#love that the power of spite saved me once again

[anotherferalrat]

Had the weirdest fckin dream where Hoyo was tryna nerf Baizhu and they were like sorry, we know we can do better so Baizhu will be replaced by a different character shortly. But the exact wording was just vague enough that nobody understood whether everyone who had him up to that point would keep him or if he'd deadass be replaced by someone else.

And ofc that started a bunch of discourse and u had ppl frantically tryna get a Baizhu, either for the memories or to trade in his cons for the new character but the thing was, he wasn't up so it was rly just ppl praying for the best.

Then I woke up bc I was like I'm f2p i dont have time for this🫶

[somereaderinblue]

Warrior!Penelope God Games

After writing Odysseus's Challenge, I was still on a creative high & decided to do this too. NOTE: The swaps between gods were taken from @too-much-flynnolium’s art.

[ARES]

Mother, God Queen, rarely do I ask for favours

Now, I'm kneeling on your floor

With hopes to save a friendship

With one who's a prisoner far from home

Penelope

[HERA]

Divine intervention, so that is your wish?

To untie apprehensions that were placed on that Greek?

You are braving such dangers for a girl full of shame

But if she's worth the risk of going under

Why not make it a game?

Convince each of them that she ought to be released

And I'll release her

[ARES]

Who's them?

[HERA]

Artemis! Hestia!

Dionysus! Athena!

Demeter! Or me

What do you say?

[ARTEMIS]

Sure.

[HESTIA]

Very well.

[DIONYSUS]

Hic!

[ATHENA]

Alright.

[DEMETER]

Interesting.

[ARES]

Bring it.

[ARTEMIS]

You all know I'm a fan of nature and all

So with so many sirens gone

I think Penny's in the wrong

[ARES]

They had planned to do their worst

All she did was reimburse them

Now they'll tread with caution first

To live another day and sing even more verse!

[ARTEMIS]

Good point, release her.

[HESTIA]

Trust is not wasted, it’s forged

Why should I give her my support?

She turned her back on her cohort

[ARES]

Did you forget they failed to listen?

She was betrayed and now imprisoned

But if you make the right decision

She can still have a future with those who miss her!

[HESTIA]

Fine, release her.

[DIONYSUS]

Your little high and mighty Penelope

Claims to love another, but keeps him chained to a broken heart

[ARES]

She was busy fighting

[DIONYSUS]

More like busy spiting the cyclops

Let her feel the pain that the others feel and rot

[ARES]

Wait!

You must reconsider this!

[ATHENA]

Really now, Ares, no new tricks?

[ARES]

Athena!

[ATHENA]

What kind of so-called fighter holds back her power

Just lets her friends get devoured?

She couldn’t fight Scylla, but didn’t even try to outwit her

Hides with naught but a sword to get the job done

Tries to handle things upfront

Dim-witted and weak like her son

[ARES]

Hold your tongue now, her son's my friend!

And tell that drunkard that all kinds of hurts can mend

You want more mind games? Then set her free

To get back to her homestead, she'll make everyone’s brains bleed!

[ATHENA & DIONYSUS]

Then release her.

[DEMETER]

So many talents, so many tales

Give me one good reason why yours should prevail

[ARES]

She's got the hands of a weaver!

[DEMETER]

Dig deeper

[ARES]

She's pretty skilled with words!

[DEMETER]

You can do better than that!

[ARES]

She's very sassy…?

[DEMETER]

Eh

[ARES]

Never once does she give up on her child.

[DEMETER]

Release her.

[ARES]

I’ve played your game and won! Release her.

[HERA]

You dare to defy me? To give me more shame?

No one beats me, no one wins my game!

Marriage, bring her through the wringer

Show her I'm the judgement call

The one who makes the final call!

.

.

.

.

[ATHENA]

Is he dead?

.

.

.

Penelope had told Ares that for mothers, childbirth in itself was a difficult battle and the parenthood that came after a race with no finish line in sight. Personally, Ares would’ve likened it to war. If family had truly been something as linear as a race then surely Hermes would be on their father’s throne by now.

She placed her spawn in his arms. Said spawn miraculously didn’t squirm or squall against his battle-hardened muscles and cold gauntlets. 

“His name is Telemachus.” Far from battle. The irony wasn’t lost on anyone. Then again, considering how eerily squishy the infant was, perhaps the name was fitting.

Ares blinked as tiny fingers gripped his, the pudgy digits unable to full wrap around it. Yet, the grip was strong. No, it was simply alive. He’s bathed in blood so often that he’s forgotten even the tiniest of hearts can still beat.

“Telemachus.”  Penelope and Odysseus smiled. Smiled at him, smiled because of him. They were happy. He was happy.

.

.

.

[ARES]

Let her go…..please

Let her go……

[little-diable]

Bad Omen - Tyler Owens (smut)

This was somewhat requested by a lovely anon reader, so I tried to incorporate it as much as I could. Please like and reblog if you enjoyed reading this, your comments keep us writers motivated! Enjoy my loves. xxx

Summary: Reader and Tyler have hated one another with a burning passion for years, but when they get stuck in his dying truck with a tornado nearing both seem to realise that their reasons for hating the other aren’t as valid as they thought they were.

Warnings: 18+, smut, piv, oral (f), reader gets slightly hurt, enemies to lovers, some angst

Pairing: Tyler Owens x fem!reader (2.8k words)

“Tell me this is a fucking joke, Owens!” Sweat was pooling on her forehead, adding to the clammy feeling she hadn’t been able to shake for the past minutes. Curses rolled off his tongue, words she couldn’t spare any attention to as her surroundings began to close in on her. “Tyler!”

Her panicked voice managed to rip him out of his own state, fully focused on getting his truck to start again. Both had been stuck there for a good ten minutes, being shaken from one side to the other as his truck died in the middle of a field. They were surrounded by nothing but a wooden barn the nearing tornado would rip apart any minute now. 

“Would you shut up for a second, (y/n)! I’m trying to save our fucking lives here.” She had known that driving with Tyler had been a mistake, a mistake she had made only for her friends to get some bonding time with Boone and Lily. A mistake she was now paying the price for while being stuck in his truck without a way to reach their friends. “Fuck, of course this only happens when you’re around.”

“What is that supposed to mean? I’m not some bad fucking omen.” A groan ripped through Tyler at her spiteful words, a sound that was swallowed by the cries of the nearing tornado. Both were staring at it, heavily swallowing as it dawned on them that they had no place to hide, unable to find shelter in the truck that would normally be secured to the ground. 

“Stop putting words in my mouth, (y/n)!” Anger dripped from his words as Tyler kept fumbling around. He was too distracted to pick up on the tears welling up in her eyes, too distracted to fully notice the panic she was swallowed by. Fears buzzed through her mind, fears that grew louder with every passing second. 

“Fuck, I don’t want to die with you by my side, that’s the worst scenario ever.” Her words drew a laugh from Tyler who stared at her for a second or two. The whole thing seemed surreal, not once had his truck died on him before, not once had he worried about his safety while he was driving it straight into a tornado, all until today. 

“Trust me, darling, you’re also not my first choice to spend the last minutes of my life with.” The truck was rattling from the heavy winds, shaking them while (y/n)’s hands darted out to stabilize herself. Another shake followed seconds later, too powerful to catch herself before her temple connected with the metallic outline of the window, forcing a pained groan out of (y/n). 

“Shit, are you alright?” Her reply was swallowed by the sound of Tyler’s truck roaring to life, drawing relieved sighs from both while he managed to secure the truck. Her shaking hand found her temple, unable to bite down a hiss as blood coated her fingers. She felt his eyes on her, quietly watching (y/n) before he reached for her chin, tilting her head in his direction. 

“Does it hurt?” She barely understood the question, drowned out by the sounds of the tornado which was about to swallow the truck. (Y/n) tried to ignore the concern dripping from his words, concern that also swam in the bright pupils wandering over her features. 

“Of course it hurts, you dipshit!” Tyler let go of her instantly as if her skin was suddenly burning him. His jaw muscles ticked in anger, eyes focused ahead while darkness momentarily swallowed them. (Y/n) reached for her backpack to press a tissue against her wound, hissing once again as the thin fabric made contact with her skin. 

“What did I ever do to you for you to be such a bitch whenever I’m around?” Tyler’s words drew her glassy eyes back to his angry features, breath getting stuck in her throat as her eyes found his. (Y/n) had to look away after a few seconds, trying to ground herself before finding her voice again, solemnly focused on Tyler and not on the tornado both had been chasing for most parts of their morning. 

“How can you even ask me that? Did all the chasing shake your memory? You fucked me over the first times we met, Owens. You left us behind while we counted on your help.” Her voice was cold, fuelled by the anger thumping through her veins like a drug poisoning her system. Everything in her screamed at (y/n) to chase the distance, to move away from Tyler as quickly as possible. She had been too close for too long already, needing to get away from the man who made her feel all kinds of things she couldn’t put a name on. 

“I fucked you over? You stole my data, all that work was lost because of you, of course I didn’t trust you no more!” Tyler’s voice boomed through the truck, almost as loud as the tornado had been. Her mind was racing, knowing that she hadn’t stolen anything from him which left her wondering what he was talking about. 

“I didn’t steal shit from you, why should I? We work on different areas, Owens. Your data wouldn’t help me.” No longer was she close to screaming, no longer was her voice guided by anger and hate as it slowly began to settle in that both had been stuck in heavy miscommunication for a while now. 

“But only your group was around that week, and Michael.” A “Fuck” left Tyler seconds after he had ended his sentence, wondering how he could have been that stupid. Of course, it had been the sketchy guy he had been forced to work with on the project, a guy who had bailed on Tyler at the first given chance, blaming (y/n) and her team for their mishaps. 

“Seems like you need to work on your people skills, Owens.” Chuckles broke out of (y/n) as she shook her head at him, followed by a groan as her headache settled in. 

“Let’s get you to a hospital, and then we’ve got some talking to do.“ 

…… 

“Who would have thought that a massive band aid would look that good on you.” Tyler shot her his signature smirk while she found her way back to him. She was a bit uneasy on her trembling feet, too shaken by the last hour and the emotional whirlwind both had been caught in, from thinking they were about to die to realising that they got to live another day where their enemy slowly turned into somebody else. 

“Shut it, Owens.” She rolled her eyes at him, brushing past Tyler but being unable to escape him due to the fingers that found her belt loops, pulling her back in. (Y/n) collided with his broad chest, having to place her hands against his shirt before she could lose her balance. 

“How about a thank you, huh?” He was walking a fine line, risking another spiral of anger she’d instantly pull him into, but the smile tugging on her lips told a completely different story. (Y/n) stared up at him for a second or two before one of her hands wandered up his neck, pulling him down to her to brush her lips against his ear.

“For a thank you you will have to work harder than that.” And with a soft chuckle clawing through (y/n), she pushed Tyler away to make it out of the hospital. He stared at her for a second or two before snapping out of his trance, unable to bite down his grin while jogging after her. 

His hand clamped down on her wrist, once again forcing her to a halt before she could open the passenger door of his truck. (Y/n) found herself getting lost in his bright eyes, not used to the sudden warmth his touch now pushed through her instead of the anger she no longer felt. Both moved at the same time, getting lost in one another’s embrace while he dipped his head down.

But before he could kiss her, Tyler angled his head to the side, brushing his lips against the corner of her mouth, “You’re playing a dangerous game, darling, and I ain’t one for losing.”

……

“C’mon, don’t fall asleep on me, darling.” Tyler was sitting on her motel bed, pressed against (y/n). They had shared dinner a while ago, finding shelter in the dark room while she tried to stay awake, all because of her doctor’s orders. 

“Well then do something to entertain me, the movie sucks.” Her chuckles rang in his ears, sounds that made his heart beat faster as he gazed down at her while her eyes found his. Tyler pondered over his choices for a second or two before he tilted his head down and kissed her, softly pressing his lips against (y/n)’s.

It took her a second to give in to the touch, allowing her hand to find the back of his neck to pull Tyler further down towards her. Their lips kept meeting, sharing desperate kisses that were fuelled by the emotions both were still a stranger to after deeply hating the other for the past years. A hate that had always been accompanied by a form of lust and longing for the other, longings they had never dared to even think about for longer than a handful of seconds.

Tyler shuffled around to hover over her, keeping her trapped between him and the bed while her hands moved from his neck to his shirt, slowly popping open the first few buttons. Her fingernails scratched at his skin as she tried to push the fabric down his broad shoulders, leaving him to groan at the feeling of her skin pressed against his.

For a second, he interrupted the kiss, chasing the distance to rid himself of his shirt. (Y/n) had seized the moment to reach for his belt, unbuckling it with a kind of urgency that made both their hearts race even faster. Her shirt followed moments later, exposing her bra-clad chest to his wandering eyes - a sight that made his cock twitch in his tighter growing jeans. 

“Lean back, baby, let me do the work, you shouldn’t move much.” His voice dripped with lust, a low growl that shot shudders down her spine. (Y/n) sank back into the pillows, watching Tyler move closer to slowly undo her bra. Within seconds he had latched onto her right nipple while his hand palmed her left breast, making her sigh in relief. 

Tyler seemed to know exactly how she needed to be touched, how to draw her closer to the edge she’d eventually fall from. He was everything she hadn’t known she needed, while he had deep down always known that having (y/n) would mean his end. Every second was cherished by the both of them, though while Tyler tried to calm himself, (y/n) silently prayed that he’d move faster. 

“Tyler,” his name rolled off her tongue like a Sunday morning prayer, repeated over and over again. Their eyes held contact as he kissed his way down to her jeans, undoing them with skilled fingers to pull them down her legs with her panties in tow. And there she laid, naked in front of him as he thanked his lucky stars for pushing them into this mess. His fingers itched to take a picture of her, needing to remember this very moment until he’d take his last breath, but the sigh of his name forced him to move again. 

