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onomatopagu-et-cie · 1 year ago

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♦ More on names & hanja: Lee Minsu/Yunseong

Self-reblogging because I wanted to add a bit to the characters’ names & hanja!

I forgot to mention it, but the Chan in Muchan could also be written with the hanja radical 火 associated to fire/anger, 燦: shine/twinkle/glow (빛나다 & 찬란하다 = bright/radiant, which aligns with the overall use of light/dark in the drama, or glorious ie. a matter, ideal, etc., being very good and grand).

I found the hanja used for Lee Minsu in ep6!

(Oh and on his resume, you can see when he went abroad after Narae’s case he attended the law school KSJ went to… !)

-> Lee as the last name

In the drama, it’s written 李: plum (오얏) or messenger/runner/errand boy (심부름꾼) ie. someone who does tasks (eg. carry messages, letters, collect money, small tasks …) ordered by an individual/company or fig. a person who works for a nation and its people, in a public agency! But it could also be:

邇: near/close/adjacent (가깝다………. you know)

異: different/other or extraordinary (다르다, also 달리하다 = be unlike/differ, and 기이하다 = eccentric/strange/weird)

俚: vulgar/coarse/popular (속되다 and 촌스럽다 Min Jiyoung used = unpolished/countrified/dowdy as you can see in the point on classism!)

-> Min in Minsu

In the drama, it’s written 閔: worry ie. a fearful and anxious feeling that sth bad might occur (근심) and worry/trouble or disease/illness (우환)

As for the other meanings of Min:

民: the people/subjects (백성, old-fashioned), -민/min is a suffix used to mean people/compatriots/nationals eg. how Gaetal addresses the country ‘국민 여러분’ (dear citizens/ladies and gentlemen, like politicians or officials would do).

泯: be ruined/destroyed/spoiled (망하다, used when JJW says No. 1 Fan ‘destroyed’ the person KSJ loved the most…)

慜: smart/clever/talented/gifted (총명하다)

-> Su in Minsu

In the drama, it’s written 秀: outstanding/remarkable ie. noticeably great among many (빼어나다). Su can also be written as:

燧: torch (횃불), flint ie. hard stone used to make a fire by striking it with a piece of steel (부싯돌) and beacon ie. a signal fire used to warn of an emergency or enemy invasion (봉화, archaic) ; it is composed of the 火 radical associated to fire/anger, like the Ju in Seokju & Joohyun (wick/burn out) and the Chan in Muchan (shine)!

藪: marsh/swamp ie. sunken place deeply dug in the muddy ground, always filled with a lot of water or fig. a circumstance or situation that one is hard to escape or end.

狩: hunt/prey on (사냥하다 ➾ 사냥개 = hunting dog!!!), conquer/subjugate (정벌하다)

囚: lock up/confine (가두다 & [옥에] 가두다 = imprison/put sb in jail and given KSJ's name could be associated to the prison too… the hanja dictionary gave as associated meanings 자유를 빼앗다 = restrain a person of their liberty & 사로잡다 = capture/catch alive a person or an animal or captivate/enthrall/obsess ie. make one’s mind or thought occupied by one thing)

獸: animal/beast & fig. beast/brute ie. sb very violent or barbarous (짐승) ; the dog radical 犬 composes this hanja!

守: guard/defend/keep watch (지키다 eg. prevent sth from loss of wealth, profit, safety etc. or protect against external aggression)

酬: pay back/return but also revenge (갚다 & 원한을 갚다 = have one’s revenge on)

讐: enemy/archenemy ie. person or group that cased one harm in a way that makes them indignant and frustrated with a lingering resentment (원수)

粹: pure/guileless/innocent (순수하다)

-> And for Yunseong:

You can find the hanja chosen in ep7:

The Yun in Yunseong is written with 尹: polish/gloss ie. bright shine reflected from a smooth object (광택) and reliable/trustworthy (미쁘다).

But it can also be written as 倫: ethics (윤리) ; given KSJ's lectures (philosophy of law, and if I remember well, Jodan mentioned he held a conference on ethics).

And for Seong in Yunseong, 宬: stacks/stack room ie. a room that organizes and stores books in libraries etc. (서고).

聖: saint fig. ie. person of wisdom and good character, many people admire as a role model (just like his students admire him now) & Saint as the religious figure!

Oh and yes @kingsandbastardz I absolutely agree with you! Unless proven otherwise, the drama clearly hints at it in various ways, to the acting, the details in the background, the script, and they’ve been doing it since the very beginning! Or at the very least they both had unspoken feelings for each other (whether they were oblivious to it and decided to act on it or not is another question)!

One of the great points of TKV imo is that they put a lot of care to build the relationships between all the characters, the scenes leave room for many different interpretations you can make at first & in retrospect as the story unfolds and KMC’s behavior is THE best example haha!

We still don’t know how KMC & KSJ first met, and I hope we’ll get some more background soon!

And yes, why indeed @dangermousie, I can’t wait for the next episode, be out already _(:°з」∠)_ (SBS is actually airing the Hangzhou Asian games until October so some some TV programs like TKV are postponed!) Picking up this drama without waiting for it to end was truly a great but painful idea at the same time haha And thank you so so much for reading 💙

A nice day/evening to you!!

The Killing Vote (ep. 7 notes)

The Killing Vote (ep. 1-5 notes) The Killing Vote (ep. 6 & overall notes) The Killing Vote: more on Joohyun, Kwon Seokju & Kim Muchan

I don’t know if you saw, but they announced episode 8 will be out next week on October 5th……….. After THIS preview no less, you’ve got to be kidding me aaaaaaaa (PД`q。 ) ·。 ' ゜

This got again really long, sorry again!!!!

Have a nice week!

(SPOILERS UP TO EPISODE 7!!!!)

Let Jihoon, Joomin, Joohyun, KMC & KSJ get their happy found family ending (இ﹏இ`｡) Put them in a slice of life, far far away from this noir genre plsssssss

I appreciated the fact that no explicit violence (except when BWT was beaten up by Min Jiyoung's family & KMC) was shown on screen ie. for Narae nor her dog ; the violence implied from all the scenes were more than enough already (eg. the video on KSJ ; the audio recording Narae’s voice)... ! And by the way, Park Sungwoong's acting in this episode!!!!!! I also loved how KMC’s character was shown trying to maintain a composure/restraint (his voice damn) in front of KSJ’s grief.

And the Jihoon & Joohyun scenes were GREAT!! Joohyun sounds like that sister you can naturally rely on!

(She needs to live, you hear me?!)

(Don’t read the new OST’s lyrics you are warned haha, it was beautifully played for Jihoon’s scene and the lyrics could also very well apply to KMC & KSJ in KMC’s pov!)

♦ September 15, 2015 (Lrae091515)

Narae disappeared on September 15, 2015… Just like how the video test is titled!

OH and something I missed!!! In the first post I mentioned the video test title, I wondered if it could refer to both Narae and Dies Irae (since Mozart’s Requiem was played in ep4):

As for the ‘Lrae’… It could be a wild WILD guess but ‘Lrae’ could be ‘irae’ as in Dies Irae/day of wrath (capital i looks like a lowercase L), which is a sequence in Requiem mass!

