#love of thousand years full episode

[pickapea]

i need to quit my job for a year so i can consume every piece of media ive ever loved one more time

[swagging-back-to]

wait are you actually fucking serious right now

they arent releasing season 2 all at once?

[chosok-amo]

OH, I'M DESTROYED : GOJO SATORU

he's your best friend— gojo satoru, he's getting married soon with kids on the way even though your heart is craving for each other, you sarcastically, jokingly tell him, “pleased? oh, I'm destroyed,” after hearing the news, he laughed, almost crying as he looks at you.

w/c. 3,4k

warning : non-sorcerer! gojo satoru. little bit angst. (idk)

p.s. when i said the reader didn't believe in god it's just for writing purposes, i, myself too believe in god. this fiction is inspired by one day series episodes 8? I forget.

“y/n, can we talk?”

there he is, satoru gojo— your bestfriend, your other half, your oasis in the desert, your everything. standing with two of his warm, delicate hands stuffed into his pocket. a warm smile makes themselves home on his handsome face. his blue eyes— satoru gojo’s blue eyes, shimmered like the clearest ocean on a sunlit day, mesmerizing depths promising thousand, endless even, unspoken emotions.

each glance felt like being wrapped in the gentle embrace of a summer breeze, full of warmth and tender affection. his eyes held a universe of mystery and allure, making it impossible to look away, as if they whispered secrets of love and devotion only meant for you— hah, you wish’ you thought.

“sure,” you smile.

your hands gripping the bouquet tightly, so tight the spine cuts through your finger without you realizing. you two walk side by side into the maze behind the chapel where suguru geto and shoko ieiri weddings are held, yours and gojo’s other friends. you refuse to look at him, sparing the man a glance that feels strange after all those two years living your life with no contact from him, neither do you try to reach him, at least not after the fight you have that night.

“how are you doing, y/n?”

the simple question lingers through the air for quite a time when the two enter the maze. your silken hair is pretty, falling gently, enchanting, on your back, touching the soft material of your bridesmaid dress, a blue one, the same color as his eyes— oh, his eyes.

you look to your left to fulfill the starving of your heart, take a glimpse by a glimpse of his frame. two years was too long without seeing those pretty eyes, those warm smiles, those pretty long white lashes, those . . . no, just him.

“it was fine,” lied, of course.

you couldn’t find the courage to pour your heart out, you wouldn’t dare. you wouldn’t dare to tell your best friend how much the longing, how thousand days and nights, and each time you closed your eyes there he was before you, standing in the void inside your dream, how he all of the other people the one who you falling into the abyss to.

“turn right?”

you only nodded, his palm barely touched your lower back and your breath was already prepared to leave your body only for it to come back the second gojo pulled his hand away. the two of you sat on the concrete bench, nailed in the middle of the maze. under the moonlight, the soft glow casting a magical aura around you. the silvery light made gojo’s eyes come alive, no longer hidden behind the black glasses he once wore so often.

his striking blue eyes shone with an ethereal brilliance, reflecting the moon’s gentle radiance. his white locks shimmered like strands of stardust, adding to his otherworldly beauty. in that moment, with the moonlight dancing on his features, he looked more breathtaking than ever, a living embodiment of celestial grace and charm. the night seemed to hold its breath, as if time itself paused to admire the sheer beauty of the scene, leaving you both enveloped in a cocoon of serene enchantment.

he is as beautiful as ever, as breathtaking as you can remember— that’s how you always saw him.

oh, but how gojo wishes you could see the way he sees you. sitting before him, his oh-so-called-bestfriend, his unwavering rock, his compass, and how sometimes— no, every time, it’s just ‘his’.

under the moonlight, with its silvery beams casting a soft glow around you, in the heart of the maze where the world feels like a distant dream, it’s just the two of you. the stillness of the night amplifies the beauty of the moment, every shadow and glint of light painting a picture of serene intimacy. here, in this secluded sanctuary, surrounded by the whispering leaves and the cool night air, the universe narrows to the space between you.

gojo looks at you, his eyes filled with a tender intensity, wishing you could see yourself as he does—captivating, radiant, and indispensable. in this moment, under the tranquil moonlit sky, you are his everything, the silent heartbeat of his existence, the unspoken song of his soul.