“Shh, I got you, baby. Let me take care of you.” With her thighs spread for him to settle between, Tyler kissed his way to her aching core. His calloused fingertips felt rough against her pulsing bundle, adding enough friction to get her to arch her back. (Y/n)’s eyes fluttered close the second his tongue brushed her folds, groaning at her taste. 

“Oh fuck, Ty’, need more.” His chuckles vibrated on her skin, making her shudder while he pushed two fingers into her. Her walls fluttered around his digits, curled against her swollen spot while he sucked on her bundle. Moans clawed through (y/n), knowing that he was pushing her towards her orgasm all too quickly. 

“You taste so sweet, how could I have missed out on this for so long.” Tyler’s groans made her chuckle - sounds that bled into moans as he sucked on her clit again. She gave it a few more seconds before pushing him away, leaving him confused while she tried to catch her breath.

“Fuck me, make me cum on your cock.” Her whispered words made him groan, forcing Tyler to move to get rid of his jeans and boxers, exposing his aching cock to her eyes. (Y/n) made a silent note to suck him off later tonight, needing to feel him rest on her tongue. 

She watched Tyler rip open a condom with his teeth, rolling it down his cock before settling between her thighs again. He hovered over her, had one hand pressed to the mattress next to her pillow, while the other held onto her hip. Their eyes stayed connected as he pushed into her, leaving both groaning in relief. 

“You’re even tighter around my cock, you’ll be the death of me, darling.” His words felt like praises, making her lightheaded and aching for air to flood her gasping lungs. Her walls fluttered around him to pull him in deeper, allowing Tyler to push fully in before pulling out again, set on a slow rhythm. 

“Faster, please.” An almost devilish smirk tugged on his lips, his bright eyes twinkled with mischief but his thrusts stayed slow, calculated almost. 

“You can’t move too much, baby, gotta take care of your head.” Her teeth were buried in her lower lip, leaving marks while she stared up at him with annoyance laced in her gaze. Tyler could only chuckle at her while fucking into her deeper, clearly enjoying her struggling. One of her hands found his cheek, pulling him down for a kiss while wrapping her legs around his waist.

Both groaned in unison as she tugged him in closer, wondering how they fit together so perfectly. Too much time has been lost over the last years, time they could have spent just like that, pressed together in the most intimate way imaginable. Time they now had to make up for, chasing highs and lows together, giving in to the emotions they had to adapt to, all while falling in love with one another. 

“Stop teasing me, I don’t care about my head.” Her words left him chuckling, spurring him on to move a tad bit faster - but not nearly fast enough to push her closer towards the high she was aching for. 

“Ask nicely for it.” It was a simple command - a command she’d normally curse him for with calling him all sorts of names. But she was desperate, aching for her orgasm only he could push through her now.

“Please, Tyler. Fuck me harder, make me cum.” He didn’t reply verbally, only moved faster with a smirk resting on his lips. She left marks on his back with her fingernails, making her shudder against him while her free hand found her aching bundle of nerves, giving her the needed push.

Tyler watched her fall apart beneath him, a sight that left his chest swelling with pride. His hips kept meeting hers, fucking her through her high while his own moved closer. With a deep groan Tyler followed her down the edge moments later, forehead pressed against hers, hand fisting the bed sheet. 

He pulled out of her, got rid of the condom and found his way back to her to pull (y/n) against his warm chest. Both were chasing their breaths while clinging to the other, allowing it all to finally sink in. 

“How’s your head?” Tyler’s whispered words made her smile, pressing a kiss to his naked chest before allowing her eyes to find his bright ones. She cupped his cheek with one hand to feel his stubble pressing against her palm, cherishing the calm moment that felt all too new to them both.

“Not hurting, thank you for taking care of me.” She pressed another kiss to his chest before letting her head drop against it, hearing his slightly accelerated heart pound in his chest. 

“Anything for you, baby.” 

[hey-must-be-a-devilbetween-us]

Just been thinking about how when Aziraphale said that 'Nothing Lasts Forever' and Crowley immediately took that in a totally different way than Aziraphale intended.

The look of surprise and confusion that quickly becomes desperation that takes over Aziraphale face as Crowley walks away, he calls out to him, begs him to come back to him, and quickly covers it up with 'to heaven.'

he didn't mean them, he would never mean them.

(a lot more under the cut)

the places would change, the circumstances would change, the people and the play and the drama would change, they have always had different seasons of their relationship.

but them, together, as always been as constant as the tides and the phases of the moon, even if they get separated for a month or a decade or a century, they always come back together.

Also been thinking about how Crowley doesn't have faith in a lot of things (for obvious reasons), but the most heart breaking is how he has no faith that underneath it all, no matter what, Aziraphale loves him and wants to be with him, even though he has a mountain of evidence of it.

Its been pointed out that Aziraphale this whole season has seemed to be trying to get closer emotionally to Crowley, 'shooting his shot.'

'Its our car, its our bookshop, its our plan to save Gabriel, take my hand lets dance while you tell me what's wrong my dear boy.'

More than just an arrangement, more than fraternizing, more then just friendly banter over drinks and food, it always was more, but now they can act like it, Aziraphale is going for it in his own way.

and Aziraphale is so obviously frustrated during the fight that Crowley doesn't see that.

but come on, you can't blame Crowley at this point, Aziraphale is effectively asking Crowley to change literally everything about themselves and forget a millennia of trauma and anger and guilt and self-loathing.

It sure makes it seem like Aziraphales love is now suddenly conditional on them changing.

I don't think Aziraphale sees it that way though right?

He doesn't see it as 'I will love Crowley more if they are an angel.' he sees it as 'Crowley will be happier as an angel surely? They will also be safer with that designation.' and 'any sacrifice will be worth it if it means we'll finally be able to be safe and together.'

See, I don't think Aziraphale even wants Crowley to be an angel again.

I think he's trying to convince himself that he wants that, which is what makes the Metatron offering that in the first place so damn insidious.

I think in his heart of hearts, appointing Crowley to be an angel again is just as much of a sacrifice to him as leaving his beloved bookshop, leaving earth with all its wonderful music and color and life and stories and people, but what does that say about him as an angel?

Everyone can sneer and look down on him for having affections for a demon but there is some plausible deniability that its just bad circumstances, Crowley just happens to be a demon but he's really very lovely once you get to know him, in spite of it all.

But like...giving Aziraphale the opportunity to make Crowley an angel again and he doesn't want to take it because...he loves Crowley exactly the way he is? That he may have had a crush on the angel he was, but it was truly The Demon Crowley that he fell in love with.

I think Aziraphale is gonna need some time to get brave enough to say that with his whole chest (but dear lord will it be wonderful when he does.)

And the Metatron knows this, and he knows Crowley is exactly who he is supposed to be, and so The Metatron knows that Crowley could never ever say yes to going back, it goes against his very nature, he knew that Crowley would take it exactly the way he did.

(Ergo more evidence that splitting them up is the whole goal because they're just too powerful together.)

So, Aziraphale is stuck in the worst way I can imagine.

He's given the opportunity to have everything he should want, so he's trying to make the best of it even though it decidedly isn't what he wants, because its evident that the meddling from Heaven and Hell isn't going away, the Metatron is giving him the path of least resistance, isn't that going along with Heaven as far as he can?

Every word he says to Crowley about how wonderful it will be and how this is an amazing opportunity and we'll be together and we'll make better choices, we'll make a difference.

Its trying to convince himself just as much.

I think Aziraphale is terrified of going back to heaven by himself, but what other choice does he have? He's terrified about what will happen if he doesn't, and not because of any explicit threat by the Metatron, but what it would imply about him, if they knew exactly how he felt about Crowley, what might they do to them both?

and that's why the Kiss™ is so horrible and beautiful at the same time, its harsh and it looks like it hurts when their teeth bump together and it is so desperate, but Aziraphale still clings to Crowley, trembling and whimpering (jesus christ sheen...)

More than an expression of romantic love (because by God herself have they expressed it in so many ways for thousands of years,) its a plea to stay, choose this, choose us.

And Aziraphale wants to, but he can't, and its agony, but how could he explain that to Crowley when he barely understands it himself, he doesn't recognize what the Metatron has done.

That's why Aziraphale seems just as angry at the kiss as he is fucking devastated, its not a 'how dare you kiss me,' its an 'how dare you kiss me right now, in this moment, when if it had came earlier everything might have been different."

"How dare you kiss me now to just let me know everything I'm giving up, and not just because you wanted to."

"How dare you make this our first kiss."

Aziraphale doesn't see the Kiss™ as the Hail Mary that it is, he sees it as a spiteful bitter thing, something that he has been yearning for forever being twisted into something to hurt him, but I think he can see the sadness and fear in it too, so he forgives Crowley for it.

And of course, Crowley takes that to mean, "I forgive you for kissing me when you know that's not how I feel, for trying to manipulate me." or something to that effect, either way its enough for him to leave the conversation, nothing more to say.

I think Aziraphales next arc is going to be all about being open and honest and brave, which is in exact juxtaposition to the traits that made him grow closer to Crowley in the first place and that's what really fucking gets me.

From giving away the flaming sword, the entire damn arrangement, trying to thwart the apocalypse, to the very fact that he loves Crowley.

"I'm a fallen angel! I lied! To thwart the will of God!"

"Yeah, ya did, but I'm not gonna tell anybody, are you?"

"Then nothing has to change."

Except it did, and it does, if they are to get their happy ending in their cottage in the south downs.

anyway, yeah that's all i wanted to say i think, how was your guys week so far?

gif credit:

@starklystar @raggedy-spaceman @spooks-ez

(if i missed anyone or miscredited pls lmk!)

cont in reply (i like what i wrote here so i'm trying to keep track lol)

[laurrelise]

someone talk with me about an AU where delores is a real girl who somehow survived the initial apocalypse and spends it growing old with five and keeping him sane

someone talk with me about delores being five’s age when he discovers her body in the rubble and thinks she’s dead before he notices the small rise and fall of her chest before he pulls her out and desperately tries to help her breathe normally again and watches the life fill her eyes with tears in his own that he’s finally no longer alone

someone talk with me about delores being an only child to parents who she wasn’t close with leading her to become dependent on herself until she meets five and learns to trust other people before finding out about his huge family and doing everything in her power to help him not only because she cares about him and wants him to be happy but also because she wants to experience the family she’s never had

someone talk with me about how delores never had powers but survived for the 40+ years in the apocalyptic wasteland of the future due to her seriously genius mind (and five’s help) and lives to help five figure out how to save his family

someone talk with me about young five and delores searching for anything they can find to survive before they stumble upon a half-broken mannequin with a surprisingly intact polka-dotted blouse that five says would suit her so she puts it on out of boredom from looking for materials before five looks at her with the most genuine, in-love eyes she’s ever seen and she decides to keep it just for him

someone talk with me about five always making sure delores has a comfortable place to sleep, to rest, to eat, etc

someone talk with me about five explaining his childhood so nonchalantly one day once he realizes that he can trust delores to her surprise, and she asks why he suddenly had the strength to tell her and he looks her in the eyes and says “believe it or not, you’re stuck with me, and i’m stuck with you, and i want you to know who i am when we’re kicking this apocalypse in the ass”

someone talk with me about teenage five teaching teenage delores how to defend herself with the training he was given during his childhood but reassuring her that he’ll always be there to protect her if something were to happen (to which she reminds him that she appreciates it, but knows she can defend herself with the spite and sheer willpower she has to survive)

someone talk with me about five and delores having a makeshift wedding and five’s vows being along the lines of “even if the rest of the world was alive, i don’t think i could ever hope to find someone that makes me as truly happy as you do, and i will be eternally grateful that of anyone i could get stuck in this goddamn apocalypse with, it was always you, and it will always be you”

someone talk with me about the handler showing up from the commission to recruit five as a temporal assassin and delores as a case worker because they’re both dangerously smart and incredible at surviving in harsh conditions (also, the handler approached them separately to see where their loyalties lied and they both firmly explained they wouldn’t go anywhere without the other)

someone talk with me about delores getting fed up with the handler repeatedly making moves on five despite him clearly being uncomfortable until it bubbles to a climax and she punches her square in the jaw, which results in an ER trip and zero regret (plus five falling even harder in love with the woman who endlessly sticks up for him)

someone talk with me about five and delores plotting an escape plan to get back to 2019 which all goes well, except five had once again messed up the math (or so he thought) and he and delores are placed back in their 13 year-old bodies, but she confesses that she doesn’t mind seeing the boy she fell in love with all those years ago once again

someone talk with me about delores learning to trust and love the hargreeves just as much as five, as they learn to love and trust her just as much

someone talk with me about five always keeping track of dates and specifically remembering the exact times of significant events for himself and delores, like the moment she looked at him for the first time, the moment he knew he was in love with her, and the moment they decided they were going to stop at nothing to keep each other alive and stop the world from ending

someone talk with me about five and delores, the 58 year-old couple that they are, snuggling up on elliot’s couch together because they can’t fall asleep without the other one there to remind them that they’re safe and out of harm’s way (mostly)

someone talk with me about how delores has never been the type to step down, and she continues to stand her ground and be brutally honest when shes upset or wants five to listen to her, and he admires her bluntness (and frankly, needs it) due to his impatience and expectations of honesty at all times

someone talk with me about delores knowing exactly when five needs his time alone and stepping away to help his siblings as much as she possibly can, usually by encouragement or (again) brutal honesty hidden behind a kind and genuine smile

someone talk with me about five reminding delores of his love for her whenever it’s too quiet or he thinks she’s gone too long without him showing it, in every way he can think of, like letting her know that he would’ve lost his mind in the apocalypse without her (which.. he kind of did?), finding little things that remind him of her and bringing them to her, and holding her hand whenever he sees frustration or discomfort bubbling behind her eyes

[supercap2319]

Spiderwebs & Red chaos

Peter was working on the Sandman cure, when he stops abruptly, eyes darting back and forth in nervous anticipation. Something—someone has triggered his spider-sense. He stood up, catching the attention of Otto Octavius, and Norman Osborn.

