as spies or assassins if need be. There have been cases where princes have fallen and love with their new queen and abandoned their mother, but it’s rare.

Princesses: these are the daughters of the queen. They are raised until they are old enough to leave the hive, then are sent out to start hives of their own. About 1 in 100 eggs will hatch a female, so the female children are both celebrated and feared. They are usually loyal to their mother as well, but will take care of their own hive and put their subjects first.

King: this is the queen’s official mate, who will provide more of her eggs than most. He is the one that stays close by her side, but the king has no power without the queen. If he crosses her, his status is gone and he may even be kicked from the hive or executed. The queen is not required to take on a mate, but most do.

Workers: these are the majority of the bees. They do the most important jobs in the hive and keep everything working. They protect the hive, attend to the queen, forage for food and water, build the comb, and so much more! They run the hive and make sure the queen is always happy.

Drones: if the queen does not have a king, their job is to be there to mate with her and fill her with eggs as much as possible! All the bee hybrids get a turn, but they’re the ones that fuck her and keep her belly nice and swollen. If the queen has a king, they’ll not fuck her as often, but their purpose is to mate with the queen, so that’s what they’ll do when the king isn’t able to completely fill her.

Baby bees: their job is to be cute and grow big and strong so they can take over the hive one day!

Typical day in the hive

In the morning, the queen is woken up by her attendants, stretched out with their fingers before whoever is next in line gets their turn to fill her with eggs.

While the queen is being mated, bees that are not getting their turn start to leave the hive to forage.

After being filled with eggs, the queen is bathed and fed honey, then given her breakfast. She’s taken to the nursery to attend to the baby bees and gets to choose what to do with her time until lunch.

Some days she has lunch with other hives and visits her sons, other days she walks around the hive and listens to the complaints and suggestions from some bee hybrids, and is often touched and felt up by her subjects.

Then she is mated again, usually the bee hybrids are unable to hold themselves back from mounting their queen when she’s just so pretty!

After that, she is given dinner and put to bed.

When she’s more heavily pregnant, she skips all of this and retires to her room after lunch and is pampered. They massage her, feed her, and just coo over her swollen belly.

Then she’s put to sleep, and the cycle continues the next day.

Want to know more? Send me asks and I’ll explain more bee hybrid lore!

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im-totally-not-an-alien-2 · 10 months

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Danny, at 17, did not have the best love life. This is partially because two of his must haves in a partner are " Will protect me with their life" and "Will commit unspeakable acts of violence for me" or at least beat someone up for his honor.

Naturally, this doesn't always result in the most stable of partners.

His first girlfriend, Valerie, became an anti-hero and broke up with him for his safety.

He finally got with Sam in sophomore year only for the feds to come into class one day to arrest her. To his surprise, her crimes had nothing to do with ghosts but rather an incident where she went too far and committed a few acts of economic terrorism. Danny and Tucker never really learned the specifics of the crimes, and her parents hushed up as many news outlets as they could, so there wasn't much info to go around. All they knew was that she saved thousands of lives by doing it.

In the end, she was sentenced to eight years, and she broke up with him so that he wouldn't wait around for her to get out.

His third partner was a guy named David who was really sweet. Unfortunately, Danny got kidnapped one day by David's arch nemesis, who was some villain with a corny edge lord name. Yeah. David had become a a super hero after they started dating.

And if you guessed that he freaked out and dumped Danny for his own protection, you'd deserve a cookie.

Danny was noticing a pattern here. One that continued with everyone he dated. They always became some kind of hero before dumping him for his own protection, and it was infuriating. Sure, danny could defend himself, but he was never deep enough into the relationship to reveal his phantom half, and frankly, his hero career was something he left behind when he left Amity and destroyed the portals.

He met Tim at a skatepark after Tim fell off his board cause of some jerk speeding out in front of him on his own board, forcing Tim to stop or else hit the guy. The guy was unrepentant and Tim calmed him down (this did not stop him from melting the guys wheels with an ectoblast when no one was looking).

Tim then asked him to coffee. Danny, noticing how cute Tim was, agreed.

Danny was up front with his parents being mad scientists in Illinois. He always was with all the people he dated. It was better not to hide these kinds of things or worse, wait until you're already attached and afraid of losing them. So he always told potential partners as early as possible. Tim seemed a bit put off by this but was calmer about it than most, and they continued chatting.

Tim didn't seem like the type to turn to heroism or anti heroism so he felt safe on their later dates. It was only after he had known Tim for a while that he put the pieces together.

Tim was always covered in bruises that he hid with his clothes and make up, he had complained about batman over the phone when he thought danny couldn't hear, he was rich, he knew how to fight as revealed by his stances and footwork dispite trying to pretend he didn't, and lastly he held a lot of political power and influence being Bruce Wayne's son. Power he had no reservations using when it suited him or he was just feeling petty (that pettiness was part of why danny was falling for him harder than he thought he could)

No wonder Tim was so okay with his parents being rouges.

Tim was a villain!

At least Tim wouldn't leave him like all his exes. Danny doesn't think he could handle it if he did. Another good thing about this is now he can talk more freely about the more villainous and morally gray ideas and inventions when he was alone with Tim.

Tim didn't see anything wrong with Danny's idea to use something similar to cloning pods to make synthetic meats like rump roasts and steaks as a way to end world hunger and was eager to add to the conversation.

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puckinghischier · 3 months

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Cart Girls & Curly Q’s

Luke Hughes x fem!reader

summary: luke has a crush on the cart girl

notes: for once, i feel like i didn’t really struggle while writing luke. this probably isn’t one of my best works, but i loved the idea and i’m so glad i was able to try to bring it to life. hope you enjoy!! happy reading! 🫶🏼

request: from my 400 follower celly - “You come here often?” “Well, I work here. So I think I’d have to say yes.” with Luke and maybe a cart girl at the golf club close to the summer lake house?

[3k]

Most of your friends absolutely hate going to work in the summertime. They hate being stuck in an office or storefront all day, no chance to enjoy the high UV and prime lake hours.

You, however, never wake up dreading your work.

During the cold, Michigan winters, you work as a bartender at your college’s local bar. You attend your classes in the morning, do your homework in the afternoon, then clock into your shifts at night. You have the routine down to a science.

During the summers, though, you found a job as the cart girl at the uppity country club closest to the large community of expensive lake houses you drive by every morning.

The tips are amazing, and getting paid to drive around in the sunshine and watch attractive men play golf all day is what you call a small piece of paradise. Not to mention you’re off by five o’clock every day, allowing time to join your friends and family out on the boat for night swims and evening rides.

Today was especially good, with it being one of the hottest days of the summer, your sales were sky high.

You’ve already had to restock your beer cooler three times this morning, and it’s barely even noon.

Your boss has really been pushing the sale of liquor, so you inform every group you pass about your buy a double, get a single shot half off deal, but nothing calls to a man more than a cold beer on a hot golf course.

Many of the men you’ve served today have given you a tip simply because you’re out working in the heat, delivering beers ‘like an angel’ one middle aged man told you, handing you an extra ten.

You just laughed and told him thank you, pocketing the cash. You always loved weekend mornings, locals and vacationers alike all over the course, upping your sales, and as a result, your tips.

As you’re leaving the club house after yet another restock, you see a group of guys that you assumed were around your age.

They were being loud, but not obnoxious, as they piled into two carts and sped their way out to the course, eager to get their game started.

You wondered when you would see them, having been told not to bother people until they’re at least on hole two. Apparently, people get mad when you try to sell them alcohol in the middle of their first stroke.

Making your way around your normal path, you start at hole eight and work your way in a circle until you get back to the clubhouse, the later holes being your big money makers. People are either celebrating their lead or mourning their loss at that point, wanting a drink either way.

