#mad doctor of blood island

[weirdlookindog]

Mad Doctor of Blood Island (1968)

[mariocki]

Mad Doctor of Blood Island (Tomb of the Living Dead, 1969)

"You are quite mad."

"Then you should be very careful, doctor. Both of you. Mad people can be quite unpredictable."

[flight-to-mars]

[darlingbandit]

I had to stop watching Mad Doctor of Blood Island because the roofers were reroofing my roof (this is not a very veiled cry for help do not send a swat team to my house) but at about the thirty- or forty-five-minute mark there is an allegedly unsimulated sex scene and I don’t want my roofers seeing those shenanigans going on in my house. I mean, this Iowa, not Europe!

[jurassicsmile]

my take on doctor moreau for a personal prpject 👀

[trendylomo]

The mad doctor of blood island

The orchestrations are polished, original and interesting, Arevalo throughout experimenting and combining instruments that one would think unlikely bed fellows, but each time the combinations work to great effect creating a consistently good listening experience. It is a mystery to me why this score has not been issued before, it ticks all the correct boxes in the category of a horror soundtrack, but also contains some surprises that are appear in the form of enjoyable lighter moments, these are heard alongside pulsating and infectious up beat tracks which are in a way addictive, as once heard will be played over and over again. The musical score is the work of Filipino born composer Tito Arevalo, who’s rhythmic, percussive and dramatic music enhanced and punctuated the movies inventive storyline perfectly. Lorca is portrayed by Ronald Remy, whilst John Ashley stars as Dr Bill Foster the hero of the tale, with Angelique Pettyjohn in the role of Sheila Willard providing the love interest and glamour in the film. This Filipino fest of bloodletting and frights was released in 1969, the main character is not actually a he as such but more of an it, as the monster is a green blooded chlorophyll creature that resembles the Toxic Avenger on a bad day who resides on a remote island and is the result of an experiment gone horribly wrong, once a patient of the MAD DOCTOR referred to in the pictures title.

[lucidtrust]

The mad doctor of blood island

You may also like our review of Woman of Mud. It is clear that the intention was to emphasize these “climactic” scenes but the way in which the scenes were shot were poorly executedįor the foregoing reasons, Grave Reviews gives Mad Doctor of Blood Island (1969) one and one-half graves out of five graves.ĭo you agree with our review? Comment below. The camera work pertaining to these scenes is eye damaging and excessively shaky. In addition, every time someone is at risk of being attacked, the camera zooms in and out. As such, the story line was convoluted and did not present a clear plot. Willard is trying to reunite with her father. But the main story appears to be about the whereabouts of Carlos’ father. The beginning of the film presents a green liquid substance that essentially increases the person’s pheromones and causes physiological and mental effects. It is difficult to pinpoint what the true premise of Mad Doctor of Blood Island (1969) was about. However, the “gore” scenes are very dated and over dramatized as was the style in the 1960s. The Mad Doctor of Blood Island is a 1969 Filipino horror film, co-directed by Eddie Romero and Gerardo de Leon, and starring John Ashley, Eddie Garcia and Ronald Remy. In addition, the film incorporates multiple scenes of nudity. Mad Doctor of Blood Island (1969) has some blood and gore. However, what they find out is that people are turning into green monsters only for the desire to kill. Bill Foster who also travels to the island for research purposes. Initially for the purpose of visiting her father, Ms. Written and Edited by Grave Reviews Staff

[eternalmoonlight18]

Please please Shanks or Law taking care of sick!reader

Ouuuu I always wanted to do headcanons based on sick!reader!

Law and Shanks Taking Care of You When You're Sick

GN!Reader x Trafalgar Law and GN!Reader x Akagami no Shanks (pre-established relationship)

SFW!

Your immune system is usually strong, so you usually don't get sick

But one day, you suddenly fell ill, like super SUPER ill and you're bedridden

But you don't let the others find out, and everyone thinks that you're sleeping.

But once the crew finds out you're down with a sickness for the first time they freak out and tell their captains.

Trafalgar Law

Once he's alerted that you're down with illness, he heads straight to your room

He's pissed that you didn't say anything to him but he couldn't stay mad once he saw how sick you really were

He's a doctor so of course he knows what to do! He comes back to your room with a blood pressure monitor, thermometer, and an IV

Yeah he kind of goes overboard

But I think he would have an innate fear of his loved one getting sick or ill because of what happened to his family and friends with the White Lead disease and it triggers him

So he does everything under his power to make sure you're okay

"Hold still I'm trying to take your blood pressure"

"Law, this is fourth time you've done this in the last hour"

He would make sure that you're well fed with hot soup

Makes sure that you're taking your medication even though they taste terrible

"I don't want to take it"

"(Y/n)-ya, I will literally cut you in half and place that pill directly in your stomach so help me God"

He would refuse to leave your side and will sleep on a chair next to you

Will make sure that you're hydrated

Expect a 2-litre jug of water in your room and he will make you finish one a day until you better or else he threatens to hook you up to an IV

"How many times did you pee today? If you pee a lot it means you drank a lot of water which will help you recover"

"Uh I didn't go yet"

"You have 1 minute to drink 1 litre of water or else I'm hooking you up to this IV right now"

Once you're better he will force you to do checkups with him every month from now on

"I hate the infirmary I refuse to do monthly checkups. Also, isn't supposed to be annual?"

"I don't trust your immune system anymore"

He may be overbearing and too much but that's because he loves you very much and hates to see you sick <3

Akagami no Shanks

The man beelines it to your room as soon as Benn alerts him that you're down with an illness

He starts freaking out because he thinks you're dying because you've never been sick before until now

"Omg please don't die yet we have to get married first"

"Shanks, darling, I just have a flu"

Y'all know that scene where Luffy tries to make Nami feel better on Drum Island when she was sick and he makes a silly face

Yeah, Shanks does the same thing

His face is scribbled with blank ink and his hair is tied up into two ponytails as he tries to make you laugh. Hongo walks in on him and accidentally stabs Shanks with one of his needles in shock

While Hongo does the actual healing since he's the doctor, Shanks tries his best to assist him even though he was no help

"Captain can you not use my stethoscope on their asscheeks please"

"Sorry I was trying to see if I could hear their heartbeat from there"

Shanks would try to cook soup for you but for some reason it tasted like beer

"Is it delicious? I tried to make soup for you so you'd feel better!"