“Peter?” Otto asked.

“What’s wrong?” Norman asked.

Their voices were distant and disoriented as Peter walked towards Happy's kitchen/living room. “I don't know…” It was true. Peter didn't know exactly what he was sensing, all he knew was that it made his heart want to burst out of his chest, and made his breathing shallow.

“May? Y/N?” He calls out loud. Norman and Otto followed him into the living room kitchen area as Peter stands in the center of the villains. “What is it, Peter?” May asked, wondering why her nephew is so troubled. The young hero’s breath was hitched and shallow as he looked around the room, the tension in the air thick enough to cut through with a knife, getting to everyone.

“What's happening?” Flint Marko asked.

Peter looks at him, then at Otto and Norman, who moves around the room, and then at Max Dillon, who looks uneasy at the hero's eyes on him.”Why are you looking at me like that?” Peter searches, on alert. What is he sensing? Is one of

them about to betray him? Where is the threat? Was he losing his mind? All these questions buzzed inside his head like angry bees. He closed his eyes and focused his spider-sense. Reaching. Feeling. Until he…

THWIP!

Peter webs Norman's hand to the robot arm of DUM-E.

Norman smiles. “That’s some neat trick. That sense of yours.” His voice was low and ominous.

“Norman?” Otto asked.

“Norman’s on sabbatical, honey.” Norman said, a gleefully undertone in his smile.

“What the hell?” Max asked.

“Goblin…” Y/N whispered in realization. Peter and May share a look of concern.

“Surprise. No more darker half? Did you really think that I’d let that happen?” Aunt May slips quickly into the storage room, searching for the cures as Norman, aka, Goblin, continues his tirade. “That I’d let you take away my power just because you’re blind to what true power can bring you. Because you and Y/N squander the potential that you have.”

“You don't know us.” Peter said, staring Goblin down.

“Don’t I?” Goblin asked.

“No, you don't.” Y/N talked towards Peter's side, fingers twitching with power, but he wouldn't release it. Not just yet.

“Here's the real truth: the people of this city. There's one thing they love more than a hero... is to see a hero fail, fall, die trying. In spite of everything you've done for them, eventually they will hate you. Why bother?”

“Because it's right.” Peter said.

Meanwhile, May grabs the cures, one-by-one, and shoves them into her F.E.A.S.T. tote bag.“I saw how she trapped you two.” Goblin begins as May sneaks back into the kitchen from the storage room, clutching the bag of cures. She nods at Peter. She has them. “Fighting her holy moral mission. We don’t need you to save us... We don’t need to be “fixed!”

Sandman frowns as Goblin looks around the room of people he does, and doesn't know. “These are not curses.” Max looks down at his cure device. Beep! Another green light flashes on the device. Two more to go.

“Norman, no.” Otto protests.

“Quiet, lapdog!” Goblin snaps.

“You don’t know what you’re talking about.” Peter said.

“I’ve watched you from deep behind Norman’s cowardly eyes. Struggling to have everything you want. While the world tries to make you choose. The Spider-Man and the brother of the Scarlet Witch, so desperate to have it all.” The device on Electro’s chest beeps once again. Only one more

light to go…

“Gods don’t have to choose.” Max looks at Norman, now really buying in… “We take.”

“You're no God, Goblin. You're sick.” Y/N said.

“Guess we'll find out…”

“May... RUN!” Peter said. May breaks for the door with the bag of cures. Electro takes the cure device off his chest, as Goblin tears free from the web holding him to DUM-E. Shooting electricity out, Electro reaches towards the storage room…

CRASH!

The Arc Reactor tears free from the Fabricator,

bursts through the kitchen wall, and flies into Electro’s hand as there is surgical electrical

contact happening. “Hey!” Y/N powered up his fist that glowed red with power, but Electro blasts him into the wall, crashing upon impact.

“Y/N!” Peter cried.

Goblin pounces on a distracted Peter, smashing him into the nearby stairs.Seeing this, Sandman disintegrates into a whirl of sand. Retreating. Down the hallway, May runs to the elevators, pressing the “down” button over and over again Electro surges with ARC Reactor power, supercharging his powers as he causes lights throughout the condo building to flicker on and off. May looks up, the hallway lights are flickering here too. As she pushes the elevator “down” button once more.

Doc Ock looks at Electro in horror. “Oh my God. What have you done?”

Electro scoffed. “I liked you better before.” He unleashes a Stark-grade cascade of electricity, blowing Otto back through the living room wall. Otto tears through glass and steel, plummeting to the ground below before finally coming to a

wrenching stop, his tentacle arms gripping the side of the building. Down in the plaza of the condo, J. Jonah directs his camera man upward.

“Up here, he’s up there!” The camera man points his camera towards the building just in time to capture Doc Ock climbing away, disappearing into the night. “It’s the guy from the bridge!”

In the stairwell, Aunt May heads for the emergency exit door, races downstairs.

Electro and the swirling cloud of sand that is Sandman approach the burst-open living room wall. Sandman propels himself forward, Electro following after he powers up with his new source of energy. The sand swirls around the police cars, rocking them back and forth as Max Dillon transforms into pure yellow lightning, hitching a ride on the tornado of sand. The shelter truck nearby rocks violently. The side of it being slashed, until the Lizard explodes out of the hole he cut open and runs off.

J. Jonah James looks at his camera guy. “...Did you see that?!” Police and bystanders scramble for cover as Electro and Sandman take to the wind and fly off.

Meanwhile, back in Happy’s apartment, Peter scrambled to help Y/N to his feet. Peter manages to get his boyfriend upward as they both turn to see Goblin staring at them, challenge in his eyes. “Y/N, find May. Protect her.” Peter said.

“No, not without you.” Y/N said. “We'll face him together.”

“No. Please, just do this for me. I need you to keep her safe. Promise?” Peter looks at him, vulnerability in his brown eyes. Y/N nods and begrudgingly heads for the door. “I promise.” He flies off, a red trail of energy behind him until he was gone.

“Perfect. Just you…and me…” Goblin cackled.

Peter charged.

[mitch-the-silly]

Hewwo! Just read "Aggroo of a Bleeding Heart" and it just made me crave more of Yandere Vox! May we please get a story of him preventing the reader from escaping? She also somehow is immune to his hypnosis so he'll have to try harder >:)

OF COURSEEE!!! Omg, I just LOVE Yandere Vox. I need him expeditiously-

Anyway, here! Here's your Yandere Vox! :DDD

As mentioned in other posts, reader is gender-neutral due to no specification on gender being made.

Yandere!Vox x gn!Reader

Imagine!!

"Hypnophobia"

You banged on the doors of your glorified enclosure: a five-star suite in the V-Tower. The door wouldn’t budge so you punched it out of spite. “Show yourself, coward!” You cried, looking directly at one of Vox’s cameras. You knew he was looking at you, he always was. Frustrated upon hearing no reply, you sat down on the floor, hugging your knees. You wanted to leave, and despite none of this being your fault, you couldn’t help but feel like you earned this. You fell for his bait hook, line, and sinker. He pampered you with gifts, gave you this place to stay, and just when you decided he was getting too close for comfort, he trapped you.

You sighed, getting up, sitting down on your bed, looking at your phone. You wanted to call a friend, but you found their contact was erased from your phone. Only Vox, Val, Velvette and a few friends that Vox knew had no intentions of getting you out of your prison remained saved in your contacts. “Oh, fuck you, Vox!” You yelled, “Only ten contacts in my phone! I know you did this, you sick bastard.” Your protest was met by silence again. Oh, how that ticked you. The way he silently observed you. Yeah, he was always watching but he was never brave enough to talk back to you. But you had a brilliant idea to get him to say something.

“You know, maybe if I had someone to talk to, I wouldn’t be so upset over my contacts. Maybe I wanna leave because there’s no one here to keep me company.” You whined.

The camera before you stayed silent for a bit, but then crackled into a voice, “You’re needy, aren’t you? Can’t conform to being a pretty little doll? I left you in your room, is that not enough for you?!” Vox complained over the camera’s speaker.

“Humans need interaction. If you really wanted me, you’d try to build a bond with me!” You spat back.

“So I do have to go over there and put you in your place.” He huffed. The noise stopped as the speaker cut off. You immediately assumed he’d ignored you, but you were promptly proved wrong.

From the camera zapped out a figure of the likeness of Vox. Later materializing, revealing to, in fact, be the man himself. “You know, you’d be more enjoyable to observe if you could just be still and sexy.” He huffed jokingly. “But I have to admit I like your spite; it adds a layer to your sexyness~” He cooed, moving closer to you, caressing your chin as he activated his hypnotic eye. If he couldn’t get you to listen by asking nicely, then maybe he could get what he wanted.

You jerked your face away from him, “You won’t even put the effort into asking me out for dinner, or even asking me out at all and you already want me to be your pretty little princess in a tower.” You spat, backing up from him, and sitting on the other side of your bed.

Vox huffed, you were one of those… his power didn’t work on you. He just hated having to try harder to appease people. “Fine then. I’ll ask you to go out with me. And if you want a dinner date you have a wonderful balcony. I could just organize a candlelit dinner.” He thought out loud.

“You’re still not taking me out of this room?” You retorted in disbelief.

“Oh, I’m not stupid, babe~ You just wanna leave. I’m not letting that happen.~” He chuckled, sitting next to you, holding your waist. “But just how do I get rid of that nasty attitude of yours?~” He cooed, taking your hand and kissing it.

You rolled your eyes, “You had me once. But you fucked it up by locking me in here when some random guy talked to me.”

“You smiled at him.”

“Am I not allowed to smile anymore?!” You replied in disbelief.

“It wasn’t a regular friendly smile, I could see the way you looked at him.” Vox scoffed.

“Ok, and? We’re not in a relationship. If you want me to keep to myself then make it official. Others won’t flirt with me either.” You suggested, a bit annoyed.

“Make it official? Oh, please! Don’t make me laugh! You know I can’t go out in public and freely say I have a thing for you! You’re more like… a dirty little secret~.” He chuckled.

“And why is that?” You complained, scooting away from him.

“Because think of the scandal! And while it would bring in a lot of money… I’m not gonna ridicule myself! My image and the image of the Vees has to be pristine, you know this, sweetheart~.” He explained, kissing your cheek afterwards.

You rolled your eyes, “What now then? You’re just gonna leave me here?”

“If you want someone to talk to, I’m a camera away, sugar~.” He chuckled, zapping away and into the camera where he came from.

You tried to run to catch him, but to no avail, “You fucking idiot! That sounded stupid!” You yelled at the camera. After which you sat back down on your bed. Maybe things would get better after this conversation. It was you he wanted after all.

[possessiveandobsessive]

A Cat for Her Crow

Pairing: Lucanis x fem!Rook

Synopsis: Lucanis Dellamorte has a soft spot for two things: cats and a certain red-headed elven mage that goes by Rook

We've reached the end! This is the final part of this story! I hope you all enjoy!

Part 7: The Rook, Her Crow, and His Demon

When Lucanis's gaze next met hers again, his eyes were Spite's. She grinned at him, "Hi Spite. Lucanis said you wanted to talk to me too?" Spite curled Lucanis's mouth into a twisted, devilish grin that belonged to Spite alone.

"Rook is ours now? Rook will stay with us? That's what she said. Yes? That's what Lucanis said." Spite sounded relieved, but within that relief, there was a fearful questioning. He wanted to believe her. Lucanis needed Rook, and Spite liked Rook too. She was his favorite. She didn't treat him like a dog, or like he was evil. Rook treated Spite as another individual and Spite had never experienced that with another human. He couldn't love Rook the same way Lucanis did, but he loved her the way a Spite demon could. He'd kill anyone who hurt her. So yes, he realized that he, a demon tethered to a human soul, was afraid of losing this woman too.

Rook smiled warmly at his eager questions. Right now, he reminded her more of a puppy than a Spite Demon. She was no fool though. Rook heard the hint of fear, of anxiety in his tone. Spite was afraid of losing her too. The thought made her sad, but she understood it. She had been afraid too, so afraid she almost didn't say what she felt. Rook needed Spite to understand she wasn't going anywhere, and that her loyalty lay with them.

"Yes Spite. My place is at both your sides. I'm not going anywhere." She shot him another grin and winked, "I'm not scared of the big, bad Spite Demon." Rook then became serious again, "I couldn't hurt Lucanis. Not if my life depended on it. Betraying him, losing him, is the worst fate I can imagine." Spite's already glowing purple eyes lit up even more in response. Lucanis's/Spite's expression morphed into a much gentler one. When he smiled, it was warm. This wasn't the smile of a calculating demon, this smile conveyed love.

"Rook saved us. Saved him. He needs you. Needs your strength. Spite likes Rook too. Rook is powerful and her soul burns brightly. Kills well. And smells good. Rook sees Spite, not just a demon. Not just Lucanis. Spite will protect Rook always. Nothing will harm her. Rook is Lucanis's heart."

It was the most she had ever heard Spite speak at one time, and it floored her. Spite was so much more than a demon now. He and Lucanis were connected by more than just the standard possession/blood magic that was common for mages turned abominations. The two of them shared a soul now. Their souls that existed independently before, now were twisted and wrapped around each other so tightly, it was hard to tell where one began and the other ended. Spite was influenced by Lucanis's humanity, and Lucanis by Spite's overwhelming and raw emotion. Neither of them could truly control the other. Together they experienced life and its challenges. Together they protected one another and the things they loved. They existed as one being now, something new. Rook couldn't deny that fact, just as much as she couldn't deny that she loved Lucanis. They were all in this together, in a way no one else could, or needed to understand.

Rook put her hand on one of Lucanis/Spite's cheek and Spite made a low sound from his throat in response and leaned into her touch. He looked completely at ease.

"Feels nice." Spite said closing his eyes. "Thank you Rook."

