#lucretia dalt

[katieroo28]

ope. a little late with this one. sorry to the two people who read these each week.

here’s my weekly recap for December 18th through December 24th, 2022! let me know what your thoughts are! agree? disagree? give it to me, my dumplings.

BEST MOVIES I WATCHED: Dumplings (2004), Inland Empire (2006), Jawbreaker (1999), Shrew’s Nest (2014), The Addams Family (1991), and Addams Family Values (1993)

BEST TV I WATCHED: FINALLY finished The Baby on HBO, Let the Right One In, and Real Housewives of Miami

CURRENTLY READING: lmfao it’s getting embarrassing saying the same three books each week because i’ve hit a wall with my reading/attention span so uh ignore this for now.

[reckonslepoisson]

Lucy & Aaron, Aaron Dilloway & Lucrecia Dalt (2021)

Aaron Dilloway and Lucrecia Dalt’s collaborative Lucy & Aaron sees both compromise marvellously. Dilloway produces some of his most restrained industrial and noise, while Dalt reels in her tendencies towards the empty and vacuum-like; wonderfully throbbing, threatening, extra-terrestrial and subterranean music with an engulfing completeness to its sonic atmosphere.

Pick: ‘Tense Cuts’

[pinkpalaceapartmcnts]

do you have a playlist for Edge ? or songs that guide your characters and writing ?

you're going to think i'm a psychopath but i haven't made any specific playlists or anything. i'm an album listener, so i'll usually just put on an album when i write, sometimes i'll match it to the mood of the fic, but mostly it's just whatever i'm into at the time. however, the entire fic is inspired by lucretia dalt's album anticlines. the title is taken from the first song!

[dendre]

Pitchfork Annual Tippmix 2022

Ahogyan az már régi hagyomány, dallista után, albumlista előtt szánt szándékkal eltalálom a könnyen belőhető, pontosan mégsem meghatározható év végi picsfork top 10-et.

Még sose sikerült 10/10-re (a top 10-ben lévő lemezeket kell eltalálni, nem a pontos helyezéseket), mert bármennyire is kiszámítható az internetek zenemagazinja, azért mindig van egy kis csavar. 

Idén a tavalyi gyalázatos lemaradásom (lemezhallgatás, zenei világ követés, tippelési hatékonyság) után némileg jobban képben vagyok, de önmagamhoz képest messze nem annyira, mint jellemzően az elmúlt két évtizedben. Az azért nem egyedi eset, hogy felkészületlenül, kissé váratlanul ér, hogy jaj, itt a kislemezlista, tippelni kell, valahogy mindig ráérzek és pont megnézem az oldalt még éppen időben. De hát nagy a rutin, tényleg régi hagyomány ez, 16. éve próbálkozom a telitalálattal (a vb-n eddig hétnél járok).

A lista:

1. Sudan Archives: Natural Brown Prom Queen  2. Beyoncé: Renaissance  3. Big Thief: Dragon New  4. Alvvays: Blue Rev  5. Beth Orton: Weather Alive  6. The Smile: A Light  7. Destroyer: Labyrinthis  8. Special Interest: Dragon New  9. Rosalia: Motomami 10. Jockstrap: I Love You

7/10-zel tök elégedett lennék, de 6/10-nél már szomorú (hatot eltalálni idén nem kunszt, de 2-3 lemez simán felcserélődhet jó pár másikkal).

És bejöhet helyükre mondjuk ezekből valami(k)

Lucretia Dalt: Ay Yaya Bey: Remember  Perfume Genius: Ugly Season Alex G: God Save the Animals 

Dalt igazából tökjó lemezt csinált és sok szól mellette pitchforkosan is, nem értem mért nem azt tettem be - mondjuk a zeitgeist Jockstrap vagy a boomer Smile/Destroyer helyett. Yaya Bey meg olyan, akit csavart labdaként betehetnek simán, sőt nem is lenne meglepő. Az igazi csavart labda persze az lesz, ha nem bírják ki Kendrick nélkül, nem lennék túlzottan meglepve. 