"Why does it taste like beer? And is that a dead fly?"

While you're sleeping, he'd put cold damp towels on your forehead and change them every hour on the dot

Shanks will also refuse to leave your side as well. He will be glued next to you until you got better

He'd give lots of forehead kisses and will cuddle with you, much to your dismay

"Honey, it's getting too hot"

"I know, it's cause I'm here"

"No you loveable idiot you're hugging me too tight, let me go before I cough on your face"

Once you're fully recovered the man is stuck to you like velcro and smothers you with his love and kisses

"Shanks stop it you're going to make me sick with all of your germs!"

"Then let's both get sick!"

He may be clueless but he does his best to take care of you because he loves you <3

------

LOL this was fun to write

[vermilionsun]

This post translates directly to @musas-sideblog's about how Touchstarved ties with Victorian horror and implicit/metaphorical sex, and I couldn’t stop thinking about it, so here is a lengthy theory. Enjoy :)

Note 1: Victorian era authors used an unholy amount of ways to imply sexual feelings/acts etc, so I here I will include only the ones that are of interest. Note 2: I've highlighted the "most important" parts. Note 3: I'm not an expert at this, so please bear with me and feel free to correct me. Note 4: Do I need to add a TW? I think it's obvious-

Overview: What is Victorian Horror?

Victorian horror refers to the genre of horror literature, art, and culture that flourished during the Victorian era, roughly from the mid-19th century to the early 20th century, coinciding with Queen Victoria's reign from 1837 to 1901. This period was marked by a fascination with the macabre, the supernatural, and the dark aspects of human nature, reflecting the anxieties and societal changes of the time. 

Key Themes and Characteristics

Supernatural Elements:

Ghosts and Spirits: Tales of haunted houses and spectral apparitions were central to Victorian horror. Charles Dickens's "A Christmas Carol" (1843) and Henry James's "The Turn of the Screw" (1898) are notable examples.

Monsters and the Gothic: The era's literature is filled with monstrous creations and gothic settings, such as in Mary Shelley's "Frankenstein" (1818), Bram Stoker's "Dracula" (1897), and Robert Louis Stevenson's "Strange Case of Dr Jekyll and Mr Hyde" (1886).

Science and the Unknown:

The Victorian period was a time of great scientific advancement, but also of fear about the implications of these discoveries. This is evident in works that explore the dangers of unchecked scientific experimentation, like "Frankenstein" and H.G. Wells's "The Island of Doctor Moreau" (1896).

Exploration of the Human Psyche:

Victorian horror often delved into the darker aspects of the human mind, including themes of duality, madness, and the hidden, sinister side of human nature. This is seen in "Dr Jekyll and Mr Hyde" and Edgar Allan Poe’s works, such as "The Tell-Tale Heart" (1843).

Social and Moral Anxieties:

The literature frequently reflected Victorian society's fears and anxieties, including issues related to sexuality, class, and the role of women. Gothic novels often contained subtexts about societal norms and the consequences of transgressing them.

Urban Fear and Isolation:

The rapid urbanisation of the Victorian era contributed to themes of isolation, alienation, and fear of the crowded yet lonely cityscape. This is evident in the settings of many horror stories, such as Arthur Machen's "The Great God Pan" (1894).

Sexual Content: Victorian literature is renowned for its strict moral codes and conservative views on sexuality. Explicit depictions of sexual activity were considered taboo and were subject to censorship. Consequently, authors developed subtle and nuanced methods to imply sexual scenes or themes.

Literary Techniques for Implying Sexual Scenes

✧ Symbolism and Imagery:

Sexuality was often conveyed through symbolic imagery. Objects, actions, or natural phenomena could serve as metaphors for sexual activity or desire. For example, in "Dracula" by Bram Stoker, blood and biting symbolise sexual penetration and the exchange of bodily fluids, infusing the act with a sense of forbidden desire and eroticism.

Clothing and Undress:

Gloves: In Victorian culture, gloves were highly symbolic. The act of a woman removing her gloves in the presence of a man, or a man assisting her in this act, could signify a moment of intimacy or vulnerability. Similarly, a man giving a woman his gloves could be a sign of affection or a deeper connection.

Hats and Bonnets:

Corsets

Objects and Personal Items:

Locks of Hair

Jewellery

Books and Letters

Touch and Physical Contact:

Kissing Hands

Hand-Holding

Food and Drink:

Wine: Sharing wine or a meal in an intimate setting often suggested a prelude to deeper connection. Descriptions of characters drinking wine together in private could imply a romantic or sexual undertone.

Fruit: Certain fruits, like apples, grapes, or peaches, were laden with sexual symbolism. Eating or sharing fruit could represent temptation or indulgence. For instance, in Christina Rossetti’s poem "Goblin Market", the act of eating the goblin fruit is rich with sexual symbolism.

Flora and Fauna

Flowers and Gardens:

Roses: Roses were often used to symbolise love and passion. A red rose might suggest romantic or sexual attraction, while a wilted rose could imply lost innocence or sexual ruin.

Lilies: Lilies, especially white ones, represented purity but could also suggest a contrasting theme when associated with a fallen or tarnished character.

Garden Settings: Scenes set in secluded gardens or amongst lush, overgrown vegetation often hinted at secret or forbidden encounters. Descriptions of characters wandering through or tending to gardens could imply sexual exploration or awakening.

Flowers Blooming or Opening:  The blooming of flowers often represented sexual awakening or the act of losing one's virginity.

Nature Imagery:

Rivers and Water: Flowing water and rivers often symbolised sexual desire and the act of lovemaking. For instance, in "Tess of the d'Urbervilles" by Thomas Hardy, Tess's encounter with Alec d'Urberville is often described with metaphors of nature and fluidity.

Storms and Weather: Storms, with their intense energy and sudden outbursts, were frequently used to symbolise sexual passion or climactic moments.

Birds and Beasts:

Animals, especially those that are wild or predatory, often symbolised primal sexual instincts and desires. The taming or interaction with these animals could imply a character’s grappling with their own sexuality.