You sell a few shots, making your boss happy no doubt, but run out of beers for the fourth time that day around hole sixteen. You stop and offer to each group after that, selling a few more liquor items, but were mostly told to come back when you had beer again.

Flying down the cart path, you see the same group of guys from earlier around hole seven, one out of the group flagging you down as you speed by.

You slow your cart down to a stop and they walk over to meet you, grabbing their wallets from their carts as they approach you.

“Sorry, boys, out of beer. On my way back to the clubhouse now to restock if you want to wait a few,” you tell them once they’re within ear shot, not wanting to get their hopes up.

“Well, do you have anything you can sell us? I’m getting beat pretty bad out here and need a pick me up. Don’t really care what it is,” a brunette pleaded.

You tell him about the shot deals, and he hands you his I.D., requesting a double shot of crown and ginger-ale before turning and asking his cart buddy what he wanted.

“Jack, what do you want?” he calls over to a guy that looked similar to him, thinking to yourself that they could be brothers.

He explains the discount to the other brunette, saying he’s already paid, just to pick what he wanted.

After viewing the second player’s I.D., your brother theory is confirmed by their matching last name.

Jack, you learned, asked for a simple, funnily enough, Jack and coke.

“Alright, gentlemen, anything else I can do for you?” you ask, turning to face the last member of the group.

You make eye contact with a tall, curly-headed boy, noticing the pink tone of his cheeks when you catch him staring at you.

“Anything for you, curly Q?” you ask him, taking note of how attractive he was. You always play up the flirting a little when you find a player on the course attractive, figuring it’ll help your sales while simultaneously allowing you to have a little fun.

His cheeks turn an ever-deeper shade of red when he realizes you’re talking to him, freezing up and averting his eyes. You feel a little bad for putting him on the spot, but you find his shyness endearing.

“Nah, Lukey here isn’t old enough, is he Quinny? Still got a few months till you can drink with the big bros. Isn’t that right, Luke?” the brunette named Jack slaps who you’ve now learned is Luke on the back.

You let out a chuckle, witnessing the deadly glare Luke shoots at his older brother.

“Don’t worry, they picked a cart girl that isn’t even old enough to drink, either. Won’t be able to drink the concoctions I make until next spring,” you tell him, hoping to alleviate a little of the embarrassment you caused him.

“Oh, wow,” is all he utters out, bringing out another laugh from you.

“Alright, well, I’ll let you boys get back to your game,” you tell them, walking back over to get back into your cart.

You ride off, thinking of the tall, curly brunette the whole time.

Three hours later, you’re tending the clubhouse bar.

When you came back in for restock, your boss told you it was too hot for you to keep your role as cart girl all day, insisting you switch out with one of your coworkers.

You weren’t too upset with the trade off, now in air conditioning but still getting tips from buzzed players after their game, either nursing their loss or celebrating their win.

The clubhouse gets busier as the day goes on, people dipping in for a quick cool off after playing eighteen holes in the heat.

“Hey, new body down on the end. Care to get it for me?” your co-tender, Brady, asks you, the two of you working in tandem.

You nod at him as you finish pouring the beer in your hand, walking down to the other end of the bar.

“Hey, player, what can I get for ya?” you ask the stranger, not looking up as you place a coaster in front of the patron.

“Just-Just a water, if you don’t mind,” he asks, slightly stumbling his words.

You look up to see the curly brunette, Luke, from earlier.

“Oh, it’s you. Curly Q,” you say, grabbing a glass and filling it with ice.

“Name’s Luke, actually,” he tells you, the redness from earlier returning to his cheeks.

“Yeah, I remember. Just think Curly Q fits you better,” you smirk at him, placing the glass full of water on his coaster. “I’m Y/N.”

He mumbles a small thanks, taking a sip from the glass.

“Anything else I can get for you?�� you ask him, glancing down the bar to see if any new customers have sat down.

He stares at you, his eyes caught like a deer in headlights.

You wait patiently for an answer, letting out a small giggle when he just continues to stare at you.

“Alright, well I’ll let you think about your answer and be right back,” you laugh as you start to walk away.

“Wait!” Luke startles you, stopping you in your tracks. “Uhh..do you…come here often?” he stutters out, closing his eyes tightly in embarrassment as soon as the words leave his mouth.

Your eyes shine at him with amusement. “Well, I work here, so I think I’d have to say yes,” you respond, smiling.

Luke peeks one eye open at you, seeing your amused expression and sighing, letting his body sag.

“Yeah, I don’t know why I asked that,” he runs his hand through his curls nervously.

You rest your arms on the bar in front of you. “Ehh, don’t worry about it,” you tell him, scrunching your nose as you shake your head.

Luke gives you a nervous smile, sliding his water towards his body and running his finger around the rim of the glass.

“I’m sure you talk to all kinds of idiots like me when you’re serving drinks, huh?” he asks, making your face fall a bit at his defeated tone.

You stand a little straighter. “Nah, not really. Most of the idiots I talk to are just old and creepy, not my age and charming,” you tell him, finally earning a laugh from him.

His laugh was more of an amused scoff, but you already want to see the shy smile that makes its way onto his face afterwards, again.

“Yeah, cause a guy that asks you if you come to your job often is the epitome of charming,” he looks up at you.

“Well, it’s kept me here talking to you so far, hasn’t it?”

Luke blushes, making you think the man in front of you is unable to go two minutes without his face turning red.

“Yeah, I guess it has,” he casts his eyes towards his lap.

“So, Luke, you a local or here on vacation?” you ask him, glancing down at the quickly clearing stools. You know Brady is getting all of your tips right now, but you can’t bring yourself to move from your spot.

“Well, a little bit of both. Technically on vacation because I live in New Jersey now, but my parents have owned a lake house here since I was a kid, so I claim the title of a local,” you finally get him to loosen up a little, his body language relaxing. “Plus I went to U of M for a little while, so I’ve spent quite a bit of time over in Ann Arbor.”

“Ahh, a city boy,” you tease, grabbing a glass to wipe down, making it look like you’re at least partially doing your job. “Why’d you leave Ann Arbor?”

“Got a…uh…job offer in Jersey,” he tells you cryptically, eyes darting around the room.

“‘A uh…job offer?’ What are you, in the mafia?” you ask him, mimicking his words and poking fun at his nervousness at telling you about his job.

“Well, not quite,” he starts, laughing a real laugh this time, causing you to mentally record the sound and store it in your brain. “I…ahhh…I play hockey up there.”

Your eyebrows raise in surprise. “Like, professionally?”

He sinks back into his seat, looking like he wants to hide.

“Yeah. For the New Jersey Devils. My brother, Jack plays for them, too,” He tries to pass some of the attention off of himself.

“Wait, you and your brother both play in the NHL?” the impressed tone of your voice gives Luke a little boost of confidence.

“Well, both of my brothers, actually. But Quinn plays for the Canucks up in Vancouver. Jack and I are both in Jersey, though.”

You let your mouth hang open at him, not being able to hide your shock.

This earns another laugh from Luke.

“What kind of superhuman DNA do your parents possess?” you ask him.

“Not sure. We’re still being studied as we speak,” Luke leans closer, whispering like he’s telling you a secret. “The big wigs in the NHL haven’t found out yet that they grew us in test tubes in their basement.”

You let out a laugh so loud that you gain the attention of several men on the other end of the bar, slapping your hand over your mouth.

Luke leans back in his seat, a fond smile on his face as he sees your embarrassed expression.

“Hey, Y/N, you gonna come help me do your job or what?” you hear Brady yell, annoyed that he’s been working the whole bar alone for the past ten minutes.

