#mad doctor of blood island

[comicsformen1]

[mariocki]

Mad Doctor of Blood Island (Tomb of the Living Dead, 1969)

"You are quite mad."

"Then you should be very careful, doctor. Both of you. Mad people can be quite unpredictable."

[weirdlookindog]

Mad Doctor of Blood Island (1968)

[randomdeinonychus]

Terror Is A Man (Blood Creature here) is a legitimately good film, but really all of these are a good time.

BEAST OF BLOOD (1970), BLOOD CREATURE (1959) aka TERROR IS A MAN, BRIDES OF BLOOD (1968) and the MAD DOCTOR OF BLOOD ISLAND (1969).

[oakendesk]

movie poster - The Mad Doctor Of Blood Island - 1968

Charles Copeland

[jurassicsmile]

my take on doctor moreau for a personal prpject 👀

[zosan-secondchances]

The Pirate King of the North: Part 4

Main Themes: Villain Sanji, Alternate Universe, Zosan Ship

Warning: Long post ahead with One Piece spoilers. Contains strong language and explicit content.

Part 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9

Three days after the call, Sanji follows Zoro’s instructions to the book and waits for him at an island with a bustling town in the middle of the day. The blonde is well aware of the local Marine base in the area but he ignores this fact and turns up at the townsquare just as he promised, not wanting to disappoint his, hopefully, future fiance. Unsurprisingly, he is met by navy officers who tell him to come along quietly.

Law had refused to use The Polar Tang to contain their guest as he didn’t want to risk his submarine and crew to suffer any potential consequences as a result of the interrogation that they're planning. Zoro had to pull strings to borrow a room at the Marine base, stating that it’s for an official Warlord business. He and the doctor had been waiting for over half an hour overtime for the soldiers to return with Sanji. Zoro sends additional troops to investigate the delay. After another suspicious amount of time of having received no news, the two decide to investigate the matter themselves.

Zoro and Law make their way to the townsquare where the swordsman had instructed Sanji to be. Upon arrival, it was clear what had happened to the navy soldiers that he’d sent out. Deep red and severed body parts taint the white tiles throughout the block. A few had somehow made their way on top of trees and the shops’ window sills. Some float lifelessly in the fountain right in the middle–its sprinkling water had changed to a scarlet red. Liquid splatters grossly against the white marble sculptures that decorated the water feature.

Law grits his teeth, his knuckles turn white from gripping his sword tightly.

Zoro all but rolls his eyes. He hates the fact that he’s used to Sanji doing this sort of thing.

Zoro

What a waste.

They follow a trail. It’s not hard to find where Sanji had gone given how much blood there was, and Zoro had a sneaking suspicion that the blonde had purposely left his stained footprints to show where he’s going. He enjoys Zoro chasing him this way after all.

While walking, Law sends a message through his own den-den mushi to his crew, ordering them to check in on the citizens and make sure that everyone’s safe. Not long after, Bepo reports that the citizens are unharmed–extremely shaken but they’re untouched. The polar bear adds that a few witnesses say that it was only the Marines who tried to force the Pirate King into cuffs that had been torn apart. Some had apparently been allowed to flee.

Law looked to Zoro, as if expecting him to have a reasonable explanation as to why the Pirate King behaves the way he does. Cutting down local town Marines seems a bit too excessive in his opinion. The swordsman confesses that he's just as confused, and that over the years he'd just accepted that he's just mad because it's just the way he was born.

Zoro

All the more reason he deserves to die.

Zoro stops in his tracks, standing on the wooden pier of the docks. It looks like the rest of the bloody footprints lead right through to the very end. Looking at the ocean, he sees a distinct murky area of red on one spot. A head of blonde and white hair pokes out from the middle, the sun shining beautifully over it. Zoro felt–

Zoro shakes his head at the thought. 

Law follows Zoro's gaze, ending the call on his transponder snail when he sees who's in the water.

Law

Speak of the devil….

 

Zoro

OI!!!

The blonde turns to look at the source of sound.

Sanji

MELLORINE!!!

Sanji waves enthusiastically at the duo staring at him.

From afar, Zoro could tell that the man practically had heart eyes bulging out of his eye sockets.

Sanji takes a plunge into the water, swimming away from the murky area then reappears next to the wooden pier just under where Zoro was standing. His head pokes out gracefully, then gives the swordsman a warm smile.

Zoro takes a step back to distance himself, suddenly feeling like a girl whose skirt is being perverted on.

Zoro

Don’t give me that, idiot. Your outlash may have cost me some pull from the Marines.

Sanji

Oh? Has it occurred to you that that may have been my plan?

Zoro’s eye twitches, clearly infuriated at being toyed with. He pulls himself together internally and lets out a defeated sigh.

Zoro

Is this for not meeting up with you in person like I said I would? I got stuck with all the bureaucratic paper bullshit.

Sanji

I don’t know…

Sanji had a teasing tone behind his voice. He effortlessly pulls himself up to sit at the edge of the wooden planks, shakes his head and starts wringing his hair over his shoulder.

Sanji

Next time, don’t make promises you can’t keep.

Zoro lets out an offended huff.

Zoro

Next ti–? NO! There’s no next time! We're enemies. And what, is this your way of punishing me? To make me feel guilty? By murdering a bunch of Marines?

Sanji

Oh please, it was out of self-defense! They came onto me first….

Sanji calmly stands on his feet. Slowly, he begins to strip off his top, revealing his lean but muscular figure.

Zoro’s eye trails from Sanji’s scar across throat, down to the defined v-shape below his waistline. He recognises the cuts and burns from their battles, and some he guesses are from his own volition. When the blonde turns to fix his hair, Zoro eyes a small red tattoo, located below the nape of his neck. For some reason, he’s never noticed it on him before–a red circle with four triangles, arranged to look like the claws of a dragon. It has a cluster of messy scars over it, as if it'd been attempted to be removed by means of violent scratching. Like all else, he’s wondered what the story behind this is–

Zoro almost slaps himself to shake the thoughts out of his head. He makes an effort to look the blonde in the eye before he notices him staring.

Sanji gives Zoro a side glance before squeezing the damp clothing in his hands to dry it. He closes his eyes and his mouth curves into a cheeky smile. He gives his top one last flick before tossing it over his shoulder.

Sanji

I gave them a chance to apologise but some of them didn’t have any manners and charged in. Really, they were quite rude.

Zoro

You could have just knocked them out. Some of them were fresh blood. They’re probably just trying to prove they can do a good job to impress their seniors.

Sanji

By overdoing it. And now that fresh blood is all over my poor clothes. All because they tried to force me into those…heavy, rusty fuckin’ pieces of– 

Law clears his throat.

Zoro and Sanji look at him, annoyed at the interruption.

Law

If you’re done bickering like an old married couple….

Zoro’s eye visibly twitches, his brows furrowing angrily at Law's poor choice of words.

Sanji practically swoons, his hands slap his own reddened cheeks while the rest of his body squirm comically.

Sanji

OH, YOU–stop that! We’re not married yet, you bastard!

Zoro

WE’RE NOT GETTING MARRIED. PERIOD!!!

Law could practically feel the veins in his forehead pop.

—

They start the trek back to the Marine base, purposely taking the longer way through the shoreline to avoid panicked citizens after Sanji’s onslaught.

Sanji

Marimo-kun~!

Zoro ignores the man, and concentrates on walking quietly. He attempts to put his mind in a meditative state.

Sanji

Ma–ri–mo-kun~?

The shade under Zoro’s brows darkens. He focuses on his breathing–he inhales, holds it, then exhales. He repeats it several times more.

Sanji crumples his heavy damp clothing into a ball then throws it at the back of Zoro’s head, causing the other man to stumble.

Sanji

I SAID “MARIMO”, YOU ASS!!!

Zoro grabs the wet top and throws it hard onto Sanji’s face square on, knocking the man down on his butt.

Sanji

THAT HURT!

Zoro

DON’T THROW GROSS THINGS AT ME! WHAT DO YOU WANT?!

With a blink of an eye, Sanji’s demeanour changes. He bites his lip and looks up to Zoro with a large puppy eye.

Sanji

Why is he here? Isn’t this a date?

Zoro

Fuck off. I never said it is. We’ll tell you when we get to the base.

Sanji

Hmm…no, then I’m not going.

Sanji crosses his arms stubbornly. His legs do the same, planting himself firmly on the ground.

Law

Zoro-ya, can’t you just tie him up and drag his ass along? I just want this over and done with.

Zoro

You’ve seen what happens if you force him into things, idiot.

Sanji

Yeah, idiot.

Zoro

I’m not talking to you.

Sanji

Then do, otherwise I’m not coming along. You're taking me into a Marine base after all. I'd be at a disadvantage as soon as I step inside. You have to give me a good reason to go with you.

Zoro

You said you'd help me.

Sanji

You? Sure. I was hoping to gain your personal favour. Him? Ehh…. He's not exactly my type.

Sanji looks at Law, slowly dragging his eyes down his frame.

Sanji

Hmm…I guess he could be if he's willing to play.

Law nervously takes a step back, feeling hot and bothered.

Zoro sighs. He considers for a moment, trying to come up with a way to make sure that Sanji cooperates with them peacefully for as long as possible without sacrificing anyone to indulge in whatever sexual fantasies are in his head. After a time, he speaks firmly.

Zoro

Tra-guy, tell him everything you told me.

Law

Here? We’re doing this right here, right now?

Sanji

I'm glad you understand, Marimo.

Law

I… I don’t know.

Sanji

I don’t need the whole sob story, Trafalgar D. Water Law.

Law blinks in surprise that Sanji knows his name. Sure he had a bounty but he didn’t think it was anything noteworthy. He certainly wasn’t aware that the Pirate King would care enough to know about it. He opens his mouth as if to say something but gets interrupted.

Sanji

I have eyes and ears everywhere, love. What I don’t know is why the Surgeon of Death is looking for Doffy.

Zoro

Doffy? The same guy who gave you your new weapon?

Sanji

Aww! You remembered?! …Are you jealous?

Sanji gives Zoro a suggestive wink, taking the swordsman aback.

