#love this perspective sm

[thingsmaygetalittlecrazy]

Love this fic sm🥹💖 check it out if you haven't already 🫶

remembering the snow

pairing: Imelda Reyes x Poppy Sweeting

word count: 3,2k

summary:

Imelda remembers the first time she saw snow.

Her parents always started the story telling her that she cried and cried and cried.

***

Or: a character study on Imelda and how she grew up because I love her & she doesn't get enough appreciation :)

cw: none, this is just a love letter to Imelda

a/n: or: this was the first oneshot I ever wrote, and it holds such a special place in my heart. I think it might be my favorite 🥹🫶

Imelda Reyes has never been one to do things by halves.

Her mother always talked about the circumstances of her birth with pride: Imelda came quickly as if she were eager to get out and see the world already, screaming even before she had fully left her mother's womb, determined to leave an indelible mark on the world.

The women in their village who had assisted the birth crossed themselves, chattering to each other in quick, soft, beautiful Spanish staccato about the baby who was already unlike any they had ever seen before. Strong and healthy and beautiful, her deep brown eyes already taking in her surroundings and watching them solemnly moments after her arrival.

Her father always talked about the circumstances of her childhood: running wild and free, flying before she could walk (a source of great pride), his little shadow who peppered him with endless questions about the world. He always brought her along to his work meetings much to everyone's delight; she was with him when he was offered the enviable position of Spanish Diplomat to the British Ministry of Magic.

At the age of five, they left the beautiful sleepy village where time hadn't seemed to exist. Imelda still dreams of long, hot, dusty days playing under the shade of orange trees, going to the market every two days with her mother draped in their finest silks, sleeping and lying around during the hottest part of the day, only leaving their house once the sun left its highest point and was about to disappear behind the mountains.

The older women in the village doted on her. If she thinks hard, she can recall their beautiful, wavering voices calling out to her as she raced past them: 'ten cuidado, cariño, te vas a mancar', 'ven aquí, cielo, te quiero ver la cara tan bonita', 'mira cómo se está creciendo, se nota que va a ser una belleza de mayor'...voices filled with comfort and love. She never knew anything different then.

She's their only child. Her mother was always brushing her hair and humming, trying to get her to sit still and listen to her endless fairy tales as the sun bore down on them; her father, treating Imelda like the son he had always wished for but accepting and loving her all the same. Sometimes, her mother would let her out of the house before the sun became too strong and they would fly around the mountains and be free free free.

Arriving to Edinburgh at the age of five, Imelda hadn't even realized she didn't speak the same language as the other children around her. As with everything else, she jumped in headfirst. Her mother always jokes that she became fluent in English the second she stepped foot on Scottish soil. To Imelda, it does seem that way. She can't ever remember not speaking in the soft Scottish burr, reminiscent of the soft Spanish she had left behind and still spoke at home.

As a child, she never had problems forging relationships with whoever was around her. She was brash and inquisitive and irresistible, taking charge wherever she went. The other children flocked around her, hanging on to her every word.

It changed, though, when her mother got her cough. It started out harmless enough, a slight cough and headache before bed each night. When her mother woke up every morning, she would be fine. But going to bed early changed to going to bed even earlier and earlier until it was time to accept what the three of them were steadfastly ignoring: she was getting worse.

Imelda was nine. She remembers her mother drying her tears with gentle, soft hands, caressing her cheeks and whispering to her that it would be fine. That she wasn't gone yet: they still had time.

'No pasa nada, mi amor. Siempre estaré contigo.'

At Hogwarts, things changed even more. She was a Slytherin and proud of it, but she never quite fit in with her classmates. She wasn't one of them, hadn't grown up with them, and they made sure she knew it. Gone were the days of running wild: she turned her single-minded determination to her studies and quidditch and found herself excelling at everything she put her mind to. It all came easily to her and she had no time for anyone who could distract her.

She wasn't a complete loner. She had her quidditch teammates, her partners in various classes, but nobody she hung out with outside of classes. She always studied alone, learned alone, trained alone.