You roll your eyes while still facing Luke, removing your hand from your mouth and turning your head to respond. “Yeah, don’t get your club all bent, I’ll be right there.”

Luke’s still smiling at you when you turn back to face him.

“Guess that’s my cue to get back to my job and quit talking to cute boys sitting at the bar, huh?” you spew, realizing what you just said a second too late.

Luke’s eyebrows shoot up, his back straightening in surprise.

You pause all movements, staring at Luke.

“Uhh…anyways, gotta go do my job. Y’know, the thing I come around often for?” you make a call back to Luke’s attempt at a line earlier, hoping it take some of the attention off of what you just said.

Luke chuckles at you. “Yeah, I need to go meet back up with my fellow lab rats, anyways,” he tells you, reaching for his wallet, placing a twenty down on the bar.

“You do realize water is free, right?” you tell him, sliding the bill back to him.

“Yeah. Figured I’d try to make up for the tips I caused you to lose, though,” he shrugs his shoulders, standing from his chair.

“Nope, I’m not taking your money. Feels like you’re just paying me for talking to you,” you tell him, holding the money out towards him and shaking it around, trying to make him take it.

Luke shakes his head at your stubbornness. “C’mon, just take it. Your coworker collected all kinds of tips while you were over here.”

“Nope,” you shake your head, leaning over and grabbing Luke’s arm, placing the money in his hand.

“I need to do something, though. I feel bad causing you to lose out on money that should’ve been yours,” he insists.

“Well, I guess I’ll let you make it up to me,” you start, watching him try to lay the money down again and shooting your arm out, preventing him from doing so. “By giving me your number,” you decide to be bold.

Luke goes still. “Uhh, y-yeah. Sure,” he snaps out of his momentary freeze, fumbling for his phone, handing it over to you.

You put your number in his phone, sending yourself a text before handing it back with a wink.

“I guess I’ll talk to you later?” Luke asks, pushing his stool in.

You nod your head yes, turning to go back to your job duties.

You turn back around after you take a few steps, seeing Luke walking away with his back turned.

“Hey, Curly Q!” you call after him, causing him to turn to look at you. “I get off at five, in case you were wondering,” you shout towards him, flashing a smirk before you walk away.

Luke smiles and shakes his head, making his way towards the other side of the clubhouse.

You watch his figure as he moves across the room, stopping to make small talk with a man, shaking his head before joining his brothers at a small table on the restaurant side of the clubhouse, picking up his menu and browsing the food selection.

You smile to yourself and go back to stacking glasses.

As you’re transferring a new stack of clean glasses to the cooler under the bar, you hear someone call your name from above you.

You stand, rattling off your typical greeting to the new customer.

“Someone named Luke asked me to give this to you,” he tells you, handing you the same twenty-dollar bill Luke had tried to hand you a few minutes prior.

You pick up the bill as the stranger walks away, looking down at it before raising your head and looking for the curly headed culprit.

You meet Luke’s eye, raising a brow at him while lifting the paper money, pointing at it.

Luke shrugs his shoulders and grins from across the room.

Months later, when you’re attending your first ever Devils game in support of your newly titled boyfriend, you watch him skate out on the ice for warm ups, making a bee-line to the seat he provided for you.

He looks at you in his Jersey, a sight he pictured from the moment he first saw you on the golf course last summer, wondering how he managed to impress the pretty cart girl he embarrassed himself with, what feels like so long ago.

Your smile took up your entire face as you waved at him, excited to finally see him play in person. He smiles back, pointing down to the ground, asking if you wanted a puck.

You nodded your head yes, watching him pick up a puck and take the cover off of a small cut out in the plexiglass separating the two of you.

When he slides the puck through the hand sized hole, you grab onto his glove, replacing the puck with a piece of paper before pushing his hand back towards him.

He looks down at his hand, confusion written all over his face. He opens his glove, looking down at his hand, his head snapping up to look at you once he realizes what you had done.

“There’s your tip, hot shot!” you shout at him through the glass, smiling in amusement, seeing the same twenty-dollar bill from the first day you met him resting in his red glove, never imagining that the nervous, bumbling boy sitting in front of you at the bar that day would make you feel like the luckiest girl in all of Michigan, and now New Jersey.

1K notes · View notes

harmoonix · 7 months

Text

☾ Your Moon Phase ☾

☾ ~ In your Birth Chart ~ ☾

☾ • ☾ • ☾ ☾ • ☾ • ☾ ☾ • ☾ • ☾ ☾ • ☾ • ☾ ☾ • ☾ • ☾ ☾ • ☾

🌑 If you want to find your moon phase scroll down before you read so you'll know what you read about 🌑 ☾•☾•☾

☾ • ☾ • ☾

🌑 BORN ON THE NEW MOON 🌑

The native born during the new moon is meant to experience many vast, wild and beautiful experiences in this lifetime, since New Moon symbolize beginnings, your entire life is about yourself, to prioritize yourself, to prioritize your time. The new moon is also known as the "Dark Moon" is the phase where moon is the weakest, because is covered in full darkness. People born under the new moon love to try out new things, to start new journeys/ideas/ to extend their creativity, since Moon can be a bit more soft in this phase, the native has an unique sensitive nature, is very important to not lose your love for curiosity as you grow up, to always stay curious

🌑 BORN ON A WAXING CRESCENT MOON 🌑

The natives born under a waxing crescent are more to embrace their lives with more curiosity and joy than others, their energy can be from clingy - to an attachment style in a really fast way, above all they're are independent and love to do the things their own way, they also tend to prefer their comfort zone and security (feeling safe) over anything else. They may also love challenges, especially if there is a reward involved, (risk taking). Some of them can also be a bit timid/shy at first but kind and respectful! The native during this moon phase tends to attach themselves to the past which can be a bit bad for them because you cannot change the past, you may feel sorry or bad over your past but don't let it to ruin your whole life

🌑 BORN ON A FIRST QUARTER MOON 🌑

Where the moon firstly finds herself being half illuminated, half and half, 2 pieces combining eachother, darkness and light. This phase of moon indicates growth. Therefore the native can be really grounding, motivational, more calm/peaceful. You are the protagonist/main character with this moon phase in your own life. The native has a very excited nature, the more excited thet get the more things they create out of it. They may also have a sense of achieving things, to collect as many things as possible and to open new doors in life. The native is a strong individual, proactive, sometimes a bit passive aswell. Your strong personality can help you to reach your full potential. Is very important to know that you can't change some things and have to let them happen, sometimes waiting for the result of a problem can be a key solver

🌑 BORN ON A WAXING GIBBOUS 🌑

The native born during this moon phase is blessed with the gift of communication, while other moon phases search for an individual knowledge, this moon phase wants to share their knowledge with others. These natives can also identify as the "psychologist" or "therapist" of their group (friend group if is the case) because of their analytical mind, they often know how it is to go through from bad to good moods and vice versa, and they know how to deal with problems in their own ways. What's special about this moon phase is that you can be what you want to be, since the native can be a big believer of their dreams and desires, they will certainly achieve those. The native can easily be an influencer in the relationship, inspiring the other one and themselves in the same time.