Zoro

Don't be ridiculous.

Sanji

If you like, I can call off my affairs with him and just make it exclusive with you….

Law

As much as I want to kill that monster, I don’t think I can right now. Not at my current strength.

Sanji snaps his gaze to Law, giving him a dangerous look.

Sanji

You’re right. You can’t.

Law

I’m just looking for my friend. It’s…it’s his brother, Donquixote Rosinante.

Sanji raises a brow.

Sanji

Corazon has been dead for years.

Law

Then you better check your sources, Mr. Prince-ya. Because I have letters from him from the last several months.

Sanji stands on his feet and approaches Law slowly.

Sanji

Show me.

—

Back at the Marine base, Sanji and Law escalated into a heated argument in the interrogation room. Sanji insists that if they truly want his insight into Donquixote Rosinante, the doctor should show all the letters that he claims to have.

Naturally, Law refused to show the blonde, stating that it’s all too personal.

Zoro knows he shouldn’t, but for once, he feels relieved that someone else is dealing with the mad king’s temper. He hides a smirk behind a bottle of sake, taking a swill.

Sanji

Don’t be an idiot. I don’t give a flying fuck what’s in them!

Law

Then there’s no reason for you to see a single one.

Sanji clasps both of his hands together, and gently sets them down the wooden table in front of him. With a deep voice, he speaks.

Sanji

Enlighten me then, how do you truly know it is him?

Law

If you must know, all his letters have…details that only he and I know.

Sanji firmly presses his fingers down the table, then speaks slowly but clearly.

Sanji

All the more reason that you could be in bigger danger than you think, doctor.

Law frowns.

Sanji

You're far too enamoured to think straight. How do you know it’s not just someone else messing with you? Hmm? Someone like Doffy?

Law crosses his arms then leans back against his chair, listening intently.

Sanji

Think about this… very… carefully.

Sanji shuffles in his pockets and fishes out a pack of cigarettes. When he opens the box, his eyes furrow in disappointment, seeing that all of his smokes are heavily damaged from water and blood. He throws the pack over his shoulder then snatches Zoro’s bottle of sake as the swordsman was about to take a drink.

Zoro

Oi!

Sanji takes three big gulps before slamming the bottle down on the table.

Sanji

Given how touchy you are about the idea of me reading them, I’m guessing you’ve become quite emotionally attached to the letters, haven’t you? Just consider, whoever wrote them knows an awful lot of details about you. What’s more, they know where to find you, and how to find you.

Zoro raises a brow at that. He notices that the doctor is starting to lose his composure slightly as a tiny bead of sweat falls on the side of his face.

Law

You assume it’s being sent to me.

Sanji

A trail, then? He’s leaving you clues and you’re more than happy to follow it.

Law

That’s…

Sanji takes another big drink, then explains his point further, waving Zoro’s bottle in front of him as he makes hand gestures to emphasize his speech.

Sanji

What if it’s a trap? If someone, say…I don’t know–like Doffy–is pretending to be Corazon, then you’d have been sold out for a fool.

Law slams his hand aggressively on the table, cracking its surface where his fist landed.

Law

You’re wrong!

Sanji stares at him unimpressed but doesn’t say anything, as if allowing him the chance to explain himself. He leans back against his chair.

Law

Look, I just know, okay? It’s him. I’m sure of it.

Sanji

You just know…?

Law

Yes.

Sanji

Then you’re hopeless.

As Zoro attempts to steal his sake back, the blonde slaps his hands away and takes several more swills from the bottle, as if telling the swordsman that he’s not done with his turn yet. He wipes his mouth with the back of his hand then returns his focus back to Law.

Sanji

And how is it that you just know?

Zoro

Tra-guy, he’s not going to stop until you show him.

Law

You’re on his side, Zoro-ya?

Zoro

Look, you don’t have to show him everything, just show him one–like the bit where you’re stuck. It was enough to convince me.

Law pinches the gap between his brows.

Law

What you’re basically telling me…is that I should trust him with this information? That I should trust this mass murdering fucker with something extremely important to me?

Sanji

I told you, I don’t give a shit what’s in it–

Law

That’s what worries me! Because I care–a lot! I….

Law’s ears visibly reddens in embarrassment. He rubs the back of his neck awkwardly, averting his gaze.

Law

He was… is… very important to me. The letter is from him. I’m sure of it. And if you don’t care about it then I’m not letting you get your hands on it.

There was a moment of silence. Sanji watches Law in his vulnerable state. After a while, the blonde takes another drink from the bottle and sets it in front of Zoro.

Zoro grabs the bottle enthusiastically. He raises it above his mouth and nothing but a single drop falls onto his tongue. His smile vanishes, and his shoulders droop sadly until his arms and face melt onto the table. He sets the bottle down, pushing it away from him.

Sanji

I apologise, doctor.

Zoro and Law both look at Sanji in surprise.

Sanji offers a warm smile to Law.

Sanji

I’m afraid I’m not so good at these things. I’ll help you however I can.

Zoro stares at him in disbelief, cocking his head on the side against the table, processing the genuinity behind Sanji’s tone. He detects no ill will or malice behind it. He tells himself he’s just a bloody good liar.

Sanji

However, I still need to see a letter–just one will do, like the swordsman said–so I can study it. I promise I’ll take good care of it. If it resembles Doffy’s writing in any way, I will tell you. If it’s not, I’ll see what I can deduct from it, given that you’re apparently…”stuck”.

Law

I…thank you, Mr. Prince-ya.

Sanji slightly bows his head at him in acknowledgement.

Law

However, there is one thing that still bugs me….

Sanji

Oh?

Law

Why the interest in Corazon? You seem very keen to find out if he’s really dead or not.

Sanji

Corazon was–is…Doffy’s brother after all. His death shook a number of undercover Marine agents, enough to blow their covers.

Zoro

How would you know that?

Sanji

Because it all happened under wraps, which I make it my business to know. Your precious World Government made sure to cover it up nice and snug to keep up appearances.

Meanwhile, everyone else who actually did the work started pointing fingers, accusing each other of who ratted out your mate, afraid that they’re next. Ultimately, they hunted each other down. Now, while I don’t give two shits about the Marines, this whole ordeal should not be taken lightly.

Sanji leans forward on his seat.

Sanji

If he is alive, then Doffy has lied to me, which violates the rules of our country’s alliance. I’ll need to look into this matter personally to keep this quiet. If you let me help you, this will be beneficial for the both of us, I assure you.

Law takes a moment to process everything that Sanji had laid out for him. Reluctantly, he nods. Thinking it takes a criminal to know one. He reminds himself that he just needs advice and nothing more. He leans forward and shuffles in his pockets. He pulls out a folded piece of paper but before he could stretch his arm to offer it to Sanji, the blonde raises his hands in front of him.

Sanji

Let me just wash up. I still have Marine blood on me and I don’t want to get them all over your letters.

Sanji stands, then walks to the door.

Zoro’s eyes follow him. His expression softens at the blonde’s thoughtfulness and unexpected change in character. It must just be the single sip of the sake that clouds his own thoughts. He makes it clear to himself that it’s just acting–no doubt to get on Law’s good side then at the last second stab him in the back.

Sanji

Marimo-kun, the door, please?

Zoro

Ah. Right.

Zoro unlocks the door, then hollers for a couple of Marines to take the Pirate King to the washroom, instructing them specifically to “be nice” if they value their lives. Hesitantly, they do as he says, even with the odd request, too scared to do anything out of hand especially after learning what had happened to their colleagues in the townsquare.

Law kicks back on his seat, placing his hands behind his head.

Law

He’s not what I expected.

Zoor closes the door behind him, and turns to the doctor, glaring at him.

Zoro

That may be the last thing in your head if you let your guard down. Remember what I told you earlier.

Law

His mind is his real weapon, not his claws. I know. But he–

Zoro

As soon as he charms you, he’ll make you do things you’ll regret. Luffy would kill me if he gets to you.

Law

You sound like you talk from experience….

Zoro

Don’t even go there. Have you forgotten that he’s just murdered a bunch of Marines not far from here?

Law

I…you’re right.

Zoro approaches Law, jabbing a finger on his chest.

Zoro

Don’t forget what I said.

Moments later, Sanji returns to the interrogation room, escorted by a couple of trembling Marines behind him. They bring him inside, then rush out the door, locking it behind them in a panicked state. The blonde looks and smells a lot cleaner this time, and his hair is damp again–presumably after having borrowed the navy’s shower room. Zoro and Law also can’t help but notice that he’s completely changed out of his blood-stained clothes, and is now sporting a Marine officer uniform worn with the coat buttons undone and no shirt underneath, keeping his front exposed.

Sanji saunters, twirls gracefully, then strikes a pose to show off his new outfit proudly. Zoro can’t help but let out an unexpected hearty laugh.

Zoro

That looks awful on you! You didn’t just pry it from the dead, did you?

Sanji

Goodness, no. They had spares. I admit, it’s a little loose, but you don’t have to be so mean.

Sanji flicks his hair, keeping his other hand on his hip. The small spray of water from his hair strands makes it look like sparkles in the air with the way the room’s light shone on it. He looks down at the swordsman, making the other man stop in his fit of laughter.

Sanji

Besides, I feel fantastic in it.

Hey, tattoo guy, let’s do this. 

Sanji is back on his seat. The look of confidence he usually wears on his face has dithered away. He looks dumbfoundedly at the piece of paper that Law had given him. He flips the paper to check its back, looks at the front again, then flips it once more.

Sanji

This is it?

Law nods. His face had gone red.

Sanji

It just says “I love you.”

Law pulls out a stack of the similarly sized papers of varying shades from his breast pocket and lays it down in the middle of the table.

Law

Now you’ve seen one, you’ve seen it all. But uh… you can’t touch these.

Sanji slaps his forehead with the palm of his hand.

Sanji

I don’t know what I expected. THEY’RE NOT EVEN SIGNED!

Law

It’s something he’d do, okay?! You wouldn’t understand.

Sanji

No, I don’t!!! This is ridiculous! Is this seriously it?!

