#magic ward of if you work with me you can't see this ~~~~

[bowenoke]

had a realization getting dressed today. up til this moment i have kind of figured the gender nonconformity was assumed to be part of the butch thing by most of my coworkers. despite

new coworker staring extremely unsubtly as i wrote down my pronouns for a meeting (sorry tumblr, im any/all irl and sometimes that means saying she/her so i have somewhere to pee)

someone on my direct team sending one of the few trans guys i work with to come into my office for some papers and coincidentally he also spent 2 hours telling me about how rewarding it's been to come out + how great our coworkers are about creating a hostile environment for anyone who misgenders him even accidentally

multiple people telling me unprompted about the one gender neutral bathroom in the entire building (the entire reason i have not been coming out, its very far away)

the same coworker from the pronouns asking me directly if i was transgender last week

like im not really sure how i thought i was flying under the radar until this moment. like in context being asked if i was transgender felt like the natural progression of a conversation but now it seems more like one of those "not everyone wants to be a boy/girl/neither." like "if your coworkers are directly asking you if you're transgender you're probably not being very subtle about it."

anyways changed my pronouns on slack today :) now i'll have to walk across the building to the bathroom :')

[theostrophywife]

little dove.

pairing: tom riddle x reader.

song inspiration: if u think i'm pretty by artemas.

author's note: can't believe this is my first tom fic, but please know that this man awakens the feral, unhinged side of me. let me slytherin to your chamber of secrets and ride that basilisk tommy 😏

This was a stupid, idiotic, and terrible idea. 

Unfortunately for you, those were the conditions in which Harry and Ron worked best under. In your defense, you tried to talk them out of the prank, but the boys were determined to leave their mark. You suppose you could’ve told Hermione, but you didn’t want to interrupt her date with Draco. When it came to talking sense into their thick skulls, you were completely and utterly alone. 

After much argument, you finally accepted that you weren’t going to get anywhere with Harry and Ron. The only thing you could do was supervise their reckless pursuits and minimize the damage as much as possible. So here you were, sneaking into the dungeons under the cover of darkness. 

“This will be the best seventh year prank yet,” Ron whispered as he trailed close behind. “Fred and George are going to be so jealous.” 

“If we don’t die from the cold first,” Harry quipped sarcastically, slightly shivering underneath the invisibility cloak draped over the three of you. “The Slytherins really take the whole cold-blooded thing quite literally, don’t they?” 

You huffed in response, trying your best to muffle your steps. “Can we please focus on not getting caught? We need to be in and out of the dungeons before the prefects start their patrols.” 

The boys nodded as you inched further into the serpent’s nest. Luckily, the corridor that housed Professor Snape’s office was empty. You held your breath as you began to unravel the wards protecting the entrance. You had to give it to him, Snape was incredibly thorough when it came to his security measures. Good thing you were an expert on unlocking charms. 

With a final flick of your wand, the door gave way and creaked open. Ron and Harry wore matching grins as the three of you spilled into the office. Closing the door behind you, Harry’s green eyes crinkled with mischief. 

“Let’s get started.” 

Surprisingly, Harry and Ron’s half-arsed plan was actually coming together. The three of you worked in silence, the boys handing you paints and supplies at the snap of your fingers. After a few more strokes, you flicked your paintbrush over the wall and cocked your head to examine your work. Nearly every single surface of Professor Snape’s office was covered in your illustrations—technically vandalism according to wizarding law. 

The drawings, imbued with the same magic that powered the moving portraits, depicted caricatures of Professor Snape, all of which scurried like rats along the walls, hurtling globs of paint at one another. The head of Slytherin house was going to have a fit when he saw what you’d done to his office. You almost wished you could be there in the morning to witness the look on Snape’s face when he uncovered your masterpiece.

“Bloody brilliant!” Ron exclaimed, grinning from ear to ear as he packed up the paints and brushes. “You’ve really outdone yourself, Y/N.” 

Harry chuckled and nudged your shoulder. “See? You do have a taste for trouble, after all.” 

You rolled your eyes fondly. “Yeah, yeah. Now help me clean up so we can go.” 

As you carefully wiped the office of any trace of the three of you, Harry suddenly stopped dead in his tracks. You looked up, ready to scold him for idling, but fell silent when you saw the panicked expression on his face. 

“What is it?” you asked quietly. 

Harry held up his hand and slowly opened the door, peeking out into the darkness. A muffled clicking that sounded an awful lot like footsteps echoed from the corridor. “Do you hear that?” 

Ron cursed lowly. “The prefects must’ve started their rounds early.” 

You peered over Harry’s shoulder and felt the color drain from your face. “It’s not the prefects,” you said, swallowing thickly. “It’s the Head Boy.” 

Both the boys swore under their breaths. You steeled yourself, knowing that panic was not going to get you anywhere. As quietly as possible, you retrieved Harry’s cloak and beckoned the boys underneath it. 

“We’re so fucked,” Ron mumbled. 

“No, we’re not,” you chided sternly. “Get under the cloak and don’t make a sound.” 

Harry scooted in beside you, clutching the invisible fabric over his shoulders. “Do you have a plan?” 

You nodded. “Run like hell and don’t get caught.” 

“That’s a bloody terrible plan!” said Ron. 

With a glare, you tugged the redhead underneath the cloak. “Then please, let us hear your brilliant idea, Ronald.” Ron stayed quiet, his freckled face etched with fear. “That’s what I thought. Now stay close and for Merlin’s sake, try not to stomp around like a damned erumpent.”

Stupid. 

Idiotic. 

Terrible. 

Every ounce of apprehension you felt earlier that night came rushing back as the three of you cowered in the darkness. It was pitch-black in the corridor, but you didn’t dare cast lumos for fear of getting caught. Thankfully, a small light up ahead provided you with a vague sense of direction. You remembered passing the lit emerald sconce on the way down. All you had to do was get back to the entrance without running into the head boy. 

The glimmer of hope became clearer and clearer as you neared the stairs that would lead you out of the dungeons. You were so close. Barely a few metres away from freedom. 

Just as you thought you were safe, Ron knocked into a table, sending one of the snake sculptures guarding the alcove to the common room tumbling. The marble cracked against the concrete, breaking into a million pieces just like your hope of escaping. 

“Run!” you huffed, urging the boys to go on. 

A solid plan if you hadn’t been nearly blind in the dark. You could hear the shuffling of footsteps beside you. Three sets belonging to you, Harry, and Ron, while an unknown fourth inched closer and closer. Whoever it was wasn’t running, but they were definitely in pursuit. 

You stumbled through the dark, nearly tripping over your own feet. From up ahead, you could hear Harry and Ron urging you on. As you broke into a sprint, paints and brushes came spilling out of your satchel. Under any other circumstance, you would’ve abandoned your art supplies, but leaving them behind would fully incriminate the three of you. In the time it took to pick up the damning evidence, you stopped hearing your friend’s voices. 

It would’ve worried you, but in all honesty, you were relieved. If you could no longer hear the boys, then that meant they made it safely out of the serpent’s nest. A feat in itself given their track record. Those two couldn’t be inconspicuous if they tried. Without the need to worry for them, you were confident that you’d be able to slip out undetected. 

In hindsight, you were perhaps a tad bit overconfident. You were great at sneaking around, but apparently not good enough to slip the head boy’s notice. As soon as you started to creep past the dormitories, you ran into a wall that hadn’t been there before. 

Except it wasn’t a wall. 

It was a strong, firm chest. A chest that belonged to none other than Tom Riddle. 

Leave it to your terrible luck to run straight into the arms of the scariest boy in the castle. 

Determined not to cower, you lifted your chin defiantly and faced Tom head on. “Head Boy,” you greeted in acknowledgment. 

Emerald eyes unflinchingly surveyed you, that intense green stare sweeping from the top of your head to the bottom of your feet. Beneath the faint glow of the Black Lake pouring in through the stained glass windows, you could’ve easily mistaken Tom Riddle for an angel. He looked like an illustration straight out of the Sistine Chapel. Beautiful, intricate, perfect. 

Yet utterly terrifying. 

Danger prickled at your skin as Tom’s lips curved into a sinister smirk. “My, my, what do we have here? A little dove out of her cage.” 

You bristled as he brushed a loose strand of hair behind your ear, his voice a seductive caress. It was low, husky, and a little rough around the edges. Just like its speaker. Tom plucked a paintbrush out of your satchel and examined it between his fingers. “I saw what you did to Snape’s office. Quite artistic, aren’t you?” 

A part of you considered denying it, but it would’ve been a futile attempt. There was paint splattered all over your skirt and flecks of it were already drying on your skin. Tom had quite literally caught you red handed. The only thing you could do was to own up to it and face whatever consequences came as a result of your foolish actions. 

“Are you going to turn me in to the headmaster?” 

Tom shook his head, his brown wavy hair falling over one eye. “Not until I catch your two helpers.” 

Panic seized your body. It may be too late for you, but Tom hadn’t seen either Harry or Ron. There was a chance they could come out of this unscathed. 

“I was alone,” you declared with your chin held high. “There was no one else with me.” 

Anger contorted Tom’s handsome features. Those emerald eyes lit up in flames as he backed you into a wall, bracketing each side of your head with his arms as he leaned down. You tried not to cower under the intensity of his stare, but gods was it hard. Tom towered a good foot over you and as if that weren’t intimidating enough, he also blocked every possibility of escape with his body. 

“Don’t lie to me, little dove,” Tom growled, tilting your chin up with one hand. “I heard three sets of footsteps running through the corridor.” 

You swallowed thickly, praying to Merlin to grant you the ability to flawlessly lie your arse off. “I swear, it was just me. No one else. I did it all by myself.” 

Tom hummed as if unconvinced. “Well, you’re certainly on your own now. Your idiotic friends left you down in the dungeons all alone. Don’t you know that dangerous things lurk in the dark around here, Y/N?” 

“Like I said, I was alone.” 

“So it appears,” Tom said, flashing you a smile that told you he was the most dangerous thing lurking in the dungeons. “Poor little dove wandering the serpent’s nest all on her own. Hasn’t anyone told you that us Slytherins have teeth?” 

“Why?” In an idiotic surge of courage, the words slipped out of your mouth before you could pull them back in. “Do you plan on biting me, Tom?” 

Tom grabbed your jaw roughly, making you whimper in surprise. “Insolent girl. You’ll learn your lesson soon enough.” 

Without warning, he grabbed you by the elbow and started dragging you down the corridor. At first, you were certain that Tom was taking you to Dumbledore’s office, but as the minutes ticked by, you realized that you were going in the opposite direction. If anything, he was leading you right into the heart of the dungeons. 

Tom’s grip tightened to the point of pain as he guided you up a set of twin staircases, practically flying up the steps on the right side, which you assumed led to the dormitories. It had a similar layout to the Gryffindor common room, except instead of leading into the towers, the narrow hallway opened into an intricate maze in the lower levels of the castle. 

Nestled into the underbelly of Hogwarts was a large, dark room that was surrounded by more stained glass walls that looked out into the Black Lake. A school of fish swam by as Tom ushered you through the door, which he promptly locked behind him with a series of complicated spells you had no hope of deciphering. 

You were trapped. Alone in a room. With Tom Riddle.

Upon closer inspection, you surmised that this had to be his private suite. It was twice as large as your dorm back in the towers and extremely private. A luxury that only the Head Boy and Head Girl enjoyed. 

“You’ve been very bad, little dove,” Tom reprimanded. "You deserve to be punished, but I’ll tell you what. Give up the names of your accomplices and I might find it in my heart to go easy on you.” 

His drawling voice echoed in the bedroom as he leaned back against his desk, twirling his wand between his fingers. The look he leveled at you is enough to awaken your fear. Plus another emotion that you couldn’t quite place your finger on. 

Merlin, Tom was sizing you up like he was the lion and you were the helpless deer frolicking through the meadow. You steeled yourself and doubled down on your lies. 

“There was no one else, Tom.” 

He smirked as though you’d given him the answer he’d hoped to hear. Tom stopped twirling his wand, tucking it away in his back pocket as he stalked over to you. “Very well, then. I suppose you’ll just have to endure their punishments too.” 

You swallowed past the lump in your throat. It occurred to you that while you had your wand, you were completely and utterly defenseless against Tom. It should’ve scared you shitless, but instead you felt a strange sort of thrill as he came closer. “What…what sort of punishment?” 

A smirk curved at his lips as he fisted your hair between his fingers and tilted your head back to meet his gaze. “I think you know, babydoll.” 

Heat ignited in your veins as your tongue darted out to sweep across your bottom lip. “This is crazy,” you whispered. “Shouldn’t you be telling Dumbledore? Snape? Someone in charge?” 

“I’m the one in charge,” Tom growled as he shoved you against his bookshelf. Your back hit solid wood, disturbing the neatly organized tomes behind you. “You snuck into my dungeons, under my watch, and defaced my home. I will dole out your punishment as I see fit.” 

“And if I refuse?” You asked, hoping that you emulated the bravery that your house was infamous for.

Tom pressed his body against yours, leaving barely a hairsbreadth between you as he flashed you a feral smile. “It’s laughable that you still think you have a choice.” 

“I could scream bloody murder. Wake the entire castle up and alert everyone that you're holding a fellow student against her will."

“You could,” Tom mused as amusement flickered in his eyes. “But we both know you won’t.” 

“What makes you so sure?” 

“You’d never risk such a scandalous act to go on your record. First vandalizing Professor Snape’s office, then sneaking into the Head Boy’s dorm after curfew? You’re on a downward spiral, aren’t you, little dove?” 

“I didn’t sneak into your dorm. You dragged me in here.” 

“Please,” Tom said with a scoff. “Let’s not pretend that you don’t want to be here. I’ve been watching you, you know. The perfect little Gryffindor good girl. You think you have everyone fooled, but not me.” You groaned as he pinned your hips in place, sliding his thigh between your legs. 

“You think I haven’t noticed the way you look at me in class? Bending over in that tiny little skirt of yours hoping I’ll glance your way? Leaving the buttons to your blouse undone so you can give me a view of that lacy red bra? Biting your lip when you’re thinking dirty thoughts about me in class?” 

You flushed at his spot on assessment. Tom might be right on the mark, but you weren’t about to admit that to him. Not when your pride was on the line. “I don’t know what you’re talking about.” 

“Dirty little liar.” Tom whispered against the shell of your ear. “You know, your mental shields are impressive, but it’s like you can’t help yourself when I’m around. You’re practically broadcasting your filthy fantasies every time we���re in the same room.” 