Fire and Heat

✧ Phrases and Sayings

Euphemistic Language

Descriptive Phrasing

Dialogue and Confessions

Private Spaces:

Secluded or Dimly Lit Rooms: Scenes set in private, darkened rooms often suggested clandestine sexual encounters. The privacy of the setting allows authors to imply what could not be explicitly stated. In Wilkie Collins’s "The Woman in White", many key interactions happen in secluded spaces, hinting at secrets and hidden desires.

Dreams and Fantasies:

Dream Sequences:

Dreams and fantasies were used to explore a character’s subconscious desires and fears, often revealing their suppressed sexual longings. These sequences provided a socially acceptable way to delve into erotic themes.

Hallucinations and Madness:

Moments of madness or hallucination could serve as a metaphor for overwhelming passion or uncontrollable sexual desire. These states allowed characters to express forbidden feelings in a way that was metaphorically safe.

Physical Interactions and Horror

Touch and Proximity as Menace:

Unwanted or Forced Touch: In horror, touch that is typically a sign of affection or intimacy becomes a source of fear.

Physical Closeness in Horror Settings: Close proximity in dark, secluded places amplifies the sense of claustrophobia and vulnerability, turning what could be an intimate setting into one fraught with terror.

Undress and Exposure in Horror:

Loosening Corsets and Vulnerability: The act of undressing or loosening clothing, which can be a prelude to intimacy, in horror often leaves characters vulnerable to attack or exposure of their deepest fears.

Food and Consumption in Horror

Cannibalism and Vampirism:

Blood as Sexual and Vital Fluid: The act of consuming blood, as in vampirism, blends the themes of sustenance and sexual exchange. The vampire's bite becomes a metaphor for both sexual penetration and the transfer of life force.

Example: "Dracula" is a prime example where blood consumption is deeply eroticized, with Dracula’s victims often portrayed in a state of ecstatic submission as he drains their blood.

Food as a Lure: Food and feasting, typically symbols of pleasure and indulgence, in horror contexts can be used to lure victims into dangerous situations.

Example: In "Goblin Market" by Christina Rossetti, the goblins’ fruit is both irresistibly tempting and dangerous, representing a forbidden and potentially fatal indulgence.

Plot and Character Dynamics in Horror

Power and Domination:

Common Dynamics with a Dark Twist

Predators and Victims: Characters who prey on others are often literal monsters in horror, representing the loss of control or innocence.

Secrecy and Concealment:

Hidden Desires and Monstrous Revelations: Characters who conceal their true identities or desires often find these hidden aspects manifesting as monstrous or terrifying in horror narratives, suggesting that repression can lead to dire consequences.

Clandestine Meetings and Forbidden Encounters: Secret meetings and forbidden relationships, often tinged with sexual implications, add an element of danger and fear, suggesting that transgressing social norms leads to horror.

Common Themes in Victorian Horror

Duality and the Doppelgänger:

Theme: The concept of duality, where a character has a hidden, darker side, or encounters a double (doppelgänger), often symbolises the internal conflict between good and evil within individuals.

Connection: This theme reflects Victorian anxieties about identity, morality, and the consequences of repressing one’s darker impulses.

Gothic and Supernatural Elements:

Theme: Victorian horror is rich with Gothic elements such as haunted houses, dark landscapes, and supernatural beings. These elements create a sense of dread and evoke the mysteries of the unknown.

Connection: The Gothic setting often serves as a backdrop for exploring human fears, isolation, and the impact of the supernatural on everyday life.

Decay and Degeneration:

Theme: The fear of decay and degeneration, both physical and moral, is a recurring motif. This theme often examines the decline of individuals, families, or societies and the consequences of corruption and vice.

Connection: This theme mirrors Victorian concerns about the erosion of social and moral values amidst rapid industrial and social changes.

Madness and Psychological Horror:

Theme: The exploration of madness and psychological horror delves into the fragility of the human mind and the terror of losing one's sanity. This often includes hallucinations, obsessions, and the thin line between reality and delusion.

Connection: This theme resonates with Victorian fears of mental illness, the limitations of medical knowledge, and the impact of societal pressures on mental health.

Forbidden Knowledge and the Faustian Bargain:

Theme: The pursuit of forbidden knowledge and the resulting consequences is a central theme. Characters who seek power, immortality, or forbidden truths often pay a heavy price, reminiscent of the Faustian bargain.

Connection: This theme highlights Victorian anxieties about scientific progress, moral boundaries, and the potential hubris of human ambition.

The Uncanny and the Unknown:

Theme: The uncanny involves the strange and unfamiliar becoming eerily familiar, often unsettling the reader and characters. It blurs the lines between reality and the supernatural, invoking fear and discomfort.

Connection: This theme taps into Victorian fears of the unknown, the foreign, and the otherworldly, reflecting broader anxieties about social and cultural boundaries.

Death and the Afterlife:

Theme: Victorian horror frequently grapples with themes of death and the afterlife, exploring the fear of mortality, the possibility of an afterlife, and encounters with the dead or undead.

Connection: These themes reflect Victorian preoccupations with death, the spiritual realm, and the possibility of life beyond death, often intensified by the era's high mortality rates and interest in spiritualism.

Isolation and Alienation:

Theme: Isolation and alienation are prevalent themes, often highlighting characters who are physically or emotionally detached from society, leading to their vulnerability and descent into despair or madness.

Connection: This theme resonates with the Victorian experience of industrialization and urbanization, which often led to feelings of disconnection and loneliness.

Class and Social Anxiety:

Theme: Victorian horror often explores themes of class and social anxiety, including the fear of losing social status, the consequences of poverty, and the tension between different social classes.

Connection: This theme reflects the rigid class structures of Victorian society and the fears and tensions that arose from social mobility and economic disparity.

Moral Corruption and Hypocrisy:

Theme: Victorian horror frequently critiques the era’s moral standards and exposes the hypocrisy of societal norms. Characters who appear virtuous often harbor dark secrets or engage in morally dubious activities.

Connection: This theme mirrors the Victorian concern with appearances and the underlying tension between public propriety and private desires.