Sanji stops abruptly. His eyes stare at the stack of papers, shifting left and right, as if suddenly deep in thought–and he’s thinking fast. He inspects the one closely in his hand, then holds it close to the stack on the table, comparing the two.

Sanji

These papers are all not from the same place.

Law

Why does the paper matter?

Sanji

Because, my dear, this means that you’re always in his thoughts–or whoever’s writing it anyway. They didn’t write this all in one go then went about scattering it. They took their time, and wrote down a new letter each time they thought of you with whatever they could get their hands on.

Law freezes. Whatever thoughts he has, he keeps it in his head but it’s noticeably making his hands and lips tremble. After a few quiet moments, Zoro breaks the silence to help him out.

Zoro

Tra-guy, show him the other thing.

Law

Right….

Law pulls out a long envelope the length of his arm. He carefully places it in front of Sanji

Law

This came with the letter that you’ve got in your hand.

Sanji tilts his head curiously. He carefully sets down the letter he’d been given earlier, then gestures towards the envelope.

Sanji

May I?

Law nods.

Sanji gently lifts the flap, then pulls out a delicate feather from the envelope.

Law

The letters always come with a clue where to go next. My crew and I have been travelling for several months now, mostly in the Grand Line. This is the latest, and the reason why we thought Doflamingo may know something, or has got Corazon locked up somewhere. But we haven’t been able to track him down for quite some time.

Sanji pinches the hollow shaft, spinning the feather to admire its features.

Sanji

Hmm…I don’t think it’s Doffy. Though this would make a nice feather for a hat.

Law

What makes you say that?

Sanji claps his hands excitedly.

Sanji

Ooh, I’m glad you asked! There’s this hat that Zoro’s dad wears everywhere. It’s got this gorgeous white feather that makes it stand out nicely with–

Zoro

Not about the hat, stupid! Why do you think it’s not Doflamingo?

Sanji

Rude. But that’s a simple question. Doffy’s coat is pink. This is more purple-pink. Hmm… I think this might be from a South Bird. They’ve got a big body and an even bigger personality. They’re native to Skypiea.

Zoro’s brows shoot up.

Law

Skypiea? The legendary island in the sky? Isn’t that just a tall tale? 

Zoro

I remember those birds. I can see why there’d be some confusion now.

Sanji

Have you been there, Marimo-kun?

Zoro smiles softly at the feather, then reaches out for it. Sanji obliges, handing it to him by the hollow shaft gently, their fingers brushing each other. The swordsman runs his hands through its soft barbs.

Zoro

Sure have, while travelling with my old captain.

Sanji watches Zoro admire the feather, taking notice of his brightened expression and hazel eye. He wonders what sort of tales he has in store. He doesn’t speak much of his old captain to him. Then again, he doesn’t really share a lot of things with him because why would he?

Only now did Sanji realise that he hasn’t really taken his time to admire the swordsman’s features up close. He makes a mental note to plan a sneaky peek under a different light–maybe outside during dawn or dusk when the colours of the sky would bring out his eye colour more.

Law

How do you know for certain that it’s from a South Bird, Mr. Prince-ya? I don’t recall you being an aviary expert.

Sanji

Oh, I’m not claiming to be a scientist in any way. But I have this thing for feather coats since Doffy likes to use it for sex.

Zoro drops the feather from his hands.

----------

Here's a more polished art to make up for the longer chapter.

[eternalmoonlight18]

Please please Shanks or Law taking care of sick!reader

Ouuuu I always wanted to do headcanons based on sick!reader!

Law and Shanks Taking Care of You When You're Sick

GN!Reader x Trafalgar Law and GN!Reader x Akagami no Shanks (pre-established relationship)

SFW!

Your immune system is usually strong, so you usually don't get sick

But one day, you suddenly fell ill, like super SUPER ill and you're bedridden

But you don't let the others find out, and everyone thinks that you're sleeping.

But once the crew finds out you're down with a sickness for the first time they freak out and tell their captains.

Trafalgar Law

Once he's alerted that you're down with illness, he heads straight to your room

He's pissed that you didn't say anything to him but he couldn't stay mad once he saw how sick you really were

He's a doctor so of course he knows what to do! He comes back to your room with a blood pressure monitor, thermometer, and an IV

Yeah he kind of goes overboard

But I think he would have an innate fear of his loved one getting sick or ill because of what happened to his family and friends with the White Lead disease and it triggers him

So he does everything under his power to make sure you're okay

"Hold still I'm trying to take your blood pressure"

"Law, this is fourth time you've done this in the last hour"

He would make sure that you're well fed with hot soup

Makes sure that you're taking your medication even though they taste terrible

"I don't want to take it"

"(Y/n)-ya, I will literally cut you in half and place that pill directly in your stomach so help me God"

He would refuse to leave your side and will sleep on a chair next to you

Will make sure that you're hydrated

Expect a 2-litre jug of water in your room and he will make you finish one a day until you better or else he threatens to hook you up to an IV

"How many times did you pee today? If you pee a lot it means you drank a lot of water which will help you recover"

"Uh I didn't go yet"

"You have 1 minute to drink 1 litre of water or else I'm hooking you up to this IV right now"

Once you're better he will force you to do checkups with him every month from now on

"I hate the infirmary I refuse to do monthly checkups. Also, isn't supposed to be annual?"

"I don't trust your immune system anymore"

He may be overbearing and too much but that's because he loves you very much and hates to see you sick <3

Akagami no Shanks

The man beelines it to your room as soon as Benn alerts him that you're down with an illness

He starts freaking out because he thinks you're dying because you've never been sick before until now

"Omg please don't die yet we have to get married first"

"Shanks, darling, I just have a flu"

Y'all know that scene where Luffy tries to make Nami feel better on Drum Island when she was sick and he makes a silly face

Yeah, Shanks does the same thing

His face is scribbled with blank ink and his hair is tied up into two ponytails as he tries to make you laugh. Hongo walks in on him and accidentally stabs Shanks with one of his needles in shock

While Hongo does the actual healing since he's the doctor, Shanks tries his best to assist him even though he was no help

"Captain can you not use my stethoscope on their asscheeks please"

"Sorry I was trying to see if I could hear their heartbeat from there"

Shanks would try to cook soup for you but for some reason it tasted like beer

"Is it delicious? I tried to make soup for you so you'd feel better!"

"Why does it taste like beer? And is that a dead fly?"

While you're sleeping, he'd put cold damp towels on your forehead and change them every hour on the dot

Shanks will also refuse to leave your side as well. He will be glued next to you until you got better

He'd give lots of forehead kisses and will cuddle with you, much to your dismay

"Honey, it's getting too hot"

"I know, it's cause I'm here"

"No you loveable idiot you're hugging me too tight, let me go before I cough on your face"

Once you're fully recovered the man is stuck to you like velcro and smothers you with his love and kisses

"Shanks stop it you're going to make me sick with all of your germs!"

"Then let's both get sick!"

He may be clueless but he does his best to take care of you because he loves you <3

------

LOL this was fun to write

[teecupangel]

Submitted by @saberamane

Had a story idea pop up in mind.

Desmond only ever met the digital Clay on Animus Island, a version of Clay which was perhaps a bit more sane than actual Clay had been at the end. But Desmond likely wouldn’t think of that…

So typical time-travel happens, only Desmond brings Clay along as a dort of ‘second chance’ for Clay. 

(But it’s actually more of a 'I don’t want to be alone’ thing, Desmond just doesn’t admit that to himself.)

So for Desmond, it’s an expected thing to wake up on a random Firenze rooftop, he wanted them to land in a familiar place at a time where they could begin to 'fix’ things…

Only Clay isn’t happy.

For Clay, he wakes up to a nightmare.

The last thing he remembers is using his own blood to fingerpaint all over the walls of his 'room’ and around the Animus, and then bleeding out on the animus as he uploaded a part of himself to help someone he will never even meet. 

So when he wakes up and see the bright terracotta rooftops of Italy, he snaps.

Was this really what was happening right now?! He died in the Animus so now he had to live in this hell? Even in death he couldn’t escape?!

Probably not his proudest moment, but Clay strangles the first guy he sees. Who just so happens to look a lot like Ezio.

Even better.

(Meanwhile Desmond is wondering why Clay is literally trying to kill him.)

===================================

Additions by teecup:

The only reason why Desmond didn’t die was because they appeared in the past at the exact moment Ezio and Federico are jumping the rooftops after fighting Vieri. They pulled the two apart and…

Well…

Clay is still reeling from the effects of his rage and the fact that he believes he’s living a nightmare and tries to attack Ezio.

This forces Federico’s hand and they both returned home with Desmond and an unconscious Clay.

Desmond is surprisingly calm about all of these.

If anyone has the right to try and kill him, Clay would be top 4 of that list (the top 3 are his ancestors). He did understand Clay’s mad rambling and pieced together that Clay doesn’t remember their time ‘together’.

So when Ezio asked him if Desmond was alright and if Clay is a danger, Desmond did the first thing he could think of.

Say he’s alright and that Clay was simply having one of his episodes.

‘He’s not usually like that.’

What he doesn’t see is the fact that Ezio and Federico could clearly see the marks and bruises left by Clay’s attempt on his life and how they misunderstood his acceptance to this situation as a kind of resignation that keeps happening in his life.

So Federico and Ezio tell Desmond to stay here for now and they’d ask for a doctor tomorrow for Clay.

Desmond agreed because he knows tomorrow is the day that the guards will try to take the Auditores away.

Clay wakes up late at night, sees Desmond sitting on a chair next to his bed and goes…

Yeah.

He was still in hell.

He hears Desmond out and thinks Desmond is an idiot.

“You’re thinking of changing the past without even thinking of the danger it might put us. We can end up not existing if we change Ezio Auditore’s life.”

“So?”

Clay blinked.

“We already died once, Clay. We’re alive right now but we don’t really know if we’ll stay alive even if we don’t do anything.” Desmond placed a wet towel on Clay’s head and Clay threw it off as he glared at him, “We’re living in borrowed time anyway so...”

“Why not just do whatever we want?”