Fuck. 

This was bad. 

This was really fucking bad.

How many times had you sat in class staring at Tom while thinking the filthiest, dirtiest thoughts about him? Tom bending you over a desk. Tom slipping his fingers under your skirt. Tom making you scream with his head between your thighs.

All this time, he had complete access to those dirty daydreams.

“That’s right, doll. You may be a powerful occlumens, but you’re no match for my legilimency.” He chuckled darkly, caressing your jaw. 

A heavy pressure weighed down the constraints of your defenses as Tom poked around in your mind, teasing and taunting as a lover would. The act of him prodding around in your subconscious was oddly sensual, mixing pain and pleasure together as he waited for you to yield. 

There’s no use hiding now, Tom whispered into your subconscious. I’ve already seen inside your mind, doll. And your thoughts are just as fucking filthy as mine. 

Glimpses of your deepest, darkest fantasies flashed through your mind. The images were a never ending rolodex of filth and smut. Tom fucking you like his perfect little slut. Tom panting above you as he spread your legs. Tom working you with his fingers until you were a sobbing, whimpering mess. 

He was right. You were shameless. 

But so was he. A new image of you on your knees while Tom unbuckled his belt, his thumb brushing over your bottom lip as you stared up expectantly took center stage. Since it was from his point of view, you could only assume that he was showing you one of his fantasies. It was oddly satisfying. Tom was basking in the depravity with you, sharing his equally fucked up thoughts. 

“Tom…” you breathed, leaning into his touch as he continued to pin you against the wooden bookshelf. 

“Not Tom,” he grunted gruffly. “You’ll address me properly from now on, little dove.” 

This was so fucked up and yet so hot at the same time. You were so turned on you could hardly speak. “Yes, sir.” 

“That’s better, doll.” Tom declared with a smirk. “Now that I’ve been inside of your head, I plan on being inside you in every other way as well. Starting with that pretty little mouth of yours. On your knees, little dove.” 

A strange sense of deja vu washed over you as you knelt onto the floor. The concrete nipped at your knees, but you welcomed the pain. It kept you centered as your body buzzed with anticipation. You watched as Tom unbuckled his belt, deft fingers slowly sliding his boxers down as he gripped himself with one hand. 

With a smirk, Tom brushed his thumb over your bottom lip, looking down at you with lust blown eyes. “Open wide, babydoll.” 

Tom pumped himself slowly. The sight of his cock made your mouth water, your head spinning and dizzy with desire as you tried to calculate how you were going to take all of him. The tip of his cock glistened with precum as he rubbed over it. Tom was thick, long, and absolutely delicious. You groaned as he rubbed his head over your lips, the salty taste of his arousal resting on your tongue. 

“I won’t ask again,” Tom warned. “Be a good girl and open your mouth. I’ll make you regret it if you don’t.” 

“Yes, sir.” 

A satisfied smile graced his handsome face before he shoved his way in. Your lips parted for him, opening your mouth wider as you accommodated his size. “That wasn’t so hard, was it?” 

You nodded obediently, eyes filling with tears as you took Tom all the way back. He fisted your hair in one hand and rocked against your mouth, hitting the back of your throat. A garbled sound crawled out of your chest, but it was soon silenced with Tom’s impatient thrusts. 

“Fuck,” Tom cursed. “So wet and warm. Such a perfect little throat. What a pity that I’m about to ruin it.” 

Ruin was an understatement. Tom fucked your throat with precise thrusts, angling deeper and deeper and groaning as you gagged on his cock. He was so deep that you could feel him bruising your tonsils. The more he abused your throat, the wetter your pussy got. You were practically soaked as you moaned on his cock, sucking your cheeks in and bobbing your head up and down to take more of him. 

“Such pretty noises,” Tom said, his fingers curling through your hair to the point of pain. He tugged at your scalp, forcing you to meet his eyes as you sucked him off. “If your mouth feels this good around my cock, then I can’t even imagine what your cunt will feel like.” 

You groaned in pleasure, making Tom’s eye roll back from the vibrations. Controlled, compulsive, and perfectly composed Tom Riddle was fading before you, replaced by a man driven only by his base desires. He was an animal lost to lust and so were you. 

Tom squeezed your throat, groaning when he felt himself moving beneath his grip. “Your throat was made to be fucked, doll. You like that, don’t you? You love it when I’m rough.” 

You struggled to nod in acknowledgement, saliva sloppily collecting in the corner of your mouth as you continued to let him use you for his own pleasure. Tom chuckled at your pathetic attempt to respond. “Don’t bother answering, little dove. You won’t be able to speak when I’m done with you anyways.” 

The filth flowing effortlessly from his mouth made you clench your thighs together. Tom threw his head back, those pretty curls tousled and plastered against his sweat soaked skin. A moan tore through his chest as he got closer and closer, fucking into your mouth with reckless abandon. He chased after his orgasm, shuddering as he spurted hot ribbons down your throat. 

“Fuck. You see what you do to me? Swallow, doll. Every single fucking drop.” 

The fantasies that you’ve been harboring for the past few years finally came to fruition, but none of it came close to reality. Tom was a fucking god. A masterpiece coming undone above you. You’ve never seen such a beautiful sight. All the artwork in the world would’ve paled in comparison to witnessing Tom Riddle at his most vulnerable. 

In awe and wonder, you looked up at him with mascara streaked eyes, tears and saliva staining your face. Tom hauled you to your feet and claimed you with his mouth. The taste of him was still on your lips, but Tom didn’t seem to mind as he parted your lips with his tongue. The kiss was neither sweet nor innocent. It was dark and dangerous and there was an edge of possessiveness in the way he demanded your submission. Almost like he was marking his territory. 

Tongues, teeth, and lips met with a clash as Tom carried you over to his desk. His books and journals clattered to the ground as his teeth grazed the column of your throat. The taste of him was intoxicating and you licked, sucked, and nipped at every inch of skin he allowed access to. You gasped into his mouth as Tom parted your legs, not bothering to warn you as he palmed your soaked panties. 

Your core clenched as he slipped a finger inside of your pussy. A squelching sound filled the room as Tom added another digit, pumping you full and fucking you with his middle and pointer fingers as you begged for more. He knew exactly what he was doing. Tom studied you like one of his books, with meticulous precision and alarming intensity, pouring all of his efforts and attention into making your body sing. 

It wasn’t long before that familiar warmth singed your veins, your moans growing louder and more desperate as you clawed at Tom’s back. You were so, so close. You were practically riding his hand as he brought you closer to the precipice. Just when you were about to come, Tom pulled away and denied you the orgasm. 

“Don’t be mistaken, doll. This is still a punishment.” Tom said as you whined from the loss. He silenced your complaints by bending you over his desk. 

“Tom, please—“ You clawed at the wood as he lined up and filled you with one sharp thrust. “Oh my fucking gods.” 

Tom gripped your hips, the slap of his skin against yours echoing in the room as he fucked you from behind. He was relentless, thrusting in and out and arching your back while he railed the absolute life out of you. It wasn’t long before you were getting close again. The sharp angles of his thrusts had him hitting all the right spots, making your knees weak and your pussy sensitive from the roughness of his actions. Sensing that you were close, he rutted into you, letting that tension uncoil before ripping the orgasm away from you once more. You whined, fresh tears soaking your cheeks as you chased after that high. 

“Like I said, this is still a punishment,” Tom taunted, slowing his thrusts to a snail’s pace. “That’s two orgasms I’ve taken from you, which leaves you with two more. Four for every wall you defaced. It should be twelve, given that you had help, but I’m in a forgiving mood. I think I’ll just spank the other eight out of you instead.” 

With your head bowed, you wiped the tears off of your cheeks and braced yourself. You knew that he was telling the truth. To Tom, this was mercy. You should’ve found it sadistic, but you fucking loved it. Maybe you were a masochist. Whatever the case may be, it seemed like the two of you were a match made in heaven. 

“I’ll be good,” you whispered hoarsely. Your throat was still raw and sore from earlier. “I’ll happily take the punishment. I promise I’ll be good, sir.” 

Tom chuckled darkly, relishing in your submission. His hand came down with a hard smack against your right ass cheek, making you jolt from the contact. Before you could recover, he repeated the action on the left. 

“That’s two,” Tom said proudly. “Can you count out the rest, babydoll?” 

You nodded, biting down on your bottom lip every time his large hand came down on your ass. His rings bit into the soft flesh of your skin, but it was a delicious sort of pain. One that you could easily become addicted to. 

Three. Tom tugged at your hair. 

Four. Teeth nipped at your shoulder. 

Five. Fingers curled around your throat. 

Six. Hips slammed against you. 

Seven. Lips trailed down your spine.

Eight. Moans echoed in your ears. 

When Tom slipped his fingers down to your clit, your eyes rolled back so hard that you saw fucking heaven. “It’s not a punishment if you’re enjoying yourself so much, little dove. I can feel you creaming my cock. You look so innocent, but you’re just a filthy fucking slut for me, aren’t you?” 

“Yes sir.” 

“So. Fucking. Perfect.” 

Tom emphasized each word with a thrust and worked your clit faster and faster, bringing you to the edge. This time, he didn’t pull back. Tom let the orgasm build until it threatened to wipe you out entirely. White hot heat coursed through your veins as stars exploded behind your eyes. You whimpered through the intensity of the orgasm. After being denied four times, the pleasure ripped through your body so fiercely that you nearly blacked out. 

“Fuck, let me fill you up,” Tom growled. “Take it, doll. I want you dripping with my cum.” 

“Yes, yes, oh gods. Please cum inside of me, sir.” 

Tom released a guttural grunt, gripping your hips in place as he filled you to the brim. Nothing in the world compared to the sensation of Tom filling you with his warm, wet cum. You glanced behind you and found him staring intently as he slipped out of you, stuffing his cum back into your pussy as it dripped down your folds. You bit your lip, utterly aroused by how fucking sexy this man was. 

His gaze met yours, a proud smile curving against his lips as he swept you off your feet and into his arms. “I think I’ll keep you, little dove.” 

[numberonetrashwitch]

Some observations about Baldurs Gate 3 that hit too close to home.

After another few runs i will probably just make an in-Depth Character Analysis for every character simply because they are good reflections of actual trauma-manifestations and how abuse can manifest in people. They are also so well written that it serves a narrative purpose to explore all the material that is out there about them. I am also personally cursed with actual medically-relevant levels of Empathy and Hyperfixation; so writing this helps me put a pin in it and move on.

But so far here are my highlights

(SPOILERS and obviously content warning bc these are deep)

before you ask; i have almost 300h in this game.

You have to convince Shadowheart to eat the Noblestalk. She actually stells you she rather get her memories back from Shar but when you hit the persuasion or intimidation (what the fuck) check to get her to eat it she'll tell you about her childhood friend. Not her name, not her parents but her best firend. Possibly because she has had a closer bond to that person after being abducted and indoctrinated. With her believing herself to be an orphan, she would've looked elsewhere for comfort and sought out her own family, this is why she falls hard and heavy for Shar and builds the backbone of her indoctrination. She is literally ripped out of her home & given a new identity to server her from all she has known. Religious indoctrination, Gaslighting, Abduction, being forced to let go of your personality are her main themes.

There is a scene out there floating around in which you see Astarions pespective of the night when he bites Tav for the first time, in his meditations he is confronted with the rules Cazador put on him, including that he can't eat intelligent creatures, can't be away from Cazador unless allowed to, has to obey every command and that they are should know that they are property. Which in turn means that Astarion literally didn't just have any autonomy, he was objectified (and not just through seductive/sexual measures) and that is really the crux to understanding why he doesn't believe in kindness, but rather shows self-serving behavior in most cases. Since we know that Astarion was extremely young for an elf before he died and became immortal (literally stopping the aging /maturing process) it is also very telling that Cazador constantly calls him brat, boy or other very juvanile names, refering to them as a family... well it is also the story of a very controlling parent. Themes of (Bodily) autonomy, infantilization ( & puer aeternus, forever-child), slavery, depersonalisation, corruption of life and torture to break someone.

Gale isn't just a guy hung up on his Ex, but also a victim of abuse. In this case a power imbalance none of us can fathom; She is described as being a jealous goddess and rules over the domain of mysteries and magic. So with Gale being a Wizard, she is literally his boss. He admits that he was foolish enough to aspire to be an equal to her, but she is so jealous that she tells him he can't really be worthy as long as he takes breath. She could just take his powers away and be done with it, that would be more than enough punishment for a guy who literally made Mystra and her domain his life's purpose, but she rather makes him do it himself. Add to that, that she literally only tells him this after years of self-isolation (after he put down so many wards that he could've blown up a whole army as he says if you click the right dialogue) to really fuck him up well. He also talks about death pretty much constantly, not surprising giving your situation, but he will tell you that he will kill himself at several points in the game, for instance after he comes clear about his nethrese orb. Themes of romantic abuse, power-imbalance, toxic work enviorment, self-isolating behavior, suicidal ideation

Wyll ... well from the looks of it he is the most well adjusted of all the companions (my opinion) but he has something that i'd describe as the "eldest daughter"-syndrome, more commonly known as parentification. This pattern usually occurs within single-household parents and is commonly described as a parent looking to their child for emotional or practical support, rather than providing it to their kid. We meet Ulder and see that he talks over Wyll a lot, not listening but expecting him to follow the standard he sets for him. That is also why Wyll repeats his fathers words like gospel (because this is what, in his mind, fullfills the expectations bestowed upon him) and why he loves fairytales / bard tales so much (because they are an ecapist view of the job he set out to do) Ulder literally exiled his teenage son because Wyll did the only thing he could to save an entire city, by sacrificing himself. Thats a lot to expect from a 17 year old - even more so, he doesn't stop with the heroics. He expects himself, as a human who hasn't even reached the age of 30 to hold up to mystical creatures such as Astarion or Karlach, or even Gale who is a accomplished Wizard. Themes of parentification, escapism, self-harming through putting himself in danger, chronic-self-sacrifice

In plain words; Gortash, Karlach's Idol sold her to a Devil. But add to that that she must have been pretty young when she was sold (late teens to early twenties possibly) and being that if you play as a Tiefling, you face a lot of predjudice she was likely forced into that position as well. Starstruck she was, with a juvenile naitivy that Gortash used. Appropriately, as he is the chosen of Bane the god of "tyrannical oppression, terror, and hate, known across Faerûn as the face of pure evil through malevolent despotism" (Source: Forgotten-Realms Wiki / Bane) So she pretty much was raised in a toxic enviorment, which forced her to become a killing-machine, first figuretively, then with the extraction of her heart, literally. Themes of slavery, oppression, misuse of trust, being taken advantage by a more powerful/older(?) person, being drafted.

