#making textiles

[balkanradfem]

So I decided to learn to knit! I've never before found a way to ethically and cheaply get yarn. I found a little ball of yarn outside at some point, as one does, and saved it, but beyond that I didn't have any other tools. Then I saw a video showing how you can take a thrifted machine-knit sweater, and undo it back into yarn, and then just knit with that. Incredible, since I have a full box of old sweaters, I just need to figure out which ones are easily undone.

So I grabbed my little ball of found yarn, and then I needed some needles. I looked up what I could use instead, and found there's plenty of alternatives; pencils, chopsticks, wooden sticks for barbecue. Looking around my room I realized I had some very long paintbrushes; I tried to use them, and immediately realized they need to have a pointy end. I grabbed a pencil sharpener and sharpened them; only this made them very rough and splintered. I needed to sand them down, but I had no sandpaper, and then I remembered that recently someone gave me a flat tool that removes dry skin from feet. I sanded them down with that, and it actually worked, they worked perfectly like knitting needles. They're even the same size.

The knitters probably already know this, but if you start knitting for the first time, especially if it's winter and you're under a blanket, some ancient human instinct will activate and you will feel that you are doing exactly what you're supposed to be doing and everything is well and right with the world. Creating fabric is a powerful thing to do, in a society where everyone needs fabric to stay alive, and go outside, and I like having this power to myself.

I found out there are two basic types of stitches; knit stitch, and purl stitch. I liked the knit stitch better, on the basis that purl stitch had 'bad vibes'.

It knew before that most fabric will be woven, or knitted, or in some cases, crochet, so I got little curious, and studied each layer of clothing on me, and every single item of clothing was knit, and it was all a purl stitch. I got fascinated by this, wondering if this is true for most clothing, or if I just somehow prefer knit things on me because they're nice and stretchy. Looking into other fabrics, I could easily tell that all of the sheets, pillowcases and kitchen cloths were woven, and that they were much sturdier and less stretchy for it.

I looked at stuff in my closet, and found that I had a scarf, hat, and pants that were woven, but in very soft and warm fabric, and they were very sturdy and non-stretchy as well. I then wondered what was the logic behind it, and is there a traditional type of things that will be woven, that isn't just bedsheets and cloths?

I tried to find a video on youtube detailing that stuff, but no female-made video was found, so I'm now downloading several women-written audibooks on the topic of history of textiles. I think we should just take the power to make textiles back to us, because back when women were the maker of the cloth, it was just something we 'did out of the goodness of our hearts for our families' but it was also environmentally friendly, practical, sustainable and a beautiful, powerful craft. Now that m*n decided it's something to make money off, they created fast fashion, tons of waste and environmental damage, new types of slavery for workers, and the clothing isn't even practical anymore, it's made to fall apart.

So, back to my knitting, I have to say it's not happening very fast, I thought by the end of the day I would be done with that little ball of yarn and be able to tell how much fabric it can make, nope, did not happen, in fact I've been working on it two days and by this time I've barely made any progress. Apparently the 'purl stitch' is faster, well, I'm still refusing to do it. Boo purl stitch. The yarn I found outside is some of the worst quality yarn I've ever seen, not only it's different in thickness everywhere, but in some places there are 3-4 different threads distangled from each other, and it confused me so much while knitting that I kept adding stitches on the brush unnecessarily, until the entire thing could barely fit on one.

One thing that surprised me was how incredibly soft, stretchy and comfortable the fabric feels when made. I genuinely expected the fabric to be as horrifying as the yarn quality, nope, it's nice and comfy I absolutely love it.

There is a movement in online spaces for being mindful of environment when purchasing clothing, and making our own wardrobes, which is absolutely delightful; seeing people gain new respect and fascination for clothing, sewing and textile making, and then doing it themselves and becoming non-dependent on capitalism, it's the change the world needs. I didn't think I would try to join in, because I get so much discarded and unwanted clothing from others, I wouldn't need to buy any ever, but I did get fascinated by looms, natural fibers, and women doing all that work, that I can't resist trying it out.

[scarletstitchstudios]

I finally made my first yarn wig after 10+ years of crocheting my cosplays...

[lookingforcactus]

Because I'm feeling whimsical,

What the fuck do you mean that's a quilt??? Round 2

All quilts are contest winners from the quilt show Road to California, 2022. You can see these quilts and the other winners from that year here.