A moment later when those eyes re-opened, they were Lucanis's beautiful brown ones again. So much emotion swirled behind them, and Rook swore if she looked closely enough, she could see tiny flecks of purple flashing within them.

Upon seeing that it was once again Lucanis she was holding, she put her other hand on the other side of his face and pulled him in to kiss her. Finally. They both sighed and prepared to deepen the kiss when an indignant "mew!" came from Lucanis's single bed behind the pair. They separated and Lucanis turned to look at the irritated looking kitten sitting on the edge of the bed. She looked judgemental and very unimpressed with what she saw. The black tuft of hair mewed again and stretched before sitting back down and staring at them. Her tiny tail flicked in annoyance at being forgotten.

Lucanis chuckled in disbelief. "She is an odd kitten that's for sure. Look at how irritated she looks." His smile said he wasn't bothered in the slightest. 

"You're going to have to hold on little one, I have to clean up the mess you made of poor Rook's skin first. Then we can get more acquainted, and I'll find you some food." 

Rook laughed at how seriously he spoke to her, like she was another person. He really was special. She had gotten lucky at last. "Luck turns kid, you just have to be patient and keep going until it does." More of Varric's wisdom came into her mind. He was never wrong it seemed.

Soon her hands, wrists, and the spot on her neck were cleaned and bandaged. It had been so long since someone had tended to her so reverently. Rook felt like she was home. She hadn't had one of those since she was a child living with her clan and her grandmother. It made her chest ache in the best and worst ways, but she knew her grandmother would approve of her new haven. "Mar vhenan juver ma vhenas, ma' esha'lin" Your heart will take you home, my child.

Lucanis finally turned back to the kitten with his hands on his hips and then bent down to pick her up. At this point, Rook was not shocked to see that the kitten didn't put up even a little bit of a fight, but instead settled into Lucanis's hold right away. She was purring in seconds. What did surprise Rook, was Lucanis bringing the kitten towards her and grinning.

Rook took an involuntary step back, that kitten was fast and not afraid to use its weapons on her. Lucanis laughed lightly and assured Rook, "I'm not going to let her get you mi corazón, but she's going to have to understand that you are always going to be at my side. She needs to learn to be nice to the one holding my heart." The last part was spoken while giving the tiny black fluff ball a sidelong glance. 

Lucanis took the last step to close the distance between them. Now the kitten was a foot away from her, still pressed into Lucanis's chest. A single violet eye opened and narrowed at her, but before the kitten could do anything hateful, Lucanis began speaking to her lowly in his native tongue. While he did this, he slowly moved Rook's hand to rest on her the soft black fur. Keeping his own on top of hers, Lucanis and Rook petted the kitten in unison. Rook tried not to look wary, but she was pretty sure she was failing based on Lucanis's encouraging look. Soon enough though, that suspicious little eye closed again and the tension seeped out of her little body. The kitten began to purr contentedly, seemingly having accepted Rook's touch. Rook looked at her and then to Lucanis in wonder. 

"That was amazing!" She whisper yelled, "She hated me so much and then you got her to let me pet her! She's purring Lucanis!" Rook beamed triumphantly and continued to gently stroke the baby in Lucanis's arms lovingly.

Lucanis smiled warmly. "I just had to explain to her who you were and that you brought her to me. She knows now that you're my equal, my partner. The Little Talon will not hurt you again."

"Little Talon?" Rook asked, eyebrows going up.

Lucanis's smile became a grin, and he then said, "Well her name is Talon, she is just also little right now. How could she be anything but Talon with how you showed up here? She's already taken on someone who's planning to kill gods." He chuckled before adding, "She's got the fiery spirit of one destined to be a Talon, and she belongs to a Crow. So she is a Talon. Our Talon." Lucanis looked incredibly proud of himself for the name, so much so Rook had to force herself to swallow the laugh that built up in her throat. He deserved this moment.

Rook smiled gently at the kitten one last time before pulling Lucanis into another kiss, this one chaste, but carrying a promise. They stood together for a moment; forehead to forehead, eyes closed, with a kitten pressed between their chests. Rook and Lucanis both knew what was still to come. They both knew that the danger was high, and that, for the moment, this bliss was temporary. The fight to come would mean death for many, and they'd have to fight hard to protect the people they loved. So they cherished their moment of peace. All 3 of them.

Later that night when Rook returned to her room, she was startled to see it now contained a bed big enough for two adults (and a kitten). She just smiled. Lucanis was going to throw a fit when she told him he couldn't stay in the pantry anymore, but after tonight, she didn't think he'd really mind sharing her space. 

* * *

Lucanis had never felt so well rested in his life. The past few nights he had slept completely through the night. A full 7-8 hours per night! No Spite takeovers, no sleep walking, just sleeping next to his love and with his new baby curled up top on his chest. It was astounding and so relieving to be able to sleep. When he was preparing to head out with Rook and Davrin that particular morning, he decided to ask Spite about it. 

"Spite" Lucanis called. In the mirror he was staring into as he strapped on his blades, he watched his own eyes go purple.

"Yes?"

It was still incredibly disconcerting to see his own mouth move in the mirror without being the one to speak the word. "How come you haven't been trying to get up and go somewhere the past few nights? Do not get me wrong, I'm grateful and I need the sleep. But you used to always try to get out and run around while I slept, even after we came to our new agreement. You were so eager to get out, explore, and no doubt cause panic, why is now different?" 

Spite stared back at him in the reflection for a moment before surprising Lucanis with his response, "Can't wake The Talon. Or Rook. But We can't move to get up without waking The Baby Talon. Baby Talon needs rest." He paused, "And Spite likes being with Rook. She is comfortable. Don't want to go anywhere without her, and Rook sleeps. So Spite stays here. Makes us feel... home."

Lucanis stared at the mirror in blank shock. Spite wasn't getting up to cause mischief because... he didn't want to wake the kitten on Lucanis's chest? And because Rook felt like home? Actually, he couldn't fault him there. Lucanis wouldn't want to disturb his kitten either, and Rook WAS their home. 

Shaking his head ruefully, Lucanis just said, "Thank you Spite. You're exactly right."

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Epilogue: Mar Vhenan Juver Ma Vhenas

It was finally over. All stories have an ending, and this one was no different. The blighted Gods were dead. The impossible had been achieved through the combined strength, effort, and lives of the many people who had taken up Rook's cause. The Crows, The Veil Jumpers, The Mourn Watch, The Lords of Fortune, The Grey Wardens, and the Veilguard had all stood together in the face of a power that without all of them, they couldn't have hoped to match. Together though, they brought down a god, his army, and his Archdemon, saving the world as they knew it. And Rook, together with the Inquisitor and Mythal had gotten through to the Dread Wolf. Convincing him to put it right, the three women got Solas to tie himself to the Veil. He would keep the Veil between worlds, what he once viewed as one of his greatest regrets, in place and protecting the people of Thedas for the rest of time. Fen'Harel acted for the better of the new world and her people, not for the one lost to the ages and struggles of thousands of years passed. The Dread Wolf came through in the end, as the Inquisitor and Varric both knew he could.

As for Rook, she was just grateful the dark times were over. She'd lost so much. Varric, Harding, and so many she once knew died fighting for this cause. "Whatever it takes", they'd all agreed. For some, it truly took everything. The losses were agonizing at first, especially in the days immediately following the final battle. Rook had to send many letters notifying Harding's family and loved ones as well as Varric's friends that they had made the ultimate sacrifice for the sake of Thedas. There were tear stains on the pages, evidence of how much the words pained Rook to write down. It made it all too real. But it was real. Rook knew now better than ever, that holding onto regret and hiding from the truth only trapped a person in grief and pain. She had too much to live for to do that to herself.

Lucanis and Spite had been there when the battle finally ended and Solas finally made ammends. She was immediately pulled into a crushing hug when the dust settled and the quiet calm fell over the scene of death and destruction.

Lucanis had said her name over and over again as he held her, his voice full of relief and reverence. "We did it Rook." he said, finally pulling away enough to look her in the eyes. "You did it mi amor. You saved the world." Lucanis had never been so grateful in his life. He thanked every god, spirit, demon, and power above he could think of. They had made it. She had made it. He could feel Spite's relief and pride in his chest. Our Rook killed a god. Saved the day. Saved everyone. Spite thought to Lucanis before pausing and adding in a grumble, Wish she'd killed the Dread Wolf though....

Lucanis understood Spite's resentment of Solas. The Wolf had betrayed, trapped, and hurt Rook. At the same time, didn't everyone deserve a chance at redemption? Rook had given them one, after all. An assassin and a demon.

Rook pulled him from his reverie when she spoke, "It's... it's over. It's over, and we're alive. We're both alive, and Elgar'nan is dead." Her voice was full of wonder as she said these words slowly, as if she was trying them out.

Lucanis pressed his forehead to hers and put his hand on the back of Rook's neck, holding her gently but firmly in place. "We made it Rook. Or should I say, God Killer." Rook let out a surprised laugh at his statement.

"I guess you're right, we're both God Killers now."

* * *

When they arrived back to the Lighthouse, Rook was exhausted. It ran so deep, she felt it in her bones and blood. Now was not the time for just rest though. The remaining members of her team and herself had just survived the impossible. Everyone was prepared to celebrate, but each in their own ways. There was too much grief in the air for a party, for drunk songs and memories. So they broke off to bask in the fact they were all alive in the well-deserved quiet peace of their Lighthouse.

Rook and Lucanis headed for Rook's room to change out of their bloody armor and get clean. Once this was done, they both laid on her bed together. Talon was asleep on their discarded clothing in the corner, (she was too good for the bed Lucanis had gotten her apparently as it lay unused on the nightstand beside the bed.)

Lucanis was laying on his back with one arm behind his head and the other wrapped around Rook, who had her head on Lucanis's shoulder with an arm slung across his chest. At first they just laid there in silence. The easy way in which they held each other felt like a miracle by itself. After several minutes had gone by, Rook propped herself up on the arm not currently across Lucanis's chest.

"I love you Lucanis. You know that right?" Rook spoke quietly, looking him directly in his eyes. "Now that this is all over, I'm not sure what's next. What I know for certain, is that where you go, I go. I will follow you to the ends of the earth and fade Lucanis. That's my promise."

Lucanis swore he had never loved anyone as much as he loved the woman in his arms. "We can decide together what happens next. The Crows have named me First Talon, but if that isn't the future you want, then we can choose another path. I won't go into a future that you don't want mi vida. You and Little Talon, you're my family."

Rook smiled at him and leaned down, silencing him with a passionate kiss. She pulled away for a moment, just long enough to say the words she had wanted to say for weeks. "We have all the time in the world, love. So let's take tonight for ourselves." She looked up at his face through her lashes, "Show me how much you love me. Make me yours, and tell me with more than words that this is forever."

Pupils completely blown out and eyes holding nothing but love and want, Lucanis groaned and brought her head back down to capture her mouth. He flipped them so that he was now on top of her, before leaning down to whisper in her ear, "It's a good thing we have the rest of our lives, because showing you just how much I love you is going to take awhile."

When she looked at him as he pulled away from her ear, she could see his eyes were an enchanting mix of warm brown and striking purple. "You're mine Rook. Now and forever" "Ours forever".

It was a promise kept, until their hearts stopped beating. Until the sun exploded and the world became dust. They belonged to each other, and there was no power in existence that could change that.

The End

I hope everyone enjoyed this little story! I definitely enjoyed writing it! Thank you to anyone who read the whole thing!

Part 1 here

Part 2 here

Part 3 here

Part 4 here

Part 5 here

Part 6 here

[duchessonfire]

ONE YEAR OF CEGAN

On this day last year (December 20th, 2023), I posted the first chapter of Nothing Left to Save, the second part of my Savior!Carl AU series. I had completed the first part all the way back in 2021, after binge-watching The Walking Dead again during lockdown, and I hadn't touched it for over two years. Every once in a while, I would re-read part 1 and look at all the wonderful comments that people left on it and tell myself that one day I'd write part 2. For almost three years, I would add little plot lines to the word document in my files. Then, in November 2023, I was finally done with my PhD and on top of absolute relief, I also felt the need to be creative again. I'd written almost exclusively Marvel for the past two years and I felt that my well for that fandom had run a bit dry. So, out of curiosity, I played the first episode of The Walking Dead on Netflix and I opened my Word document for part 2.

I could never imagine that this would lead to my most creative year ever on AO3. Between December 20, 2023 and today, I wrote almost 400k!! That is mind-blowing to me, especially considering that my total wordcount on AO3 since I opened my account in 2018 is almost 700k. In one year, I wrote more than half of that total wordcount. And all of it was for the Cegan fandom, which is especially insane when I think about how it all started.

More on this under the cut:

One thing that stands out to me most of all is that all these numbers happened in the Cegan fandom, which is a very small community. Back when I was posting part 1 of my Savior Carl!AU in 2021, the engagement was very small and sparse. I think I would get maybe 5 or 10 kudos between updates and two or three comments on each chapter. Back then, I was writing mainly for myself and every update was a labor of frustration as much as love. I had fallen into Cegan hard during my TWD re-watch on Netflix and I had tentatively tried to dip my toe into the Cegan fandom on Tumblr.

(Funny thing: I hadn't created a Tumblr account yet and decided to look at the Cegan tag to see if I could find a community there. What I found instead was harassment and hate spewed by antis all over the tag. It scared me so much that I closed Tumblr and didn't start an account until I got into Marvel. Honestly, I'm probably downplaying how utterly traumatic this first experience was, and I'm so thankful that I kept going anyway and posted my fic on AO3, where, for the first time in my life, I clicked on the 'enable comment moderation' button, because I was so scared that some anti and hater would find my fic and decide to go off in the comment box.)

