#main accused

[rightnewshindi]

असम गैंगरेप के मुख्य आरोपी की तालाब में डूबने से हुई मौत, पुलिस ने शव किया बरामद; 10 की छात्रा से किया था गैंगरेप

Assam News: असम के नगांव ढिंग गैंगरेप केस के मुख्य आरोपी तफ्फजुल इस्लाम की मौत हो गई है. बताया जा रहा है कि क्राइम सीन पर ले जाते वह पुलिस कस्टडी से भागकर तालाब में कूद गया. आरोपी के शव को बरामद कर लिया गया है. पुलिस ने बताया कि सुबह 4 बजे उसे क्राइम सीन पर ले जाया जा रहा है तभी उसने तालाब में छलांग लगा दी, जिससे उसकी मौत हो गई. पुलिस ने बताया कि दो घंटे की तलाशी के बाद आरोपी का शव बरामद कर लिया…

[nalyra-dreaming]

Rolin Jones on IWTV s3 (going forward) and POVs:

"Everybody’s free to judge the rest of it. If all goes right, we’ll have six or seven more seasons to work on you coming around to that, or the redemption of that. [In season one,] the audience wants to kill Lestat along with Louis and Claudia. But we had to sit on it for a year and a half. So it’s okay for people to think that we made a supervillain out of Lestat and then to come around to a fuller portrait. In season three, [Lestat is] front and center, and Jacob takes a supporting role. And it’s not all about point of view. We got 80 to 85-percent of Lestat pretty solid. Retribution is easy, right? It’s being contrite. [There’s] the idea that forgiveness should be part of this cycle, too. That’s something I think we’re trying to sell." "So, what am I interested in? I’ll be less interested in point of view and memory as much. The challenge of the books is that there’s not a lot of forward story. I don’t think that you can probably mine the arcs of those for origin story after origin story after origin story. But that doesn’t mean you can’t take the same material and in very inventive, exciting ways move it forward."

And:

“The big difference moving forward is Lestat will be front and center telling the story, so it should feel like this show has been taken hostage by Lestat,” Jones says. “Aesthetically, it is going to feel different. It is not going to feel like two old guys in a room trying to figure out what brought them together. It is going to be over the shoulder of Lestat de Lioncourt, of whom you have probably seen about an 80%-accurate version of who he is — on fire and reckless. So it should be fun and dangerous.”

[demodraws0606]

TW/ Slightly heated (no hate to those i'm talking about, i just need to rant about it a little) (also it's definitely just me ranting about a drawing of a character in a fanganronpa keep that in mind LOL)

I'll be honest, people who are handwaving Whit's creepy expression as just "oh he's just finally caring" slightly...irk me ?

It feels on the same level as people who said back then that the tape disappearing was just an "animation error".

The story makes it so clear at every turn to not have Whit express anything towards the execution or the deaths around him. If this was him being unable to save Levi and having to watch him die...then why does he react nonchalant to the execution ?

In fact Whit's reaction to Min's execution more so sounds like Whit is trying to have a normal reaction and failing but that's like another thing.

The way his sprite is drawn as well just is not like other "breakdown sprites" we've seen, like it's straight up factual, his eyes just straight up are drawn similarly to David and Xander's sprites (I checked there aren't other expressions that depicts it). He also doesn't sweat which is very common for a lot of stressed sprite.

And i'm not even talking about his arm suspiciously being behind his back.

We KNOW sprites end up foreshadowing things in the future, we quite literally saw it with Arei with her reaction to the murder secret.

The idea of Whit just being stressed just is not in character with what has been shown of Whit's character thus far and it doesn't fit the expression that's drawn on him or the suspicious hand behind his back.

"You're just thinking too hard about it" "It's not that complicated" Then why am I fan of DRDT at all, like why am I a fan of a fan series based on a MURDER MYSTERY series if everything can just be handwaved by the magic words that are "you're just thinking too hard about it !".

Just because an explanation is simpler doesn't mean it's more accurate or more likely to happen, people who make more complex theories aren't "overthinking" things they are simply trying to make a prediction that works unlike the more simple interpretations that are riddled by contradictions.