But the capital L could also stand for the korean letter ᄂ/니은 (nieun), which is the first letter for Narae/나래. Added to the ‘rae’, it gives ‘Narae091515’.

♦ The items in LMS’s room & his ring

Some of the items that were in the display case in LMS’s hidden room were revealed in this episode (from left to right):

KSJ’s suitcase

KSJ’s book he signed for LMS

KSJ’s mug, which is seen carried in the present by:

Jihoon (we only see him retrieve it from the deliveryman)

LMS (a whole collection)

This Gaetal in ep4 with this particular red mug when they rage as the public opinion is shaken because KMC was believed to be dead.

The picture with Narae seems to have been taken the day of the conference shown at the beginning of the episode. LMS probably stole the picture because it was a significant day to him ie. when he met KSJ in person.

Also, about the ring, LMS had it even in the flashbacks (picture to the right). Could it be some device to send him a reminder to take his medicine?

♦ More on shame

Something I wanted to add to what I said in a previous post (‘On the frames facing down (ep. 1 & 6), shame and guilt’): when KSJ visited his house in the present thanks to Joohyun, he only dusted off Narae’s picture to face her stuffed bunny.

Ep7 showed the other frame was a picture of KSJ and her, so it could show how he still strongly feels he failed her as her father:

♦ Narae, Joomin and Jihoon

FINALLY a bittersweet but hopeful? (I don’t care if it’s wishful thinking, let me hope okay ;;) parallel that’s clearly the opposite of ep4 & 6’s framing, the new OST (Aalia, Blue) was a perfect addition, it was soothing:

♦ The third person meeting with Narae and KSJ

(1) « She »

At the beginning of the episode, Narae met KSJ and said a ‘she’ couldn’t join them for dinner according to the subtitle translation when I watched.

(I’m unfortunately not able to watch on Prime, so I’m not sure if it’s fansubs or the Prime translation ; I wanted to use my free trial to watch the drama and other series, but it’s region-locked in my country and I don’t have a VPN ;;)

The gendered pronoun is an addition of the translation as the original exchange omitted any indication on the subject.

Most of the time [in Korean] the subject is implied, and you would rather address someone by their title or name (with an honorific if need be) depending on your relationship eg. Joohyun calls KMC 팀장님/team leader and KSJ 교수님/professor, Joomin calls her sister 언니/big sister. Note: but it can also be used by a female speaker for an older woman she’s close to eg. a friend, a girlfriend (like 형 = younger man -> older man ; 오빠 = younger woman -> older man or 누나 = younger man -> older woman).

This is how Narae and KSJ’s conversation went:

« — 왜 혼자 왔어? / Why did you come alone? — 또 먼저 갔지. 오늘도 할일이 엄청 또 많대. / [They] left early again. [They] said [they] had a lot of things to do today too. — 셋이 같이 저녁을 먹을랬는데. (…) / I’d hoped the three of us could have dinner together. »

Nothing in this exchange hints at the identity of the person that accompanied Narae. KSJ only mentions the three of them (셋이), nothing else.

(Of course, translating this exchange could be really tricky because it’s about a context that only Narae and KSJ are privy of and we’re unfamiliar to, how to introduce a character we potentially know nothing of?)

But the conversation shows:

— That person usually accompanied Narae to see her father (and probably picked her up from school first & walked the dog together) ; that explains why the subject is omitted in the conversation because it’s implied from their daily life.

— They sounded like an adult habitually swamped with what looks like a usually time-consuming work (which excludes Jihoon)

— They seemed close enough to both Narae & KSJ (who jokingly says it’ll be a father-daughter date if they don’t come), dinner with them sounded customary.

— We know it couldn’t be about KSJ’s ‘late wife’ as Min Jiyoung comments ‘It must be hard for him to raise a girl by himself’ as they’re driving home from the conference.

— It has been highlighted twice already how hard, to society/KSJ’s surroundings, raising a girl by himself must be: first with Min Jiyoung’s housekeeper in ep5 (‘They felt sorry for me for raising my daughter alone, so they would share food with me sometimes.’), then Min Jiyoung herself in ep7. Whoever that was, this person also might've helped KSJ to raise Narae unbeknownst to everyone else.

So it was supposed to be someone close to the two of them.

(2) Kim Muchan?

In the same episode, when KMC said Choi Jinsu knew what kind of relationship he had with KSJ, CJS later described it as a ‘close relationship’ (가까은 사이), the same adjective KSJ uses to describe KMC in the present (see in a previous post the notes on 가깝다).

KMC is also the one shown in the very next scenes working hard to bust drug scenes (to the point of eating those painkillers like it’s popcorn). It’s also highly likely the other cases we saw on the news were also recklessly solved by him. (Also the ‘Lives Here.’ on the mirror is a fitting detail to his workaholic side!)

He's still the same in the present and brings work at home. Even though he gets around the law to arrest culprits, the reputation he has now can also attest to the fact he’s still relentlessly absorbed by his work.

This was indeed how Jodan described KMC to Joohyun:

« (…) aka. Wipeout. Pressuring criminals to admit more crimes. Making a case bigger to take more credit. He somehow makes cases into special ones. That’s how he made his way up to Seoul from the south. The master of promotions. (…) Based on his arrest rate, he should be at the top, but those up there must hate him. »

And KMC was close enough to KSJ and Narae to firmly believe Narae would never run away from home, like family would say ; KSJ was the only person he trusted and looked up to.

(3) How long did KMC know KSJ?

KSJ began teaching at KNPU in 2008, which means KMC and him must’ve known each other for at least 7+ years (it’d be 15+ years in the present): ‘Have you forgotten? I said I’d be your number one fan. I said that at your first lecture at KNPU.’

Also KSJ is 44 years old btw, I missed that detail in ep4 when KMC checked his files!

♦ Relationships conveyed through pictures

It’s interesting how the drama keeps highlighting the importance of KSJ and KMC’s relationship, but there’s (yet) no picture to materialize this truth in people’s eyes, while the other significant relationships are framed in the drama:

-> Joohyun’s family portrait and a picture of Joohyun and Joomin in the present.

-> KMC picture with someone who might be his mother.

-> Many pictures of KSJ and Narae filled the house’s walls and the furniture and there was a picture of Narae and Jihoon with the handmade bunny toys hanging on their backpack.

And even though nobody might’ve heard of KSJ adopting Jihoon soon at the time (except KMC), he was present in Narae’s drawings by her and KSJ’s side. And he also drew the three of them together.

-> Min Jiyoung’s family portrait was ostentatiously exhibited in the past & is still used to build her image for her campaign. But there’s also a small portrait with only her and LMS at her apartment in the present.

KSJ and KMC’s relationship evades common portrayal. (Not to mention family portraits are often shown in dramas to foreshadow underlying dynamics between its members!)

The only picture we were shown of them was on the day KSJ was sent to prison:

♦ KSJ’s health and military service

On KSJ’s resume (first picture), you can see he was exempted of military duty.

Indeed, what’s written on the left column under his military status is 미필 (incompletion, if he had been discharged after completing his military duty, it would be written 군필), and the rank and service term columns are empty.