(Of course, the picture she paints to her father in owls home is much different. He has enough on his mind - a daughter struggling to make friends is a non-issue as far as Imelda is concerned. And besides: she's fine.)

Imelda was quite content with the way things were working out for her. She would never admit if she was lonely or not, and enjoyed every part of her life. Until her fifth year, when everything began to change. Gone were her rigid schedules and studying alone and discipline. A new girl was sorted into Slytherin and Imelda found she didn't hate the girl's company. The two of them laugh together at night while they braid each others' hair, Imelda teaches her Spanish, and they have started to study together.

The new student drags her around Hogwarts and Imelda finds herself actually enjoying herself and enjoying spending time with the classmates she’s spent so many years ignoring.

This is when she meets Poppy Sweeting.

Well...Poppy swears that they met ages ago, during their first year when they were partnered together in Potions. Imelda has no recollection - that whole year was a blur - it was the year her mother succumbed to her illness - so she has to take Poppy's word for it.

She finds herself with friends for the first time in a long time. But, when the new student is running off with Sebastian doing Merlin-knows-what, things that Imelda definitely does not want to be a part of, she still finds herself seeking Poppy's company.

Poppy is sweet and fun and introverted in a way that Imelda finds familiar and comfortable: whereas Imelda turns to her studies and quidditch, Poppy often opts to spend time more time with beasts than humans. But there's something endearing about her earnestness and Imelda starts to find herself craving Poppy's calm company.

She always knows what to say when Imelda finds herself getting worked up over nothing.

On the train home for the winter holidays, as Imelda is striding down the long corridor in search of an empty cabin where she can read and concoct fail-proof quidditch tactics, Poppy calls her over to her carriage and asks Imelda to keep her company. She only needs to ask once. There's an unfamiliar fluttering in Imelda's stomach as she sits across from Poppy and the other girl beams at her but it's...well. It's not altogether unpleasant. They play exploding snap and exchange book recommendations and laugh together and...well, if Imelda's knee brushes against Poppy's occasionally or their fingers linger as they exchange essays to look over...

She can't be blamed, can she?

A letter from Poppy arrives over the break. At the sight of Poppy's small brown owl tapping the window with the letter in its beak, Imelda's heart starts racing and she runs over to the bird, grinning like a fool, but she pauses before opening it. Her fingers tremble as they hover over the wax seal.

Imelda's father is largely absent these days, a shadow of the man she had grown up with. She's noticed the difference over the summer too, of course, but the winter always feels different. More desolate; more harsh. They're nearing the four-year anniversary of her mother's death. It's impossible to ignore the fact that losing his wife has damaged his soul irreparably, and Imelda's seeing first-hand what being deeply in love can do to a person.

Maybe she'll put the letter aside and read it tomorrow.

Tomorrow bleeds into the next day turns into one week and before she can blink the bleak winter vacation with her father has ended and she's heading back to Hogwarts.

On the train, she walks past Poppy: the two of them make eye contact but Poppy flushes and looks out the window, tucking her honey-colored hair behind her ear and Imelda moves on to the next empty carriage. She pulls out some parchment and works on revising her Charms essay. It's for the best, anyway, she tells herself. For the best that she doesn't have any distractions. Their O.W.L.s are coming up and she's determined to get an O in every subject.

The month of January goes by in a flash. Between the insane quidditch schedule she's concocted for her team and the study sessions in the library, she keeps herself busy. The new fifth-year, her first real friend, starts to show concern for Imelda, gently trying to ask her what's going on as they braid each others' hair before bed.

Imelda doesn't want to bother her, though.

(She doesn't truly know what's the matter, anyways.)

She resolves to do a better job with keeping her emotions in check - her friend has enough on her plate, and Imelda doesn't want her to have to worry over something that's not even a problem in the first place.

She's fine.

Out of the corner of her eye in the classes she shares with Poppy, Imelda notices that she doesn't look as happy as she normally does. Her face is more pale and withdrawn; whenever Imelda's eyes flicker to her, her own gaze darts away.