I've technically fallen victims of "overthinking" at times like my Hu theories however Ace being the culprit answered a lot of my issues with mostly just one exception that is relatively minor in context of everything. Ace being the culprit also still was given very nice foreshadowing and hints to munch on.

The point of red herrings is that they surprise you with more fitting and compelling twists. Brushing off Whit's entire suspicious behavior as a red herring is just lazy analysis because I could do that with pretty much any theory ever. Sure Whit could be a mastermind herring however his behavior itself can't be a red herring, he has something going on and that's what's setup, what that will be will only be discovered later on.

I made my fair share of very wild theories but this isn't about Mastermind Whit or Timeloop Whit, this is about Whit's character and how he's been written thus far. People are trying too hard to woobify him into the "happy go lucky character actually is secretly sad" even though DRDT has made sure to often counterarc very overdone tropes (Nico for exemple).

Like my girl Eden was given more suspicion for WAY LESS.

[praisetheaxolotl]

All this time, I've been thinking the destruction of his dimension was an accident, and it was PURELY vibes-based. It was very "methinks you doth protest too much" logic on my part, honestly. (And no, I won't tell you about my polycule.)

I just thought, he seemed very serious right then, when he talked about his old dimension in the show. He SAID he liberated it, but then perked right back up when talking about his neverending party. To me, it SCREAMED, for lack of a better term... huffing copium. But I had no real evidence.

Until now.

He really was just living in denial city the WHOLE time, huh?

Also, as an aside... the answer to the "Methinks you doth protest too much" section... is another lie from him. Right before that, he claims he can't love, but he clearly has exes. And his behavior towards Ford later on CLEARLY shows that he did have a deep fondness for Ford, and was hurt when they had their falling out. Yes, Bill was ONE HUNDRED PERCENT in the wrong, but he was still hurt. Both those things can be true.

He did actually protest too much, and he was actually lying. Both about love, and about his dimension. Both sources of extreme vunerability. VuneraBILLity?

Anyway, it's just interesting. Another win for woobifier nation!!!!!

[randomnameless]

Why do the FEH devs insist on ignoring Nabatean lore so much?

I recently had a surprisingly cordial discussion on redshit with someone about the "nabateans = colonisers" take, and one of the main points raised was that the game was purposedly foggy around Nabateans/Sothis/their story because it would obviously favor a certain narrative (and thus make another narrative look, uh, not that marketable anymore).

To be honest, we still ended up with a product that had a lead go "this race and its blood* is the reason why the world sucks" and yet that lead is still marketable enough to have raunchy cipher cards and 5 FEH alts, so I actually wonder if, while pissing on that lore had that purpose, it was ultimately pointless since Supreme Leader can still sell goodies despite her incarnation in FE16.

And not only Supreme Leader - but the entirety of WC where we basically have 70% of the cast crying/complaining about their "mixed blood" or lack of and basically adding their 10 cents to the "this race and its blood is the reason why the world sucks".

I mean, can you imagine Sylvain selling any goodies and alts if Flayn replied to his "wah wah people only are kind to me and want to fuck me because I have Nabatean blood :(" by some uncharacteristic "good for you, I have to hide my ears, had to dye my hair, have to lie about my family because if the truth is found out about my identity, I will be hunted and vivisected like an animal and harvested for parts by people who call my kin abominations - just like what happens in the game where the same people who call my kin "abominations" ally with a classmate who calls me a creature and pretends I am incapable of human feelings based on my race".

FE Fodlan's main selling point is its cast of students, for various reasons, but even if I tried to kid myself, Nopes and FEH made it clears : students are the main selling point.

If you spare more time and attention to the Nabatean plot/lore, the students either grow from "likeable" to "despicable" or worse, you won't gaf about them because yeah sure, Hilda might be upset because people expect things from her due to her crust, but it would feel like a "peanut" compared to Seteth's irrational (granted, it's not so irrational since GW exists) fear that Flayn's newest friends would dissect her if they learnt she was a Nabatean, and being conflicted by finally letting her have human friends and form bonds she crave, or protect her due to the trauma from the genocide of their species.

Don't get me wrong, I love peanuts, I mean, not everyone can have a tragik of loaded backstory!

