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Conann, Bertrand Mandico (2023)
#conann#Mandico#bertrand mandico#french film#french films#french cinema#horror#horror movie#horror movies#movie#cinema#movies#film#cine#cinephile
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Les Garçons sauvages (dir. Bertrand Mandico, 2018)
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(via She Is Conann - U.S. Trailer - YouTube)
#youtube#Mandico#Betrand Mandico#Conan#Directors' Fortnight#Cannes#Film#French#Cinema#elina lowensohn#Sci-Fi#Fantasy#Indie
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'' Si l'amour est brutal avec vous, soyez brutal avec lui ''
Connan (2023)
#COCORICO MOTHERFUCKERS !!!#Conann#Bertrand Mandico#cinema#Christa Theret#Agata Buzek#Elina Lowensohn#Julia Riedler#Claire Duburcq#Sandra Parfait#Nathalie Richard#Françoise Brion#Audrey Bonnet#2023#mandichaos#France#weird#Conan#Conan the Barbarian#olvagif
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She is Conann (Bertrand Mandico, 2023).
#conann#she is conann#bertrand mandico#Nicolas Eveilleau#Laure Saint-Marc#Anna Le Mouël#Thomas Salabert#Elise Cribier-Delande#elina löwensohn#Christa Théret#Julia Riedler
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RIP Thomas Zane (fictional Finnish filmmaker) you would've loved Bertrand Mandico (French experimental filmmaker) 😌
#alan wake 2#tom zane#shitpost#bertrand mandico#thomas seine#ilkka villi#remedy entertainment#loonuhtik
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Boro in the Box | Bertrand Mandico | 2011
Elina Löwensohn
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i really enjoyed After Blue (2021)
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Teaching myself hot to paint part 3
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BEST OF 2024 She Is Conann Directed by Bertrand Mandico
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Wives by Dorothy Porter / A Zed and Two Noughts, Peter Greenaway (1985) / Our Lady Of Hormones, Bertrand Mandico (2015)
#theres just smth abt being so in love you are consumed by nature and rot.....#dorothy porter#peter greenaway#a zed and two noughts#our lady of hormones#betrand mandico#web weaving
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After Blue (Paradis sale) (dir. Bertrand Mandico, 2022)
#after blue#paradis sale#dirty paradise#bertrand mandico#mandico#cinema#film stills#cinematography#film#sci fi
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Recently Viewed: She Is Conann
How to describe She Is Conann? The film resists literalist readings, eschewing traditional narrative in favor of concocting a hallucinatory mélange of allegory, mythology, and Jungian archetype. Attempting to summarize the skeletal “plot” in concrete terms is a fruitless endeavor, akin to gripping sand in your fist; the harder you squeeze, the more grains slip through your fingers—you’ll only ever manage to capture a meager handful.
Sure, you can convincingly argue that the story is “a feminist take on Conan the Barbarian” (Wikipedia certainly does); heck, if you’re feeling particularly adventurous, you might even be tempted to dissect its structural similarities to Cloud Atlas (though whereas that time-bending sci-fi spectacle featured actors playing multiple characters across the ages, this gritty anti-genre oddity adopts the opposite approach, with various facets of the protagonist’s persona portrayed by a succession of different performers)—but what do such superficial observations actually reveal about its tone, style, and atmosphere? Analyzing the movie’s thematic subtext (the conflict revolves around the heroine repeatedly “killing” her past identities in pursuit of a nebulous future, utilizing the concept of the “shadow self” as a manifestation of her increasingly fractured psyche) is likewise an exercise in futility; perusing my interpretation of the material is no substitute for experiencing Bertrand Mandico’s delightfully deranged creative vision firsthand.
Ultimately, She Is Conann is a defiantly unclassifiable object, straddling the razor-thin line between avant-garde art and sleazy exploitation cinema; it is, in other words, aggressively French. I won’t pretend to understand its appeal (indeed, I’ve yet to fully digest the subtleties beneath its surface-level maximalism); nevertheless, I thoroughly enjoyed briefly surfing the euphoric crests and baffling troughs of its unapologetically offbeat wavelength.
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She is Conann (Bertrand Mandico, 2023).
#she is conann#conann#conan#bertrand mandico#Nicolas Eveilleau#Laure Saint-Marc#Anna Le Mouël#Thomas Salabert#Elise Cribier-Delande#elina löwensohn#Christa Théret#Julia Riedler
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Boro in the Box | Bertrand Mandico | 2011
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