Best of Show Quilt

Title: Harlequinade Maker: Rebecca Prior Quilter: Jackie Brown Design Basis: Maker's Original Design "Harlequinade" is a theatrical quilt filled with visual clues guiding viewers to discover a hidden story. Inspired by Venetian Carnival masks and commedia del'arte characters, the quilt features the antics of Harlequin, the trickster, who has his own ideas about freedom and fun!

Director's Choice

Title: Welcome Home Maker: David Taylor Quilter: David Taylor Design Basis: Original image by Margo Clabo, used with permission I first saw this image from friend Margo Clabo more than a decade ago. It took years to convince her to let me adapt her photo into a quilt. The image it depicts is especially sentimental for her. The challenge for myself was to create a pieced pictorial background and recreate a traditionally pieced quilt by using my hand appliqué technique. The project size was overwhelming, but I'm thrilled with the finished quilt. So is Margo. Time to exhale.

Note: To be clear, that is not a photo with a quilt in it, that WHOLE THING is a quilt.

Best Machine Stationary Quilting

Title: Emerald labyrinth Maker: Kumiko Frydl Quilter: Kumiko Frydl Design Basis: Maker's Original Design As a starting point I used an image from the entrance to the EL Barkookeyeh Mosque in Cairo. Thinking of an elegant and intricate garden I added bursts of natural color and filled the area between the large elements of the design with finer ornament inspired by butterflies and plants. I set the circular image in a rectangular frame with a subdued complimentary design of rippled reflective pools.

1st Place: Animal

Title: Woodland Wilds Maker: Ann Horton Quilter: Ann Horton Design Basis: Maker's Original Design My morning hikes in the woodland hills of our northern California home inspired this quilt. The rabbits are always alert for danger. This machine appliqued, thread painted and embroidered view through a window is surrounded by wild flowers on hand dyed silk and again surrounded by other wild birds and animals. I love my wilds things in the woods!

1st Place: Human Image

Title: The Memories That Remain Maker: Lynn Czaban Quilter: Lynn Czaban Design Basis: Library of Congress Photos - LC-USF33-006183MI and LC-USF33-0061 I am fascinated by the human face and our ability to communicate without uttering a single word. The Portuguese word 'saudade' meaning a deep emotional state of nostalgic or profound melancholic longing for something or someone that one cares for and loves. Moreover, it often carries a repressed knowledge that the object of longing might never be had again.

1st Place: Naturescape

Title: Desert In Spring Maker: Andrea Brokenshire Quilter: Andrea Brokenshire Design Basis: Maker's Original Design My Mom and I embarked on an epic travel trip we named our "Thelma and Louise Adventure" In Palm Springs, CA we visited the Living Desert Botanical Garden. This quilt is inspired by one of the photographs I took that spring day of a Prickly Pear Cactus in full bloom. I loved the leathery texture of the cactus leaves (paddles) and the almost translucent citron yellow blossoms.

2nd Place: Animal

itle: Not Today Maker: Kestrel Michaud Quilter: Kestrel Michaud Design Basis: Maker's Original Design The chase is on! The Roadrunner is after his next meal, chasing a Common Collared Lizard through a steampunk junkyard. The desert is a favored dumping ground for the detritus of progress, even in a fantasy world. A steam-powered industrial revolution creates iron refuse and pieces of broken machinery have been left to decay in dry desert air. That doesn’t bother these critters. To them, this is home. Will that lizard wind up as dinner? Not today!

2nd Place: Human Image

Title: Declaration of Independence - Voices of Freedom Maker: Nancy Prince Quilter: Terri Taylor Design Basis: Reproduction of John Trumbull's Painting The quilt is a reproduction of John Trumbull's painting which depicts the moment in history when the first draft of the Declaration of Independence was presented to the Second Continental Congress on June 28, 1776. The quilt front and back were created in Photoshop and custom printed on fabric. Four thousand hours over 4 years was necessary to create the quilt. The back captures the story of the Declaration and its signers.

Note: I'm not at all patriotic. But credit where credit is due. That's a fucking quilt.