And yet, given how this verse's DNA is "can you fight against the red emperor who uwus about you", they had to add copious amounts of Earl Grey to their games so there's no clear-cut factions :

The "Your alien blood and its influence on the world corrupted it, so I want to reform it under my command" vs "I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

is turned to :

"Your alien blood Crests and its your church's influence on the world corrupted it, so I want to reform it under my command"

"I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

Sprinkle with the cast's hammering here and there that the "reforms" might be needed - but never develop on what they are - and add a few baseless and groundless takes as a toping (basically everything Claude says about tolerance and the general "isolationism/foreign policy" stuff) and you get FE Fodlan where the Red Emperor's war isn't seen as the catastrophe it is in the other entries from the series!

Now, for FEH...

FWIW, the F!F!Billy's trailer had them try to explain that Sothis was a bit pissed about her slaughtered/massacred children when Nopes never gave any reason about why she was pissed - maybe on Billy's behalf bcs Jerry's dead, but come on, she would indeed deserve the medal of the worst parent in the franchise if that was the case, since Billy can murder her daughter without Sothis taking over ! - but given that they cannot write/go against the source game those characters are from.

They tried a bit, with B!Supreme Leader and Hegemongard's FB, but then it stopped (because she had no "new unit" released since then lol) and I can understand why : Hegemongard came out before the Supreme Emblem, and Hegemongard hates dragons who are seen/perceived as gods by some of their human followers. Come FE17, and now Supreme Emblem accepts Alear because they are "one of the good ones". We can come up with HCs and details and talk about what are emblems or if Hegemongard's views were only hers at the end of AM all day long... But imo, Doylist wise, it still feels it's a retcon because the devs from the main games tried to scrap and remove the most "controversial" traits she had.

For the other characters... Well, you see what Marianne is in FEH (but even in her base games), she's one of the few characters who reacts - in a way - to the partial history about relics and demonic beasts and all... only to give sad uwus to Maurice.

FE16 (and Nopes) refused to have any "student" character react to the Nabatean lore/reveal, about what are relics and all. There are no lines, Claude shared some knowledge in the explore section of VW's last chapter, but we don't have anyone muse or think or even talk about what are relics, what are crests, and what kind of fuckery their ancestors or the ancient humans of Fodlan did.

With that in mind, FEH can't do much : either they write Marianne in a retcon-y way like what happened for Hegemongard (and they're not afraid to piss on characterisation, look at Lyon!), or they flanderise her "character" and develop her around 3 lines she had in the game in her paralogue, and continue to give sad uwus about Momo when he was at best a guy who slaughtered and murdered so much that he abused the Nabatean turned into a relic to the point where he turned in a demonic beast even if he had a matching crest, or at worst, had been part of Nemesis's piñata party in Zanado and was something of a genocider.

Tldr :

Why FE Fodlan never gaf about Nabateans : earl grey + the marketable cast has to stay marketable and you can't sell peanuts at the same price you'd sell swordfish

Why FEH dgaf about Nabatean lore : they can't afford to retcon characters + they have to sell peanut alts with the same seasoning they had in their base game.

For what it's worth though, I think FEH is more daring than the base game(s) given how they gave more lines and screentime to Rhea - through her different alts - than GW. And they even designed her Halloween!alt's lines to piss on some of Claude's assertions, while the various FB involving members of the church also - indirectly - reply to some accusations thrown their way in FE16 when, FE16, never gave them an opportunity or lines to explain that those takes were full of dung.

*"but random, maybe she doesn't know that the crests she often decries is "dragon blood"!"

It's highly debatable, especially given what she and Hubert throw to Billy in CF - but even if she doesn't, Doylist wise we still have a character who, knowingly or not, says "this race and its blood* is the reason why the world sucks" and who is never called out on her prejudice. That's more of an issue regarding the general writing though, she has to be a red emperor and took pages from Ashnard's book, and yet, the player must still feel bad and want to romance her, so her mindest/goal cannot be looked at too closely, because, I guess, even the devs thought it would be difficult to romance her (thus sell goodies!) if more light was shed on the "blood from this race corrupts our people" schtick -> which in turn would also make characters whose backstory and gimmick rely on "crying about crests" be way less likeable, thus marketable and able to sell goodies.

