#man this got a bit long

[tciddaemina]

legacy, duty, and generations in sekiro

no but okay, there is absolutely something fundamental and foundational about the way that the different generations of character is sekiro make up part of the plot. i literally cannot understate how important this - the fact that there are multiple generations of characters - and the role of inheritance of duty between generations plays in the core themes, and the core tragedy, of the story.

because like, there are so many of the characters (of the bosses lol) who are these very old people, almost elderly, more than a few retired, who play absolutely fundamental roles within the story. we have owl, wolf’s father and teacher. we have lady butterfly, similarly a very powerful aging figure of the same generation. we have lord isshin, and even the sculptor. all of these figures, they represent old guard of a previous age of glory - a previous generation, who’s stories and legacies are fundamental to the plot. twenty years ago, lord isshin (with the help of people like owl, the sculptor, and others) lead a coup and a revolt that won ashina its freedom, making it an independent state, and the story as it unfolds is the tale of how the next generation is trying to pick up and carry on that legacy. 

and this concept - legacies being passed on from one generation to the next, the duty that the younger generation inherits and how they have to hold it up - is what makes and breaks the main characters of sekiro, namely wolf and genichiro. 

wolf and genichiro are foils of one another, both of whom are in essentially the same situation and who’s parallels are indisputable. because right, they’re both children adopted by the hero’s of that victorious aging generation, brought up to pick up the duty of their line. genichiro is there to be lord isshin’s heir, the next lord of the ashina clan, the next protector of ashina, while wolf is owl’s successor, a weapon created to continue owl’s legacy and to carry out his purpose. 

duty makes and breaks these characters. at their heart, it is their fundamental driving principle. genichiro’s duty is to ashina as a whole, the land itself, and protecting and saving ashina is his singular focus, to the point where he’s tearing himself apart to do it (his fucking arms, my god the lightning burns). he will do anything to protect his homeland, because if it doesn’t it means that he’s failed. his grandfather won ashina’s freedom, and genichiro is the one who has to step into his shoes and protect it in the next war, when history repeats itself and the same forces come back seeking to consume it. his loyalty is to a place, and in his drive to protect it drives him to do terrible things, abandoning his morals in the hopes of finding a way to protect his home, ultimately resulting in him sacrificing his own life - literally putting the sword to his own throat and bleeding himself dry - for the hope that it will be enough to summon a protector who will be able to keep ashina and its people safe. 

wolf, in contrast, has his duty centred on a person. first it is on owl, who raises him and creates of him a shinobi. then it’s on kuro, who owl presents wolf to. literally, it’s the iron code that owl gives wolf: “your father's word always comes first, your master's a close second.” at every point throughout the story, wolf’s first and only priority is in obeying kuro and seeing that he is safe. it’s his driving force, it’s what he does. wolf ultimately isn’t taking part in the war and fighting for the sake of the war itself or any morals or stances he has about it - he fights both members of the interior ministry and members of ashina’s defences, not caring what side they’re on. wolf is ultimately on his own side in the war, an independent party whose sole priority is in seeing kuro through the conflict safely. if wolf cared about the outcome of the war, or about ashina’s defence, the defence of his homeland, then he wouldn’t be ruthlessly slaughtering the main generals in charge of trying to hold the front. 

so, like genichiro, wolf is driven by a singular focus and an all consuming duty centered on one thing. like genichiro, he is willing to tear himself apart and even sacrifice himself in order to see kuro safe. this parallel, if you take the purification ending, is literally one to one, right down to the type of sword each one uses for the act. the black mortal blade for genichiro, sacrificing himself to try and bring back a glorious protector strong enough to see ashina to another age of victory; the red mortal blade for wolf, sacrificing himself in order to free kuro from the curse of his bloodline and finally allow him to live an untethered life. 

what we see throughout the story is the remnants and legacy of a brighter age, one in which the story had a happy ending and ashina’s heros were successful in winning its freedom. the tragedy of the story, the crux of it, is in the handing over of this legacy from one generation to another and the way they try - fuck, genichiro tries so so fucking hard - and fail to carry it forward. the torch is being passed onwards, only to stumble and be guttered out. 

