#man I am TORN on getting those tarot cards
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shadowxamyweek · 1 year ago
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This piece was made for @shadowsfascination! They are a close friend of mine and a wonderful person all around. They've also been a tremendous help in not only organizing ShadAmy Week, but the ShadAmy Zine!
All of the pieces used to make the base for this doll come from @animatedglittergraphics-n-more
The pixel art of Amy herself comes from MFZ
The art on the card I did myself! Really happy with how that turned out!
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rexaleph · 2 years ago
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It's spring, I suddenly have desires and care about perfume.
Once again this is not the post I've been sitting on (the fruit one), I just thought abt roses again. The idea I'm coming round to is that I maybe I really started off on the wrong foot with roses and florals in general years ago by trying Amouage's Lyric Man and Reflection Man. They're two widely beloved what I'd call "feminine style" (not lavender or geranium) florals marketed at men, and represented the kind of androgyny I was comfortable with at age 25 or whatever. 25 y o boys ofc is like not at all the age group Amouage tends to be interested in appealing to lmao. So really not getting along with those two perfumes might have prejudiced me against flowers, and only by ciruitously exploring things i'd see spoken of as atypical florals and each time thinking "yeah, but I wish this was prettier", did I realize that my thing about not liking flowers was another story I told myself about the kind of person I am, and those need to be torn down with extreme prejudice.
So in my rose post from 2 years ago I mentioned that really Mendittorosa Le Mat belongs in the lineup of known roses, but I didn't think of it as a rose because I guess I didn't know what those were.
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Or the issue was probably that I didn't spend enough time with it, because Le Mat opens just not smelling of rose at all. The vibe is potpourri, dry flowers and herbs, which is I think what immortelle does. It's a controversial note I feel like a lot of people don't get along with, and I won't say I love it in the opening of Le Mat. However I can see it being necessary to the middle stages, as it slightly recedes to make room for a sweet high-pitched rose, framed by dense scratchy spices. I'm a clove hater because clove usually overpowers most other things for me, but here I couldn't actually pick it out. Nutmeg, pepper and patchouli I can see, very dry, earthy, a little bitter and sour (immortelle again I think), but sweeter and friendlier as it wears on, though it never stops feeling rich, dark and complex. I think Le Mat is what I want a rose to be: a big statement. Gorgeous, heavy, romantic, the association for me is actually pre-raphaelite art - opulently pseudohistorical, where it makes me feel a little silly for falling for what it does. If I could have one this would be my Mendittorosa, and it might also be my one rose. Which is funny given how previously I said that abt Rose 31, its polar opposite. However! Even in the other rose post I was very frustrated with the vibes on that one, the whole luxury minimalism thing is repulsive, whereas Le Mat is aesthetically irreproachable.
The bottle of course is gorgeous, love the little crate with the tarot card it comes in. I so badly wish Mendittorosa made small beautiful bottles, even 50mL, but ideally like 30. Le Mat at least comes in a 10mL travel spray, which I want to get eventually, but it's just not the same. Perfume is already such a stupid thing to spend so much money on, and I like to be kissed when I'm getting fucked. I'd pay like twice the price per volume if I could just get something that looks like their 100 mL bottles in a size I'd have a chance at using up. But also I could see living with Le Mat the way I do with Vierges et Toreros now - as my one big bottle of a beautiful, loud, truly beloved perfume alongside a parade of more or less interchangable trial volumes. Which is another thought I've had - it's really not justifiable while I still have VeT because they speak to a similar mood for me. "We have VeT at home" is a thought I have every time I start wanting all kinds of things (leathers, animalics), and if I ever run out I'll be so tempted to replace it with like 5 different bottles.
So given that I can't quite justify Le Mat I've been looking around for a bold rose that would fill a void the shape of which I don't even really know, and settled on trying Masque Milano Love Kills for 3 reasons. 1. Their Russian Tea is one of the leathers I would really want if I didn't have VeT, 2. They make small sizes, 3. There's a Freddie Mercury song with that name, mostly considered embarrassing 80s trash, but I love it.
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Sth very silly about "W. Shakespeare" to me, but whatever. So because of all the circumstances I really want to like Love Kills but idk that I do. In the opening it has a strange stinky sour musk note that puts me in mind of Byredo M/Mink (not even body odour but like... raw meat or blood, not rotten but on the way), which I enjoy a lot in concept, though maybe less so in practice. There is a weirdly textured quality to it, a cottony feeling in the back of the throat. Reviewers call Love Kills a cold metallic rose, which might be what I'm interpreting as blood. Smelling my skin up close in the first half hour or so I only get the strange bloody musk, but I just walked through the area where I sprayed it, and what hangs in the air is a very straightforward rose scent, which is also what I get smelling my arm at a distance. The rose starts out sharp and sour (geranium?), but turns sweet and straightforward quickly enough. I wore it twice last week: first very carefully bc of the intense opening and it was fully gone within a couple hours; the second time I put on a couple sprays and halfway through the day I ended up with a syrupy, a little lipstick-like rose scent clinging mostly to the inside of my clothes. Which like, another thing I want from my rose is intensity, and especially with that name Love Kills going meek and generic really feels like a letdown. Still, I'm happy to have a straightforward rose to go to in place of both Rose 31 and Moschino Toy boy (which I have reconsidered btw, it's not half bad when applied with a light hand), and I kinda like how it has the weird agressive opening and then turns attractive and easy to wear in a best-of-both-worlds way.
But it isn't what I wanted, not that I know what that would be. Anyway, Portrait of a Lady.
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She's a lot. Very aggressive scratchy opening, patchouli-forward, bitter and waxy up close, but intriguingly sweet and complex when wafted over from further away. The early mid-stage triggered a strong association I couldn't immediately put my finger on and turns out it was the wine accord from Liquides Imaginaires Bloody Wood . Feels like blackcurrant/raspberry (juicy tart) + patchouli (bitter earthy) make for a fruity-tannic red wine effect, very cool! (Next to each other the two aren't actually that similar, Bloody Wood straightforwardly smells like wine on purpose, much lighter and not that much of a rose, though I should really revisit it more purposefully). As it settles, Portrait of a Lady becomes much friendlier and sweeter, and more obviously rose-dominated (a theme for all of these). The dry spicy borderline cacophony (clove, cinnamon, sandalwood, patchouli) recedes, incense becomes noticeable for the first time. The rest of its wear time it is a very attractive sweet incense-rose, much closer to the skin. This is the stage where I can see all the stories of people like getting compliments from strangers and being followed around in public. This is what the drydown of Lyric Man wanted to be but actually successful. I won't say I buy the hype 100% but Portrait of a Lady is for sure very beautiful. It is also very much in the vein of Le Mat to me, but ofc makes for kind of a silly replacement because it's like 1.5x more expensive. Though tbh I really like the Frederic Malle 10mL travel sprays bc they're not an aesthetic downgrade from the big bottles. I actually just bought Une Fleur de Cassie as a birthday present to myself because I wanted a floral for spring, but make it strange and melancholy, and got the little PoaL sample along with it (and a couple more things) because I happened to be thinking abt roses at this time. It's good to know that so far I like Portrait of a Lady but I'm gonna have to spend some more time with it, and especially consider it in comparitson to Le Mat. FIrst thought is they are redundant but I like Le Mat more.
Here I was gonna talk abt ELDO's Hermann A Mes Cotes Me Paraissait une Ombre because I'd brought it up in the old rose post as sth that I just didn't recognize as a rose alongside Le Mat, but it still doesn't feel like a rose lol. It's a cold tart peppery wood to me, nothing to do with what I'm looking for wrt roses. Something to revisit for another rose might be Bloody Wood, iirc what's left after the wine impression fades is a faint woody rose, but when I was comparing it to Portrait of a Lady yesterday I didn't even catch that stage before it was fully gone. Longevity is kind of a known issue with Liquides Imaginaires, especially with the interesting fruity ones I was looking into (Bloody Wood, l'Ile Pourpre). I also really want to try Talento by Mendittorosa, seems like it's the exact opposite of Le Mat (cold and airy) from the same house so that's interesting, and Santal Majuscule by Serge Lutens for hopefully another dry subdued woody rose. Also I smelled Byredo Blanche and Diptyque L'Ombre Dans L'Eau in a store once each, found them disgusting and both gave me a headache, but I'm super curious if I'd feel different if I were to test them now. I haven't managed to come around on Lyric, and the two of them are also hugely popular "clean and fresh" roses, so who knows. Like generally having a rose perfume is not a huge priority for me, I'm just excited about learning to appreciate a family of scents that's still new to me after years of exploring perfume.
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ashintheairlikesnow · 4 years ago
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Are you Christian? You usually seem very negative about it with Jake but Nat talks Bible stories and you own a Bible?
There are a few things to unpack in this ask, and I’ll try to touch on them all. 
CW for frank talk about religion/Christianity, child abuse, domestic violence
1. I was raised in a very conservative rural Christian community in which the closest I came to knowing an open atheist before I was in high school was that my best friend’s family didn’t go to church. It was the kind of conservative Protestantism where my friend in high school being Catholic was cause for commentary by my extended family, who were concerned that if I attended church with her I might get into “idol worship.”
I wanted Card Captor Sakura tarot cards once because I thought the art was beautiful and had a family member threaten to burn them.
I took Christianity for granted as the foundation of the world until I watched it used as a cudgel against the people I knew who in some way did not fit a mold that made no sense, and I became aware that the strictures I was living in were subjecting some of the people I loved to utter misery, hatred, and violence. This is before I was able to even conceive of my bisexuality. 
The older I get, the more I see how the American Christianity I grew up with is merely a weapon, twisted and corrupted from the very words that its adherents claim to most believe in, used to excuse and justify bigotry, selfishness, and cruelty. Learning about the history of Christianity used as a weapon during colonization did a lot, too, to make me see that what I read, and learned, in the Bible was not Christianity as most of its adherents understood it.
Would I identify that way now? I don’t know. There is such a weight of negativity, when we have watched those great and pious Christians support tearing children from their families, executing prisoners, justifying all those things they once taught us were unforgivable sins unless you repented, and selling the soul of the national Christian to gain a little power and a justification for their own bigotry.
If you shall know them by their fruits, there are a lot of rotten fruits.
There is a lot of good in Christianity, but it has lost so much ground by catering to the worst and refusing to stand up for those who need love most. The very people we are called to hold our arms out to are turned away for the tiniest, flimsiest, most ridiculous reasons.
The person I have known in my life who most embodies Jesus is an atheist and she is working herself to the bone trying to serve undocumented communities along the border in Texas, despite a consistent risk to her own health from the violence she is routinely threatened with.
2. I don’t really think the comparison of Nat to Jake is a fair one. Jake grew up in an abusive environment, and his experience with church was a congregation that turned away from the obvious signs that he and his mother were being abused. 
Jake experienced being told his father was the ‘head of the household’ and he should be more respectful. He experienced his father’s bullying, violence, and homophobia. He experienced his mother being told that she should try to “steer” his father away from abusing her, or be more faithful, or call on God for help, when the people who could have helped her chose not to.
He saw his father wear the mask of an affable family man, and how everyone chose to believe the mask, because it was easier for them if they did not see a woman and her son who desperately needed a way out.
Jake’s experience was, as a whole, a deeply negative one. And if you think it’s not true to life, I would challenge that you are ignoring a lot of stories of very real people who have experienced and survived this exact thing.
While I have not modeled Jake on a single person, every aspect of his upbringing, right down to being told that if he respected his father as an authority more that the abuse wouldn’t be so bad and being sent back to his mother when he got old enough to fight back and couldn’t be used to control her from afar any longer, is something that happened to someone in real life.
A lot of these things are hidden - but they are still real.
Nat, meanwhile, has a background of some similarity to my own, in that nothing was perfect but the church was not inherently negative in her life, it was simply part of the foundation. She has a lot of joyful memories of her childhood in church.
A lot of us are walking around who may not attend church, at least not regularly, but who were raised on Bible stories that we can still recite word for word even a decade or two later, and who can sing whole songs from Veggie Tales, who could right here and right now burst into “THERE’S A RIVER FLOWING DEEP AND WIDE” at the top of their fucking lungs. You want to hear about Jacob wrestling with God? I can recite parts of it from memory. I can sing “It Is Well With My Soul” right now. How Great Thou Art, all the old hymns, they’re still in my mind and my heart and I still find so many of them beautiful. 
I still think of Bible stories when making comparisons, sometimes, because it’s very much like any memory - your mind pulls on the strongest associations automatically, and our childhoods are foundational. 
So, yeah, Nat thinks about those stories and what is left between the lines, because they’re part of her identity, no matter how she lives, now. She also tells Jake, when following the ambulance to the hospital, “we take the hand that God deals us and we hope for the best”. 
I would argue Nat has retained some faith in God as a force of good, but she has retained a faith that requires her to do the hard work, make the hard choices, and stand up for the ‘least of these’ rather than hoping someone else will, rather than waiting for someone with more power or more authority or more money to do it.
Nat is my view of the ideal Christian - imperfect, prone to mistakes, but her compassion knows no boundaries, and she will stand up for the weak ones, and those who need her, even at the cost of her own freedom and life if necessary - but she doesn’t sit around proclaiming it, she doesn’t need the world to know it, she only needs to show through her actions, be known by her fruits. She fucked up before, sure, but she’ll spend the rest of her life working to undo that failure and how it hurt so many people she could never have understood at the time, with the information she had available to her. If I had to pick a song to define how I see Nat’s view of religion, it would be Dear Me by Nichole Nordeman.
If Jake kept any shred of positivity towards religion, it would be because of living with Natalie Yoder, who actually quietly lives out all the shit that other people just say really loudly while publicly supporting the opposite.
They’re different people, with different life experiences and therefore very different ways of looking at Christianity - and neither one of them is me, not fully. Neither one fully reflects where I am, in my own beliefs. 
I understand them both, but I am not my characters, and I don’t want their mindsets or beliefs to be taken as mirror reflective of my own, because they aren’t.
3. For the record, I own five Bibles. Three were gifts, two I bought myself a long time ago. The archeology Bible I bought myself and I still fucking love it, it’s cool just from a history nerd perspective even. I have never thrown a Bible away in my life, and I don’t get rid of them. 
It’s just a superstition, I guess, but I’ve never been able to. 
When my father died, he had something like seventeen Bibles, many deeply worn and torn. I can’t tell you how we agonized over what to do with them, because throwing away a Bible seemed so deeply wrong. We had to sort of gin each other up to be able to throw any of them out, and we still kept some.
But, yeah. I own a few. 
I think you are likely to discover that a whole lot of us raised very Christian still have Bibles in our houses/apartments, whether we currently practice or not. 
Some of us may only have them for still-religious family members to see, to hold off a series of questions we don’t want to answer. Some of us have them because they’re just part of our lives, like the walls and the kitchen faucet. Some of us still sit down to read them, sometimes, because we still feel moved by the stories that lived in us first.
Some of us keep them for all those reasons and more.
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alpaca-writes · 4 years ago
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I have this habit of being very detailed in writing- hopefully not too much that it bores anyone to death. Personally, I love detailing OC's and as many aspects of them as I can before exposing these poor things to pain- almost like a slow-burn for torture, I suppose?
But then it occurs to me as well that maybe I'm just writing a normal story, with villians and heroes and anti-heroes but with more emphasis on the pains they go through.
Oh well, here is my newest creation-
CW: None quite yet. Some strong language, I suppose
MYSTICS
CHAPTER ONE: A NEW JOB
Lyrem Nomadus busied himself, flipping through resumes that bored him half to death and then a little more. Usually, he wouldn’t dare to look for anyone to share his space with. The business of curating, refurbishing and selling occultic items was dreadfully interesting to the general public and the last thing he was looking for was someone new to devalue it with their own useless knowledge and presumed ‘psychic’ abilities. The last two days were full of just that. He pinched the bridge of his wide nose as a mild headache came on- the last interview was a particularly painful thought.
A young man, with a heavily freckled, pale face, and round framed glasses poured over his collection of rocks near the front entrance, started spouting nonsense that Lyrem had little patience for.