“you know,” you say, breaking the silence, “i never thought we’d end up here again. thought you’d be too busy saving the world or something,” you throwing the man side glance, a little smirk playing on your lips.

gojo chuckles, the sound light and familiar. he brings the glass of almost-finished wine to his lips, takes a sip before answering, “and i thought you’d be too busy being mad at me forever,” he jokingly smiled at you.

you roll your eyes, the smirk turns into a smile, tugging at your lips. “well, you did deserve it. you were being insufferable,” you laugh a little. and without you notice, it caught gojo by surprise, a little. two years long he survived with hearing your little giggle— giggle for me, again’ he thought. eyes fixed to you as he takes another sip, smiling.

he smirks, leaning back on his hands. “insufferable? that’s a bit harsh, don’t you think?” your head slightly shook, “nope, just accurate,” you retort, popping the ‘p’ as you nudging his shoulder playfully. “you have a way of getting under people’s skin, you know.”

“oh, come on,” he protests, a teasing glint in his eyes. “you know you missed me. admit it.”

“missed you?” you asked, giving the man a glimpse of ‘knowing look’ before smiling, “more like missed having someone to argue with,” you reply, though there’s a softness to your words. you glance at him again, the moonlight making his blue eyes shimmer like twin stars. “it’s been quiet without you around.”

he laughs, the sound echoing in the quiet night. “same old you. always ready with a comeback.”

“and same old you, always thinking you’re the center of the universe,” you quip, though your tone is softer now, the old familiarity seeping back. “well, i am pretty important,” he says with a wink, but then his expression turns more serious. “i’m sorry, you know,” his eyes moving slowly, looking for your expression, “for what happened. i never wanted to hurt you.”

for the second time, you nodded your head, eyes focusing on your laps. you finish the rest of the wine on your glass before putting the glass down on the bench and look at him, seeing the sincerity in his eyes. “i know, satoru. i’m sorry too. i shouldn��t have walked away like that.”

he reaches out, taking your hand in his. the hands he always wants to hold, straving even. the hands that always perfectly fits with his like a puzzle, the warm, your pulse hitting your soft skin a little harder every time he holds it— oh, how he loves the feeling. “we both made mistakes. but we’re here now. can we start over?” you squeeze his hand, feeling the warmth of his touch. “yeah, i’d like that.”

he grins, the mischievous spark back in his eyes. “good. because i’ve got two years of teasing to make up for.” you laugh, shaking your head as your brain begging you to let go of his hands, so you did.

shaking your head slightly, you scoff, “bring it on, gojo. i’m ready.”

he shifts closer, his shoulder brushing against yours. “you know, i really did miss you. it wasn’t the same without my best friend around.”

best-friend, fucking hate that word’ you thought.

you look at him, the honesty in his words melting away the last remnants of your anger and blossoming the garden of regret and sadness you used to grow, still. “i missed you too,” you smile so little, just like how your feelings made you feel right now. “more than i wanted to admit,” you added, jokingly.

gojo chuckles softly. “well, lucky for you, i’m back now. and i’m not going anywhere.”

please don’t— you want to beg him, wishing he wouldn’t make any promises, you hope he would go anywhere. at least until these feelings start to leave your body, faded, disappearing like whispers on the wind.

but you smile because feeling a sense of peace settles over you. “good,” you lie to yourself. “because i don't think i could handle losing you again,” it was a pleasure to be burn for gojo satoru, it was always a pleasure.

he looks at you, his eyes filled with tender intensity and something unfamiliar— you think, only to not realize he looks at you just like how the way you look at him. his love for you breaking all his bones and soul, but all he can do is just laugh; you were his best friend, after all. beautiful, crushingly so even, you look like the rest of my life— no, that’s not how a best friend thinks of his best friend. gojo satoru wouldn’t dare.