Clay’s lips twitched.

This man was insane.

He said ‘we’ as if he expected Clay to agree with him.

As if he trusted Clay would have his back.

Desmond Miles was created by the Isus to be the closest to them and it showed with that annoying confidence.

... and that charming smile of his.

Clay wanted to carve that smile off.

[vermilionsun]

This post translates directly to @musas-sideblog's about how Touchstarved ties with Victorian horror and implicit/metaphorical sex, and I couldn’t stop thinking about it, so here is a lengthy theory. Enjoy :)

Note 1: Victorian era authors used an unholy amount of ways to imply sexual feelings/acts etc, so I here I will include only the ones that are of interest. Note 2: I've highlighted the "most important" parts. Note 3: I'm not an expert at this, so please bear with me and feel free to correct me. Note 4: Do I need to add a TW? I think it's obvious-

Overview: What is Victorian Horror?

Victorian horror refers to the genre of horror literature, art, and culture that flourished during the Victorian era, roughly from the mid-19th century to the early 20th century, coinciding with Queen Victoria's reign from 1837 to 1901. This period was marked by a fascination with the macabre, the supernatural, and the dark aspects of human nature, reflecting the anxieties and societal changes of the time. 

Key Themes and Characteristics

Supernatural Elements:

Ghosts and Spirits: Tales of haunted houses and spectral apparitions were central to Victorian horror. Charles Dickens's "A Christmas Carol" (1843) and Henry James's "The Turn of the Screw" (1898) are notable examples.

Monsters and the Gothic: The era's literature is filled with monstrous creations and gothic settings, such as in Mary Shelley's "Frankenstein" (1818), Bram Stoker's "Dracula" (1897), and Robert Louis Stevenson's "Strange Case of Dr Jekyll and Mr Hyde" (1886).

Science and the Unknown:

The Victorian period was a time of great scientific advancement, but also of fear about the implications of these discoveries. This is evident in works that explore the dangers of unchecked scientific experimentation, like "Frankenstein" and H.G. Wells's "The Island of Doctor Moreau" (1896).

Exploration of the Human Psyche:

Victorian horror often delved into the darker aspects of the human mind, including themes of duality, madness, and the hidden, sinister side of human nature. This is seen in "Dr Jekyll and Mr Hyde" and Edgar Allan Poe’s works, such as "The Tell-Tale Heart" (1843).

Social and Moral Anxieties:

The literature frequently reflected Victorian society's fears and anxieties, including issues related to sexuality, class, and the role of women. Gothic novels often contained subtexts about societal norms and the consequences of transgressing them.

Urban Fear and Isolation:

The rapid urbanisation of the Victorian era contributed to themes of isolation, alienation, and fear of the crowded yet lonely cityscape. This is evident in the settings of many horror stories, such as Arthur Machen's "The Great God Pan" (1894).

Sexual Content: Victorian literature is renowned for its strict moral codes and conservative views on sexuality. Explicit depictions of sexual activity were considered taboo and were subject to censorship. Consequently, authors developed subtle and nuanced methods to imply sexual scenes or themes.

Literary Techniques for Implying Sexual Scenes

✧ Symbolism and Imagery:

Sexuality was often conveyed through symbolic imagery. Objects, actions, or natural phenomena could serve as metaphors for sexual activity or desire. For example, in "Dracula" by Bram Stoker, blood and biting symbolise sexual penetration and the exchange of bodily fluids, infusing the act with a sense of forbidden desire and eroticism.

Clothing and Undress:

Gloves: In Victorian culture, gloves were highly symbolic. The act of a woman removing her gloves in the presence of a man, or a man assisting her in this act, could signify a moment of intimacy or vulnerability. Similarly, a man giving a woman his gloves could be a sign of affection or a deeper connection.

Hats and Bonnets:

Corsets

Objects and Personal Items:

Locks of Hair

Jewellery

Books and Letters

Touch and Physical Contact:

Kissing Hands

Hand-Holding

Food and Drink:

Wine: Sharing wine or a meal in an intimate setting often suggested a prelude to deeper connection. Descriptions of characters drinking wine together in private could imply a romantic or sexual undertone.

Fruit: Certain fruits, like apples, grapes, or peaches, were laden with sexual symbolism. Eating or sharing fruit could represent temptation or indulgence. For instance, in Christina Rossetti’s poem "Goblin Market", the act of eating the goblin fruit is rich with sexual symbolism.

Flora and Fauna

Flowers and Gardens:

Roses: Roses were often used to symbolise love and passion. A red rose might suggest romantic or sexual attraction, while a wilted rose could imply lost innocence or sexual ruin.

Lilies: Lilies, especially white ones, represented purity but could also suggest a contrasting theme when associated with a fallen or tarnished character.

Garden Settings: Scenes set in secluded gardens or amongst lush, overgrown vegetation often hinted at secret or forbidden encounters. Descriptions of characters wandering through or tending to gardens could imply sexual exploration or awakening.

Flowers Blooming or Opening:  The blooming of flowers often represented sexual awakening or the act of losing one's virginity.

Nature Imagery:

Rivers and Water: Flowing water and rivers often symbolised sexual desire and the act of lovemaking. For instance, in "Tess of the d'Urbervilles" by Thomas Hardy, Tess's encounter with Alec d'Urberville is often described with metaphors of nature and fluidity.

Storms and Weather: Storms, with their intense energy and sudden outbursts, were frequently used to symbolise sexual passion or climactic moments.

Birds and Beasts:

Animals, especially those that are wild or predatory, often symbolised primal sexual instincts and desires. The taming or interaction with these animals could imply a character’s grappling with their own sexuality.

Fire and Heat

✧ Phrases and Sayings

Euphemistic Language

Descriptive Phrasing

Dialogue and Confessions

Private Spaces:

Secluded or Dimly Lit Rooms: Scenes set in private, darkened rooms often suggested clandestine sexual encounters. The privacy of the setting allows authors to imply what could not be explicitly stated. In Wilkie Collins’s "The Woman in White", many key interactions happen in secluded spaces, hinting at secrets and hidden desires.

Dreams and Fantasies:

Dream Sequences:

Dreams and fantasies were used to explore a character’s subconscious desires and fears, often revealing their suppressed sexual longings. These sequences provided a socially acceptable way to delve into erotic themes.

Hallucinations and Madness:

Moments of madness or hallucination could serve as a metaphor for overwhelming passion or uncontrollable sexual desire. These states allowed characters to express forbidden feelings in a way that was metaphorically safe.

Physical Interactions and Horror

Touch and Proximity as Menace:

Unwanted or Forced Touch: In horror, touch that is typically a sign of affection or intimacy becomes a source of fear.

Physical Closeness in Horror Settings: Close proximity in dark, secluded places amplifies the sense of claustrophobia and vulnerability, turning what could be an intimate setting into one fraught with terror.

Undress and Exposure in Horror:

Loosening Corsets and Vulnerability: The act of undressing or loosening clothing, which can be a prelude to intimacy, in horror often leaves characters vulnerable to attack or exposure of their deepest fears.

Food and Consumption in Horror

Cannibalism and Vampirism:

Blood as Sexual and Vital Fluid: The act of consuming blood, as in vampirism, blends the themes of sustenance and sexual exchange. The vampire's bite becomes a metaphor for both sexual penetration and the transfer of life force.

Example: "Dracula" is a prime example where blood consumption is deeply eroticized, with Dracula’s victims often portrayed in a state of ecstatic submission as he drains their blood.

Food as a Lure: Food and feasting, typically symbols of pleasure and indulgence, in horror contexts can be used to lure victims into dangerous situations.

Example: In "Goblin Market" by Christina Rossetti, the goblins’ fruit is both irresistibly tempting and dangerous, representing a forbidden and potentially fatal indulgence.

Plot and Character Dynamics in Horror

Power and Domination:

Common Dynamics with a Dark Twist

Predators and Victims: Characters who prey on others are often literal monsters in horror, representing the loss of control or innocence.

Secrecy and Concealment:

Hidden Desires and Monstrous Revelations: Characters who conceal their true identities or desires often find these hidden aspects manifesting as monstrous or terrifying in horror narratives, suggesting that repression can lead to dire consequences.

Clandestine Meetings and Forbidden Encounters: Secret meetings and forbidden relationships, often tinged with sexual implications, add an element of danger and fear, suggesting that transgressing social norms leads to horror.

Common Themes in Victorian Horror

Duality and the Doppelgänger:

Theme: The concept of duality, where a character has a hidden, darker side, or encounters a double (doppelgänger), often symbolises the internal conflict between good and evil within individuals.

Connection: This theme reflects Victorian anxieties about identity, morality, and the consequences of repressing one’s darker impulses.

Gothic and Supernatural Elements:

Theme: Victorian horror is rich with Gothic elements such as haunted houses, dark landscapes, and supernatural beings. These elements create a sense of dread and evoke the mysteries of the unknown.

Connection: The Gothic setting often serves as a backdrop for exploring human fears, isolation, and the impact of the supernatural on everyday life.

Decay and Degeneration:

Theme: The fear of decay and degeneration, both physical and moral, is a recurring motif. This theme often examines the decline of individuals, families, or societies and the consequences of corruption and vice.

Connection: This theme mirrors Victorian concerns about the erosion of social and moral values amidst rapid industrial and social changes.

Madness and Psychological Horror:

Theme: The exploration of madness and psychological horror delves into the fragility of the human mind and the terror of losing one's sanity. This often includes hallucinations, obsessions, and the thin line between reality and delusion.

Connection: This theme resonates with Victorian fears of mental illness, the limitations of medical knowledge, and the impact of societal pressures on mental health.

Forbidden Knowledge and the Faustian Bargain:

Theme: The pursuit of forbidden knowledge and the resulting consequences is a central theme. Characters who seek power, immortality, or forbidden truths often pay a heavy price, reminiscent of the Faustian bargain.

Connection: This theme highlights Victorian anxieties about scientific progress, moral boundaries, and the potential hubris of human ambition.