The Five Pillars of Victorian Horror & The Five Love Interests

The Supernatural and the Gothic (Ais)

Essence: Victorian horror often revolves around the supernatural, blending Gothic elements to evoke a sense of dread and otherworldly terror. This includes ghosts, vampires, haunted houses, and curses, which create an atmosphere where the boundaries between the natural and the supernatural blur.

Impact: The use of Gothic settings and supernatural phenomena provides a backdrop for exploring deeper themes of fear, mortality, and the unknown.

Psychological Depth and Madness (Vere)

Essence: Victorian horror delves into the complexities of the human mind, exploring themes of madness, obsession, and the psychological effects of fear and trauma. Characters often grapple with their sanity, facing inner demons as terrifying as any external threat.

Impact: This focus on psychological horror allows for a deeper exploration of character motivations and the impact of societal pressures.

Moral Corruption and the Double Life (Leander)

Essence: Themes of moral corruption and the duality of human nature are central to Victorian horror. Characters often lead double lives, presenting a veneer of respectability while concealing dark, sinful secrets. This tension between outward appearances and hidden truths reflects the era’s social hypocrisy and fear of scandal.

Impact: These themes critique Victorian society’s emphasis on propriety and the dangerous consequences of repressing one’s true nature. The idea of a double life or hidden self adds to the horror by suggesting that evil can reside within anyone, masked by a facade of normalcy.

Decay, Degeneration, and Disease (Kuras)

Essence: The themes of physical and moral decay, societal degeneration, and disease permeate Victorian horror. These motifs symbolise the fragility of human life and the inevitability of decline, reflecting the anxieties of a society grappling with rapid change and uncertain futures.

Impact: By focusing on decay and degeneration, Victorian horror underscores the transient nature of life and the ever-present threat of corruption and decline, whether through ageing, moral compromise, or societal breakdown.

Isolation and Alienation (Mhin)

Essence: Isolation and alienation are pervasive themes in Victorian horror, often depicted through characters who are physically or emotionally cut off from society. This separation heightens their vulnerability to external threats and internal fears.

Impact: Isolation serves to intensify the psychological tension and sense of dread, as characters confront their fears alone. It also reflects the era’s social and existential anxieties, including the fear of being disconnected or outcast from society.

Generally, I believe each LI connects with a pillair (as seen above). Perhaps by looking at the archetypes we could deduce propable endings and route elements.

Forgive me, for the following part is MESSY;

Ais

Vere

Leander

Kuras

Mhin

[sturniololoco]

Turf Burns

Sturniolo Little sister (SLS) x The Sturniolo Triplets

Warnings: Blood, scratches, crying, etc.

Summary: SLS gets a little banged up in her game, but her brothers are always there for her.

SLS/N's POV

I was mad.

The entire game, this girl kept tripping me, causing me to fall on the hot rubber turf of the field. The ref did nothing to help, of course, he needs to consider going to the eye doctor.

I march off the field, angry and upset. My mind went a mile a minute as I walked over to my brothers, biting my chewed nails.

They say nothing, Matt just wraps an arm around my shoulders and leads me to the car.

After dramatically slamming my bag into the back of the car, I climb in the backseat next to Nick.

I crossed my arms and leaned my sweaty head against the window, propping my feet up on the center console.

"Damn, we're gonna get have to get you cleaned up when we get home, girlfriend," Chris says, sucking in a breath as he looks at my legs.

I look too, seeing multiple patches of torn-up, bloody skin. There were little black bits of turf stuck inside nearly every one of my burns.

Then I felt the burn.

I hadn't noticed it before due to my anger, but my legs were practically torn to shred, them throbbing in return.

I hiss in pain, feeling the tears well up in my eyes, from both the burns and the anger.

"It doesn't hurt. These are just angry tears." I lie, sniffling and whipping my eyes.

Chris gives me a soft smile and a sympathetic look.

"I wouldn't expect anything less, bud." He says, reassuringly, rubbing my ankle where my burns aren't.

-

as I walk up the driveway, I can feel the burns catch on fire every time I bend my leg to take a step. I hiss in pain the whole way into the house.

I reach the bottom of the stairwell and kick my slides off, already dreading the pain is gonna cause me.

Just as I go to take a step, however, I'm scooped into Matt's arms and he carries me up the stairs.

I gotcha, sweetheart," He says as he sits me down on the island. Chris walks over and sits next to me, grabbing my hand and giving it a light squeeze. Nick comes back with the first aid kit,

and a bottle of alcohol.

as soon as I see this, I begin to whine in protest, but he silences me with a look. I put my head on Chris's shoulder as he begins.

"Oh my god Nick! Ow ow ow!" I say as Nick wipes the blood of my burns with an alcohol-soaked cotton pad.

"Shh, you're okay. I'm almost done I promise." Nick says reassuringly.

I had as the tears began to fall out of my eyes, dripping down my face. Chris reaches up and wipes them away, giving me another smile.

-

After all of my burns have been treated with ointment and covered with bug band-aids, I walk over to the couch and cuddle into Matt's side.

He rubs the side of my arm, whispering, "I'm proud of you for being so brave."

I nod then bury my tear-stained cheeks back into his side, but look up again as Nick and Chris walk in with four bowls of ice cream.

I sit up quickly and wipe the stray tears off my face, my full attention on the bowl Nick and me.

"I think someone's feeling better." He says, to which we all laugh and enjoy our ice cream.

@idkwhosnyla @babypat08 @eyelessdemon00 @christopherowensturniolo @sturnsxx @freshloveforthefit @matty443355 @sleepysturnss @emeraldgreenbeautiesstu @sunsetsturniolos @hoesturniolo @x4nd3rsukz @chr1sgirl4life @sstvrnioloo @sturns-posts @chrisstopherfilmed @kylasrealityx @zoeysturnioloooooo @comet235 @islaasblog @sturnioloblogs @defnotayonna @mattsleftnipple03 @thematthewlover @mattsaq

[weirdlookindog]

Mad Doctor of Blood Island (1968)

[ronnymerchant]

BEAST OF BLOOD (1970), BLOOD CREATURE (1959) aka TERROR IS A MAN, BRIDES OF BLOOD (1968) and the MAD DOCTOR OF BLOOD ISLAND (1969).

