#make it all from scratch
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I just finished grating 4 Italian cheeses, parmesan reggiano, pecorino romano, caccicavallo, and asiago, making sautéed mushrooms, and frying up some chicken. My back hurt so I decided to wait until tomorrow to make an Alfredo sauce from the aforementioned cheeses. I'm gonna use it to make a delightful white pizza. Instead of making a pizza with my homemade dough right now, I decided to make my version of an Italian open faced grilled cheese sandwich with all of the other ingredients and some thinly sliced white onions. I'm am very happy with the way this sauceless pizza turned out. It was delicious 😋 I never before used real asiago as a main component in my cooking. It is really strong and funky. It is delicious 😋 I can't wait to make a real white pizza with Alfredo sauce tomorrow 😋 with the addition of that lovely sauce, that pizza is gonna be decadent and delectable!! Mmmmmmmm ❤️ If I hadn't just eaten, I'd be hungry just thinking about it. I am looking forward to seeing how it comes out. I love cooking because you can take anything and with spices and techniques, you can create something wonderful ✨️ 😊 it's so much fun, too. To me, cooking is an expression of love, especially when you get to feed others. I love doing that. My neighbors eat very well. 😁😍😋 In the words of Julia Child, bon appétit!!!
#pizza#Italian cheeses#asiago#parmesan reggiano#pecorino romano#caccicavallo#chicken#homemade pizza dough#onions#mushrooms#cooking#cooking is love#feed others#love#happiness#thank you#sharing#sharing is everything#fun#tasty#delicious#delectable#decadent#funky cheeses#Alfredo sauce#make it all from scratch#healthier#less expensive#enjoy yourself#spices
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alongside someone like you
#my art#jujutsu kaisen#jjk#yuji itadori#megumi fushiguro#itafushi#fushiita#fanart#jjk fanart#jujutsu kaisen fanart#jjk spoilers#jjk manga spoilers#jjk 266#jjk leaks#i feel like i say this after every piece at this point but iam once again. SO TIRED#collapses dead#cries i did it again i ws up all last night finishing the first 1.....tht one took *counts* 8 hours...#got 3 hrs sleep n picked up where i left off on th second one at 8 in the morning#2nd one absolutely ruined me n made the third one feel like a herculean task . even tho its literally just them on a bed#rooms....KITCHENS......beloathed!!!! public enemy no1 kill on sight!!!!!!#hell is real and they make u render different rooms of houses from scratch no perspective tool no clue what ur doing#n they see how long it takes u to completely lose it#clipped yuujis bangs back tho n i thought tht was cute . silver linings#1ST ONE WAS SO FUN ALSO idk if its bc outdoor environments r forgiving or bc i had more energy n was fresh faced n hopeful or what#but it is by far my favourite. once again pulled out nearly every nature brush in my arsenal#third one meh simple safe soft w/e i was just so exhausted after th kitchen tht working on it was such a slog#oh ya i added a bunch of scars 2 yuuji's arms n lobbed off his ring finger sighs the yuuji injury list (tm) grows every minute#also HINA USE YELLOW CHALLENGE CLEAR golden hour in2 sunset my beloved <333 easy warm light + safe homey Peaceful vibes...bless#cries eternally thinking abt them let us have this let THEM have this pls thank u#ok i need to not look at these anymore take them enjoy my contribution 2 the domestic itfs pile
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So, @wolfythewitch 's gravity fowls au...
#I'm a sucker for animal aus#also yes I gave Stan brass knuckles sue me#sorry for making fanart of your au. it's been occupying my mind since that first post...#this whole post started with 'haha. sixer nuggets' and it escalated from there...#so yes. here are some messy doodles#might make more in the future. who knows#gravity falls#gravity falls au#gravity fowls#animal au#chimken#stanley pines#stan pines#stanford pines#ford pines#mabel pines#dipper pines#mason pines#bill cipher#art#fanart#traditional art#watercolor#you know me. I'll never pass a chance to draw a chicken with teeth#meme redraw#also#screenshot redraw#kinda. that one scene in the final episode where Mabel sprayed his eye#the real chicken scratches was my own handwriting all along
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I couldn't get Fitzjames' cunty little fur-lined coat out of my head after finishing "The Terror", so I decided I needed my own version. I found the base coat secondhand, modified and tailored it, and hand sewed on the faux fur trim. Maybe one day I'll make the screen accurate version, but I'm very happy with this for now.
