#make money quick

[14dayswithyou]

HAPPY VARENTINES DAY, ANGEL ! I've been facing some tech issues recently, but!! To celebrate Ren's birthday and Valentine's Day, I'll be releasing Day 5 (the Early Access version) for all the Beta Testers in a few days!

And for those who aren't part of the 14DWY Discord server, don't worry! The public version will be available for everyone to play once the beta testing period is over ^^

[lilybug-02]

Angry Bugs!

Bug Fact: The origin of the word "bug" is still unknown. Linguists suggest it came from the Middle English term bugge ("something frightening"). Likely connected to Scottish bogill ("goblin"), Low German budde ("louse, grub"), and Welsh bwg ("ghost").

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Volume 2 Masterpost

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[financialoptions113]

Paidoo.store Review (Is Paidoo.store Legit Or Scam?)

If you think making money online is hard, then you are yet to hear of the new and trending South African sites which many know as Paidoo.store or Paidoo. Basically, earning on this platform is very easy, and one interesting thing about this platform is that it doesn’t takes more than two minutes to make money on this platform. So, how can we earn on Paidoo? Well, at one point or the other, users…

[malenjoyer]

I just had a passing thought about my own stuff from an outsider POV. I wondered if anyone who’s not a huge fan of dick questions why Dick Grayson in most of the stuff I post…

Why all of a sudden Dick Grayson is the bus driver- because I hired him!!! I want to see him! I’m gonna put him in everything!

[madame-mongoose]

guys pls be careful with anyone going into your inbox and asking for donations. unless you know them personally it's almost always a scam. look at blogs and ask yourself if it seems legit. search the contents of the ask and see if theyve sent the same ask to other people completely unrelated to your sphere. scam blogs now are reblogging some posts to seem legit but only have maybe five posts maximum, all reblogs. almost all of them being unrelated save for a topic similar to the one they are asking money for. recently theres been a scam of someone asking for donations for a family member in palestine. PLEASE check before posting or donating. use critical thinking skills. its disgusting there are people using this genocide as a way to scam others out of money. lastly please look towards actual palestinian bloggers who can verify donation links. remember: if theyre in your inbox it's highly likely its a scam

[bisclavret]

what SICKO wrote the last scenes between gwaine and merlin is what i want to know. because even lancelot's last episode with merlin - which had to have been intentionally gay-coded since it's obvious the man is grappling with his feelings for merlin morphing from platonic to explicitly romantic - is still subtext because he doesn't have the tools to healthily express his feelings so he goes for the biggest romantic gesture he can think of: sacrificing his life to save a loved one. the writers also make sure to root this gesture back to gwen by adding a scene where she's inadvertently asking him to make that sacrifice first, so although it's very obvious that it's more for merlin than for gwen that lancelot dies for, she is there to add some plausible deniability, thus keeping his sexuality within the realms of subtext.

i don't want to delve too deeply into arthur's last scenes with merlin as there is both so much to unpack about what they mean to each other and there is also somehow nothing left to say that hasn't been said before. my point is just that there's so much at stake that if the viewer doesn't want to deal with the romantic subtext between them they can hang onto the 38 other dynamics merlin and arthur have represented to each other that the writers spent 5 years plastering on top of the gay subtext. basically, while the romance feels textual emotionally-speaking, it isn't "canon".

i don't mean to say that any relationship is better than another (even though i obviously have a preference) but that in gwaine's final scenes with merlin there's just no subtext anymore. his becomes the most explicit expression of romantic love towards merlin, and therefore the most explicit acknowledgment of homosexual love and the existence of queer people on the show:

it starts out with merlin suggesting that gwaine saved a girl from the saxons and then looked after her because he has a more than platonic interest in her, and they show us that merlin is right - gwaine and the girl eira slept together - even as gwaine half-heartedly denies any interest (which, why even deny it? merlin saw them holding hands! unless the lie is part of the point). then in that very same scene and directly after this exchange, merlin needs rescuing from the saxons, calls after gwaine, and gwaine performs the exact same role for him that he performed for eira: he saves him from the saxons and looks after him (for as long as merlin lets him).

the parallel between merlin and eira with such quick cause and effect (it literally all happens within the same minute) is where the shift from subtext to text becomes undeniable. yes, there have been other moments on the show where a character's affections towards two different genders are beat-for-beat the same, but, again, there has always been plausible deniability. in this case the parallel is meant to be taken at face value: the core point of it is to show us how gwaine expresses his attraction.