As I said, I posted part 1 of the Savior!Carl AU in 2021 and by then... Cegan was already pretty much a dead ship already. This might be my skewed memory playing tricks on me, but I remember this being a very small and not really active fandom on AO3. The tag was updated very rarely, mainly by the same people keeping the ship afloat through sheer tenacity. Which makes sense considering season 8 finished airing in 2018, so by 2021, Carl had already been dead for over two years. And yet, in spite of this, I kept writing because I had this very clear idea of the kind of fic I wanted to read and I couldn't find it even after browsing pretty much all of the Cegan tag on AO3 (btw, did you know the first Cegan fic was posted in May 2016, right after the end of season 6 and the first part of the line-up episode? Insane). I knew I wanted a fic that delved into the slow build-up of Carl and Negan's relationship, one set in the apocalypse and which didn't shy away from the fact that Negan was a villain. Two things were most important to me: a slow-build (many fics in the tag where about a love at first sight type of encounter, and it didn't scratch the very specific itch I had back then) and a focus on power dynamics (mostly how unbalanced those dynamics would be when Negan was basically a tank crushing everything and anyone in his path). So, because I couldn't find the fic I wanted, I decided to write it myself.

This is how No Savior to be Found came to life. 45k. 4 chapters (which were supposed to be 3, but even back then I had no self-control over my chapter count...). And, because I was chicken shit about smut back then and because I was still afraid of antis, a Teen and up rating and a Carl & Negan platonic tag. I already knew this was going to be a series, a first introduction into a fully romantic and more sexual relationship between Carl and Negan but I didn't have the courage to write it then so I created the series on AO3 and told myself that one day I'd be ready for the follow-up. I told myself the series would only be 2 parts. A before and an after of Carl and Negan's relationship. If anyone was interested in reading it, cool, but most of my satisfaction would have to be derived from writing it.

This was a very dark and psychologically heavy fic, which I hadn't ever really written before (not in English at least). It was also the first time I tried my hand at flashbacks and a non-linear timeline. Part 1, especially the first chapter, is mainly made up of little vignettes because I wasn't very confident in my ability to write a long fic in English (I had only written one-shots back then, and one Teen Wolf fic which I never finished). It was experimental in so many ways and came with many challenges, first and foremost Negan's voice. As a non-English speaker, Negan's way of speaking was SO DIFFICULT to capture. I remember obsessively re-watching every single episode he was in in S6-8 of TWD to try and get used to the cadence of his words, to his constant delve into the vulgar and obscene. It was a nightmare. Every time I had to write a dialogue with him, I was basically pulling out my hair trying to make it realistic. It was also the first time in my life I ended a fic on a cliff-hanger, but it felt right because this wasn't for shock value or to spike viewer's engagement (what engagement lmao). If you've read part 1, you know the ending I'm talking about and it truly felt like a satisfying wrap on Carl's journey in the Savior AU, from child to man, from blunt weapon to active participant, from survivor to Savior. Honestly, I am still in awe of the courage I had to write an ending like that considering how self-conscious I was about my writing skills in English and what little audience I had. 2021 Duchess, you were a badass.

After I finished part 1, I pretty much lost interest in TWD. I was still incredibly proud of finishing it but I had no desire to get started on part 2 anytime soon. My PhD was taking up more and more of my time, I fell into Marvel hard, I created a Tumblr account to interact with the Stucky fandom, I got a Discord, I participated in Marvel events, I met wonderful Stucky people, and all around had a fantastic time in the Marvel fandom. Every once in a while, I'd get a comment on part 1 of Savior!Carl and... they were all so nice? I remember being actualy shocked by how sweet and how detailed those comments were, dropping in my inbox every few months, telling me how much they loved the fic and how they screamed at the ending. Whenever I received a comment, I would check the fic and get stunned at seeing the stats rise, more and more people engaging with it over the years. With every comment, my belief that I would one day go back to the Savior!AU series and write part 2 became stronger. I knew it would happen some day, it was just a matter of when.

And then, November 2023 rolled around. I defended my PhD and started a new job. Winter had come to Paris, and everything was dark and wet, and my new job had insanely long hours which left me very antsy when I came home. I knew I wanted to write something to distract me and be creative, but I had only written Marvel for two years and yet neither Stucky nor Stony called out to me. I knew I was craving something angsty and violent so I thought, you know what? Let's re-watch TWD on Netflix and see what happens. And lo and behold, I spiralled right back into my Savior!AU. A month later, I was posting the first chapter of part 2.

Honestly, I didn't expect anyone to still be interested in this fic 3 years later. I answered every single comment on part 1 and told each commenter that I had posted the first chapter of part 2 in the hope that someone would be curious enough to check it out. Marvel ships like Stucky and Stony were very active back then so I'd gotten used to a certain amount of stats on my fics, but I knew Cegan was a very rarepair in comparison and so I steeled myself for a return to very low engagement. And you know what? I couldn't have been more wrong. In terms of numbers, sure, it was barely a fraction of what I was used to. But in terms of comments? Of people interacting with the fic and telling me what they thought of it? Cegan was miles ahead of Marvel. To this day, some of the most consistent, most thoughtful comments I've ever received have been in the Cegan fandom. And it's not even a question of length either. I have people who have been commenting nothing but heart emojis on every chapter of my Cegan fics for the past year and I love them to death.

There is no word that can encompass how grateful I am for the Cegan community. I remember how scared I was back in 2021, terrified of antis and people criticizing the ship over, frankly, dumb matters (it's all fiction, enough said). 2021 Duchess could never imagine what today Duchess knows: that I have found so many loving and encouraging people to share my stories with. In one year of writing Cegan, I have met new friends, new readers, new writers, and all around incredible people. This is what fandom is about and I can only say thank you to everyone who has commented on my fics and reached out to me on Tumblr to talk to me about Cegan. This is worth more to me than any stat or number ever could.

2024 has been a fantastically productive year and I don't know if I'll write as much in 2025 but I know it doesn't matter, because more than a wordcount, this year has been about community. Thank you again to everyone who has been with me on this journey, from the bottom of my heart thank you. I couldn't have done any of this without you.

Love,

Duchess

PS: thank you so much @louferignojr for the tag. I'm tagging other people who might want to fill out the AO3 wrap card by Spicedrobot on Tumblr with the blank card at the bottom if they want to :)

@sparkagrace @confusedhockeyslut @lovelythunderstorm @ryisbread @ex0rin

@livefasteattrashh @honestlydarkprincess and anyone who wants to join in!!

[marciabrady]

it's so funny to me that the princess our culture associates fundamentally with passivity offers credos which are among the most active and powerful of any in the fairytale canon

first and foremost, cinderella communicates that we all are what we contribute.

cinderella saves the mice and fosters an environment of collaboration, harmony, and unity that's harbored by her own industrious nature. mind you, she does all of this against her stepfamily's wishes, actively defying them, and creating a counterculture in the process.

as the story team intended the animals to be a reflection of their human counterpart, notice how cinderella's kindred are uniformly hardworking, intentionally kind, and approach every situation with their best foot forward, adapting a problem-solving mindset that collectively aids them all in their shared progression toward the betterment of themselves and the world around them. take the very first scene in which we see cinderella and the culture she's created, for instance:

everyone has a hand in the first chores of the day and they're all choosing to do it with a smile on their face. key word: choosing. because this isn't an idly happy lot whose joy is an accident of their own nature or something that's easy. their happiness is something they have to be mindful of and, in many cases, fight against themselves to achieve. because, guess what? their life is terrible. they've been reduced to living in a dusty attic room of a decaying house. many of them were saved from death by cinderella, herself, and know that if they venture too far outside of the safe quarters she's provided, or if they allow themselves to be seen in some way, they'll be back at death's doorstep. the danger and stress they live under would cause anyone to snap, or anyone to never want to get out of bed, which is why we see them looking like this in one of the most relatable openings of all time:

i mean, cinderella canonically hits the snooze button:

the birds literally have to force her to wake up, initially:

and once she does wake up, she's playful and pleasant and kind, yes. but that doesn't last long- the clock immediately tries her by reminding her of the daily toil she must face in order to maintain the food and shelter that's tantamount to, not only her own survival, but that of this tiny community that she's the unofficial mayor over and continues to be responsible for. she has to sustain herself and the others she's collected around her by choosing to live life the way she does. this kindness is something she has to pay for, every day. and she physically snarls at being reminded of the hand life's dealt her:

and you know what? that's a very human quality that everyone can identify with in some regard because it's hard, even if you are someone who loves life and the people around you, to keep going in spite of the challenges you face. being positive, plainly put, is something that's difficult and you have to keep reengaging yourself to be because it isn't a natural state for most people, and especially not people that have been treated as unkindly as cinderella. let's not forget that she lost both of her parents at a young, formative age, and from that time in her youth when, like all other children, she deserved to be supported and loved and protected, she was literally "abused, humiliated" and "forced" into being a literal "servant in her own house." she had no security- both of her parents were gone, she had no money to fall back on, no education, no means with which to leave the house, and to try to get a job in that world and environment- as unlikely as it would've been to obtain in the first place (which, again is so relatable- look at the staffing shortages and people struggling to find employment today)- would've been contingent upon references of some sort, and we all know that lady tremaine definitely would've either a) ran a smear campaign against cinderella to absolve herself and the family name of any personal fault or b) prevented cinderella from ever leaving in the first place so that no one would ever know that atrocities the tremaines forced her to endure from the time she was practically an infant.

she wakes up after barely being able to sleep, probably, due to all the daily chores she must, alone, accomplish to keep an entire estate afloat. everyone is depending on her, from the stepfamily to the mice to the grounds of her family's home itself. her body's practically aching from the lack of rest, the physical work she's forced to do every day, from sleeping on such an uncomfortable bed. the only place she feels remotely safe is in this drafty attic, which smells of fraying wood and aging artifacts and is in a constate state of decay, with weeds growing in the sides of the tower. that's not even mentioning the emotional turmoil, the ptsd, the grief, the neglect, the physical abuse she's also processing at any given moment

so, yeah, cinderella snaps. and there are times she snaps later on in the film but she always reels herself in and consciously makes the choice to never succumb to her circumstances. this is what makes cinderella extraordinary. she singlehandedly- and actively- ends the cycle of abuse through the behavior and choices she partakes in every single day.

and, again, this isn't something that's easy for someone who has been in survival mode for a majority of their life. but the conscious choices, active efforts, and mindful decisions cinderella makes is what frees the household from that cycle of abuse continuing. i mentioned earlier that the animals are supposed to be a parallel to their human counterparts. remember how we meet gus? he's just been caught in a trap, doesn't have anything to wear, and is literally recoiling in fear. due to his terror and his own need to defend himself out of instinct, he attempts to make himself come off as threatening as possible and is ready to pop off the minute that jaq approaches him:

but, through cinderella's influence, she's able to give him hope once more. she treats him warmly, pairs him up with a buddy to go through life with, comes up with a name- and even a nickname- for him, gives him a community, a safe haven, and clothes him. in that short time, look at the difference she's made in his mood, his demeanor, even his approach to life:

and it isn't just the mice cinderella's this way with. in the opening slides, we see cinderella holding an adorable puppy dog. but as the film progresses, and the narrator details the despair the family estate has fallen into, that puppy dog turns into an old, starved bloodhound who's secretly sleeping on the floor of the cold kitchen to keep from freezing to death. he has to keep even his dreams to himself so as to not be heard by the stepfamily and potentially kicked out. he openly hates lucifer but cinderella encourages him to think of lucifer's good points too, even if she can't think of any herself, to be able to continue successfully cohabiting this environment with him. and when he pounces on lucifer, deserved or not, she puts an end to this:

because cinderella knows what will ever happen if bruno allows himself to give into his impulses, to treat others as life has treated him, to attempt to retaliate in an impossible environment when the odds are already against you. you'll harm yourself the most and perpetuate that cycle.

but, just as bruno is a reflection of cinderella, notice how gleeful lucifer is in falsely incriminating bruno, so that another being who's never wronged him will be unjustly punished and suffer:

this is what separates cinderella from the tremaines. this is why she is the heroine and they will never be, despite how many people you see empathizing with how unfairly life must've treated them for being the "conventionally unattractive" characters in the film, or for having a single mother which to them denotes less resources, or for being awkward, or for whatever other reason of the month they're being rewritten to be the victims.

if we are the sum of our contributions, the tremaines are nothing and that is definitely a reflection of their reality. they only feel alive when they're making fun of cinderella or humiliating her by continuing that cycle of abuse they passively adhere to and never challenge. remember how we met cinderella and her friends, gathering their spirits and putting on a smile, despite how hard it is with the troubles that face them? how they look past that to work together and try to change life for the better?

the tremaines can't be bothered to get out of bed. the truly passive, lazy characters, they grog about in dim rooms, turning around in their fine silks and ornate finery, while a being they literally enslaved is being forced to do their bidding. and they refuse to actively participate in their very charmed and privileged life. they can't even find a reason to be happy- but instead are upset when cinderella enters their room. they want to know why she's taken so long, to hurry up, to continue to wait on them, hand and foot. when she asks them how they're doing, they grumble, "as if you care." because they don't care about anyone else, so why would others care about them? and that type of apathy breeds resentment, which- in the wake of such sedentary creatures- seeks manifestation and results in destruction. the stepsisters get out of their comfortable beds only when they have the opportunity to point their finger at cinderella, to get their mother to punish her. again, they feel alive by inflicting pain on others, it's literally what gets them out of bed:

again, as the parallel, this goes for lucifer, too:

as cinderella nears lady tremaine's bed, her stepmother's eyes blaze with fury, hatred plain on her face:

lady tremaine doesn't move, her hand only lifting to stroke lucifer, who has the biggest grin on his face. meanwhile, the desperation is evident in cinderella. she isn't quite defeated, because she does stick up for herself three times in the scene. but she's tired of this. she's tired of being tormented by her only family, of having the odds stacked against her even when she's doing everything in her power to live as peacefully and productively as possible, of being forced to fight a losing battle that will never result in peace but will only further prompt hatred, and division, and anger. in her expression, there's almost a plea for lady tremaine:

it isn't until she sees cinderella's expression, she hears cinderella try to explain what happened, that she livens up. because she has the opportunity to, again, keep that cycle of abuse alive, to actively try to destroy cinderella's quality of life and to profit off the position of power she's in over cinderella. look at the difference in lady tremaine's expression in the previous cap, and in this one, when she believes she's silenced cinderella and is preparing to tear into her:

one of the best instances through which i can further illustrate this ideology (you are what you contribute) is in a later scene, where we see the stepsisters discard their fine wares, labeling it trash and flinging the luxuries life's afforded them to scorn. it's nothing to them.