I can’t quite make out everything that’s under the last column for the reason of incompletion, but I read 기형 (deformity), 친환 (one’s parent illness) and 변재 (accident) … ?

However what we learned when KMC checked his medical files in ep4 (third picture) was that he’s got asthma (천식) and primary spontaneous pneumothorax (일차성 자연기흉) ie. occurring without an apparent cause when there’s originally no known lung disease while there’s a preexisting lung disease when it’s secondary.

« Until now the cause of primary spontaneous pneumothorax (PSP) has not been identified, however; several risk factors have been identified such as; smoking, male sex, and a family history of pneumothorax ».

So he was probably exempted due to his long-time health issue (asthma, lung collapse), and maybe KSJ’s family had a history of pneumothorax.

♦ Who is Gaetal?

Is LMS really Gaetal? Are Fan no. 1 & Gaetal different people?

As I said in a previous post, the drama plays with the bias that everything must’ve been done by the same individual/a same group with the same intentions, so it’s possible:

Gaetal in the video test

Gaetal in the prerecorded votes, at least the first one (because the tone, gesture and expressions seemed different compared to the two next votes)

Gaetal broadcasted live (for Cpt. Oh’s vote)

Fan no. 1 who wrote the letters to KSJ

Fan no. 1 JJW said he was working with who described KSJ as the one they admired the most but also said they destroyed the person he loved the most, so he must hate them

Are different people in some cases, meaning:

— The ‘Fan no. 1’ Jung Jinwook worked with might not be LMS, since they never met each other

— It could be Jihoon, or at the very least, he’s an accomplice (there’s this exchange with Joohyun about the shift from an accessory to an accomplice, it could be foreshadowing). He’s well-versed in hacking, he most likely ‘admired’ KSJ and feels guilty over Narae’s death (and probably over BWT’s murder by KSJ), as KSJ said to KMC:

« — [Narae and Jihoon] were supposed to meet that day. — Yes, he thinks all of this happened because he was late. He’s still in shock. »

(He could’ve been the one to have faced Narae’s picture down!)

We don’t know his whereabouts for these 8 years but he must’ve been in contact with KSJ at least once since what happened and given KSJ’s reaction when KMC asked him if he contacted him.

Also Jihoon was definitely searching for KSJ before Joohyun interrupted him when he was at the Police Agency at the end of the episode.

He looked like he definitely knew the content of the ‘video test’ too (or recognized the room), he seemed dumbfounded to learn Joomin found it in ep3:

Determined to help, a part of him could’ve held KMC guilty of the chain of events 8 years ago. KSJ entrusted his handmade bunny toy to KMC and said:

« He said he made them himself, so there are only two of them. Whoever has Narae’s is the murderer, so he told me to use this to catch him. He left this with me. I’m counting on you. »

And KSJ must have some part in whatever is happening now with the Killing Vote: after all, we never got the reason KSJ went out of prison in ep4 (‘If they find out what I did instead of performing labor, they might believe the suspicions are true.’).

-> This scene in ep3 (the first set of pictures on the left): of course this shows his relief because he still cares for KMC but it seemed like he somehow already knew for a fact KMC was out of danger, even before the janitor said he was barely hanging on and not off the hook at all.

— This was even before the video of KMC was revealed to the public, in the next episode ;

— The present Gaetal might have informed him in advance a police officer got involved in the bombing against their will, without revealing it was KMC. This would explain why KSJ seemed genuinely surprised when the janitor said it was KMC (the last two pictures of the set) ;

— Someone else could have informed him even if it seems difficult from the prison (but we know he got lots of privileges there and we still don’t know what he did for the warden ; the visit register could have been fabricated and someone indeed met him) ;

— It’s worth pointing out KSJ was convinced KMC was Gaetal up until ep6, which add another layer to this scene.

-> His reaction in ep5 was also curious (the second set of pictures on the right), he only got perplexed for the video test, as though he was well-acquainted with the rest of whatever was going on except for that one detail (which adds to the theory that Gaetal in the video test ≠ Gaetal in the Killing Vote/Fan no. 1).

Curiously, as I said just above, while KSJ seemed unaware of the video test's existence, Jihoon looked familiar with its content on the contrary.

KSJ never outright denied he was Gaetal eg. his interview with Joohyun in ep2:

« — ‘Devils who were deemed innocent.’ The phrase that the killer used… You were the first one to say it, weren’t you? I think the killer has something to do with you. — The two people who used the same phrase must be connected. That’s such a naive approach. »

Ep6 only showed KSJ hoped KMC was Gaetal.

And you wouldn’t say KMC’s ‘I’m a cop.’ is a real answer too. Hate to admit it, but KMC stayed silent when KSJ wanted to confirm he was sincere: his feelings might be genuine, but denying he’s Gaetal could very well be a lie.

As for KMC’s front ie. keeping silent when asked about his relationship with KSJ, I guess it comes from his determination to solve all this by his own hands this time: he knows they would take him off the case otherwise. (And for some reason, I can’t help but also suspect Joohyun aaaaa we still don’t know anything about her past!!)

KMC or KSJ, one of the two might be related somehow ; if so, I guess they’d be trying to plan something without the other knowing in order not to involve them and also because the other would disapprove (eg. KSJ to put an end to KMC’s guilt ; KMC to offer some peace to KSJ after all the tragedy and past mistakes).

— Plus, the Gaetal of the first vote sounded suspiciously like KSJ (his silhouette and gait too) eg. t h a t tremulous voice when he gets angry (the actor plays a lot with that in his roles overall).

— The first vote was prepared from a redevelopment area and BGC was murdered there (pictures on the right).

In ep7, with the video accusing KSJ of being dubious and the witness statement, Narae being found in a redevelopment area was what made the police suspect KSJ of murdering her, since he was known for standing up against said building’s demolition:

« You’d been to the place where the body was found, right? Don’t even think about lying. We know you protested against demolishing that building. »

(Even before Joohyun showed him the Gaetal video test, KMC must’ve had his suspicions from BGC’s murder scene and the broadcast after the body was found eg. recognizing KSJ’s tone, 'the devils deemed innocent' or the ‘rational justice’!)

Narae might’ve been found in the lower part of the building BGC’s vote was prepared in: even though the first story doors were repainted in red and handrails were added to the bridge, the overall architecture and the sort of electricity meter/letter box on the ground floor look the same.

And even without it being the same building, it holds enough resemblance for it to seem like a disturbing recall of the events 8 years ago, combined with Gaetal’s keywords.

— LMS could’ve killed BGC’s wife as Gaetal's copycat at first but that still wouldn’t explain his involvement to the Killing Vote, saying he would give it to his mother as a present.

(But his conversation with KMC when he interviewed him in the present really gave me the impression he knew something about KMC we were not shown, and that could foreshadow what'll happen in the next episode!)

— About LMS’s true perception of justice: we never got to hear his opinion, Narae came running to her father and KSJ interrupted the conversation. So far, the drama didn’t show if his ideals align with Gaetal’s for example, but some elements in the flashbacks clearly show it could be the case.

In fact, his notes about ‘proper justice’ could align with Gaetal’s concept of vigilantism to make up for a failing official retributive justice.