With the beginning of February come a lot of blizzards, and they make Imelda remember the first time she saw snow.

Her parents always started the story telling her that she cried and cried and cried.

They had both run over to her, covering her with warm hugs and kisses, the tiny family huddled together in this foreign place where the people looked and spoke differently, where nothing was the same and she missed the old women who would give her mazapanes whenever she ran by, missed the tiny clouds of dust that would puff up as she ran and the hazy mountains in the distance and the hot, hot sun beating down while she played in the shade of the orange trees while her mother slept away the heat. Pulling her mittened hands off of her tear-stained face and telling her 'mira cariño, mira qué bonita es la nieve. Tócala, ya verás que no pasa nada...estamos aquí contigo...'

Her tears had soon dried and she was laughing and playing in the snow and she couldn't even remember what had made her so sad in the first place.

Imelda's sad now as she stares out the window.

Her mother isn't there anymore. She has no one to turn to in this self-imposed exile.

Four years ago today.

She's hidden herself away in an alcove, curled up, arms wrapped around her knees watching the snow swirling out the window. She canceled quidditch practice today due to the storm, much to everyone's surprise. Just last week, she had forced them to train in the freezing rain and today's snowfall is mild in comparison. But...today she doesn't have the energy. She's spent so much effort pretending that everything's fine when it's not and now she's sad and alone and confused.

She doesn't hear Poppy when she comes near.

The other girl crowds into Imelda's space, pressing against her in the alcove. The two face each other, and Poppy brings a gentle hand up to Imelda's face to brush away tears she hadn't even realized were falling.

"What -" Imelda starts saying, but a fresh sob chokes her and she can't. Poppy leans forward and wraps her arms around Imelda, pulling her into a close embrace. Imelda feels everything crumbling around her and she sobs into Poppy's shoulder - Poppy whispering reassurances and smoothing her hair, cradling Imelda as she cries and cries and cries.

They don't leave the alcove for another hour, almost staying out after curfew.

Imelda is subdued the next few days. The snow continues to fall until the whole castle looks like it's straight from one of the fairy tales her mother used to tell her as she brushed her hair. Imelda shows up for meals, shows up for classes, shows up in the study group, but she feels like she's just going through the motions.

She can tell her friend is getting worried, but Imelda can't confide in her. Her friend does small gestures anyways because she understands: saving Imelda a seat in class, asking her about quidditch, saving her favorite muffins for her at breakfast.

Maybe she talked to Sebastian about her worry because even he is being nicer than normal to Imelda, asking her if she wants to play wizarding chess with the two of them. Imelda doesn't really understand how or why they like playing the game so much - her friend is awful at it and Sebastian seems to enjoy the destruction and chaos more than actually strategizing. Even though Imelda hates the game - every move is painfully obvious and she can't understand how nobody else sees it like she does - maybe it would be nice to do something different.

Imelda freezes when they enter the Astronomy Tower to play: Poppy is there, waiting. For her. They haven't seen each other since she broke down humiliated and sobbing and she doesn't know what to do.

Sebastian looks between the two of them, brows furrowed, then leans down to their friend and whispers something in her ear. She nods and the two of them disappear, leaving Imelda and Poppy alone.

Poppy stands and Imelda can feel her heart start to hammer against her throat. Poppy walks forward slowly, only stopping when she's right in front of Imelda. When she speaks, her voice is high and sweet and Imelda realizes how much she missed her. "I-I'm sorry, I just didn't know how else I could talk to you. Will you come with me? I have something to show you."

Imelda nods mutely and Poppy takes her hand. They lace their fingers together and it's the first time - apart from a few days ago - that they have voluntarily touched each other. She feels Poppy's fingers tighten around hers and Imelda focuses on the feeling of soft knuckles under her thumb, but now...she's self-conscious for the first time about her quidditch-rough hands and maybe she should have listened to her friend when she tried to encourage Imelda to use some hand lotion.