yet, to the mice and cinderella, it isn't nothing. because, remember, the royal proclamation declared that every eligible maiden should attend. at first, the stepmother refuses to let cinderella go and even the stepsisters brush her aside with classist comments. when cinderella sticks up for herself by reminding them she's still a member of the family, and by trapping them in the language of the royal decree "every eligible maiden," lady tremaine has no choice but to consent- on the grounds that cinderella is able to make herself eligible through producing a suitable dress. because, remember, cinderella isn't seen as a person. she's seen as subhuman, someone who's reduced to wearing tatters and isn't seen as a person in the eyes of their society unless she has social indicators of wealth via her clothing, in this specific instance. drizella and anastasia never have to think about that, because they exist as people of value in their society due to their good fortune that they had no part in creating. they don't know what it's like to be laughed at, to not be considered eligible or even a person in the eyes of society the way that cinderella's lived experience has reflected since her father died. meanwhile, the tremaines are so deep in their own privilege, that they're literally waving it around like it's a rag and carelessly tossing it away. yet, what does cinderella do, with much less?

cinderella makes do with what little she has, always to help someone else. and because of this active kindness, it changes the mindset of those around her. since she's afforded this to so many of the mice, what do they do for her in return?

what a difference in how cinderella and the stepfamily approaches what's, essentially, the same material? and this community that cinderella has established and continually maintained and influenced comes to each other's aid, time and time again. whether it's cinderella freeing the mice from death, or giving them clothing, or allowing bruno to sleep inside unbeknownst to the stepfamily, or the mice turning into a LITERAL army and battleground in cinderella's honor:

again, this community is just as active and vital as cinderella, herself, is. because those values i mentioned earlier, of helping one another and rising above your circumstances and working together, aren't just whimsical morals cinderella sings about. they're constant behaviors she's actively taking part in and impact the household they all share, to the point where when they help each other take action when the time is right. they're constantly conferring with one another on how to best use their community and the resources this offers to get closer to victory. (meanwhile, the stepfamily is only for themselves; anastasia and drizella literally repeatedly hit each other and compete, even to the point of giving conflicting stories to the grand duke that makes their pathetic attempt seem all the more discreditable at alleging they were the princess at the ball the night before) we see it in how cinderella and her friends accomplish their chores together, in how the mice plan to get her dress remade while she's busy, even in how cinderella's quick thinking leads to calling upon bruno, who must be awoken by the birds with an interjecting call from the horse, and how this leads to all of their escape:

because, this community also knows when it to fight and support one another in times of battle and when the goal will bring about a victory that will ultimately reign peace; they know when it's worth it for a shared goal and the benefit of all parties involved. and the difference cinderella brought into that household is what gave them all glory and helped them, not only survive, but succeed. it isn't just the poor scullery maid we see ascend in the closing chapter of the film. we see the same bluebirds who attempted to wake her up in the beginning of the film holding her wedding veil:

we see those same mice that she nursed from death, and clothed, and fed, and loved; the mice that risked their lives in remaking her deceased mother's dress so that cinderella might, too, have a chance to go to the ball; they're still here, cheering her on and throwing rice in blessing at the happy couple, their own clothing being upgraded to reflect that of the royal staff:

we see that starved bloodhound and the old horse leading the royal regiment, as beautiful and shining and proud as their majestic counterparts:

and this is the world that cinderella, as a character, offers. not a world in which multiple parties are at competition with one another over who's the prettiest, or the wealthiest, or where hatred breeds continual hatred. but she presents us a world in which everyone deserves to be seen, heard and valued; where everyone can find a community they can contribute to and have purpose in and be worthy of experiencing love, whatever you determine love to be whether it's romantic or in the form of a found family.

a world in which everyone can go to the ball:

[artemis-73]

Suptober Day 14: Fave Episode

"…I need you to keep the faith, for both of us. ‘Cause right now, I… Right now, I don’t believe in a damn thing," Dean says, heartbroken eyes glimmering with tears.

Chuck hits pause. The shot holds on a closeup of Dean, so obviously changed by everything he's lost. With a thought, the lights in the movie theatre raise. "A perfect ending to the episode, right? All of Dean's angst and pain and suffering stewing in what was once a hopeful, bright-eyed and bushytailed kid. Him needing to lean on Sam. You love that, right?"

Becky hasn't moved. She's staring up at the screen with tears in her eyes. She looks back at Chuck. "What… No! What happens next? Does Cas come back? Does Mary?"

There's satisfaction in knowing that she's hooked on the story, even if she's being a little pushier than he'd like and is focused on all the wrong things. "Who cares? Mary's resurrection was Amara's failed experiment. I love my sister, but she's got no instinct for what makes a good story. And Cas? Cas should've been gone years ago. It's time for Dean to get over it. He's in the Empty, which is where he'll stay. Think of it as the cutting room floor. I can't see them; they can't see me. Come on. Let's focus on what matters: Lucifer's kid, huh? That's a fun villain."

Becky swipes at her eyes with shaking hands. "Jack?" she asks. "He's just a kid. He hasn't done anything wrong. He seems to really care about Cas, too. Maybe he can help Sam and Dean get Cas back."

"Enough about Cas!" The lights flicker, and the theater shakes. Chuck wishes he could find anyone else to be a part of his focus group, but Becky's the only one he can trust with all the lore. Sure, he doesn't always listen, but he has to know the rules before he can break them. "Now, Cas is gone for good. So let's talk about my outline for the rest of the season—"

"Wait," Becky interrupts, always so inconsiderate. "There's still a minute left in the episode."

Chuck whirls to face the screen. His little outburst must have jolted the electrical because below Dean's devastated face is the scrub bar with the episode length. It should only have a couple of seconds left, after all, there's no need for credits during a private screening with the Creator. Chuck is sure that when he cut the episode together, this was the last shot he chose.

But there's a still a minute and change left.

He scrambles for the remote. He has to know, even though he dreads what comes next. It has to be Amara. It has to be.

Dean's face twitches into action as he breaths raggedly for another second. Then it cuts to a shot of Castiel lying in a field. A familiar field.

"No, no, no, NO! I cut the meadow. I cut Dean spreading his ashes, and I cut Castiel."

Castiel stands in the sun, his smiling face tilted toward the sun, and then the episode ends, and the screen goes black. In the silence that follows, Chuck seethes. Bringing Cas back from the Empty would've taken some serious mojo. More than anyone but Amara has, but Amara doesn't care about the angel. She doesn't care about Dean, really. She wouldn't intervene. Maybe to spite—

"Jack," he breathes. He remembers the last episode when Jack overheard Sam and Dean's big knockdown drag out, and his eyes had glowed golden, and he'd said Castiel's name right before the episode ended. "It's impossible. He can't be that powerful already."

"Wait, so Jack saved his dad?" Becky is beaming because she has no taste.

"Shut up." Chuck snaps his fingers and sends her back to her boring life. He'll need to work through a couple drafts before bringing her back. He'd hoped for more time to pick her brain before wiping it again, but he has so much work to do.

Step One: Get rid of Jack.

Step Two: Get rid of Castiel.

[archer-kacey]

Something I noticed is a lot of people who hated BATIM love BATDR and a lot of people fond of BATIM dislike BATDR. To me, this seems like a mechanics vs story issue. The actual game mechanics and aesthetic of BATDR disguise the lackluster characters and plot holes. However, BATIM still suffers those same issues.

This is a vague question, but what are your thoughts on BATIM vs BATDR story wise? Is either of them truly better? Or are they just flawed in different ways?

Sorry, this is long, but so are BATIM and BATDR :')

I think you hit the nail on the head in the sense that yes- BATDR has better gameplay and mechanics than BATIM, but BATIM by far has a much more compelling story that was able to capture and keep attention over the course of five chapter releases. And yes, BATIM is not without its flaws, for example it's mainly a walking simulator in terms of actual gameplay- the only thing saving it being the unique ability to suck the player in through the rich, stylistic environments.

In terms of story, here's my take for both of them-

BATIM is more solid overall, there are more connected plot points and there's a thread there to be followed from start to finish. It does suffer from some WTF plothole moments, the biggest one being Alice's 180 degree turn with suddenly using Boris as a killing machine rather than...what I can only assume was a plan to use his ink/body as some kind of reparative agent for the hole in her face (like thicc ink premium idk), or...some kind of spell...? It's honestly not very clear HOW she was going to use him, but bottom line she decided to entirely change her plan off-screen, which could have been remedied with something like a cutscene's worth of explanation, and more of a buildup to Brute Boris. The "reveal" in the haunted house didn't hold that much weight (at least to me,) just because we didn't even get a cookie crumb of a hint that Alice was going to mutilate him and use him as a drone instead of just axe him.

There are other nonsense details like Allison's ominous "I'm no Angel" line, which didn't make sense when Tom was the one to want to leave Henry. It was never explained WHY the Ink Demon walks around with a limp when he can shapeshift into a bigger and faster Beast version of himself (and apparently he was ALSO the hand in the ink river??? I guess???) And can we talk about how the cult Joey started was just never brought up again? Wally talks about how workers were encouraged (or mandated, idk) to put offerings in the break room to "appease the gods." What gods? Was Joey worshiping Bendy like a god? NONE OF THIS IS EXPLAINED EVER and honestly I think Micheal D. and Meatstick just Forgot that Joey was a cult leader in favor of Sammy's cult storyline.

But despite all of the plot holes, we still get a tale of a deteriorating studio, humans being used as literal skeletons for lifelike versions of cartoon characters, themes of life, death, cults, art, and more. Honestly, going deep into the plot of Bendy would take its own post to really do it justice.

I guess the main plot is this: Ex-co-founder of Joey Drew Studios, Henry, is trying to get the fuck home to his wife, learning along the way that through the power of a mysterious ink machine, his ex-business partner decided to coerce and persuade people to Literally Die so he could have the necessary materials to create living versions of his cartoons, thus making "his" characters (and more importantly, Bendy,) a reality. Once Henry does escape, he learns that Joey has sent him through this same hell before, still filled with hatred and spite, just in time for Joey to assumedly "reset" him and send him on a different version of the same journey, as we can guess from the storyboards on display in Joey's apartment. THAT on its own is an intriguing and layered tale, and that's not even including the other details, voices, and faces we run into in BATIM, AND the new info we learn in BATDR.

Now, BATDR...is something I've come to view as a mixed bag.

Story-wise, it weirdly wants to have its cake and eat it to. Henry's story is elaborated on, and part of Audrey's origins are also brought to light. This is helpful information concerning the plot of BATIM...but then we get assblasted with a ton of new characters and lore for a completely new Cycle under the reign of a completely new Random Old Man. I know he's Nathan's son, and he was mentioned in both Illusion and Fade to Black...but those were de-canonized, so it almost doesn't help context-wise...???? So...????

In a lot of ways, BATDR almost acts like it wants to be an AU branching from BATIM rather than a direct sequel, which it was marketed/confirmed as.

I think my biggest problem with BATDR is that some of the main characters are bafflingly like. Mishandled.

I'm gonna have the mildest take on earth and say I didn't like the new Ink Demon. Old design was better and more uncanny by far, the new design looks like Generic Satan or something straight out of Baldur's Gate. He was given a deep, guttural growling voice because....tumblr sexyman I guess. Even if they needed him to talk, it could've been something more breathy and raspy, true to the heavy breathing of the original Ink Demon. Also, his alternate form was made very childlike, and I'm just weirded out by the fact that you have this oddly "sexified" version of the Ink Demon on the flipside of Bendy the Child. I don't think any ill intent was meant by this, but it's more confusing than anything thematically. I'm also not sure why Bendy's abuse was brought up and then never touched on....? Like wasn't this guy locked up and called a monster his whole life? Are we going to...say something especially considering the moral of this story......?

Memory Joey is completely fine, but I just can't shake the feeling that the narrative is trying to paint IRL Joey as "UWU fixed now" when that's not the case. The most sympathy I can extend to IRL Joey is that he was a gay man who desired to have a family at a time when that was not only frowned upon but dangerous, not just socially speaking but in terms of his physical safety. But beyond that, this was a dude who locked people in a building to keep them working, coerced and possibly forced the deaths of many people to get what he wanted (the ink machine was a scientific advancement that could've had AMAZING implications for society but he Did Not Give a Shit about that), and was abusive towards Henry. If we trust the Bendy books, he also gaslit and killed his teenage staff. This motherfucker isn't a patron saint of anything, and even if Memory Joey can learn from IRL Joey's mistakes, IRL Joey was still a shitbag who just happened to raise a daughter.

Which leads me to Audrey. Some of Audrey's tale is explained- she was raised by Joey, forgot Joey was her father, and came to work at Archgate as an animator. Got to know Wilson, who works as a janitor at Archgate, and then he drags her into ink hell because....idk, she's his version of "A Perfect Boris" I guess. Fair enough. However, it's NEVER EXPLAINED how Audrey doesn't remember her father, or WHERE she went to live after his passing, or WHO she lived with. Remember, Joey was as old as a cave painting, so he clearly passed when she was very young. While you could argue she doesn't remember his name because she was little, SURELY she remembers his face or voice, or the fact that she HAD A FATHER??? Like, was there some huge trauma there? (Other than the fact that Joey was her dad?) It makes little sense to me that she would forget so easily. If I had to make a guess (and granted I'm no Mark Twain), I'd wager that Allison probably found Joey dead. Remember that Nathan hadn't talked to Joey in years, and Allison was the one who went out of her way in the first place to visit. At this point, Allison's gonna find a little girl running around by herself, and assumedly her and Thomas would've taken her in. If that's not the case, someone else found Joey dead, at which point Audrey would've possibly lived with Nathan and Tessa, considering how much Nathan cared about Joey. Either party has ties to Archgate. But all of that is just speculation, not confirmed, and even if any of that were true, Audrey makes no mention of it. And I'm sorry, Audrey's backstory makes me want to cry, because it's just NOT THERE and she has the personality of a depressed bucket.