then, the dialogue they chose to bookend this scene with takes it a few steps further by functioning as a textual love confession to merlin himself: the scene opens with gwaine thanking merlin for everything he did for eira, and merlin saying that there is no need to thank him as it was the least he could do. a minute later, after merlin thanks gwaine for protecting him from the saxons as both merlin and the show just concluded gwaine did for eira for romantic reasons (even as he denied it by outright lying), gwaine parrots what merlin said when gwaine thanked him: no need to thank me, merlin, it's the least i could do.

but this comes off as the opposite of dismissive: in fact, this echoing of merlin's words is meant to jolt both merlin and the audience. by saying this right after saving merlin from the saxons, gwaine has now intentionally pointed merlin's attention towards the explicitly romantic parallel between himself and eira. gwaine is directly implying he just did for merlin what merlin correctly deduced he did for a woman because he desired her sexually and romantically, and he is using merlin's own words to challenge him into seeing past the initial flimsy lie that there is nothing between them. and what's behind the lie, of course, is that gwaine has done all of this and more because he desires merlin sexually and romantically. the camera even lingers on merlin, allowing him and the viewer to absorb what just happened. that for as long as we have known gwaine, his motivations have always boiled down to "i want to be there for merlin". and now both the audience and merlin finally know for sure what was motivating him the entire time.

what's more, by using merlin's own dismissive words, gwaine also implicates merlin's penchant for repression and denial and never allowing himself to be given credit where it's due. this unfortunately never properly gets dismantled on the show, but this moment shows that gwaine knows merlin well enough to know that he goes above and beyond for people, and that merlin's reasons for this ring as false to gwaine's ears as gwaine's reasons for saving damsels do to merlin. it also bittersweetly implies that gwaine has accepted that these are the platonic, repressed terms on which he can have a relationship with merlin. but i think the way in which he explicitly points all of this out to merlin is meant to imply that he isn't entirely happy about having to accept that. or, to circle back to eira, that merlin seems to be cheering for him to enter a heterosexual relationship when gwaine would clearly rather be with him.

what's additionally interesting to me about this is that this is one of the only scenes on this show that touch on same gender attraction that isn't using magic as a metaphor - because merlin doesn't have magic at the moment, yes, but also because gwaine is the more active character in this sequence, and he's an adventure hero, so he simply fights the bad guy to protect the person he loves. there is no metaphor to wrap this in, so he just gets to explicitly state his bisexuality. in the next scene, the very last one he and merlin share, it all becomes about magic again, which is both representative of merlin's sexuality and the show's "plausible deniability" approach to gay-coding, and so neither gwaine or merlin are permitted to acknowledge it. also, and this is for another post altogether, but all things point to "gwaine knew". not least because he gets to come out as queer without the complications of the magic-as-gay-metaphor which in turn emboldens him to ask merlin for the truth as directly as the metaphor-suffocated narrative will allow it.

tldr gwaine textually and canonically expresses and then confesses his feelings to merlin in a shockingly well-written and layered scene which makes gwaine the most explicitly queer character on bbc merlin and it's entirely because he exists outside the magic-as-gay-metaphor plot while loving someone who embodies that entire metaphor and it's crazy to me that we don't talk about this more. once again i ask what SICKO wrote this and where were they for the entire rest of this fucking show

tldrtldr at least gwaine is bi. its like i always say. at least gwaine is bi. at the end of the day. gwaine is bi. dont cry ok? gwaine is bi. at the end of the day. gwaine is bi. when all else fails. gwaine is bi. we'll always have. gwaine is bi

[doesnotloveyou]

"I'm not a writer but I've read books on how to write so now I know everything and can tell you you're doing it wrong"

[muzzlemouths]

turning off anon asks until the gaza bots stop because i can't fucking take it anymore

[illegally-blind-and-deaf]

I don't think that Pippin Took is not intelligent, or smart.

I think he's an incredibly bright, young hobbit with the self-preservation of any 16-year-old human who just wants to know and understand everything.

Going by the books (because I love Pippin in the books), it's fairly clear that he quite clever, just reckless and very, very curious to the point that not knowing something is an irritating itch that he just has to scratch.

To me, Pippin seems like the kind of child who was told that he asked too many questions and needed to sit down and be quiet, which led to him seeking answers himself, regardless of how dangerous it might seem. Hence dropping the stone down the well (who doesn't want to see how deep a very dark pit goes?), touching the palantír (in his defense, he didn't really want to but he felt something pulling him towards it. Whether it was his curiosity or something ulterior in the palantír is up for interpretation in my mind), even joining the conspiracy to uncover what Frodo was really doing when he sold Bag End.

