#Michele Mercure

[ruinedholograms]

(1978-1989)

Hiroshi Yoshimura - Green

Gary Numan - The Pleasure Principle

Fumio Miyashita - Wave (Sounds of the Universe)

Laurie Spiegel - The Expanding Universe

Angel Olson - Aisles

Howard Shore - Videodrome

Brian Eno - Ambient 4 (On Land)

Brian Eno - Apollo (Atmospheres & Soundtracks)

Vangelis - Blade Runner

The New American Orchestra - Blade Runner (Orchestral Adaptations)

The Reds | Michael Rubini - Manhunter

John Williams - The Return Of The Jedi

Michele Mercure - Pictures of Echoes

Tryanglz | Brad Fiedel - The Terminator

Ryuichi Sakamoto - Left Handed Dream

David Byrne & Brian Eno - My Life In The Bush Of Ghosts

Giorgio Mororder - Scarface 

Piper - Gentle Breeze

V/A - Pacific Breeze

Steve Hiett - Down On The Road By The Beach

John Williams - Superman: The Movie

Nine Inch Nails - Pretty Hate Machine

Piper - Summer Breeze

Pixies - Surfer Rosa

[musicwithoutborders]

Michele Mercure, Ghosts Before Breakfast I Beside Herself, 1983.1990

[spilladabalia]

Michele Mercure - No More Law in Gotham City

[lesser-known-composers]

Michel de La Barre (c.1674-c.1744) - "qu'un coeur est prévenu.."

Camille Poul, soprano

ensemble Le Mercure Galant, Serge Saitta

[spideronthesun]

writing ask 10 and 11

—from @wintherlywords

Thank you!!

10. which patterns keep popping up in your projects/characters?

They are all family oriented.

They care about what they do affecting another member.

What matters most is not always our blood relatives, but the family we create for ourselves, and who we choose to be a part of our lives.

11. give three songs or images that fit [TALES OF LIGHTNING OAK AND THUNDER]

This question reminds me that I need to remake my playlist for WIP. I have not updated it in over a year now.

Tantric - Breakdown

Michele Mercure - Time Piece

The Cranberries- Dreams

[puffinseagull]

Church of Saint Michel Mont-Mercure (Vendée)

[claire-olives]

RAINBO-Michelle-Mercure from claire olivès on Vimeo.

[sub--limation]

« Indéfiniment, le bleu s'évade. Ce n'est pas, à vrai dire, une couleur. Plutôt une tonalité, un climat, une résonance spéciale de l'air. Un empilement de clarté, une teinte qui naît du vide ajouté au vide, aussi changeante et transparente dans la tête de l'homme que dans les cieux. »

Jean-Michel Maulpoix, / "Une histoire de bleu", Ed. Mercure de France, 1992

[ruinedholograms]

[nurhanarman]

I am much looking forward to conducting this world premiere with @orchestreclassiquedemontreal and Barbara Assiginaak. The concert will also feature violinist @marcdjokicviolin playing the Quebec premiere of Robert Rival Violin Concerto and soprano @sharonazrielisoprano in the infectious music of Michel Legrand. Please join me on April 11 at Salle Pierre Mercure! #worldpremiere #CanadianMusic#canadiancomposers #indigenousmusic #violoniste #Violinist #violin #montreal #Quebec #Canada #orchestre #chefdorchestre #compositrice #composer #NurhanArman #femalecomposer #flutist #flute #pipigwan #musiqueclassique (at Salle Pierre-Mercure) https://www.instagram.com/p/Cpyl7jVgK5c/?igshid=NGJjMDIxMWI=

[ahmed25646]

More fraternal upscale hotels

More fraternal upscale hotels

The anecdote attracted a few curious people at the time: it was in one of the rooms of this hotel at 13e Parisian arrondissement that Michel Houellebecq locked himself away to write Serotonin. He will then install his character there. The dapper Hotel Rosalie was then an anonymous Mercure, dozing in its glass and concrete architecture of the 1990s, a stone’s throw from Place d’Italie. Not sure…

[the-chomsky-hash]

Clarifications from Jean Beaufret:

Following Michel Foucault’s interview on the publication of Nietzsche’s complete works, we have published several ‘unpublished fragments’ that accompany the new edition of The Gay Science. In relation to these unpublished fragments, Mr. Jean Beaufret writes us the following:

“Allow me to point out that

the first of these unpublished fragments can be found in the Kröner edition, the so-called ‘Grossoktavausgabe’: Volume XII, Part 1, § 342. It has even been translated into French by Mrs. Geneviève Blanquis (The Will to Power, Gallimard, Volume II, p. 189)

the second, translated by H.-J. Bolle at the Mercure de France (Nietzsche, œuvres posthumes, 1934, p. 91), appears in the same volume (XII) of the same edition (Kröner)

and so does the third one (first part, § 354).”

Answer by Michel Foucault

Mr. Michel Foucault has sent us the following letter in response:

“Mr. J. Beaufret justly reminds us that many of Nietzsche’s fragments cited in our article from May 24 have already been published. To give an idea of the restoration undertaken by us, we intentionally chose among the posthumous works contemporary with The Gay Science texts that are still unknown, and other, already very well-known texts, which previous editors had carefully brought together in various collections. The purpose of the current edition is to reproduce, in their original form, and according to their original order and date, the entire ensemble of texts (unpublished or not) from the Nietzsche archives. We thank Mr. Jean Beaufret for his clarifications.”

– Michel Foucault, in Le Monde, 1967, following the publication of the complete works of Nietzsche in France, edited by Foucault and Gilles Deleuze. From The Foucault Notebooks (Cahier de L’Herne N°95), dirigé par Ph. Artières, J.-F. Bert, F. Gros, et J. Revel, translated by Philipp Kender, with thanks to Anita Conrade

[zef-zef]

Michele Mercure - Antigone from: Michele Mercure - Beside Herself (Rvng Intl., 2018)

Mercure’s night-lit, minimal synthesizer music expresses an ambitious vision and (simulated) voice swelling from the electronic music substratum of the 80s.