Maybe Poppy will let go of her hand and leave in disgust.

But...Poppy doesn't do any of that. Every so often, she looks up at Imelda, smiling slightly. When they reach the Entrance Hall, she lets go of Imelda's hand and Imelda feels its loss with a pang.

Poppy opens the bag at her side and pulls out two huge yellow and black Hufflepuff scarves. As she's reaching up to wrap one around Imelda, she whispers: "sorry, I only have these. But yellow looks good on you."

Both of them flush and smile at each other and Imelda doesn't know how long they stand before Poppy grabs her hand again, making sure their fingers are laced, and then they are heading out.

Poppy looks more and more excited the closer they get to the Forbidden Forest, but Imelda's never set foot even remotely close to the forest, and she feels quite apprehensive at first. But, Poppy's excitement is exhilarating - Imelda can feel it rolling off of her in waves and despite herself, she begins to feel excited too. They still haven't spoken since leaving Hogwarts, but it's a comfortable silence. Imelda's glad for the scarf - their breath is puffing out in soft clouds as they breathe and it's quite cold - the freezing temperatures in Scottish winters are still something she's never quite gotten used to.

Their boots crunch through the snow-filled landscape - it's nearing dusk and the sky is turning a brilliant shade of orange and pink, but it gets obscured by the tree branches the further into the Forbidden Forest they venture, the golden light only showing in bursts now.

"Almost there," Poppy says breathlessly. She beams up at Imelda, whose breath catches at the sight, before turning back and pulling her faster and faster until they stop in a clearing. They've stopped in the middle, and Imelda looks around.

Here, they can actually see the sky and it is breathtaking in its beauty - the gnarled, naked trees around them twisting and reaching up as if they could try and grasp some of the beauty for themselves. The snow is perfectly smooth and untouched except for the footprints that the two of them have just left. Apart from that, the clearing is nondescript.

This is what Poppy had been so excited to show her?

Poppy gives no explanation for why she brought Imelda to the Forbidden Forest, but she's almost quivering in excitement - Imelda can feel the tension in the hand that's clutching hers tightly. The sun sets lower and lower, the two of them watching it as the colors around them start to fade and mute and then -

Poppy gasps in delight.

There -

A small, dancing, brilliant white light sparks to their left and disappears just as quickly.

"Look," Poppy whispers. Imelda glances over to her - she can barely make out her face in the dimming light, but Poppy seems to be glowing with happiness.

There - again -

More and more of the brilliant white lights appear, glowing and flickering on and off, and moving in almost a pattern, dancing around their heads. Imelda laughs as she watches the tiny creatures fly around them. It's magical and beautiful and -

"I found the snow sprite nest a few weeks ago, when the blizzards started, and I've been observing them since then. I...I wanted to show you and tell you about them the second I found out because I haven't stopped thinking about you but after...well, you know...I just wanted to cheer you up..."

Poppy trails off, looking uncertain when Imelda doesn't say anything in response.

She can't, even though she desperately wants to. Her mouth goes dry as she looks to the girl at her side, who has done all of this, for her.

Poppy looks impossibly lovely in the glow of the snow sprites, as they dance and spark around their heads in a beautiful waving pattern and Imelda doesn't even think as her hand goes to Poppy's cheek. Poppy stops rambling as she looks up into Imelda's eyes.

Then, before she can lose her nerve, Imelda leans forward and presses her lips to Poppy's. It's only the lightest of touches, but her heart is beating so quickly and Merlin, she can't believe she just did that. She quickly retreats, face flaming, but before she can get away Poppy reaches up to cup Imelda's cheeks with both hands and she pulls her forward, her mouth greedy, desperate, as they finally kiss.

When they finally pull away, breathing heavily as their foreheads rest against each other, Imelda can't help the huge smile that's threatening to split her face open. It mirrors the expression she sees on Poppy, her eyes bright and cheeks flushed and she is just so lovely that Imelda can't help but lean forward and capture her mouth again. Their lips mold to each other and it's the culmination of all of their stolen glances, touches, secret wishes.