Pippin is just someone who craves knowledge and is unafraid to go and find answers himself, probably because everyone constantly tells him that he asks too many questions and that he can't possibly wish to know everything.

[whimsicaltwine]

I've been putting off posting these pictures foreverrrrrrrr but splatoon! splatoon cosplay!!! yay! I definitely learned a lot making the roller - it stretched my skills (and my budget) but I'm happy with how it turned out. If I'm being honest, the whole cosplay was 60% an excuse to make the roller lmao. I love talking about my process, so shoot me an ask if you want to hear about how I made any parts of it in partcular!

[painsandconfusion]

We talk about blinding whumpees all the time, but what about deafening them?

When does the good old fashioned screwdriver-to-the-ear come back in style?

[astracora]

A Mandated Holiday Break - Chapter 7

Characters: Sylus x gn!mc (poly lads)

Warnings: None

Word Count: 1554

Written: 22nd December 2024

Notes: Post-relationship Sylus/MC-centric but poly LADs, with my personal pov of the game and lil headcanons littered in.

Chapters: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11

Masterlist AO3

He's been relegated to picking up supplies. You'd thrust a list at him that morning, and he'd almost seen a tail behind you, flicking and curling like a question mark.

It isn't the first time you've had him wrapped around your finger, requesting his assistance. Normally you only ask when you're sick, desperate for supplies and he's available. (He'll always be available.)

Still, this time you've handed him a list for crafts, shoved him from his own base, and you peppered his face in kisses before he can even respond or argue. 

Not that he would, but he wishes you would at least come shopping with him. He's found himself enjoying the domesticity of you puttering around aisles while he pushes a trolley. If he takes his eyes off you, you'll steal the trolley and go skidding down an empty aisle.

Which is how he stands now, in the living room of his base, hands full of arts and crafts supplies, while he stares at a tree he doesn't remember buying.

It's twinkling with lights half done, but otherwise it bears no decoration. The twins are balancing on each other's shoulders trying to throw the multicoloured flashing lights up towards the top of it. You're there underneath, ready to catch them if them.

He's pretty sure someone's going to end up with a broken bone. (Which he does not want to explain to the doctor.)

With a flick of his finger, black and red swirling mist quickly remove lights from hands and twist them around the top of the tree. Gently, and carefully.

He's only slightly smug, smirk in full, when you turn to him in surprise. He's even more smug when your face instantly warms, eyes twinkling at him.

If he were really a crow, his feathers would poof up and he'd preen. Instead he wipes his hand on his shirt collar and extends the bags he's holding, "For you, kitten."

Your whirlwind of activity rushes over, the twins wobbling before they manage to detangle themselves, grabbing at the bag and pulling them to the floor. Separating things out.

He watches absently, but you're focused and tapping on your chin as you think, so he abandons you to your considerations to make himself useful. Warm drinks in hand before he returns to you.

Sylus finds you showing the twins how to fold and make ornaments with coloured paper. He hesitates at the door, if you had wanted ornaments, why did you not just ask for them? He could have ordered any number. Any colour. Anything you wanted.

He's again unsettled by a strange uncomfortable dissatisfaction, you do not make it easy to provide for you. To satisfy every desire. He wonders how you became someone who holds them so close to the chest, scared to want, all over again. He offers hot chocolate to the twins, and frothed coffee to you, (the smell never gets better), before sitting next to you on the floor, cross legged and curious.

You look over and grin, and for a second he sees ears tilting forwards in mischief, pupils blown and ready to pounce. "We didn't have a lot growing up, so me and Caleb would make ornaments for the tree with Gran. The twins wanted to try..." there's a question there that you want to ask but you can't quite... get the words out.

He can read you well enough to know the hesitation, and he leans in, voice low, fingers brushing your cheek, "Show me."

Sylus prides himself on learning, he's good at picking up skills, but he cannot be said to be creative. He is, however, good at following steps. He does, however, enjoy trying.

It's not a new skill that will be useful for anything other than moments like this, but truthfully if he only ever learned skills for moments like this, he'd be a happier fiend than he has any right to.

The twins decide to get pens and decorate the shapes he folds, while you sit nearby fretting over a new challenge. He finds himself looking over and peering but you catch him and point at his hands in an unspoken order. Focus.

He chuckles, only you would dare to order him about, and only you would gain his obedience as he follows your orders.

As they end up with a pile of... he's not sure he'd call anything he and the twins have made art, the fish would surely have something to say if he tried, he already dreads the upcoming conversation, but you're thrilled and excited as you come over to look. Picking up paper baubles and stars that the twins have drawn silly faces on.