Jaheira - to be honest, you need to know the lore of the previous baldurs gate games or just listen to her dialouge, ask her all the questions. She is a war-veteran against Bhaal, the good of ritual murder, and has a long history of fighting to achieve some sort of balance of power. She lost her husband and several close people all to this, or any other war, but due to her wisdom and strength people look to her for guidance. Themes of: Survivors Guilt.

Halsin - he is really closed off at first but then just casually hits you with "i was captured in the underdark and spent 3 years chained to a bedroom wall by a pair of drows who used me as they pleased". He is reprimanded by some of his druids for leaving the grove as soon as opportunity struck, just to get back and leave the next day, and if you talk to him about his position in the grove he is actually very forthcomming. He actively holds himself back; indulging in simple hobbies because he knows what lies within his heart. He is afraid of himself and his potential (canonnically he can't control his wildshape, which is very weird for an ARCH-druid) Themes of: impostor syndrome, avoidant-based self-harm, sexual opression, loss of control, emotional regulation.

Lae'zel is a very tragic case, and one that closely resembles the stories of Shadowheart and Karlach. Her entire existence is based upon a matriachial war society allowing her to live if she proves she can be of use and that in a culture which only values brutality, dominance & service. All of that culimating in her finding out that her oh-so-beloved Queen is actually just an imposter, and that everything she has lived for up to that point is merely political propaganda created to make her, and the rest of her entire species, willing pawns in a war that has no longer bearing on their survival alone, but is fought to justify Vlaakith's (the reigning monarchs) personal ambitions. Not only is she forced to reconcile that she is turned into the thing that controlled her kind for hundreds of years, that the only cure she knows of would kill her and then on top of that, that her hopes and dreams were lies and that she is now the Nr 1 enemy of the person she has served with all her being. themes of: oppression, propaganda, casual violence, objectification, child-warfare, eternal warfare

Minthara in short, her story is about being shamed for growing up in the same scenario that Lae'zel grew up in. Lolth, the god of the Lolth-sworn drows is a crazy queen who values scheming & backstabbing so much and is so volatile that you can't know what to expect of your deeds (and i mean it; there were people who were appraised by her for scheming against her, but also those who were killed. It's almost random.) She considers Lolth to be cruel and abandoned her for the Absolute, only to then be used and abused the same way Lae'zel has. Not with promises, but erasing her memory and exposing her perceived weakness. Themes of: casual violence, violent culture, her own ambition colliding with her desire to be safe, being a pawn in a larger game.

[shanastoryteller]

HAPPY HALLOWEEN GRANDMA!! You already know what I want, nay, what I crave when the days get shorter and the only thing that brings me any solace is my favorite rarepare. Please, Tonks x Percy siat - specifically something abouth Tonks telling Percy about her powers maybe, just an incredibly intimate scene please and thank you 😩🧡

The first time Percy rushes to the St. Mungo's on the heal of a battle and bursts into Tonk's room, he doesn't understand why he'd needed to threaten his way in in the first place. She's stripped to her underwear and looks perfectly fine.

But there are three healers surrounding her and completely ignoring him. "Time?" the oldest asks, her hair pure white and her face a layer of wrinkles.

Tonks closes her eyes. "Eighty seconds."

"External first," she says briskly. "It doesn't do us any good if you bleed out."

She breathes out.

Then blood floods across her body, soaking the bed instantly as wounds big and small erupt over her skin. In some places he sees flashes of what he thinks are bone.

Tonks doesn't scream as magic starts flying, and he doesn't either, keeping himself plastered to the wall.

"Internal," the healer says.

What little of her skin he can see beneath the blood pales and they're casting more healing spells, longer and more complicated the any he's heard before.

"Head," she says. "Go slow."

Tonks swallows and then there's another rush of blood as her eyes roll and she passes out and all three of the healers are flinging spells with a speed and intensity he didn't know was possible.

He's almost grateful that he can't see what injury they're treating.

Then the other two step back and the old healer casts a diagnostic spell that Percy tries to interpret and can't. Her shoulders drop and she says, "Good," casting a scourgify to take care of the blood and pulling the blanket over her with a flick of her wand.

She turns, noticing Percy for the first time. Instead of anger, she just raises an eyebrow. "You're the boyfriend, then?"

He really hates what that implies about how often Tonks needs to be treated by healer quite this talented. "Is she going to be okay?"

His stomach had twisted itself in nots but it finally starts ease when she gives a short nod. "We'll let her get some rest and keep her overnight from observation." She tilts her head to the side. "I'd kick you out, citing the no visitors policy for this ward, but you're already here. Seems like a big of wasted effort."

"A bit," he agrees, pulling a chair next to Tonks's bedside and collapsing into it. "Thank you."

~

Tonks wakes up slowly, feeling the hospital sheets that she hates with the smell she can't stand and she's already trying to figure out how she can get herself released early without bringing Nanu's wrath down on her.

She pushes herself upright - or tries to. She can't mover her arm.

She looks down, alarmed, but her arm is just being used as a pillow.

By Percy, who's asleep and hunched over her bed. Percy, who needed to be coaxed and cajoled into leaving his desk for so much as a tea is here. He doesn't even have any scrolls or work spready out. She wouldn't blame him if he didn't, but he's just here, and from the way his clothing's rumpled he's been here for a while.

Tonks's heart feels so full.

She's going to marry him.

He only just accepted that they were dating, so she'll give him some time before introducing the concept of marriage, but she knows. This man is going to be her husband someday.

[howtofightwrite]

I've got a world-building/combat question. I have these two warring nations in my setting, both medieval-ish tech levels. One of them figures out how to make magical flying craft that are basically WWI airplanes. The other country invents dragon riders in response. Since then, they've been at war for ~60 years. I'm trying to figure out how the heck an air force would alter medieval combat strategies. If you've any suggestions, I'd appreciate it

The first, and biggest world building problem is that magic is part of your overall tech level. Ironically, Diskworld is an excellent example of how magical technology can basically function as an alternate path for social and technical development, though, honestly, a lot of high-magic settings tend to have tech leakage from magic.

One of the more common examples that comes to mind are “magical radios.” Either it's an enchanted device that allows person to person communication, or it's direct telepathic communication, but whatever it is, it serves a fundamentally similar role to a handheld radio, or (depending on how it works) a phone. The thing is, it's functionally a magical replacement, and it would affect society in much the same way those technologies have.

This is a long way to say, if your magical combat technology has WWI-grade planes, there is a very real possibility that a lot of your warfare is also going to be at a similar magi-tech level, if not more advanced. Having written that, I'm reminded of The Red Star comic series; though, that has a heavy Soviet aesthetic, and is not-at-all medieval.

Again, it doesn't really matter if you have fully-automatic firearms, or if you have a bolt thrower that conjures and propels crystals at hyper-sonic speeds into your foes. If they have a similar rate of fire, and similar accuracy, the meaningful change is texture. Your characters might see tiny crystal fragments shattered on the floor, or embedded into walls, instead of bullet holes. There may be no smell, or conjuring the crystals might leave a different odor. A handheld lightning projector might leave scorch marks, and a scent of ozone, for instance.

Magic might also factor into armor and defenses. If you can use a magical ward to dispel conjured objects, that might be extremely useful for fortifying specific targets against incoming conjured attacks, but it would likely be wholly ineffective against the lightning projector, or some other kind of directed energy beam weapon.

“Inventing,” dragon riding as a response to someone else making a magical airship, does strike me as an odd cause-and-effect. If dragon riding was that easy, it would seem likely that someone would have militarized them long before that point. Inventing flying objects that could function as a hard counter to dragons feels a little more natural. Or, magical, AA installations. Though, this is something that could probably be finessed, if you're really committed to the setup. It's also worth remembering that air superiority is an extremely potent advantage, even if you're not sure what to do with it, meaning that if one side suddenly had fliers, and the other side couldn't come up with a counter in short order, they'd be picked apart, and the war wouldn't have this 60 year timescale.

If it seems like I went to ranged weapons very quickly, there's a simple reason. You can't joust from a plane. Your options are to either propel objects at people, or drop things on them from above. Dragons also (usually) have the option to breathe fire on them. Now, firearms did exist in the late medieval era. So, that's not that far out of range. I'm less sure of the invention of bombs. At least, of the variety you could deliver to your enemy on the battlefield. Though, it occurs to me, you could probably use a catapult or trebuchet to deliver an explosive payload, if the explosives were stable enough to survive launch, but sensitive enough to detonate on impact. (Of course, if you have some kind of magically primed explosive, that stays stable until it is ejected from the catapult, and then explodes on impact, that would work.)

Looping back to the timescale again, this would require some pretty potent defensive capabilities. A dragon, with the ability to breathe fire, and the capacity for strategic thinking, could easily starve out an entire kingdom, simply by making a habit of torching all the cropland it could find. It doesn't, particularly matter if it gets all the food, so long as it torches a meaningful percentage of the available crops. When you have farmers going hungry, you're going to see food production dipping, exacerbating the problem. When you have soldiers going hungry, they're not going to be able to fight as effectively. When you have the peasantry going hungry, you're going to see civil unrest, and probably rebellions coming for their lord's head. You can't wage a war against a hostile nation under those circumstances. (In fact, there were multiple peasant revolts during the Hundred Years War, which basically stalled out France's ability to fight. England also suffered multiple peasant uprisings at roughly the same time. Though, those were motivated by taxation, which ends in a similar place.)

A related concept that's somewhat hinted above, is that wars are expensive, and both France and England found themselves facing uprisings because of taxation needed to support the ongoing war. (The irony being that both nations encountered this at roughly the same point in history. Roughly 40 years into the war.) A war that's been going for 60 years will likely have ravaged the economies of the involved nations. This isn't necessarily something that your characters would be aware of, unless you expand the context to show non-wartime economies.

The simplest explanation for why this happens is that any money you spend prosecuting the war are products that you never see returning value from. The money itself doesn't leave the economy, but the natural resources, and labor required, are expended non-productively (from the perspective of economic growth.) So, if you have a peacetime merchant, they're moving money around, but they're paying for their goods, and then those goods are going to consumers, who may also be contributing to economic activity with those goods (this even applies for food, you can think of that as a necessary component to any productive activity.) If you're a wartime merchant, selling weapons to the military, you are contributing to economic activity when you buy the weapons, but when they're sold to the crown, that's no longer productive. Those weapons leave the economy and never return. Worse, any soldiers who are permanently wounded, or killed, are also removed from the economy. Over time, this can destroy the most prosperous of nations. (To be clear, this is more advanced economic analysis than anyone in the middle ages would have had. So, the idea that wars are expensive was understood, but the exact reasons it slowed the economy were not.) And, this kind of thinking is another form of technological advancement. Ideas for understanding complex systems have become more intricate and detailed over time. While it's not the concept of, “invention,” that you might be used to, it is a similar form of progress.

So, how would this look in your world? There's a lot of potential consequences, most of which are not contradictory.

An impoverished lower-class is very likely. Whether that includes wounded veterans or not is a little more up in the air, though after 60 years, military pensioners, and those who suffered life-altering injuries on the battlefield are likely to be a common sight, either on the street or in the poverty line. (Especially if the crown is willing to enforce drafts and conscription.) At this point, that might be a very real possibility.

A struggling aristocracy is also likely, with former major power players who've declined into poverty. This might take the form of borderline abandoned estates that have been taken over by the crown or squatters. (Probably not both at the same time.)

Serious inflation is likely (and could be why formerly stable guild members, merchants, and even some of the aristocracy might now find themselves struggling.) I realize this point isn't something most really think of when you're trying to write a fantasy world, but it's worth considering. More likely this will be seen in food prices having increased over time. So the major symptoms you'd likely see would be decaying structures that no one has the resources to maintain, rising food prices, and generalized poverty. Even in a fairly magically advanced setting, a lot of these things would, likely, still happen. Of course, if the dragons have been used to destroy the agricultural base, things would be even worse in that nation. To be clear, food and taxation riots are not off the table there.

This is sort of a non-sequitur, but if you have a setting with classic transmutation (lead, or other base metals, into gold), you would actually see inflation with every batch of transmuted gold hitting the market. It's sort of an amusing note on the fantasy of being able to produce as much money as you want, but ultimately, it's actually harmful from a macroeconomic perspective. (Basically, the same reason counterfeiting is a problem.) Though, it is a possible hook for criminal groups in one of those nations, producing counterfeit gold via transmutation.

There's also a real world example from 2020, where a jewelry company had fabricated “fake,” gold bars as collateral to secure loans. In total, they claimed to have 83 tons of gold used to obtain loans worth over 2.8 billion dollars, from 14 different creditors. Except, when they defaulted on those loans, and were forced to hand over the gold, it was discovered that these were in fact gold plated copper bars.

I realize the question was about the flying forces specifically, but so long as that advantage is dealt with quickly, and neither side is able to monopolize air superiority, that's not going to change nearly as much as having that level of magical advancement would on its own, and of course, the general consequences of having a war that's been going on for long enough that multiple generations have died on the battlefield. That's going to a bigger effect on your world as a whole.

-Starke

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[wheredidhiseyebrowsgo]

Hey!! I’m really hoping you or your followers can help me find a sterek fic. Literally the only scene I can remember is stiles going down to the basement of a library that Laura manages and he was warned to stay away from the locked area that is essentially the Beacon Hills restricted section but bc he’s stiles he obvs didn’t listen and the gate/door had protective wards so it shocked stiles and sent him flying back. Stiles either worked at the library as well or was just a patron. I think Lydia worked there too? Or maybe Isaac?? I think they find out later on that stiles is magic. Oh and I believe there’s a bulletin board in the library that has flyers that are magicked bc they have hidden messages and magical requests in them that only the supernatural can see. I’m really hoping im not confusing that last bit with another fic. Thank you!!!!!!!!!!

I know this one too!

What I Did On My Summer Vacation by grimm

(4/4 I 118,749 I Explicit I Sterek)

There's something weird about Beacon Hills that Stiles can't quite put his finger on. The way everyone in town knows his name the day he arrives. The way they insist the melancholic howling that echoes through the forest every night is just a dog. The way his dad denies getting a dog, even though Stiles comes home to find one sprawled across his bed, some big black thing whose eyes gleam red in the right light. The way that massive oak tree out in the woods vibrates under his touch, pulsing with sickly life.

There's something weird going on in this town, and Stiles is determined to get to the bottom of it.