Alice was alright...but she was kind of stupid? Which is like....the antithesis of everything cool about her? Instead of using traps and luring the main character from a distance, she knocks out Audrey (via unspecified drink), plays Diet Jigsaw with Audrey, and then gets pushed off a balcony. She was also a lot more...idk, suave and sultry in speech mannerisms in BATDR, which isn't bad, but her unhinged and clever nature seemed a bit watered down.

I don't really have notes on the rest of the main cast. Sammy was brought back to die immediately, which honestly was fine considering his death track record. We get some mentions of BATIM characters. Wilson and Betty were fine, and even some of the lore explaining how the timelines work made sense.

HOWEVER,

I've already said it a hundred times, but the old cast was shoved to the side for a bunch of new characters we had no time to connect with. A new butcher gang member was added when we still have Miss Twisted as a potential female-role filler (keep in mind the Projectionist is based on Camera Man and Brute Boris was based on The Brute.) The whole "Amok" thing was a REALLY roundabout way to get the Lost Ones to stop attacking Audrey.

Wilson's motivations are mostly consistent and I'd argue somewhat compelling, but I don't understand why he didn't do more to protect Audrey if he was going to need her for the endgame for Shipahoy Dudley? Like what's all this about letting her run around and get killed? Was he just aware that she'd revive?

The main message of BATDR was fine, but it didn't work super well for Audrey's character. She'd already forgotten Joey was her father, and was living in blissful ignorance of that fact until Memory Joey decided to infodump on her right away. Sure, the "just because you were born of darkness doesn't mean you have to be darkness" thing applies to her AFTER she learns Joey was her father, but...Audrey was never threatening to Become Evil, so it almost didn't need to be said and was kind of a flat message...? I would argue Memory Joey would benefit more from that message- as he's a literal copy of a Very Bad Dude. My guy was projecting this whole time.

I do think BATDR was worse story-wise, but I'm not going to sit here and pretend it didn't have certain disadvantages from the start. The Kindlybeast debacle happened, BADTR was trying to continue a story from an existing property, and there was a severe lack of Adrienne Kress. Okay, maybe the last one was a bit much, but still. That doesn't mean I hate BATDR overall, I can appreciate a lot of things about it, but strictly in the story department, it needs soooooo much work and makes me want to jump off a Minecraft cliff.

[casuallyawkardd]

Dating Hobie Brown

Pairing: Hobie Brown x GN!Reader

Summary: My personal headcannon of what it would be like dating Hobie Brown. Includes how you met, got together and etc. 

Warnings: fluff, angst, hurt/comfort, death and violence

A/N: Idk how old Hobie actually is, but I always pictured he was like nineteen so don’t @ me when the NSFW comes out. Also I didn’t mean for it to come out as sad as it did?? So sorry I guess 

Meeting

Your mother is the captain of the police force. Growing up, it was just the two of you and because of this your mother made sure to raise you right. Making sure you said your ‘please’s and ‘thank you’s, got good grades in school, didn’t get involved with the wrong crowd, etc. etc. As you got older, you learned just how hard your mom worked to make sure you had a good childhood, a good life, and so you made sure to do as you were told. To be her perfect, little baby. 

However, it was hard to make sure you grew up in a ‘good’ environment the older you got. Especially when you began to understand that not everyone saw your mom as the hero you saw her as. The political environment of London was unstable, protests and riots becoming more and more frequent. Sure, you agreed that the government was corrupted and people abused the power they were given, but when you started seeing signs that trash talked the captain of the police force, you couldn’t help but take it personally. Yeah, there were some bad people out there, but your mother was not one of them. 

Being the kid of the police captain makes you a walking target and you find that out the hard way. One night, as you’re walking home from one of your uni’s night classes, some extremists decide to back you into the nearest alley. They weren’t like the usual protestors who would shout at you while you walked down the street, these were the kind that were in it for the rioting. More about making a scene than supporting a cause, practically looking for an excuse to do some damage. 

You have no intention of making it easy for them, mama didn’t raise no bitch. They shove you and you shove back even harder. They get in your face to spit insults, you scream some right back. It’s a back and forth that goes downhill quickly, four against one being painfully unfair odds. 

Before you get your ass kicked, your savior arrives. You recognize him immediately; the ripped jeans, leather jacket, the red mask with a spiked mohawk, you’re taken aback as you watch Spider-Man pummel your antagonizers and yell at them to ‘fuck off!’ Now it’s just the two of you in the dark alley and you don’t know how to feel. On one hand, he did just save you from getting your teeth knocked in. On the other, the guy was the bane of your mother’s existence, practically the ringmaster of every protest and riot in London that makes her lose sleep at night. 

”You’re the captain��s kid, ain’tcha?”

“Can’t let a lovely face like yours get broken, eh?”

He’s...charming, his fingers gently grasping your chin as he assesses the damage. Even offers to take you home, which he doesn’t even give you the chance to say yes or no to as he’s already walking you down the street. While there’s a certain allure to him, he’s also a thorn in your side. Teasing you, making up antagonizing nicknames, by the time you make it to your apartment building you’re sure he’s just doing it to spite you. For once, you go against what your mother taught you and don’t thank him as you slam the window shut.

“What? No kiss goodnight?”

Meeting...Again

When you two cross paths again, it’s not when he’s Spider-Man. One of your friends from your creative writing class drags you out to the pub. Saying it was a crime you had been eighteen years old for six months and had yet to have your first drink. The bar is loud, filled with the type of people your mother would kill you for hanging out with. It seems your friend had neglected to tell you this particular venue was a dive bar. A dive bar that was frequented by bikers and freedom fighters. 

You don’t notice him, but Hobie recognizes you instantly; a smirk making its way onto his face as he strolls over. You’re tucked into the corner of the bar quietly sipping on some drinks, your friend having long since ditched you to talk to someone who caught her eye.

“Hiding away are you, love?”

The voice is familiar, making you turn to face him instantly. Where you’ve heard it is a little trickier to place. One quick up and down of the man now leaning against the bar has you stiffening. He’s practically the definition of what your mother has tried to protect you from for years, telling you that people that looked like him were bad news. Yet it seems your attempts to dissuade him are futile, in fact Hobie almost seems to enjoy the banter. He says one thing, you turn your nose up at it. He responds to your insults with vaguely flirty comments and chuckles when you go hot under the collar. 

He finally gets you to crack when he brings up music. It’s your passion, your life, hell it’s what got you a scholarship to even get into uni in the first place; tuition being well out of your budget. While it’s no surprise your tastes in music differ, it’s more about how he talks about music. You learn he’s a musician too, that he believes it’s not just about ‘finding a good beat’; how music can touch the soul if done just right. That it’s something that can unite the unlikeliest people.

It surprises you, in a good way. Has you thinking there’s maybe more to him than meets the eye. You say as much, Hobie teasing you about how ‘you shouldn’t judge a book by its cover’, which has you rolling your eyes. He’s not wrong though, the more he talks the more you want to listen. Not just about music, but the little details of his past, his beliefs, ideals and even his little quirks that he brings up organically in the conversation. What’s even better is how he matches your interest with his own, pulling out every little detail about yourself he can. 

You don’t realize it’s gotten late, a quick glance at your phone showing you had missed a concerning amount of calls and texts from your mum. Drunkenly, you stand and stagger, the drinks you had been sipping on, that Hobie so generously kept buying you, starting to pack a punch. Large hands hold you steady, Hobie offering to walk you home. You tell him no, the slur of the word causing him to guide you out of the pub regardless. 

You never thought walking home from a bar could be this fun. The fuzzy feeling in your head making you giggle and stumble down the path, Hobie following along and indulging you and your drunken bantering. When you do finally get home, you dread the idea of encountering your mother in your intoxicated state. Not to mention the fact you were accompanied with a ‘ ‘delinquent’ ’, your mother’s words not yours, like Hobie. The final decision is to crawl through your bedroom window, demanding Hobie give you a lift. The suggestion has him grinning ear to ear, tall stature lowering into a crouch and longer finger intertwining to give you a step.

“So there’s a little rebel in you after all, eh?”

Getting Together + “Dating”

The two of you becoming an item happens before you even realize it. You had been going about things under the guise of friendship, that is until one of his friends brings it up. A harmless little comment really, telling you that your ‘little boy toy’ was causing a ruckus yet again and might need someone to reel him in. It perplexes you, said friend beginning to tease you for playing coy. When you finally do fetch Hobie and apologize on his behalf, they give you a knowing look as you and your ‘boy toy’ head out for the evening. 

Suddenly you’re very aware of the way he grabs your hand when guiding you through a crowded room. Fingers laced with yours for a better grip and using his body to shove people aside to give you a clear path. The gentle kisses on your forehead when he tells you goodnight or on your knuckles when he’s trying to apologize for something. How his forehead touches yours when you listen to one of his favorite cassette tapes, your eyes closed to focus on the music while he watches you softly mouth the words to the song. The proud look he gets on his face whenever you do something out of your comfort zone, followed by him saying ‘I told you so’ when you end up liking it. 

“Nah mate, I don’t do labels.”

Is his response when someone flat out calls him your boyfriend. He says it simply, bluntly and you try to deny the sting in your chest when he does. And yet you hold your tongue, suppressing your comments with the bitter taste of beer. The routine you’ve begun now feels full of falsehoods. Spending the day between home and uni classes to keep up appearances as the ‘perfect child’; evenings at small pubs and Hobie’s flat where you finally get to unwind and take a break. What were his intentions? Was he like this with other people? Is what the two of you have not as special as you had thought?

The thoughts swirl through your head as you begin your walk home from the pub, yet another part of your new routine. Although this time, rather than Hobie and you walking side by side, air filled with chatter and quieted laughter, tonight he’s a few paces behind you. Not by choice, rather you seem to be refusing to speak to him, picking up the pace whenever he tries to match your stride. Could he easily close the distance with his long stride? Sure, but he knows when to not push your boundaries. 

He’s had enough by the time you arrive at your apartment building, a familiar, large hand wrapping around your forearm and pulling you to him. He’s not mad, barely even upset, just confused why you’re acting so differently. Usually you liked his calm demeanor, it seemed to balance out your high strung one, but right now it infuriates you. How does he not get it? Swerving the goodnight kiss, you head up to your flat to put this night behind you.

 After about a week of you declining invites and giving him the cold shoulder, Hobie decides to come to you. He tries to be respectful, giving you space for reasons he has yet to understand, but that doesn’t mean he can’t watch you. It’s not creepy...he’s just making sure you get home safe, watching from the building across the street from your usual route home...it’s not weird, right? Right? 

He can’t stand it, shooting a web and swinging to land gracefully in front of you. Or he tries to, his boot got caught on the concrete and he had to stumble to a stop. Since when has he been this clumsy? You stand dumbfounded, not recognizing him when he’s in his Spider-Man suit. He doesn’t even remember he’s in the stupid thing until he’s halfway through his rantings; talking about how ‘uncool’ it is to be avoiding him and how he thought of you as more mature than this. That he can’t fix the problem unless you tell him the problem.

After a moment of awkward silence, the look of recognition flashes across your face and he’s ushering you into the nearest alley before you can blurt out his secret identity. Stuck between Hobie and the brick wall, you’re forced to fess up to why you’ve been so distant, Hobie refusing to budge until you do. You can’t even look him in the eye as you spill every thought you’ve had over the last week. Talking about how you have feelings for him, but hate him for making you like him. How you don’t care if he feels the same, but you do care that he acts like he feels the same. That it’s not fair he gets to decide what can and can’t be a label and if he’s not your boyfriend then what is he? That it-

Hobie cuts you off as he leans in, lips pressing tenderly against yours. You hesitate before leaning into it, his warmth surrounds you as his arms move to wrap around your back. You realize you missed his touch, the contrast between the coolness of his piercing and the comfort of his lips on your skin. When he pulls away, he continues to hold you close, hand coming up to hold your face, a calloused thumb stroking your cheekbone. 

“I’m not into putting a label on things, but I’m into....this. I like what this is. I don’t need a stupid label to tell everyone I like you and you like me cuz the only people who need to know are you and me. Innit that right, love?”

You point out that while it’s touching he feels that way, there might be a hole or two in his idea. The two of you decide to compromise so the next time someone asks, you tell people you’re ‘exclusive’. It’s not a label, it’s an adjective, totally different.

Future

You two met before the spiderverse, before Hobie even knew what a canon event was. If he had, he might’ve prevented his next one. Your mother’s death came during a flurry of incidents. For you, it was her finding out about Hobie. As expected, she was furious when she found the two of you saying your goodbyes through your bedroom window. The fight that ensued between you and her was monstrous . You’d always been a good kid, her perfect, little angel. You’d grown to hate that word. Perfect. What’s the point in being perfect if you can’t live your life? Have a little fun?

She blames Hobie for your change in tune, forbidding you from ever seeing him again. The bubble of anger swelling in your chest bursts and you tell her ‘no’ for the first time. Scream it at her actually. That you’d done everything she asked for your whole life and that you weren’t going to give up the one thing you did for yourself. That it wasn’t a crime to like someone like Hobie, that there was more to him if she would just give him a chance. Your mother refuses to listen, dismissing you to go to your room. Reluctantly you comply, but not without shouting a final ‘I hate you!’ as you slam the door. 