what ultimately makes the difference between wolf and genichiro, however, is the way each one interacts with their given duty and the way that wolf (in some endings) ultimately rejects the legacy that is being handed down to him. 

because okay we have genichiro, who picks up the duty that isshin hands him and burns himself into the ground trying to carry it out. he’s so desperate to uphold his duty and to protect ashina that he is forced to walk willingly down the path to great evil - creating the ogre creatures, kidnapping kuro to try and convince him to give him the immortal oath, everything and anything to create a weapon strong enough to hold back the tide, even if that weapon is himself. he carries out his duty, and it corrupts him, and it destroys him, and ultimately it is all for nothing. 

with wolf, however, this moment comes to a climax with [SPOILERS] owl’s return. he’s carried out his duty so far, he’s protected kuro and he’s followed his orders and he’s kept him safe - all at owl’s behest. remember, the father comes first, the master second. the reason wolf first starts serving kuro is because owl tells him to, and wolf’s duty is to owl. that is the duty he’s inherited - to be a weapon and a tool, to follow owl’s commands, to be a loyal shinobi in his service.

(and there’s something to be said here too, about the fact that wolf and genichiro are both ultimately weapons picked up and shaped by their adopted parental figures for a specific purpose - genichiro as a shield that protects ashina and wolf as a blade to cut down owl’s enemies)

the thing is though, is that wolf does come to care for kuro. he develops as a person, learns compassion, learns mercy, becomes more human than what owl had created him as. when owl comes to wolf and tells him to forsake kuro and hand over the divine heir, seeking to make use of his immortality, wolf has a choice. and its here, in this choice that we see how wolf’s own journey can either mirror or diverge from genichiro’s. 

if wolf obeys - obeys that duty, follows it, holds onto it with both hands and doesn’t let go, doesn’t think, doesn’t question - then he forsakes kuro and becomes a shura. like genichiro, following his duty and not letting go leads to him walking down into darkness and becoming corrupted. he becomes a monster, nothing inside him but violence and hate, the likes of the demon of hatred.

if wolf disobeys - if he rejects his duty, rejects the legacy that owl is trying to pass onto him, to be a true and cold shinobi, heartless and without feeling - then his path diverges from genichiro’s. in rejecting his duty, he frees himself and is able to a get to an (arguably) happier end. he breaks from the iron code and rejects what owl created him to be, ultimately deciding to disobey owl and give his loyalty to another, to choose, in essence to feel and care rather than to be cold and heartless. and yes okay there are variations on what counts as “happy” as far as the severing, purification, and heading away endings, but i think we can say that in any single one of them wolf is happier than he would have been in the shura ending. (okay yes in the severing ending that’s questionable, but at the very least wolf has the absolution of having helped kuro carry out his wish and finally reach peace, knowing his bloodline will no longer be abused).  

and i think its interesting, too, that the fact that wolf’s choice to go with or against owl, to reject or accept the duty and legacy being handed down by the previous generation, hinges on his relationship with kuro, a member of the generation to come. when wofl rejects owl, it is ultimately because he has decided that holding up the legacy of those who have come before is less important than protecting the future of those who are to come. he breaks from his duty to owl in order to provide the chance for kuro to break from his own heritage and the legacy of his bloodline in turn. 

in kuro, we see the third generation entering this scene. we have the glorious vanguard of the past, those aging great heros; we have the middle generation, now grown and struggling to pick up the torch of those who have come before; and we have the youngest generation, who grow up in the shadow of it all, innocents subject to the bloody aftermath of the legacy of their forefathers. 

and i just think it’s interesting, i guess, that for all that duty plays just a driving force in the motives of the wolf and genichiro, that it is ultimately only through rejecting duty and the burdens of the previous generations and choosing to walk his own path that wolf win a chance at happiness. in a story about inheritance, it is in the rejection of the path set out before you by others and in creating a path of your own that the story tells us we will find salvation. 