And his ‘If you pass judgment without looking at things clearly, it’s not being fair. It’s being indifferent.’ clearly parallels KSJ’s opinion in the present (ep6):

« Lady Justice wears a blindfold because she’s afraid of bias in decisions. That always bothered me. If you don’t look at cases and the people involved clearly, how can one pass fair judgment? Can judgments without experience be right? Only after losing my daughter did I realize I was qualified to judge others. »

KSJ’s past self would’ve been moderate and warned him however: ‘Relying solely on your experiences can also lead to bias. Experiences are gained through situations and conflicts. They can’t be absolute truths.’

But this detail is something KMC doesn’t know, he instead focuses on LMS’s elitism because he didn’t have those kinds of exchanges with him.

♦ ‘No. 1 Fan’ & LMS

So…………………… You mean to tell me « No. 1 Fan » was originally a memory both KSJ and KMC held dear? That LMS chose this very nickname as a penname for the 5 whole years he sent letters to KSJ? That LMS described KSJ to JJW as the man he admired the most, just like KMC said in that exchange.......... ?

There’s literally no way in hell LMS didn’t listen KMC and KSJ’s conversation ; « no. 1 Fan » could be common in any other case but not in this one: LMS made everyone around KSJ gone from the picture, it wouldn’t surprise me KMC was/is meant to be the next (LMS even describes him as a ‘cockroach’ hard to kill in ep5).

As to how he got to learn all that, bugging one of the two’s communications/belongings/Narae’s room (eg. that ‘My Daddy My Hero’ seems to be the only thing taken from the house, or the device Jodan found in the ceiling, as it’s totally covered with dust) or even hiding in KSJ’s house that day and listening to their exchange wouldn’t be that surprising given what he did and how he seems to enjoy playing recklessly.

What Jodan found looks like the kind of device that transmits frequencies to another device (eg. cell phone, a recorder prepared to this end).

In this episode, we saw LMS watched everything among the crowd each time (when Narae’s body was found, when KSJ was sent to prison), there could very well be times he watched unnoticed from KMC or KSJ.

I guess he learned about the ‘rational justice’ the same way: he could’ve heard the ‘devils deemed innocent’ from his mother or some other way (eg. if he hacked the court’s archives, he could’ve found the trial transcripts), but ‘rational justice’ was something only KSJ and KMC knew about (at least, at this point of the drama).

Given his obsession for KSJ, LMS could benefit from deliberately using a precious memory that KSJ could only attribute to KMC and posing as KMC: that would finally make him assume a special position in KSJ’s eyes (and it worked: that’s probably why KSJ firmly believed Gaetal and/or the one who wrote him letters was KMC).

And he probably deludes himself into believing it was originally his by right, not Narae’s, not KMC’s nor anyone else’s (I don’t think he knew Jihoon even if he observed the house): he considers himself KSJ’s only Fan no. 1.

At the same time, becoming Gaetal, a figure that would finally bring the justice to KSJ which KMC failed to do, gives him the opportunity to finally ‘judge’/destroy KMC as he wished. Eg. making him the next Killing Vote target by showing people he was deceiving them (his ‘Wipeout’ reputation) ; or distorting facts about his involvement in Narae’s case (just like the video Min Jiyoung/LMS made on KSJ to divert the attention off her son).

And this seems to be the case in the preview:

The screen on the left side of the shot displays an edit of KMC (which looks like those Gaetal did for the previous targets ; the picture seems to come from when the journalists gathered at the prison when they learned he was alive), and if I’m not mistaken you can read on the banner « 속였습니다 » (‘I/He deceived/lied to [the people maybe?]’), which might be a reference to what he said in ep4 where he also used 속였습니다.

♦ « This house had good natural lighting »

Losing Narae left KSJ lifeless. In this episode’s flashback, his profile, livid, is blinded by white light, like a ghost.

Even though he stood in Narae’s room, he was perhaps longing for the house that was already not there anymore and that initially had ‘good natural lighting’, as Joohyun said in ep4. It symbolized all the happiness he shared with Narae.

And KMC could only witness, helpless, KSJ’s grief.

In retrospect, on the second set of pictures to the right, the sight of KSJ’s silhouette in a similar setting and lighting (when KSJ was transferred to the Police Agency, ep5) might’ve reminded KMC of this memory.

The drama highlighted this theme in other previous scenes too. They have in common a silhouette shot in an overall dark setting facing a strong backlighting.

[And you can notice the shots get gradually brighter as the drama progresses and KSJ gets out of prison!]

-> When KSJ is transferred to the Police Agency ;

-> When Joohyun interviews KSJ and makes him listen to Mozart’s Requiem in ep4. And also KMC’s reaction we could better understand in retrospect as he listened (the pictures on the bottom right) ;

-> When KSJ enjoyed the light from the prison in ep4 ;

-> When he looked outside from his cell’s window while meditating in the first episode ;

-> When KMC wanted to visit KSJ but he refused to meet him in ep2 (and we can once again better interpret his expressions in retrospect to ep7).

Note: in ep3, KMC’s reaction to the tagged wall (‘the 13th was wrong’) and the news articles about the case from 8 years ago could also now be interpreted as pained in retrospect ; his surprise upon discovering this also shows it’s at least not him who messed the room that way. If he cared for Narae as this episode showed, he probably wouldn’t have damaged her room. It's also maybe relevant to note again that the video test didn't have the tagged wall!

♦ Min Jiyoung’s classism

Whatever Min Jiyoung found on KMC was something she did not approve to her standards: she went from ‘that detective’ when she first met him to ‘bastard like you/the likes of you’ at the end of the trial.

I get BIG classist undertones when she speaks to him, and it's not the sole occurrence:

-> When she fired her previous aide because he advised her in a way she deemed unsatisfactory, she commented: ‘촌스러운 새끼’ which was translated to ‘What a loser.’ The adjective she used is 촌스럽다 (unpolished, countrified, dowdy ie. « one’s attitude or taste being unsophisticated and looking like that of a country person »).

The Naver Dictionary also gives the expression ‘촌스러운 사람’ and translates it as ‘a lout, rustic, clodhopper, boor’.

새끼 means offspring (cub or child/kid), but it’s often used as an insult to mean someone’s a jerk/bastard/etc. which is the case here (eg. 개새끼, SOB/bastard).

-> The housekeeper: KSJ described her as ‘도우미’ (assistant, helper) and was getting along well with her and her husband (‘They felt sorry for me for raising my daughter alone, so they would share food with me sometimes. (…) Though we didn’t know each other very well, we were quite close.’).

And Min Jiyoung, who lives with her and her family, calls her…… an expense (‘비용’) if I’m hearing well (at the very least, it doesn’t sound like any of the words commonly used for housekeepers eg. 가정부, 도우미, 파출부, 하녀…), and it could explain why KMC made her repeat.

-> She used 너 같은 새끼 to insult KMC (‘bastards like you/the likes of you’), right after calling LMS his son (아들), which could imply the latter qualifies more as a person than him. She even deems him a taint/테인트 threatening to spoil their status/reputation.