A tavalyi év nemcsak a távolról nekifutásom miatt volt nehéz tippelés szempontból, de a Pitchfork is sokat változott, még az elmúlt évek változásaihoz képest is. És ez idén is igaz volt, az újabb 90-es évtized listáról is leszűrhető az irány, de egyúttal kissé ismét kiszámíthatóbbnak gondolom. Erős a stábban a soulpopr&b-rajongás, tudod, hogy mikor volt tini a szerkesztőség magva, van kvóta, a csavar meg a szeretet valami kisebb nemzet zenéje felé. Folytatódott a nagyon jellemző tendencia, hogy 9.0 felett nem volt lemezértékelésük idén sem, viszont 8.5 feletti a tavalyi 6 db után idén legalább felkúszott 10 db-ra.

Hogy milyen volt 2022? Nem a magam megközelítése ez, hanem ezé a webzine-é: visszaszorult a forradalmi hiphop (vagyis nincs), a női soul örök és egy kicsit visszajött az indie gitárzene is, de nem a pár éve divatos csajrockerek és brit posztpunkosok módján, hanem kicsit indie-sebben. Vagy persze ki tudja, nem én, boomer vagyok, nem tudom mit hallgatnak a tinik. Vagyis egyik nap pont láttam, ahogy egy On The Low-buliban vokóderezett Backstreet Boyst énekeltek vissza a fiúkák a trapperfiúnak, szóval most azt gondolhatnám, hogy azt, de persze ámerikában már pont nem. Az nyilván nagyon nem újdonság, hogy nincs újdonság, tánczene helyett “elektronika” megy, a jazz csak módjával jön vissza a várt visszarobbanás helyett, az ambient továbbra is röhejesen népszerű, az Injury Reserve meg még páran lezárták a traphiphopot (az meg kínjában drum and bass-es alapokon próbál zakatolni), a történetmesélés helyett a hangulatfestés rulezol (kábé ez egyetlen ami “új” tud lenni örökké, mert/és ha a jelenre jól reflektál), de az idei lehetséges élmezőnyt elnézve zeneileg nincs ötlet, hogy merre tovább popzene, de hisz persze nincs nagyon merre.

Idei fogadalmam, hogy 2019-cel és 2020-szal (pláne 21-gyel, ami még mindig fiókban) ellentétben év végén, vagy na jó, január elején összehozok valami listát, amin az első tíz közelében lesz Beth Orton, az Alvvays, Michael Head, talán Natalie Lafourcade, Sally Shapiro, esetleg Alabaster dePlume, netán a Voice Actor, vagy Sona Jobarteh, és hát az Ali. Vagy ki tudja mi.

Az előzmények:

a 2021-es tipp és a végeredmény (6/10)

a 2020-as tipp és a végeredmény (8/10)

a 2019-es tipp és a végeredmény (8/10)

a 2018-as tipp és a végeredmény (7/10)

a 2017-es tipp és a végeredmény (8/10)

a 2016-os tipp és a végeredmény (8/10)

a 2015-ös tipp és a végeredmény (8/10)

a 2014-es tipp és a végeredmény (8/10)

a 2013-as tipp és a végeredmény (7/10)

a 2012-es tipp és a végeredmény (8/10)

a 2011-es tipp és a végeredmény (6/10)

a 2010-es tipp és a végeredmény (8/10)

a 2009-es tipp és a végeredmény (9/10)

a 2008-as tipp és a végeredmény (9/10)

a 2007-es tipp és a végeredmény (7/10)

meg volt a 2010-es évek tipp és végeredmény (5/10) :(

meg volt ez a félévtizedes hülyeség, ami ilyen lett (7/10)

meg volt a hatvanas évek, ami ilyen lett (7/10)

és volt az utólagos 1998, ami ilyen lett (6/10).

Ja, és persze tippeljen más is!

[zaphmann]

In Memory of John Peel Show 230106 Podcast & Playlist

In Memory of John Peel Show 230106 Podcast & Playlist

Lucretia Dalt The First show of 2023 has a Scottish thread and plenty of surprising deviations >> the best new music, independent of the industry system – back this show on patreon Paypal to zaph@zaphmann.com heard in over 90 countries via independent stations (RSS)Pod-Subscribe for free here or Embed/listen at podomatic – itunes Apple, Audacity, Google Podcasts, Gaana, Boomplay, Amazon Music.…

[hatingwithfears]