The Uncanny and the Unknown:

Theme: The uncanny involves the strange and unfamiliar becoming eerily familiar, often unsettling the reader and characters. It blurs the lines between reality and the supernatural, invoking fear and discomfort.

Connection: This theme taps into Victorian fears of the unknown, the foreign, and the otherworldly, reflecting broader anxieties about social and cultural boundaries.

Death and the Afterlife:

Theme: Victorian horror frequently grapples with themes of death and the afterlife, exploring the fear of mortality, the possibility of an afterlife, and encounters with the dead or undead.

Connection: These themes reflect Victorian preoccupations with death, the spiritual realm, and the possibility of life beyond death, often intensified by the era's high mortality rates and interest in spiritualism.

Isolation and Alienation:

Theme: Isolation and alienation are prevalent themes, often highlighting characters who are physically or emotionally detached from society, leading to their vulnerability and descent into despair or madness.

Connection: This theme resonates with the Victorian experience of industrialization and urbanization, which often led to feelings of disconnection and loneliness.

Class and Social Anxiety:

Theme: Victorian horror often explores themes of class and social anxiety, including the fear of losing social status, the consequences of poverty, and the tension between different social classes.

Connection: This theme reflects the rigid class structures of Victorian society and the fears and tensions that arose from social mobility and economic disparity.

Moral Corruption and Hypocrisy:

Theme: Victorian horror frequently critiques the era’s moral standards and exposes the hypocrisy of societal norms. Characters who appear virtuous often harbor dark secrets or engage in morally dubious activities.

Connection: This theme mirrors the Victorian concern with appearances and the underlying tension between public propriety and private desires.

The Five Pillars of Victorian Horror & The Five Love Interests

The Supernatural and the Gothic (Ais)

Essence: Victorian horror often revolves around the supernatural, blending Gothic elements to evoke a sense of dread and otherworldly terror. This includes ghosts, vampires, haunted houses, and curses, which create an atmosphere where the boundaries between the natural and the supernatural blur.

Impact: The use of Gothic settings and supernatural phenomena provides a backdrop for exploring deeper themes of fear, mortality, and the unknown.

Psychological Depth and Madness (Vere)

Essence: Victorian horror delves into the complexities of the human mind, exploring themes of madness, obsession, and the psychological effects of fear and trauma. Characters often grapple with their sanity, facing inner demons as terrifying as any external threat.

Impact: This focus on psychological horror allows for a deeper exploration of character motivations and the impact of societal pressures.

Moral Corruption and the Double Life (Leander)

Essence: Themes of moral corruption and the duality of human nature are central to Victorian horror. Characters often lead double lives, presenting a veneer of respectability while concealing dark, sinful secrets. This tension between outward appearances and hidden truths reflects the era’s social hypocrisy and fear of scandal.

Impact: These themes critique Victorian society’s emphasis on propriety and the dangerous consequences of repressing one’s true nature. The idea of a double life or hidden self adds to the horror by suggesting that evil can reside within anyone, masked by a facade of normalcy.

Decay, Degeneration, and Disease (Kuras)

Essence: The themes of physical and moral decay, societal degeneration, and disease permeate Victorian horror. These motifs symbolise the fragility of human life and the inevitability of decline, reflecting the anxieties of a society grappling with rapid change and uncertain futures.

Impact: By focusing on decay and degeneration, Victorian horror underscores the transient nature of life and the ever-present threat of corruption and decline, whether through ageing, moral compromise, or societal breakdown.

Isolation and Alienation (Mhin)

Essence: Isolation and alienation are pervasive themes in Victorian horror, often depicted through characters who are physically or emotionally cut off from society. This separation heightens their vulnerability to external threats and internal fears.

Impact: Isolation serves to intensify the psychological tension and sense of dread, as characters confront their fears alone. It also reflects the era’s social and existential anxieties, including the fear of being disconnected or outcast from society.

Generally, I believe each LI connects with a pillair (as seen above). Perhaps by looking at the archetypes we could deduce propable endings and route elements.

Forgive me, for the following part is MESSY;

Ais

Vere

Leander

Kuras

Mhin

[sturniololoco]

Turf Burns

Sturniolo Little sister (SLS) x The Sturniolo Triplets

Warnings: Blood, scratches, crying, etc.

Summary: SLS gets a little banged up in her game, but her brothers are always there for her.

SLS/N's POV

I was mad.

The entire game, this girl kept tripping me, causing me to fall on the hot rubber turf of the field. The ref did nothing to help, of course, he needs to consider going to the eye doctor.

I march off the field, angry and upset. My mind went a mile a minute as I walked over to my brothers, biting my chewed nails.

They say nothing, Matt just wraps an arm around my shoulders and leads me to the car.

After dramatically slamming my bag into the back of the car, I climb in the backseat next to Nick.

I crossed my arms and leaned my sweaty head against the window, propping my feet up on the center console.

"Damn, we're gonna get have to get you cleaned up when we get home, girlfriend," Chris says, sucking in a breath as he looks at my legs.

I look too, seeing multiple patches of torn-up, bloody skin. There were little black bits of turf stuck inside nearly every one of my burns.

Then I felt the burn.

I hadn't noticed it before due to my anger, but my legs were practically torn to shred, them throbbing in return.

I hiss in pain, feeling the tears well up in my eyes, from both the burns and the anger.

"It doesn't hurt. These are just angry tears." I lie, sniffling and whipping my eyes.

Chris gives me a soft smile and a sympathetic look.

"I wouldn't expect anything less, bud." He says, reassuringly, rubbing my ankle where my burns aren't.

-

as I walk up the driveway, I can feel the burns catch on fire every time I bend my leg to take a step. I hiss in pain the whole way into the house.

I reach the bottom of the stairwell and kick my slides off, already dreading the pain is gonna cause me.

Just as I go to take a step, however, I'm scooped into Matt's arms and he carries me up the stairs.

I gotcha, sweetheart," He says as he sits me down on the island. Chris walks over and sits next to me, grabbing my hand and giving it a light squeeze. Nick comes back with the first aid kit,

and a bottle of alcohol.

as soon as I see this, I begin to whine in protest, but he silences me with a look. I put my head on Chris's shoulder as he begins.

"Oh my god Nick! Ow ow ow!" I say as Nick wipes the blood of my burns with an alcohol-soaked cotton pad.

"Shh, you're okay. I'm almost done I promise." Nick says reassuringly.

I had as the tears began to fall out of my eyes, dripping down my face. Chris reaches up and wipes them away, giving me another smile.

-

After all of my burns have been treated with ointment and covered with bug band-aids, I walk over to the couch and cuddle into Matt's side.

He rubs the side of my arm, whispering, "I'm proud of you for being so brave."

I nod then bury my tear-stained cheeks back into his side, but look up again as Nick and Chris walk in with four bowls of ice cream.

I sit up quickly and wipe the stray tears off my face, my full attention on the bowl Nick and me.

"I think someone's feeling better." He says, to which we all laugh and enjoy our ice cream.

@idkwhosnyla @babypat08 @eyelessdemon00 @christopherowensturniolo @sturnsxx @freshloveforthefit @matty443355 @sleepysturnss @emeraldgreenbeautiesstu @sunsetsturniolos @hoesturniolo @x4nd3rsukz @chr1sgirl4life @sstvrnioloo @sturns-posts @chrisstopherfilmed @kylasrealityx @zoeysturnioloooooo @comet235 @islaasblog @sturnioloblogs @defnotayonna @mattsleftnipple03 @thematthewlover @mattsaq

[will80sbyers]

Do you still have the list of movies that inspired ST4? I had a picture of it but I lost it and I haven't been able to find it since. Please and thank you in advance.

Yep!

Long post warning lol

300

2001: A Space Odyssey

47 Meters Down: Uncaged

12 Monkeys

28 Days Later

13th Warrior

Ace Ventura: Pet Detective

Ace Ventura: When Nature Calls

Altered States

Amelie

American Sniper

Analyze This

Annihilation

Aristocats

Armageddon

Assassins Creed

Avengers: Age of Ultron

Arrival

Almost Famous

Batman Begins

Batman V. Superman

Basket Case

Battle at Big Rock

Beauty and the Beast

Beetlejuice

Behind Enemy Lines

Beverly Hills Cop

Bill and Ted’s Bogus Journey

Billy Madison

Black Cauldron

Black Swan

Boondock Saints

Borat

Bram Stoker’s Dracula

Burn After Reading

Broken Arrow

Blade Runner

C.H.U.D

Con Air

Cast Away

Congo

Constantine

Children of Men

Cabin in the Woods

Crank

Casablanca

Carrie

Crimson Tide

Clueless

Dukes of Hazzard

Don’t Breathe

Death to Smoochy

Doom

Dark Knight

Dogma

Deep Blue Sea

Dreamcatcher

Drop Dead Fred

Die Hard

Die Hard 2

Die Hard 3

Don’s Plum

Dances with Wolves

Dumb and Dumber

Edward Scissorhands

Enter the Void

Ex Machina

Event Horizon

Emma (2020)

Forrest Gump

Fargo

Fisher King

Full Metal Jacket

Ferris Bueller

Fallen

Fugitive

Ghost

Girl with the Dragon Tattoo

Ghostbusters

Good Fellas

Girl Interrupted

Godzilla: King of the Monsters

Get Out

Good Will Hunting

Hackers

High Fidelity

Hellraiser 1

Hellraiser 2

Harry Potter and the Chamber of Secrets

Hidden

High School Musical

Hurt Locker

Heat

Hunger Games

Highlander

Hell or High Water

Home Alone

I am Legend

It’s a Wonderful Life

In Cold Blood

Inception

I am a Fugitive from Chain Gang

Inside Out

Island of Doctor Moreau

It Follows

Interview with a Vampire

Inner Space

Into the Spiderverse

Independence Day

Jupiter Ascending

John Carter of Mars

Jurassic World: Fallen Kingdom

James Bond (All Movies)

Julie

Karate Kid

Knives Out

Kingsmen

Little Miss Sunshine

Labyrinth

Long Kiss Goodnight

Lost Boys

Leon: The Professional

Let the Right One In

Little Women (1994)