-> She said to LMS in ep5: ‘[KMC] must be trying to make ends meet. You better stay away from those vermins.’

And be it a coincidence or not, Jihoon’s grandmother was also judgmental towards Joohyun and her sister (ep4, first set of pictures).

Her reaction to KSJ’s idea (she was taken aback and raised her eyebrow then looked embarrassed as she tried to answer) could also be explained by some distance she wants to put between her and disreputable people (ep6, second set of pictures).

Gaetal targeted the rich so far (‘The law that is more harsh on victims than on criminals… It feeds like a parasite off of money and power, so the ones who deserve to die are still alive.’), like some sort of Robin Hood as KMC commented.

♦ « Hyung »

(breaking my silence once again…) KMC and KSJ were lovers/KMC was in love and they were in their domestic life bubble (and ngl that ‘… [and the one] I look up to.’ delivery with that hesitant interruption felt like a left out confession)

The scene in Narae’s room was paralleled in the present in the same episode:

You can notice with this comparison that most (if not all) of KSJ & KMC’s scenes in the present are submerged by blue tones in the prison cell and at the Police Agency, just like in the lyrics of the new OST with the wordplay on the color blue and feeling blue! eg. 눈을 감아보면 I see blue — 그런 너의 모습에 feel so blue (When I close my eyes I see blue — At the sight of you feel so blue) 네게 가려진 난 I see blue — 몰랐던 너의 모습에 feel so blue (I’m covered/obscured by you I see blue — This side of you I didn’t know feel so blue)

♦ Gaetal, masks and dogs

Gaetal could be translated as ‘dog mask’ (개, dog + 탈, mask).

GAETAL AND MASKS

Gaetal’s excentric and playful, Robin Hood-esque character and their theatrics could be a reference to the traditional Korean masks.

« [Korean masks] were used in war, on both soldiers and their horses ; ceremonially, for burial rites in jade and bronze and for shamanistic ceremonies to drive away evil spirits/illness/bad luck out of an individual or a village (often horrifying or grotesque to invoke fear and humor), to remember the faces of great historical figures, and in the arts, particularly in ritual dances, courtly, and theatrical plays. The present uses are as miniature masks for souvenirs, or on phones hung as good-luck talismans. There are two ways to categorize masks: religious masks and artistic masks. »

Indeed, KSJ had a glass display of Korean masks in his house (it’s a limited Seoul 1988 Olympic Games Korean Masks Collection):

Masks are in fact known to be used in talchum/talnori (mask dance/play), an art developed after a cultural shift in society: masks were initially used in religious activities, but entertainment and festivities factored in through time.

« An ensemble of musicians accompanies masked performers who humorously explore social issues through dramatic combinations of cheerful, energetic and rhythmical songs, dances, movements and dialogue. »

They mostly originated from the pre-modern society of the Joseon dynasty. The country was governed by a rigid social hierarchy (eg. the aristocracy and the buddhist monastic hierarchy) and a strict patriarchal system. They sharply criticized contemporary society with satire and witty humour, depicting the falsehoods and hypocrisies of the upper classes (eg. decadent noblemen, apostate/depraved monks, patriarchal husbands) but also mocked stereotypical versions of annoying personalities within the lower classes (eg. the drunkard, the gossip, the flirt of the complaining grandmother). It offered people both catharsis and important life lessons, and masks are a key means to do that.

On the nobleman mask (Master Kim Dongpyo, maker of Hahoetal): « yangban noblemen prioritize dignity and saving face above all else. The gentle curves of a Hahoe yangban mask embody this character. » In other local traditions, noblemens’ masks may express greedy and pretentious personalities.

Talchum offered an opportunity to commoners to unleash their pent-up emotions, their suppressed anger and for the governing class to hear the people’s complaints, ultimately promoting greater unity within society. Their will for resistance is voiced.

Gaetal's apparent intentions correspond to all this to a great extent.

« Once a person dons a mask – men and women, young and old, nobility and commoners – all are freed from social conventions and restrictions. The appearance of the Korea mask itself is also liberated by convention. Nevertheless, everyone manages to find a part of the mask with which they can identify. In this way the mask is truly the face of the heart's hidden desires. (…) Korean masks are grotesque and vividly colored. Masks are painted in vivid primary colors, representing both the individual personality and social class of the character as well as his or her age and gender eg. black & dark for an elderly character ; red & bright for a young character ; white for a young female character. In terms of personality, a red, darkly-colored mask represents recklessness and aggressiveness; a yellow or lightly-colored mask characterizes foolishness and incompetence ; and a black or darkly-colored mask exemplifies an anxious, socially marginalized character. To symbolize a character's duplicity, masks are sometimes painted half red and half white. »

[For posterity, in the drama, Gaetal’s mask is fully white ; we also don’t know Gaetal’s gender, Joohyun evokes this possibility, it could very well be herself, Min Jiyoung or her assistant, even Jihoon’s grandmother ; Min Jiyoung’s attention to her clothes also reflects the good/evil duality with her outfit at BWT’s final trial.]

Professor Heo Yongho, Korea National University of Arts: « Korean mask-dance dramas deal with such universal themes as freedom and equality. However, they present these common subjects in a distinctively dynamic and exciting way. »

All these emotions, ambitions and desires can therefore be put on display without fear or shame. The characters mock and satirize the duplicity and foolishness of the ruling class and pray for a new world and a better future, like Gaetal does in the Killing Vote.

This page even theorizes 탈 derived from the Chinese character for ‘to rid/free oneself from something’.

« Korea adopted Chinese characters prior to the invention of their own, unique alphabet under King Sejong (1397-1450), and still use Chinese characters extensively. Thereby, the original meaning of the talnori or talchum, is a play or dance that helps shed ones stress and grief. Originally talnori was performed at night, often in a clearing around a fire and the exaggerated colors and expressions on some of the masks reflect a time when such vibrant colors and expressions were necessary to make them visible in the poor light. » [This bit could be relevant later on in this point when I’ll talk about the moon and the fire symbolism!]

The interaction with the audience is important, it completes the performance. As the UNESCO page describes: « talchum performances do not require a formal stage: any empty space can become a venue. The audience plays an essential role, contributing to the production with their cheers and jeers as the drama unfolds. »

Talchum players improvise their lines and actions in response to the spectators, quickly forming a bond together.

In a distorted fashion, the Killing Vote seems to strongly rely on the country’s participation to vote for the ‘judgement’ of the culprit, introduced as corrupt and deeply irredeemable people (even though we know the reality is more ambiguous: two broadcasts were pre-recorded and pretty compelling cases were deliberately chose to obtain an unanimous vote, not to mention Gaetal’s true intention eg. if they’re LMS).

The country even becomes an entertained audience in addition to their participation: each vote brings its fair share of debates, cries of support, admiration, disgust, anticipation or emulation. The Killing Vote becomes an outlet to everyone's fears, anger, frustration.

Gaetal's judgment of 'devils that were deemed innocent' by a failing legitimate system which would even condone their deed inflames passions: revealing the culprit's corrupt side in a sarcastic, unfiltered fashion the conventional society would (or could) never dare to do makes people look up to Gaetal.