TOP 150 ALBUMS of 2022

150- Scarcity- Aveilut

149- Alice Glass- PREY//IV

148- Plains- I Walked With You a Ways

147- Sigh- Shiki

146- Bjork- Fossora

145- Boris- Heavy Rocks

144- Father John Misty- Chloe and the Next 20th Century

143- Vieux Farka Toure & Khruangbin- Ali

142- Palm- Nicks and Grazes

141- Deathcrash- Return

140- Rhodri Davis- DWA DNI

139- Hagop Tchaparian- Bolts

138- Cheekface- Too Much To Ask

137- Sarahsson- The Horgenaith

136- Sam Grendel- BlueBlue

135- Sam Gendel, Antonia Cytrynowicz- Live a Little

134- Makaya McCraven- In These Times

133- Julian Lage- View With a Room

132- Earl Sweatshirt- SICK!

131- Whatever The Weather- Whatever The Weather

130- Absent in Body- Plague God

129- Moin- Paste

128- Cheri Knight- American Rituals

127- Matt Ball- Amplified Guitar

126- Jairus Sharif- Water and Tools

125- Behemoth- Opvs Contra Natvram

124- Monster Rally- Botanical Dream

123- Ashenspire- Hostile Architecture

122- Death Cab For Cutie- Asphalt Meadows

121- Dave Douglas- Secular Psalms

120- Cult of Luna- Long Road North

119- Maria Moles- For Leolanda

118- Full Court Press- Full Court Press

117- Animal Collective- Time Skiffs

116- Luminous Vault- Animate the Emptiness

115- Mizmor & Thou- Myopia

114- KMRU & Aho Ssan- Limen

113- Sofie Birch- Holotropica

112- Avishai Cohen- Naked Truth

111- Philippe Bronchtein- Catch My Breath

110- Nik Colk Void- Bucked Up Space

109- Kelly Lee Owens- LP8

108- Nick Cave and Warren Ellis- Blonde

107- Infinity Knives, Brian Ennals- King Cobra

106- Johanna Warren- Lessons for Mutants

105- Joel Ross- Te Parable of The Poet

104- Brad Mehldau- Jacob’s Ladder

103- The Comet Is Coming- Hyper Dimensional Expansion Beam

102- Avishai Cohen- Shifting Sands

101- Patricia Brennan- More Touch

100- Madeleine Cocoas- Spectral

99- Skulcrusher- Quiet The Room

98- Caroline- Caroline

97- Knifeplay- Animal Drowning

96- Avalanche Kaito- Avalanche Kaito

95- Billy Woods- Aethiopes

94- Mamaleek- Dinner Coffee

93- Silvia Tarozzi & Deborah Walker- Canti di Guerra, di Livorno e d’amore

92- Melissa Aldana- 12 Stars

91- Joy Guidry- Radical Acceptance

90- Binker Golding- Dream Like a Dogwood

89- black midi- Hellfire

88- Akusmi- Fleeting Future

87- Arp- New Pleasures

86- Daniel Rossen- You Belong There

85- Junior Boys- Waiting Game

84- Shearwater- The Great Awakening

83- Florist- Florist

82- Szun Waves- Earth Patterns

81- No Age- People Helping People

80- Lucretia Dalt- ¡Ay!

79- Rich Ruth- I Survived, It’s Over

78- Colin Stetson- Chimaera I

77- Ulla- Foam

76- The Lord + Petra Haden- Devotional

75- Nonsun- Blood & Spirit

74- Bill Callahan- Reality

73- Aoife Nessa Frances- Protector

72- The Soft Pink Truth- Is It Going To Get Any Deeper Than This?