Mad Max: Fury Road

Magnolia

Men in Black

Mimic

Matrix

Misery

My Cousin Vinny

Mystic River

Minority Report

Mr. and Mrs. Smith

Neverending Story

Never Been Kissed

No Country for Old Men

Nightmare on Elm Street 3: Dream Warriors

North by Northwest

Open Water

Orange County

Oceans 8

Oceans 11

Oceans 12

One Flew over the Cuckoo’s Nest

Ordinary People

Paddington 2

Platoon

Pulp Fiction

Papillon

Pan’s Labyrinth

Pineapple Express

Peter Pan

Princess Bride

Paradise Lost

Primal Fear

Prisoners

Peter Jackson’s King Kong

Reservoir Dogs

Ravenous

Rushmore

Road Warrior

Rogue One

Reality Bites

Raider of the Lost Ark

Red Dragon

Robocop

Shooter

Sky High

Swingers

Sword in the Stone

Step Up 2

Spy Kids

Saving Private Ryan

Shape of Water

Swept Away

Star Wars: Return of the Jedi

Star Wars: The Empire Strikes Back

Superbad

Society

Swordfish

Stoker

Splice

Silence of the Lambs

Source Code

Sicario

Se7en

Starship Troopers

Scrooged

Splash

Silver Bullet

Speed

The Visit

The Italian Job

The Mask of Zorro

True Lies

The Blair Witch Project

The Lord of the Rings Trilogy

Tangled

The Craft

The Guest

The Devil’s Advocate

The Graduate

The Prestige

The Rock

Titanic

Teenage Mutant Ninja Turtles

The Fly

Tombstone

The Mummy

The Guardian

The Goofy Movie

The Peanut Butter Solution

Toy Story 4

The Ring

The Crazies

The Mist

The Revenant

The Perfect Storm

The Shining

Terminator 2

The Truman Show

Temple of Doom

The Cell

To Kill a Mockingbird

Timeline

The Good Son

The Orphan

The Birdcage

The Green Mile

The Raid

The Cider House Rules

The Lighthouse

The Book of Henry

The A-Team

The Crow

The Terminal

Thor Ragnarok

Twister

The Descent

The Birds

Total Recall

The Natural

The Fifth Element

True Romance

Terminator: Dark Fate

The Hobbit Trilogy

Unforgiven

Unbreakable

Unleashed

Very Bad Things

Wayne’s World

What Women Want

War Dogs

Wedding Crashers

What’s Eating Gilbert Grape

Welcome to the Dollhouse

Welcome to Marwen

Wet Hot American Summer

What Lies Beneath

What Dreams May Come

War Games

Who Framed Roger Rabbit

Weird Science

Willow

Wizard of Oz

Wanted

Young Sherlock Holmes

You’ve Got Mail

Zodiac

Zoolander

[bluegalaxygirl]

Amnesia (KidKiller X Reader) P19

Plot: After an explosion reader wakes up in a hospital with no memory of the past few years, her parents want to take her home so she can recover and get back to a normal life while the Kid pirates want her back on the ship where she belongs.

Warning: Bad language, Family issues, domestic abuse, Medical stuff, Medication, Violence and Blood.

Reader is Female, Poly Relationship, established relationship, Kid X Reader X Killer, Reader is a member of the Kid pirates and is in charge of the money, Budgeting and negotiating the best price.

< Previous part …. Next Part >

The walk to the hospital felt longer than normal mainly because Killer's mind is racing with all the things you might say after you lashed out at Kid, he hopes he can at least smooth things over with you so you won't kick them out, he would hate to have to take you by force but as time goes on he feels more and more drawn to it. If you end up wanting to go with your parents he will happily join his captain in sinking this island and taking you by force, you may hate them for it but in his mind, he would rather you hate him than let you go back with those people. The masked man is snapped out of his thoughts by House who speaks up while trying to keep pace with the taller man "So, N/N really remembers me?" The crazy haired girl asks holding her notebook to her chest, a large hopeful smile on her face and big eyes which look bigger due to her strange glasses, it brings a small smile to his face seeing how happy their doctor is at just the thought you might remember her. "Yes, she remembers training with you but thats it" Despite your memory of her being very limited it causes House to jump a little in excitement starting to speed walk until they get to the elevator, once inside and the doors are closed Killer places his hand on Houses shoulder getting the girl to look up at him with a raised eyebrow "I want you to wait outside the room when we get there, i need to have a word with Y/n before we do anything else" The masked man states getting the girl to nod, her excitement starting to get under control, like the rest of the crew House doesn't know what happened for Kid and Killer to stay on the ship for a whole day and for their captain to flip out, only the commanders know, but she wasn't about to ask or ease drop if she can help it.

Killer lets out a breath trying to calm himself as the elevator opens showing him the same view he always gets, a clean white building with hardly any noise but the blowing wind, stepping out House is quick to follow mainly looking down hoping to not trip on a branch or go through a loose piece of wood. It isn't long until the two make it to your room, the door's closed, but he can't hear any talking, he hopes that your parents haven't shown up yet and with the nurse not at her desk he can't ask her if they've shown up. A knock on your door makes you flinch a gasp leaving your lips as you quickly take your glasses off in fear of it being your mother, your too tired and sore to deal with her yelling at you over something so small which is why you asked for the door to be closed. "Y-Yes" You call out placing the book you were reading and glasses on the side table, to your relief it's not your mother that walks in, but Killer making your body relax against the headboard, the masked man walks in closing the door behind him before clearing his throat "I'm sorry about Kid and… I know you don't trust us bu-" The smile that was once on your face drops at his words, you should be the one thats sorry not him and the thought that you don't trust him hurts, so before you can even think about it you call out to him "Killer, It's not Kid's fault, i shouldn't have said those things, i was mad but now thinking back on it… I'm sorry, i made a big mistake, is Kid mad at me?" You ask feeling tears well up in your eyes, it didn't click with you before but now it has, Kid isn't here, his coat isn't around you and those amber eyes aren't looking you over with a cocky smile on his red lips and you know he's not patient enough to wait outside so that means he isn't here.

The blonde sighs making his way over to you, placing his hand on your cheek he lifts your face up to look at him, his teeth clench in anger at seeing the new bruise on the corner of your cheek bone, it wasn't there the last time he saw you, he wonders if someone hurt you or if you fell, but he shoves that aside for now and instead focuses on reassuring you "He's not mad at you, he's mad at himself." Killers thumb lightly runs over the bruise on your cheek as you raise an eyebrow, Kid should be angry at you not himself, your the one that yelled and ran off while he tried not to yell back. "He shouldn't be, He's been trying so hard for my sake, and i insult him? I've seen the way you both hold back, you could just grab me and burn this place to the ground but you've given me a chose and you've stuck by that even when i'm being a bitch" You can't help but laugh a little at the end, calling yourself a bitch somehow didn't sound so insulting even though it should be, reaching up you take Killers hand off your cheek and hold it in yours, a small huff of a laugh leaves the masked man's lips as he squeezes your hand "I'm not going to lie, we've both thought about it a lot, just taking you but trust and loyalty is everything to us, we won't do anything to break your trust, and we will always be loyal to you" The blonde brings your hand up to his mask pressing your knuckles against the part where his lips would be, your heart swells at the gesture and yet all you can think about is his lips, does he wear lipstick like Kid? are they soft or chapped? Plump or thin? "Killer… Can i-" Your question is interrupted by the door opening causing the two of you to look over at the door and freeze in place.

Melody's raised eyebrows and confused eyes land on the two of you, although she doesn't seem confused about what's going on in the room but with a crazy haired girl wearing large strange glasses waving at you form next to her, you recognized her as the girl from your memories, but she looks a little different, her hair is more puffy and a lot longer and the glasses she's wearing seem bigger than you remember. "This is your doctor?" Melody asks pointing to House next to her, the girl slightly bouncing on her feet as a large smile forms on her face "House, right?" You ask before Killer can answer the question, the smile on House's face somehow gets wider as she sprints to you, dropping her notebook the girl wraps her arms around you as a giggle leaves her lips "Your remember me" Despite how it looks House is surprisingly gentle with her hug but it still made you gasp and jump slightly at fist, wrapping your arms around the girl you lightly pat her back. "Be careful" The nurse yells while walking into the room giving a hard glare at the pirate doctor, Killer lets out a sigh clearly unimpressed by the display of affection from your best friend "House, off" The masked man demands making House quickly let you go and stand back up scrambling to grab her notebook and a few loose pages that have fallen out. "Sorry about her, This is House our doctor and a good one at that" Killer states crossing his arms over his chest in almost a protective manner not wanting anyone to insult a member of his crew, Melody caught on quick to it and puts her hands up letting out a nervous laugh "I was just making sure since you and your captain weren't around to clarify, i didn't want to let a compete stranger in"

Killer gives a short nod letting his shoulders relax, "I'm glad you came House, there's a few things i was hoping to ask" You turn to the crazy haired girl who has picked up her notebook and finished putting the pieces of loose paper pack in their places, she turns to you with a nod but Melody quickly speaks up before you can ask anything "First we need to talk about last night, Y/n had another seizure the night nurse told me that she re-injured her legs but luckily her shoulder is ok" A sick feeling runs through your body at the thought of it alone, you really don't trust your doctor to be telling the truth, plus you've never met the night nurse so you have no idea if you should trust her or not. Killer tenses up again as he turns his attention to you mainly focusing on your covered legs, he hasn't seen how bad it is under the bandages, but he knows that reopening a healing wound will make the healing process a lot longer and sometimes more painful "Is that how you got this?" The masked man moves his hand to run his fingers over the bruise on your cheek, gulping you know better than to lie to the blonde, he seems to know when something is wrong so its only safe to say he knows when your lying too but Kid did say that if your parents hurt you he would kill them, Killer might think the same and as much as you hate your farther for what he did you don't want him to die over a slap "I don't remember how i got it, but at least my cheek bone is healed and my skull" You smile up at him hoping he will focus on the good stuff.