It also makes people relate to Gaetal because the votes serve as an example that they wish was applied to their own tragedies eg. Joohyun, KSJ, Joomin & Jihoon. Exemplifying the 'judgment' of their cases could be seen as a prophylactic step to 'exorcise' the deep-rooted evil and appease the tormented souls of their victims.

And Gaetal engages with the people with a witty and sarcastic speech, and sounds deeply concerned with people’s opinion (again, it could be false pretenses) eg. when they cautioned sensitive souls to close the video as its content might be too violent ; when they got angry as they read forums after KMC was thought dead ; when they broadcasted the video revealing KMC was alive.

The Killing Vote also seems to touch on people’s duplicity, hidden desires and ambitions in society eg. especially KSJ, KMC, Min Jiyoung, LMS and people’s ambivalence in the face of good and evil (everybody has in them the risk of becoming a ‘Gaetal’ or one of their targets if faced with certain opportunities and circumstances) as I talked about it in a previous post (’The Killing Vote and a vigilantism built on a twisted basis’).

The hahoetal (Hahoe [Village] masks) are one of the most known Korean masks, designated as national treasures.

They were used during a kind of mask dance called 하회별신굿탈놀이, dance drama of Hahoe Village: it’s a shamanic dance drama passed down from the mid-12th century & performed to appease the local deity, pray for the village’s peace and wellbeing as well as a good harvest. It is said to be one of the oldest mask dances known in Korea.

It's a play in satire and humor directed at the ruling class from the religious perspective of praying fortune. The masks represent 12 stock characters needed to perform the roles in the ritual dance dramas included in the ceremony (eg. the monk, the scholar, the bride, the aristocrat …).

Their origin is not clearly known, but a legend about their original design exists.

« In the middle of the Goryeo Dynasty, there lived a craftsman, Heo. For years his village suffered from misfortunes but no one knew why. One day, he dreamt about a mountain god, receiving an oracle message that the misfortunes would disappear if the villagers danced with masks made by Heo. The god said he was not to have any contact with anyone until he finished. Heo then had a straw rope wound around his workshop to allow him to work undisturbed and immediately set to work. One hundred days had passed. A young woman named Kim was in love with Heo and was growing weary of waiting. She broke her vow to leave him undisturbed for one hundred days and peeked into her lover’s workshop to see what he was doing. He was carving the last mask, the scholar's foolish servant, Imae. The moment she glanced inside, Heo collapsed spitting blood and died. The mask was left unfinished, without a chin. Out of guilt for causing his death, the young woman committed suicide. Afterward, the residents of Hahoe village decided to serve the dead woman as a tutelary god and held annual rituals to assuage her soul. »

An annual winter memorial rite is held at dawn of the first full moon of each new year to console their unrealized love, appease their tormented souls and honor them. They would also pray for the well-being of the village and for its protection against evil spirits.

This also seems relevant:

The word 탈 also includes a second meaning of misfortune, illness and difficulty. Eg. when someone becomes sick or runs into trouble, you can use the verb 탈나다 (an accident happens/have a hitch/run into trouble/fall ill/get out of order or go wrong) or the word 탈 which is a homonym of the mask.

« The word for masks represents something that people hope is only a passing event. Interestingly, people were reluctant to hold onto the word 탈 in its meaning of a mask. In the past, they believed that if they kept a mask nearby, they would be in trouble due to the bad luck attached to the mask. Therefore, they stored the masks in a village shrine or burned them immediately after the ritual for which they were created. People regarded masks as religious objects, something that should be feared, worshipped and enshrined. »

But masks were also considered by ancient Koreans as a sacred symbol of the gods (or a particular god): as such, it was especially valued and worshipped, and always kept a certain distance away from living quarters.

In the drama, the mere existence of Gaetal calls for trouble and the police force endeavors to catch them. Gaetal nicknames themselves 'the citizens' watchdog' who will protect them from evil, and is compared to many heroic figures (eg. Robin Hood, Batman, …) but also to God. For example, Jihoon says to Joomin:

« That devil was set free by our incompetent legal system. If he wouldn’t be punished by the law or by God, I thought he should at least be punished by the people. »

The sight of their figure 'should' be feared by the culprits but only Uhm Eungyeong was really scared ; BGC and Cpt. Oh challenged and dared them to actually murder them. But in the end, the latter begged JJW for his life and promised him money, the thing he cared the most for.

This also ties well with the overall Christian symbolism exhibited in LMS’s room or Saint Michael (see the next point!).

GAETAL AND DOGS

As for the dog part, since one of the main plot points is a commentary on justice and the good & evil in people, it might be a reference to the haetae/haechi (해태/해치), a Korean mythological creature often associated for example to the Chinese guardian lions (also called shishi, lion or fu dogs) or the Japanese shishi/komainu.

Symbol of justice and law, the haetae is a hybrid beast: a mix of a lion, dog and dragon covered in scales or fur, wearing a bell and baring its canines, sometimes winged, sometimes with a reptile tail. It possesses the ability to divine and distinguish the true character in people, right from wrong, truth from lies in people.

The horn on its forehead was used to ram into the guilty in an argument.

It is said to feed off fire ; under Joseon, its statues were placed at the entrance of official places like palaces to protect the capital Hanyang (now Seoul, eg. at the National Assembly and the Supreme Prosecutors’ Office) from natural disasters and fires.

« Haetae statues lie on high pedestals at each side of Gwanghwamun, the main gate of Gyeongbokgung Palace (…) [they] represent the Joseon rulers’ political and philosophical ideals of protecting the nation’s dignity by applying the laws strictly and justly and providing peace and stability to all the people without allowing bias or personal feelings to influence decisions. »

This article explains how the Chinese characters for law (법, 法) derived from the ideogram for haechi.

What I gathered from this page is that law was initially written as 灋. Looking at its structure:

— The radical to the left, 氵, is associated to water (水): which means that the law must be as fair as water — The character 去 is placed under the character ‘chi’ 廌, which depicts the haechi. Making a creature said to judge right from wrong a part of the law character brings out its meaning even more.

The character was later simplified by removing the 廌, thus written 法.

[And as I said in a previous post, the hanja 橅, which means law, can be used for the Mu of Muchan!]

The haechi was also closely associated to the Chinese judicial system eg. on decorations and paintings, embroidered on the robes, crowns with a horn. The judicial officers were also named after the haechi.

It has become Seoul’s symbol since 2008.

The haetae is also mainly assimilated to the Chinese xiezhi, a mythical single-horned creature (a sheep, goat or ox) commanded during imperial criminal proceedings to ram into the guilty in the same manner.

Since Gaetal chases after evil, it could also be a reference to a breed of dogs native to the Korean Peninsula, the Sapsali/Sapsalgae.

Their name literally translates to ‘one that roots out evil spirits’ or ‘drives out devils’. Due to their appearance, they’re often associated to the haetae and sometimes called ‘Lion Dogs’.

Lion dances are indeed performed because it was thought lions contained the power to expel evil spirits and bring good luck.

Sapsali are also nicknamed ‘Ghost Hunters’ or’ Sunshine Dogs’.