🌑 BORN ON THE FULL MOON 🌑

The time where wolves are howling to the moon, is a very wild phase for the moon to be in, is known for this moon phase to drive people crazy. The native born during this moon phase is very transformative. The moon is tightly tied connected to the natives feelings/emotions, and sometimes can even have a control upon it. For example to feel more agitated or stressed. You as a child of the full moon, you can often find yourself being a little more sensbile than others, sensbile to others people's energy as well. Is a state where your conscious mind allows you to dreams,to visualize your life, something about these natives is that gives "off vibes" is when it comes to being an extrovert or introvert, since it can manifest differently. An romantic native with a heart full of desires

🌑 BORN ON A WANING GIBBOUS 🌑

The children of the waning gibbous moon are gifted with a mind of a creator, they often have a very good intuition or like a little "angel" beside their shoulder energy, the moon finds herself being more of a reserved nature, if I was to describe this moon phase it will be the sound ocean waves at night. They're often that wise yet creative person of the group, but in the same logical and open-minded. You can find yourself always looking for a part that is missing, the feeling that you're not complete. You're very conscious of yourself/your life/your ambitions. And something very admirable about them is their beliefs, a native born during this moon phase will never be let down by their higher selves/by the God/source/universe

🌑 BORN ON A LAST QUARTER 🌑

The natives born during the last quarter have a sense of nostalgia in them, you have a quality about you that seems frozen in time, you keep yourself unique while trying to help others to do the same as well. This moon phase is more attachable than others, so therefore the natives not only attaches to people but to places/animals/things in life very easily. They may also have a sense of finding their meaning in life, while being happy about it even about the smallest things, because they represent "virtue". The native is known for being kind/lovely/loyal and sensible and sometimes they tend to hide themselves in their inner world. Sometimes the past can blind you from the joy of the present & future. The present is just as deserving of your love and attention as your past

🌑 BORN ON A WANING CRESCENT MOON 🌑

Born during the very last moon phase, the native born during this moon phase is gifted with an immense spirituality and intuition, to describe them with one eye they see the physical world and with other eye they see the spiritual world, so in a way they're connected with each other, the native is very likely to daydream a lot, may receive lots of insights and visions in their dreams. They are gifted with an active imagination, to imagine and create. A glorious nature yet sensibile and affected by others energy. You know how to get deep and meaningful, and it's because at your core, you're a thinker. The thing with them is that they get more wise by their age, just like a flower ready to bloom and show her beauty

🌑🌒🌓🌔🌕🌖🌗🌘 • 🌑🌒🌓🌔🌕🌖🌗🌘

How to find your specific moon phase?

Try searching on google/internet your birthday and to add "moon phase" for example: 13.09.2020 moon phase!!

Another example is that astro seek (the site) wil show the moon phase right after you did your birth chart, scroll down to planets table and look right under the moon placement, for example like this:

The 3rd option will be to just search "moon phase calculator" on google but some of them can have wrong results. I suggest that the first and 2nd versions are wayy better!

This was an easy take, hope it helped you to find your moon phase!! Also what phase was the moon where you were born?🌗 Harmo☾nix 🌗

#moon #astrology #moon phases #astro observations #moon aesthetic #birth chart #astro notes #astrology observations #placements #astro community #horoscope #ascendant #moon signs #astro.com #astronote #astro seek #astroblog

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seiwas · 6 months

Text

if art can be touched, will you let me hold you? | nanami kento

wc: 7.2k

summary: you press love into each piece of art you create, and nanami wonders if you’ve ever been loved that way.

contains: f!reader, non-curse!au, ceramic artist!reader, pov switching, slowburn, reader wears a skirt, food mentions, bad breakup (mentioned), mentions of art critiques, almost explicit sex, it’s love without words.

a/n: a concept and fic i didn’t expect would be so dear to me; there are some very small personal touches in this but the main inspiration for this is ‘we’ve been loving in silence’, but some bgm are ‘can’t take my eyes off you’, and ‘make you feel my love’.

ao3 (needs account)

MINORS DO NOT INTERACT.

part of the in's and out's new year/birthday event | request prompt: showing ‘i love you’ in all the ways you aren’t used to

CLAY. Take your material of choice; turn it over, get a feel of it. Is it a suitable medium for your art?

You first meet Nanami in the halls of an echoing applause.

The host’s spiel is muffled through the walls, but you know the program flow like the back of your hand—you’ve rehearsed your entrance every single day since being invited to announce your upcoming exhibit. In just a few minutes, your name will be called.

Yellow cue cards slip through your fingers, scattering to the floor as a result of the haste from your last minute touch-up just moments before.

“Shit,” you curse under your breath, checking the time.

As you crouch low, a pair of brown Derby shoes land in front of you—long and thick fingers reaching for your cue cards on the floor. The time on his wrist matches yours, each second highlighted in the stark contrast of a dark face and silver exterior.

You’re quick to receive his help, taking the cards into your hands as you lightly graze his fingertips. When you look up, you’re met with sharp lines—an angular jaw, eyebrows set straight; a pointed nose and his cheeks carving out hollow shadows.

A geometric study on blank canvas.

It’s embarrassing, the way you fluster and bow, thanking him with a stutter as you’re brought back to the urgency of the matter by the sound of your name being called out.

The rush to the conference hall has you breathing heavily, the nerves hitting you full force as you step up the stage, nearly tripping at the last step. Hues of blue, yellow, purple, and green lights glare at you, and when the host hands you the microphone, you chuckle nervously, clearing your throat before addressing everyone in the room to thank them for coming this afternoon.

Your exhibit is called ‘What is the Face of an (Un)Touched Soul?’—a collection of ceramic sculptures molded to the realism of a human face, with the soul imagined as varying patterns and colors that fit each featured individual.

It’s been half a year since you started, with three out of six sculptures completed already. Two are in-progress, and you have yet to find a subject for one more; there are six more months for you to complete everything.

The audience sounds their applause, sophisticated claps and nods a familiar tune in the many years of your sculpting career. Critics in the room jot down their thoughts, reporters holding up microphones and recording devices to cover your announcement.

You smile wide, the rehearsed kind.

And at the end of your presentation, stepping down the stage, you spot him again.

You think to approach him in that moment, to thank him properly instead of the fumbling mess you’d choked out in the hallway—but you’re pulled towards a crowd of reporters and critics, recording devices pushed just below your chin as you watch him disappear into a sea of faces not nearly as interesting as his.

You meet Nanami again in the bustling morning rush at the bakery near your studio.

The past few weeks have been head-down and tedious, late nights working on painting some of the last few pieces for your exhibit. One of them is of your niece, 5-years-old in mint and white innocence; your brushstrokes are featherlight, softly accentuated by sponge dabs—a slate barely filled in, with room for more colors to appear with time.

Another is of your neighbor, an old man whose eyes have seen war beyond your comprehension—a retired soldier, a veteran of the military force. He plants primroses by his windowsill, the pastel yellow a stark contrast to the life he’s lived in red; neither of the colors cancel each other out, neither of them blend. You drag harsh strokes against his jawbone while smoothly gliding watercolor across his eyelids.

The people in your sculptures have sparked an untapped curiosity within you—for stories, for lives, for souls and what those might look like.

You bump into Nanami on his way out, the sandwich in his hand falling to the ground as you frantically attempt to pick it up.

“Oh my god, I’m so sorry.” you turn over the sandwich, checking for any holes or openings in its packaging, “Let me–”

It only registers that it’s him when you notice the same brown Derby shoes, the same watch with that dark face and silver exterior, the same geometric perfection on his face when you look up and finally come eye-to-eye with that same fixed stare.

You clear your throat. Well, this is embarrassing.

“Let me buy you another sandwich.”

He doesn’t exactly look angry, expression set in straight lines, but you can’t tell for sure—there isn’t much you can go by.

“There’s no need,” he dusts off the wrapper, “it’s still sealed.”

“Please, I insist,” you pat down your skirt, linen rough on your fingertips, “As a thank you too, for last time.”

He arches a brow, and for a moment you worry that you’ve remembered him wrong—honey blonde hair and features you’ve been intrigued by since.

“You insist.” he repeats, clarifying more than questioning.

You nod.

He sighs, checking his watch before pocketing his sandwich and turning back to open the bakery doors.