“Ooh, malachite. I heard that stuff’s toxic, y’know,” he spoke with little regard for Lyrem standing near the cash register- an old charcoal grey thing with large buttons and made a noise like a classic ‘ka-ching’ just before the receipts printed out and the drawer popped open.
“Hm,” Lyrem hummed unamused, hoping it would prompt some style of professionalism from his prospective interviewee. It did not.
The young man continued to look around the store, finding one hematite pendulum specifically fascinating. Then he found his attention drawn to a display of elegantly designed tarot cards. The young man picked one of them up, studying the hierophant with mild interest.
“Please do not touch the merchandise.” Lyrem cut in.
The young man placed the card back down on the glass shelf, slightly askew to the rest on display. He cleared his throat and approached the register, finally.
“Did you bring a copy of your resume?” Lyrem asked him, knowing what the answer likely was, as there was nothing in his hands. He wore a long black trench coat over ratted, torn jeans and a plain tee shirt. There was one chain dangling from a pocket somewhere.
“Yessir,” he answered.
Oh, perhaps this boy had a hope after all.
After reaching into his back pants pocket with effort, the resume was presented, folded into six sections as a single piece of paper. A folded and clearly used napkin fell out onto the floor. Lyrem breathed deeply, took the folded resume, and smiled.
“Thank you for applying, but I am afraid you are not quite the right fit for this position,” Lyrem didn’t bother opening the paper, and instead tossed it over his own shoulder. It landed directly into the bin behind him.
“I-I’m sorry? You haven’t interviewed me yet”- his eyes widened with the confusion of the sudden rejection.
“Hm. I have interviewed you plenty, and I tell you now, I’d have a mangey dog run my store before you.” He didn’t mean for his tone to be so casual. Lyrem blinked.
The poor boy took a moment to process the insult before glaring across at the owner of Mystics ruthlessly. Suddenly, his fist pounded the desk, sending a short tremor through the wood.
“Anybody with half a brain could do this job! For fuck sake’s, man!”
Lyrem looked at him with a simple eyebrow raised and cocked his head toward the door. He was tired these days. The less he chose to care about children’s tantrums, the better. The boy left in a huff, and clearly, he tried slamming the jingling door behind him as he stepped out onto the street, but the spring against the top disallowed such havoc, and bounced slowly back. It closed finally with a light click, and the young man was gone.
Releasing the pinch from his nose, Lyrem sighed. He didn’t know which one was worse, that boy who left a trail of disrespect in his wake, or the woman from the previous day who was convinced that she could speak with his mother in the afterlife. The sullen woman wore gems aplenty on her fingers and hanging from ropes and chains around her neck. The wire wrapped amethysts in particular, caused her to look like an easter egg more than a living person. She didn’t take it too kindly when he explained that the stones around her finger were not a genuine turquoise either. By the end of it all, she was rather happy to be finished.
He shuddered, remembering the strong scent of patchouli she left that seemed to linger within his store, even now.. He didn’t have an aversion to patchouli, or to amethyst or turquoise, or even easter eggs… at least he hadn’t one before two days ago.
The rest of the applicants were all the same. Wanted a job, wanted something easy, and for experience- and all the time, Lyrem would ask himself: “experience for what, exactly?” Instead of asking the question aloud, he’d thank the person, and politely send them on their way out, with a promise to call them when he had made a decision.
He wasn’t planning to call anyone.
It was a Tuesday afternoon. The streets would be bustling past four, and if he wanted to avoid it and give himself a break from the eye strain, he would need to go for his coffee now, or not have one until after six. The horror.
He flipped over the sign on the door. It was one of those apologetic ones- as though it would stop a person from throwing a brick through a window for being closed on a weekday. Lyrem locked the door and turned to his right. There was a small local place not far from the corner of the intersection that he had grown accustomed to. If they had the raspberry scones today, he decided he may take one of those as a treat. Lost in thought, he crossed in front of a small white car making its left turn. The car stopped, though no horn was sounded as the engine suddenly died inexplicably next to him.
Lyrem walked around the car and poked his head through the passenger-side window which was open for the cool breeze. The driver looked back at him, his hands gripping the wheel too tightly.
“Pedestrians have the right of way, you know,” he mentioned calmly. Then, he tapped the top of the car twice. It restarted. “Drive a little safer, now.”
The driver suddenly remembered that the car was still in gear, and he moved along, crossing the intersection and left Lyrem behind like everything he had just done was part of some fever dream. He chuckled lightly and turned back down the block.
It was a sun-filled day, without a cloud in the sky, and it was a warm one too. Despite the fact that it was still early April, and the city had only just started waking from its hibernation from the cold, the streets were filling quickly with people.
His coffee took a while, which he forgave only because the end result was quite often a perfection, but he was nearly pouting at the counter as the spot for raspberry scones were replaced with one with blueberries instead. Losing his appetite, his eyes drifted around the rustic establishment. The sounds of a classical guitar filled the room with the unmistakable talents of the virtuoso, Andrés Segovia. It was a nice change from the sounds of folk rock and boy bands. The coffee shop was only getting better and better with age, it seemed.
Against the wall, a cork board was decorated in haphazardly placed notes. Some notes were simply inspirational or funny, some were searching for students for taekwondo or guitar, advertisements for plays and musicals at the local theatre were spread along the outer edges begging to be noticed, and there were a few job postings as well from other nearby establishments, restaurants, including one from a pet store.
He shouldn’t have tried putting an ad on Kijiji at all- not when the perfect people were right here all along. Like Icarus, Lyrem flew too close to the sun, and was burned by the troubling rays of stupidity that came through his door from delving into the ruddy depths of online job hunting. Never again would he make such a mistake.
“Lyre!”
Nodding, he retrieved his cup, and turned back toward the door. He nearly collided with another person, standing close up to the cork board and huffed, not spilling a drop.
“Excuse me,” he muttered.
“Apologies.” The person gave him little notice, but moved off to the side with ease to allow him through.
He furrowed his brows. What was it that was causing him to pause just before reaching the door? There was just… something… off.
It took him a moment before hearing it- the faintest humming to Segovia’s España, Spanish Dance No.10 in G coming from the person who apologized to him for being in the way. Each note timed perfectly to the sound from the speakers in the corner. He turned his head, to a particularly high note, the humming stopped to be replaced with fingers tapping in unison to the notes against their thigh.
“Guitar?” He asked, suddenly beside them. He studied the board also.
“No,” they replied. “Just looking for a job.”
He nodded, grimacing. Raising his hopes one final time, he ventured.
“I have potential work for you. I am hiring at my store’s location down the street. If you are interested.”
“That seems coincidental.” They replied unemphatically sifting through the other job postings there, knowing they were not currently dressed for success. “What store?”
“Mystics. It’s along twenty-third and”-
“-seventeenth, yes, I know the place.”
“Then you’re hired.”
They stopped, and brought their hands down from the board, and turned to stare their deep brown eyes into his of deep hazel- to finally spare a glance to the person wanting their attention.
“I don’t have time for practical jokes- or human trafficking, for that matter,” they said with insistence.
“I’m not joking, and I am definitely not in the business of human trafficking”- Lyrem stuttered incredulously. “I thought you said you knew the place.”
“I do.” They replied. “I’ve just never been in. It’s just one of those ridiculous shops for people to waste their money on colourful rocks. There’s literally a river just under the bridge half a mile from here- infinite supply for none of the coin.”
Taking them by surprise, he laughed.
“You will be the worst salesperson.” He said. More seriously, he added, “look, I really am in need of a person to take care of a few evening shifts and the weekends, I pay well above the average rate for any local retail store, and I’d be able to supply you with health benefits.”
This sudden bargain seemed to be interesting enough for the person to distance themselves from the cork board.
“I’m still finishing high school- under eighteen- is that a problem?” They asked. “It’s been a problem everywhere else”-
“Not a problem.”
They nodded.
“When do I start?”
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diavohno · 5 years ago
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the brothers as a card from the major arcana
alt title - I’ve been learning how to read tarot cards and want to flex my knowledge a lil bit
note; these are a mix of general definitions of the cards along with some of my own ideas, so they may be slightly different than other definitions you may have seen
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Lucifer - The Emperor (sometimes Reversed)
The main idea surrounding The Emperor is the idea of structure and discipline, which Lucifer exhibits frequently throughout the story. His role as the eldest really primes him for such a position of authority amongst the brothers, and typically he bears that weight well. 
However, there are moments where his actions and decisions step beyond structure into a something more controlling and rigid, hence why I believe he may sometimes switch between Upright and Reversed.
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Mammon - The Devil
The man represents The Devil through and through. The Devil is a card of excess and addiction, but also the playfulness of relishing those traits. Essentially, desires run rampant with little to no regard towards morality or ethics. 
As the Avatar of Greed, Mammon embodies that. When he wants things, he’ll get them, regardless of the situation that it may put him and others in later simply because he lives for the instant gratification that sating those carnal desires brings.
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Levi - Strength Reversed or Judgement Reversed
I’m torn between the two because they both have some overlapping traits, and the trait that I’m most focused on for Levi is self-doubt. In Judgement Reversed, self-doubt stems from overly criticizing oneself and incorrectly passing judgments, whereas self-doubt in Strength Reversed comes from a lack of inner strength and harmony.
Levi struggles with self-doubt throughout the entire released story of Obey Me. He frequently belittles himself, and his envy of others is displayed through an inferiority complex, which is what caused his outburst when MC had beat him in the TSL Trivia Showdown. Levi couldn’t stand to have one of the few things he considered himself adequate with taken away from him and was ready to to anything to keep it.
Because I’m picky and don’t want to put in Strength again, I’ll insert a picture of the Judgement card as I feel like Levi resonates with that one slightly more
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Satan - Strength
Strength symbolizes inner strength and self control, as well as a balance between two powerful forces. We are all well aware of the control Satan has over his wrath (which is actually a really interesting plot point that should be explored further but I digress) and that he is almost always in some state of masking his true feelings.
That takes an incredible amount of self-control and inner strength. Wrath itself is such a strong and intense emotion that it must take a lot of will to contain it; hence, the Strength card.
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Asmo - The Lovers Reversed
Now, Asmo’s card is entirely dependent upon how you interpret his character. For me, The Lovers Reversed best represents him, while The Lovers Upright may be how others see him. It’s up to you. I’ll explain this from the angle of The Lovers Reversed.
The Lovers Upright represents a perfect balance between two people, like Yin and Yang. A reversal of the card shows an imbalance in power. The Lovers Reversed also reveals that the self has been prioritized over others.
It’s no secret that Asmo loves himself--A LOT. I believe that this is shown through his actions as Avatar of Lust. Yes, I do believe that Asmo will do everything he can to make sure his partner has a pleasurable experience, but I believe that, at the end of the day, he does that for his own benefit. His attention to others is actually something that stems from his own self-interests rather than anything else.
The more I explain this, the more convinced I am that he’s not The Lovers Upright haha
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Beel - The Hanged Man
Out of all of the brothers, Beel was the hardest for me to pin down. After some time scrutinizing my cards, I settled on The Hanged Man. An interesting choice, I know, but let me explain: The Hanged Man represents self-sacrifice and martyrdom, and is also is typically accompanied by the thought that one deserves the punishment.
Throughout the story, Beel struggles with the choice he made of saving Belphie instead of Lilith, and even blames himself for Lilith’s death. He also has convinced himself that Belphie hates him for not saving Lilith, and has accepted that imagined hate because he feels that he deserves it.
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Belphie - The Tower
I was considering Death Reversed for Belphie as well, but after some careful thinking, The Tower fits much better. (Death Reversed in short would be related to someone resistant to change, like Belphie not wanting the relationships between demons and humans to change.) The Tower signifies a chaotic event (typically a disaster) that shakes and sometimes destroys the foundation of a core principle within you. In Belphie’s case, that would be Lilith’s death, which made him despise humans.
HOWEVER, The Tower is also a card that represents new beginnings and ideas. If a building in a village were to be destroyed, yes, it would be a tragedy, but there is now room to build again. Despite Belphie’s attitude towards humans after Lilith’s death, there is now room for him to grow to learn to accept MC.
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kralmajales · 4 years ago
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i know it's not 2013 anymore but i am genuinely so curious about your les mis classpects
Ahh thank u for asking !! It’s okay we can pretend it’s 2013 for as long as it takes u to read this! Hopefully this makes sense it’s like 3AM and I’m writing this on mobile so sorry for weird formatting.
Alright so I haven’t figured everyone out yet but I AM pretty sure about Valjean, Javert, Enjolras, and Grantaire. I do have a lot to say abt all of them though so this will be long, sorry. Also I haven’t read Les Mis since 2012 so this is like. From memory .
Something I didn’t do on purpose but ended up happening and made me happy is that I believe Valjean & Javert as well as Enjolras & Grantaire are on the same aspect continuums- Heart & Mind and Rage & Hope respectively.
Let’s start with our main men- Valjean and Javert. Heart and Mind are all about meaning- personal and impersonal. Heart focuses on the self, the soul, passion, and personal subjective meaning. Mind on the other hand, focuses on logic, choice, and impersonal objective meaning. The Mind player says “My opinion doesn’t matter, what matters is making sure the correct decision is made to satisfy what the Objective Meaning of our story is” while the Heart Player says “But as individuals, our subjective interpretations is really all that matters. We only Know ourselves I know that THIS is what it means to ME.”
Javert’s story is about the Mind Themes. To him there is The Law and there is The Criminal. There is no room for interpretation- what’s right is right and what’s wrong is wrong. (Speaking of the law and Mind however.... I wonder what Terezi would think of Javert with her whole Criminals Deserve to Die thing she had going for a bit there...)
Javert’s Class is the Witch. Witches are magical, but unlike the inherent magic of the maid or the sylph, witches and heirs have a magic more akin to alchemy than anything else. The Witch Changes their aspect to make it more useful. Javert takes Mind and changes it into something that works for him. But like every witch we encounter in Homestuck, he doesn’t benefit from it. None of the Homestuck witches really have a good time by the end of their journey, and neither does Javert. After spending the story actively changing the ideas of logic, choice, and objective meaning into a structure of its own, he ends up getting trapped by it and driven to suicide by his inability to get out of his self made cage of Mind.
Valjean’s story is ALLLL about Heart, babey! He has multiple identities over the course of the story, and really his story is about love (which while not necessarily a Heart theme ... it totally is.) His story is about figuring out what’s important to him and how his identity changes to reflect what brings meaning to his life.
As for Class? I believe he’s a Knight! A knight’s story starts low, where they’re having a hard time with their aspect and life in general, and they’re very insecure. Then as they grow and learn to use their aspect, they manage to achieve personal growth on the way (which sadly can’t be said for many classes.... knights have very satisfying arcs.) Valjean starts off with his Self, his Identity taken from him as punishment for doing what he believed was the right thing to do even if society at large would disagree... his name and autonomy were taken away as he was forced to work while imprisoned. Then after he left, he went through multiple identities, each reflecting where he was at the time and what was important to him then. By the end of his story, Marius and Cosette understand what kind of person he really is (a GOOD person who saved Marius’ life) and they have a final reunion with Valjean, who happily dies with his loved ones, knowing he is understood. He has mastered his aspect of self and subjective meaning, and he completes his arc.
NOW! Onto Enjolras and Grantaire. These two are particularly interesting because they have pretty warped perceptions of who the other one is. But let’s discuss!
Rage and Hope are kind of tricky to explain as a continuum but basically it’s about .. what is there. Rage is about Truth and Hope is about Belief. Rage is what demolishes unnecessary structures as Hope builds them up.
Enjolras is SUCH a Rage player, even though I’ve seen people argue he’s a Light or even Hope player. But that’s just not the case. Rage is The Tower card in tarot. It says “This is a societal falsehood and MUST be torn down.” It’s revolutionary, and Enjolras is nothing if not a revolutionary.
As for class? He’s a Maid! There’s a joke Aradia (one of my favorite characters! She’s a maid of time, for those reading and aren’t familiar with homestuck) makes where she says she’s MADE of Time. Which I think is a brilliant way of conceptializing the maid class. They are magic, as I said before, but they’re not alchemists or magicians... they (and the sylphs!) are magical creatures. Their aspects come so naturally to them it’s like they’re made of it. They are creators and they are used to help spread their aspect to other people. This is 100% what Enjolras is with Rage’s revolutionary spirit.