Hobie, while frazzled by the little bit of the argument he’d witnessed, has his own problems brewing. He’s caught wind of Kingpin, the rumor being that he’s working with Osborn once again. This time, he’s gotten his slimy hands on some illegal weapons that’ll give the police force the upper hand against the freedom fighters. He’s on the scene, but so is your mother, who had left after your fight when she got tipped off. Hobie can see she’s alone, most likely being too impatient for backup like she usually is. 

Everything happens too quickly, hissing whispers between him and her as he tries to tell her to ‘bugger off’, her saying she’s not going to let some kid get hurt while playing hero. Huh, she’s never called him a hero before. Hobie doesn’t get to dwell on the thought before they’re spotted, bullets and gun powder filling the night air. Some webbing takes care of Kingpin’s goons, but the bastard is able to get away as usual, but not without delivering the final shot. 

The eyes of Hobie’s spidersuit widen when he sees the blood leaking down the front of your mother’s uniform, instincts drawing him to her side to help her lie down. Emotions stir uncomfortably inside his chest, this is a cop; not just any cop, but the leader of the swine that call themselves the defenders of the people. And yet he’s applying pressure to the wound, holding off the inevitable because right now she isn’t the captain of the police force, she’s a mother. Your mother. 

Her last words are ingrained in his mind, ‘My baby...I can’t leave my baby.’

You’re confused when you see him in your living room, quietly but urgently saying that he has to go before your mother catches him, unaware she’s not even home. That she wouldn’t be coming back home. Routine and structure is embedded in your being, the idea of your mother’s death coming ‘too soon’ or that ‘you wouldn’t get to say goodbye’ have never crossed your mind. And yet it’s your reality. Your mother doesn’t get to retire and die of old age and the last words you said to her were ‘I hate you.’

“She knows you don’t.”

Hobie tries to comfort you, holding you close despite your resistance. In all honesty, you don’t know if you want to be left alone or never want him to let you go, so you settle for what he has to offer. Hobie doesn’t say much else, partly because he doesn’t know what to say and partly because he thinks all he can do right now is hold you and let your tears soak the front of his suit. 

As morbid as it may sound, your mother’s death came at a convenient time. Your first year of uni had wrapped up the week before, so it hurts less to withdraw. At least you were able to wrap up one year. Whether or not you’ll go back isn’t on your mind, but deep down you know you will. It’s what your mother would’ve wanted. 

You’re grateful for the support system you have, a few uni friends who still keep in touch after you leave and the friends you made through Hobie. While their ‘I’m sorry for your loss’s and ‘I’m here for you’s are comforting, Hobie is the one who’s truly there for you. 

Hobie’s the one who lets you move in with him when you can’t stand being at home, everything there reminding you of her. Hobie’s the one who brings you your meals when you forget to eat, the water you have yet to drink. Hobie’s the one who asks you to play a song he likes, his excuse being that he likes it better when you play it, but you both know it’s his way of making sure you don’t abandon your passions. Hobie’s the one who carries you to bed when you fall asleep to home videos, tucking you in and placing the baby blanket your mother made you on top. Hobie’s the one that heals you, even if it’s only a little. Even if there’s still more of you to make better. 

In terms of marriage and kids, they aren’t things either of you talk about. You’re young, you have a lot more ahead of you. Hobie reminded you of that. That sometimes life doesn’t follow a ‘routine’, that sometimes it’s better to live day by day with the ones you love. 

Tags:

@khaleesihavilliard @graysonshaven​ @qiaipia​ @3zae-zae3​ @thedevax @erissco​ 

[shera-dnd]

Well with the final Suletta sunday I guess it's a good time to do one last bit of thematic analysis and symbolism

There were no actual tomatoes this episode, so I think it's time we address the core theme those tomatoes played into

Choosing Love

Because in the end that's what saves everyone. It's why even our hated villains get to live.

Because when everything went to shit and they could have all chosen anger or despair, they all chose love

Prospera and Suletta, Ericht and Suletta, Lauda and Guel

They chose to love and live and be together as family

Because love here isn't just the romantic love Suletta and Miorine have for each other, but familial love, and the love between friends too

That love comes together as all the gundams join Callibarn at the end (plus Elan's love for Suletta) and release it all in one crowning moment

A gigantic blast of gay rainbows. A love so strong it overrides that super weapon and shuts it down

Lets not fucking forget the ghosts stored in the data storm. All of those who died to the gundam curse returning one last time, as their memories are allowed to live on

All those who our protagonists lost, but that are still with them. The memories of them helping them fight on

It's those memories that let Suletta surpass Permet Score 8

But like Sophie said, Gundams are weapons of war. They're meant only for killing.

And once again they choose love. They decide that if Gundams can only exist to harm, then Gundams shouldn't exist at all. The Mobile Suits, Quiet Zero, every weapon disintegrates, leaving behind the thing they truly wanted Gund Arm tech to be

Medical technology. Something that exists with the sole purpose of helping people.

Love may be stored in the gundam, but with them gone that love is allowed to be free again

Of course the mobile suits disintegrating is also meant to parallel the benerit group falling apart, because guess what Suletta isn't the only one going for that thematic consistency

HER WIFE IS DOING IT TOO

Miorine could spend years using her financial power to fight the other companies or made a big show of making donations to Earth, or "helped" in a myriad other ways that still kept her in power as the head of a mega corporation

But what did the bitch do? She dismantled the company and sent all the assets to earth, so they'd be able to rebuild and flourish without becoming dependent on her company's good will

Because guess what choosing love is choosing vulnerability. Choosing love doesn't mean shit if you're still holding power over others around you. They chose love and that means choosing to let go of that power

No money, no death robots, they don't need the power, they don't need control, they just need to help others in whatever way they can

Considering that clinging to control and power has been a very common recurring trait among our villains, this was genuinely the best way this could have gone

And so they all get to live, in a world they built together, a more peaceful world. Because they made their choice

WAIT HOLD ON THIS MIRRORS HOW THE HOLDER THING WAS TAKING AWAY CHOICE FROM MIORINE AND NOW-

Okay I'll stop. I could write a god damn thesis about this show, but I think this about covers things

Love me a show about being hopeful and full of love and joy in a world that expects only bitterness and spite

[snowblack-charcoalwhite]

I apologize in advance for how long this is but I've been so disappointed in this season and my only consolation is knowing other fans share my feelings. Going through your blog has been a relief. I honestly can't believe how badly they've mishandled Aemond this season.

I don't even think it's the plot itself, it's how they execute it that's so frustrating. If you insist on having these moments at least make them make sense for the character. I could see a rift forming between him and Alicent, pushing Aemond into being more cold and distant, but making that happen off screen makes it much less believable. Have him come home still shaken from what he's done and seeking comfort from the only person who's ever given him any. Only for that person to reject him in anger, forcing him to bottle up his own vulnerabilities. If you have to make him dismiss Alicent from the council, make it a misguided attempt to make it up to her, to 'save' her because she looks so miserable. A 'you can rest now mother, I will handle this' kind of thing. It's another form of the misogyny they tirelessly insist on pushing but it works better for his character. Make him try to bargain with Aegon for his silence, telling him that it's crucial for the stability of the realm if the truth doesn't come out, that Aemond only did what was necessary you see. It would be so interesting to see him try and pontificate while Aegon is just lying there whimpering and scared out of his mind. Add the threats in there but have Aemond provide some justification for his actions even though he once again let the monster in him take over in that battle.

I've always felt like the difference between Daemon and Aemond was that Deamon shamelessly pursued his own interests while Aemond had this angry righteousness to him. He felt slighted and mistreated all while seeing himself better than those around him. Seeing him try to justify his mounting cruelty while slowly spiraling and becoming more and more like his impulsive, selfish uncle would have been so interesting to see.

Alas, all we get is a shell of a once interesting character. It's such a shame to see him stripped of his only redeeming qualities. They've practically removed all the nuance from his character and I'll forever be disappointed by that.

Hello, and thank you for your message!

No need to apologize, I'm grateful to you for sharing your opinion - and glad that me doing the same on my blog could be of some help to you.

I loved the expression you used - "angry righteousness". In season 1 Aemond was built up as a dutiful son who is ready to do what is needed for his family in spite of his own ambition - that he has in spades - and that made his loyalty even more remarkable. I believe it would have been more in accordance with that characterization if Aemond had been actually shown to yearn for power because he truly believes he is the one that could wield it to the maximum advantage of his family. And the saddest thing is that it is exactly the angle Ewan has on Aemond's motivation, according to his interviews, but the script gave us nothing to support it with. Once again, the actor understands and cherishes his character way more and way better than the writers.

I also completely agree with you on the matter of poor execution. However much I dislike the fact of Aemond distancing himself from his family as a plot move (not giving any thought to Jaehaerys' murder, attacking Aegon, dismissing Alicent), the worst part is that his actions (or inaction) are kind of disconnected from each other - we can see the "what"- and we are kind of supposed to see the "why", I guess - but the pieces of the puzzle are not coming together. Aemond mostly remains closed off not only from other characters but from the audience as well, and the few vulnerable moments the script gave him work mostly thanks to Ewan's acting. And in general - there is not nearly enough of Aemond in this season where he was supposed to be one of the main characters.

Overall, this season is a huge disappointment (and not only because of what has been done to Aemond's character) but at least the acting has been top notch (from Ewan in particular and from pretty much everyone else) just as it was in season 1. It doesn't make up for all the flaws (if only in part) but I, for one, am going to take every crumb of goodness this excuse of a show will give.

[nanakah]

onk mini-rambling

tl;dr i feel going against the current a bit as a die-hard ishimiko shipper, but I love Aquakane a whole lot ahahahah

heavy spoilers under the cut

Apparently this is an unusual take, but I'm not really convinced Aquakana is that similar to Ishimiko. The power balance is off and Kana in general reminds me more of how Maki behaves, with some shades of being too "bright" and removed from Aqua's real worries and business. She is still a complex character with good motivations, but the stakes she operates on are too different from what Aqua's revenge plot hinges on.

I've been fighting this feeling that Aquakane was more similar to Ishimiko since chapter 26.

Most people seemed to think otherwise, so I considered I was just seeing things and tried being more into Aquakana once, but I realized it required downplaying what really was going on with Akane too much. And the more I really tried to read Akane with unbiased eyes, the more I came to love her. There is something fundamentally missing for me to think the time Aqua and Kana spent apart is setup for a stronger SINCERE development now, and his protectiveness and admiration of her seem too rooted in the idea of salvation/redemption for Ai, which is platonic. Most of the time, the protectiveness he displays of her is too similar to Ruby for me to think it's romantic or concealing some deep forbidden attraction.

Overall, I think Kana is cute but I can't feel much for the ship. Her chemistry with Akane is really good too, I'm hoping the anime gets a second season for the Tokyo Blade arc because it's amazing.

Kana does bring light to Aqua's life. I can see it, but that reminds me more of Tsubame's role than Miko's..."The Sun".

She helps Aqua get in touch with acting again, he supports her and plays around with her, but at the end of the day, that always seems distant and only a symptom of Aqua's true struggles. He can be happy besides Kana, but it somewhat only happens at the cost of shutting down what is actually eating him alive, and what could have been if his life hadn't been such a mess of tragedies.

And Kana, despite learning the truth, doesn't seem to be able to grasp how deeply that actually affected Aqua, and how badly he is screaming for help. That he wants to be saved. She knows he is more hurt than what he says, but has no idea how it's dragging his whole life down a rabbit hole he can't crawl out of.

On the other hand, Akane sits besides Aqua in the darkness, and offers him some comfort to rely on, so he can at his own pace dig deeper inside himself to drag out his ghosts and finally heal his wounds.

Not only that, she has a path she'd like him to take, but she's letting it be of his own choosing. She'll stop him no matter the cost, but she's also teaching him the hard way to take the hard route of choosing his happiness for himself and to admit he doesn't truly want to toss his life aside for revenge.

The plot isn't all that similar. Neither are the stakes. But the deeper reasons that make me appreciate Ishimiko feel more similar to what I can see here.

This might get people miffed with me (onk fandom can get a little scary with waifu wars), but I see far more in common with Aqua and Akane's relationship. Through their "fake dating trope" relationship, they ended up opening to eachother and blurring the line of "I can't feel something for you" too much, and as of recent chapters are developing something closer to a rivalry and spite born out of love that is....*chef's kiss* more what I'm into? NEURON ACTIVATION IN MY MONKEY BRAIN.

LOOK AT THAT EX ENERGY....THE BITCH PLEASE EXPRESSION ON A GIRL THAT WAS ONCE THE SWEETEST CINAMMON ROLL EVER

FUCK YES GIVE ME SOME RIVALRY AND ANTI-VILLAIN SHIP GOODNESS. I'm sorry, but only Akane gets to see him like this and I love it

Constantly wondering what is a lie, what is Aqua concealing his feelings and having his expressions hidden is delicious. In a way, both of them fell for the mask ("the savior" and "the perfect imitation of Ai") but stayed for what was underneath (a wounded lonely person and someone who wants to be by their side).

Because Aqua, despite being shrouded in lies and using "It's a business relationship, a game" like a shield, truly felt like he tasted happiness and comfort. He felt understood and like he had an ally for the first time in ever, but he did not want to drag her down with him, despite saying he "just wants to use her". And he's willing to protect her by becoming hateful.

And this was the point of no return for me.

Aqua is still Goro, and no matter how much he tells himself it doesn't matter that he was dead like a nobody and that he couldn't connect to anyone after Sarina's passing...

Isn't that awfully lonely?

And yet, Akane was able to find him. She's seen his literal worst, most rotten self, and she was still by his side and grateful to him.

Does it matter how it started, then? Despite Aqua using her as a tool, she's aware of the best and worst parts of his personality. She knows how much his kindness is a heavy burden, and how it drives him to his most reckless self. Akane feels for him, but loves him for all he's done for her. Aqua doesn't allow himself to enjoy life or live for himself, but he has been able to put his objectives aside simply because he thought Akane needed help.

"When you fall down the stairs, I'll be there to catch you"....ahahaha

god help me, if this ship is going down, I'll sink with it