71- Kendrick Lamar- Mr. Morale & The Big Steppers

70- High Pulp- Pursuit of Ends

69- Soul Glo- Diaspora Problems

68- Dawn Richard & Spencer Zahn- Pigments

67- Bartess Strange- Farm to Table

66- Burial- Antidawn

65- Keiji Haino & Sumac- into this juvenile apocalypse…

64- Beth Orton- Weather Alive

63- Jenny Hval- Classic Objects

62- Angel Olsen- Big Time

61- Nils Frahm- Music for Animals

60- Daniel Bachman- Almanac Behind

59- Wilco- Cruel Country

58- Boris- W

57- Goose- Dripfield

56- Steve Lacy- Gemini Rights

55- Sun’s Signature- EP

54- Gang of Youths- Angel in Realtime

53- Mary Lattimore & Paul Sukeena- West Kinsington

52- Aeviterne- The Ailing Facade

51- Pusha T- It’s Almost Dry

50- Black Country, New Road- Ants From Up There

49- Ashley McBryde presents: Linderville

48- Alina Bzhezhinska & Hip Harp Collective- Reflections

47- Pinegrove- 11:11

46- Various Artists- Here It Is: A Tribute To Leonard Cohen

45- Bonnie Light Horseman- Rolling Golden Holy

44- Chat Pile- God’s Country

43- Oren Ambarchi- Shebang

42- Oren Ambarchi, Johan Berthling, Andreas Werliin- Ghosted

41- Horse Lords- Comradely Objects

40- Brian Eno- FOREVERNOMORE

39- Anja Lauvdal- For a Story Now Lost

38- CC Sorensen- Phantom Rooms

37- Kali Malone- Living Torch

36- Heart of The Ghost- Summons

35- Miles Okazaki- Thisness

34- Weyes Blood- And in The Darkness, Hearts Aglow

33- Maggie Rogers- Surrender

32- Loraine James- Building Something Beautiful For Me

31- Eli Winter- Eli Winter

30- Oded Tzur- Isabela

29- Sharon Van Etten- We’ve Been Going About This All Wrong

28- Max Richter- The New Four Seasons: Vivaldi Recomposed

27-Heith- X, Wheel

26- Ian William Craig- Music For Magnesium_173

25- Cecile McLorin Salvant- Ghost Songs

24- Medicine Singers- Medicine Singers

23- Joe Rainey- Niineta

22- Andrew Bernstein- A Presentation

21- Bill Orcutt- Music for Four Guitars

20- Danger Mouse & Black Thought- Cheat Codes

19- Tanya Tagaq- Tounges

18- Destroyer- Labyrinths

17- Lambchop- The Bible

16- Sault- Air

15- Claire Rousay- Everything Perfect is Already Here

14- Jeremiah Chiu & Marta Sofia Hunter- Recordings from the Aland Islands

13- Yayamoto+Fowler+Parker+Hirsh- Sparks

12- Nickolas Mohanna- Sight Drawings

11- Jasmine Myra- Horizons

10- William Parker- Universal Tonality

9- Michael Giacchino- The Batman

8- Beach House- Once Twice Melody

7- Surya Botofasina- Everyone’s Children

6- OHYUNG- Imagine Naked!

5- The Smile- A Light for Attracting Attention

4- Sarah Davachi- Two Sisters

3- Immanuel Wilkins- The 7th Hand

2- Big Thief- Dragon New Warm Mountain

1- Rachika Nayar- Heaven Come Crashing

[rockhyrax]

Night lives. With Lucretia Dalt, John Also Bennett, Michele Mercure, Lili Schulder, Maya, Dan, Chinatown streets.

[jgthirlwell]

playlist 08.30.21

Boys Noize  Strictly Raw Vol 2 (BoysNoize Records) Henry Cowell Music For Strings (CPO) Noveller Aphantasia (Bandcamp) Lingua Ignota Sinner Get Ready (Sargent House) Aaron Dilloway and Lucretia Dalt Lucy And Aaron (Hanson Records) Valgeir Sigurosson Kvika (Bedroom Community) Flying Luttenbachers Negative Infinity (ug EXPLODE) Billie Eilish Happier Than Ever (Interscope) Liars The Apple Drop (Mute) Sophie Birch Planetes (Seil Records) Nick Cave & Warren Ellis Carnage (Goliath) Beatriz Ferreya Echos + (Room 40) Wolves in the Throne Room Primordial Arcana (Relapse) The Bug Fire (Ninja Tune)

[dustedmagazine]

Various Artists — Monika Werkstatt (Monika Enterprises)

 In lockstep with our retreat into personal screens on digital devices, electronic music creation has become increasingly portable and solitary, suited to a corner in a tight urban apartment or riding public transport with a laptop and headphones. Digitalization means artists can compose collaboratively without ever meeting up, like a chess match played over the mail. Against these prevailing trends, the music on Monika Werkstatt was spawned during an actual geographic retreat organized by Gudren Gut, out in the countryside north of Berlin, with eight other members of her Monika record label.  

