#makes the audience go

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[hauntoblogical]

I have seen three different "how much of this site is queer" polls this evening poking fun at staff's 1/4 assertion and not a single indication any of them understand statistics. One someone even replied "This might have some sampling bias" what do you mean might what do you mean SOME

[dootznbootz]

Penelope is also Athena's pet/blorbo/special little mortal/etc. and if you think otherwise you're straight up wrong.

You're also wrong if you think Athena only likes Penelope because of Odysseus and/or Telemachus. As if Athena didn't see a young Penelope pull some shit and immediately think "Oh! Another mind to mold! C'mere you! Let's do some riddles and weaving!". Athena was happy that two of her favorite pets have met and fell in love!

[arcanegifs]

they're really going for the "everyone going to be a little bit opposite of who they were in s1" theme in season 2 fr

[meloartist]

"i simply do not see it. i am looking away"

[wizardinahole]

Everyone say thank you Andy Robinson and Alexander Siddig

[cricketandmouse]

orb successfully pondered

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that ���studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

[turtleblogatlast]

AU where Leo is trapped in the Prison Dimension for months instead of minutes and the only way he gets by with his sanity intact is through recording himself talking to his wrist comm.

When they finally manage to get Leo back and make him rest up to heal, Donnie can’t help but listen to the recordings left behind.

He’s not sure what exactly he’s expecting, only that his subconscious is screaming at him that it has to be heartbreaking, that it has to be torturous.

Instead, what Donnie is subject to is a full thousand hours’ worth of Jupiter Jim and Lou Jitsu crossover fanfiction. More than one part in the series. Spanning well over a million words.

(The worst part is that it’s actually good.)

[vamp-bites]

Woah cant believe i almost missed michaelmas… anyway happy birthday to Adam Milligan<3 and happy michaelmas to Michael too i guess. Take this quick doodle of Adam and his guard dog of an archangel

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[marybeatriceofmodena]

"Celeborn will be a calming influence on Galadriel" You fools. YOU ABSOLUTE FOOLS. YOU HAVE MISREAD THE WIFEGUY MANUAL. HE WILL BE 10/10 DOWN FOR THE UNHINGINESS. HE WILL BE GIL-GALAD'S SECOND HEADACHE. PREPARE FOR THE LESLIE KNOPE AND BEN WYATT OF MIDDLE-EARTH.

[scribefindegil]

As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.

[pinkeoni]

Will is Going to Die by Sacrificing Himself

...and come back to life. To me, it seems pretty obvious, but I'll explain why.

Will has been characterized as someone who puts others before himself since season one, even if it means costing him his life. The entire series starts off with Will casting fireball instead of protection during their Dungeons & Dragons game, putting his character in danger for the sake of the rest of the party.

This self-sacrificial nature is echoed in season two, but two a much more extreme end, when Will instructs everyone to close the gate to stop the Mind Flayer, despite knowing that doing so will kill him.

While we don't see this same self-sacrifice from Will in seasons three and four, we do see two related characters make their own sacrifices, possibly hinting at Will's future fate.

First we have the other character named William, Billy, sacrifice himself at the end of season three in order to stop the meat flayer.

Then in season four, we have Eddie sacrifice himself while the same song that played for Will after he came back to life in season one plays in the background— "When It's Cold I'd Like to Die" by Moby.

There are also little ways that we are told/shown of Will's selfless nature, such as giving a girl his tonka truck because she was sad, or giving Mike his painting under El's name. While this trait could be seen as admirable, I think it will ultimately be his undoing.

But why would Will need to sacrifice himself?

Well, we know that despite all of this time, Will still holds a connection to Vecna, and likely to the Mind Flayer and the Upside Down himself. Putting a stop to all of these things is going to be intrinsic to Will's arc next season.

I don't know how many people know about Noah's letterboxd, but he has been rewatching the Harry Potter movies.

Perhaps for personal enjoyment, or perhaps to study for his character?

The comparisons between Will/Vecna and Harry/Voldemort have been made before, and the Duffers are derivative of other sources if anything.

I think that this could be likened to a horcrux situation. At the end of season four, we saw Vecna be totally flambéd by the older teens, and yet, he's still kicking, and Will is the one to tell us this.

If the brain dies the body dies, but also, could the brain latch on to another body in order to keep it alive? Similar to how Harry had to die so that Voldemort could be defeated, I believe Will might have to die (at least temporarily) in order to take down Vecna/MF/UD.

We know that the show is bringing back "Should I Stay or Should I Go," which is going to prompt an important question that Will needs to find the answer to, should he stay or should he go? While this could also relate to his romantic endeavors for the season, I think that the song could be alluding to Will's choice to sacrifice himself in order to save everyone else.

What I think will probably happen is this: At some point in the season, Will is going to learn what has to happen, and he is going to go off to sacrifice himself without telling anyone so no one can stop him. (I'm guessing that Will can't just off himself, there's probably a specific way that it needs to be done).

Something I realized while making this post is that Mike is always the one who figures out what needs to be done, or brings up Will's sacrifice to others. My guess is that Mike is going to find out what Will is up to, and try to stop him. Emphasis on try, because I think this death is inevitable. However, bringing the show back full circle to season one (and because ST can never keep a main character dead), he will come back to life.

[notbecauseofvictories]

I've seen that "the immortal loses their loved one but not their loved one's family; what if the immortal stayed close, followed them down the generations?" post a dozen times, and I understand it's intended to be sweet---but every single time I see it, all I can think is that it's straight-up the beginning of a horror story.