[iris-drawing-stuff]

I made more Mikoto Danganronpa sprites + 1 Fuuta. Some people suggested Ultimate Graphic Designer for Mikoto, which seems more appropriate for him (he literally has a graphic on his shirt). Since Ultimates are at the top of their field, Mikoto must have been so proud of himself (he probably has that independent company he dreamed of). It's so sad that he's in the killing game prison now.

I saw candyckirby's post suggesting what Ultimates everyone would have, and I think they're all interesting choices. I think Fuuta would specifically be the Ultimate Gaming Influencer, and the rest of the Dark Triad would be the other influencers he makes content with. He still does his cyberbullying on the side.

I feel like if Mikoto were to become blackened, his situation would probably be that someone plotted to kill him and John killed them to protect him. I just have this image in my head of John being so distressed when he gets exposed because Mikoto is going to die. He's not concerned about himself, only Mikoto, and he desperately pleads with everyone that it shouldn't count because Mikoto himself didn't do the murder. Jackalope isn't convinced, so he gets executed anyway.

[charlesoberonn]

It's called Accusation in a Mirror and it's very intentional as part of their propaganda, going back to Joseph Goebbels:

"Accuse the other of which you're guilty."

You can see a clear example of it in the Republicans' attempt to smear Biden for the kind of nepotism and corruption that Trump did openly during his presidency.

[straightlightyagami]

yes i lack affective empathy and have a slight tendency towards violence but i am also afraid of everything and am “unhealthily” obsessed with morality so it balances out to being normal

[athina-blaine]

genuinely don't understand people who gripe about someone getting into dunmesh for m/m pairings as opposed to f/f when none of them are even close to being the main point of the series

[originalartblog]

hi! i got into bsd and i was meaning to ask, since you seem an authority on the matter, could you recommend me some more bsd blogs to follow?

ps. love your art so much, you capture the characters personalities so well!

oh... that's a lot of pressure... I'm aware that I have weight on this side of the fandom (feels wild btw) but authority is too big a word

I mainly interact with art and the occasional analysis and joke posts, so most of the blogs I can recommend are that, plus I am very Chuuya/Dazai/skk biased

First, browse and follow the bsd fanart tag to get just that. Not everyone uses it (I encourage them to!!), but if like me you are so very done with the negativity fest that have become the main tags since the anime started airing again, that's a great place to find fun things!

Second, I am sending you on a discovery journey. I encourage you to look through people's blogs and tags for some great finds. Here are some blogs in random order for you to start with, because there is no way I can remember all the blogs I love:

@caelanglang (art), @luneariann (art), @sensitiveheartless (art + writing), @arikitoka (art), @itotypes (writing + art), @iwritenarrativesandstuff (analysis + writing + art), @frenchonionsoop (art), @petitesmafia (funny), @yomeiu (art), @esmiara (art), @weeniehutart (art), @videogamelover99 (analysis + art), @carrotkicks (art), @damianito (art), @smolskk (art), @kokoasci (art), @chupidopi (art), @mochimochips (art), @creantzy (art), @justplaggin (news and official stuff),

have some reblog blogs that will probably catch some of the cool people I can't remember right now AND give you some forgotten older stuff if you scroll far enough: @demonprodigy-kingofsheep, @im-always-a-slut-for-soukoku, @for-chuuya, @awkwardbsd, a bunch of the people above too, and a shameless self-plug @originalaccountname where it's mostly reblogs and the occasional analysis post.

EDITED: popopretty makes monthly chapter recaps and other kinds of translations (you might recognize them from twitter, or not), @reneray has Fifteen manga adaptation translations, and @nineofscans has monthly chapter translations and some bonuses!

I could never remember everyone and if your tastes diverge from mine there are also a bunch of really cool people who "specialize" in different characters and dynamics you will stumble upon out there.

you are all allowed to shamelessly plug yourselves or your faves in the replies/reblogs btw

[la-pheacienne]

I had this insane, totally groundbreaking idea! What about recognizing that Mirri had legitimate reasons for wanting Drogo dead because he is directly responsible for her enslavement and rape, and even for wanting his son dead because she is blinded by fury and to her, that kid is meant to be exactly like his father and his men, while also recognizing that Daenerys had legitimate reasons for wanting to execute the woman who betrayed her and killed her child. What about recognizing that neither the character in universe nor the fans are responsible for the failings of the author ? Totally crazy and mind blowing, I know. Giving a shot at having a brain and making it work instead of communicating through unintelligible screams.