House pushes up her glasses before stepping closer already feeling the tension coming from the first mate and wanting to break it before something like yesterday happened "That's great news, your stitches are out and your not wearing a sling anymore so hopefully you'll be out of here soon. Can i look you over just to make sure?" Melody places a hand on House's shoulder getting the girl to take a step back thinking she's in the way which earning a sweet smile of the nurse "You can observe as i clean her wounds and re-bandages them" The nurse states pulling the covers off you, the once white bandages are slightly stained with red and brown blood spot in different places, you now see why your legs sting so much. "Their dirty" Killer's almost growls as his focus shifts from you, to your legs and then to the nurse who tenses up a little at his tone, the masked man's anger grows until you grab his hand pulling the blonde closer to you with as much strength as you can muster, you don't know why but something told you that he was going to chock her. "It's ok, i asked her to wait since you were bringing House this morning, so… I'd rather not be poked and prodded twice today" Killer quickly turns to you hating that you left it for so long, his anger subsides at hearing the reason why, it makes sense now and the thought of causing you more pain makes his chest tighten, squeezing your hand the blonde gives you a silent nod before pulling a nearby chair over to the bed, so he can sit down next to you and hold your hand which you have refused to let go of. His comfort helps a lot as the Nurse talks to House while pulling the bandages off your legs, it stings, itches and feels tight all at the same time but Melody is careful especially around the recently opened area's.

The process hurt more than you thought it would making you grit your teeth and take deep breaths through your nose, Killer's eyes shift from your legs to your face, he hates seeing you in pain, and he's now extremely glad that he made Kid stay back, not even he could stop the captain from shoving the nurse off you and berating her even though the woman is only doing her job. "Ok, thats your legs done" Melody sighs taking off her gloves and showing them in a small yellow bin along with some of the equipment she used, House nods having stayed over the nurses shoulder the whole time, asking questions and taking notes in her book "Other than the reopened area's the skin's healing nicely, you'll differently have darker spots of skin in some places and the ink on some of your tattoo's have come off but i don't see many issues once its fully healed" House smiles at you happy to see the hospital is doing something right, with a tired smile you give her a thumbs up unable to speak due to the throbbing in your legs and the tiredness overcoming your brain "You ok, babe?" Killer quickly leans forward placing his hand on your cheek to make you look at him, his eyes search yours for that glazed over look you get before those headaches's come on but to his relief it isn't there, just tired slightly teary eyes from trying to hold back groans of pain over the past half hour. A fluttering feeling appears in your stomach at the nickname making you feel more lightheaded although unlike the tiredness it's a almost heavenly feel, leaning into his touch you give the blonde a small smile and a nod.

Melody finishes cleaning up before making her way over to the end of your bed and grabbing your chart, flipping to the back she writes something down before flipping it back "Oh can i see that?" House asks suddenly at the nurses side making the woman jump and gasp in surprise, she didn't hear or see the girl move at all, staring at the crazy haired girl for a moment Melody slowly hands the chart over trying to figure out how the loud and seemingly clumsy girl from before snuck up on her. House gives the nurse a smile before grabbing the chart out of her hands and reading it over, her face turns to confusion and slight concern at seeing some of the stuff written down feeling like something is wrong. Your tired eyes pull away from Killer feeling the energy in the room change, when your eyes land on the pirate doctor your heart drops knowing your assumptions are true. "House what's wrong?" You ask but the girl doesn't move her eyes fixed on the page in front of her "Y/n takes all these in a day?" House asks finally looking up from the chart to look at the nurse while pointing to something on the paper, Melody leans in looking it over before nodding "Twice a day, one dose in the morning and one at night" your hand uncontinuously tightens its hold on Killer's hand starting to let your nerves show, the masked man squeezes your hand lightly trying to offer you reassurance despite his own growing anxiety. House shakes her head looking back to the chart one last time before hanging it back on the end of your bad "That seems excessive for seizure meds, do you mind if i have a look at the pill's?" Melody raises an eyebrow unsure of weather she should do it or not, she doesn't think the doctors here would do anything bad and since House is more of a field medic she might not know a lot about medication.

Her eyes glance to you seeing your tense and almost panicked state so nods offering you a small smile before heading out the door "I'll be right back" House smiles back waving at her before quickly grabbing her notebook and pen starting to write down stuff with amazing speed "You wanted to ask me about the pills right?" the crazy girl asks somehow reading your mind and making you relax your grip on Killer's hand, letting out a breath you nod finally feeling like your not crazy for thinking something is wrong. "Yes, they keep increasing my seizure meds and… I'm just a little anxious about it, i don't know why" Killer runs his thumb over your hand in slightly reassurance, he wished you would have said something sooner about this but then again a lot has been going on and too many people are involved "Trust your gut, if something feels wrong then it wrong " A smile forms on his face at seeing your eyes meet his through the mask a look of relief washing over your face and that slight sparkle of joy he loves to see light up your eyes. "It's excessive the amount their giving you but once i have a look at the tablets and its bottle then I'll know more" The crazy haired girl slams her book closed and paces her pen behind her ear, it disappearing in the mess of hair just as the nurse walks back in with a try full of medication, some in yellow bottles with labels and other in boxes "I thought you might want to have a look at all her meds" The gesture earns a big smile from House bouncing on her tip toes slightly in joy "Thank you so much" Lifting up the bottles the girl inspects the pulls inside and reads the labels all while the nurse watches her every move still not to sure about a pirate handling medication.

With the two women distracted Killer takes this chance to grab your attention, leaning back on his chair the masked man squeezes your hand in three short bursts earning a confused look from you, it takes him a second to realize you have no idea what the gesture means "It means we want privet time or a privet talk" Killer whispers already answering your question before you can ask it, with a small nod you lean back relaxing into the headboard and leaning into the blonde slightly "What's up?" You whisper still keeping your eyes on House and the nurse decreasing some medical stuff you can't understand "Where'd you get the bruise?" His question is so simple yet it sends a sense of dread down into your stomach, even though lying to him would be futile you can't help but do it anyway, you can't tell him the truth "I don't remember, it probably happened during my seizure" The small piece of hope you had that he would just give up and leave it alone is crushed when a growl leaves his lips, not loud enough for the two girls to hear but deep enough to send panic through you "I know your lying.. Farther or mother?" Killer asks turning his head slightly to gauge your reaction hoping to find the answer, he watches your eyes widen slightly at being caught in a lie before going back to normal trying to act like everything is ok, it makes his blood boil knowing he's right, one of your parents hit you, it must have happened yesterday. Did it happen before or after they attached your parents? Was it his fault that they took their anger out on you? are you hurt anywhere else?

The masked man is snapped out of his thoughts by your hand squeezing his in three short bursts "Please leave it alone, i'm not hurt anywhere else, i promise" You whisper turning to look at him, the blonde slowly turns to look you over his other hand moving up to run his fingers lightly over the bruise, he doesn't want to let this go, they should pay for even looking at you but he nods deciding at least for now to drop it. "We.. We need to talk later, we.. Me, Kid, Wire and Heat found out some stuff about your past and.." Killer sighs hating that he's having a hard time getting what he needed out, he knows he needs to tell you as soon as possible about what they did in hopes it will lessen your hate for them but at the same time he doesn't want you to know. "Are they dead? My parents" You knew it would happen eventually, one or both of them would lash out and hurt someone yet you strangely don't feel anything towards it, shouldn't you be upset or mad at the thought of their death? The masked man sucks in a breath of shock surprised that you caught on so quickly "No, their alive just… a broken nose and bruising" With a nod you squeeze his hand again knowing you need to talk later about all this and what they found out, at lot happened over the years and looking back on it makes you mad enough to want to lash out but you've never had the courage to do so, yesterday was proof that you still don't. The two of you state at each other for a moment, despite what you've both just learned it feels like a weight has been lifted leaving the two of you to just bask in each other prescience, enjoy the for once calm moment, uncontinuously the two of you move in closer only stopping when his mask meets your forehead allowing you to see those beautiful blue eyes that shine in the darkness.

House picks up a small yellow bottle with a few pills in them, their small round and thin but doe to the yellow tint of the bottle he can't see the color, so she uncaps the lid and shakes out all the pulls, the blue color makes her pause and look again at the label then back to the pill again her eyebrows raising even more. "Seizure meds shouldn't look like this, their supposed to be pink or white due to the chemical makeup" Her voice snaps You and Killer out of your trance both quickly looking over to the crazy haired girl worry starting to set in, Melody sighs turning around from where she was putting bottles back on the tray only to gasp and leap forward grabbing the bottle of lid "Don't touch the meds, i'm more than happy to show you the bottle but its health and safety that no one touches medication without gloves" Taken back by the nurse's sudden strictness and anger you tense up while Killer to growl slightly hating anyone going after a member of his crew, normally the masked man would step in but one look at house's posture makes him realize not only that she has it under control but that this was planned from the start. "Oh shoot, your right i'm so sorry. Now that I've touched it what do i do?" House gasps holding her hand out and away from herself and the nurse as if it's going to explode.

With a sigh Melody pinched her nose and shakes her head seeming to calm down. "I'll have to bin them all now.. Listen i'm sorry for snapping but next time if you want to see the pills up close just ask me" The nurse screws the cap back on and turns back to the try placing the bottle down before lifting the try up into on hand "I'll throw them away, I've got to get back to work, stay as long as you like but please don't mess with anything… at least without asking me first" Melody giggles holding out her hand for the pills. House lets a big smile show as she places the blue pills into the nurses hand giving her an enthusiastic nod, "I'll see you later" The nurse smiles your way while making her way out the door, for once the room is in complete silence both Killer and House seem to be waiting for something so you stay quiet too. After a minute House lets out a giggles running over to the door and quickly closing it "How many?" Killer asks there's a clear smirk on his face by the sound of his voice "Four i think" House giggles holding out her hand to show four small blue pills she managed to take, reaching into her white lab coat she takes out a small glass bottle and opens it placing the pill inside "S-so i was right? There is something wrong?" Its strange, you feel relief and validated in your worry but at the same time it just makes you more nervous maybe even paranoid, does this also mean that your dream last night was real? If so then when did that happen? Did it happen last night or a few days go?