[will80sbyers]

Do you still have the list of movies that inspired ST4? I had a picture of it but I lost it and I haven't been able to find it since. Please and thank you in advance.

Yep!

Long post warning lol

300

2001: A Space Odyssey

47 Meters Down: Uncaged

12 Monkeys

28 Days Later

13th Warrior

Ace Ventura: Pet Detective

Ace Ventura: When Nature Calls

Altered States

Amelie

American Sniper

Analyze This

Annihilation

Aristocats

Armageddon

Assassins Creed

Avengers: Age of Ultron

Arrival

Almost Famous

Batman Begins

Batman V. Superman

Basket Case

Battle at Big Rock

Beauty and the Beast

Beetlejuice

Behind Enemy Lines

Beverly Hills Cop

Bill and Ted’s Bogus Journey

Billy Madison

Black Cauldron

Black Swan

Boondock Saints

Borat

Bram Stoker’s Dracula

Burn After Reading

Broken Arrow

Blade Runner

C.H.U.D

Con Air

Cast Away

Congo

Constantine

Children of Men

Cabin in the Woods

Crank

Casablanca

Carrie

Crimson Tide

Clueless

Dukes of Hazzard

Don’t Breathe

Death to Smoochy

Doom

Dark Knight

Dogma

Deep Blue Sea

Dreamcatcher

Drop Dead Fred

Die Hard

Die Hard 2

Die Hard 3

Don’s Plum

Dances with Wolves

Dumb and Dumber

Edward Scissorhands

Enter the Void

Ex Machina

Event Horizon

Emma (2020)

Forrest Gump

Fargo

Fisher King

Full Metal Jacket

Ferris Bueller

Fallen

Fugitive

Ghost

Girl with the Dragon Tattoo

Ghostbusters

Good Fellas

Girl Interrupted

Godzilla: King of the Monsters

Get Out

Good Will Hunting

Hackers

High Fidelity

Hellraiser 1

Hellraiser 2

Harry Potter and the Chamber of Secrets

Hidden

High School Musical

Hurt Locker

Heat

Hunger Games

Highlander

Hell or High Water

Home Alone

I am Legend

It’s a Wonderful Life

In Cold Blood

Inception

I am a Fugitive from Chain Gang

Inside Out

Island of Doctor Moreau

It Follows

Interview with a Vampire

Inner Space

Into the Spiderverse

Independence Day

Jupiter Ascending

John Carter of Mars

Jurassic World: Fallen Kingdom

James Bond (All Movies)

Julie

Karate Kid

Knives Out

Kingsmen

Little Miss Sunshine

Labyrinth

Long Kiss Goodnight

Lost Boys

Leon: The Professional

Let the Right One In

Little Women (1994)

Mad Max: Fury Road

Magnolia

Men in Black

Mimic

Matrix

Misery

My Cousin Vinny

Mystic River

Minority Report

Mr. and Mrs. Smith

Neverending Story

Never Been Kissed

No Country for Old Men

Nightmare on Elm Street 3: Dream Warriors

North by Northwest

Open Water

Orange County

Oceans 8

Oceans 11

Oceans 12

One Flew over the Cuckoo’s Nest

Ordinary People

Paddington 2

Platoon

Pulp Fiction

Papillon

Pan’s Labyrinth

Pineapple Express

Peter Pan

Princess Bride

Paradise Lost

Primal Fear

Prisoners

Peter Jackson’s King Kong

Reservoir Dogs

Ravenous

Rushmore

Road Warrior

Rogue One

Reality Bites

Raider of the Lost Ark

Red Dragon

Robocop

Shooter

Sky High

Swingers

Sword in the Stone

Step Up 2

Spy Kids

Saving Private Ryan

Shape of Water

Swept Away

Star Wars: Return of the Jedi

Star Wars: The Empire Strikes Back

Superbad

Society

Swordfish

Stoker

Splice

Silence of the Lambs

Source Code

Sicario

Se7en

Starship Troopers

Scrooged

Splash

Silver Bullet

Speed

The Visit

The Italian Job

The Mask of Zorro

True Lies

The Blair Witch Project

The Lord of the Rings Trilogy

Tangled

The Craft

The Guest

The Devil’s Advocate

The Graduate

The Prestige

The Rock

Titanic

Teenage Mutant Ninja Turtles

The Fly

Tombstone

The Mummy

The Guardian

The Goofy Movie

The Peanut Butter Solution

Toy Story 4

The Ring

The Crazies

The Mist

The Revenant

The Perfect Storm

The Shining

Terminator 2

The Truman Show

Temple of Doom

The Cell

To Kill a Mockingbird

Timeline

The Good Son

The Orphan

The Birdcage

The Green Mile

The Raid

The Cider House Rules

The Lighthouse

The Book of Henry

The A-Team

The Crow

The Terminal

Thor Ragnarok

Twister

The Descent

The Birds

Total Recall

The Natural

The Fifth Element

True Romance

Terminator: Dark Fate

The Hobbit Trilogy

Unforgiven

Unbreakable

Unleashed

Very Bad Things

Wayne’s World

What Women Want

War Dogs

Wedding Crashers

What’s Eating Gilbert Grape

Welcome to the Dollhouse

Welcome to Marwen

Wet Hot American Summer

What Lies Beneath

What Dreams May Come

War Games

Who Framed Roger Rabbit

Weird Science

Willow

Wizard of Oz

Wanted

Young Sherlock Holmes

You’ve Got Mail

Zodiac

Zoolander

[ronmerchant]

Friday the 13th Trauma-Rama!

A CLOCKWORK ORANGE (1972), the MAD DOCTOR OF BLOOD ISLAND (1968), BLOOD DEMON (1967) aka the TORTURE CHAMBER OF DR. SADISM, IN COLD BLOOD (1967), and the OTHER SIDE OF MADNESS (1971)- 1972

[bluegalaxygirl]

Amnesia (KidKiller X Reader) P19

Plot: After an explosion reader wakes up in a hospital with no memory of the past few years, her parents want to take her home so she can recover and get back to a normal life while the Kid pirates want her back on the ship where she belongs.

Warning: Bad language, Family issues, domestic abuse, Medical stuff, Medication, Violence and Blood.

