#man this is so disappointing

[tonymarias]

Melissa Barrera has allegedly been dropped from Scream VII because of her alleged “antisemitic” posting. To be clear she is and has been Pro Palestine and has never made any posts that attack Jewish people.

Boycott the next Scream film. This is a direct attack on a woman speaking her mind.

[myrkulitescourge]

the way that one line from the new epilogue in an astarion romance is going to HAUNT me

just. what a profoundly intense thing to confess to someone.

like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.

in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.

how am i supposed to act normal about this.

[chihirolovebot]

on a real note that bit near the end of the video was genuinely haunting. hearing somerton talk about how gay writers are erased from history was one thing (with all the irony being that he stepped on the backs of numerous underpaid, underprivileged and uncredited queer writers to build his youtube channel) but when h revealed it wasn't even somerton's quote in the first place? the worst, most crushing sort of irony. how do you lament about the erasure of gay people and gay writers in history... whilst erasing a gay writer and taking his words as your own?

[snowyfrostshadows]

So.

We went from this for Starclan Cats:

To.

This:

Biggest downgrade of my life.

[jameszmaguire]

Wow! Oh! It's a good entrance, right?

SACHA DHAWAN as THE MASTER DOCTOR WHO (2020-2022)

Secret Santa 2023 Gift for @scarychristmas 🎁🎁🎁

[oscar-isaac]

THE COLLECTION 2012 | dir. Marcus Dunstan

[maskofnova]

Hi chat, breaking the sonic chain to post a singular homestuck post because ive been thinking about moirail dynamics a lot. Don't follow me for homestuck though probably because this is the only one thats likely to break containment aside from maybe one other WIP in the future. Or do! I'm not your dad :]

[batty4steddie]

JOE KEERY Behind the scenes of Finalmente L'alba

[bucksdaffy]

coming out as a firm 'oliver is a bucktommy endgame truther' believer like oh the way he speaks about them in his interviews? i just know he wants them to be long-term bad and i hope all his wishes come true

[volivolition]

positive reinforcement

HELLO PLEASE PLEASE VOTE FOR VOLITION IN @skills-bracket-2!! 7 HOURS LEFT!! WE CAN STILL DO THIS!!!

[corsairspade]

Celegorm but everything about him is 10x funnier because he's a chronic ainur fucker and just doesn't tell anyone about it. He looks inwards and decides marriage is between elves so deciding to roll around with maiar of the hunt is absolutely valid and not marriage. Who's ever heard of an elf marrying a Maia?

Elven polyamory may be illegal but it doesn't count if he's just ferrying kisses between Oromë and Vána- they're not elves. No, it's not hypocritical, what are you talking about. Just don't tell his father. What? No, not because of the whole polyamory thing, Feanor's just got a thing about Valar. Yes Celegorm is sure that's the only reason he doesn't want to tell his dad.

[tragicvampireromanceisland]

WELL. this started out as me just wanting to explore what their dynamic might be like, and then it turned into yuri, like. not even halfway through. what can i say!!! they're just neat!! also sadness deserves more ships!!!!!

LISTEN listen. my rationale: disgust hates being vulnerable. sadness thrives off vulnerability. sadness is blunt as all hell. disgust is the total opposite!!! they would bounce off one another so well.

they're both equally good at seeing the flaws in others, but for different reasons. a natural critic versus a natural pessimist. whereas disgust would see these flaws as a weakness, they're just...kind of there to sadness, nothing really much beyond that. i think she'd be a little confused as to why disgust tries so hard to hide flaws that are obviously there...sadness would rather just accept them. and they'd both be confused as to how they're both able to find flaws in everything so easily but react so differently to it. i think they'd be...oddly amused (and perhaps endeared...!!) by the others' neuroses and quirks and behaviors. they both kinda see the other as a bit of a loser as a result... 💙💚

[teddievan]

#KidsLookUpToThem

[rawliverandgoronspice]

Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".

I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.

(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)

To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).

But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.

[heyhellohihowareyou]

I don’t know why but the Tweels reactions to us fucking up a meal in the culinary crucible has got to be my favorite.

And idk why I just love Jade’s pouty face

[nicollekidman]

buffy knows spike loves her during season five. buffy knows spike loves her when she comes back and seeks comfort/silence in his presence. and as she comes back to herself and tries to make peace with the fact that she’s Here Again, she still knows he loves her. and i think part of the Big Bad Grabbing The Slayer For The Darkness routine they both cling to is that it allows them to pretend this huge thing isn’t between them so they can get what they both want (someone to stay).

and like obviously buffy cannot allow herself to believe that he loves her for many reasons, but she DOES believe it, she can’t make herself unknow it even though she tries so hard. which is partially where the breakdown with tara in 6.13 comes from because the cognitive dissonance of soulless spike loving her as if he has a soul while she is so lost within herself that the only way she can reach for him is to use him (which would be fine if he was the big bad grabbing the slayer for the darkness) which is hurting him! unfathomably! but he’s supposed to be the corruption! how can he??? any of it???

meanwhile spike has watched the woman he loves be brought back as a shell and he wants to see the light in her eyes and he can touch her now and sometimes that’s enough to make her laugh but he can’t linger in those moments or she’ll go away again! so he can play the role he needs to play so she’ll stay, as if he could keep her anywhere she didn’t want to be. as if he wants her to be in the dark instead of bringing him into the light. but how could he ask for anything more when he already got her back and he didn’t even need to kill her afterwards.

and so they hurt each other and he forgets himself and asks her if she even likes him and it’s too honest and he’s asking too much (he asks for nothing) so before she can throw her life away like it’s nothing, he puts the game face on, makes himself a target, and swallows it all. and she can’t unknow. and it would all be fine except he’s a vampire and she’s the slayer and how can he just say it like it’s nothing when she needs to beat his face in just to keep from screaming.