[lizbethborden]

Hey, to all folkskxkxkx recommending his work, please be aware that Norman Finkelstein is a highly controversial scholar, who argues that antisemitism does not affect Jews in the west and especially in the US and that Jewish people invented the cultural image of the Holocaust in order to pretend to be victims so that we can exploit and parasitize gentile industries and resources. 👍 Which is pretty much straight out of The Protocols of the Elders of Zion. Not going to suggest there's nothing of interest or value in his work, just to say to please be mindful of how you approach it. Here's some quotes from his book, The Holocaust Industry, with some emphasis added.

For organized American Jewry, this contrived hysteria over a new anti-Semitism served multiple purposes. It boosted Israel's stock as the refuge of last resort if and when American Jews needed one. Moreover, the fund-raising appeals of Jewish organizations purportedly combating anti-Semitism fell on more receptive ears.

And:

Beyond this, however, the Holocaust framework apprehended anti-Semitism as a strictly irrational Gentile loathing of Jews. It precluded the possibility that animus toward Jews might be grounded in a real conflict of interests (more on this later). Invoking The Holocaust was therefore a ploy to delegitimize all criticism of Jews: such criticism could only spring from pathological hatred.

Referring to fear of antisemitism as "contrived hysteria," arguing that fears of antisemitism were cynically contrived to appropriate money, that antisemitism has "real" basis, etc... So, yeah. Be mindful that these are his philosophical underpinnings and be careful about what you extract from his work.

[devilsskettle]

i’ve seen + heard people say that they thought norman bates was creepy from the beginning of the movie but that’s not my interpretation at all, i think now that that everyone knows the plot of psycho as pop culture trivia, it’s impossible to watch psycho the way it was meant to be seen (hitchcock basically changed how movies were shown in theaters so that audiences would see the whole movie from beginning to end and wouldn’t see the plot twist first, for the sake of suspense! now there’s not the same kind of suspense because every single person in the audience knows who the killer is). i think there’s clear foreshadowing and the whole vibe of the motel is creepy, but norman himself, while a bit awkward, i think comes across as endearing and kind but extremely lonely. obviously as certain things are revealed, he gets creepier, but imo the truly bad thing that he does consciously is cover up his “mother’s” crimes but ofc he has to try to protect her. none of what happens in the movie is premeditated or malicious or even intentional on his part. he’s not even a good liar. idk i really think you’re supposed to see his narrative alignment with marion and feel sympathy for how completely trapped he is in his life, while also being scared of him, at first as someone potentially predatory, then as an accomplice to murder, then as a murderer himself. but not until AFTER his conversation with marion!!

[kawaiimunism]

You can be anti–intellectual property / pro–copyright infringement and still dislike plagiarism, they're different things. Fitgirl Repacks isn't pretending she made Assassin's Creed. The Phantom Edit literally tells you it's derivative in the opening crawl (if you somehow didn't already know). The only relationship between plagiarism and IP infringement is that—at least in the U.S.—plagiarism isn't explicitly illegal, so if a plagiarism case actually goes to court, it does so as an IP case.

[niftukkun]

so speaking of indigo park, (i say, like ive talked about indigo park before) (spoilers ahead)

i think what got a lot of people (and quite a lot of youtubers) thinking that the mascots are mechanical or animatronics,, its not completely from the genre? like, yeah it being mascot horror doesnt help but despite the, um, evidence that there may be something Funky(tm) with the mascots, i think most people think that theyre animatronics because of one set dressing:

this guy

if you dont remember (or dont know about indigo park), this guy is a very clear animatronic version of Mollie Macaw, one of the characters in indigo park. this prop is found in the hallway in the railway ride part. but this guy is not mollie macaw the mascot that stalks us.

bluntly, people think these two guys are the same guy

these two. are not the same.