Reader is Female, Poly Relationship, established relationship, Kid X Reader X Killer, Reader is a member of the Kid pirates and is in charge of the money, Budgeting and negotiating the best price.

< Previous part …. Next Part >

The walk to the hospital felt longer than normal mainly because Killer's mind is racing with all the things you might say after you lashed out at Kid, he hopes he can at least smooth things over with you so you won't kick them out, he would hate to have to take you by force but as time goes on he feels more and more drawn to it. If you end up wanting to go with your parents he will happily join his captain in sinking this island and taking you by force, you may hate them for it but in his mind, he would rather you hate him than let you go back with those people. The masked man is snapped out of his thoughts by House who speaks up while trying to keep pace with the taller man "So, N/N really remembers me?" The crazy haired girl asks holding her notebook to her chest, a large hopeful smile on her face and big eyes which look bigger due to her strange glasses, it brings a small smile to his face seeing how happy their doctor is at just the thought you might remember her. "Yes, she remembers training with you but thats it" Despite your memory of her being very limited it causes House to jump a little in excitement starting to speed walk until they get to the elevator, once inside and the doors are closed Killer places his hand on Houses shoulder getting the girl to look up at him with a raised eyebrow "I want you to wait outside the room when we get there, i need to have a word with Y/n before we do anything else" The masked man states getting the girl to nod, her excitement starting to get under control, like the rest of the crew House doesn't know what happened for Kid and Killer to stay on the ship for a whole day and for their captain to flip out, only the commanders know, but she wasn't about to ask or ease drop if she can help it.

Killer lets out a breath trying to calm himself as the elevator opens showing him the same view he always gets, a clean white building with hardly any noise but the blowing wind, stepping out House is quick to follow mainly looking down hoping to not trip on a branch or go through a loose piece of wood. It isn't long until the two make it to your room, the door's closed, but he can't hear any talking, he hopes that your parents haven't shown up yet and with the nurse not at her desk he can't ask her if they've shown up. A knock on your door makes you flinch a gasp leaving your lips as you quickly take your glasses off in fear of it being your mother, your too tired and sore to deal with her yelling at you over something so small which is why you asked for the door to be closed. "Y-Yes" You call out placing the book you were reading and glasses on the side table, to your relief it's not your mother that walks in, but Killer making your body relax against the headboard, the masked man walks in closing the door behind him before clearing his throat "I'm sorry about Kid and… I know you don't trust us bu-" The smile that was once on your face drops at his words, you should be the one thats sorry not him and the thought that you don't trust him hurts, so before you can even think about it you call out to him "Killer, It's not Kid's fault, i shouldn't have said those things, i was mad but now thinking back on it… I'm sorry, i made a big mistake, is Kid mad at me?" You ask feeling tears well up in your eyes, it didn't click with you before but now it has, Kid isn't here, his coat isn't around you and those amber eyes aren't looking you over with a cocky smile on his red lips and you know he's not patient enough to wait outside so that means he isn't here.

The blonde sighs making his way over to you, placing his hand on your cheek he lifts your face up to look at him, his teeth clench in anger at seeing the new bruise on the corner of your cheek bone, it wasn't there the last time he saw you, he wonders if someone hurt you or if you fell, but he shoves that aside for now and instead focuses on reassuring you "He's not mad at you, he's mad at himself." Killers thumb lightly runs over the bruise on your cheek as you raise an eyebrow, Kid should be angry at you not himself, your the one that yelled and ran off while he tried not to yell back. "He shouldn't be, He's been trying so hard for my sake, and i insult him? I've seen the way you both hold back, you could just grab me and burn this place to the ground but you've given me a chose and you've stuck by that even when i'm being a bitch" You can't help but laugh a little at the end, calling yourself a bitch somehow didn't sound so insulting even though it should be, reaching up you take Killers hand off your cheek and hold it in yours, a small huff of a laugh leaves the masked man's lips as he squeezes your hand "I'm not going to lie, we've both thought about it a lot, just taking you but trust and loyalty is everything to us, we won't do anything to break your trust, and we will always be loyal to you" The blonde brings your hand up to his mask pressing your knuckles against the part where his lips would be, your heart swells at the gesture and yet all you can think about is his lips, does he wear lipstick like Kid? are they soft or chapped? Plump or thin? "Killer… Can i-" Your question is interrupted by the door opening causing the two of you to look over at the door and freeze in place.

Melody's raised eyebrows and confused eyes land on the two of you, although she doesn't seem confused about what's going on in the room but with a crazy haired girl wearing large strange glasses waving at you form next to her, you recognized her as the girl from your memories, but she looks a little different, her hair is more puffy and a lot longer and the glasses she's wearing seem bigger than you remember. "This is your doctor?" Melody asks pointing to House next to her, the girl slightly bouncing on her feet as a large smile forms on her face "House, right?" You ask before Killer can answer the question, the smile on House's face somehow gets wider as she sprints to you, dropping her notebook the girl wraps her arms around you as a giggle leaves her lips "Your remember me" Despite how it looks House is surprisingly gentle with her hug but it still made you gasp and jump slightly at fist, wrapping your arms around the girl you lightly pat her back. "Be careful" The nurse yells while walking into the room giving a hard glare at the pirate doctor, Killer lets out a sigh clearly unimpressed by the display of affection from your best friend "House, off" The masked man demands making House quickly let you go and stand back up scrambling to grab her notebook and a few loose pages that have fallen out. "Sorry about her, This is House our doctor and a good one at that" Killer states crossing his arms over his chest in almost a protective manner not wanting anyone to insult a member of his crew, Melody caught on quick to it and puts her hands up letting out a nervous laugh "I was just making sure since you and your captain weren't around to clarify, i didn't want to let a compete stranger in"

Killer gives a short nod letting his shoulders relax, "I'm glad you came House, there's a few things i was hoping to ask" You turn to the crazy haired girl who has picked up her notebook and finished putting the pieces of loose paper pack in their places, she turns to you with a nod but Melody quickly speaks up before you can ask anything "First we need to talk about last night, Y/n had another seizure the night nurse told me that she re-injured her legs but luckily her shoulder is ok" A sick feeling runs through your body at the thought of it alone, you really don't trust your doctor to be telling the truth, plus you've never met the night nurse so you have no idea if you should trust her or not. Killer tenses up again as he turns his attention to you mainly focusing on your covered legs, he hasn't seen how bad it is under the bandages, but he knows that reopening a healing wound will make the healing process a lot longer and sometimes more painful "Is that how you got this?" The masked man moves his hand to run his fingers over the bruise on your cheek, gulping you know better than to lie to the blonde, he seems to know when something is wrong so its only safe to say he knows when your lying too but Kid did say that if your parents hurt you he would kill them, Killer might think the same and as much as you hate your farther for what he did you don't want him to die over a slap "I don't remember how i got it, but at least my cheek bone is healed and my skull" You smile up at him hoping he will focus on the good stuff.