Gut is one of those low-key but ubiquitous musicians who's been pushing from the periphery for decades. In the 1980s and 1990s, she was a Berlin noise provocateur in Einsturzende Neubauten, then led the all-female and oddly upbeat goths Malaria and worked in the greater Bad Seeds circle along with Anita Lane. In this century, she's pursued electronic work along the lines of Mouse on Mars, exploring forms that are heavily processed and minimalist but not quite as anonymous as techno. I Put a Record On, her album from ten years ago, is a small masterpiece of personal rumination and experimentalism colliding with digital pop.   

As the hostess of the Werkstatt, her history guides the spirit of this collection. A rural retreat like this would seem like opportunity for an extended jam session, but of course the electronic approach doesn't really work that way. Personalities aren't subsumed when production takes precedence over playing. These tracks were forged collaborative, but in most cases, individuals stamp the final track with their name and their personae. Artists like Sonae and Danielle de Picciotto work in what becomes the prevailing style of the collective, a cloudy, reflective elektronische Musik that's been at home in Germany for 20 years. Percussion is drawn from clicks and looped noise, melody arrives in tides of tone.  

But it's not all distant textures and sub-bass in counterpoint. Some of the personalities are just too extroverted for that. Pilocka Krach's "Sternhagen" is a fragile instrumental that flows well with others. On the other hand, she gives us "Who's Afraid of Justin Bieber,” which doesn't just ogle the boy a bit, but it does so over the synth stabs that recall "Billy Jean.” Islaja follows this up with a reading of a fragment from Sappho in Ancient Greek. This kind of horsing around, mixing pop and avant is surely helped along by the fact that this was a female-only retreat. The camaraderie even adds a bit of a hop to Lucrecia Dalt's track, the most ominous here, and otherwise apiece with her insular darkwave. One can sense multiple voices in the most singular productions, nudges from peers towards a common ground.  

The tracks on the final side of this double LP set gives the Werkstatt top billing, and a consensus emerges. Insistent beats become the foreground, peaking with "555minimal" where a tidy four-on-the-floor carries us past emergency alerts and blasts. Vocals drift in occasionally as spoken contemplation. It wraps up in appropriate optimism, with a collage of soothing noises titled "Beginning,” implying more ahead, but also making this collection a self-contained world. Manifesto deployed, minds met, and superior music is the outcome. Sometimes idealistic endeavors work out as planned.  

Ben Donnelly

[mellamame]

[juniormissperfect]

"Immortal" - Westside Dance Project teen contemporary duo, 1st overall, Nuvo Anaheim, January 2017 ★ Choreography by Jessie Riley ☆ Dancers ☆ Lucy Vallely, Megan Goldstein ♪ We Are A Plot Device ~ Regina de Miguel, voices Lucretia Dalt, Ania Nowak

[ This could well have been a trio as the original poetry piece explores the edge of life with a neopagan triple goddess: Lamella ~ Chimera ~ Gaiana ]  

[womenofnoise]

Lucretia Dalt

[pinkpalaceapartmcnts]

🎤what songs remind you of edge?

🎥If you could make a movie/tv show for one of your fics which one would you chose?

🎤what songs remind you of edge?

psycho killer by the talking heads and vienna by billy joel, simply because they're mentioned in the fic. also edge by lucretia dalt, of course, and where is my mind by the pixies, fire by the pointer sisters, and one song that is really really indicative of part 3 jegulus, but is too spoilery for me to mention by name

🎥If you could make a movie/tv show for one of your fics which one would you chose?

edge :) tasohw is basically exactly like fleabag, so that already exists, but i'm deviating a lot from the killing eve plot for edge, so it would be fun to see my version as a tv show

[earinfluxion]

Ear Influxion 2020 Favorites

Life changes and priorities left me without much time to write about music in 2020. Despite that, Bandcamp Fridays have rekindled my love of discovering new music, connecting with and supporting artists directly, and engaging more deliberately as a listener. In a way, not writing about music allowed me to more fully do all of those things.

Here’s a list in alphabetical order of the various works that have moved me in some significant way. I’d planned to write a blurb about each one, but since that is taking some time, and we’re already into January, I thought I’d do this differently. Instead of linking to reviews from the past year, I will add links to this list as I add reviews after the fact. Many of them are already written, but it’s grown in scale to the extent that I don’t think it would make sense to publish them all in line here.