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[ender1821]

im a child of divorce

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[fallenclan]

I don't know if I've ever had a cat with Carrionplace Disease before, but looking into the code, it seems to have about the same rate of survival as redcough. that paired with the fact that Honeysuckle is 177... nobody get too attached lmao

First Prev Next

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[e-likes-bones]

back again w/ yet another request, this one’s from another platform but it’s beach bear!

also the frog, everyone’s here for the frog ofc

[minamill]

Family album

details under the cut

[luck-of-the-drawings]

my TWO FAVORITE THINGS IN THE WORLD, VAMPIRES N COWBOYS... deacon keller is SUCH a fun character, hes charming and funny but ALSO formidable and STRONG when he feels he needsta be. i hope him and arthur can get a chance to talk more and be better friends. l ike really good friend s. . like. like really good f. hangon i gotta go i think i hauve rabies.

[shadebloopnik]

This is gonna sound SOOO off or smthn but

Was the Perfect Family Harmony planned to be a weapon against the Bergens?

Long post ahead bc brain is rotting

Ok so as we know, the Perfect Family Harmony is smthn that's so powerful that its capable of shattering diamonds. Not just that but its one of the only thing capable of doing so(according to Floyd it was the only thing but giving the benefit of the doubt)

So we know its strong, and we saw it blasting off Velvet and Veneer off their platforms when they performed it, and they weren't even the targets, they were blasted away by just the shockwave that came with using it.

"Its that powerful."

Ok, so its definitely powerful enough to be used as a weapon right? Yeah it was relatively safe enough to use in front of a crowd, else they wouldn't have tried to do it during a concert, but that could just be when those harmonizing aren't targeting anything.

If it could shatter diamonds, how easily could it break cages? What would it do if it was used to target a Bergen? A whole Kingdom of Bergens?

Lets also go back to that concert, to that time John was obsessed with them getting it right. They were in the Troll tree, in Bergentown, a place where any of them could die during Trollstice. The Bergens were a huge threat, something that trolls, at their size, couldn't fight back against normally so they had to run instead right?

But what if they COULD fight back? What if they had a weapon so powerful that it might finally be able to free them? To defeat the monsters that tortured their kind for centuries?

What if John Dory found a way to help make sure nothing would threaten his brothers' safety ever again?

Like, it'd make John Dory's obsession make SOOO MUCH MORE SENSE

Like yea he clearly has OCD and anxiety and some bossiness and that definitely added to it all, but imagine if it was more than that?

Look at him during that performance. He was in deep. He had a wild look in his eyes, a sort of deranged obsession to have everything be perfect no matter what. It wasn't healthy, it was scary, maybe even downright terrifying for his brothers who had to be subjected to it.

But you know what else he looked like?

Terrified

Man was scared out of his mind. His anxiety and stress levels were through the roof. He probably was one wrong tune away from hyperventilating.

What if it was bc it was so much more than the fans? What if he put the salvation of the entire troll-kind on his shoulders?

One wrong step meant they were nothing.

One wrong step meant disappointing the fans.

One wrong step meant letting down the kingdom.

One wrong step meant another troll getting eaten.

Thats why when they failed, John blew up. He took all of that self-hatred of failing to use that weapon to defeat the bergens and poured it all onto his brothers.

"I know we can reach the Perfect Family Harmony."

"What if we don't want to."

John Dory, blind to how and WHY his brothers didn't want to follow his lead, felt betrayed.

To him, all he's ever done was to ensure their safety, everything was for the greater good. He'd done everything he could, his goals slowly twisting him into a crazed obsession. To hear his brothers say they didn't want to help anymore might've struck a cord too much. If you'd noticed he actually looked really sad and hurt when they started bringing up how much they hated being in the band, but it slowly twisted to anger instead. Kind of in a like, "I tried doing everything for these shts and THIS is how they repay me???" way. He was so stressed and stuck in his own head with his failures that he just couldn't see what his brothers were trying to say.

So in a fit of impulsive rage, he left. To him it probably was like that rlly childish way of saying "Yea im leaving, good luck dealing with the Bergens while im goneee." You know? Like how kids runaway from home when they get angry or upset over every little thing but come back when they realize how stupid that was?

"Im not allowed to change."