[ghouljams]

Ohmygod i have an obsession w price n witchhh!!! In my head after the events of tapped price comes back w his metaphorical tail between his legs bc before witch's wards kicked him out, she looked at him!! And was like price? And he def realised that she trusted him so much in that moment liek her instinct was to look at him bc she cannot believe he would let something hurt her let something of his (gaz) hurt her, not to deal w gaz or the fae magic, yk?? He def feels as awful as he can bc she trusted him and im making my own heart ache rn

It is genuinely so rrrrrrrrrr I am feral about that one moment in particular, because you're hitting the nail on the head. She trusted him, trusted that he wouldn't bring anyone/anything to her that would hurt her, trusted that he was looking out for her, and he gets that moment of his Witch's trust being shattered before he's forced out. That single "Price?" is a "How could you let this happen?" And it fucking kills him.

Price doesn't come by to see you for days. A week passes, then another, with his nose in his work. He can't face you, can't get your wide eyed shock out of his head, the bright crimson of your blood as it dripped from your nose. He can't shake the lingering ache of your magic in his bones, still working off Gaz's accidental curse. How could one mistake shake him so badly? Nothing shakes him.

Still, when his feet carry him down the familiar path to your garden he flinches at your sunshine. The overgrown garden that once seemed so comfortable now seems to only remind him of his failure. He stays in the treeline, watches you hum as you tend to your plants. You wipe the sweat from your forehead and roll your shoulders back, alive and well.

Why can't he forget the way you'd clung to him? His heart clenches in his chest each time he remembers the way you'd sagged against him, unable to keep yourself up any longer. It was the first time in a long time your wards had bit their thorns into him, distrustful and violent. You'd said his name like a plea for answers he didn't have, and it haunted him. How could he let this happen? How could he bring pain into your house? How could he stay away so long, avoiding you like the plague? A stern reminder of his own shortcomings.

You look towards your garden gate with eyes full of longing, something soft and sad dragging your brows together. Price steels himself to make his way towards your garden, then turns and leaves. He can face the court and all its dangers, but one witch turns him into a coward.

He makes sure to get to your garden wall before you come out the next day. Somehow that feels easier. The thought that you might look out your window and choose to ignore him sticks like a knife between his ribs, but it's better than having to approach you. When you do come out you're struggling with a tea tray, keeping the door open with your hip as you maneuver the delicate set out of your house. Price pushes off the wall.

"Let me help," He offers.

"No," you snap too quickly, "No, I'm- the wards are still all out of whack." Your explanation is almost as bad as your denial. He can feel the hum of your magic, the barrier as strong and friendly to him as ever, not a hair out of place. The wards are almost apologetic, not that Price holds it against them for doing their job. No. It's you, your expression is kind but your eyes are unsure.

You carry yourself like you did ages ago, like you don't trust him. Kind, not friendly.

Price swallows down his pride, and keeps out of your way as you set up tea on your garden wall. You set a steaming mug of spiced wine in front of him. It smells like an apology. What do you have to apologize for?

"Sweetheart," Price picks up the mug, his fingers tight on the rim of it, you hum questioningly, "you wouldn't be thinkin' of sayin' sorry for something, would you?" You pause your fussing with the precarious placement of your plate of cookies.

"Of course not," You don't look at him, "but if I was-"

"You shouldn't," Price cuts you off. He sips his mug as you fidget --he's never seen you do that-- it makes his stomach twist unpleasantly. "I would've made the same call," he assures you.

"You wouldn't have let it happen in the first place," You tell him, "I shouldn't have-" You cut yourself off, staring at your tea. Shouldn't have trusted him, Price thinks.

"I should have stopped him," he tells you.

"Is that why you haven't come to see me?" Your voice is so soft, and so god damned perceptive. The way you look at him makes his heart stop, like you can see straight through him. You'd make an excellent creditor if you ever wanted a career change, leading him exactly where you want him.

"Yes," Price admits. Your guard melts away, smile softening just for him. You could take a man's breath away looking at him like that.

"Stop that," You break a piece off one of the cookies with an air of finality, "you'll just have to find some other way to make it up to me."

"I'll think of something," He murmurs into his mug. He'd spend the rest of his life making it up to you if you'd let him. For now he contents himself with your small smile, an olive branch that what's broken can be repaired. If it ever was broken in the first place.

[angel-of-the-moons]

Idk how tumblr works so, apologies ig this isnt a request place.

But i was thinking poly johnny cage and kenshi x reader, where its just fluff with johnny and reader helping kenshi get dressed, bc hes blind, or something like that♡

Gods im soft for this poly relationship😫

Nahhh you getting something because ashslnsl this shit is cute as fuuuuck

Little Wonders

Kenshi x Johnny x Reader

TW/CW: None!

A/N: This is what I was talking about @crimsonbubble lol

🗡️🎥🗡️🎥🗡️🎥🗡️🎥🗡️🎥

Yet again, Kenshi ripped the shirt open to try and rebutton it. He had been at it for almost twenty minutes, now; having to undo the pearl baubles and slip them back into their holes again.

Only to find that this time, he was not one--but two buttons off and the shirt was still lopsided.

He let out a frustrated hiss and yanked the buttons free, this time snagging one so hard the little object popped out of its stitching and skittered across the bedroom floor.

Hanging his head in defeat, Kenshi felt around until he found the foot of your ridiculously large bed, plopping down and sinking into the downy soft mattress with a hefty sigh.

Kenshi could easily call Sento to him; use the magic sword to grant him his sight so he could see enough to map out the buttons, to get dressed by himself like a grown adult should be able to do.

But without Sento, he was as blind as a newborn kitten. And Sento wasn't a crutch. Kenshi needed to learn how to do things without his eyes, to adjust. Because it's not exactly subtle or publicly acceptable to carry a goddamn katana with you to a red carpet event. Which is what he had been trying to get ready for. He just wanted to wait until you and Johnny were preoccupied with swimming out some of your pre-event jitters in his pool to try, to get some of the privacy he needed to spare his dignity. He needed to learn how to do this, how to cope...

He couldn't walk around like you or Johnny without some sort of aid, couldn't dress himself properly anymore... he was damn lucky he could still feed himself without assistance.

"Oh, Kenshi..." He heard you sigh from the threshold of your bedroom door. You and Johnny smelled like the chlorine from the pool; your bathing suits had been stripped away and you both wore your plush bath robes to ward the chill off your naked bodies.

"If you'd asked us, we could have helped you, Ken." Johnny replied as well, moving to sit next to him as you began to gently unbutton the expensive silk blouse.

"You shouldn't have to." He retorted, "I should be able to do it--"

"Hush." You say to him gently, your fingers gently touching his lips to quiet him. Johnny slipped a hand around the back of Kenshi's neck, kneading the thick knots of tension he found there. His mouth twisted briefly into a slight frown when he felt just how tense he was.

"C'mon, babe!" Johnny said. Kenshi could practically hear the cock-eyed smirk Johnny had on his face. "You know we don't mind. Though, taking your shirt off is more fun than putting one on--"

"Oi! Shut it!" You snort, swatting at him before putting Kenshi's popped shirt on the dresser before pulling out one of Johnny's to put on him.

"Abuse! Abuse!" Johnny laid across his lap dramatically, feigning injury. "Oh, oh my god! Kenshi, do you hear how our lovely partner is treating me?! I swear, I should have you locked up!"

He can't help but smile, despite it all. It never failed. Whenever he was down in the dumps, dealing with his new "handicap" as he so deprecatingly referred to it as, the two of you swooped in to cheer him up, pulling a smile out of him when he thought there was none to be had.

"Hah! Like they'd believe you, you drama queen." You scoff, flicking him in his nose. "Now get up, you cry baby!"

Johnny snickered and laughed as he sat up, crawling onto the bed so he was sitting behind Kenshi, his legs spread to wrap around him from behind casually as he leaned back on his hands.

"Kenshi, hands." You hum to him, brushing a hand through his short dark hair, bringing your hand down to touch his cheek, your thumb caressing the corners of where his eyes used to be, feeling the cratered scars left behind by Mileena's sais.

He complies, his body posture softening as you and Johnny help him slip into the soft, buttery smooth shirt.

Johnny buttons his cuffs while you button his front.

"I..." Kenshi tried to find the words; anything to say to the two of you about why you shouldn't be helping him, that he needs to relearn these things on his own.

Johnny interrupts him first: "Nope." He hums, burying his face in the crook of his neck, breathing in the mixed scent of his own shirt and Kenshi's favorite body wash that still lingered on his skin.

"Can already hear those gears working on your head, Ken. Stop it."

"We're a team, Kenshi." You say to him, cupping his cheeks in your hand as Johnny effectively becomes a human koala bear.

"And we aren't going to let you struggle on your own. It's not weakness to ask for help from those you love. A strong individual knows you can't survive without it."

"Without what exactly?" He sighed, relaxing into the two of you.

"Love, you fuckin' goober." You snicker, leaning down to kiss him, his stubble brushing your face softly.

If he could, Kenshi Takahashi would have cried.

[fiddles-ifs]

[ID: A banner-style graphic featuring a coyote's open mouth on a dark black background. Orange all-caps text near the bottom of the image reads: "happy birthday Greenwarden." /end ID]

Happy birthday to my firstborn problem!! I'm trying really hard to not think about how long it's actually been, but to celebrate Greenwarden being mysteriously old I'm posting a former Patreon snippet! I'm also announcing that 1) I quit me day job, and 2) I'm going to be compiling a bunch of Greenwarden shorts that would have gone up on Patreon if I had kept it up. More on that to come when I get all my ducks in a line.

GRAVEROBBING AND NECROMANCY FOR DUMMIES

Marianna & Tracker. 16+. Grimdark Fantasy AU. Scofiddle Pepper Rating: Bell Pepper.

Content Warnings: Blood, minor wounds, implied mind-control, mentions of death.

Mausoleums always have a certain smell — mold, mildew, cracking damp stone. The decay of rock and mortar, but never flesh. The sarcophagi are tightly sealed with both wards and wax, partially to keep the smell at bay. No air, nor Light, nor hands will ever creep inside them. The Silent Mercies do their grim work and do it well, keeping them locked up tight. Then they leave — that's the extent of their dues to the dead.

They can count themselves lucky. Corpses don't exactly make great company. Particularly when some of them are itching to come back.

You can't help but feel like there are eyes on you, your torch cutting through the dark, damp guts of the tomb. An intrusion. Indigestion. The violent, flickering orange light makes the shadows greasy. You'd use a magelight, but you're already dancing on the razor-thin line between bravery and stupidity; you don't want to risk waking something. Someone. 

They were people once, allegedly, but you know what pride morphs people into.

Particularly powerful necromancers resist even the cleansing fire of holy Light, their sentience existing in each molecule of ash, slowly piecing themself back together with sheer will and hate. It may take hundreds — maybe thousands — of years, but eventually they will come back. So, the Temple does what it can. The liches are bound, still conscious, and placed in a sarcophagus. The sarcophagus is sealed — with prayer, with wax, with chains and locks both physical and magical — and a mausoleum built around it. The Silent Mercies make their rounds indefinitely, strengthening the wards and installing ever more complex locks. Hundreds of years turn into thousands.

The hopeful end result is a stark raving mad lich warlock that will, if all goes well, blissfully prefer the judgment of the Light before they suffer one more second of silent, unmoving, stagnant solitude. Time and again the methods of the Temple are proven effective. Terrifying, and effective. Most choose to vacate their own bodies than live in the dark for an undetermined amount of time. Unable to move. Unable to see. Slowly withering away, mummifying, rotting in your own skin. Whatever you’re going to find will not be human anymore – if it was ever human in the first place.

You cross the dusty, time-ravaged stone floor to the sarcophagus at the far end of the room. It's a short walk. Mausoleums are traditionally small, most especially the ones outside of temples, reserved for the vilest of the old guard, the lichkings who dared to try and defy death. Beings that rejected humanity, even rejected immolation, and should not under any circumstances be within spitting distance of a residential area.

Zoning laws: the bane of all undead tyrants. 

There's only one — which is nerve-wracking. It sits placidly on a raised dais set with small, half-melted candles, as if it’s waiting for you. A frozen slime trail of old wax meanders down the dais, caught in time. The thrum of magic tickles your fingertips. Brushing, like a cat would, up against your palms and skittering up your arms. Both a beckoning and a warning. Temptation.

It's wrong. A singular coffin is like finding a singular roach. Not wholly uncommon, but it sets your teeth on edge. 

It means one of two things: either the Temple managed to burn the master’s undead servants, even the stubborn ones. Or, worse – they’re afraid of what it might do with nearby corpses, even sealed away.

Your arms itch. You set your torch in a conveniently placed wall sconce and start working to get your mind off things.

The Temple of Light may not like to admit it, but what they do is magic. The prayers wielded by their paladins and clerics are incantations; the talismans created by their monks are charms, woven out of somewhat less mathematically inclined sigils. Magic. They hang and burn people for it in the streets, but it keeps their mausoleums tightly locked and their church in power.

Like any spell, a prayer can be broken with a little bit of reverse engineering. And you are very good at breaking things.

Maybe it's the uniqueness of your situation, or maybe you were just created with something special, but seeing the patterns in the weave and weft of magic comes second nature to you. Almost like a physical thing. A golden projection of arcane artistry.

It's a complicated spell; the Woodsman lived hundreds of years ago, long enough that even its very name was forgotten. The ward is centuries of layers, each one getting more and more complex as the Silent Mercies learned what incantations and motions were most effective at keeping the dead at bay. Trails of cold, melted wax dripping down time. A beautiful puzzle, just for you. You're always half-giddy, knowing that you may very well be the only one who can truly see the work, the history behind it, and that you might be the only one smart enough not just to break it to pieces, but coax it open.

Enough. You need to be fast.

Your forehead tenses, brows knit as you start reversing half a millennia of spellcraft. Delicately, slowly, you work out the motions, but in reverse. A twist of your hand, fingers curled, your arm moving in hypnotic diamonds and stars and spirals. Shapes designed to trap and contain. The fingers on your other hand open and close in the same fractal rhythm half a canto ahead, parsing out the right steps in the dance before you walk the dancefloor.  You're a conductor, ripping carefully crafted sheet music to shreds. The torch flickers.

There's no sound but your own short, elated huff of laughter when your hand slides into place at the ward's terminus. Deep in your hindbrain, a lock falls open with a satisfying click!

“Don't move.” 