Now onto perhaps my most controversial take. Grantaire is a Hope player and you CANNOT convince me otherwise. Sure, he may come off as perhaps a Doom player, but at the end of the day his story is about Hope. It’s about Belief. Your aspect isn’t always something you have a good relationship with. Grantaire is a man who “doesn’t believe in anything” and is a known cynic. It all comes down to belief with him, and his lack of it, until suddenly he Does believe in something (Enjolras!)
His class? BARD! Bards are passive destroyers, and like their active counterpart the prince, may come off as more inclined to the other side of the continuum (in this case Rage, so for Grantaire it’s “Truth”) (side note- as I’m writing this I just realized that Grantaire and Enjolras are not only opposing aspects, but opposite in classes as well- the active creator and the passive destroyer! Love that!) but in the end they end up being taken over by their aspect in some way and embracing it (at their own expense.) Grantaire died because he decided to finally embrace his aspect and Hope. He let himself Believe and he died for it but it was a very real change right before that happened. Also! Bards are typically kind of fun in a weird uncomfortable way and I think Grantaire is DEFINITELY fun in a kind of weird uncomfortable way. He may be depressed, but he can also be hilarious.
Thank u for reading all of that! I have some more ideas for some aspects for some characters but I’m not entirely sure for most of them, and also I always figure out aspect before class so I’m even less sure on that front! If u have any ideas pls lmk !! Anyway it’s 3:45 AM I’m gonna go to bed now!! Thank u again for the ask!
tl;dr: Valjean is a Knight of Heart, Javert is a Witch of Mind, Enjolras is a Maid of Rage, and Grantaire is a Bard of Hope!
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paradise-creator · 4 years ago
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Okayyyy. Seatbelt on, space cadet! I'm gonna take you on a loooong journey ✨
First of all hello again! I'm here to request for a Haikyuu romantic Haven Box if there's still a spot left. Take your time tho, I'm good at waiting 🙌🏻
here we gooo. so I'm an 159cm pansexual asian girl. I'm a little bit on the chubby side. I got long black wavy hair and I always let it down. People say I look rude and cold so they are afraid to befriend me at first (some even hate me for no reason.) I mean its not my fault that I borned with this resting bih face 😭💔 I love wearing dark colored clothes, high waisted jeans and Sneakers.
I do wear makeup, and my favorite lipstick color is red. Like a really bold red. That's like my trademark.
for personality, I'm an enfp, taurus, gryffindor (big yikes!); I think I'm a pretty openminded person. I'm not afraid to speak up and I will fight (both using words and fists) for what I believe in. People see me as someone confident and to look up to; Tho honestly I'm pretty insecure with myself. Like I find nothing good about me and got depressed easily. Its like I have this happy clown persona everytime I'm outside my house and once I go back to my bedroom by myself its all the sad clown hours haha. ooh- this is getting kinda heavy. 😵 But anyway I care about my family and friends a lot. Their happiness is actually more important than my own. So I'd do anything to help and protect all of them.
My hobbies are sleeping, singing and watching horror movies/true crime documentaries; and yes I got scared after watching those stuff so I ended up searching for some broadway musical 😂😂 I also love to play games; otome games, cause my love life sucks *coughs*
Some facts about me!!
I believe in soulmate. Just the thought that we all have someone created specifically for us is making me happy 🥺❤
I'm a touch starved person. So I like doing skinship and PDA. I just love being spoiled and showered with love I guess 👉🏻👈🏻
I hate spicy foods, cause it really burns my throat. and I also hate lizards. They are gross and weird 😭😭
I believe ghosts are real and I'd definitely want to speak to them someday. Just asking them how does it feel to be a ghost? Is there a way to help em stop being a ghost? (Only with the nice ghost of course) 👻💕
My favorite song is Helpless by Phillipa Soo and if that doesn't show how much of a Hopeless romantic I am then idk 😂😂
I love watching tarot cards reading.
I'm a sucker for enemies to lovers trope and I can't stop this addiction. Like aaaaa its cliche but I love em so much ashdjflgl
Okay thats it! I need to stop talking before my ask give you some real headache 😂 I wish all this information helps you write a little bit and not bother you in one way or another!! Have a great day and stay healthy in this pandemic situation 🙌🏻✨ see yaaaaa~☆
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ɴᴏᴡ ʟᴏᴀᴅɪɴɢ
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Hello and Welcome my Starlight!
The Haven box includes:
- Match up
- Sun drop
- Old habits die hard
-  No matter what
───✱*.。:。✱*.:。✧*.。✰*.:。✧*.。:。*.。✱ ───
I'd match you up with
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Oikawa Tooru, The Grand King
───✱*.。:。✱*.:。✧*.。✰*.:。✧*.。:。*.。✱ ───
Sun drops
- Okay, when I read your description Oikawa popped in my head. So on to the great king we go!
- I also had an Oikawa brain rot when I decided to do your request but either way, I still think you two would look cute!
- Oikawa is the most realistic character in Haikyuu and I believe you two would definitely match
- You feel insecure? No worries, Oikawa already saw it coming and is going to give you compliments and gifts
- He may not look like it, but he is really observant
- You can't hide your feelings from this man cause he has been through that
- You both were deemed the power couple of the school
- He would ALWAYS always remind you to take care of yourself
- Both of you seem confident and really out going but in reality, you both are really insecure
- You both would understand each other
───✱*.。:。✱*.:。✧*.。✰*.:。✧*.。:。*.。✱ ───
Old habits die hard
- He almost NEVER calls you by common nicknames, except for Queen and princess
- Your nickname can be something weird like my little Alien or smth
- Whenever you watch a game, he alsyws gives you his extra jersey or his jacket
- He would randomly say I love you and if you don't respond, he'll pout
- You gave him a plushie and he named it after you
- Stargazing (Alien hunting) is his favorite type of date
- Study dates almost always ends up with one of you dead asleep before starting anything
───✱*.。:。✱*.:。✧*.。✰*.:。✧*.。:。*.。✱ ───
No matter what
Oikawa Tooru is the grand king of Seijoh. He was handsome, smart, and all that. He was very athletic and observant. He gets along with everyone and anyone. He could get any girl to swoon to him but he is only loyal to volleyball and Iwaizumi. And that’s what people thought, but this king has fallen off his throne. He, has fallen in love and doesn’t know what to do. It started with the little things like seeing how she loves skinship or how she hates spicy food. He thought it was normal, he was observant after all. But as time passes, he realized that he might be falling. He tried and tried to avoid it, knowing that it might just hurt him in the end anyway. He knew that he wasn’t going to be able to fulfil what was in her heart because he would always choose volleyball. Oikawa had a girlfriend once, she left him because he wasn’t good enough, and he didn’t give her enough of his time.
Oikawa did not want that to happen again. He didn’t want his heart torn into pieces yet again. But still, he fell deep into the rabbit hole called love. And he hated her for it, becoming her enemy for no reason at all. But, fate seemed to be in his side. Soon enough the “mortal nemesis” relationship faded away and love soon blossomed. It wasn’t as smooth as most people would say but it’s still a beautiful sight to behold. The way Oikawa looks at her with so much love and passion, it’s breathtaking. The way that she would cheer for him no matter what, it’s alluring. A love so pure that it seems surreal and impossible. From then on, the great king knew that she was thee one. He knew that even if he was too busy, she would understand. He knew that she would always be by his side no matter what the cost is.
And he knew that no matter what happens, he would always love her. Volleyball may be his priority, but he will soon get out of it. Slowly but surely, the walls he built was crumbling away. Slowly but surely, his distant exterior grows into an attached and close koala. Oikawa’s train of thought was then shattered as he heard someone calling out to him. “Oi Shittykawa, why the hell is your face like that?” Iwaizumi said as he cringed at the sight. “Geez Iwa-chan, can’t a guy think about his soulmate in peace?” He then responded as he glared at the shorter male. “We have a game to play, Stupidkawa. And if you miss her so bad, why don’t you go to her at the stands and talk to her?” Iwaizumi said as he glared intently at his best friend. “I have a better idea,” Oikawa said as he stood up. His eyes wandered around the bleachers to find his one and only. And soon enough, he was able to see her long black wavy hair and her beautiful eyes. “Princess!” He yelled.
The female then smiled and waved at the player adorning the cyan colors with the number one. “Yes, my prince?” She yelled back. “Oh! My darling Princess! I love you with all my heart and know that no matter what, I’ll still be in love with you,” He yelled. The stadium awed at the interaction. Oikawa now found his one and only, his soulmate. And he would never let go, no matter what.
───✱*.。:。✱*.:。✧*.。✰*.:。✧*.。:。*.。✱ ───
Author's note
Hello there! I'm so sorry for doing this quite late. Since exams and school and all that.
I hope you enjoy this matchup nonetheless! And I also made sure that the drabble was a bit different and unique to make up for it. Since I decided to try out a new way of writing.
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occultdreamland · 4 years ago
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Find the Right Card -- 1
He stands at the entrance of your small abode, presence all consuming and demanding of your attention. By the colorful robes draped over his shoulders, to the many rings that adorn his fingers; you need not have an idea of who he is to know him.
“Come. Sit down.” Your voice breaks the steady silence, the whisper of calm breeze the only other that accompanies you. His eyes are only on you as he sits, graceful as one of those show horses you see from time to time. “What brings you here, My Prince? To such a place outside of your own, I’ll specify.”
“Your name is on the tongues of many under my employment. I wonder what a witch has collected so much of my mens’ spare time,” He says, his eyes cold and never leaving yours. It brings a chill to your spine.
You give him a pointed stare; “A witch I am not. Scryer is a better, healthier term for me.”
There is a pregnant silence.
He tilts his head to the side, jutting his jaw out in a way that you can discern as unjustified arrogance, “Tell me, what is it that those soldiers do to speak of you so highly.”
“They tell me their name before they dare enter my dwelling, as a start,” you quip, letting your gaze break from his as you gather your collection of markless tarot decks, displaying them in front of him, eyes now expectant on his pale face. “Be my guest, however, and pick the one that draws you in. Don’t dwell too long, they like to tell their own story. A story that may not be what is the truth.”
“I believe I came here for an answer, not a story, wench.”
“Is a story just as viable as an answer, My Prince?” You bite your tongue at the name he bestowed upon you, but it is not unusual for men to say such things.
Finally, his eyes break from you, and the relief you feel is insurmountable. He is quick to pick a deck, two fingers laid lightly on top of it as he pushes it toward you. You hum, a lick of a smile reaching your lips. While not your best deck, it certainly suits him. Cleaning away the other decks, you open the one he presented to you, scattering them around the table in a circle, making a mess of the card order and bringing them back into a clean stack.
“What type of spread will you be requesting, My Prince?”
“I asked for information, and I shall receive information. Will I have to tell you any differently to get what I want?” He says.
You raise your head in acknowledgement. You begin to release the cards into the spread you have chosen, all ten cards set into their positions, with the second card being placed on top of the first and the other eight others being placed where they belong.
The Princes’ eyes sit on the spread, dissecting the back of every card as if he already knows what they are.
Your fingers rest on the card beneath another, and you carefully reveal what it is. It’s the Knight of Coins; reversed. “This is the present card. Tell me, what does this card tell you?”
He scowls and rolls his eyes. “It tells me that I’ll be riding a horse. Staring into the horizon with my sword drawn.”
“That’s what you see. I want to know what this card tells you.”
“How will I know what the card tells me when I do not know what it means?”
You cock your head to the side with an expectant huff. “This spread tells of your past, present, future, with your past and present challenges, and the outcome. This one tells of your present, and the card speaks of wasted energy and money. What does that tell you?”
“It tells me that you’re a waste of my time.”
You laugh, something that surprises you. “If I am a waste of your time, you can always leave, my Prince.”
But he doesn’t budge. And he stares at you. Again.
“I will let you think for a moment. It’s always good to reminisce on this card.”
Another beat, and he still looks at you like a caged and hungry dog stares at a slab of meat. You continue, lifting the card that had sat on top. “The challenge, the Magician reversed. My Prince, to be up front, what have you to lose? A loved one, your position in the court, maybe the power over the men you command in these dire times?”
This card speaks to you, this time, telling you that you have many, many things to lose shall you upset this man. However, you also know that he hears the same thing, the way the energies between him and the card bend and wave before your eyes.
Finished with his speedy introspection, he looks up at you, his eyes demanding a continuance of this process. You lift the third card, it sits to the left on the two card pile, and it tells you of the past. The Empress, and you tell him as much. “Nature is our mother, she is a mother to me just as she is to you. It seems you have been a disobedient prince, and she will correct your actions like a mother would to her own child.” It was a risky jab at him, but said in light humor. It doesn’t seem to bother him; his skin as steel as his own blade.
Next is the future. The upright hierophant. “Ah, something that should please you greatly, my Prince. You will be a great scholar, and if not that a man of great intellect.”
“I am already a master of the blade, what else do I have to accomplish in my life?” He says, baring his teeth as if the card insulted him.
“But are you a master of politics? Of the on-goings in the court and the well-being of the people you will rule over? Or of the briars that line your great castle gardens? There are many things outside of war, my prince.”
You turn over the next card, goals and aspiration, a reversed ace of wands. It tells you what you already know. “You are resisting change, resisting the thing that brings you to the best outcome.”
He bites down on what you assume is a fiery retort, and you let it slide. He is beginning to taste bitter; a sign that he is up to no good in your home.
“Have you any say, my Prince?”
“None that concerns you, lowlife.”
Yet you continue, your drive of knowledge on this man a once in a lifetime deal. This card is the foundation of him, what makes him who he is and what drives him to his goal. Nine of Cups, upright. You pull a face(How immature of you! You were trained better than this!) and it upsets the Prince. 
“I now know why my men are so enamored with you, now,” he barks, standing from his seat so fast that it knocks it over right onto a case of valuable oddities, making you stand as if you are fast enough to catch a falling section of the wall, your heart dropping to the pit of your stomach, “Your sorcery will be punished, witch! And do not think that my words are as empty as those cards. We will make sure that your presence will leave this town like you never existed--you and your collection of harlots!”
Your eyes widen, and for the first time in years, you feel what it is like to know an abyss of fear.
~~~
Those armored men, the men under the name of Prince Maksimillian, destroyed your home, tore apart every tapestry and crystal and orb in your possession, burned your books and every tarot they grabbed their hands on. You remember screaming at them, restrained in the bruising metal grips as they tried to secure you into the carriage filled with all of the other scryers and readers in your village, weeping at the destruction of their home and from being torn from their families. 
It took two men to restrain you, and a third to knock you out after threatening to curse them and their children after you saw a bag of your cards being thrown into the growing pit of flames.
You sit in the corner of a crowded cell, shackled,  curled with your knees to your chest with an elderly woman pressed against you. You had given her an odd stare before, but her old eyes only blindly mistook you as her young grandchild. Even then, the cell was pressed for space, maybe twelve people shoved in here. Most of them women, you count three heads of men, two of whom mere children.
You all sit there for maybe two days, there is no light here, but the guards rotate shifts at about an hour and a half each… the math kind of ends there, though. You’re a seer! Not a mathematician! It all confuses you to the point you start to doubt the time from the start til they begin to take out women and it becomes more spacious in the cell. 
By the end of one of the guards shifts, where there are only five others beside you in that cell, a man in silver armour seemingly grabs you from the room, holding you by your chains, pulling you along the dim corridors. He takes too many turns, definitely a mistake in the construction of the building, and it wouldn’t surprise you that this level of the jail was meant for that. You aren’t surprised execution is about to come to you, but the screams of men and women that puncture your ears startle you to near tears.
But you are drawn away from those horrible noises, at some point, and then taken up many, many flights of stairs, taking you higher and higher until you stand in a gold gilded room, the High King’s Throne empty while Prince Maksimillian obtains the smaller throne right of his fathers. He lounges on it, a leg propped up on the knee of the other with a hand lazily holding a goblet. He looks pleased to see you.