#coat fitzcoat#gonna wear this when I go ice skating with friends next week#I must be the hottest bitch at the rink at all times thank you very much#as for why I thrifted this build instead of making a screen accurate one from scratch:#I simply cannot justify the material costs for the screen accurate version considering I live in a place where it rarely gets below 70F/21C#also the fur trim made me want to scream#because the lighting varies wildly it looks different in every scene#so I was going frame by frame in various scenes to see if it was brown or grey#and my conclusion is that it is a brownish grey#the terror#the terror amc#james fitzjames#marlequinncos
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Here are the promised sketches
I really like how I've drawn tz and vriska on the first page
#homestuck 413#homestuck#vriska serket#terezi pyrope#dave strider#dirk strider#eridan ampora#tavros nitram#gamzee makara#feferi peixes#karkat vantas#kanaya maryam#so many tags lmaooooo#vriska and terezi make me feel all sorts of ways#mostly sad lmaooo#how come eridan is so fun to draw yet so ... 눈_눈#scratch that#all 3 of the 'problematic trolls' are really really fun to draw#i gotta post some of my hs art from 2017 one of these days#the difference is just too funny#like... the first ever drawing of tz on printer paper done with watercolors#i mean all my watercolor art was done on printer paper back then#and at one point i made their skin colors the same as their blood colors for some reason????
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#knyedit#knysource#kimetsu no yaiba#demon slayer#kny#tanjiro kamado#giyu tomioka#sky gifs#useradrienne#usermica#usertorichi#tuserelena#userartless#my laptop restarted itself so I lost all my stuff and had to make this from scratch without my settings haha so I hope it's not too awful
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i’m looking at those certain tiktok xmen fans
#they always hate on the movieverse fans#they think they’re jmhigh and mighty for reading the comics#and i can get why people don’t like charles but you don’t need to rub it in my face ☹️#it’s just mean is what it is#i remember i used to follow someone who would just make a list of all the shitty things he’s done#THIS ISNT GOING TO STOP ME FROM LIKING HIM??#pissing me off forreal#why are we shaming people for having fun??#‘oh you like movieverse charles? do you know what he’s done in the comics? 😏’#why are we not shedding this kinda shame on other problematic characters? why is it just charles? ☹️#actually scratch that don’t shame anyone thats not cool#struggling guhhh#i say guhh a lot#charles xavier#professor x#x men#cherik#erik lehnsherr#magneto#wish does not shut up
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I finished this at the beginning of December but completely forgot to post it (>﹏<;) I was inspired by the other fine people making yarnfellows based on @sleepnoises' lovely work and decided to make my own little amigurumi fellow
#sock of the art#fiber art#plushies#crochet#'twas a fun challenge to figure out how to make it from scratch without using a pattern as a base#all made from scrap yarn bc yay stashbusting#still dialing in my gauge for amigurumi work. looser stitches than i would have liked but that's all part of the learning process 😤
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HAPPY BIRTHDAY, NCUTI GATWA! (October 15, 1992)
"I grew up in a working-class area, and I stood out - for my voice, my appearance, I did dance and things like that. But I always had faith in my charm. I always had faith in my charisma. I was like, 'If I can go around each group and befriend them all, then I'm all powerful.' Divide and conquer... It did work. I was all powerful!"
#ncuti gatwa#actors#ngatwaedit#ncutigatwaedit#dailymenedit#pocedit#dwcastedit#useraurore#usersugar#nessa007#userdiana#userksena#userspacey#usereme#usermilo#edited by me#gifsbyemma#mine#made all these today from scratch cause i only found out it was his birthday this morning#and i couldn't not make birthday post for him#if i wasnt such an idiot this post would have been better
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WandaVision 1x08 - Previously On | Agatha All Along 1x09 - Maiden, Mother, Crone
"You’re supposed to be a myth. A being capable of spontaneous creation, and here you are, using it to make breakfast for dinner."
#parallels#comparisons#agatha harkness#wanda maximoff#nicky scratch#tv: agatha all along#wandavision#agathaallalongedit#agathaharknessedit#marveledit#mcuedit#dailymarvelgifs#rewatching agath's scenes on wandavision#is so much more interesting now#framed to the lens knowing agatha with nicky#it's why agatha's envy and jealousy of wanda is so sharp#because everything wanda can do easily#are things agatha wished she could give nicky#she can't make food appear for him#she can't heal him#she can't protect nicky from the inevitable#and here wanda was making breakfast for dinner!