Oh. That's a sword — you feel the tip of it caressing the nape of your neck. Slowly, carefully, you raise your hands to the sides of your head. You’re unarmed, and thankful you have gloves on.

“Turn around.” 

It’s not like you have room to argue.

You’re face-to-face with the tip of a shiny, well-polished blade. The silver coating makes your back teeth itch. You feel it vibrating, still coming down, hypersensitive to atomic changes in the air. You’re also face-to-chest with an extraordinarily tall cleric in their classic white and gold armor. An immediate, violent chill settles into your spine.

She’s hard-faced, hair cut bluntly short; she gives you the impression that her only expression is scowl. You prepare yourself to fire and run. It’ll set your research back months – maybe even a year – but you’ll live.

“Explain yourself.” You’re taken aback by that – you do a quick three-point look around the room and with your head and then spread your hands out a little further.

“I mean,” you say, “I think we both know I’m not supposed to be here.”

She doesn’t like that. Her hands choke a little tighter around her sword grip, leather squealing and platemail clicking as she shifts even deeper into a fighting stance. The sword gets a little closer to your face. A sweat breaks out between your shoulder blades.

“You’re a mage.”

“And you’re a cleric.” Impasse. Stand off. Stare down. Neither of you are willing to make the first move – maybe she’s hoping for a peaceful resolution. That you’ll go gracefully to the stake.

Fat chance, but something changes when she opens her mouth to reply.

You don’t like the look that falls over the cleric’s face – wide eyed, eyebrows to the hairline, mouth half-open. The blood leaving her face. The slight tremble in her steady hands. Fear.

Slowly, you twist your neck to look behind you.

The Woodsman’s coffin is open – a deep, yawning blackness slides out of it, liquid trapped inside thin film. On the coattails of the light-drinking sludge, a skeletal hand slides, damn near leisurely, out of the sarcophagus. What follows is a horror of ancient science. Half human, half… something else.

The antlers crown its head, but the head is canine, deep pinpoints of light inside empty sockets. Mummified skin knits across bone, thin as paper and patchy in places. Its teeth are bare to the world and yellowed with centuries. You watch the slick, black flesh form an amorphous mass beneath the skull, the arms nothing but bone haphazardly slapped onto an overgorged slug.

You were hoping it wasn’t in there – everything you’ve learned told you it had probably vacated its body years ago. There had been no activity for so long – no plague of nightmares, no major possessions, no strange activity in the flora and fauna  – and yet. The Woodsman slithers out of its unlocked tomb on a tide of melted void-flesh, rises on it until it has to bend, its shoulders scraping the ceiling of the mausoleum. It opens its mouth wide – skin and gristle clinging to its jaw in loose strings – and shrieks.

It’s shrill and piercing. You’re concussed, briefly, slapping your hands over your ears. You feel it – in your head. Scraping the inside of your skull, dark wordless whispers in your hindbrain. It knows you. It sees you. It’s in your head.

The cleric pushes you behind her, nearly to the door in the tiny mausoleum. You’re confused – still concussed. You don’t run.

“Go!” She shouts, swinging and hacking at the growing sea of rotting flesh. She swings too wide – the silver-steel scrapes against the walls of the mausoleum and sparks. The Woodsman just keeps growing. One by one, the candles and torch are swallowed whole. A deep, endless black. A tidal wave of nothing. 

You’re not about to argue. You turn tail and run out the door.

Two steps past the tomb, you stumble to a stop. A quick, hard-breathing glance behind you lets you know that the cleric already isn’t doing well. She’s fighting like an animal, punching what she can’t cut. Every slice is swallowed up by more reeling, lightless flesh. You still feel the Woodsman’s scritching little claws, furrows in your soft, pliant brain. Every iota of you recoils away from it. But that cleric – she let you go. 

You look down at your hands. The dark leather gloves, fingertips worn, the edges frayed.

Shaking, you slip them off your hands and leave them in the grass.

You grab the back of the cleric’s breastplate and yank her back into fresh air, swapping places in one smooth transition. You don’t know what she sees. If she notices the dark, blue-black corrupted skin of your hands or the bright runes squirming over your arms while you reach deep in yourself for something destructive. The bands around your wrists and throat mark you as a Thing – something broken loose. The Woodsman tugs at your tattered ghost leash with an interested spiritual hand, head cocked. Your programming demands you kneel for consumption, and your knees twitch before you get yourself back under control. You almost see a wink of recognition.

Little homunculus, the Woodsman whispers, curling around the base of your skull like a cat, so far from home.

“Shut up,” you say, and light up the room.

The Temple of Light has claimed the lichkings reject holy fire and immolation – they just haven’t tried something hot enough. Your fire is pure destruction, white with heat, blinding against the greasy black corruption sludge coating the walls. The Woodsman shrieks – pain, rage, confusion. Spikes of pain explode behind your eyes, and you burn them away too.

You wade through the muck, scorching it all to ash, beating the Woodsman back until it tries to seek refuge again in its sarcophagus, huddling in the pit. A child taking refuge in a cellar.  Curled at the back of a cell. Useless, useless.

You reach out with a flame-licked hand and clamp down hard on its muzzle.

“Shut up,” you hiss, and watch fire make cracks in its skull. It rakes your arms with bony claws, opening bloody gashes in your flesh. The blood sizzles and evaporates almost instantly. 

The Woodsman’s head explodes with a loud crack, bone shards ripping through the skin of your cheek. The rest of it goes limp in a heap. What’s left, you turn to coal dust, just in case. When you’re done, all that’s left of the Woodsman is a greasy soot stain coating the floor, walls, and ceiling. It’s a little gruesome. Reminds you uncomfortably of blood.

You coax the flames back in, lower and lower, wobbling with exhaustion, until a comfortable, warm dark swallows you. There’s light in it – ambient, soft reflections of the moon outside. The sarcophagus is a welcome resting spot, using its high lip to stay half-standing. Even then, you see little spots in your vision, the edges going blurry. A few drops of blood slide out of your nose and splatter on the ground. Your ears are ringing.

“You’ve got red on you.” You jump.

The cleric is standing there, wiping blood and slime off her face. One of her eyes is nearly glued shut, an open wound on her brow pouring red down her cheek and under her collar. You give her a once-over before you weakly tilt your chin up.

“So do you,” you say. She nods – holds out her hand.

“Marianna.”

Cautiously, you cross the floor on shaky legs to take it, and give her your name. The one you picked for yourself – it feels nice. To introduce yourself, for once. She almost crushes your hand. You’re comparatively weak.

“You saved my life, mage,” Marianna says. You grin with a mouthful of bloody teeth, an acknowledgement.

Then, your body finally gives up. You’re blissfully unconscious before you hit the ground.

[senualothbrok]

Hello friend!! I have been thinking about undiagnosed sorcerer Gale a lot lately, so I am making it your problem too.

You only gradually become aware of it, and once you are you wonder how you hadn't noticed. Maybe it's the passage of time, each day one step away from the nautiloid and the Netherbrain and all of it--each day that much more distance from Gale's last audience with Mystra. The burden of the Orb hadn't been yours, but it had been heavy enough that you felt lighter when you saw his face as he stepped out that portal. Maybe, like the wounds you both bring back with you to Waterdeep, your mind needed the chance to heal before it could process even more.

More in this case is living with Gale. It had been one thing being on the road, chased from danger to danger; all you'd been able to think those nights you'd collapsed into his tent with him was we made it, with a fervent hope he'd be next to you when you woke and still next to you the night following. Now, you lie down with him night after night and wake up to him morning after morning, and as you let yourself accept that this is how things will be, you start to notice.

The tower is suffused with magic.

It's not only the spells and wards that Gale has woven into the very heart of it, or the numerous enchantments he's created to make life easier, or the artifacts and books you've brought home with you. It's Gale himself.

Surrounded by magic and slow to shed the exhaustion that's clung to you since Baldur's Gate, you need some time to sense the difference, but once you do it's there, a touch on your sleeve or a whisper to catch your attention. When you search for it you can't see it, there's no breeze to stir the curtains or the profusion of flowers Gale brings home day after day. You don't smell that dreaded rosewater or taste cloying honey-sweetness on your tongue. It's a sense that goes beyond sense, speaking to the parts of you that lie under your bones and between your nerves--it's something that escapes your words just as you think you've found the ones to describe it. The sense of him wraps around you like a comforting memory, smoothing its unfelt fingers across your unquiet spirit; the happiness you feel, the life that suffuses you, doesn't compel you but invites you just to be.

It's different when you're in bed together, like tonight, when Gale is salting your skin with kisses. Tonight he's all around you, flowing into and filling every part of you like water, Gale himself spilling over at the edges. He's not glowing but you feel alight with him, woven into him, his threads twisting around yours to draw you close. You're not in one of his illusions--the world around you is very real, if hazy and distant, and Gale's body is hungry, solid flesh and bone against yours. The sensation doesn't vanish even when Gale pauses to ask you what's wrong and you realize you're staring at him.

"I can feel you," you say awkwardly.

"I'd hope so," Gale says laughingly, though he notices your uncertainty and sits up, bracing himself back on his haunches. "What is it?"

You explain as best you can, though every word out of your mouth sounds more foolish and inaccurate than the last. You find yourself tangled in a thicket of your own making and are just about to panic your way out of it when Gale says, faintly embarrassed, "Oh. That--that hasn't happened in quite some time. Years."

I'm so sorry, friend, that it's taken me so long to reply to your once again beautiful piece. I feel like my writing is pretty awful at the moment so I do apologise. I just wanted to get it out though (despite being in a weird creative space and putting off writing a little bit!)

Thank you so much, as always, for your exquisite work <3 ---

You do not need to ask. There is an intuition that exists between you, so that you often know his intentions before he speaks, and he senses your desire before you tell him. You know that part of this comes from the joining of your souls, sealed by your love. But you suspect the other part comes from something altogether different, that sensation that you cannot yet name.

“Admittedly, it wasn’t as innocuous as what you’ve described, back then.”

He pulls you closer, as if he needs your skin on his, even though you feel his being like a flame inside you.

“By all accounts, there was more force to it. It was more of an explosion, if you would.”

You arch an eyebrow. He flashes you that languid half smirk that drives you wild. You wonder if he feels your arousal as his own, like two rivers flowing into each other. He watches you with dancing eyes, savouring your reaction.

“Not that kind of explosion.”

You laugh a little. His lips are smooth and warm as they graze the tips of your fingers. For a while, you fumble for words to explain, ever grateful for his patience.

“It feels like a spell,” you manage eventually. “Even when you’re not casting. Like I’m floating in the Weave, except that you’re the Weave. You’re all around me, inside me, everywhere.”

He gazes at you, fingering this chin absently. And then he nods. There is a kind of solemnity in the gesture, the slight gathering of Gale’s brow. You wonder how long Gale has hidden this part of his nature, or shied away from examining it too closely.

“When I was a child, I learned to control it. But with you…”

He buries his head into the crook of your neck, the heat of his sigh blazing like your pulse. There is a force to it, then, an ache to his longing. You feel it like a flood.

“I want all of you,” he rasps. “And I want to give you all of me. Perhaps that’s why.”

Your open mouth finds his, wet and desperate. His breaths are ragged, swirling into yours like a clouds swallowing clouds. He is a warm bath, lapping at every inch of you. You are about to drown yourself in him when he draws back, so abruptly you feel bereft.

“Does it disturb you?”

The wavering in his eyes almost makes you wince. Traces of his uncertainty, the measure against which he still judges himself. You shake your head sharply, immediately.

“No.” You press yourself against him, swelling with tenderness and desire. “The more I find out about you, the more I love you. Nothing could make me love you less.”

He hesitates for a moment. You feel, as well as see, the last of his doubt fading. His smile is a ripple of light through you, a pleasure almost as intense as pain.

“That’s a relief,” he whispers, as his fingers flutter downwards, and his taste becomes your own.

[meowmeowraven]

Everybody needs a magical star in their life! ✨

HSR characters x Glitter Clover! NB! Reader

Part 1!

Featured characters: Himeko, March 7th, Stelle, Caelus, Herta, Dan Heng, Welt Yang.

Notes: I tried 😔

Himeko:

Okay, honestly, if it were from my point of view, Himeko would find you so adorable due to your bubbly, yet calm personality

When she first took you in, on the express, she didn't know you were a Glitter Warrior, but when she found out, she was visibly shocked (she was a bit worried for your safety but you reassured her that you'll be fine!)

She was really curious about how you could transform, how you became so strong.

"Wait, but how does this all work?" Himeko speaks while carefully inspecting you. "Well, it's all magic from my Glitter charm and Glitter pad!"

"Ohh, so that's the source of your power?" You hand her your Glitter pad as she then takes it and inspects it, then hands it back to you.

March 7th

Ohoho you're in for a bigger surprise when March finds out you're a Glitter Warrior.

Her eyes literally sparkle with excitment, i mean like, you follow the path of preservation aswell?? You ALSO like sparkles and glitter? It's like you're made for eachother!

She is so eager to know more about your powers.

"[Name]? Is that actually you?" March quickly runs towards you after you helped her fight a Void ranger, placing her hands on your shoulder, inspecting you, surprised and eager. "In flesh and bone!" Her eyes sparkle "woahh you look so cool and-and pretty! I mean you already are pretty!" You just let out a chuckle at her statements.

In conclusion, you both are made for eachother, either romantically either as bestfriends. (She's the head of trouble and you just help her! <3)

Stelle

Stelle wasn't really surpirsed, she knew something was up with you, especially after she saw you talk with your "plushie" (ifykyk what i mean).

She liked the idea of you two being a team, even as strong as you are, with your shields she still liked protecting you.

"Stelle! Watch out!" Stelle looks behind her as a reaver is ready to strike her, but you were quick to act. "Insert Glitter charm! Clover Reflection!" You manage to ward off the blow with your clover-shaped shield. Stelle quickly takes down the reaver, thanking you in the process. "Thanks for helping me there, [Name]." You look at her with a confused expression, "you're not surprised?" "Honestly i knew something was different about you"

Deep inside she was actually surprised at your strength.

Caelus

Ah, yes Caelus, the same as Stelle, unsurprised, he already knew about your little secret, but dw he won't tell anyone. <3

Unlike him, you didn't like digging through trash, so you were visibly horrified seeing him dig through trash.

Even if you were visibly disturbed by it, you remained calm. Grabbing him by the hood of his jacket.