Some aspects of the drama also involve dogs:

-> Gaetal used a mail address titled ‘watchdog’ that the journalist wanted to use as a catchphrase for her broadcast ;

-> KMC called KSJ their ‘hunting dog’, urging Joohyun to ‘get him off the leash’ ;

-> Narae’s dog LMS killed and all the past dogs of his family ;

-> The scene at the beginning of ep7 shows BWT beaten by Min Jiyoung’s family as his parents watch powerless. The next shot shows the Dalmatian puppy sitting quietly by his neat doghouse as the violent scene continues to unfold before it off-screen. The absence of pictures of BWT’s family in the house unlike the Dalmatian puppy could be interpreted as a further highlight of the family being poorly treated by Min Jiyoung’s family, even worse than a dog. It also aligns with the classist behavior of Min Jiyoung & co.

-> Indeed, 개 is often used as a prefix to an insult (or to emphasize words in slang, but it’s not used in the drama so far eg. 개싫어, ‘[I] freaking/really hate [it]’).

For posterity also, the word ‘mask’ (탈) is also the homonym/paronym of 달 (moon/month) and 딸 (daughter, perhaps a reference to Narae, since the video test seems to be titled after the day she was missing?).

For the 달 (moon/month), the most relevant connection to the Killing Vote is that they’re held every 15th (new moon) and 30th (full moon) of each month. It also ties up with how the talnori/talchum were originally performed at night.

If there’s also some symbolism with the moon, combined to the fire and dogs, the mythical dogs Bulgae (불개, lit. fire dog) might come to mind:

« According to a myth, one of heaven's realms, the kingdom of darkness, was called Gamangnara, the Dark World. Its king was concerned and weary with the perpetual darkness and desired the light of the sun and moon for his kingdom. He sent one of the gigantic fiery hounds, the Bulgae to chase the sun to bring it to his realm. However, when it tried to bite the sun, the sun was too hot, which made the dog unable to hold on to it, resulting in him giving up, and running back to the king, angry at the failure. He sent another more ruthless dog to steal the moon. When the Bulgae tried to carry it in its mouth, the moon was so cold, that the mouth of the dog was icy and frozen, and caused the Bulgae to drop it. The Bulgae tried many times to grab the moon in its mouth, but eventually gave up and ran back to the king in disappointment. The king never gave up this mission though. He continued to send fire dogs that were fiercer than the others, but none were able to collect the sun and moon. According to the Korean eclipse belief, during a solar eclipse or lunar eclipse, the dark sections are the parts where the dogs are biting. When the eclipses are over, the dogs have given up and run away back to its kingdom. »

Noting it down if it’ll hold meaning in the next episodes, we’ve got two scenes shot in the moonlight:

In the first episode when KSJ looks out from his cell’s window and moonlight enters the room ;

Right after KSJ got his health checked by Jihoon’s grandmother in ep6 and Joohyun gets in LMS’s car!

♦ Saint Michael and Kim Muchan

Following the previous point, in the nightclub KMC was investigating, a big statue right behind where he sat sometimes showed up.

It looks like a reproduction of the St. Michael bronze statue by Peter Anton von Verschaffelt on top of the Castel Sant’Angelo in Rome (the set of pictures in the middle).

There are other examples of similar iconography (the two pictures on the right):

— St. Michael defeats Satan by Guido Remi — Fontaine Saint-Michel in Paris (Bvd. Saint-Michel) by Gabriel Davioud, the sculpture, Archangel Michael and the devil, was designed by Francisque-Joseph Duret

I’ll quote this interesting page from EHNE, an online encyclopedia project developed in 2012 by the Sorbonne University.

« Saint Michael was a unique saint. As an archangel, he acted as the preferred messenger between Heaven and Earth. His struggle against the forces of Evil allowed him to serve as both a guardian and a warrior angel. » He’s also depicted as a champion/guardian of justice and a healer of the sick.

'Who is like God?' mmmmh

[What I didn’t know is that he was also considered the patron saint of the police, justice, military and many other trades and places, which is why he’s represented on the Saint Michael pendant!]

« As a victorious angel, defender, overcomer of evil and leader of heavenly armies, Michael the Archangel is often depicted in medieval art as an armored soldier [eg. pteruges, Byzantine armor or a fully feathered body or a mix of both] carrying such arms as a cross-inscribed shield, cross-staff, or the sword or spear he typically employs to fight the dragon during the Apocalypse. Outside of the apocalyptic combat scene, Michael also may be shown trampling and piercing the dragon as part of his overall iconography. (…) He's also featured in other important episodes, such as the biblical narrative of the Fall of Angels and the Last Judgment [Day of Wrath/Dies Irae, where the just will be welcomed to eternal bliss, separated from the wicked, cast into ‘eternal fire’.]. In Last Judgment scenes, Michael the Archangel is often shown holding the scales of justice laden with good and bad souls. »

This thesis (p. 287 ss.) on Saint Michael’s italian iconography by Clémentine Denèle was also interesting:

[It could align with KMC’s restraint in front of KSJ most of the time, his mainly unreliable narration and expressions you could only interpret in retrospect. The same could be said of KSJ, but it’s less apparent to me: it was strong in the beginning of the drama but by now, KSJ feels less ‘cryptic’ than KMC who’s been hazy the whole time.]

Most of the time, Saint Michael's representations depict him with a neutral expression, totally disconnected to the threat and tension of his whole body engaged in his battle against evil that belie no hesitation: no emotions pass through (eg. compassion, anger, fear, remorse, hesitation, pride, judgment/disgust against the evil’s deeds or the violence he executes), only a solemn severity can be seen. Even for other angel figures of the Christian iconography, feelings were initially expressed through their gestures and hands. This changed at the end of the Middle Ages: angels were depicted with emotions and expressions eg. smiling to suggest their angelic gentleness, especially when represented suffering next to the Christ being crucified. But Saint Michael stays depicted with an impassive/calm expression, at most with a discreet rictus. Clémentine Denèle comments it could be explained by his ethereal nature and superior quality as an angel unlike humans & the overall idealistic representation of angels. She quotes the art historian Jean Wirth: he says the immobility and the impassibility are characteristic of the superior beings, because they convey an abstraction and reflect the stable order of invisible things. To materialize their constant presence by God and humans’ side, angels make themselves visible to the humans by assuming a human form as well. Vivid expressions were exclusive to the damned and the demons. It aligns with the attitude he exhibits in the Epistle of Jude 1:9: « But even the archangel Michael, when he was disputing with the devil about the body of Moses, did not himself dare to condemn him for slander but said, “The Lord rebuke you!” » Passing a partial judgement on the evil is not his mission, Clémentine Denèle says he only assumes his role as God’s armed wing and as such, his faithful obedience and trust in God command quietude under any circumstances: as the executor of divine justice, he knows for a fact his mission is devoted to the good and it must be fulfilled. She reports there were only rare occurrences depicting him with anger and aggressiveness or fear (he’s most of the time confident in the battle’s aftermath), and he’s also rarely present to mourn the Christ as he is crucified: it is not his place.

On a related note, Narae’s name (나래) is the synonym of wing, spelled 날개. 나래 was officially admitted as an alternate orthography for the word in 2011. But from what I gathered, it’s only used in a literary/poetic context, while the common spelling stays 날개.