The silence in line to the counter is awkward. Nanami remains impassive, hand tucked inside his pocket—you can’t read a single thing about him.

“I was meaning to thank you after the exhibit announcement,” you start, turning slightly to face him before looking ahead again.

He hums.

“But I couldn’t find you, so…”

He hums again.

The lack of response makes you nervous and quite honestly a bit irritated. Here you are, trying to be nice, and all you’re met with are dry—

“It’s no problem, but that’s thoughtful of you, thank you.” he finally says, “I didn’t expect you to remember.”

A pause.

“I’m sure you meet a lot of faces in your line of work.” he further clarifies, in case his earlier remark had offended you.

You snort, “I wish.”

The line moves forward.

“Ceramic faces, maybe. People not so much.”

When you glance at Nanami, the look he returns is still characteristically inscrutable, but you think the corners of his eyes soften just a bit—to feel for you maybe, you hope, you think.

The line moves quickly after that, and next thing you know it, you’re by the cashier, pointing at one sandwich for you and another for him. You buy him a cup of coffee too, just as an extra kind gesture (—for his time; you’re sure he has places to be and people to see), but he stops you.

“Coffee’s on me.” he pulls out his card.

“Oh,” you look up, surprised, “you don’t have to do that—”

“It’s only fair,” he nods as the cashier punches in the order, “now we’re even.”

You attempt to rebut, but find no room for argument in the unbending weight of his gaze.

An interesting man.

You watch him stand by the claiming booth, hand in the pocket of his khaki suit. Nothing about him feels cohesive, yet he makes it work. Artistically, from a sculpting standpoint, the sharp lines on his face would be an interesting challenge—but beautiful, nonetheless. A study of near-perfection, you think.

And it would seem obvious, that from the rigid cut of his jaw and the sharp edges of his cheekbones that he’d act just as pointed.

Except, he doesn’t—a stark contrast to how much of a gentleman he seems to be.

His blue shirt stands out when you’d assume he prefers subtlety, and it’s ridiculous, but that yellow cow print tie feels simultaneously out of place but so fitting.

He walks toward you with your coffee, sandwich resting on his forearm.

“Thank you, Mr.—” you smile sheepishly, “Sorry, I don’t think I got your name.”

“Nanami Kento.” the corners of his lips lift slightly.

“Mr. Nanami,” you repeat, introducing yourself right after.

“Thank you as well.” he adds on as you both walk towards the doors.

Something tells you this is a missed opportunity. Something tells you there’s more to learn about this interesting man and what lies beneath his straight-faced sincerity.

The chatter from the bakery is replaced by the city’s breaths—cars passing, dogs barking, footsteps on pavement rushing to get to their next destination. And you and Nanami stand by the entrance, neither knowing how to say bye.

“Do you come to this–”

“My studio is just by the corner, so–”

You quickly look at each other. Nanami bows his head slightly, hand gesturing for you to go first.

“Sorry, um,” you tuck your sandwich in the crook of your elbow, “yes, I come here pretty often. My studio is just around the corner, so I drop by for quick meals when I can. You?”

“It’s on the way to work most days.”

You nod, humming.

Another awkward pause.

“I hope you–”

“I should get–”

You look at each other again, a bit more amused this time. The slight wrinkling of his eyes is impossible to hide.

He gestures for you to go first again, but you shake your head, offering him instead.

“I hope the pieces for your exhibit are going well.”

“Thank you,” you smile, bowing your head slightly.

That ‘something’ in your brain speaks to you again.

“Actually,” you begin, “sorry if this is weird, please feel free to decline, but,” you shift your weight, “I have one last piece to do and I was wondering if I could ask you.”

Nanami looks taken aback for a moment, eyes wider than normal as he processes what you’d just said.

“Ask me… for an opinion?” he clarifies.

You mentally facepalm yourself—you really should have made yourself clearer.

“Sorry, no, I meant,” you take a deep breath, fingers fiddling with your skirt, “if you’d like to be the subject for it.”

The expression on his face is as indecipherable as ever.

MOLD. Be familiar with your art, learn more of its intricacies. What will you shape it to be?

In the most unexpected play of events, Nanami says yes, but not without his hesitations.

You explain your process: the selection of a subject, an interview to get to know them better, then a few meetings at the studio to create the mold of facial features before coating it in plaster.

Never in his entire law career did Nanami ever think he would be into art, much more be chosen to be the subject for it. But he figures, if anyone were to get him to do things so wholly out of character like this, it would be you.

After all, he’s been a fan of your works for a while—from your third exhibit up to your seventh one now.

People love paintings and the strokes on canvas, admiring textures and blends of colors bleeding into one another; Nanami loves sculptures, a mixture of materials and techniques forming an object with more than one viewing plane.

“Have you always loved sculpting?” he asks, sitting still on the wooden stool in your studio.

A few meetings have gone by by now, and he’s told you a few things about himself for this to be a comfortable enough way to spend his Friday night: he’s a lawyer in a firm he’s co-founded with a good friend, evenings being the only free time in his schedule; he lives alone in a two-bedroom apartment and his neighbor’s cat often lands on his balcony every morning; he likes coffee and tea, paperback books and music from the 30’s and 60’s.

He chose to be a lawyer to correct the shitty system that’s vowed to help but has instead made it difficult for anyone genuinely trying to be good.

“I started with paper craft first,” you mold out the slope of his nose, looking back and forth between him and the mass of clay on your desk, “you know that 3D looking paper art that kinda pops out of the page?”

He hums instead, careful of any slight movement that may disrupt the pose you’re trying to replicate.

“And this?”

Your metal scraper drags on the sides of the sculpture’s nose, sharpening it as it narrows to the bridge.

“I picked it up in college, was an outlet to keep me company during that time.”

The PR answer.

Nanami knows most of your general story; pamphlets and exhibits always give a run-down of the artists’ individual histories. You’d started sculpting as soon as you entered college, a need for company while in a completely unfamiliar place with no more home to return to. It was all or nothing, and as the sculptures grew in number, so did your popularity—you are by no means a fresh name to the scene 10 years later.

“Why do you love it?” he looks you in the eye.

You pause, holding his gaze for a few seconds before looking away, focusing on the chunk of wet clay between your fingertips as it turns more pliable.

“It’s gotten me through a lot.” you sigh, attaching the piece of clay to form his lips, “Touching clay feels therapeutic sometimes, and you can tell from how it looks if it’s been molded with love.”

The stillness in your studio is extra quiet, filled only with the faint sounds of your fingertips sticking onto clay; he doesn’t quite know what to say.

“Sorry, that was cheesy.” you scrunch your nose and pout.

He chuckles, a low laugh, “Not at all.”

You lock eyes, the curve of your lips upturned. He feels his eyes soften around its edges.

It makes sense, and he thinks he can understand; there must be a reason why he loves books with creased spines, why he prefers weathered pages—why the scratches on his vinyl records don’t bother him as much as it should.

You both like your coffee without milk, just with a bit of sugar for yours.

Nanami’s taken up baking, specifically breadmaking, in his spare time—he brings you sourdough the next Friday you meet.

Your studio is an organized mess, scraps of clay decorating the otherwise bare and white space. To the left of the room is a large cork board filled with pinned sketches and some color swatches—a visual representation of the creative chaos in your mind.

A whiteboard to its right holds your schedule, and everywhere across the room are your art pieces—on shelves, in glass cases. He assumes most of them are the versions that didn’t make it, considering that the ones that have are either auctioned off or left as collector’s pieces in exhibits and art museums.

“That’s the first one I ever made.” you sneak up behind him, biting off the sandwich you hastily put together.