Caelus was digging through trash, as usual, but it was the first time you saw him do it. "CAELUS!" He then redirects his attention to you, replying unfazed of the situation. "Yeah?" "WHAT IS THE MEANING OF THIS? DO YOU KNOW HOW UNSANITARY IT IS?!" you quickly grab him by his hood and pull him away. "Wait- Hey!" He knew you were a Glitter Warrior but he wasn't expecting you to be this strong. He had to blackmail you into letting him continue his "treasure" hunt. "If you don't let me go, i'll tell everybody about your little secret." You tried playing dumb, but it didn't work so you ended up letting him go.

He's a bit of a prick but it's okay, cuz it's Caelus. <3

Herta

You're her new favourite "testing subject", she wouldn't actually try to hurt you. <3

She's gonna keep pestering you about it all! She really wants to know if your Glitter pad and charm are curios or if they're relics. She wants to know how you got them, who gave them to you or where you found them.

"sooo, [Name], how did you get those curio-relics?" Herta asks you on a curios yet mischiveous tone. "Madam Herta, you know i can't tell you." You keep walking towards your destination, as Herta wraps her puppet hand around your wrist trying to stop you. "Oh, cmon, can't you even give me a hint?" You sigh, knowing that there was no escape from her. "No, no i can't." Herta rolls her eyes annoyed that you wouldn't tell her. "Ugh, can you at least come test the Simulated Universe once more?"

Dan Heng

Even tho, Dan Heng doesn't seem surprised, he is very shocked deep inside, trying his best not to show that.

Now, he tries his best not to let March know, she knows how to get anything out of him, no matter what it is.

"[Name]?" You heard that same monotone voice, from behind you. You were transformed. And he caught you, on the luofu, you were helping some cloud knights with two mara-struck. "O-oh! Hey Dan Heng!" Dan Heng walks over to you. "So, you're not what you say you are," you looked away a bit ashamed for holding such a secret away from your bestfriend/ s/o. "Don't worry, your secret is safe with me." He places a hand on your shoulder reassuringly.

Welt Yang

Oh boy, Welt never really expected this from you, since you're usually calm. But he never knew how angry you could get..

When a halfway infected mara-struck called Welt an old man and refused his help, you couldn't hold back your rage and anger, you ended up beating the mara-struck into a fetal position, Welt had to yank you off of 'em..

"i don't need your help, you old man." The mara-struck spoke on a hateful tone. "I-" you then cut off Welt, "How dare you be so rude to Mr. Yang? He is trying to help you and you just refuse it and insult him?!" Walking towards the mara-struck, cracking your knuckles, a few minutes later, you were kicking the poor mara-struck until it was crying on the ground, curled up in a ball. Welt then wrapped his arms around your waist pulling you and dragging you away from the mara-struck.

[hollowed-theory-hall]

How does the protection magic that Lily's sacrifice placed on Harry work? On that note- how do the blood wards placed on the Dursley household operate?

Like- does the latter act as a notice me not/ fidelius of its own? Protecting Harry's location from other magicals? (It would have been easy for another Longbottom tragedy to occur after all) from what I remember the blood wards have no affect on the protection cast by Lily's sacrifice, and instead sort of extend the effect to the household???

Also on the topic of the protection- we saw the end Quirrel met. And... I just wondered- why didn't this sort of reaction extend to all the people - the Dursleys included- who laid their hands + spells on Harry with the intent to harm? By all means the blood wards should have fallen the moment The Dursleys tried to physically harm Harry. Can't see a protection powered by Lily's intent, extending to people who mean her son harm.

Unless of course the magic and the wards are targetted at Riddle specifically. Which brings the question- why didn't it set on fire/ harm anything considering even the traces of Riddle's presence/ influence. Eg. The people with the death Eater brands, the horcruxes, the soul shard inside Harry himself??

Ugh. Just so many questions.

Ps. Could the blood wards have been transferred/ worked in a residence comprising of the people Harry considered as his family and who reciprocated this sentiment? (based on the importance of intent to keep the spell going)

Wow, @ana-lyz, just like with the veil and death asks, I just started drafting a post about Lily's blood protections and what Dumbledore says about them. So...

Lily's Love Protection and Dumbledore's Blood Wards

Alright, strap in...

Okay, so let's start by seeing what we're told about the blood protections and whether we can gather something cohesive that makes magical sense out of it.

We have Voldemort's statement on this piece of magic:

“...I wanted Harry Potter’s blood. I wanted the blood of the one who had stripped me of power thirteen years ago . . . for the lingering protection his mother once gave him would then reside in my veins too. . . . “But how to get at Harry Potter? For he has been better protected than I think even he knows, protected in ways devised by Dumbledore long ago, when it fell to him to arrange the boy’s future. Dumbledore invoked an ancient magic, to ensure the boy’s protection as long as he is in his relations’ care. Not even I can touch him there. . . .

(GoF, 657)

Notice there is the lingering protection from Lily's magic and the ancient magic Dumbledore invoked. These are, I believe separate spells.

Dumbledore's statements:

“But why couldn’t Quirrell touch me?” “Your mother died to save you. If there is one thing Voldemort cannot understand, it is love. He didn’t realize that love as powerful as your mother’s for you leaves its own mark. Not a scar, no visible sign…to have been loved so deeply, even though the person who loved us is gone, will give us some protection forever. It is in your very skin. Quirrell, full of hatred, greed, and ambition, sharing his soul with Voldemort, could not touch you for this reason. It was agony to touch a person marked by something so good.”

(PS, 215)

“But I knew too where Voldemort was weak. And so I made my decision. You would be protected by an ancient magic of which he knows, which he despises, and which he has always, therefore, underestimated — to his cost. I am speaking, of course, of the fact that your mother died to save you. She gave you a lingering protection he never expected, a protection that flows in your veins to this day. I put my trust, therefore, in your mother’s blood. I delivered you to her sister, her only remaining relative.” “She doesn’t love me,” said Harry at once. “She doesn’t give a damn —” “But she took you,” Dumbledore cut across him. “She may have taken you grudgingly, furiously, unwillingly, bitterly, yet still she took you, and in doing so, she sealed the charm I placed upon you. Your mother’s sacrifice made the bond of blood the strongest shield I could give you.” “I still don’t —” “While you can still call home the place where your mother’s blood dwells, there you cannot be touched or harmed by Voldemort. He shed her blood, but it lives on in you and her sister. Her blood became your refuge. You need return there only once a year, but as long as you can still call it home, there he cannot hurt you. Your aunt knows this. I explained what I had done in the letter I left, with you, on her doorstep. She knows that allowing you houseroom may well have kept you alive for the past fifteen years.”

(OotP, 835-836)

Here again, Dumbledore mentions the ancient magic he made the decision to protect Harry with as a separate thing from the lingering protection from Lily.

And (as per this post) the Dumbledore Harry hallucinates statement:

“He took my blood.” said Harry. “Precisely!” said Dumbledore. “He took your blood and rebuilt his living body with it! Your blood in his veins, Harry, Lily’s protection inside both of you! He tethered you to life while he lives!”

(DH, 598)

And then we have what happened to Quirrell:

Quirrell raised his hand to perform a deadly curse, but Harry, by instinct, reached up and grabbed Quirrell’s face — “AAAARGH!” Quirrell rolled off him, his face blistering, too, and then Harry knew: Quirrell couldn’t touch his bare skin, not without suffering terrible pain — his only chance was to keep hold of Quirrell, keep him in enough pain to stop him from doing a curse. Harry jumped to his feet, caught Quirrell by the arm, and hung on as tight as he could. Quirrell screamed and tried to throw Harry off — the pain in Harry’s head was building — he couldn’t see — he could only hear Quirrell’s terrible shrieks and Voldemort’s yells of, “KILL HIM! KILL HIM!”

(PS, 212)

What we know from this

Well, from the above quotes we can divide the magical protections on Harry into 2 different spells as I mentioned above:

Lily's sacrificial love protection - the intention magic Lily cast by protecting her son. This is the magic that blocked the Killing Curse and killed Quirrell.

Dumbledore's blood ward - this is the spell Dumbledore cast that (supposedly) protects Harry in his relatives' home. Voldemort says Dumbledore invoked this magic, and Dumbledore also mentions it's a ward he left that built upon Lily's protection, but it's not a spell Lily left.

So, what can Lil'y Sacrificial Love Protection do:

Makes the Killing Curse not kill Harry.

Returns the Killing Curse back to the sender.

Continues to hurt that initial "sender" whenever he tries to kill Harry.

What about Dumbledore's Blood Wards what do they do:

Nothing.

Dumbledore and Voldemort say this magic exists but it never does anything. We never see it active, it never protects Harry from anyone, neither his relatives nor Death Eaters. So, we don't know what it's supposed to be doing since it doesn't do anything in the books.

Voldemort says it won't allow him to touch Harry in his relatives' house.

How I think these spells actually work

I'll start with Dumbledore's Blood Wards:

I simply don't think this ward actually exists.

Dumbledore isn't very consistent with how this protection works. He says Harry needs to return for a bit to live with Petunia for the magic to work, but if that's all the requirement, why long weeks? Couldn't he return for a shorter time? And each year he spends a different amount of time at Private Drive? Couldn't he always be sent back just for the minimal required time? At first, the ward was about love but then it isn't, he says this: "While you can still call home the place where your mother’s blood dwells, there you cannot be touched or harmed by Voldemort."

Harry didn't think of Private Drive as a home:

Harry could hardly believe it when he realized that he’d already been at Hogwarts two months. The castle felt more like home than Privet Drive ever had.

(PS, 123)

“I believe he had several reasons, though he confided none of them to Professor Dippet,” said Dumbledore. “Firstly, and very importantly, Voldemort was, I believe, more attached to this school than he has ever been to a person. Hogwarts was where he had been happiest; the first and only place he had felt at home.” Harry felt slightly uncomfortable at these words, for this was exactly how he felt about Hogwarts too.

(HBP, 431)

Harry never considered Private Drive and the Dursleys his home. Hogwarts was his first home.

If there is no love and it isn't a home, even if Dumbledore did cast a blood ward based on Petunia and Lily's sacrifice it won't actually be active. But personally, I don't think this ward actually exists.

Dumbledore needs a reason to keep Harry with his relatives.

Dumbledore needs Harry malleable, low on self-esteem, and lacking in a support network. Because he knew since October 1981 (but probably before) that he'd likely need Harry to die. He suspected Harry was a Horcrux from practically day 1:

Under a tuft of jetblack hair over his forehead they could see a curiously shaped cut, like a bolt of lightning. “Is that where —?” whispered Professor McGonagall. “Yes,” said Dumbledore. “He’ll have that scar forever.” “Couldn’t you do something about it, Dumbledore?” “Even if I could, I wouldn’t. Scars can come in handy...

(PS, 13-14)

And being raised by the Dursleys ensured that when the time came, when Dumbledore needed Harry to die to destroy Voldemort, Harry would be willing. Because Harry would not put much worth in his own life. Because of that, I think it's not outside the realm of possibility Dumbledore would lie about this ward to have an excuse to keep sending Harry to the Dursleys.

(Sure, Dumbledore would've preferred not to kill Harry if it could be avoided, but he had been preparing for the situation since October 1981)

It's not like he did anything to better their treatment of Harry until book 6, when he needed Harry to start trusting him more...

And like I mentioned above, even if the ward was there, it would not be active because Private Drive was never a home for Harry. And after year 4, when Voldemort took his blood, any protection from any blood-related magic would be moot. Because Voldemort would not be counted as a threat by the ward.

So Dumbledore sending Harry back to the Dursleys after he knew the wards he left (if they were there at all) were gone, proves to me Harry's placement at the Dursleys was never about the wards to begin with. Because if the blood wards are gone, literally anywhere else around wizards who could protect Harry would be safer than at the Dursleys, even when thinking of Death Eaters and Voldemort as the only threat. If they came to find Harry at Private Drive, nothing would've stopped them (except Harry himself).

I could guess wards like this, if they actually were active, would have been an extension of Lily's protection and stopped Voldemrot from being able to enter the Dursleys' residence. From what's said, it seems this ward seems to target Voldemrot specifically, and no one else. But, as I mentioned, I don't think it's really there.

Lil'y Sacrificial Love Protection:

I mentioned in the past how intention and emotion mean a lot for magic in the HP universe. Lily, a witch who we are told repeatedly was powerful, intelligent, and talented, could very well cast a powerful protection out of her love and intention to protect her son. That is 100% possible with what we see magic is capable of and how magic seems to work.

That being said, the fact this never happened before suggests to me Lily did something different than just having a very strong wish for her son to survive. Dumbledore says it's because she had a choice, and in a way it is, but not because Voldemort gave her the option not to die, but because she chose to die instead of Harry.

I'll try to explain it, bear with me.

“Not Harry, not Harry, please not Harry!” “Stand aside, you silly girl. . . stand aside now.” “Not Harry, please no, take me, kill me instead—” “This is my last warning—” “Not Harry! Please . . . have mercy. . . have mercy. . . . Not Harry! Not Harry! Please—I’ll do anything—” “Stand aside. Stand aside, girl!”

(DH, 297)

This is the "spell" Lily casts — the incantation. This is her wish moments before her death: "Not Harry, kill me instead," that's what she says, that's her promise, that's her wish, that's the magic.

Lily's protection only works on Voldemort because her spell essentially made a bargain with Voldemort (that he didn't agree to). that he'd kill her instead of Harry. Once he killed Lily, he couldn't kill Harry because that was the protection she left him, and Voldemort won't be able to kill him because she died in his stead.

That's why we don't see the same thing happen after James dies to buy Lily and Harry time, why when others die to protect someone they aren't protected from the killing curse. What Lily did is a combination of a few extraordinary circumstances coming together:

She's an incredibly powerful witch (shown by her childhood magic that was very controlled and advanced (not unlike Tom Riddle) and Slughorn's boasting)

She loved Harry dearly. Loved him enough to power an accidental spell.

Chose and intended to die instead of her son. She had intent when making her plea, intent required for any spell.

So what essentially happened is that Lily created a situation where Voldemort physically can't kill Harry because Lily died in his stead. If, for example, Quirrell touched Harry without intending to kill him (like he did when they shook hands in Diagon Alley or when he pulled Harry to stand in front of the mirror) the protection won't activate. All it does is stop Voldemort from killing Harry because he already killed Lily in Harry's stead.

So, Voldemort, as I mentioned in the past, wants to kill Harry, this is his only ambition in the 2nd war. So he takes Harry's blood into himself so the protection won't work anymore. And we see it doesn't in the woods when Voldemort casts the killing curse and it doesn't rebound back on him (which would've happened otherwise).