♦ More on names & hanja

After all these episodes, some hanja that could be used for KMC, KSJ and Joohyun’s names now seem relevant to note:

— For Kim Muchan

-> Mu in Muchan Law (橅 & 膴, 법) as I mentioned in the first post: it aligns with his ambiguous position on justice on the past (‘a rational justice’ that doesn’t follow the official law if it’s unfair) and in the present (manipulating evidence and proceedings to arrest culprits but still handling them within the law, rejecting Gaetal’s ways)

Deceive/lie (誣, 속이다) & fog/mist/haze (霧, 안개): his unreliable narration, the way he deceived people to catch Gaetal in ep4 & the edit that appears in the preview ; KMC now seems even more ambiguous than KSJ.

Full of rumors (楙, 무성하다): his ‘Wipeout’ reputation

Rough/violent/tough (蕪, 거칠다): his overall reckless and violent behavior as he works

Work hard/try hard and strive/work/endeavor ie. devote oneself and contribute to doing sth (務, 힘쓰다): self-explanatory given what we saw in this episode, combined with the shots of his house and the first episode that explains his reputation!

Stroke/touch/caress with hands and figuratively soothe ie. calm down sb with warm words and acts (憮, 어루만지다 and 애무하다 which can have a romantic tone = caress, stroke affectionately ie. for sb to gently stroke the one they love): his overall restraint to reach out to KSJ and guilt over being too late to save Narae. The new OST’s lyrics also refer to those kinds of feelings (whoever the narrator is), especially ‘Let me hold your hand, 더 가까이 너를’ (‘Let me hold your hand, Closer to you’), ‘익숙치않은 이런 내 모습 미안해’ (‘I’m sorry for this unfamiliar me [I showed you]’) and ‘Oh, please tell me why — 더는 네게 — 늦지 않게’ (‘Oh, please tell me why — I won’t be late for you anymore’).

EDIT: also, some shots indeed focus on KSJ's hands as he buries himself in them to cry in front of KMC!

House (廡, 집): KSJ’s house he seems to know pretty well and possibly holds precious memories to him, and his own house he doesn’t seem to tend to, probably out of guilt (see a previous post, ‘On the frames facing down (ep. 1 & 6), shame and guilt’)

Warrior (ie. person who learns martial arts and practices it as a job) & soldier/military/army (武, 무사 & 병사 respectively): his potential association to St. Michael who led heavenly armies + for posterity, if they reveal later in the drama he also knows martial arts and it somehow involves him with the Killing Vote (the first episode & ep3 at least showed he was quite agile)

Shaman (巫, 무당 ; though the word is mainly associated to female shamans, male shamans can also be called mudang): a shaman « employs magic to effect cures, to tell fortunes, to soothe spirits of the dead, and to repulse evil »

Dance (舞, 춤추다): like… the talchum… masks… in addition to the shaman... you know… haha

— For Kwon Seokju

-> Kwon [You can also apply relevant meanings to Narae, since it’s her last name]

Prison (圈, 감방): both physical and figurative ever since Narae died and he murdered BWT

Abstain/refrain from ie. be careful about one’s speech or behavior (惓, 삼가다): his overall behavior in the present

Tired/exhausted/weary (倦, 고달프다): what he wen through these whole 8 years

Take care of/look after/oversee, heartfelt/caring (惓, 정성스럽다) & warm/friendly: self-explanatory about his character in general when we see his past self with Narae, Jihoon & KMC, and other people in general (BWT’s parents, LMS, his students) before Narae’s case

Loyal/devoted (惓, 충성스럽다): devoted wholeheartedly to his family

Look back/reflect on the past (睠, 돌아보다): also self-explanatory

-> Seok in Seokju

Untie (釋, 풀다 ie. return what has been tied, bound, or twisted back to its original state)/relieve anger or sorrow/get rid of one’s agony by handling it : he’s still waiting for the accomplice to Narae’s murder to be arrested to find some closure after all those years, he perhaps also wants to put an end to it all for KMC to stop feeling guilty over the case.

Night (夕, 밤), tide (汐, 조수 ie. seawater flowing in and out from the shore because of the gravitational pull of the sun and moon) & tideland (潟, 개펄 ie. wide expanse of mud revealed when the tide goes down): [if the moon and sun imagery holds some meaning in the drama] ; also, most of KSJ’s scenes in the beginning were shot in the dark compared to the bright scenes with Narae and Jihoon

... The Mont Saint-Michel is known to be a tidal island and for its fog haha

-> Ju in Seokju [You can apply the relevant meanings to Joohyun too]

House (宙, 집): the house that had good natural lighting (Narae, Jihoon and perhaps KMC) he cherished is now gone, it is derelicted after all these years

Bear/endure/put up with ie. endure sth for a long time, resist (拄, 버티다): self-explanatory too

Sunlight/sunbeam/sunshine (晭, 햇빛): the shots of him mourning or basking in the light

Timely rain but also heavy rain/downpour (澍, 단비 and 폭우) & wick and burn out ie. burn and eliminate sth (炷, 심지 & 불사르다) as I mentioned in the first post!

The fire imagery is also present with Joohyun’s character and her scar.

It’s associated to the tragedy she had to live, and we could project the same theme to KMC & KSJ who went through the same, all linked by this ‘terrible rage’ still waiting to be put out.

The hanja 火 (which is what 炷, the hanja for wick/burn out is composed of) is associated to anger (화, anger, fury) and fire (불).

Given the previous posts, you can also link it to the haetae (symbol of justice which feeds off fire, is said to prevent fires) or the eternal fire at the Last Judgment.

— For Joohyun

-> Hyun in Joohyun

Snoop/nose around (俔, 염탐하다): self-explanatory hahaha

Bright ie. a place being light as a result of getting a lot of sun/light or brilliant (adj.)/break or dawn but also fig. cheerful/bright (炫, 밝다), sunlight/sunbeam/sunshine (昡, 햇빛 and 晛, 햇살) and kind-hearted/benevolent (賢, 어질다): self-explanatory for this lovely character!!

Wise/sagacious/sensible (賢, 현명하다): she has a soothing and mature side to her eg. as she talked to KMC & Jihoon

Clever/bright/intelligent (儇, 영리하다): self-explanatory too!!

Connect/link/join (縣, 연결하다, can also be used for people): she seems to connect with people around her with ease, and she looks like she’s trying to reconnect KMC to KSJ

♦ « The person Kwon Seokju cherished the most »

I don’t know where this will lead, but KMC JJW’s quote in ep6 as he relayed it to KSJ: initially, it was about ‘the person KSJ loved the most’ (가장 사랑하는 사람 ; 사랑하다 = love/care ie. cherish, value, and care for sb with all one’s heart).

KMC quoted it as ‘the person KSJ cherished the most’ (가장 소중한 사람 ; 소중하다 = valuable/precious/cherished/dear): while the two adjectives almost mean the same thing, ‘cherished’ feels more personal than the general ‘loved’ (사랑하다 is also used a lot) and conveys the invaluable dearness better in this situation to me.

#국민사형투표 #the killing vote #tkv #kdrama

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