“You finally brought the right one,” he says, and it’s the first time you hear a humorous tilt in his voice. It’s not directed to you, of course, but to your guide, your escort. The prince raises an eyebrow, a face he must make often because the knight releases you and leaves.
The doors slam shut, and you are left alone in this vast room with the prince.
You are unsure of what to do, for the first time in a while. 
Prince Maksimillian takes a long sip from his drink. “Do you know why you are here?” 
“N-No, my Prince-” 
“I do.” He is blunt, but relaxed, languid. “And I don’t want to tell you.”
“My Prince-”
A smile graces his lips, and you wonder if you said something wrong, “I don’t like such formalities. Maksimillian will be fine. Maks even better.”
“M-Maksimilian, my Prince- why am I here?” You ask, a tremor in your voice.
“You intrigue me, scryer.”
He doesn’t even know your name!
“And you are of a breed I have never been introduced to. One with the spirits, with the unseen. You are a seerer, and an elegant one at that. It’s something that this court needs to show them the things that they have never seen before.” He accentuates himself with the waving of his cup, “And not only that, but my father - oh, my father - needs help that only you can provide. Well, not just you, but you were chosen out of all of those old hoots and hags. Hand picked- by me! An honor most of our knighted will never see out of me.”
There is a silence that sits between the two of you. You are speechless, and you wish you had your personal tarot with you to separate and divide these emotions to make sense of what’s going on. But all of that was burned, gone in ash. It will take you years to accumulate what you had before, the connection with your crystals melted and the love you and your decks shared now gone, soot a black snow in your river side village.
“But…” you whisper, looking down on the floor, unable to hold his interested gaze. It’s the first time he seems to take an interest in your words, “You destroyed my decks, the thing that made me the thing you saw. I can’t just… take a new deck and expect to be the same. They had personalities! That’s why that deck had called out to you, because it knew what you are, and could tell us the closest truth of you and your objective. I can’t get the same result without getting back what I lost...”
Maksimillian huffs, “I am the first born son of the High King of Rosodour, the face of the wealthiest Kingdom of the land. I can assure you that there will only be the highest quality materials bought for your shows.”
You stutter, eyes widening in disbelief. “My abilities are not a show!”
“Your presentation is, however,” Maksimillian continues, now leaning forward, his elbows propped against his knees as he places the goblet next to his feet, “I can give you back what you lost in the round-up, but all I ask is that you soothe the hearts of the people in my court even if it risks doing more harm than good in the long run.”
“I can’t accept this!”
“I was not asking you.”
“Prince Maksimillian, this isn’t right!” You plead, almost dropping to your knees, “Even if I do as you say, regain the trust of all of those cards, I won’t be able to live as a fraud! Like one of those harlots in the brothels!”
He sighs and buries his face in his hands, “Accommodations have been made for you. I can show you to your room, or I can have one of the maids or servants take care of you. I will send for someone to take note of what you need for your craft.”
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michelles-garden-of-evil · 4 years ago
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Quiz: Which Desmond Hall Character Are You?
SPOILER WARNING FOR DESMOND HALL ARCS I AND II
Last week, I was going to work on finishing my next review, but then my muse pulled me aside and ordered me to write a Desmond Hall personality quiz while threatening me with a conjure doll and silver pin. Not every Desmond Hall character is in this quiz, only the ones that I thought would be the funniest to write. Enjoy!
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1. You have just arrived at an ancient manor house enveloped in darkness that rests atop a sinister network of haunted caves. When you learn this, how do you react? A. Lie in bed for several days while writhing in agony. B. Accept it and keep myself busy while pining for my voodoo island home. C. Act insufferably smug, because soon the house will belong to me. D. Go search for creatures in the caves to alleviate my boredom and satisfy my compulsion to do random disturbing things. E. Barely react at all because the writers have forgotten that I have a personality. F. Swan around while talking to myself about how the manor looks like something out of a storybook. G. Wish that I could live there again, because I've been trapped in a trippy magical closet for months.
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2. The daily newspaper arrives and the headline reads, "GIRL BRUTALLY MURDERED.” What is your response? A. Retreat to my bedchamber and panic loudly about how I hope no one discovers that I’m the murderer. B. Get the body buried and all evidence concealed. C. Observe a moment of silence for my former doxy, then promptly forget she ever existed. D. Cut out the photo of the victim's face, suspend it from a papier-mâché gallows tree, and display it prominently in the foyer. E. Feel moderately concerned for my safety, but not too much. My ghost boyfriend will protect me...maybe. F. Scheme to blackmail the killer into marrying me. G. Wonder, "Was that my brother again?"
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3. Your hobbies include: A. Moping around the manor house in fancy suits and contorting my face as though trying unsuccessfully to relieve myself. B. Reciting dramatic monologues with bits of scenery caught between my teeth! C. Plotting murder, robbery, and the corruption of young maidens while sipping sherry. D. I wander. I visit. I'm here and there. I'm a kind of ghost of Desmond Hall. E. I used to enjoy rebelling, flouncing, and bickering, but I've lost my taste for those. Now I prefer hanging out with old people in a cottage that smells of strange spices. F. Talking to and stroking my sweet little snake. (By which I mean "reptile with no legs and a forked tongue." Get your mind out of the gutter.) G. Necromancy.
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4. Your favorite foods include: A. Bubbly eggs cooked in champagne. Definitely not kippers. B. The cuisine of my native island, before the evil of THE DEVIL JACQUES ELOI DES MONDES made all the plants poisonous and killed all the animals! C. My spouse's hors d'oeuvres--but only when I don't have to eat them off the floor. D. Sugar, strawberries and cream, and the very best...*checks Teleprompter*...butter. E. Muffins laced with magical herbs. F. The delicious misery of the man who tried to strangle me and of all the other women who want him. G. I don't eat anymore. I'm a ghost. Food passes right through me--literally.
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5. What turns you on? A. A lover who is unpredictable but not murderously crazy, and who likes to wear lacy nighties. B. I would not know! I have not felt those urges in three hundred years! C. Money. D. Anyone from my preferred gender who actually wants to spend time with me. E. A ghost who behaves like Edward Cullen. F. Jean Paul Desmond! He is the sexiest male character in the history of television. G. Submission and unquestioning devotion. Also, lesbians.
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6. What is your signature look? A. Highly flattering mod suits combined with an unflattering combover. B. A long black Victorian dress. C. A stodgy gray/green suit, which is probably in desperate need of Febreze after being worn three days in a row. D. Turtlenecks. E. Bleached blonde hair and faddish early ‘70s fashions. F. Long pointed fingernails, false eyelashes, and a creepy grin. G. I once hung from the ceiling with my shirt torn open. Does that count?
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7. Everyone has a skeleton in their closet. What is yours? A. Although I want to reach out and help the beautiful young women who come to me, instead my hands reach out to kill! B. I single-handedly cursed my employer's family by signing his grandfather’s (misspelled) name on a pledge to the Dark Lord. C. I am a black widower. D. I used to participate in necromancy rituals with my dear cousin. E. I stole a piece of my mother's jewelry and sold it at a pawn shop. F. I am a priestess of the Serpent God. G. Funny you should mention skeletons. My closet has a literal one hanging in it.
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8. If you had to guess, which of these personages were you most likely in a past life? A. A freebooter possessed by the Devil. B. Myself. C. Henry Seewald--who looks exactly like a toddler version of me--transported back in time via the 49th hexagram. D. Someone named Claude. E. A young girl sacrificed by a priestess who looked like my mother. F. Ophelia, if she were real. G. My great-uncle with the same first name as me, who was allegedly disowned for being a poet.
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9. Your favorite Dark Shadows character is: A. Barnabas Collins. B. Magda Rakosi. C. Nicholas Blair. D. David Collins. E. Carolyn Stoddard. F. Angelique Bouchard. G. Quentin Collins.
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10. What from 1970 Dark Shadows do you believe was most likely inspired by Strange Paradise? A. The character of Judah Zachery, who is highly reminiscent of THE DEVIL JACQUES ELOI DES MONDES. B. The use of a retcon to completely change Angelique's backstory. C. The name Desmond Collins. D. The implied reincarnation in the Summer of '70 arc that (sadly) never got explored as much as it should have been. E. The subplot about Quentin falling in love with Daphne's ghost. F. The Leviathan cult's use of snake iconography. G. The carousel in Tad and Carrie's playroom.
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If you answered mostly A, you are Jean Paul Desmond, richest man in the world and master of Desmond Hall. Tall, dark, and incredibly handsome in spite of his receding hairline, Jean Paul is the victim of two self-imposed curses, one of which causes him to strangle people when the Mark of Death appears on his hand (which is totally not a reflection of some repressed or hidden part of his personality, having formerly displayed megalomania and control freak tendencies on his island). When not under the effects of this curse, he is the living embodiment of charm and sweetness and attracts would-be partners like moths to a flame. Logically, the same must be true about you, because online personality quizzes are never wrong. ;)
If you answered mostly B, you are Raxl, daughter of the Priestess of the Serpent and winner of the Canadian 1969 and 1970 scenery-chewing contests. Far older than she looks, the Desmond family’s housekeeper may not be as loyal as she appears, depending on the whims of whomever wrote the plot outline for the final arc. She is an expert on all things occult and supernatural, from tarot cards to the Egyptian Key. Even after her retcon, she is awesome.
If you answered mostly C, you are Laslo Thaxton, husband of Ada (Desmond) Thaxton and master of Desmond Hall in the absence of Jean Paul and Philip. I would say that you are an unscrupulous, greedy Devil-worshiper like Laslo, but I’ve always hated those personality quizzes that make moral judgments about people just because they share some traits in common with the villain. Therefore, I’m just going to assume that you are most likely a decent person who only got Laslo because you happen to love money and Nicholas Blair.
If you answered mostly D, you are Cort Desmond, twenty-something cousin of Jean Paul and Philip. Eccentric and erratic but oh-so-adorable, Cort is a polarizing character loved by some fans for his good looks and (often unintentionally) funny lines, but hated by others for being somewhat of a spoiled brat. Like Hamlet whom he idolizes, he seeks justice for the death of his father, along with the inheritance his Dear Stepfather Laslo wants to steal from him.
If you answered mostly E, you are Holly Marshall--or, rather, what Holly has become since her creator Ian Martin left the show. Formerly a spitfire with a high IQ, a low boiling point, and a love for outdated slang, Holly has become a shell of her former self under the new writers. She spends more time unconscious and hypnotized than not; when she is conscious, she wastes her time pining after an unsuitable love interest who treats her like Edward treats Bella in Twilight. I hope this doesn’t describe you, because, if it does, you should seek help. Don’t be like Desmond Hall-era Holly!
If you answered mostly F, you are Agatha Pruitt, a young seamstress obsessed with Jean Paul. While the master of Desmond Hall has attracted many suitors, none are as strange or disturbing as Agatha, who blackmails him into letting her live at Desmond Hall after his failed murder attempt and proceeds to wreak havoc there along with the Serpent God (who may or may not be Raxl’s Great Serpent) whom she worships.
Finally, if you answered mostly G, you are Jean Paul’s brother, Philip Desmond (not to be confused with his cousin Philip Desmond, or either of the two Philippes des Mondes). A secretive figure largely mysterious even to his own brother, the handsome Philip dabbles in the dark arts and other mysteries, which ultimately leads to his disappearance into the caves beneath Desmondton and reappearance as a ghost. His character alignment is unclear--he may be evil, or just chaotic neutral--but one thing is clear: whoever messes with Philip has the Devil to pay.
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imagines-mha · 5 years ago
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Matchup for @blackrose-arts
I am a female and I prefer male villains(just please not twice, I’m still BIG sad about what happened in the manga!)
I used to be a theatre kid in middle school and highschool, I’m into dramatic music but my favorite genre is gothic metal.my hobbies are singing, animating, and I write Every now and then..I really like paranormal activities and tarot cards..i love jokes and puns.I have a tattoo of a black rose on my right shoulder I got it because is reminds me of my mother’s that I lost when I was younger and I have a few piercings. I have mid length dirty blonde hair, blue eyes, and very pale skin, I am 5’2(I get a lot of short jokes from my tall little sister XD) I’m 24 years old^^ People describe me as nice and a mysterious loner, and very sarcastic with a smart mouth...I have the personality of a indigo,and I am pretty quiet which is why I get the loner title from people and I’m a natural flirt...I am very socially awkward and find it difficult to make friends...my clothing style changes based on my mood but I usually stick to death rock I’m bad at excepting gifts but I always do in the end but I always try and make up for the gift...I blush easy and it’s easy to see because of how white I am XD I do hope this was enough information(●’◡’●)
Bro i felt that big sad about twice bit holy shit >.< rip to our man Jin we will always love u keep heaven warm for us xox
Oh damn i was torn between two but bro,,, BRO i had to go with my heart n i hope u enjoy
I ship you with 𝓜𝓻 𝓒𝓸𝓶𝓹𝓻𝓮𝓼𝓼
Imagining this concept makes me cry. Dramatic, charming Atsuhiro meets gothy, tiny YOU. The colours would probably contrast a lot and it would just look like the prettiest painting ever. He thinks you are literally the most beautiful girl he has ever laid his eyes on, and makes it his DUTY to make sure you know how treasured you really are to him
You like tarot cards, theatre, paranormal and jokes?? It’s like you just took the “Atsuhiro’s dream girl” checklist and went CRAZY checkin off every single box holy shit bro. Like think of all those date nights,, tarot readings and watching spooky stuff and discussing the most mindfucking conspiracy theories like they would be the date nights of both ur dreams holy shit
He’s so attracted to your personality too, like mysterious and flirty at first glance?? How enticing for him,,, he thinks you’re something straight out of broadway. Tries his best to make you blush because he thinks it’s the most adorable thing in the entire world like good luck with this gentleman bro he’s gonna sweep you off your fEETS
Other Ships
𝓓𝓪𝓫𝓲
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empressarcana · 7 years ago
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Oooooh!! What if some of Bella's artwork was used as the pictures for tarot cards!? And which ones would be used for which cards?
Okay, this sounds incredibly interesting! I’m going to start with the work in her room. I’m sorry, Bella. I’m exposing some of your old work as well. xD SPOILER WARNING: There will be images from the true ending in this post. 
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I know you guys are probably thinking, Lucy, come on it’s just an umbrella and rain, this is silly. Well, folks, the umbrella artwork can definitely be the Empress arcana. The only reason I see this is because it is an umbrella, possibly protecting someone from the rain. When I think of being protected, I think of a mother covering their child in warmth and keeping them safe.
The next artwork, I am going to be outright cliche for this one and say the Sun arcana. My reasoning for this is something simple, the sun, warmth, and possibly fond childhood memories. The sun also represents optimism as well as a bright future.
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Alright so the man in the top left corner, I get a Frank Sinatra vibe from him or Dick Tracy, definitely someone in the 1940s. That smirk on him makes me think Magician arcana, for sure. The Magician is all about manifesting and putting forth action, focusing on a goal. I dunno, I feel this man definitely has a goal in mind.
The woman with the sea stars in her hair, could be a mermaid, maybe not. Her eyes are closed like in contemplation, yet she is surrounded by water. This one was tough but I feel that Temperance arcana fits this artwork well. I feel this woman is trying to find a balance, between land and water, or probably mixing both to make something new. No matter what she has gone through these moments of contemplation will bring forth healing as well.
Seeing the instrument and the musical notes reminds me of the saying “Let the music guide you”, which in turn makes me think of the Hermit arcana. The Hermit card is usually depicted by a hooded figure, an old man, carrying a lantern guiding you on your path. This individual is often seen as a mentor, teacher, but never underestimate where guidance can be found.
Now, let’s go to the true ending epilogue artworks!~
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This artwork I feel, to me, relates most to The Tower arcana. I was torn with this one as well but seeing how they’re sinking into the unknown, something unexpected… The Tower is all about disaster striking down and feeling there is no way out. The sudden circumstance is almost suffocating, but even so there is a revelation. The revelation comes upon realizing that the circumstance (the disaster) cannot be averted. Sometimes, letting go is the only option.