This love protection from Lily doesn't require anything to stay active. It was cast because Voldemort killed her and Harry doesn't need to do anything to keep it active. Staying with the Dursleys wasn't for the sake of Lily's spell but for Dumbledore's ward.

As for Lily's spell not protecting Hary from anything else, like I mentioned, the bargain was that Voldemort would kill her instead of Harry, it would only protect Harry from being killed by Voldemort. If Voldemort just asked a random Death Eater to kill Harry it still wouldn't have worked, but that won't be because of Lily's love magic, but because of Harry pretty much always being the Master of Death.

Basically, Voldemort was doomed because he had no chance of killing Harry. Ever.

But what about when Harry died in book 7 and said he cast the same sacrificial love?

Well, I don't think Harry cast the same sacrificial love. His feelings and intentions were completely different. In his case, I think he just took the mastership of the Elder Wand so it wasn't performing as well for Voldemort afterward.

Conclusions

There are actually two different and distinct spells referred to by the characters when it comes to the protections Lily left for Harry.

The first is Lily's Sacrificial Love Spell which worked like a bargain. She pleaded with Voldemort to kill her instead of Harry and after he killed her, he could no longer kill Harry because he was protected.

Voldemort taking Harry's blood does indeed circumvent this spell and allows him to kill Harry in the woods (if temporarily).

The second is the Blood Ward Dumbledore talks about that is supposedly placed on the Dursleys' home. This spell was invoked by Dumbledore and is not part of Lily's spell.

It's supposed to build on and strengthen Lily's protection from what's implied.

this second spell would've stopped its activity the moment Harry stopped considering number 4, Private Drive his home (which happened quite young, as he doesn't remember ever considering it a home)

Personally, I don't think this blood ward ever existed, but even if it did, it was moot from the get-go and never done anything.

Voldemort taking Harry's blood in year 4, circumvented this ward too.

Basically, Dumbledore kept Harry at the Durselys less because of the wards and more because it suited him to ensure Harry would become the martyr he needed him to be (something I should write a full post about eventually).

[dairy-farmer]

I call this the Highlander Au! >:Dc There can Be Only One! (Unless he REALLY enjoys the process and the world stops going to shit for like... FIVE god damned minutes!) (The second is sadly unlikely)

Tim? Fully Cis gendered male. Not terribly ATTACHED to this, physically, but certainly identifies as Male and has a male body.

Maybe it's been all the near misses. The "all my friends fuckin DIED on my and I mentally spiraled like you wouldn't believe". Could be him finally reclaiming his life. Or yet another horrible mental spiral. Who knows!

But he's decided.

He wants to be a Dad. *sound of various Bats choking and/or dropping things*

Is even seeing anybody? Nope. How the FUCK is he gonna get a baby?! Oh, normal, Bat Paranoid fashion. Cloning tube. Same way Damian happened. He just needs to figure out the maternal DNA and he's golden. Figure out where to hide his tech to stop Villainous Baby Snatching Plots.

Because that's a very real concern.

No you can't talk him out of this. Timmy want himself a baby. Is already designing a nursery and studying child development books. Parenting manuals, getting those little animal onsies, lazer death grids to ward of Ra's ninjas. The works.

Bruce is off to the side, quietly having an aneurysm and choking to death on his own spit. Baby boy? Fatherhood? OFFSPRING!? Alone and not going to LET HIM HELP!? But why would he help!? Bad idea! But. But he needs to BE THERE to TAKE CARE of TIM and the future BABY! Aaaaaaaaa-!!!!!

It's a... "Fun" time. Dick is nearing a nervous breakdown. Bruce not far behind. Damians having Feelings(tm).

Then! At a Wayne Charity Event(tm)? Small glowing child. Looks alien. Is getting upset. People backing away IN A HURRY because they just watched this child WARP REALITY to turn the nearest table into candy.

Tim is there as the face of the family. A hero. Already feeling generally Paternal. Upset baby is Bad. So he goes in, dispite clear protests. Gets low and talks soothing.

But the alien Wants Her MOMMY!

And? Oh. Well there goes the protective amulets JLA Dark made for him. Now he's in an alien dress and? Very much no longer Cis. Guess he would have and DID inherent from his dad's side of the family, no boobs. Tiny. At least he got his mom's killer legs.

And the kiddo isn't scared any more. Since he "looks like mommy".

Except not even remotely, because she warps into being an HOUR later, looking for her daughter and is made of pure light. Thanks him. Doesn't FIX anything. And just leaves. Gee, thanks lady.

There were REPORTERS there. Tim Drake has tits now. Front page news. Great. Ra's is GOING to know and get WEIRD about it.

Tim shrugs. Off to Leslie we go, though. Check up time!

Yep. Full lady bits action. And, hey! Shiny new spleen! So that's nice.

It DOES change his plan though. He didn't, you know, collect any "samples" yet. But? Does... does he NEED too? He COULD concoct a story of "rich person hires mystic to get penis back" after going and getting magiced back.... OR?

He could have someone put a baby in him! *simultaneous Bat Choking Noises*

MUCH easier to defend. THEN he could be changed back, after the baby is weaned. The problem is who to trust? Ra's is ABSOLUTELY going to do everything in his power to get his seed inside Tim new puss. So a seed bank is out. And-

*hands slam on the table*

Obviously! We can't trust anyone outside this house! Villian plots and Ra's specifically! Bat paranoia! W-we will just have to make this sacrifice for you!

.....Weirdly intense, but okay.

Objection! Says Tim's newly no longer Dead team mates. Tim tried to CLONE Kon! OBVIOUSLY it should be Kon! And Bart! Bro Threesome! Let nature decide! (Then kid number 2 is the other Bro, is only FAIR)

ALSO a good point. He did have that promise, if one of them ever got turned into a girl. And a Kon baby WOULD be nice...

Shit! Grayson pulls "last of my legacy and I have so much to make up for" cards!

Is betrayed by his OWN FATHER (Bruce! How COULD YOU!?) Who plays "you saved me from the time steam and nearly died for me, let me help(emotional)" to devastating effect!

Cheating! Howls the Speedster! You're CHEATING!!!

And Tim stands there... kinda confused but finding he's actually Really In To This as people argue over how much THEY want to be the one to put a baby in him? He's never felt this badly WANTED. Desired.

He may not want to go through the whole "actually carrying a baby for 9 months then pushing one out" thing more then once.... but the fighting over him thing? This might be awaking something.

And, well, Kon already made a good point. Why try to control it? Let nature decide~

Everyone can help.

The argument stops dead. For all of the seconds before "who goes first?" Occurs to everyone.

Sadly for THEM, Bruce is a bastard willing to play dirty to get what he wants. And his house his rules. He goes first. After all, he no doubt smirks, none of THEM have the... experience, to handle a virgin properly.

He refuses to allow Tim hurt on his watch.

Got it? Good talk. Tim, with him.

Which is what leads to Tim clawing at the bed and begging like his life depends on it, soaked in sweat, hours later. As Bruce STILL gently, teasingly, RUTHLESSLY eats him out. Puddles worth of lube ruining the sheets and easing his way, as he works calloused fingers DEEP to find spots Tim didn't know he had yet. As they rub and tease and fuck against those spots so relentlessly it feels like Tim's coming apart.

He didn't even know he could MAKE half these noises.

His hole is so wet and sloppy, it's like it's given up. Like his body can do nothing but quiver and twitch under Bruce's hands. Given how big he is? Probably the point. Because he crawls up to loom over Tim like a giant. Presses kisses to his whimpering, sweaty face. And rocks into his exhausted body, filling every inch of him.

It doesn't even hurt. Something that big probably SHOULD for his first time, but Bruce isn't a legendary playboy for nothing. And it just fills and Fills and FILLS. Rubs against everything in a way that makes his toes curl. Makes him want to gasp and cling, even though he's so exhausted.

Bruce just shooshes him. Pulls him close. He won't have to do a thing. He can just cling to Bruce and feel good. Bruce is here. He's got you.

And it's the best thing Tim's ever felt. Forget masturbation, sex is AMAZING. Bruce rocking then thrusting then pounding into his body. Holding tight like something precious. Hammering his good spots still he sees stars. Til he's nearly sobbing, hiccuping, from how good it feels to have his insides all messed up.

Bruce fills him up. All gooey and warm. Picks him up and carries him to a clean bed to get wiped down and tucked in. Cleans up then joins him. Fills him back up and tucks him close. He feels boneless and precious. Sleeps like the dead.

Discovers sex with a puss is AWESOME.

Next morning, he's barely out of Bruce's room before Dick is scooping him up and dragging him into his room. Almost franticly bending him in half as he presses him to the bed, kissing the air out of him. Holding his face as he whispers filthy praise into his lips. Hips relentless as they slam home, pounding at just the right angle.

Like he's trying to make for YEARS of mistakes by pouring it all into pleasure NOW. Clinging tight and trying to fry Tim's brain with how good he can make him feel. Dick buries his faces against Tim's neck and rutts like he's making up for lost time. Fucking Tim through orgasms, spilling again and again, like he's determined to drain his balls dry and wring every last bit of pleasure he CAN out of Tim's exhausted body.

Tim has to threaten to hit him with an alarm clock to let him up. Tim wants LUNCH damn it. They missed breakfast. By a LOT.

But then work calls. Damn it. So he has to get dressed. Double damn it. And he does it, but refuses to be pleased about it. Resolves things. Even gets ahead on work. Only for DAMIAN to walk stiffly into his office. Sus.

The gremlin hands him a frankly VERY well put together report on why he, Damian AL Ghul... should be allowed to fuck a baby into Tim. He has brought along a slide show and genealogical report.

.......Explain.

Damian does. He REALIZED some things about himself. When Tim was discussing becoming a Father. Using the same method as he, himself, was created. Went through a whole "go to the Kent farm and have a life change adventure" character growth arc, as you do. And? Now realizing that he potentially COULD be DIRECTLY involved in the Hypothetical Child's life instead of as an uncle?

He wants in. They could be glorious, combined. AND he firmly believes Tim will be a magnificent Mother. Let him Father your child.

It's a bad idea. Tim knows this. He literally JUST slept with Bruce yesterday and nothing good comes from sleeping with AL Ghul's. They Obsess. But? Fuck it. Maybe THIS is the thing that finally stops the Tim-Gremlin cold war and bring peace to house Wayne once and for all. He unbuckles his belt. Walks over to his resting room.

And Tim KNOWS, even as he's being urgently fucked into the fold out bed, that this is an AWFUL idea. No way in HELL, from the desperate and sloppy thrusts, clinging, panting and whines, is this NOT Damian's first time. He's utterly undone.

Pounding load after load into Tim because it feels too good to stop. All enthusiasm and no skill. Half the pleasure Tim's even GETTING is his own hand, relentlessly teasing his own clit. But? Oh. The feeling of being wanted so BADLY. Of cum, gushing and gushing into him. Knowing it's HIS hole that's so good, it's driving Damian incoherent.

He feels... sexy. It DEFINITELY does something for him. He may not be able to go back. Could see himself enjoying being a milf.

But of course. Business hours end. And he PROMISED! Is swept up by Bart for their threesome. Which, after several rounds and untold loads of near-no-refractary-period speedster cum dumped inside him? Is kinda spotty, in his memory.

All he knows for certain is he wakes up to his sheepish best friends, "Sorry we fucked you unconscious repeatedly" bribes, no voice, and a warm bath. He's also plugged up and FULL full of that premium speedster/half-kryptonian blend cum, because apparently his friend intend to WIN and nothing says victory like overwhelming odds. He'd call them fuckers, but they ARE and hold no remorse. He can't move.

Carry him you bastards.

When he asks where Cassie is, he learns she's apparently trying to harrass the magic users into a making her a temporary "turn me into a dude" amulet. Both as a gift AND so she can join the race for Father Of Tim's Baby. Huh. Interesting new options.

Obviously, throughout ALL of this, ninjas. Because Ra's has never wanted to smash so hard in his LIFE.

Instead, Tim is out here, on Jason's shitty couch. Getting lifted up and slammed down onto his cock. Called baby girl. Princess. Jason's never been harder. Already planning their kids graduation dinner and baby number three.

Tim feeling precious and taken care of and DESIRED. Like the young adult with a first shitty apartment he never got to be. Something so close to normal. Put a baby in him. Fuck him like you love him, like they do this every Saturday night, then eat pizza and watch trash TV. Fill him up.

And if course~ it's a VICIOUS game of Fuck The Tim keep away, up until one day he starts to show. Then Everyone is loving and coddling and in a "No I Am The Father" cold war. The birth is a nightmare, because Tim is slender and more scar tissue then not. But?

Adorable quarter-Kryptonian! With the biggest blue eyes and Tim's porcelain doll face.

Tim is NOT doing that again. Ffffffuck giving birth. And being pregnant! Granted, the EARLY part? He loved. He glowed. Getting pregnant was AWESOME. But later stages? God awful. Clone tube babies from here on out.

Absolute Devastation in the Tom Fucking Community. Babe no! You can't MEAN IT!

Woah, hey! He never said he'd STOP. "Getting Pregnant" is very, VERY enjoyable. He's just refusing to carry SHIT. Birth control for HIM. Scooping that slurry of "leave it up to Nature" out and storing it. Now... Kon stop being smug and hold your son.

-🐼🐼🐼

😭😭😭 tim getting everyone to come to dinner and they all think it was alfred and are like 'this was a great idea alfred! we should all get together like this more often' only for tim to cough and say well actually i called you all here, i figured you all deserved a heads up since i'm going to be undergoing some serious life changes. everyone's confused and then tim says he's going to have a baby.

immediate panic and some disappointment from bruce because he thinks this is a teen pregnancy and he expected better from tim only for tim to have to yell to interrupt everyone and say there is no 'girl', not yet anyway. he's just announcing that he's GOING to have a baby. they're not yet conceived and now the family is dealing with whiplash of how of course TIM would do something like this now they're sitting their listening to him talk about the ideal gene pool given tim's family has a history of mental issues and he's going into some very detailed things like nurseries and everyone just wants him to slow down because tim is still a kid!!! dick is older than him and even HE doesn't feel ready. so everyone is trying to talk tim out of it while tim insists he's ready, he's been going to a therapist for 11 months trying to deal with his issues so he COULD be ready to be a parent.

which of course baffles them even more because???? dick has been trying to get them all into therapist for years and tim just???? went??? on his own????

bruce is of course the least welcoming of tim's ideas of teen parenthood. because what about highschool, college? at least ONE of his kids has to go to college!

tim however says no, says his GED is more than enough.

bruce tries finding other angles, asking what if he just sets tim up with babysitting gigs? make him see kids aren't that great and tim just huffs and said he already did a bunch of babysitting and volunteering at the children's centers in gotham as part of his adoption application!

which ???? just stressed bruce out even more?! because tim had tried to adopt a baby first? but apparently got rejected because of his age, lack of partner, and lack of job which tim loudly says is unfair because bruce was in his 20s when he took in dick and HE hadn't had a partner or a job!

so the family is protesting, despertly trying to get tim to change his mind,,, then tim gets a womb and suddenly the protests die down VERY quick.