3rd Place: Animal

Title: Midnight Flight Maker: Joanne Baeth Quilter: Joanne Baeth Design Basis: Maker's Original Design Several years ago we had an injured Great Horned Owl roosting in our willow tree during the day. I took several pictures and was inspired to create him in fabric. The background features a painted sky, old buildings, melting snow and a rabbit on the run The foreground is the swooping owl which was constructed by painting and inking each feather and thread painting over fabrics and needle punched wool rovings

3rd Place: Naturescape

Title: Day Into Night Maker: Deb Deaton Quilter: Deb Deaton Design Basis: Maker's Original Design Inspired from photo by Robert Murray with his permission. When the Arizona sun begins to set, the sky comes alive. I saw this photo and knew the splendor of this landscape needed to be captured with fiber! Sky is hand painted. Raw edge applique. Mixed media used: oil pastels, color pencils, inks to enhance the fabrics and create more dimension. Cheesecloth: painted to create spikes of cactus. Tulle used to capture the sunrays. Machine quilted.

[xensilverquill]

"No sorrow will live in me so long as that joy -- save one. And I thank you for that part, too."

[questwithambition]

Something incredibly satisfying about knowing your craft and the confidence that goes with it. Just the casual “yeah I could make that”. Want a band tee? Yeah I can embroider my own with the lyrics I want. Bridesmaid dress too long? Yeah I can hem it. Need new slippers? Yeah I can crochet a pair (and give them bunny ears). And of course it’s not perfect but nothing beats that feeling of being able to craft your own solution with your own two hands

[marzipanandminutiae]

no but genuinely I lose a little more patience for people who won't wear wool, leather, silk, or fur every day that I live in a world where plastic is increasingly the only damn kind of clothing you can find (or the only kind of fabric for sewing, even)

obviously, animal cruelty is horrible. I believe that even industries that rely on the deaths of animals should make their lives as good and their ends as humane as possible. and many of these industries need tighter environmental regulations on their production practices- some of the chemicals involved are highly toxic and ill-controlled at times

but at some point, you have to wake up to the fact that the only alternative we've found to date is destroying our planet

it's all plastic. and plastic is horrible for the world- the environment, humans, and especially animals. how cruelty-free is it to cause mass habitat loss? or climate change that disrupts food sources for those animals on a vast scale? how is that better than the deaths of a relatively small proportion of animals comparatively?

(and don't even start with "but pineapple leather! but cactus leather!" when those are still basically plastic due to heavy plastics use in their production processes. there is currently no non-plastic alternative to most animal-based textile products)

I've always tried to keep in mind that we all have to decide where our line is, that we all consume and there's no way of living in this world that doesn't take something from it. that for me, plastic clothing is to be avoided as much as possible, and for others, animal clothing products are to be avoided as much as possible. that the choice is equally valid

but I'm having a hard time seeing it as valid anymore when it just feels like trying to push the unpleasant part away from yourself so you can pretend your choice has no negative impacts. you're not wearing animal skin (or wool that an animal didn't even die to produce), so surely your way of doing things is better! no animals were harmed in the making of your outfit!

except. they were.

they and all the rest of us.

[lyndentree63]

Gonna yell "TEXTILES ARE WHAT MAKES US HUMAN!" at anyone spouting acephobic nonsense about how sex/romantic relationships make us human.

[mythwoven]

“Being stylish and being fashionable are two entirely different things. You can easily buy your way into being fashionable. Style, I think is in your DNA. It implies originality and courage.”

Iris Apfel, August 29, 1921 - March 1, 2024

[iliothermia]

Hi friends, bandanas are here : )

[motherwench]

no one knows how much it hurts when a little thing dies. when a bug runs its fate is already decided. what made him know he could get away with hurting me? he made me small enough to forget i was ever a person. i forgot and forgot under his boot.

—insp by this post from @sweatermuppet

[scarletstitchstudios]

My first yarn wig will always have a special place in my heart 🥰

[intermittentstitcher]

Reblog for a bigger sample size

[makenna-made-this]

Forgot to post these simple little chicken hacky sacks/heat packs i made for my siblings for christmas. 100% cotton and filled with sunflower seeds (the chickens did NOT appreciate me borrowing from their stash but i was out of rice) so they can be heated up for hand warmers or to ease aches and pains

(or for balancing it on your head i guess)

[theartofmadeline]

“hell is real” felt patch sewn onto an upcycled flannel. inspired by the ohio billboard

[road-kill-eater]

ooh i have GOT to finish this before the november furcon

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.