The sculpture is smaller than the busts you’ve made for your current exhibit, but it still occupies a third of your shelf. It’s unlike any of the works you’ve ever done, but he supposes it makes sense, given how much your style has probably evolved over time.

The piece is a lot simpler in comparison to the edgy twists most of your works now contain, but the little girl fast asleep in the sculpture begs questions he’s not sure how to ask you—if he even should.

He continues to stare, clearing his throat; you eye him knowingly and snort.

“Just ask, I know you want to.”

The texture of the carved blanket catches his eyes, the ripples and creases made to conform to the girl’s curled up figure. There’s a sadness underlying her comfort, a search for security while being wrapped in a bundle of safety.

“Who is it?” he asks.

You pause before you answer; he’s worried he’s crossed a line.

“Me.” you admit, a near-whisper.

He hums, back still faced towards you. It explains, then, why he’s always felt an underlying sadness beneath the creases of your smiles.

When he turns his face to the side, an attempt to catch your eyes, you look away, diverting.

“Which one introduced you to me?” you gesture towards the rest of your pieces.

As it’s come to be, Nanami’s learned that you’re good at that too—creating curves of deflections, pockets where you can hide when you feel something’s gotten too close.

He plays along, turning around to view the expanse of your studio; it’s amazing, how the art pieces that stack shelf upon shelf all boil down to your hard work. You briefly mentioned that you haven’t taken a break from creating because you still don’t believe you deserve it.

“It’s not here,” he puts his hands in his pockets, “the one with the hand clutching a heart.”

‘Unhand’—his favorite piece of yours; he’d seen it in one of the museums he had to visit for one of his clients. Hyperrealistic branches of veins and arteries running across an anatomical heart, every curve and indent a carefully placed texture to bring your piece to life. It comes clenched in a hand, the veins streaming across each finger while blending into those of the heart’s—at first glance, it’s impossible to tell where one ends and the other starts.

It’s a different view from each angle—that’s why he likes it so much, along with the graphic nature of it. The pain feels vivid, real.

“Ah,” you run your fingers across your work table, fiddling with the small pieces of clay before taking a seat again, “that one.”

Nanami follows but he doesn’t say anything, resuming his place in front of you in the usual way he’s done the past few weeks.

“I didn’t think I was the type to be moved by art.” he confesses, sitting still as you continue the final work on the clay wisps of his hair.

You encourage him to go on, nodding along.

And he does, watching the way your steady hand forms features that look uncannily like him, if not better; strands of your hair always fall from behind your ears and he’s almost tempted to tuck it back to where it came from.

He tells you of the pain he feels from that piece, how it presents itself in different ways depending on the area you focus on—the constricted blood vessels, the buildup of pressure from a vein blocked by a thumb, the strain of muscles at the back of the hand.

A small smile makes its way onto your face, slightly sad but somehow relieved, “Didn’t expect you to be such a poet.”

“Must be from being around you so often,” he responds.

And if it’s a trick of the light, a part of him sinks at that possibility—he thinks your smile stretches wider, suppressed only by the shyness trying to hide it; no pain whatsoever.

Unexpectedly, you share with him the story. Not the filtered version, but the one just as raw and vivid as the sculpture made from it—a failed relationship that had you clinging onto sculpting as your lifeline. You spare him some of the gruesome details but hint at it enough that he can fill in the gaps on his own.

You tell him that you’re a people pleaser, you’ve learned—it’s the only way you can view that relationship with grace, that at least you understand yourself better because of it. That even when the grip on your heart wrung tight enough for each beat to hurt, you still clung on with all your worth.

(Now you know you shouldn’t have.)

People have come to you with stories of their own, sharing how much your art means to them. Critics write articles, both good and bad, detailing the technicalities of your work. The applause follows you everywhere you go, yet it has never touched you—has never gotten too close.

If your art has touched others, has listened and spoken their truth in your handiwork, who does that for you?

During one of the last few Friday meetings, you offer to teach him how to mold clay.

He looks at you curiously, watching the way your fingertips pinch and squeeze, how they glide to smoothen the material and press down to create indents on the surface.

“Do you want to try?” you ask, gaze still set on his sculpture in front of you. There’s a teasing edge to your tone, one that’s developed over the months of getting to know you more.

“Would that be troublesome?”

You laugh at his rigidness.

“Of course not.” you push your piece aside, standing up to gather clay from the mound of it to your right. You lay down a wooden platform for him–his own little workspace–and slam a chunk of clay atop it, “I think you might be good at it actually, since you like making bread.”

The movements are familiar but not entirely the same. He rolls up his sleeves, blue cotton pinching at the creases of his elbows; you hand him an apron to protect the rest of his clothing. There’s not much kneading involved, not much palm action too, but he learns to move his fingertips with a force he can only compare to creating little dimples into focaccia dough.

You teach him how to make a bread basket—something practical but beginner-friendly; something he can use and keep as a reminder of you.

The trickiest part of it is mimicking the rattan weavings, and you notice him struggling with it when his strips of clay begin to break.

A screech fills the room as you push back your chair, standing up to go behind him as he attempts to salvage his work.

“Here, let me–” you reach over his shoulders, flattening some of the cracks from above him.

You’ve never been this close before, the thin strands of hair dusting your arms tickling the sides of his ears. These past few months, he’s watched your hands press and pull and form, turning each detail of his face into art. It’s only now, right next to his larger and rougher ones that he’s noticing just how small and delicate yours are.

It’s dainty work, weaving and braiding. He attempts to do it again, but the clay only falls apart when he pulls too hard.

You stifle a giggle, the vibrations tickling his back, “We might take a while here.”

“I don’t mind.” he mumbles.

“You sure you don’t have anywhere else you’d rather be?” you lean forward, pressing closer until he feels your warmth against the back of his head, “I feel bad, I’ve been taking up most of your Friday nights already.”

It shouldn’t mean anything; he shouldn’t feel anything—you seem to be unfazed; art is meant to be taught by doing.

But then your hands go over his, guiding them to lift each strand of clay gently before interweaving them with one another, and he thinks—

—this must be what it feels to be touched by art.

So, no.

There’s no other place he’d rather be.

DRY. Give it time, let it settle. Watch your art come into form. Is this a good foundation?

“Will you be free next weekend?”

His question surprises you as you stand in line at the bakery. You tend to catch each other at just the right times almost everyday, saving a spot for whoever’s running a little late.

Today, it’s you, rushing in slightly frazzled with your hair sticking out which way; you’d just finished up molding the sculpture late last night, letting it rest out to dry. Nanami’s head is turned towards you, hands in his pockets as he directs the same pointed gaze you’ve become all too accustomed to.

You must have forgotten to mention it.

“Oh,” you turn to him, “there’s no need, our sessions are over.”

His silence makes you nervous, just like it did the first (second) time you met.

Did you upset him? Did he already cancel plans to free up time for your studio?

The entire trip to the cashier is quiet, but you find that he’s ordered ahead for you—your sandwich order and a cup of your usual coffee. He pays for it too, despite your refusal (and confusion).

It’s when he hands over your drink by the corner of the room that he finally speaks.

“Not for a session.”

You tilt your head curiously.

The coffee feels warm on your hand, and you think you see the same warmth at the tips of his ears, dusting it light pink. He coughs, fingers clenching around his tie before loosening it.

“For a date.”

You begin to take up his weekends now, too.

Since that day at the bakery, when you’d nearly dropped your coffee before stuttering out your availability, you’ve already gone on seven dates (to you, at least; Nanami would officially count three).

He insists on still visiting you every Friday, bringing you dinner as a reminder that you should eat on time and not the moment you’re keeling over from a rumbling stomach and a pounding headache. You count these as dates too—because what else do you call spending time with someone you like while having night-long conversations over good food?