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We can’t see much of this artwork but that’s why I feel this can relate to the High Priestess arcana. Even if their eyes are closed, they have a knowledge that no one is aware of. The Priestess keeps to herself but has a world of knowing deep inside, willing to share to those worthy of their knowledge. Sadly, whatever mystery they held will never see the light of day.
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This piece right here, I didn’t even have to think twice, is Judgement. The three friends come together and their efforts have brought the story of what they all went through in the Ermengarde Mansion to light. The Judgement card is hearing a calling, knowing what needs to be done. I truly feel Zach, Becca, and Bella needed to get their stories out there through their art, writing, film, however they could, in order to even begin to start living their lives again. The pain of losing Ashton will never cease but keeping everything they went through bottled up would only hinder them in the long run. Judgement is a card of releasing guilt and sorrow and the burden as well. It is easier said than done, but this is a start for the remaining trio. In time, they might be able to forgive themselves as well.
Last but certainly not least, even if we don’t have the artwork made by Isabella of Ash, I feel it would be the Death Arcana. As most of us know, the death arcana isn’t merely death, but also a new beginning. It would be ironic in a way, because all of Isabella’s art now depicts death in some way or form, but Ashton’s would be a sorta unique twist. Where there is an ending, there is also a beginning.
If I missed any of the artworks, let me know! Ah~~ This was fun to do! Thanks for sending this in!
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Crocodile Spirit Guide
The wonderful @clairvoyantclove did a reading for me the other day from their Animal Messages Oracle Deck and it was a very intense message and lesson that I am trying to integrate within myself currently. 
Crocodile said this:
The alchemy of energy teaches that death will always yield new life (He side eyes me, raises his chin, and begins to speak) Child you heal. That’s noble. But you can’t heal all things. That’s just not natural. You can’t heal yourself if you’re too stressed to relax. You can’t heal a patient who won’t accept your energy. And you can’t heal death. Death is a beast of its own accord; its own construct if you will. Some can assist with death by making the final blow, or helping the spirit continue it’s travels, but that’s not really your style. Nevertheless you have to accept it. Let it grow in your womb and realize without it, you wouldn’t be alive. You’d have nothing to heal. You’d have no drive to be as far as you are, and you’d never successfully get anywhere. Because, my dear, death is the final destination. And no matter how long you ride that train, it’s going to stop somewhere.I thank crocodile, he lowers his head, blinks, and slides away. 
In the moment of this reading it hit me so hard I knew this was something I had been avoiding, a lesson that had been trying to open me up for the past year. I have pulled the death card more the past year that I every have in the 5(?) years of doing tarot; the day of this reading my daily card was Death. I have also been surrounded by family and animal deaths this year. Loosing loved ones in close succession. Also the clients I’ve encountered the past year have challenged me as a healer and a person and there is a lesson within this that directly relates to at least one client in my life right now. 
Yesterday I meant to meditate on Crocodile and their message but I was exhausted from my long weekend and like they said, I can’t heal myself if I’m stressed out. So I chose to relax and veg out instead of straining myself to contact a spirit. 
But to begin to integrate Crocodile’s lesson and message I set up this grid/offering to Crocodile in the hopes they would help me with this. I set out my Death card (from the Shadowscapes Tarot deck), My special quartz points, a feather (it seemed right and I thought it would help speed the wind to bring this to Crocodile and him to me), and my tumbled piece of Crocodile Jasper. 
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I knew I needed to meditate on this message today and see if I could contact Crocodile spirit. I decided to go outside and lay in my hammock which is like a cocoon because its one of those ENO parachute hammocks for two people.  I set up my crystal circle that I use whenever I do work where I ask spirits to come visit then got in the hammock and lay down. I took the Crocodile Jasper that I had put out with this little offering/grid and placed it on my third eye. I could not get into trance very well at first so I decided to try to go visit my astral home I had created last year. I’ve only visited it in my imagination as nothing is actually solid I’m just like, this is here, this is what it looks like, lol! It took me a few tries to get through the door, but I just focused on the stained glass moon phases panel set at the top of the door, pushed, and went inside. Once inside I saw how dusty and in disarray everything was. I felt really bad about not having taken better care of my astral home and plan to try to do more astral home visits (Which might actually help me get there in truth). I went to my, poor, giant quartz cluster on the wall and polished it till it was shiny and no longer covered in dust and spider webs (also in real life the spiders would not leave me alone at this point). I got things somewhat in order, then went and built a fire in the fire place.
Crocodile came to me out of the caves that lead off out of my cave/house and into different areas of the mountains my cave is in (I’ve not explored these yet and plan to, but the main thing is they lead off into different areas of astral or into myself).  He lead me down one and we were in a dark area, I did not see anything I felt damp darkness around me and it smelled of wet earth. I felt him start to circle me. He probed me a couple times with his head then he opened his mouth wide. I was kind of scared but kept telling my self this lesson is about death and you need to learn it. Just stay calm.
He breathed into my ear and then his mouth was around my head, crushing me. I didn’t feel pain so much as pressure and suffocation. He crushed harder with his mouth and my head started to turn inwards and my chin was touching my left shoulder. My body was getting crushed and turned in towards the left side and all the sudden I thought, this lesson is about W (my client who’s symptoms have made her body in the exact shape he is crushing me into). The pressure released and I could straighten up again. I sensed him saying, Yes. You can not do anything about death. You must learn to let go. Death is Death and you cannot stop it. You can ease the pain along the way but there is nothing you can do about the final destination.
I felt him move towards my side as I lay on the ground and then all the sudden his head went into my abdomen, right below the solar plexus area, but above the naval. He clawed his way inside me and before I could even move I saw his hind legs and tail scrabble through and he was filling me. (I had placed the crocodile jasper on my third eye and I felt part of him go into it , while still making himself small and filling me ). After a while I became a crocodile, I felt my tail whip and felt myself claw my way along a river bank, a heavy tread, feet sucking into and out of mud, belly muddy being pulled along the river’s edge. 
Something grabbed my leg and I jumped so hard that I startled myself back in to my physical body.  It took a few moments and then was able to get back into a trance and I was the crocodile again but I was fatally hurt. My whole left leg had been torn away. Up to part of my left hip and a big chunk had been taken out of my tail as well. I don’t know what did it. I assume another crocodile. As I lay there, I tried to drag my body away from the river. Eventually it was too much weight and I lay there, numb and in pain, my left lower body in tatters. I was still alive when the other crocodiles found me. They tore me apart. Ripping and rending flesh, legs were pulled apart from my body, head was broken from neck; they totally consumed me. As they did I felt a darkness come over me and Crocodile was there again. He said, life is death and death is life. It is a cycle you cannot escape from but you can find peace in embracing it. 
He let me drift back into my body and he seems to be hanging out near my crocodile jasper. I think he will be here if I need him or I need a reminder.
Overall I feel kind of numb and drifty, like I’ve been in the ocean too long and the water has washed me away. But I also feel at peace. My solar plexus and left hip are a little sore. And I think this is going to be a long lesson. 
I have since done some research on Crocodile as a spirit guide and this experience seems to connect with a lot of beliefs held around Crocodile. Some of the interesting things (to me) are:
Look for an opportunity to ingest new knowledge and wisdom. This totem animal contains all the unbridled creative forces of the world and the fury and ferocity of Primal Energies. It is the keeper and protector of all knowledge. Know that this is the beginning of a new period of growth and regeneration. Use breathing techniques to keep yourself balanced during this time of change and give yourself time to integrate all of the changes you are making in your life. Patience is key at the moment. x.
and
Alligator/Crocodile’s medicine includes maternal protection, primal energies, connection to mother earth, protection from manipulation, understanding deceit, revenge through patience, initiation, understanding weather, access to ancient knowledge, power to survive.
The Alligator/Crocodile has inhabited earth for millions of years. They bare the unstoppable, untameable creative forces of All That Is, the force and fury of primal energies. They symbolise creation and destruction and are the keepers and protectors of all knowledge. In many a myth and legend crocs/alligators are known as the keepers of ancient wisdom. When one of these creatures enters your life, look for an opportunity to touch very primal energies. There will be an opportunity for new knowledge and wisdom.
Concealing themselves in mud and water, the alligator/crocodile will wait patiently for unsuspecting prey to come by and quickly snap it up! They eat any animal they can get their snappers on, and if unable to swallow it whole, will tear it into bite size pieces. YUM! In spite of this, they don’t eat unnecessarily. Waste is not a part of their medicine.
The alligators/crocodiles eyes located high upon their heads, giving them the ability to stay pretty much hidden below water yet still see above it. Symbolically this suggests clairvoyant abilities. From these creatures we can learn how to be patient and appropriate timing, for the alligator/croc knows when to hide below the water, when to peak above it, or take action and snap.
Concealing themselves in the water links the croc/alligator to the emotional body of man. They contain the lesson of discovering and letting go of emotions hidden below the surface. In the wet season when water is high, the alligators/crocodiles dig deep burrows that in the dry season are wet alcoves to which they retreat. As well as this, the alcoves act as reservoirs from which other animals drink. Water is the giver, the blood, the nectar of life, and though the alligator/crocodiles may be regarded as fearless and fierce by most, the sharing of these reservoirs shows that the alligator/croc respect all life forms. x.
I will be working more with Crocodile in the future.
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nalu-week · 7 years ago
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Written In The Cards
(NaLu Week Tarot Prompt 7/2/17)
In a one bedroom dorm apartment, two girls ready themselves for a night on the town with their boyfriends.  It’s a comfortable place right on the college campus that provides two small closets, 1 bathroom, two twin sized beds and enough space for two small dressers.  But they’re excited because next year they’ll finally qualify for a place in the co-ed building only reserved for 3rd and 4th year students with their Bf’s.   
“Hey Levy?”  Lucy calls from her closet
She hears a dragging sound.  “Yeah?” 
“Is this yours?”
Popping her head in, “Shouldn’t be, what is it?”
“Tarot cards.”
“Nope not mine, where’d you find them?”
“They were all the way in the back on the top shelf.”
Levy shrugs her shoulders, “Maybe the last dormer left them by mistake.”
The two girls walk over and sit on Levy’s bed, removing the cards from the box and start sorting through them.  Lucy reads the name on the box aloud, “ ’Faerie Tarot’, Do you know anything about this stuff?”
Levy shakes her head, “Never really believed it.” Flipping through them, “But the pictures are pretty.  I’d try Googling it.”
“Good idea…”  Lucy pulls her phone from her pocket and clicks the app.  Reading through the list…  ‘Best Tarot- Honest Readings- Free Sign up.  Tarot cards- Wikipedia.  Tarot cards Interpretation and Meaning- Tarotlore.  Free Online Tarot Reading- Lotus Tarot.  Tarot Card Meanings at Aeclectic Tarot…’   “The list goes on and on…  I don’t know where I should check…”
Just then their door opens, “Hey are you two ready yet?”  Gajeel asks as he and Natsu walk in. 
Standing up, Levy walks over to Gajeel, “I am,” and is immediately picked up by her boyfriend.  He’s much taller than she is so it’s easier when he want to kiss her; Levy giggles every time he does it.  “Lucy we’re gonna ahead to the mall, I wanted to stop at Hot Topic before we go to the movies.”
Lucy locks her phone and tosses it on her bed, “Okay, we’ll meet you guys by the theater at 7.”
After Levy and Gajeel leave Natsu plops down on the edge of his girlfriend’s bed.  “I’m just gonna change okay babe,” she gives him a peck on the cheek then walks back to her closet.
“Great, one hour wait…” he mumbles
“Did you say something?” she calls back
“No.”  He stands up and spies the Tarot cards on Levy’s bed.  “Hey Luce?  When did you guys get into Tarot cards?”
“Oh, we found it in the closet just before you guys came.”
Picking them up, he absentmindedly shuffles the deck as he sits back on her bed.  Lately he’s been hiding something from her and its bugging him.  After a few riffles he places them next to his side and lies back with his arms behind his head. 
As he waits in the relative quiet of the room his mind wanders to those thoughts once more.  ‘4 years…  I can’t believe we’ve been together 4 years already…’  They started dating in her Junior year of high school.  ‘I love her so much but ever since I bought the ring I’ve been having second thoughts, is she’s really the right one for me?”  He reaches his hand in his pants pocket and grips the box.  ‘Should I have dated more to test the waters?’  Exhale.  ‘…I’m so torn.’   Fluttering sound   ‘I wonder if a break would…’   Fluttering sound   ‘What the?’  He turns his head slightly to see a tarot card levitate about a foot above his torso, flip over and land on the side of the deck.  “Holy shit!”  He scrambles to his knees screaming; heart rate tripling, “Lucy!!  The friggin’ card moved!!” and jumps off the bed.
“What is it?”  She rushes back out in only her panties and bra, a shirt clutched in her hand.  “What’s wrong Natsu?!”
“The card, it-it flipped over by itself!”  He points at the bed.
She looks at the cards then looks back and stares at him with a raised eyebrow, the look on her face says ‘really…’
“I swear it Luce, I was just lying here and it floated up, turned over, and then landed on the deck again face up!”
Seeing the panic in his eyes, she realizes whatever it was he saw, even if she didn’t believe him, he was definitely scared.   Pulling her shirt over her head, she walks over to him and puts her hands on his cheeks.  “Natsu…” she softens her tone and kisses his lips tenderly.  “Whatever happened seems to be over right?”  She stares into his beautiful emerald eyes as he nods his head, his heartbeat already slowing down due to her gentle touch.  “I’m almost done getting ready and we can go okay?”  She kisses his forehead and releases his face.  “I love you Natsu.” 
“I love you too Luce.”  She smiles again before walking back to her closet. 
Mustering up the courage he slowly inches his way back to her bed to see which card had flipped over.   Reading the name in his head, ‘Two of Wands’, he pulls out his phone and types it into Google Search along with ‘Tarot’ and ‘Meaning’.  He clicks on a site that offers that kind of information, scrolling down taps the banner with those words and starts to skim, ‘the two of wands represent equal directions… fork in the road… but you can only choose one …… so make a choice…’  He looks back at the card and mutters under his breath, “Is this thing trying to tell me something?”
All of a sudden he hears the same fluttering sound from earlier.  His eyes widen as he stifles the desire to start screaming again and watches in amazement as the next card levitates, flips over and lands on top of the first card.  ‘Judgment’.   Shaking slightly, he refreshes the screen and clicks on that banner, skimming through, ‘…ruled by fire… blah blah blah, what does this have to do with me… indicates a time of change… d-do something they’ve been putting off……But it’s also about making a final decision…this card really represents courage…’  He starts to quietly freak out. ‘Whoa this thing is trying to tell me something!’    
Again, more fluttering… ‘Lovers…’   “Do you mean Lucy?” he mutters about to tap that into his phone when another card flips over; the ‘Four of Wands’.   Quickly he clicks on that banner instead.  Immediately his eyes focus on just, three, words, ‘…often indicates marriage…’ 
He sits back on the bed and just stares at the cards speechless.  “Huh!”  He exclaims to himself. 
With his girlfriend humming to herself in the closet, his mind floats back to the moment he first saw her.       
        “Gray,” he punches his friend in the arm, “Whose the blonde girl with Levy?”
        “I think her names Lucy; she just transferred here why?”
        “What do you mean why?  Look at her, shit she’s gorgeous!”
        “Sorry man, not my type; but apparently she’s yours.  You gonna try talk to her?”
        “Maybe…”
        That day in the cafeteria he watches her walk in, now with two girls, Levy and Cana.  It was like slow motion.  They were laughing about something that made her big chocolate brown eyes sparkle, she flips her long, golden blonde hair over her shoulder while tilting her head…  then he sees the captain of the football team grab her from behind.  As she starts to shout at the boy to let her go, he jumps up from his table and swiftly moves towards her, punching Sting in the face, “Fucker!  Don’t touch her like that!”  Sting releases the sobbing girl who runs to her friends.
“Who the hell do you think you are Pinky!” and tries to punch him back.  But Natsu dodges and counters, upper cutting him in the stomach, dropping Sting to his knees.