AHRKH: Beams From a Spiritual Panorama (Golden Ratio Frequencies)

Ellen Allien: Auraa (BPitch Control)

Atom™ <3 (Raster)

Autechre: SIGN (Warp)

Autechre: PLUS (Warp)

Daniel Avery: Love + Light (Mute)

Julianna Barwick: Healing Is a Miracle (Kranky)

William Basinski: Lamentations (Temporary Residence Ltd)

Bellows: Undercurrent (Black Truffle)

Frank Bretschneider: abtasten_holden (Faitiche)

Cabaret Voltaire: Shadow of Fear (Mute)

Caribou: Suddenly (Merge)

Richard Chartier: Variable Dimensions 1-6 (LINE)

CLEARED: The Key (Touch)

Lucretia Dalt: No era sólida (RVNG Intl)

Destroyer: Have We Met (Merge)

Beatrice Dillon: Workaround (PAN)

C. Diab: White Whale (Injazero)

The Fear Ratio: They Can't Be Saved (Skam)

Feu St-Antoine: L’eau Par La Soif (Éditions Appærent)

Gallery S & MoMA Ready: Gallery S (HAUS of ALTR)

Ghostwerk: Ghost Dive (Schematic)

Grand River: Blink a Few Times To Clear Your Eyes (Editions Mego)

Giuseppe Ielasi: Five Wooden Frames (12K)

Ital Tek: Outland (Planet µ)

KMRU: Jar (Seil)

Thomas Köner: Motus (Mille Plateaux)

Gabor Lazar: Source (Planet µ)

Sophia Loizou: Untold (Houndstooth)

Kevin Richard Martin: Frequencies for Leaving Earth Vol. 4 (Bandcamp)

Monolake: Archæopteryx (Imbalance Computer Music)

Morusque: The End of Music (Bandcamp)

Chad Mossholder: Receiver (Somewherecold)

Jake Muir: the hum of your veiled voice (Sferic)

Oneohtrix Point Never: Magic Oneohtrix Point Never (Warp)

ONO: Red Summer (American Dreams)

pinkcourtesyphone: Leaving Everything To Be Desired (Room40)

Potter Natalizia Zen: Magari (Ecstatic)

Lyra Pramuk: Fountain (Bedroom Community)

Ana Roxane: Because of a Flower (Kranky)

SAULT: Untitled (Black Is) (Forever Living Originals)

Scanner: An Ascent (DiN)

Simon Scott: Migrations (Touch)

Shit and Shine: Malibu Liquor Store (Rocket Recordings)

Geneva Skeen: Double Bind (Room40)

Richard Skelton: LASTGLACIALMAXIMUM (Corbel Stone)

The Soft Pink Truth: Shall We Go On Sinning So That Grace May Increase? (Thrill Jockey)

Speaker Music: Black Nationalist Sonic Weaponry (Planet µ)

Squarepusher: Be Up a Hello (Warp)

Sufjan Stevens: The Ascension (Asthmatic Kitty)

Rian Treanor: File Under UK Metaplasm (Planet µ)

Yaeji: What We Drew (XL)

Ye Gods: Dumah (L.I.E.S.)

Flora Yin-Wong: Holy Palm (Modern Love)

Zakè: Orchestral Studies Collectanea (Past Into the Present)

[tapecase-space]

Louise Episode 81 - Do whatever you want all of the time

https://bff.fm/broadcasts/24698

featuring music by Sunset Rollercoaster, Melmann, Philip Jeck, Jlin, Liv.e, Ric Wilson, Ela Minus, Eddie Gomez, Bill Evans Trio, and Pascal Rogé with the voice of Louise Bourgeois from the films, "Louise Bourgeois - Ich bin, was ich tue" by Nigel Finch, and "Louise Bourgeois - Die Bildhauerin und ihr avantgardistisches Werk" by Guichard von Camille also featuring the voice of Daniel Milman in his lecture entitled, "Louise Bourgeois and Psychoanalysis" also featuring an ambient field recording by Lucretia Dalt programmed and produced by @small_ernst Namo Guan Shi Yin Pusa
 Thank you for listening 💙