House pushes up her glasses before stepping closer already feeling the tension coming from the first mate and wanting to break it before something like yesterday happened "That's great news, your stitches are out and your not wearing a sling anymore so hopefully you'll be out of here soon. Can i look you over just to make sure?" Melody places a hand on House's shoulder getting the girl to take a step back thinking she's in the way which earning a sweet smile of the nurse "You can observe as i clean her wounds and re-bandages them" The nurse states pulling the covers off you, the once white bandages are slightly stained with red and brown blood spot in different places, you now see why your legs sting so much. "Their dirty" Killer's almost growls as his focus shifts from you, to your legs and then to the nurse who tenses up a little at his tone, the masked man's anger grows until you grab his hand pulling the blonde closer to you with as much strength as you can muster, you don't know why but something told you that he was going to chock her. "It's ok, i asked her to wait since you were bringing House this morning, so… I'd rather not be poked and prodded twice today" Killer quickly turns to you hating that you left it for so long, his anger subsides at hearing the reason why, it makes sense now and the thought of causing you more pain makes his chest tighten, squeezing your hand the blonde gives you a silent nod before pulling a nearby chair over to the bed, so he can sit down next to you and hold your hand which you have refused to let go of. His comfort helps a lot as the Nurse talks to House while pulling the bandages off your legs, it stings, itches and feels tight all at the same time but Melody is careful especially around the recently opened area's.

The process hurt more than you thought it would making you grit your teeth and take deep breaths through your nose, Killer's eyes shift from your legs to your face, he hates seeing you in pain, and he's now extremely glad that he made Kid stay back, not even he could stop the captain from shoving the nurse off you and berating her even though the woman is only doing her job. "Ok, thats your legs done" Melody sighs taking off her gloves and showing them in a small yellow bin along with some of the equipment she used, House nods having stayed over the nurses shoulder the whole time, asking questions and taking notes in her book "Other than the reopened area's the skin's healing nicely, you'll differently have darker spots of skin in some places and the ink on some of your tattoo's have come off but i don't see many issues once its fully healed" House smiles at you happy to see the hospital is doing something right, with a tired smile you give her a thumbs up unable to speak due to the throbbing in your legs and the tiredness overcoming your brain "You ok, babe?" Killer quickly leans forward placing his hand on your cheek to make you look at him, his eyes search yours for that glazed over look you get before those headaches's come on but to his relief it isn't there, just tired slightly teary eyes from trying to hold back groans of pain over the past half hour. A fluttering feeling appears in your stomach at the nickname making you feel more lightheaded although unlike the tiredness it's a almost heavenly feel, leaning into his touch you give the blonde a small smile and a nod.

Melody finishes cleaning up before making her way over to the end of your bed and grabbing your chart, flipping to the back she writes something down before flipping it back "Oh can i see that?" House asks suddenly at the nurses side making the woman jump and gasp in surprise, she didn't hear or see the girl move at all, staring at the crazy haired girl for a moment Melody slowly hands the chart over trying to figure out how the loud and seemingly clumsy girl from before snuck up on her. House gives the nurse a smile before grabbing the chart out of her hands and reading it over, her face turns to confusion and slight concern at seeing some of the stuff written down feeling like something is wrong. Your tired eyes pull away from Killer feeling the energy in the room change, when your eyes land on the pirate doctor your heart drops knowing your assumptions are true. "House what's wrong?" You ask but the girl doesn't move her eyes fixed on the page in front of her "Y/n takes all these in a day?" House asks finally looking up from the chart to look at the nurse while pointing to something on the paper, Melody leans in looking it over before nodding "Twice a day, one dose in the morning and one at night" your hand uncontinuously tightens its hold on Killer's hand starting to let your nerves show, the masked man squeezes your hand lightly trying to offer you reassurance despite his own growing anxiety. House shakes her head looking back to the chart one last time before hanging it back on the end of your bad "That seems excessive for seizure meds, do you mind if i have a look at the pill's?" Melody raises an eyebrow unsure of weather she should do it or not, she doesn't think the doctors here would do anything bad and since House is more of a field medic she might not know a lot about medication.

Her eyes glance to you seeing your tense and almost panicked state so nods offering you a small smile before heading out the door "I'll be right back" House smiles back waving at her before quickly grabbing her notebook and pen starting to write down stuff with amazing speed "You wanted to ask me about the pills right?" the crazy girl asks somehow reading your mind and making you relax your grip on Killer's hand, letting out a breath you nod finally feeling like your not crazy for thinking something is wrong. "Yes, they keep increasing my seizure meds and… I'm just a little anxious about it, i don't know why" Killer runs his thumb over your hand in slightly reassurance, he wished you would have said something sooner about this but then again a lot has been going on and too many people are involved "Trust your gut, if something feels wrong then it wrong " A smile forms on his face at seeing your eyes meet his through the mask a look of relief washing over your face and that slight sparkle of joy he loves to see light up your eyes. "It's excessive the amount their giving you but once i have a look at the tablets and its bottle then I'll know more" The crazy haired girl slams her book closed and paces her pen behind her ear, it disappearing in the mess of hair just as the nurse walks back in with a try full of medication, some in yellow bottles with labels and other in boxes "I thought you might want to have a look at all her meds" The gesture earns a big smile from House bouncing on her tip toes slightly in joy "Thank you so much" Lifting up the bottles the girl inspects the pulls inside and reads the labels all while the nurse watches her every move still not to sure about a pirate handling medication.