        “Someone who doesn’t care who the hell you are; you don’t grab women like that!”
        At that moment a teacher runs up, “I don’t care who started it, both of you, detention!”
        Sting tries to whine, “But Mr. Conbolt…”
        “I don’t wanna hear it Mr. Eucliffe, detention after school.  You too Mr. Dragneel.”
        Natsu starts to walk away when Lucy stops him.  “Hey, um thank you for doing that, Natsu is it?”
        “Yeah, that’s me.” He grins at her.
        “But I feel bad you’ve gotta do detention now because of me.”  She frowns and looks at the floor.
        “Hey,” he lifts her chin, “Don’t worry about it, I’d do it again in a heartbeat.”
When her smile returns with that sparkle in her eyes… he was hooked and they’ve been inseparable ever since.
It doesn’t take much reflection for him to realize his first instincts were right after all.  ‘I’ve always known she was the one…’  he grins to himself.  ‘How could I have forgotten…’
“Lucy, I need to ask you something.”
“What did y..” she walks out of the closet to see the young man on one knee holding a small box…. “Oh, my!  Natsu…”
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itsjulesharper · 7 years ago
Text
So here we are. The finale of Season 2. I hope you’re sitting down because there is A LOT to unpack in this ep. So let us get right to it without further ado.
We begin with Montespan in her rooms, in tears, topless and furiously scrubbing herself from a basin. It is clear she is frantic and upset, and on one hand I really really feel for her because we all know what it’s like to get in over your head and let emotions overrule common sense in love (we do….DON’T WE??) So it is pretty much over Red Rover for her. On the other hand… good God, woman. Did you seriously think you would stay in favour for ever? That Louis would love you above all others? Did creepy father Etienne not give you that weird ‘fuck no!’ gut feeling at all??
So then we flash to Agathe who is in her home and doing some kind of meditation/praying thing (her rooms are actually quite decent and I wonder at what level she’s at on the ladder of respectability). Cut to a scene of guards on horses riding and Marchal-to-the-rescue as they gallop through the fields. Obvs on their way to arrest the witch – yay! He shoves open the door and she remains seated, eyes closed, as if she hasn’t even heard them enter. The guards surround her chair and Marchal watches her closely, then turns the tarot card on the table. The Labyrinth we saw before. She opens her eyes, says, “I’ve been expecting you.” Marchal is unimpressed, asks if she can predict her own future, then orders the guards to search the room and that’s their cue to basically trash the place. They find a trunk, the box with the poisons, and a disc-thingy with a pentagram on it, which Marchal smashes. Then a notebook is discovered – her little black book of clients. As Marshal scans it, he sees Sophie’s name, swallows and looks a bit… worried? Taken aback? Disappointed? Thoughtful? Hard to tell. But it does affect him. Agathe smirks: “found a friend of yours?” Unimpressed Marchal is unimpressed and he orders a guard to bind her.
I am SO Liselotte right now.
Now we are outside in the gardens of Versailles, with Thomas doing a reading of his prose to an audience and UGH I am really hating his smug little weasel face, knowing what he’s done with Philippe and knowing he didn’t do it because of any affection or need. *burns him in effigy*.
We see Philippe with Liselotte by his side, looking mighty unimpressed (sames, Madame. Sames). Louis looks back at Maintenon. Thomas finishes his blah-blah, they all clap and Marchal approaches.  Louis praises Thomas and Thomas-the-weasel smiles his shitty little smug smile UGH *smashes his face*.
Look at him. That is one backpfeifengesicht if ever I saw one.
 Louis is well pleased: “your love of detail and fidelity to the truth can only be applauded, Thomas.” Does Philippe agree with this awesomeness? “Makes French breasts burst with pride, brother.” And OMG that truly FILTHY look Liselotte gives Philippe. I just can’t even 😂  Louis finishes with, “one day soon, I shall reward you in full.” which sounds quite ominous and creepy and I wonder if on some level, Thomas kind of knows that his cover is blown. But still, he smiles and is all “thank you, Sire,” and then Louis looks to Marchal and we are back to secret spy business. The Queen glances at Maintenon and I am wondering if she knows about the garden snogging. Surely someone has told her by now? Louis, Marchal and Bontemps make a huddle under a really nice garden canopy and see CHAIRS WITH ARMS that should not be there but hold that thought because they’re now talking about Agathe. Potions have been found, plus satanic materials. Louis is all, “bring her to me,” and Marchal is “to the palace?”
Hell, yeah. Louis is all about never showing fear to the devil and I could spend pages making screen caps of Marchal’s expressions, so full of thought yet revealing nothing. Marchal hands over the client book and Louis looks taken aback. Agathe is the source of the poisons. “How many were involved?” Louis wants to know, but there are too many to count, which we see as Louis flicks through page after page of names and details….aaaaaand his gaze falls upon a familiar name. The Duc de Luxembourg. THEN….. there it is.
Marquise de Montespan. And Louis cannot quite believe it.  He looks up from the book, across the gathered nobles, and watches Montespan in a subdued gown, standing on the edges as if already an outcast, looking from the outside in at all the favoured ones. You can see him thinking, going back through his memories to all the times she could have possibly snuck him something, got him to take drugs… all the opportunities she had. I think he’s a bit shook.
CUE INTRO MUSIC FOR THE LAST TIME THIS SEASON.
The guards bring Agathe into a private room with Marchal, Louis and Bontemps, and she offers a deep and mocking bow, to which Bontemps is offended. “You would be advised to show respect.” Yeah, nup. Agathe is all smirky and smug and hey, here’s another one whose face is in need of a slap. “You stand accused of witchcraft and sorcery,” Louis says tightly. Unsurprisingly. she pleads guilty on both counts. She is not a person to snivel and beg. She seems to me someone who would proudly claim all the deeds she is charged with. She claps back with, “to what do you stand accused? Tyranny? Arrogance? Vanity?” Louis ain’t biting, instead asking about Montespan. “Her hands are clean,” Agathe says. “She came to me for a love potion.” She laughs. “Don’t try and tell me it didn’t work?” Louis slowly circles her. “I would have expected more humility in your predicament.” Ah, but she already knows her fate. She laughs again: “They tell me Good Friday is an apt time for a sacrifice.” Louis is quite a bit offended that she is ridiculing her maker. But Agathe doesn’t care; she does not seek forgiveness: “I am not the sinner here. You and your Lord have no dominion in my world.” Which is quite a good comeback for people who want to push their religious beliefs upon those who do not follow that faith, but in 17th century France it is not really a smart idea to shun the church so publicly. Especially to Louis. “We are equals, you and I,” she goes on, almost pityingly. “You cannot choose to be born a king. Anymore than I choose to be a pauper.” That simply ENRAGES Louis and he yells back: “I am chosen by GOD!” Agathe raises her voice too: “Your Lord giveth and he will taketh away. History will record your fleeting moment in blood! A tide is coming that will SWEEP YOU AWAY!” (OMG this is so powerful, it gave me chills!) Louis studies her a moment then steps back, says calmly, “All of Versailles will see you burn for this.” Agathe gets a little ranty, says “I will not be vanquished while my agents are at large.” (oooh, Louis’ expression, knowing she has more people working for her…) She gets louder, saying how she has sewn the seeds of sedition and is going to turn everything into… I dunno what because Bontemps suddenly loses his shit, steps forward and does what we all want to do and slaps her across the face. As she’s dragged from the room, she yells, “A TIDE!” and then she’s gone and Louis looks at Marchal and says, “find who they are.” Then we cut to Agathe being led through the palace, through the salons, and everyone turns to watch this display, some with “OH SHIT” expressions, and she smirks at Gaston and Montespan as she gets hustled out. Gaston mumbles, “show a brave face. So there can be no suspicion.” But Montespan ain’t having that. Or him. She wants nothing more to do with him. It’s over and nothing can be proven. (RLY?) In time it will all be forgotten, apparently. (RLY????) Gaston disagrees. He moves off as everyone else is stuck in gossipy whispers.
Ah, and it is evening and we are with Cassel who is coughing up blood in his bed. Man, he looks really bad. I guess that’s what slowly being poisoned will do to you. Sophie steps to the bed, asking what he will have her do. “Water, please,” he rasps, looking all haggard and on his last legs. She serves him, helps him drink and it is clear she is quite upset about it. Poor thing. She looks torn, and I am really liking the depth of humanity she shows. She could have been written as cold and determined: considering what Cassel did to her, I would not have been surprised. But instead her character remains true to her heart and she is feeling remorse and conflict with her actions.
We are back in Louis’ bedchamber with Bontemps, Marchal and the little black book of Agathes’. Bontemps is frustrated – he says Hercules rid himself of the hydra by chopping off all its’ heads. Louis throws down the book in frustration and stomps out, and we next see Montespan asleep in her bed. Louis suddenly enters and she slowly sits up, cautious. His Majesty has come to the wrong room, perhaps? Louis says nup, it was def. you I came to see. And of course, Montespan is weirded out and wondering what he is up to. He leans in on the bed, staring at her. “It has been a long time.” Montespan replies: “Not since you have been with another woman.” Yeah, nup. She’s wrong – Louis has been occupied. “With Madame Scarron?” AHHHH, now SOMEONE notices! But apparently that is careless talk, and “She is Madame de Maintenon now.” OF COURSE SHE IS. Of course, everyone will think you are shagging her, now she has a fancy title and chateau and stuffs. Then Louis holds out his hand to Montespan, even smiles and wiggles his fingers as she hesitates. “What have you been up to?” He asks casually and OMG the look on her face….. She slowly rises from the bed. “Keeping a low profile. Waiting. Hoping.” Louis replies: “The waiting is over,” and the brief smile on Montespan’s face gives me a sad. “I hope so,” she says, then circles him slowly. “I knew it,” she finally adds, with an almost smug smile. (UGH. Not sad anymore) “I know you better than anyone. I knew it was a lie when you said you did not love me.” He steps behind her, gently brushes her shoulders. Apparently everyone lies sometimes. Oh, but she has never lied about her feelings for him. But in other things? asks Louis. She turns to face him and declares, “I have nothing to hide.” Louis replies with “There is sin in thought as well as deed,” and he is so giving her a chance to confess right here, but she is gonna brazen it out. She has nothing to confess, except that she loves him. As Louis removes her nightshift she says she will do anything to have him back. Louis replies, “For that, you must tell me the truth.” Fully nekkid, Montespan slides back onto the bed, obvs thinking she can win him over with nekkid boobage and her magic vajayjay, saying, “come to me, my king. I will show you I have no secrets.” He gives her a brief look up and down, then crawls onto the bed over her, kissing up from her belly, then strokes back her hair, murmurs, “finally. The scales fall from my eyes.” She moves in to kiss him, and they do, then he holds her back and the grip on her face looks pretty uncomfortable. She gasps as he gets out, “and you have betrayed me for the last time.” (Louis getting his Darth Vader on, lulz). Then he pushes her face back, then shoves her legs aside in contempt and walks out as she curls up naked on the bed and cries. OKAY, she is not very cluey, is she? How can she not think at least something was off when he chooses to see her and starts talking about secrets after she JUST SAW Agathe arrested the same day? Maybe a, “hmmm…. he has rejected me, told me he didn’t love me, then Agathe the witch gets arrested and now he’s asking me about what secrets I am holding onto?” SUSPICIOUS, MUCH?
Next day, and Louis meets the duc de Luxembourg, all smiles and hellos. Eh-up, there’s gonna be some major shit going down now. And what a lovely scene this is, with Louis’ intelligence and gift for words really coming out here when he says he needs the Duc’s help with ‘a dilemma’.
Louis: I am in two minds how to deal with my enemies. Do I educate them or punish them? Luxembourg: Depends what they’ve done, Sire. Louis: (casually) Well, if I came upon information incriminating someone I trusted…. how should I deal with that betrayal? Luxembourg: (clearly unaware) There is only one way to deal with a traitor, Sire. Louis: (gently laughs) Even if it was someone like you?
*CLANG* The penny drops for Luxembourg. He knows. They stare at each other and Louis’ smile slowly falls away. Luxembourg’s expression goes from disbelief to distress and he starts to cry as he hangs his head. Louis says calmly. “If you tell me the truth, you can leave through that door.” (such a beautiful door it is, too. Look. I would want to take it with me, not gonna lie.) “If you do not, you will leave through that door.” His other option is, of course, still a beautiful door, but flanked with the king’s guards, so obvs not the smart choice.
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Glorious door to freedom
Glorious door to jail
I’ll take door number one, thanks, Eddie.
So now we hear Luxembourg’s reasons: “My wife’s father was obstructing our investments. She wished him dead.” The in-laws. Dammit. Those bastards. He heard about Agathe supplying poison and invited dear ol’ Dad around for supper. Louis says he is deeply saddened Luxembourg didn’t come to him… “I am a reasonable man. I always help those loyal to the crown.” Luxembourg snaps back with, “I fear you would not listen unless it was part of your plan!” Look at the shock on Louis’ face…. LOOK AT IT!
 “Because I frighten you?” Louis gets out. “Is that it? Because I am a tyrant?” Clearly, Agathe’s words have resonated. “You killed a nobleman in my palace.” Shit. Luxembourg cries, “I beg forgiveness, Sire! I will devote my life to your service without question.” Yeah….. Louis smiles at him, says he appreciates his honesty… “my friend.” Luxembourg thanks him, kisses Louis’ ring and steps to the unguarded door. Uh-uh. Not so fast. The doors open, the guards enter and yesssss….. Marchal enters too. Luxembourg is all WTAF??? but Louis says calmly, “do you really think I could let this go unpunished? After all I have given you?  FRANCE. REWARDS. HER LOYAL SERVANTS. AND SHE PUNISHES THOSE WHO BETRAY HER!” You go, Louis, getting all aggro and yelly and I Am The GODDAMN KING.  Luxembourg is removed and Louis says tightly to Marchal, “Strike now. Without mercy.” And the Marquise de Montespan? “Not yet.”
Now we have a fab montage of short scenes, with Marchal and guards (shout out to the lovely Cédric Vallet, who is Marchal’s Chief Musketeer), entering the rooms of nobles, dragging them from their beds and rounding them up from the salons. Women, men… all in chaos. We see a dude hurrying down a corridor, then locking himself in a salon, but the guards are inside and he gets grabbed and dragged away .. and can we stop for a moment to acknowledge Marchal casually sipping wine amidst all this arresting? LULZ. Montespan sees this, and Gaston slithers over, hisses, “They’re arresting half the court!” And she is all, “calm yourself. We two remain in the clear.” But for how much longer? He wants to make a tactical withdrawal but Montespan disagrees. She wants to “push ahead.” ……with what? Oh, I’m glad you asked. “There is one person who deserves punishment above all.” Gaston is freaked by another noble being dragged out, but Montespan, however, is so very cool.
New scene and urgent ominous music plays as we see a shot of the village and then Gaston in Agathe’s house, retrieving a bundle from a hidden hole in the roof. Then he’s back in his rooms at Versailles, brushes off Odile (?? Why is she grabbing him?) then opens the bundle, revealing bottles of poison. “What are going to do with them?” Odile asks. Gaston gets out: “Go get me something to drink.” She goes, but does not look happy.
We are now out in the gardens, on a pleasant stroll with Thomas (UGH) and Philippe. While the gardens are lovely, Thomas wants to know where they are going… somewhere private, away from prying eyes? Nah, Philippe is in more of a romantic mood, indicating a stone bench set against a row of hedges (which still looks fairly public, being in clear sight of strolling courtiers) and a valet with wine and noms. “What is life worth if you can’t bask in beauty? And talk about poetry? The words of love?” Thomas laments the fact that his words these days are military, all about the king’s ambitions. Ahhh, so here Philippe is planting the seed, because he still has to tell Thomas all that stuff Louis wanted him to, but without arousing Thomas’ suspicions. Philippe subtly flatters, saying Thomas is a poet, that he sees the reality behind the façade. He all-casual-like leans against Thomas as he launches into it: “take Versailles, for example. It is truly a triumph of style over substance. It has my brother written all over. Same goes for the war. He has you writing all that propaganda when the truth is, things are obviously in chaos.”