Imelda Reyes has never been one to do things by halves, after all .

A HUGE thank you to @dom1re and @thingsmaygetalittlecrazy for reading this oneshot recently and leaving me such amazing comments on ao3😭♥️♥️♥️ they made me reread this oneshot & I remembered how much I love it🫶

[sinhasfluffyheadfur]

fanart for @ephemii ’s lovely and stunning yuu <3

I had so much fun drawing this I would say the hair is my favorite part but all of it was so fun I can’t pick

[ineedanappp]

based off the fanfiction We Outrun Time, Together by MattReverse on Ao3 :)

God this fanfiction is sad everyone go read it

[lobsterflavoredsoup]

I cant decide if i like tbis drawing or not or if its good or not but its been like 20 hours of redrawing resketching and several duplications of the procreate file so here 😭😭😭 if anyones interested i might look into making it an acrylic stand but rn it feels unfinished to me but if i dont post it now ill probs stare at it for the rest of time and then try to change it again

[lynn-tged-posting]

so i've been working through the tged webnovel (really, really slowly) (but im getting there!) (it's been REALLY fun i love their banter so so much i wish there was more of it in the webtoon)

and i keep thinking back to chapter 43, where lloyd is surveying the wetlands and arcos comes with him

i don't really have much new insight, i just think about their interaction in this chapter a lot, especially since it's one that doesn't show up in the webtoon adaptation

arcos going out of his way to spend time with his son, and making him a lunch that he knows his son loved, all as an unspoken apology

because "how could he", right? how could a father hate his son and only start to love him again when success has been found? that's so haunting to realize; that someone you loved so much, someone you raised and nurtured, someone you knew the favorite foods of and why, could become someone you hate. and then, the son you once raised, the son who became a stranger, went and grew up without you.

did i give up too soon? did i abandon my own son? ... what kind of father does that? ... right?

and so he does what he can to offer repentance. he takes time out of his day to engage with what his son is doing. he shows that he still remembers his son, the boy who would rather eat boiled eggs and tomatoes over any other dish. he offers it all in a basket, carrying the love he feels he should've given to lloyd a long, long time ago.

... and it's not even the original lloyd frontera who receives it.

we don't get to know what suho is thinking in this moment, but i think his silence speaks volumes.

... because "how could he", right? how could this fraud in another man's body accept this silent apology that isn't truly owed to him? this man, this baron, this father, is asking for forgiveness when he had every right to be angry with the original owner of this body. and he doesn't even realize, because how would he possibly know his original fate? only you do.

this wasn't meant for me ... right?

but suho doesn't reject him, either. he doesn't interrupt arcos, he doesn't leave. they sit together and eat boiled eggs with honeyed tomatoes in silence.

it makes me wonder what suho is thinking about, what he's feeling, what he's remembering...

because (and call me crazy, call me speculative) heaven knows the love language of an asian parent.

here's some cut fruit. here's your favorite snack. here's dinner. i've brought it here to you.

you're working so, so hard. i'll support you, i'll be here. don't worry about anything else, just keep growing.

i love you, i love you, i love you, attached to every plate.

"this was your favorite food when you were young. ... i should have given you as many boiled eggs and tomatoes as you wanted."

and again, it's a little bit of speculation from me, but i think that's why suho doesn't say no, why he lets arcos make this apology. it's a piece of what he misses most.

and so they both leave a little bit healed. "the basket was lighter on the way home. and albeit very slightly, their steps became lighter as well." it might not have been between the right souls, but it's a weight lifted nonetheless.