And he DID come back. Who knows how long, but he did. Imagine how he must've felt seeing their empty pod in an empty tree, with the knowledge that he could've done something about it. The Perfect Family Harmony could've saved them. They could've used it to break the cage, to fight the Bergens. Hell, it could've been powerful enough to wipe out all the Bergens if they do so wished.

"Im the oldest, I have to be the leader."

He and his brothers were the only ones who'd ever gotten close to getting it right.

"Why do you think I moved into the middle of nowhere? So I didn't have to be in charge of anyone."

The village was counting on them. Counting on him. He let them down. He failed.

"Freeing the village Four little brothers is a lot of responsibility."

They could've gotten it. If only John did it right. If only John did it differently.

If only John Dory was Perfect

[freakbullet]

the very best time to wear a pink sweater... is all the time

top five trends that should make a comeback: pink sweater gaster reblog chain. hint hint

[sleep-nurse]

remember null? well after lore progression and violence he regained his true self now

say hi to narrow (or, nicknamed by hana, anguria which means watermelon in italian)

lore rambling in the tags because i'm not assed to write it here

[jtl-fics]

Fluent Freshman - Part 44

PREV

The flight up to New York is a pleasant one.

The time in the airport itself had been less pleasant. Matt, as it turns out, is a firm believer in arriving with just enough time to check a bag, get through security, and get to the gate. He had claimed up, down, left, and right that he had it down to a science.

No matter how many times Smith had wondered about the scientific rigor of this 'science' he still kept it to himself. There was no need for Smith to voice his uncertainty with this plan because Kevin well and truly had it covered.

"You're giving us only an hour to check bags, get through security, and get to our gate?!" Kevin demands.

"Kevin, if you wanted to be there earlier then you could have asked Andrew to give yo a ride." Matt says. "We'll be fine."

"You know what Neil and Andrew get like when they have a long roadtrip ahead of them." Kevin argues.

"All lovey-dovey?" Nicky asks as Aaron makes a gagging sound.

"No, well yes, but no they always stop and buy all of the worst food too." Kevin reminds. "I'm just concerned about us missing our flight! We have barely enough time!" Kevin huffs crossing his arms.

"You're wrong anyways." Aaron says idly as he continues to text with Katelyn.

"How am I wrong?!" Kevin demands.

"We also have to park within that hour that Matt has left us with." Aaron says looking up from his phone.

"Matt!" Kevin squawks.

"It'll be fine." Matt reassures for the 2nd time.

"We all have checked bags!" Kevin exclaims, "What if we miss our flight?!" he wails.

"It'll be fine!" Matt repeats.

"No it won't!" Kevin exclaims.

---

It was fine.

The only real delays they met were at security.

Smith prided himself on being efficient in the security line. He has his watch off, his phone and ID secured in a zipped jacket pocket, his backpack and electronics in separate trays, and his shoes ready to be slipped off.

So he was shamed to have been the cause of the first delay when the TSA agent wouldn't wave Smith through the metal detector since she didn't realize he was there. That had been a whole anxiety attack and a half as the line had formed up behind him all wondering what the hold-up was.

Finally she seemed to startle as she realized that Smith had been standing there waiting and waved him through.

The other delay was that Kevin got patted down after he had forgotten to empty his 'emergency' water bottle.

It was probably for the best that they didn't have to be in the airport for that long. Every announcement that it was very important to not leave your bag unattended made him worry that with every blink somehow someone had slipped a bomb into his backpack.

While it was on his back.

As he was running with the rest of his friends to their gate.

"It just had to be the gate on the other end of the terminal." Aaron huffs.

"It would have been 100% perfect if someone hadn't left their water bottle in their bag despite the, let me check, 3,820 signs that said remove all liquids from your carry-ons!" Matt says as they continues to run.

"I said I forgot!" Kevin yells back from his spot at the front of the pack. Smith was under the distinct impression that Kevin was keeping pace with them since he had seen the Striker move much faster on the court and during warm-ups.

"We could have forgiven that!" Nicky pants, "Why did you have to slam the whole thing to prove that it was 'just water'?" he asks.

"Because I wanted to prove I wasn't a national security threat!" Kevin says. "I'll be going to the Olympics in a couple years and I can't have that on my record." he continues as he rounds a corner.