i dont know why this park has both a mascot and an animatronic version of the same character? but like. theyre not the same guy

i think people thought theyre the same because of the combination of, we dont see mollie the mascot till later in the chapter (if the player ever sees her clearly at all), the voice line that comes from the animatronic, and the mollie death screen tip (the mollie can mimic voices tip). honestly, the line in the death screen that says she can mimic voices is more flavour text than anything, i cant really hear her say anything in all the playthroughs ive watched.

also, um,, that much blood at the end there,, kind of says theres something Funky(tm) going on? but im not blaming the folks who think the mascots are still mechanical after,, that. the fnaf games kind of fucked over expectations on how much blood is reasonable in a funky mascot, what with the dead kids in suits and all. im just saying thats some fresh fucking blood after, what, eight years of the park shut down? almost like shes alive. well, /was/ alive, at any rate.

anyway, TLDR. these guys arent the same.

the mascots arent animatronics for once. if uniquegeese creator of indigo park himself is reading, consider this as the reason people may think the mascots are animatronics. also, add some bone to the mollie head (you dont have to, but it may help. the flat plane of red kind of,, adds to the fake feeling? also its just personal preference for me to see some bone in that gore)

(pictures from OtterBoy VA's video on Indigo Park!! good job little otter guy you voiced a raccoon very good)

[lulu2992]

So I watched the Director’s Cut versions of Rebel Moon Part One & Two, respectively renamed Chalice of Blood and Curse of Forgiveness, exactly one week ago, the day they were released.

As a person who generally doesn’t enjoy the idea of watching films that are over 2.5 hours, really isn’t a fan of gore, and thinks sex scenes are uncomfortable and unnecessary 95% of the time, I was rather apprehensive, to say the least, since those three things are precisely what the two movies promised. Still, I managed to watch them on the same day even though the fact it was hot outside and consequently almost 30°C in my room probably didn’t help me not to feel unwell for a good portion of my viewing experience :’)

However, there’s a fourth thing the new version of the films promised, and this, on the contrary, is exactly what I love and probably what kept me going: more lore. I won’t go into too much detail so as not to spoil major plot points here, but I think Chalice of Blood and Curse of Forgiveness kept all their promises.

Some characters get a proper introduction (notably Aris and Nemesis), or more screen time so we understand them and what they do (mostly the Priests, Hawkshaws, and Jimmy), or a better, more satisfying, sometimes more emotional ending. We also get completely new scenes and characters, and that too greatly helps the narrative, whether it’s by adding more backstory, taking the time to explain someone’s motivations more clearly, revealing how some people reacted to certain events, or detailing how something works.

Also, some of the “mistakes” viewers complained about, for example the spaceship being powered with coal or somebody not missing any teeth after we clearly see them get knocked out, are fixed in the Director’s Cut. It turns out those things were not illogical, they were just censored for the PG-13 version…

As for the sex scenes, while they weren’t indispensable, I have to admit they do serve a purpose. The two “main” ones have a character in common, so we can see how different that person feels and acts with each of their two partners. The scenes need to exist together because they’re only really interesting when you compare them, but that’s how they tell a story. Never in my life had I been so happy to see someone successfully remove a bra, haha! There’s also, of course, the one that involves tentacles, which was–thankfully–milder than I thought it would be, and another unexpected one that happens off-screen but was a rather nice and cute surprise, in my opinion.

And, yes, aside from giving us more blood and more sex, we also get… more wheat! I really don’t mind, though. In fact, this is probably an unpopular opinion, but I’d watch one hour of the cast (actually) harvesting crops in slow motion over just one minute of heads exploding any day :’)

While they’re still not perfect, I think Chalice of Blood and Curse of Forgiveness are improved versions of A Child of Fire and The Scargiver. I still like Part Two better than Part One, but overall, as promised, we get more information about the world, the characters, and their stories in the Director’s Cut. Sometimes, it’s just a new line of dialog or a short interaction that’s added here and there, but it really does a service to the films and makes them, although they’re much longer (especially the first one), feel more coherent, more compelling, and less rushed.

At the end of the day, I think what I most appreciate about Rebel Moon is still that it was brought to life with a lot of care and passion. The two art books, Wolf: Ex Nihilo: Cosmology & Technology and Wurm: Ex Materia: Heroes & Monsters, confirm how painstakingly made and well-thought-out everything was, and I will always love and respect this about this project.