... all this to say that i am absolutely MOURNING that this didn't make it into the adaptation!!!

i understand that with comic adaptations, there are going to be some cuts to ensure pacing and workload stays reasonable, but this would've been absolutely devastatingly emotional (/pos) to witness visually,

because what would lloyd's (suho's) face look like? what expression would he make, can we visually see how he feels? and arcos, what does he see when he looks at his son? fatherly love and solemn regret, painted all over his face, what does that look like to the adapter? to the artist? to us?

and in general too, we lost the characterization and relationship of arcos to suho; i really, really wish it made it in :(

end post

[sneezypoo]

zee :p

3 posts in 1 day whaaat

[extravagav]

AND WE JUST DONT TALK ABOUT THIS?!?!?!!????

[r7inyz]

YOU CANT HIDE

[daily-hanamura]

[wickmitz]

any thoughts/opinions on vikdecai?

i don’t believe i have any complex thoughts that haven’t already been said by the community at large! mostly my opinions just correlate to a very fond i like them, since mordecai kneecapping viktor in order to save himself from having to hurt him later is really one of the first things that humanizes his character. makes you realize he’s not nearly as cold or practical as he tries leading you to believe -- a front that unravels further given his atlas obsession. and i like that! my favorite thing about mordecai is his subtle longing for the lackadaisy crew, how much he doesn’t wish to hurt them, and how venomously he loathes his current life … what he’s doing now isn’t what he wants to currently be doing, but merely what must be done for his goal, one which is already layered in lackadaisy sentiment. so his bond with viktor is important to me, given how much it highlights this inner struggle and earnest truth within his character. but then again, this can also be applied to mordecai’s relationship with mitzi, atlas, and ivy, so let me discuss them in a more romantic sense. which i’m sure is what this question is trying to get at!

romantically, i view mordecai and viktor’s dynamic as … favorable? it’s entirely plausible there were feelings there, an intimacy only they shared as men inside atlas’ arsenal, people who were entirely knowledgeable of the lackadaisy’s nasty underbelly. it’s their slaughter of people deserving and of many, many innocents that help their boss’s speakeasy run, and this violence ( this constant watching one another’s back ) would only breed closeness in spite of the horror it’s built on. and, of course, they have core things in common outside of their job and efficiency for bloodsport! like their love for family, their devotion towards those who matter most, and how out of place they equally feel on this soil - - in this world and era, where everything feels like it’s out to get them in some way or another. their ability to connect beyond their surface level traits and quirks ( mordecai and viktor are very much opposites on their surface, and they have a habit of bickering about these differences, albeit lightheartedly ) demonstrates the profoundness of what they have and what they’d do to protect it. they care for one another in little gestures, insignificant to most but in a way that truly matters to them … as they can see the genuineness in it, since they’re putting themselves into the careful actions and aren’t just doing things for politeness sake. for example, mordecai tries adorning them in matching cloth so they’re two equal halves, symmetrical, and then we have viktor who pocketed mordecai’s glasses to give him later when they were done with their mission. i like to imagine there are more things like this in their relationship! stuff that isn’t as severe as life or death, like saving your friend’s skin by a mere inch or dragging each other to a finish line every day. any of atlas’ men can offer that. it’s the extra things, done out of agency and personal desire, that bring them closer than any other regular joe on atlas’ payroll. it’s rather clear that they were close canonically, and that viktor was perhaps mordecai’s closest friend in a way that atlas could never be due to the pedestal he was constantly put upon. and while we have less insight on viktor’s feelings, i’d imagine the betrayal has never, and will never, fully heal. it is not a wound he can easily patch up, and it isn’t something one could just forget either. how can you dismiss someone who used to be your hands and eyes and ears? when you two functioned as another man’s extra body in your entirety? you may as well have shared a mind when out on the field, and that’s a closeness and a trust which is hard to lose. viktor hardly lets anyone in as is, just as anti social as his spectacles wearing companion, so to lose that in such a violent was is an unspeakable pain he bears, i’m sure. mordecai took whatever remained of his life from him with that shot. he’s permanently robbed viktor the ability to defend the last few hairs he cares to protect. his purpose is now up in the air. and all this anguish from someone he completely and utterly believed in … there is a lot of hurt, is what i’m saying. a hurt that’s too deep and life altering for it not to be supremely personal too. it’s deep and festering and viktor ignores it, and mordecai ignores it, mostly, but sometimes his paw strays near his wound and he itches at it, and it reopens the ache all over again. there is metaphor to be found there! an abandonment and a departure that leaves you bloodied from maiming or being maimed. it is very easily a multi-layered sentiment!