With the two women distracted Killer takes this chance to grab your attention, leaning back on his chair the masked man squeezes your hand in three short bursts earning a confused look from you, it takes him a second to realize you have no idea what the gesture means "It means we want privet time or a privet talk" Killer whispers already answering your question before you can ask it, with a small nod you lean back relaxing into the headboard and leaning into the blonde slightly "What's up?" You whisper still keeping your eyes on House and the nurse decreasing some medical stuff you can't understand "Where'd you get the bruise?" His question is so simple yet it sends a sense of dread down into your stomach, even though lying to him would be futile you can't help but do it anyway, you can't tell him the truth "I don't remember, it probably happened during my seizure" The small piece of hope you had that he would just give up and leave it alone is crushed when a growl leaves his lips, not loud enough for the two girls to hear but deep enough to send panic through you "I know your lying.. Farther or mother?" Killer asks turning his head slightly to gauge your reaction hoping to find the answer, he watches your eyes widen slightly at being caught in a lie before going back to normal trying to act like everything is ok, it makes his blood boil knowing he's right, one of your parents hit you, it must have happened yesterday. Did it happen before or after they attached your parents? Was it his fault that they took their anger out on you? are you hurt anywhere else?

The masked man is snapped out of his thoughts by your hand squeezing his in three short bursts "Please leave it alone, i'm not hurt anywhere else, i promise" You whisper turning to look at him, the blonde slowly turns to look you over his other hand moving up to run his fingers lightly over the bruise, he doesn't want to let this go, they should pay for even looking at you but he nods deciding at least for now to drop it. "We.. We need to talk later, we.. Me, Kid, Wire and Heat found out some stuff about your past and.." Killer sighs hating that he's having a hard time getting what he needed out, he knows he needs to tell you as soon as possible about what they did in hopes it will lessen your hate for them but at the same time he doesn't want you to know. "Are they dead? My parents" You knew it would happen eventually, one or both of them would lash out and hurt someone yet you strangely don't feel anything towards it, shouldn't you be upset or mad at the thought of their death? The masked man sucks in a breath of shock surprised that you caught on so quickly "No, their alive just… a broken nose and bruising" With a nod you squeeze his hand again knowing you need to talk later about all this and what they found out, at lot happened over the years and looking back on it makes you mad enough to want to lash out but you've never had the courage to do so, yesterday was proof that you still don't. The two of you state at each other for a moment, despite what you've both just learned it feels like a weight has been lifted leaving the two of you to just bask in each other prescience, enjoy the for once calm moment, uncontinuously the two of you move in closer only stopping when his mask meets your forehead allowing you to see those beautiful blue eyes that shine in the darkness.

House picks up a small yellow bottle with a few pills in them, their small round and thin but doe to the yellow tint of the bottle he can't see the color, so she uncaps the lid and shakes out all the pulls, the blue color makes her pause and look again at the label then back to the pill again her eyebrows raising even more. "Seizure meds shouldn't look like this, their supposed to be pink or white due to the chemical makeup" Her voice snaps You and Killer out of your trance both quickly looking over to the crazy haired girl worry starting to set in, Melody sighs turning around from where she was putting bottles back on the tray only to gasp and leap forward grabbing the bottle of lid "Don't touch the meds, i'm more than happy to show you the bottle but its health and safety that no one touches medication without gloves" Taken back by the nurse's sudden strictness and anger you tense up while Killer to growl slightly hating anyone going after a member of his crew, normally the masked man would step in but one look at house's posture makes him realize not only that she has it under control but that this was planned from the start. "Oh shoot, your right i'm so sorry. Now that I've touched it what do i do?" House gasps holding her hand out and away from herself and the nurse as if it's going to explode.

With a sigh Melody pinched her nose and shakes her head seeming to calm down. "I'll have to bin them all now.. Listen i'm sorry for snapping but next time if you want to see the pills up close just ask me" The nurse screws the cap back on and turns back to the try placing the bottle down before lifting the try up into on hand "I'll throw them away, I've got to get back to work, stay as long as you like but please don't mess with anything… at least without asking me first" Melody giggles holding out her hand for the pills. House lets a big smile show as she places the blue pills into the nurses hand giving her an enthusiastic nod, "I'll see you later" The nurse smiles your way while making her way out the door, for once the room is in complete silence both Killer and House seem to be waiting for something so you stay quiet too. After a minute House lets out a giggles running over to the door and quickly closing it "How many?" Killer asks there's a clear smirk on his face by the sound of his voice "Four i think" House giggles holding out her hand to show four small blue pills she managed to take, reaching into her white lab coat she takes out a small glass bottle and opens it placing the pill inside "S-so i was right? There is something wrong?" Its strange, you feel relief and validated in your worry but at the same time it just makes you more nervous maybe even paranoid, does this also mean that your dream last night was real? If so then when did that happen? Did it happen last night or a few days go?

Sensing your worry House quickly slips the bottle back into her coat while making her way over to you, sitting on the bed she takes your other hand in both of hers "I don't know what they are but I'll find out, for now lets just keep it a secret and try your best to take less of those pills, i still think you should take at least two just in case i'm wrong, either hide the rest of me or flush them" House explains helping your mind calm down a bit, Killer squeezes your hand feeling himself become angry that this place could be making you sicker, he knows this is your family's doing, he knows House will get to the bottom of this and with you willing to help hopefully it will be over quickly. "Thank you" without warning you reach out and pull House into a hug which she happily returns shoving her face into your neck "Thank you so much" You whisper into her thankful that someone has listened to her, she knows Kid and Killer believe her but having someone in the medical field validate what your feeling and saying means so much more, you no longer feel crazy and that your just dreaming things up. "I've always got your back" House whispers back before pulls away giving you a massive smile which is strange since you didn't think it could get any bigger. "Alight, I'll leave you to rest and catch up, get some sleep ok" The crazy haired girl stands then turns to Killer "I'll start working on this, you want me to tell the captain anything?" She asks lightly bouncing on her feet indicating she's raring to get moving, Killer turns to you asking a silent questions which you quickly nod too wanting more than anything to talk with Kid and apologise, giving you a nod back he turns to House "Tell the captain it's ok to come"

[electronicartisanfury]

The Existential Dreadniks - Mad Doctor of Blood Island | Exotica/Tiki