[2024-grimoire-challenge]

February Week 4 - Types of Magic 3

There have been a lot of definitions and broad topics this month, and we have a few more! All of these pages and terms and types of magic this month are pages to return to, add to and even change as you deepen your knowledge, understanding and depth of magic. It's okay to grow and change, and it is okay for our grimoires to grow and change as well.

Monday

New Page - Consecration/ Blessing - Define consecration and blessing, within the context of witchcraft. What is consecration? What is a blessing? How does one do it? Why does one do it? When does one do it? What purposes does it serve? Is it necessary? Have you unconsciously blessed or consecrated something before? What associations do they have? Do you know of or relate to any myths or legends related to these in the context of your craft?

New Page - Research - Pick an herb off your list and get at it! Learn everything possible about it! Magical, mundane, medicinal, everything!

Tuesday

New Page- Wards/ Shields - I know this may fall under protection magic, but it is also a bit more specific. What are wards and shields in witchcraft? How do you make and use them? Why do you make and use them? When do you make them, when do you need them? What associations do they have? Do you know any myths or legends related to wards and shields?

Journal/ Introspection - Let's take a long long look here. Inwards. Again at the morality of our craft. Where do you draw your moral compass from? What inspires you to act the way you do? Why do you act the way you do, for the purposes that you act towards? What is your moral standing within witchcraft? Where do you stand on curses and hexes? Where do you stand on doing magic for or on others? Do you need permission? Where do you stand on teaching magic to those younger than you? Think broadly about this topic, any questions you can ask yourself about your craft, or any questions others have asked you, ask them of yourself and really think on the answers.

Wednesday

New Page - Enchanting - Define enchanting within the context of your craft. What is it? How do you do it? Why do you do it? What tools are necessary? What associations do you have for enchanting? What things can you enchant and what can't you enchant? Are some stronger than others? How do you undo enchantments you no longer need or those done by others?

Practical - Try it! Enchant something of yours, and journal the experience! Record everything in your lab notebook that way you can work and rework it as necessary.

Thursday

New Page - Manifestation - Define manifestation in the context of your craft. What is it? How do you do it? What purpose does it serve? Look into different methods and beliefs on how it works, which one, or ones, work for you?

New Page - Research - Gemstone! Pick another, or if you're not doing gems, pick any other magical topic or item and research everything about it! From its uses and associations, to how it is formed or made! Legends and myths, everything!

Friday

New Page - Glamours - Define glamour magic! What is it? How do they work? Why do we use them? What purposes can they server? What tools do they require? What associations do they have? What legends, or myths or historical stories relate to glamour magic? How do you perform them?

Practical - Do some glamour magic! Anything you can think of, that you feel you can or need to do! Do it! And record the process and your progress in your lab notebook!

More practical prompts are coming, and more bonus prompts are on their way! I'm doing my best to keep up with these posts, but am also working a lot of overtime at the moment! Feel free to tag me here or on @thehazeldruid with any progress you've made with your pages, your lab notebook, or anything to do with your grimoire or this challenge! I'd love to see and I'm sure it would be an inspiration to others!

Thanks and happy crafting/ casting witches!

-Mod Hazel

[lou-struck]

Dream Eaters Part 3

Obey Me! Datables (minus Luke x MC!)

Featuring: Simeon, Solomon, Diavolo, and Barbatos

Parts 1 & 2 Here

~ How they react to a lower-level Demon giving Mc nightmares intentionally.

Warnings: Mentions of blood, torture, and nightmares. Nothing too visually graphic.

Simeon~

Simeon thinks of himself as your guardian angel, he loves you with his whole heart and wants to protect you from anything in the three realms that could cause you harm.

He isn’t well adapted to using his DDD so he didn’t see the messages you sent him in the middle of the night telling him that you were walking over to Purgatory Hall.

He was pulled from sleep by the tentative sound of knocking on his bedroom door, but when he sees the tears in your eyes he rushes to embrace you gently petting your hair and leading you to sit on his bed to talk.

When you tell him of the terrible nightmares that you have been having the past week he knows that there is some sort of dark magic that is draining your energy through your dreams.

“Mc, may I please kiss you?” he asks as your tired eyes blink in shock. Once the realization of what he says hits him he gets a little blush on his cheeks. “A kiss from an Angel can ward away all your bad dreams he says giving your hand a soothing little squeeze. You nod and allow him guide you down underneath his still warm silk sheets.

His eyes burn with a magical intensity as he places the softest little kiss on your forehead letting his power put you into a sleep that is free from nightmares. Now that you are safe and on your way to recovery, he leaves Purgatory Hall and out into the streets of the Devildom to carry out his duties as your guardian angel.

A lesser demon curses from an alleyway as he feels the mark he placed on you earlier snap under the pressure of celestial power.

Simeon steps out from the shadows, his blinding white wings out in a display of powerful elegance.

“That human is under my protection,” he says to the cowering Lesser demon. “I will not hesitate to send you off into oblivion.”

Barbatos~

Barbatos has noticed that something has been off about you ever since you came to the castle for your weekly tea date. You were on edge flinching at every little sound as if something was out to get you.

Not wishing to pry he tries his best to make you feel comfortable in his presence, selecting a soothing tea blend, placing an extra log in the fireplace, and playing one of his favorite records he borrowed from Lucifer.

It works a bit too well as your eyelids droop and you fall asleep in one of the plush armchairs before he has a chance to serve you a cup of tea.

Not wanting to wake you he gently lifts you in his arms and moves you to lay down on the sofa admiring how peaceful you look while you sleep. But then something shifts in your demeanor. Your brows furrow as you begin to toss and turn on the couch.

Rushing to your side he prevents you from twisting onto the floor as tears begin to stream down your still sleeping face. Upon making contact with your skin he feels the dark energy of a Lesser demon draining you of your vitality.

The only way for him to get these nightmares to stop would be to confront the demon responsible.

With a flick of his wrist time in the Devildom stops as he begins to hunt down his prey and make them pay for hurting you.

As he approaches the still frozen lesser demon he can't tell whether they are bold or completely idiotic trying to harm Lord Diavolo’s human exchange student.

Upon contact, the Demon is able to move amongst the time-frozen landscape and look up at Barbatos in fear. It opens its mouth to speak only to be interrupted by the Butler.

“I have all the time in the world to make you pay for the pain you have inflicted upon my human. But I wonder if it will be enough to satisfy me.” He coo’s wrapping his tail around the creature's neck. He tosses them into the dungeons before returning to tend to you in any way you need.

Diavolo~ 

The first time Diavolo found you asleep on the couch he thought it was so adorable he made sure to bring in a few blankets in case you wind up there again. Since then it has been a normal occurrence for you to get a bit of shut eye in his office so he doesn't have to end his day alone with nothing but paperwork.

But as he fills out paper after paper directing a soft gaze towards you whenever he can as a reward for his progress he notices that there is something off about your sleeping expression, your brow is furrowed and even in sleep your lip is trembling in fear as you let out a series of scared mumbles and whimpers.

Springing from his seat he rushes to your aid shaking you awake with a large hand. 

“Mc, you were having a bad dream.” he says soothingly as you cling to his arm. You blink and look up at him and he can practically feel the exhaustion radiating off of you along with something else, something familiar.

“What did you dream about?” he asks trying to confirm his suspicions.

When you reply that you dont remember he realizes that this is the work of a Lesser Demon, not just any demon one in his own employment. The thought that someone on his payroll causing harm to HIS human makes his blood boil. 

It takes a snap of his fingers to summon the creature before him and only a glare to force it to it’s knees. “Not only do you threaten peace between all three Realm’s, you dare to feed from MY human.” he growls. 

It can only blubber excuses and pitiful temptations before he is dragged away to the dungeons to suffer the consequences of treason.

Any slight to the Prince is worthy of such punishment.

Solomon~ 

The Sorcerer has lived multiple lifetimes, he remembers the feeling of being hunted by dream eaters very well. 

The moment he sees you slumped over on one of the stone benches of RAD trying to fight the exhaustion that clings to you with fear in your eyes he knows exactly what’s happening. Gently he sits down next to you and he takes your hand giving it a squeeze looking at your trembling frame. 

Leaning in close to your ear he gently whispers to you “I will stop at nothing to give you back your dreams.”

You nod but are too tired to even respond to him properly, but you allow him to help you to your feet and through a portal to his laboratory where he can begin to examine you. Not having the same sense of smell that the others have, Solomon has to rely on his intuition, and magical abilities to figure out who is tormenting you.

It took a few different trace spells for him to pick up a trail, but one finally took just as you were beginning to lose your battle with your need to rest.

It’s a race against the clock as Solomon follows the trail of violet mist through the corridors. He has to find the Demon responsible for your pain before the dreams drain you of more energy. Finally, the trail fades revealing a Lesser demon lounging behind a shrub in the gardens no doubt sensing the oncoming taste of your fear. 

The Demon is incapacitated before it is even aware of Solomon's presence as it is lifted into the air and squeezed until it cannot breathe. Black cape swishing behind him Solomon chuckles roughly grabbing the chin of the now-panicking Demon. 

“It’s been a while since I’ve been able to experiment on a Demon of your abilities,” he coos “Maybe you should be a bit smarter when it comes to feeding off of humans.”

[rendy-a]

Locked in with the Film Research Club

I had Vil on the mind from finishing my last fic when someone "liked" one of my Club Visit stories and...here we are! Sorry Ortho, but of course Vil steals the show here!

Sometimes, it strikes you at odd moments that Vil is famous, really famous. You'd been walking past the gym when you saw a student drop a heavy looking box and kick it. "Who does he think he is? Mr. Famous is too good to do the grunt work but can order us around like we work for him!" The student waking with him also drops his box and smiles, "Yeah, let's ditch and let our delicate princess figure this out himself." With that, they both laughingly depart.

You walked over, already having an idea in mind about what had happened. You pulled open the box to see a mixture of lighting and sound equipment. You give a small sigh, putting the picture together. Vil was a strict a leader in the Film Research Club as he was a Dorm Leader. Not everyone could deal with his...intense... style of encouragement and grew to envy and resent him.

You sighed but hefted the boxes anyway. You wouldn't exactly say that you and Vil were friends, but after the VDC, you were at least friendly. Plus, Ortho was always telling you about the things he'd done in club. You can't disappoint a fellow first-year! So, you trudge your way over to the alchemy school wing that you heard the Film club would be using for their shoot today.

When you arrived, you found Ortho setting up some complicated machinery to attach the camera to. You greet the cheerful boy and tell him about the boxes. "Vil Schoenheit has been looking for that equipment. He'll be so happy you've found it, Prefect! I'll go tell him right away!" You pat Ortho on the back, "That's OK. I've got lots of spare time and you seem busy here. I'll go tell him. Just point me in the right direction!"

You found Vil in a large storage closet near the Alchemy room, just as Ortho suggested he'd be. You swing the door open and approach Vil, who is leafing through a book near the back of the closet where a small amount of light shines through a tiny window. "Hey Vil, Ortho sent me," you began before Vil turns and shouts, "Perfect! Grab the door!" You jump at the shouting and hear an ominous click behind you.

Vil sighs, and you look at him guiltily, "Oops." It turns out that the supply closet near the Alchemy rooms locks automatically when closed due to the expensive ingredients and tools stored within. Plus, since some of the components have a chance of magical reaction if not stored correctly, the room was warded against magic. All of that added up to you and Vil being locked in the supply closet until someone came to find you.

Vil gave another sigh and returned to the book he was viewing. After a moment of looking around, you wandered over to join him. Plus... it's a closet; you really don't have a lot of choices here. You peek over and see it's a photo album. "Rook took them," Vil comments when he notices your interest. "I was in here picking up some special effects potions. Rook makes them in Science Club and leaves them in here until we need them. I guess he also stores some old photos here, too."

You leaned in to look. They were pictures from last year's Film Research Club. Some were productions, and others were candid shots from behind the scenes. A few you found confusing, but you imagined, if you asked Rook, he'd have a long explanation about why he'd photographed a scarf on a chair or a stack of paint canisters. By the end of Rooks flowing explanation, you'd probably believe the unusual subjects to be highly beautiful as well.

Vil turns the page, and the next image is his own, albeit a somewhat younger version. A frown graces his beautiful face, and he comments, "I'm sure he never intended for this to be seen, but I do hate pictures of myself being taken when I can't control them." You look at the photo of second-year Vil, "You look good, though." He looks at you sadly, "How naive you are, potato. You never know what sort of trouble a small photo can start. The tiniest detail that goes unnoticed by you can start a wild scandal."

Vil crosses his arms across his chest and looks at you with a frown, "And speaking of scandal, no good will come of the story of us being in this closet." You can easily imagine the gossip but assure Vil, "I'm sure it will be fine. No one is here but the club members, and we will just explain what happened. I'm sure they will understand!" Vil continues to look at you for a moment, and his expression slowly slides into one of amusement, "Potato, you are so refreshingly optimistic and naive."

You give a small laugh and smile, you know it to be true. Vil looks at you with a sort of fondness. It was so rare to find such a genuine person to interact with once you've become as famous as he. Suddenly, Vil's smile grows sharper and sly, "I, in the other hand, am not as foolish as you. If the peanut gallery is going to spread rumors about me..." You look on in amazement as his smile deepens and he slides close to you...

The closet door opens at last, and Ortho greets you, "Vil Schoenhit! Prefect! My sensors indicate that you have not left this room for thirty minutes. The club members grew worried, and we came to check on you!" You smile gratefully at the AI boy, "Thanks for the rescue, Ortho. I thought we'd be stuck in there all afternoon." Even as you smile at Ortho, you spot the envious duo from earlier. Just as Vil predicted, you can hear their gossiping whispers begin.

You hold your head high and push past them. After all, Vil was right. If people are going to talk about you kissing in the closet, then you might as well be kissing in the closet. You gently put your fingertips to your lips and smile, it wouldn't be a photo to add to Rook's album but you think it is definitely a beautiful memory of Film Research Club for you to hold on to.