however, i could still take this or leave it romantically, hence my earlier statement of favorabe rather than unabashed gushing and swooning. this is a ship i like, but i don’t read mordecai as crushing on viktor per se? i’ve always viewed his extreme relationship with atlas as puppy love that’s half bred from devotion, something not entirely genuine but also still genuine enough, which makes for a nice parallel between that and rocky’s bond with mitzi. his rivalry with atlas’ wife and his oddities such as wearing his boss’s shirts read as girlish crush behavior, typical things one does when believing themselves enamored, you know? naturally his views and feelings for atlas aren’t quite that simple nor easy to parse, and i’m not trying to simplify them in any way! i just believe he had a torch for atlas, and thus didn’t carry another for anyone else, at least not as intensely. whatever feelings he might have for someone would always be second to atlas, who was his very reason for living and breathing every day, who was his answer and justification and eventually? his obsession. in many ways i think mordecai was too wrapped up in atlas to properly develop feelings for viktor, even if there were inklings of something inside of him. ironically, the term something is what i love using when thinking about him with viktor or mitzi. mordecai is something with those two, he feels something, an unlabeled sort of thing he can’t really reach -- perhaps he doesn’t even want to, scared of what it might mean, what it could say. and it is different somethings! they are not the same feeling, what he feels towards those two, but it’s not fully known to him in the way that his feelings towards atlas was. it is not as clear! especially now, with things as awful as they are and with mordecai so full of turmoil he’s forcing himself to not share. he also has an intense aversion to emotions, obviously, which doesn’t help matters lol. this man could find some of the closure he’s so desperately seeking if he took more than a glance inside of himself, but then he wouldn’t be apart of this tragic tale, now would he?

still, in a better world where the lackadaisy’s gaggle of traumatized characters are allowed healing without any casualties or major losses, then i’d enjoy seeing a viktor and mordecai slowburn. where they decide to remain steadfast by each other’s side like once upon a time before, and they deal with life as a unit. maybe when given the space for it, mordecai’s affection can finally cement into real love for viktor -- the romantic kind, something sappy and disarming and maddening all at once. maybe viktor will allow such indulgences, finally able to touch upon his heart again and use it in a way that he hasn’t gotten to in a couple ages. or maybe he won’t share the specific feelings that mordecai possesses for him, but he’ll enjoy creating an entirely new thing that’s only for them : he can compromise and he can bend if mordecai is willing to bend just the same. they certainly wouldn’t be your typical couple, their emotions too stunted for regular dates or typical pda, but there’s something more special and intimate to them carving out their own space, and thus having their own secret world. a mix of platonic and romantic affections, a healthy dose of selfishness and desire they couldn’t ever have before but now can hoard so entirely, in small bearable doses. and there will always be some things they both won’t ever be able to shake ( mordecai disabling viktor, atlas, viktor’s daughter, etc ), although they could manage these aches and guilt better together, which is the exact sort of happy ending i’d want for them. if i may be so indulgent myself haha ( <- person who knows lackadaisy’s ending will be mostly dark and tragic but likes playing around with hopeful scenarios and what-if’s regardless! )

[phantasy14]

the ideal soldier

[tumbly-s]

[xomby]

hello liz shaw fans

[sanjipussyindulgence]

dr. stone: humans were born to create, and every scientific discovery we've made has been for the sake of community.

me, thru tears: ur so fucking right.

[wagyuun]

i forgot my tumblr existsed for a hot second so ill mass post er recent ish art later OAHSDGAHSD

[99woez]

and im genuinely asking when i ask this but genuinely what is the desired outcome of the boycott? im very lost on that because it seems like everyone has their own reason which 😭 makes it very confusing to participate in 😭