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He charms and flirts and touches Thomas’ hair, making Thomas laugh. It’s a very good effort. “Why would you withdraw all of your troops from Holland, when we all know that is where the real war is won or lost?” Yeah, Thomas’ expression indicates he’s noticed that little clue being dropped. But I’m not sure he knows he has been played. Then Thomas places his glass down, turns to kiss Philippe, and as Philippe shifts to get into it, says “the king expects me back in court.” Philippe looks at him, smiles: “We could just have sex if you’d rather.” Huh. Thomas smiles back. “Maybe later.” (and GTFO WITH THAT SHIT. He’s just not that into you, Philippe. He is soooo not down with the man love AT ALL. UGH. Because the only legitimate excuse for denying a prince is going above his head, claiming the king needs him) Thomas leaves and Philippe’s expression is all uggggh, dammit. Failed again. I don’t think he’s annoyed with the cockblocking, tbh. More like, “I need to keep him here, to convince him of this fake war story.” We see Thomas stomp off with such a shitty look on his face and I think that maybe he has swallowed that little story of Philippes’.
Maybe….. Maybe not. Because we are back with Cassel on his deathbed… He rasps, “Is that you, my dear…”  To which Thomas answers, “you must be losing your sight.” WTF Cassel has HIS EYES CLOSED. Cassel replies: “I can still detect a bad smell.” AHHH. Thomas is furious. “It was you, wasn’t it? You betrayed me to the king.” Cassel gets out: “Now why would you think that?” The Duc may be one step away from kicking the bucket, but is still sassy as hell.
So, Philippe’s jig is up. Totally. The spy was spied on and now he’s aware of the spy spying on him. But the second spy is still spying, thinking the original spy is still in spy-mode. Thomas says he knows because of a sudden enthusiasm for his company by a certain Monsieur and a “strong urge to divulge secrets of State.” I KNEW Philippe was coming on too strong! Thomas is quite angry, wants to know if Cassel betrayed him to the king, and I detect a certain outrage, and I am all a bit WTF, as if Cassel had any kind of loyalty to Thomas. Cassel starts to laugh and Thomas grabs him by the throat. “I warned you! Didn’t I?” And srsly, why would Cassel give one shit about Thomas blackmailing him when Cassel knows he is dying? I would totally do the same in Cassel’s shoes – snitching on the asshole who’s not only blackmailing him, but also shagging his wife. Although I’m not sure if he did it for the first reason more than the second. Whatever the reason, Thomas is going down and Cassel is pleased. Then we see Sophie approaching the rooms, and Thomas still chokes Cassel, then Sophie bursts in and shoves Thomas off him. She is teary… “I’m sorry,” she whispers to Cassel (oh, my heart!) and Cassel whispers, “Sophie…” touches her face and is gone. Meanwhile, Thomas is being a broody little shit behind them, giving her a look when she glances back at him.
Whew. And we are only 22 minutes into the ep!
We are now in Louis’ rooms with Philippe giving them all a debrief.  And Philippe is all uuuugh: “I said you were making a mess of it by withdrawing the troops from Holland so you could focus on tackling the east. Then he left.” He was due to speak with Louis an hour ago. Bontemps asks if Thomas has seen through it. Philippe adds, “we were drinking. It was in the heat of passion.” …..Ummmm. It wasn’t really. Not much passion there, just a brief kiss from Thomas. Louis gives him a look, Philippe looks back at him. Philippe: That’s exactly what we agreed, wasn’t it? Louis: You took him for a fool. An error of judgement. And not for the last time. Philippe: That’s not fair! I’m the one selling his arse for France! Louis: Find him! Maybe it’s not too late to retrieve the situation. Philippe gives a mocking bow then leaves as Louis adds, “he must not leave the palace.”
Back in Sophie’s rooms, where she is demanding to know why Thomas would hurt a dying man. He grabs her hand: “There’s no time to explain. I must leave tonight and I want you to come with me.” Sophie is all confused and breathless and worried. “Why should I trust you?” Thomas replies: “If they catch me, they will kill me.” Okay, using Cassel’s death as an excuse. Which is a bit silly, considering everyone knew Cassel was dying and no one else knows Thomas strangled him. Sophie could just not say anything and Thomas would be in the clear. Yyeah, Sophie ain’t down with that shit: “Why? What have you done? What kind of outlaw are you?” YAY! uhhh…… No…. here we go. Thomas plays the blackmail card: “one who knows all about you. That you are a Protestant and that your mother conspired against the king for William of Orange.” The penny drops for Sophie now. GOOD GIRL. but UGH he plays that “yes, I am a spy too but then I fell in love with you, now are you coming with me or not?!” card and I am yelling at my screen going “NOOO SOPHIE DO NOT BE SO STUPID UGGGGH.” She is confused and he kisses her, tells her he’ll be at the stables at midnight, then swiftly leaves. And Sophie is looking distraught and I want her to go to Marchal for help because we all know HE WILL FIX IT.
Tbh, I thought I’d be more happy with Cassel’s death. He was a nasty piece of shit, sure. But he also had complexity and depth and he did something ultimately for the good of the king. And Louis, to his credit, did not throw him in jail when Cassel confessed to conspiracy. Pip Torrens was brilliant on the screen and I will miss his evilness.
Philippe returns to his rooms, tosses his coat on the bed and we see the Chevalier (FINALLY) in a chair, an empty glass and two more with wine on the table. “Where the fuck have you been?” He says softly yet angrily and I have to pause for a second. Did Philippe not tell him to GTFO in ep 9 after that attempted suicide stunt? “Here we go again,” murmurs Philippe and I am totally with him on that one. *sigh*
The Chevalier: You were with him, weren’t you? Philippe: (pours water into the empty wine glass) I’m not going to have this conversation with you. The Chevalier: Then I’m going ’round to your little sweetheart right now and I’m going to rip his throat out. Philippe: You’re not going to do anything of the kind because you’re a notorious coward and he’s not my sweetheart. The Chevalier: (gives him a look then gets to his feet) I’m a coward, am I? Do you really want to see how brave I can be? Philippe: Look, it’s not what you think! The Chevalier: (limp-stomps to the bed and grabs his coat) I think he’s a snivelling little bastard. And I’ll kill him.
Philippe gives him a look and I actually think that he believes the Chevalier will actually follow through. As the Chevalier heads to the doors, Philippe blurts out, “It’s a charade. Louis is using me to feed information to the Dutch. That’s why I’m flirting with him.” The Chevalier turns, snorts. “I’ve heard some lame excuses in my time..” then walks out. And I am WTAF he WANTED the truth and when he gets it, he doesn’t believe it???? SRSLY? What is so far-fetched with that scenario, given what happened in S1????
Right. We are in the gardens now, with Louis and Maintenon strolling, then taking a seat along a path. Louis comes here for sanctuary, apparently. Then he tells her he has a record of who is behind the poisonings. Hundreds of them. His friends. (and right now I am so reminded of the differences between how Louis is portrayed in the series, compared with Benoît Magimel’s version in the 2000 movie, Le Roi Danse. There is a magnificent scene between him and Lully, his court composer, where Lully says, “I thought we were friends, and Louis replies coolly, “I have no friends.” If you can find the English subtitled version, I urge you to watch. You can buy the French DVD from Amazon)
Anyway, back to Louis and Maintenon, and Louis says some of those friends are “close…. very close. One in particular.” Maintenon, with her calm voice of reason, replies, “then the betrayal is greater. An untreated wound can fester in the soul just as in the body.” Yes, Louis knows what he must do, and wonders why he hesitates, why he doubts himself. And Maintenon is all “Look into my eyes. I believe in you. You must trust yourself.” And Louis says, “you are perfect,” and they have a good ol’ snog. And OMG it JUST occurred to me that they killed off Jacques to make way for Maintenon! All his cryptic metaphors and calm advice, coming from a place of unselfishness, and borne of a desire to just help Louis rather than gain something in return. This is EXACTLY what Maintenon is doing. Even their tone of voice is similar. But now with Maintenon, you get the romantic element thrown in, plus the jealousy from Montespan (and likely the queen when she finds out they’re shagging). UUGGGGHHHH *MIND BLOWN* Anyways, Maintenon stops all the kissing and whispers about it being wrong, and lulz Louis plays the ‘how can it be when God has sent you to me?’ card and when she reminds him he is married, he is all “it is a marriage without love.” Ouch, queen. “And me?” Maintenon replies. “What would I be? Love without marriage?” UGH WOMAN. You overstep yourself just a bit to presume you know the king’s affections. She goes on: “Whatever exists between us is purer, stronger than the desires of the flesh.” Then totally gets up and leaves (WITHOUT HIS PERMISSION) and Louis is left sitting there quite a bit pissed off.
Right. I am so looking forward to Season 3 where they will hopefully show Louis with a stack more mistresses. Pleasepleaseplease….
Back in Montespan’s rooms now and she is looking determined about something. So Louis is under the impression that all she has done is ask Agathe for some love potions…? I think so. We see guards burst into another room, smash things up and find the pouch of poisons Gaston had retrieved previously. So, his rooms then. People stop by the door to gawp (car crash, 17th century version) and Gaston is there too, watching them as the Chief Musketeer claims, “one is missing,” and quite rightly decides it’s a smart idea to move along. He turns… ah-HA. Marchal stands behind him and it really looks like Gaston is about to wet himself. Still, he brazens it out with a cool “can I help you?” To which Marchal says just as coolly, “yes, I believe you can. Whether or not you are willing is another matter.” And the maid Odile is pulled forward by a guard. Gaston loses it… snarls out, “you TREACHEROUS BITCH!” and lunges forward, but Marchal.. OMG bless you, you wonderful man. Marchal grabs Gaston by the face and hurls him back into the guards. The poison pouch is shown, Gaston knows the jig is up, Marchal gives him a look then turns away. And Gaston is dragged, slo-mo-style, through the corridors for all to see, getting in Montespan’s face to give her a panicky stare-down, to which she does not bat an eyelash. His downfall is complete. Montespan quickly hurries off.
Marchal strides into his office/dungeon, Gaston behind, and they pass a bunch of locked-up nobles. Marchal shoves Gaston up against a cell, and a rough looking Agathe steps from the shadows, all messy and bloody about the face. Gaston gasps, “I have failed you. Forgive me.” But Agathe says nothing and he’s dragged away to a rat-cell. “You are defeated, witch,” Marchal says calmly. “where is your dark master now?” As he starts to walk away, Agathe replies: “In my head. just like he is in yours. We both know this is not over yet.” He gives her a cool, calculating look then walks away. And I am reminded of that scene in The Incredibles where Syndrome goes on about how stupid villains are when they go into a monologue about their plans and how the good guys won’t defeat them etc etc. AGATHE. WTF are you doing??? Has no one ever told you to, uhh…. like, NOT TELL THE GOOD GUYS THAT YOU’RE STILL DOING EVIL STUFFS?
We’re back in Sophie’s rooms, where she is cleaning up Cassel’s face, and Marchal is standing there and says what we are all thinking: “You have a very soft heart.” Sophie replies: “everybody deserves dignity in death.” Marchal wastes no time in telling her that he knows what she did, that her name was on a list. Oh, and LORDY how much do I LOOOOVE this man when he adds, “It has now been erased. You conscience should be clear.” Sophie abruptly stands, says tightly. “And what of your conscience? Is that clean?” Marchal: “I leave the past behind me. I hope you will do the same.” To which Sophie does a massive nose curl and strides to the dresser to retrieve a bag. WTF is she so angry with him??? Marchal issues a word of warning: “Your lover may not be the man you think he is.” well, DUH. We know this. Why can he not just forbid her to go? Even lock her up for her own good? Or maybe… tell her?? But no. She simply says to him, “everybody has their secrets,” then walks out the door.
Right, so we see Thomas enter his dark rooms, then rummage through a trunk. He jumps when Philippe casually asks from the bed, “where do you think you’re going?” and is all ‘what are you doing here?’ Philippe:  “I like surprises,” and rises from the bed. “And I don’t like people walking out on me.” Thomas gets a bit grovelly: “I’m very sorry, I had urgent matters to attend to,” and Philippe is sorry too – for coming on a bit too strong (WAT. Thomas has already given him a blow job – I think the ‘coming on too strong’ is moot at this point) . And Philippe doesn’t at all sound sincere, especially when he says they could maybe try again. NOOO. THOMAS KNOWS. Okay, so there’s quite a bit of snogging then Philippe pushes Thomas back onto the bed, then more snogging. UGH. Then…. Philippe reaches for a dagger in his breeches, Thomas notices and is all, “That’s not very nice of you.”
And it is ON.
Thomas hurls Philippe from the bed and the knife slices through a window covering. Philippe slashes forward but Thomas leaps back every time. Thomas grabs a pot/vase and deflects a blow, before Philippe knocks it from his hand. Philippe lunges and they then wrestle for the knife, falling over a table and slamming into the floor. Philippe thrusts again, Thomas grabs his arm, Philippe punches Thomas in the face but it’s obviously not hard enough because Thomas punches back and Philippe goes down. As he lays there, dazed and prone, Thomas crawls onto him and just starts wailing into Philippe (OMG *CRIES*) punching him until his nose is all bloody. NOOOOOOOO. Why are there no guards rushing in for backup? Then Thomas picks up the dagger and FFS DOES this IDIOT not know how bad it would be to kill the king’s brother???
THEN OMG……. THE CHEVALIER TO THE RESCUE!!!!!!
I am pretty sure I screamed at this point. The fight scenes as so very well choreographed.
The Chevalier glances at prone Philippe in panic and horror, then leaps forward, yelling for the guards as Thomas runs to the window and leaps out into the night.
Now we have two simultaneous scenes – Thomas hurrying to the stables, and the guards rushing in and the Chevalier all trembly over Philippe, seeing all the blood and not seeing him move. The guards are NOT MOVING THEIR ASSES QUICK ENOUGH, no, they just look casually out the damn window, meanwhile Thomas watches Sophie standing with two horses and a stable dude, all out there on the grass and in the open. Thomas strides out, smiles as Sophie gives a little relieved gasp…. and then the Chevalier just seems to appear from the shadows behind him, with such a fucking badass look on his face. He slowly raises his musket and takes cool, calm aim.
And shoots Thomas.
ABOUT FUCKING TIME. YESSSSS! THIS IS WHAT THE CHEVALIER IS ALL ABOUT AND I AM TOTALLY ON BOARD THIS TRAIN!! WOOOOHOOOOO!!!!
Sophie screams, Thomas collapses, the horses rear, and the smoke wisps around the Chevalier like some awesome metaphor for dark vigilante justice and badassery. YES.
Sophie rushes over to Thomas, holds his  head in her lap as he bleeds and goes through the motions of dying, then she kisses him and hurries over to mount her horse while the guards come a-running, Marchal in the lead. Marchal yells out, “STOP!” but Sophie wheels her horse around and gallops through the gates. The guards take aim but Marchal commands them all to hold their fire. “She is innocent,” he says, as the Chevalier stands there all casual-like with his musket pointed in the air. I love them both right now..
Whew. Well, we are back in the palace, in Louis’ rooms, and Philippe dabs at his bleeding nose while the Chevalier attempts to explain to Louis why he shot Thomas: “Believe me, Sire, I had no intention of causing trouble. I saw your brother in pain… My anger was too strong for me.” And I am just going NOOOOOO why does he have to ruin his Badass Shooting with a grovelling apology? This is what he should be doing after that little shit beat the crap out of THE BLOODY PRINCE OF FRANCE! He deserved to die and no one is going to judge the Chevalier for killing him. Hell, he would be celebrated for coming to Philippe’s defence. And yet, here we are, listening to him stutter and desperately justify his actions to Louis. And then Louis commands him to silence and says, “I have brought you here to express my gratitude. You have shown honour and valour in ridding the palace of a dangerous spy.” Stunned Chevalier is stunned. Louis continues: “And as a reward you will receive an annual stipend so you are no longer in debt, nor so reliant on my brother, and you will be given rooms in the east wing.” As the Chevalier can’t quite believe it, Louis issues a condition, that he start to “behave like a nobleman. Your predilection for alcohol and powders will cease if you wish to remain associated with my court.”  Of course, the Chevalier is gushingly grateful, to which Louis repeats, “Will you shut up?” Okay, let me get this right. The Chevalier had thought that by killing Thomas (whom he did not believe was a spy even though Philippe told him so: we see his surprise when Louis confirms it) would mean punishment from Louis? Punishment for killing a man who was about to kill the Prince of France? FUCKSAKE. The Chevalier is a high-ranking noble (not that we see it here: his importance to the court seems to have either been ignored or glossed over in the telling) so he damn-well knows it would be his duty to kill weasel Thomas. And he would also know that Louis would be grateful for it and very likely reward him. So the Chevalier’s surprise when Louis not only thanks him but gives him monies is so very frustrating, because it’s not the way it would’ve happened.