(Nanami creates a distinction though, prefers his dates to be more planned out and intended. On the three official dates you’ve gone on, he’s brought you to three different locations—a weekend market, a picnic by a lake after you’d mentioned something about it, and a vintage record shop on the outskirts of the city, a place he frequents often).

The near-perfection you once thought of the man, a geometric study on canvas—he’s still every bit of it, still every bit as interesting as what he seemed, just in a completely different way.

For a man typically so nonchalant, he is extremely particular about his tastes, borderline picky with trusted company.

Nanami enjoys coffee (as expected), but the fermented filter kind, dripped down a V60 pour over to extract different notes of sweetness and acidity. You’d think he enjoys a straight black, face stoic enough to handle its bitter bite; but no, his jaw clenches when he dislikes the taste, his tongue sounding the faintest click against the roof of his mouth before he downs the entire thing in one gulp.

He also happens to be extremely gentle, in a way you don’t expect from a man of his stature and build. Veins run through the back of his large hands, branching to webs around the thickness of his fingers; they may not be delicate enough to weave clay, but he carves out different patterns on the sourdough he presents to you every Friday.

The first time he held your hand, it wasn’t exactly planned—an instinctive move to reach out his palm as you climbed the steps of the spiral staircase in the record store out of town. You’d barely felt it then, just the featherlight hold of his thumb pressed against your knuckles as you gripped the fabric of your skirt.

(To your surprise, he kept it up all the way through, slipping his fingers through the gaps between yours as he showed you around vintage vinyls and the sound of love in muffled 60’s tunes.)

You imagine him to be like clay, a softness hardened over the years that have shaped him; smooth but solid to the touch, breaking into powdered shards once you manage to work your way through.

It’s unexpected, but you like that.

And you like him—quite a lot, really.

This date–the tenth, or fourth, whichever–is a lot fancier than all the others, a more formal dinner with a few glasses of delicious wine whose name you by god, don’t remember. You’d been too focused on something else—the handsome way he’d slicked back strands of his honeyed hair.

Black suits him, contrasting the paleness of his skin and complementing the sharpness of his features.

Black, the color of his suit, pressed neatly to fit him perfectly. He looks clean, broad shoulders with straight slacks falling to exactly where they’re supposed to be.

Black, which is the only thing you see, pressed up against him. You’re so close by your doorway, that half-minute of deciding whether to stay or walk away; he has one foot behind him and one firmly planted right next to yours.

You share a breath, fingers lightly intertwined with his.

There had been signs the entire night that it would lead to something like this—he’d played with your fingers a lot more, kept much closer to you than he ever has before.

Every sound around you is amplified—each inhale and exhale, the gulp he makes; your heart beats on rampage.

When you look up, your noses are almost touching, and his eyes are shut, the crease between his eyebrows deepening.

It’s a look you’ve only seen once before, when he’s stuck contemplating.

“Kento,” you whisper.

His eyes blink open slightly, the color of your coffee. He leans forward, forehead resting against yours as he takes a deep breath, “I–”

Then you kiss him.

It’s mostly a peck really, and wholly out of character for you, but it’s that same something that compelled you to ask him to model for your sculpture months ago that’s pushed you to do this right now.

You’re worried for that first split-second because he doesn’t move, shows no sign at all of reciprocating. It’s a moment before you consider parting that he finally softens, relaxing his lips as he glides them over yours. His fingers slot themselves by your ear, palm pressed against your jaw as he deepens it; you almost stumble back, his other hand catching your weight as it leans on your door.

It’s a good thing you did this then, because you learn that he likes you too—very much, actually.

Things are good a month until your exhibit.

Things are good until they aren’t.

You end up reading a premature critique on your exhibit, calling it ‘overrated’ and ‘boring’, detailing the trajectory of your decline as an artist, citing your works as having become increasingly more lackluster over the years.

The critic calls your theme ‘lazy’ and ‘unoriginal’, predicting your pieces to be nothing extraordinary or different from your older sculptures.

All this time, your publicist and manager have made it a point to protect you from things like this, requesting that you avoid searching up your name on social media or search engines. You’re usually fed with praises and the occasional constructive criticism, but never anything as spiteful as this.

It’s every possible thing that could be said to invalidate your hard work.

And you break because of it—along with Nanami’s sculpture.

It tips over accidentally, the funk in your mood making you especially clumsy.

The damage is terrible, half of his face is gone, his neck down still intact but chipped off. It’s impossible to repair without redoing the entire thing—which, you don’t have the time for, either.

You groan, banging your head against the table.

Frustration leaks out in your tears, every inch of self-doubt surfacing.

Nanami finds you in your studio that way.

He’d texted you the entire day, tried calling you a few times to no success. It’s a Thursday, but without your usual ‘just got home’ text, he’d gotten worried and rushed over as soon as his meeting ended.

If he’s being honest, you’ve been off this entire week—stressed and distant, overworked from revisiting all your finished sculptures for the exhibit in case of anything to change or tweak.

Then this.

And it’s too much—it’s all too much.

Nanami calls your name from your entryway and you look up with tears streaming down your face. He’s never seen you like this, you could never want him to.

He hurries over, brows immediately furrowed as he digs into his pocket for a handkerchief. The cow print would make you giggle on any other day, but now, he uses it to wipe your tears away.

“What happened?” his gaze shifts to your right, his sculpture half-ruined.

Silence.

“Is there anything I can do?” he asks hesitantly.

You shake your head, swiping at your nose, “It won’t look the same, Ken.”

“Do you want to redo it? I can clear up my schedule every–”

“There’s no time.”

Nanami takes your hands to rub his thumbs over your knuckles, soothing.

“Then we’ll do what we can.”

The sincerity in his voice hurts you, the reassurance in his eyes even moreso. You’ve never had anyone look at you this way.

“There’s no point.” your shoulders slump, lips trembling as another wave of tears pool on your lash line. “People are calling the exhibit a flop.”

“Who?”

You huff out, exhausted, “I don’t know, critics, media. Whoever.”

He furrows his brows, firm, “They don’t understand what you’re doing.”

You chuckle sarcastically, “They’re art critics, Ken, of course they–”

“If it means something to you, what does it matter to anyone else?”

That makes you look up.

Nanami stares at you with the same unwavering gaze, no longer indecipherable to you. There’s a softness in the squint of his eyes that you now know means concern, with every pointed feature only meant to drive his words home.

You’ve been second guessing everything down to the core of your abilities, because of what? A few words? This must be what you get for having a penchant to people please, for hinging on everything everyone has to say.

“If you love what you create, then continue to make it.” he squeezes your hands, as if pressing the words into your bones gently.

You remold and repair, and you build up your sculpture to something different but not worse than before.

You remold and repair to build up yourself.

The half that broke off isn’t as symmetrical as you’d like it to be—and it definitely doesn’t do justice to the man it’s sculpted of, but you think you like the softness you added to it, how his eyes look kinder. He means something else to you now, after all, compared to when you first started sculpting him.

And you think, you know just what kind of design speaks of his soul.

PAINT. Add the final touches, perfect your piece. Bring it to life with colors and details, whether it be for one pair of eyes or many. Do you now see?

Nanami teaches you how to make bread on a Sunday morning.

Flour coats every surface of his counter, dustings of it transferred to the deep blue of his apron. You’re wearing a white one, borrowed from your studio. Elbow-to-elbow you knead, and he only has to teach you once for you to get the hang of it, really.

He smirks, “You’re a natural.”

“Must do stuff like this a lot in another life or something,” you stifle a giggle, playing along.