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/
#my art#jujutsu kaisen#jjk#yuji itadori#jjk fanart#jujutsu kaisen fanart#jjk art#jjk spoilers#jjk manga spoilers#jjk leaks#these took so long i kept getting distracted cries#but they r done and this is yuuji's post canon scar map to me. argue with a wall we should have had this#looks at canon this sign won't stop me bc i cant read >:(#smh robbed!!!!!! the potential!!!!! the aesthetic!!!!! th angst the symbolism!!!!!!#gege i respect u i do not want beef after u let my boys live#but u rly couldnt have scuffed him up a LITTLE more.....there were so many to choose from didnt u have a favourite.....#all he has to show fr all that r two little scratches. rly.#((not counting the ear n fingers thank god i get That much))#anyway i made a whole post abt why i think yuuji should have kept the scars n what it would have stood for symbolically#its along th same lines as the yuuji Big Face Scar agenda hh i just care a lot abt character design n visual storytelling ok#anyway fine he can keep the eye but in this house it grew back wrong it's lighter and foggy and now his prescription is stronger#as fr the rest#megumi has dibs on the upper right eye apparently so yuuji can have the bottom half#i would have doubled down on the scars on his left but a. the right side is the symbolic one#b. he healed an entire eye so it makes sense tht he'd heal other more minor injuries as well#c. tbh it's mostly based on what looked good i think this arrangement guides the eye across his face nicely#gave him a lil nose nick bc smth smth sukuna idk it's just there to balance things out#also as i said. the jaw and neck scar are there for kissing purposes i make the rules im salty and i do what i want smile#in other news thank u past hina fr doing those hair render studies im very happy with my yuuji hair as of late
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Favourite pre-timeskip Sanji moments
These are a few of my favourite pre ts sanji moments
(1) Baratie arc when sanji served fresh food for don krieg despite everyone telling him that krieg was notorious for betraying people. Sanji still served the food because of his value of "feeding the hungry no matter what"
(2) Sweet sanji preparing bentos for Luffy vivi and a special drink for Vivi's duck karoo so they can go explore the little garden island. Also packing and tying the lunches for the kids (luffy and karoo) by himself
(3) water 7 Sanji following his principle of "never waste food" while fighting CP7's ramen guy wanze (who had a full ramen armour and sanji cut his armour up and served the ramens all in different plates around the kitchen)
(4) thriller bark Sanji holding an unconscious nami up so she won't get injured while he takes all the hits from Absalom He's not just a simp, he genuinely cares for nami
(5) water 7 Sanji smoking a cigarette while spying and finding out sensitive government information
(6) Post enies lobby filler sanji crying throwing up stressing over finding out the right spices of a fried rice. He is a true chef at heart and has so much love for his craft
(7) post skypiea filler G-8 arc sanji when someone says he is better than all of the navy chefs and sanji cutely offers to give his recipes to them. He is so cute kind and humble
(8) sabaody sanji kicking the Celestial dragon knowing what'll happen and not giving a fuck anyway
(9) skypiea sanji being all big smiles and happy while showing conis the bento he has arranged for her and telling them how arranging food is an art (look at the little winged angel he put there as a representation for conis who has wings)
(10) Sanji leaving a message for nami in water 7, even in the dire situation they were in (usopp left, robin was abducted, they were all accused of murder) sanji being his usual cute loser self
#honestly scratch this. every sanji moment is my favorite moment#these are the moments that arent as big or as talked about as ie. thriller bark or enies lobby sanji#it's about time we all come together to acknowledge and appreciate how charming perfect beautiful sanji is#i love sanji so much and it was hard choosing just 10. I'll soon start making favourite sanji moments thread for individual arcs#anyway lol#black leg sanji#one piece sanji#vinsmoke sanji#kuroashi no sanji#sanji#one piece#im currently watching Dressrosa and can yall tell i miss sanji so much#i miss him so much that i put everything on hold to finish Dressrosa and zou quickly so i can finally see him again#everyone: honey hes an anime character he's just one click away#me : *soft thump of my forehad against the window sill* when will my husband be back from the war#sanji moments
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redesigned some old oc’s… I luv them
#been fixating on them/their story recently#Feels good to be fixated on smthing original for a change#except I also have to be the one to make all the content for it nooooo#ibblescribbles#ibbleoc#character design#artists on tumblr#anime art#original character#2024#ai#koha#sen#koi#technically only the first two are proper redesigns#the third one barely had a design and then the last one was from scratch
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Haven't had much time to do anything proper but I am cooking up some flumbo lore🤸♀️
#Except “better” stuff by next week or sumthing but for now this is all i got#Once i finish the +10000 things i need to do I'll polish these or just make something proper from scratch#gobb#faceee art#I hate him🥰🥰#Also hi syringeon. haven't drawn him in a lil while#I'm not even gonna tag the full gobb tag this is not worthy of that
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not related to noco at all but what is katie and sadie’s relationship like now?
pretty good all things considered! while they're both married to two sweet guys and have separate families (none of their kids are other td characters, unfortunately...) they're still really close, and still live next to each other at that same beach town they grew up in, now both running that successful 80s themed ice cream business they've been dreaming of! its safe to say they probably suffered the least on Total Drama, only leaving with a couple of minor scars, good god were they lucky..
#noco family au#total drama#total drama katie#total drama sadie#total drama katie and sadie#where are they now#I mean its ok to ask non-coco related questions here I won't complain#and I guess it makes sense talking about these two since they made like#a VERY brief cameo in the Wayne arc#just thinking but I've been too harsh on these two for a bit now they're actually pretty sweet#like yea they were annoying and gimmicky on the show but#they kinda feel like wasted potential#like their bios talk about so much we don't see in the show#like how they love the 80s#or that they make their own ice cream#or that Katie sews their clothes from scratch?#like#that's fucking adorable#but then they're resorted to annoying filler characters#like I sorta get it from a writing standpoint but..#when Katie was voted off they did sweet FUCK ALL with Sadie#like Sadie didn't even SPEAK until the episode she was eliminated#and then they don't show up again unless its to simp for this seasons hot boy or whatever#idk
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