There's a happy flush to Luke and Kieran's face as you wholeheartedly approve, and he swallows a lump in his throat that he doesn't really understand. Yet he wants to cry, he thinks, and he's not really sure why. Or what caused it.

He doesn't linger, doesn't have time, as you're pushing him towards the tree, "You get the top, Luke, middle, Kieran, bottom." Then you're running off.

He's starting to think the holidays are a little too much trouble... (Warm, vibrant, comforting.) That lilting voice that sounds like yours again.

Your soul is always so noisy, he muses, warmed and placated.

They're almost done when you come back, this time you're not as energetic. There's waves coming off you, nerves and anxiety rippling under skin. He pauses, where he's about to hang a star, and looks down  at you. As soon as he does you swallow, shoving a cardboard box into his arms.

Not a box? It has numbers on it?

"We-" you swallow past the nerves and push on. Ever ready to fight a monster. Even if the monster is yourself, "also used to make calendars for each other. It's late, so it's only twelve days." He catches your hand before it scratches at your arm, smoothing his thumb over your fingers and then rubbing circles into your palm. He blinks down at the thing, and sees today. He drops the star he's holding unceremoniously and presses the little cardboard flap open.

The calendar is decorated with a picture of a crow surrounded by presents. He remembers the fish encouraging your artistic pursuits, and while he's not sure if it's good, he never seems to be sure if it's good... he knows he likes it.

Inside is a hand wrapped chocolate and a small note.

Day one - A reminder that I love you, and appreciate you always, thank you Sylus.

You're still fidgeting, and at this point the twins have peeked their heads over to stare at his bounty. The longer he stares, the more he realises he has to speak, has to respond but his throat feels closed and his chest is so tight. It hurts. It hurts.

"If it's stupid you don't have to-"

He drops his calendar and he presses you into his chest. He's sure if he were better practiced in his emotions he'd cry. Instead he just encompasses you in his body, squeezing and holding and drowning in you. He nips at your cheek, hand squeezing your face, he wants to bite and chew and claw and scratch.

He can't understand and he doesn't want to hurt, but he breathes you in. Relieved he has no tail to betray him, wagging furiously. You're giggling at his reaction, trying to pull away from his rough handling, calling his name out like knives in his heart, and he finally kisses you. Over and over and over. Tasting his name on your lips and your love in his heart.

Then he startles, pulling away quickly to see that thankfully the twins had caught his gift, the note and the chocolate. Placing it on the side. They're giving him a look like he's a fool, he might be, because he has an evol that can move things for him. Instead his foolish body betrayed him.

"Hunter! Do we get one?" Luke calls, pouting, and you keep a hold on Sylus' hand. Grounding him as he looks at your note over and over, pressing your thumb into his wrist, and smoothing his rapid uneven heartbeat there.

Still you extend a makeshift calendar to the twins, one each, identical except for the names. He can tell that you'd been careful to match every line. "Of course."

He absently notes that you've left four more on the side. The fish, the doctor, the prince and an untouched one for your family. The note is finally placed in his pocket, right over his heart, where he knows he'll keep it until it's worn and unreadable. Not that it matters, because he'll remember it always.

As you watch him smooth his fingers over it, you laugh, "You know there's eleven more days of those right?" Your nerves are still simmering, he can tell, but you're thrilled for his reaction and eased with his earnestness and joy. He lets your words settle and then darts to the calendar on the side, he hears the twins opening theirs but barely cares.

You panic when you realise he's going to just tear the thing open for more of your feelings recorded in pretty stationary paper, before you throw yourself at his back, "Sylus! No! They're for other days!"

[soup-mother]

now i would say it's easy to roll your eyes at "this website is dying you can find me over here" if you're not someone who's been repeatedly banned and had trying to eak out a space like tumblr on another site as your actual lived experience, but at the same time it does feel a bit surreal seeing completely random blogs you follow go "quick everybody go follow me on YouTube and hit the bell and subscribe to my Patreon and buy 100 gift subs on my twitch"

[oifaaa]

I saw a meme that had Padme going "What kind of man says what he's thinking" and that sold me on their relationship. Anakin is cute, 6 feet+ , in love with her and says whatever is in his head. Is that not enough to be a keeper?

I just think Anakin and Padmes relationship works best when the two of them are as obsessed with each other as the other although they both show it differently

[crimsonvulgarian]

It's one of Wily's! And it's going for the cerebral controller!

[myogi-nightkids]

cant sleep, takumi in a maid dress.