So now Louis then goes over to Philippe. Louis: Brother. You are alive. Philippe: (quietly) No thanks to you. Louis: You were in the service of France. Philippe: It would’ve been good propaganda, wouldn’t it? Had I died. Your brother sacrifices himself. For you. Louis: Please, try to be reasonable- Philippe: What would you have written on my tombstone? (small snort) Gave his arse for France? (Slowly heads to the doors) Louis: Brother, please. (Philippe slowly turns) If you had died tonight I would have lost my closest friend. Philippe: (looking sad and forlorn) Why should I believe you? Louis: Because after all we have been through… After all the hurt I have caused you, you love me as I love you. (walks towards sad puppy face Philippe). If you walk out now, you walk out on that love.
And then, with Philippe all still bashed and bloody and SAD PUPPY EYES, Philippe is the one to lean in first and they embrace and the music swells and yes, I CRY because this is the one thing Philippe wanted from Louis and now he finally has it OMGGGG…. And then….. Louis says, “Tomorrow you will go to war. If that is what you wish.” Philippe cannot quite believe it, and he immediately glances over to the Chevalier who is watching their exchange, and I can see his face is sad but also kinda “yes, this is what you really want, I know.” Then Philippe says to Louis, “no sudden last-minute change of mind?” And Louis gives a small smile and replies: “I want you to go to Holland and destroy William of Orange. For me. For France. For you.” Philippe smiles, turns and walks out, and the Chevalier quickly follows, giving Louis a bow.
Wow. Okay. Nearly 20mins to go and I am EMOTIONALLY DRAINED. We are now moving through the dungeons, the camera shaky and rapid, with a creepy whisper in the air, and we get to Agathe’s cell where she paces and chants creepy-Satan things in (possibly) Latin. The guard outside looks worried and crosses himself, and we cut to Montespan in her room at a table, toying with a vial of poison. Agathe still whisper-chants, Montespan appears to be thinking.
Then we are back outside, daytime, seeing shots of the gardens before we watch Montespan enter the chapel in a subdued dress and vail. She is in confession with Bossuet and he does not look impressed. “I have done things. Evil things. I accuse myself of sins of the flesh. Of pride. And of wrath. And of other things I dare not mention.” Is she truly sorry, Bossuet asks? She is. Oh, then that’s okay because the Lord will forgive her if she says the act of contrition. And she does, and it is a VERY GOOD recital, with the correct inflection of emotion and tears. Bossuet looks forward to seeing her at communion, and is pleasantly surprised when Montespan asks permission to stay and pray. So she goes through the motions, kneeling and signing the cross, and Bossuet watches her and is well pleased and happy because he thinks she is all penitent and has found God. UGH. Yeah, the look she gives his retreating back tells us quite clearly she is still the same old Montespan and up to something.
Louis is going through his morning lever, looking not very happy, and then he and the queen walk into the chapel as holy music swells, then Philippe and a not-very-impressed Liselotte enter (the Chevalier immediately behind them) and Philippe says to Liselotte, “You did well to stay. Versailles is fun once you get used to it.” Liselotte replies: “Versailles will be fun when it gets used to me.” Everyone walks in, courtiers bow, and all take their place as the hymn continues. The Chevalier steps to Philippe’s side, but Philippe says and does nothing. Louis eyes Maintenon, who looks a bit heart-eyes and breathy. The queen is looking a bit.. stoic? Tight lipped? Maybe she has found out about the snogging? Then Louis and the queen kneel and the sermon begins. Meanwhile, Montespan walks in after everyone is focused on Bossuet: “It is only through the light can the long shadow of death be banished.” he says. Quite a subtext here, all about hope and resurrection and peace, and Montespan is struggling to hold it together.
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We are in Marchal’s dungeon now, and he is punching the crap out of Gaston, wanting to know who Agathe’s other agents are. Gaston is all panicky when Marchal prepares to break his pinky finger, quickly getting out, “I can save the king’s life! But not if you touch another hair on my head.” As Marchal slowly steps back, Gaston adds, “and in return you will give me full amnesty and safe passage to Bordeaux.” Marchal says that only the king can grant such a wish, and Gaston half-laughs and says something that sounds like, “the faster he’ll run or no wishes at all.” Then adds, “the ghosts of his victims are here for revenge.” Marchal is not impressed: “you will be freed only if the king survives.” Gaston swallows. “Can I trust you?” (LULWAT). And in answer, Marchal shoves him against the wooden post he’s chained to, grabs his shirt front and says, “if he dies, you die.” Then the church bells begin to chime, the hymns swell and we see Bossuet walking with the wine and wafers… Montespan starts to cry…. everyone lines up to receive the blessing as Bossuet reads from the bible in Latin…. then we are back with Gaston and Marchal and Gaston says, “Hmmm. Easter Sunday. A sermon. Prayers-” Marchal begins to think as Gaston adds, “Tick. Tock. Tick. Tock.” And Marchal strides out. Cut back to the chapel, to the singing choir as Bossuet picks up a wafer and places it in Louis’ mouth… and Montespan is desperately trying to hold it together, tears now falling, her face torn with emotion. And damn, GO, MARCHAL!!!!! RUN LIKE THE WIND!!!! He races through the gates, across the courtyard, then pelts up the stairs, screaming, “DOORS!”
Back in the chapel, and the queen receives the wafer, then the wine is uncovered and poured, and Montespan is losing it now, in real distress. And the hymn still plays over the top of these scenes, giving them all a creepy, fatalistic ambiance. The wine is poured in slo-mo, and then the camera pans to the crowd – we see Louvois, Bontemps – and the wine just keeps going. Bossuet stops, Louis makes the sign on the cross… and we are running with Marchal, the camera all shaky, heading hell-for-leather straight to the chapel doors, and the guards quickly open them and then we see the choir still singing, all pure and ethereal as Louis takes the wine glass and brings it to his lips… Montespan wipes her tear-stained face, openly distraught, and Louis tilts the cup up and OMG THE TENSION IS KILLING MEEEEEEEE and JUST as he is about to take a sip, Marchal charges in and screams, “NOOOOOO!!!!!” and Louis stops, Marchal races up to him and takes the cup, murmurs breathlessly, “it is poison, Sire.  De Foix  confessed.” As everyone whispers, Louis and Bontemps look shocked, then Bontemps takes the wine jug and Louis says, “who else? He could not have done this alone.” And Marchal and Louis share a look, Marchal looking confused then thoughtful and they both slowly turn to look at the assembled crowd. Louis knows. He scans the faces… then he sees her, tears in her eyes and gasping. He knows. His expression is almost disbelieving for a second, then his face hardens as it sinks in. Montespan gasps, hand over her mouth, turns and walks out.
Next scene – we enter a private room of Louis’ and see Montespan in front of Louis, Maintenon standing near a window, a fire burning in the hearth. “Someone tried to poison me while I worshipped God,” Louis begins tightly. Montespan says she is innocent, but Louis does not believe it. “Innocent?” He holds out Agathe’s black book. “Yet you procured poison.” Ah, now she changes her story to “It was a mistake. I did not go through with it.” And what about the heretic priest? A satanic mass? The blood of a child spilled? Montespan is teary. “No, I could never do such a thing!” Yeah, Louis ain’t having none of that. “You went to see him! ADMIT IT!”
Her reply? “Everything I did, I did for you.” Oh, okaaaay, then. That makes it perfectly OKAY and TOTALLY NOT HER FAULT.  Louis slowly circles her, his anger and disgust clear…. then slowly, almost as if against his better judgement, he reaches out and gently touches her bare neck, his fingers stroking. “I gave you my heart,” he whispers, almost disbelieving. “My soul. My love.” Then he looks across the room to where Maintenon stands at the open window, light streaming through, and the metaphor of Godly light is so very obvious. Louis’ gaze returns to the back of Montespan’s head, his expression firm. “That love has died.” Montespan is nothing but uber-determined as she whispers back, “it cannot die.” Louis slowly removes his hand from her as she gets out in a teary, breathy whisper. “I made you who you are. I made you complete and I cannot live without you. You cannot live without me.” Louis looks at her directly, replies almost gently: “That was true once. But not now.” She weeps as he adds, “without you, I am myself.” Montespan finally gets it now: “I will leave. If that is what you want. You will never hear from me again.” Louis glances to the still-silent Maintenon, then back to Montespan.
Ohhh, the look on his face. LOOK AT IT. Then he drops it: “No. You will remain here at Versailles. An anonymous noble without the king’s favour. That will be your punishment. Bear the guilt and shame forever. You will leave behind the life you once led. You will attend prayers and mass. You will neither drink, nor gamble. You will be known for your piety and your humility.” And oh, Montespan is in distress weepy tears mode (but still looking gorgeous, dammit) as she struggles out, “you condemn me to death!” But Louis is not swayed one bit. “The Marquise de Montespan,” he says, “who had the world and the king of France at her feet, no longer exists.” Montespan struggles to breathe as she cries, knows it is now truly over for her. Condemned to be a nobody, a nothing. Everything that she loathed and desperately tried not to be. Everything she spent her last waking moment trying to avoid. And finally, as she stands there in tears, Maintenon hurries over and embraces her, gives Louis a look, then leads the fallen-from-grace Montespan from the room.  Maintenon then returns to a stoic Louis, puts a hand to his cheek, then whispers cryptically, “even the darkest night gives way to dawn.”
*Historical note: It was never suggested that Montespan ever tried to poison Louis, rather just put things in his wine and food to ‘increase his passion and love’ for her when she suspected her favour was falling. An ex-lover of Louis was, however, accused of wanting to poison him, a Claude de vin des Œillets, who was angry that Louis did not officially recognise her daughter as his.  You can read all about her here.
Well. Nearly over now. We are in Philippe’s rooms and he is standing before a mirror, dressing in a golden sash and OMG I am expecting some more emotional shit to go down. Liselotte says, “but if you are killed, what of our son?” Philippe replies: “you will find someone else to take the role of the father.” They both glance across to the Chevalier who is standing by the window… WAT. AHAHAHAHAAAAAA NOPE. SO WRONG.  
Anyways, Philippe takes Liselotte’s hand, says, “we will write to each other. Every day. I want a full report on your health and well being.” She nods with a smile. “And remember,” he says lightly, “this is Versailles. You should be happy.” They laugh softly, he kisses her cheek and then he takes a bolstering breath and walks to the Chevalier. “How do I look?” The Chevalier can barely glance at him, he’s so upset. “Passable.” Philippe is sad; “I thought you’d be pleased for me.” The Chevalier replies: “And I thought you’d be grateful to me.” Philippe’s eyes fill with tears as the Chevalier continues, moving to him: “Didn’t I save your life? So why risk it now? On a stupid battlefield?” UGH. Poor Philippe, you can see the emotion on his face and we know the Chevalier’s words are because he is hurting that he may lose Philippe again. Philippe looks at him, says calmly, “I will always love you. But there are things I must do before I can love you again.”
WAAAAAAHHHHHH!!!!!! *SOBS UNCONTROLLABLY*
The Chevalier’s gaze drops to the floor…. Philippe leans in and their foreheads touch, their eyes both gently close as the moment fills with emotion. “-as I wish,” Philippe finally whispers. “And you deserve.” They kiss, sweetly, tenderly and I am an absolute mess because this is what they need, an honest moment sharing what is in their hearts, a kiss that shows what they mean to each other. The Chevalier is shaking, they both smile through the tears, then the Chevalier finally whispers, “go.”
Philippe turns, looks at Liselotte, picks up his sword then strides to the doors, goes through them with his generals, the servants bowing. He glances back as he walks, and Liselotte and the Chevalier are framed in the doorway, Liselotte slowly taking the Chevalier’s hand in a show of solidarity and support… he turns back, gives a sigh, and then – as we all know this has been his dream all along – smiles to himself because he is FINALLY off to war.
No time to wipe those tears, people. We are here for the witch burning. We are in a courtyard and it has drawn a crowd. Burnings and hangings and other sorts of punishment were entertainment in those days: Tyburn Hill in London was like a regular day out for all, with refreshments being sold and nobles watching the hangings from the comfort of their carriages. Not only that, it was supposed to serve as a deterrent. Here we see the townsfolk gathered, and a royal box is set up to get full advantage of the spectacle. Agathe is led out, looking dirty and beaten, in chains and barefoot. The crowd yell at her, she remains silent with her head high. She is strapped to the pole. Then the camera cuts to the dungeons, to Gaston in chains as Marchal enters. Gaston smirks. He thinks he’s won his freedom…. nup. Marchal says, “take him to the pyre,” and his smug face falls.  Back with Agathe as she is tied up, and a parade of people in dirty fancy clothing walk past her…. the nobles she supplied poison to? I think so. They are herded before the pyre, and Gaston is shoved forward. Witnesses to the burning. Punishment. Louis steps up to the royal observation platform with the queen, the rest of the royal court spread out, and there are chants of “long live the king.” He looks to the man holding the huge burning torch and the pyre is lit. Agathe is expressionless… until the smoke drifts up and her feet feel the heat.
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We see reaction shots from the crowd – Montespan, a guard holding Luxembourg’s head so he is forced to watch. Peasants crossing themselves and glancing away. And the flames rise higher around Agathe. Louis reveals no emotion as he watches, stepping aside as the Dauphin walks up behind to watch (FINALLY we get to see him again! It’s been, like, eight whole eps in between). Agathe yells,”The Sun King! It is for his greed that you toil! For his vanity! You suffer! Rise up and fight! I URGE YOU! FIND YOUR POWER!” And the camera pans to the peasants but we cannot see any discontent, no nodding or whispering or agreeing with her. She’s two Louis too early. Still she screeches as the flames get higher, “Your days are numbered. Louis, King of France. You and your spawn!” Louis puts a hand on the Dauphin’s shoulder as Agathe keeps ranting, frothing at the mouth, spouting about how their flesh will be eaten by the worms of tyranny. It is a great monologue and, knowing what we do about French royal history, very prophetic. We see Maintenon looking a little distressed, Liselotte the same, the queen showing nothing and Louis with a ‘yeah, burn, you witch.’
And so she does, wailing like a banshee as the flames finally reach her. Marchal watches expressionless, Montespan glances away. Marchal’s guard struggles with Gaston, forcing his head up to watch Agathe burn. The camera pans over the royal platform, to all the expressions of horror while Agathe screams. Louis is still and silent, his gaze direct. And then, just the tiniest twitch of his lips in a smile.
THE END!!!! *Collapses* 
So…. that is it until next year, when Season 3 hits our screens. No word yet as to a Season 4…. but did we all enjoy this series? What did you love? What did you hate? What/who do you want to see more of?
For me, the biggest drawcards by far are Fabien Marchal and his dark and broody brilliance as he prowls across my screen. The dialogue, which is always fabulous. The romantic moments between Philippe and the Chevalier. Sophie’s quietly growing strength and determination. Liselotte’s everything. The clothes, the jewellery. And the stunning visuals of Versailles, Vaux-le-Vicomte and the interiors.  Stay tuned for another article on the smexy bits, plus what we can expect (and what I would love to see!) in Season 3.  And merci beaucoup for reading along and your comments. You guys rock xxx ❤
Versailles season 2, episode 10 – deaths, downfalls and departures So here we are. The finale of Season 2. I hope you're sitting down because there is A LOT to unpack in this ep.
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