"What record?!" Smith asks suddenly worried that there was a record.

"Smithy, there's no record Kevin's just an idiot. An idiot who got patted down, tested for explosives, and had his carry-on searched." Nicky huffs.

"You don't know that there's not a record! The record everything nowadays!" Kevin huffs and their gate is in sight.

"Kevin, just shut up!" Aaron exclaims as they reach the line for their flight.

"Wait why aren't any of you getting shitty with Smiths?!" Kevin asks.

"His delay was like a minute and more importantly NOT HIS FAULT!" Nicky defends.

"He should have just walked through!" Kevin argues.

"Oh it's fine if he gets a record but not you?!" Aaron asks.

"So there is a record?!" Smith asks again.

They reach the line and the largely empty area around their gate is more than enough evidence that this was the final boarding. Smith breathed a sigh of relief as he took his place in line behind Nicky.

"The lines pretty slow, I'm going to go get a water." Kevin says and before any of them can say anything he is off towards a busy looking Newsweek store.

"I cannot believe him." Aaron huffs.

"All that water he just drank and is about to drink? He has lost window seat privileges." Matt pants wiping sweat from his brow.

"Agreed." Nicky says.

Smith laughed between panting breaths. His stomach hurt a bit from the stress of running but it was fine.

They get on the plane without Kevin and head to their seats. Most of the overhead storage is taken up at this point but Smith slides his bag under the middle seat in front of him after Matt

In the end, Kevin barely made it onto the plane in time since he got caught up in deciding on water. "You're in my seat." Kevin says as the only man not yet seated.

"I am not about to spend this flight getting up every 2 minutes because you have to pee." Matt says, "Abby didn't used to need to take all those pitstops when we're on the bus." Matt adds.

"I hate the aisle, the cart could hit my legs." Kevin argues.

"Then you can sit in the middle if Smith's willing to move." Matt says.

"You can have the middle Kevin." Smith offers actually preferring the aisle seat since then he doesn't have to ask anyone to move for him.

"I hate the middle seat, there is no room." Kevin crosses his arms.

"Smith is like only 3 inches shorter than you and he's not complaining." Matt continues.

"It's an important 3 inches."

"I bet it is."

"Nicky, are you serious?"

"What?!"

"There is an uninvolved member of the public, right there."

"He's wearing headphones it's fine!"

---

It's fine.

Eventually Kevin takes the middle seat if for no other reason than Matt stubbornly pretends to go to sleep but absolutely does not want the aisle seat either.

Smith gives it up and ends up with his own preferred seat while Kevin pointedly takes both of the arm rests, as is his right. The plane ride progresses smoothly from there. Smith has always liked flying. There is always a sense that the second that he gets onto the plane and the door closes he has absolutely zero control over what happens afterwards.

That is a nice comfort.

He pays attention to the safety briefing, finds his nearest exit, and that he should secure the bag over his own face before securing it on Kevin's.

He puts his headphones on and tries not to think about the anxiety of meeting the 'girls'.

He has heard much about the 'girls'.

Allison Reynolds. Allison was someone who's legacy existed even outside of the team. Smith didn't know much about fashion but a Reynolds bet remained a solid practice within Palmetto. She was, undeniably, absolutely gorgeous and if Kevin was to be believed 'kind of a bitch'. Nicky had swatted his arm but had said that it was not entirely inaccurate but like 'in the best way'.

Dan Wilds. He met Dan. Dan was nice. Also, if Matt was to be believed, the best human to ever walk the planet earth. The reason the sun rose in the east and set in the west. The gravitational pull that held the universe together. If Andrew is to be believed, she's fine.

Renee Walker. Renee was the one who taught Andrew how to use knives. His friend has talked warmly of her, in the way that Andrew talks warmly about anyone which is mentioning them at all. She was the one that Smith was the most anxious about meeting.

Kevin turns his nose up at the ginger ale that Smith gets but he's allowed these now per his actual doctors orders.

1 hour left until arriving at JFK.

He hopes this ginger ale is enough to calm his stomach since he's still not allowed Pepto.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

NEXT

[platinum-roulette]

My hand slipped