It’s a beautiful day out, golden sunlight hitting your cheek—Nanami stares, sneaks peeks between every knead. The same strands of hair tucked behind your ear fall to frame your face, and he hooks his pinky around it to tuck it right back (because he can now, without having to hesitate).

You turn to him, daylight in your eyes when you grin your thanks.

His kitchen has an open space, deep wood and black metal detailings as its central theme (the white bread bread basket you made together stands out on the counter, but he’s done that on purpose). There’s a pretty extensive collection of alcohol in his liquor cabinet, along with his very particular coffee set-up right next to his record player slotted in the corner.

On Sunday mornings, Nanami likes to keep his music playing; today, it’s the classic 60’s–’Can’t Take My Eyes Off You’–serving as your background beat, with the soft meows from the cat on his balcony as added accompaniment to the melody.

He watches you sway, his feet tapping along, then you jolt, giggling in surprise when there’s a hiccup in the song (it’s from the scratches on his record, but he can’t bother replacing it with a new one). After that breakdown in your studio, you’ve seemed to loosen up immensely.

“Ken,” you call him, “how much pressure do you usually put into kneading?”

There’s no way to explain it, really, but to make you feel it yourself.

“Let me–” he lets go of his dough, dusting his hands with more flour before coming up behind you.

Nanami is a big man, tall and lean, all chest and shoulders—when he hunches over you, you look so small, delicately tucked into him. Heat rushes to his cheeks, if you turn around you’d see pink; the music is drowned out by his heartbeat.

He leans forward, palms clasping over the back of your hands, fingers slotting themselves between the gaps of yours.

“Like this,” he pushes down, his chest pressed against your back. To get a better look at the dough, he tilts his head to the side, nearly slotting it by your shoulder, “Can you feel it?”

You hum, your swaying gone. He’s trying hard to focus on the bread, but when you turn your head to face him, the tip of your nose touching his cheek, he stops.

The moment is tense, drowned into silence despite the music playing in the background. He can hear your every breath.

“Thank you,” you whisper.

Nanami knows it’s for many things—for agreeing to the sculpture, for spending time on it; for this Sunday morning, for being there when you needed someone the most. But that’s not the whole point of this, he thinks. It’s how you sound, voice heartfelt and filled with something else—a kind of affection he’s all too familiar with himself.

This must be what you mean when you say you can tell if clay has been molded with love.

In the quiet, Nanami’s hands move loudly.

He holds you gently, just like he always has, but it’s a permission every time—like he’s asking if he can touch you, love you in ways you aren't used to.

Your apron falls to the floor, followed by your skirt, the fabric pooling by your feet. The faded gray t-shirt you wear during studio days is tugged over your head, dropped next to him. He takes his time with you, turning you over, feeling you, knowing you—thick fingers squeezing the sides of your arms lightly as his lips press against your neck.

A gasp escapes you.

Then you move, nimble hands undoing the buttons of his shirt, pushing it open as you feel across the planes of taut muscle on his stomach and chest.

He groans, soft and low, your fingers brushing against his skin, ticklish.

You take a step back and he moves along with you, letting you settle into yourself as you inch backwards, the back of your knees knocking against the edge of your bed. He holds your gaze as you move towards your headrest, your shy smile doing nothing to lessen the butterflies in his chest—you did mention that it’s been a while.

He kneels on your bed, the mattress dipping to accommodate his weight—his slacks have been discarded to the side as he crawls over you.

Beneath him, you look like the very subject art could only wish to replicate.

So, he makes sure to remember all of it—to look close and memorize every detail of you as he dips down, arm planted to the side of your head as his other hand cradles your face, tilting your jaw up for a kiss.

He catches your lower lip between his, running his tongue over it before sucking lightly. You moan, smooth and honey-sweet, bringing him closer with your fingers clasped behind his neck. The room is quiet save for your lips smacking against each other’s, warm and soft as the heat builds between you.

Slowly and tenderly, with the same care you tend to clay, Nanami discovers all your dips and curves; he kneads the flesh of your hips, gripping your thighs as he kisses his way down the slopes of your body.

You squirm in his hold, tugging at his hair when the sensation feels too much, too good.

(But when he reaches between your legs, arms locking your thighs over his shoulders, you realize, nothing could have ever prepared you for this, for him—he treats you as if you are every bit of the art you make, and looks at you like it too.)

Then, Nanami kisses you on the forehead when he’s inside you, lips pressing on the part of your skin that creases when your brow furrows.

A tear drips down your face.

“Should I–” he looks you in the eye, worried.

“No,” you breathe out, a watery smile as you nudge your nose against his chin, “keep going.”

So, he does; he loves you without the applause, with the feel of his hands, leaving no place untouched.

He moves his body against yours.

It’s only after, when he tucks himself into your neck, arms wrapped around you and skin sticking onto skin that you tell him your tears aren’t anything bad.

For the first time in a while, you feel full—perfectly content.

He thinks you should be the final piece to your exhibit.

It’s a grand event, the conference hall decked in some of your previous works; blankets of white cloth drape over the stage—the unveiling of all your sculptures. You’re standing to the side, looking pretty in a long white skirt while Nanami blends among the crowd, far back enough to remain hidden from reporters but close enough to catch your eyes should you look his way.

You present each one, introducing the titles with brief descriptions of the people they’re sculpted from. The reasons for your designs are left primarily up to interpretation, but you’ve explained it all to Nanami—he’s listened to every single one.

Then you present his sculpture, finding him through the crowd. The corner of your lips curl up slightly, the stage lights reflecting on your eyes.

He smiles at you the same.

‘The Undoing’ is what you call it—half-perfect and half-salvaged.

It’s far from your original vision for the piece, but you think you like this more, splitting down the part that’d originally broken off into two different colors. His entire color scheme consists of yellows, greens, and browns—the perfected side of his face appears in clean strokes of coffee, with light yellows highlighting his pointed features. The angles are clean and sharp, his gaze straight and dead-on.

Running down the cracks of the broken half is a sky blue line, an almost glowing effect added to the salvaged side. In a way, it’s an emergence, of the part of him you never thought existed—green wisps like leaves, a life springing from within. You add flecks of gold to mimic light bouncing off his irises the same way sand becomes a glittering sea of sunbeams.

To you, Nanami is warm but cold to the touch, and he’s undone you just as much, has chipped away at the parts of you that have built themselves over years of habits reinforced and untouched.

It is as much you as it is him.

That’s what happens when you love someone, he supposes—an intermingling of souls.

Kraft paper crinkles in his grip as he adjusts the bouquet of flowers behind him, deep red carnations and orange tulips decorated with white astilbe flowers—for when you get down, and he can have a moment with you privately.

Now, he looks at you fondly, shifting his feet from where he’s standing. You search for his face, eyes darting to where you know you’ll find him; he meets your gaze, and you smile brighter, that one look ringing louder than the standing roars of an echoing applause.

a/n: each segment represents the steps to making a sculpture that i tried to parallel with the development of their relationship. V60 pour over is a kind of set-up for drip/filter coffee.

thank you notes: for @mididoodles, this is my very late birthday gift for you midi, but i hope you like it! (this also so happens to be your request for my in's and out's event) 🥺 + @soumies @scarabrat for reading through the first third of this and believing in the vision for this when i was so unsure of it, i love you both 🥺 + @stellamancer for helping me figure out what goes in the 'contains' 😭 + @augustinewrites to scratch the nanami itch 🥺

comments, tags, and reblogs are greatly appreciated ♡

#nanami x reader #nanami kento x reader #kento nanami x reader #jjk x reader #jujutsu kaisen x reader #kento x reader #nanami x yn #nanami x y/n #nanami x you #nanami kento x yn #nanami kento x you #shotorus.writes #shotorus.events #in's and out's event

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