Sensing your worry House quickly slips the bottle back into her coat while making her way over to you, sitting on the bed she takes your other hand in both of hers "I don't know what they are but I'll find out, for now lets just keep it a secret and try your best to take less of those pills, i still think you should take at least two just in case i'm wrong, either hide the rest of me or flush them" House explains helping your mind calm down a bit, Killer squeezes your hand feeling himself become angry that this place could be making you sicker, he knows this is your family's doing, he knows House will get to the bottom of this and with you willing to help hopefully it will be over quickly. "Thank you" without warning you reach out and pull House into a hug which she happily returns shoving her face into your neck "Thank you so much" You whisper into her thankful that someone has listened to her, she knows Kid and Killer believe her but having someone in the medical field validate what your feeling and saying means so much more, you no longer feel crazy and that your just dreaming things up. "I've always got your back" House whispers back before pulls away giving you a massive smile which is strange since you didn't think it could get any bigger. "Alight, I'll leave you to rest and catch up, get some sleep ok" The crazy haired girl stands then turns to Killer "I'll start working on this, you want me to tell the captain anything?" She asks lightly bouncing on her feet indicating she's raring to get moving, Killer turns to you asking a silent questions which you quickly nod too wanting more than anything to talk with Kid and apologise, giving you a nod back he turns to House "Tell the captain it's ok to come"

[weirdlookindog]

Mad Doctor of Blood Island (1968)

[ronmerchant]

Friday the 13th Trauma-Rama!

A CLOCKWORK ORANGE (1972), the MAD DOCTOR OF BLOOD ISLAND (1968), BLOOD DEMON (1967) aka the TORTURE CHAMBER OF DR. SADISM, IN COLD BLOOD (1967), and the OTHER SIDE OF MADNESS (1971)- 1972

[the-unspeakable-tsar]

Superhero Timeline.

10th Millennium

First appearance of humans. Some super powered. 

Proto Avengers (heavily altered humans, primordial gods, and mutant). Celestial tampering happens on countless planets. (Tamaranians, Skrulls, Kree, Eternals, etc) causing multiple humanoid aliens to exist.

Myths concerning “Elders of The Universe” and proto-tangible beings are formed by early life.

Vandal Savage, Immortal Man, Anthro, King Kull, Kyra Arg, Gnarrk. Hippolyta (first life).

Grak (neanderthal politician)

Cotati, Kree, and Skrulls discover eachother.

Atlantis forms.

“Ulysses” Bloodstone

50,000 B.C.E (Thurian Age)

Inhumans created by Kree scientists. 

King of Atlantis, Kull.

Doctor Mist.

Darkhold creates some of the first vampires.

Atlantis and Lemuria Sink.

Amazon Race born.

Selene Born.

Hyperborian Age.

Conan

Kulan Gath

Red Sonja

753, 785- BEC

Ancient Greece

Ancient Rome

Golden Gladiator

Alpha Centurion.

Rome forms a colony in South America. Nova Roma.

Rama Tut

En Sabbah Nur was born.

Wizard Shazam empowers Teth Adam.

Mad Pharaoh discovers an alien Scarab and claims to have created it.

6th Century

One of the Camelots (for there are many and they are nebulous)

Etrigan

Merlin (Merlyn)

Arthur

Shining Knight

Silent Knight

Black Knight (Sir Percy of Scandia)

Mordred the Mystic (not arthur’s mordred)

Earth was briefly invaded by Klyntar. 

New Genesis and Apokolips forms, set in a higher plane of dimension.

7th Century

Tang Dynasty was contacted by aliens the likes of Fin Fang Foom. They take advantage of their advanced technology

Jong Li Green Lantern

Viking Prince

8th Century

Brotherhood of the Shield was formed in 750.

9th Century

Diablo (Estaban De Ablo).

12th century

Crusades, the mutant Bennet Du Paris meets Eobar Garrington and clan akkaba.

Belasco born at the tail end of the century.

14th Century

Mutants immune to the black page die in the sea.

X’Hal ascends to godhood.

15th Century

Intelligent gorillas form Gorilla City.

Manhunters deviate from original programming.

Zemo barony formed

16th Century

The Black Pirate

Andrew Bennet becomes a vampire.

17th Century

Gotham City founded

Romeyn Falls founded

Metropolis founded.

1700s-1800s

Tomahawk

Uncle Sam

Frankenstein Monsters

Jonah Hex

Atlas City formed.

Hellfire Club formed

Trigger Twins

Rawhide Kid

Carter Slade

Red Wolf

“Firehair”

Irene Adler and Raven Darkholme

Sherlock Frankenstein

1859 Nathaniel Essex begins experimenting on Mutants.

1882 Wolverine Born

1900-1920s

Morpheus Imprisoned.

Tom Strong born

Balloon Buster

Mister Cakewalk

Jazzbaby

Enemy Ace

Freedom’s Five

Cult of Blood formed in Zandia

Krypton destroyed

Kal El Lands in Kansas

Doc Steele, Tazara, The Crimson Fist

Ghost Hunter, Baron Von Fang

1930s - World War 2 

Batman appears

Superman first appears

Wonder Woman appears

Captain Marvel (Billy Batson) appears.

Invaders. Captain America 1-3

Based on Project Rebirth, Vought develops Compound V, empowering Soldier Boy. Germany empowers Stormfront using a duplicate.

Justice Society of America was formed.

Seven Soldiers of Victory

Freedom Fighters

Liberty Squadron

Black Hammer Squadron

Doctor Star

Abraham Slam

Sgt Rock

Sgt Fury and the Howling Commandos

Haunted Tank

GI Robot

The Losers

Albrecht Strong born.

Magneto

Charles Xavier

Golden Gail (spawn of a shazam protege)

1950s (Silver Age Beginning)

Billionaire Oliver Queen is stranded on an island.

Hal Jordan inducted into the Green Lantern Corps

Astro-Naut dies and Astro City is named after him.

William Burnside and Jack Monroe become Captain America and Bucky.

Hero Licensing Agencies were formed in Japan, one of the first being formed by Dragon King. “Former” villain of the JSA and Acrobat.

J’onn Jonnz teleported to Earth.

Barbalien, a contemporary of J’onn’s arrives on Earth.

Colonel Weird.

1960s

Peter Parker was Bitten by a radioactive spider

Blue Beetle (Ted Kord)

The Confessor

The Midnight Mink and Chippy (Short lived Batman inspired criminal)

Jessica Jones falls into a coma.

The Question

Fantastic Four

Challengers of the Unknown

First Family

Max O'Millions

Suicide Squad.

The Flash (Barry Allen)

Black Canary II

JLA formed

Teen Titans formed

X-Men founded

Captain Marve (Mar-Vell)

John Stewart Green Lantern

Avengers Formed

SHIELD

Black Rapier

1970s

Luke Cage.

Iron Fist (Danny Rand)

Shang Chi

Silver Agent framed and is executed

Outsiders

Glamorax

Putrid Punk

Black Lightning

Black Hammer I

JLI formed.

Aaron Aikman becomes a doctor and is murdered by Morlun.

Doom Patrol

Winged Victor

Original Batman Dies

Mister Unknown, inspired by Batman becomes a vigilante crimefighter in Japan.

1980s

Suicide Squad II

Checkmate

Spiral City is almost consumed by eldritch Anti-God.

Gangbuster

Daredevil

Nightingale and Songbird

All Might receives his Quirk.

The Samaritan prevents The Challenger Disaster.

Tesla Strong born.

1990s

Vought America begins to push its corporate superhumans. Their minds are twisted by Compound V. Vought refuses to seek alternatives.

Jon Kent, Cir-El Kent born. 

Christopher Kent adopted

Superman Dies.

Unteens (not super long-lived)

Hal Jordan goes evil and dies.

Kyle Rayner.

Spider-Girl

A-Next

Stormwatch

X-People

Skulldigger

First superhuman reality TV show, Youngblood.

They’re immediately met a year later by Vought’s onslaught of Superhuman reality TV shows.

2001-2019

Black Hammer II

The superhuman civil war in america.

Japanse Military creates Big Hero 6 in response to Hero Agencies.

The Super Young Team forms an act of social rebellion by the children of Japanese superheroes who reject the Hero Agency route while despising government work like Big Hero.

Little do they know, they are integral to humanity's further evolution into the super-world.

Peter Parker dies. Mantle was taken up by Miles Morales.

Skrulls invade earth.

Black Hammer II

Black Rapier retires

Jiro Osamu, the replacement for Mister Unknown becomes "The Batman of Japan"

Young Avengers Form

The Authority was formed after Skywatch and IO were exposed to the world

 Izuku Midorya receives the One-For-All quirk

The hero agency system in Japan has cracks forming and they’re big.

Green Door Opens.

Miss Marvel (Kamala Khan)

Multiverse opened up.

China formed the Justice League of China, followed by its very own Lantern Corps.

2020s

Izuku becomes a superhero once again.

Black Hammer II becomes a mother.

Miles Morales becomes a vampire.

Team Titans

First Krakoan age. Mutants who have been dead for decades return.

Hulkling unites Skrull and Kree to form a new galaxy-spanning empire.

2030s

JLA Beyond

Bishop Born (Good Timeline).

The Future State. Corporations begin to create private security to crack down on superhuman threats. Especially in light of corporate superhero projects repeatedly failing.

Superman’s dynasty ascends to the stars. 

2099

Corporations Dominate the World.

Age of Heroes is Over.

Spider-Man 2099

Avengers 2099

Franklin Richards ascends.

Superman’s Dynasty returns to Earth. It’s an ancestral land. It is in ruin.

Compound V-descended humans begin to activate their powers en masse but after 100 years of development, their minds can handle it.

30th Century

Legion of Superheroes

Centuries of Mutants, Compound V Descendants, Inhumans, Metahumans, and alien-influenced humans have fundamentally changed the definition of a baseline human.

Humanity is almost there. The rest of the universe is inching toward it too.

Golden Lantern

853rd Century

It’s a superhuman universe. 

The Justice Legion, influenced by their literal and metaphorical ancestors patrol all sections of the known universe.