“you won’t. not if i can help it.”

the two of you just look at each other after that, with soft smiles on your faces, letting the weight of the past dissolve in the quiet night. under the moonlight, in the heart of the maze, it feels as if the world has been righted, and for the first time in a long while, everything feels as it should be.

or maybe it shouldn’t.

gojo shifted slightly and reached into the inside pocket of his tuxedo jacket. “hey, i have something for you,” he said, his voice tinged with an emotion you couldn’t quite place. curious, you watched as he pulled out an envelope. the paper was thick and elegant— the kind used for important occasions, a soft lavender color that stood out against the dark fabric of his suit. he handed it to you, his fingers brushing yours, sending a familiar warmth through you.

you took the envelope, feeling a mix of anticipation and dread. opening it carefully, you find a beautifully crafted wedding invitation inside. the names on it made your breath catch in your throat: satoru gojo and his fiancée.

your heart sank, but you managed to keep your expression neutral. “satoru..” your voice came out as a whisper, blending with the soft hustle of the leaves. “this is lovely,” you said, forcing a smile as you looked up at him.

gojo’s eyes searched yours as if trying to read your thoughts. the grief— it’s all over your eyes, the grief that is more honest to him than you ever could. but gojo does not know the reason, why are you grieving? it is because of your sorrow and he can’t give you the shoulder? or is it because you, once again, are letting yourself burn for loving him? the saddest is, he doesn’t know that, not that he has to.

is it still a pleasure to burn for him now?

“i wanted you to have it first,” he said quietly. “you’ve always been important to me, more than anyone else.” the weight of his words hung in the air, making it harder to maintain your composure. “thank you,” you replied, your voice barely steady. “i wouldn’t miss it for the world.”

you smile at each other as if trying to comfort each other. “are you pleased?” he asked softly— too afraid if his voice came out louder, he would break you. please, don’t say yes’ he begged his heart. just say the word, y/n’ he continued. he begged, once, twice, three time, for the past twelve years of his life knowing you, under the moonlight, to the moon that you say the words, begging him to stop the wedding. just say the word and he’ll come running to you.

you groan a little, “pleased? oh, i’m destroyed.”

no, he was destroyed.

so he leaned closer, faster enough to fill his eyes with a mixture of affection and again, something you couldn't quite identify. “you know, you’ve always been my closest friend. my confidant. my anchor.” you nodded, feeling a lump form in your throat. “and you’ve been mine,” you said softly, the unspoken words lingering between you.

the silence between you grew heavier as you stared at the lavender envelope in your hands. with a deep breath, you carefully opened the lavender envelope, your fingers trembling. the wedding invitation was exquisitely crafted, each detail speaking of the elegance and care that had gone into its creation. the elegant script revealing the date. seven weeks from now. your heart sank further, the realization hitting you like a wave.

you looked up at gojo, the question evident in your eyes. “seven weeks?” you whispered, barely able to keep your voice steady. “that’s. . . soon.” he nodded, a hint of sadness in his eyes. “yeah, it’s a ‘shotgun’ wedding,” he admitted, his voice quiet. “things have been moving quickly when you are not around,” your heart ached at his words, the reality of his imminent marriage sinking in. “why so soon?" you asked, struggling to keep the tears at bay. “you are going to be a father? is that allowed?”

he chuckled at your attempt to joke, trying to hide the sadness that was so clearly there behind his eyes. the smile on his lips didn’t quite reach them, but he tried his best to keep up a brave face for you.

he scoffs, “apparently, they did,” he nodded.

he shrugged nonchalantly, trying to act as though it didn’t bother him in the slightest. he didn’t want you to know just how much turmoil he was facing with this entire situation. “yeah, not like we had much of a choice in the whole matter . . .” the fact that he was getting married had been eating at him for weeks. all of that time he had spent with you, all the memories. in just seven short, short weeks it would come to an end. he wanted to tell you. tell you just how much you meant to him, but . . .

but what? would it do any good?

your hand is gripping tightly around the bouquet, so tight, suffocating, until— for the second time that night the spine digs itself through your skin, straight to your heart— the pain, it’s unbearable, you feel like dying.

there was a long pause, the maze around you silent except for the faint rustling of leaves. you wanted to tell him everything, to confess how much he meant to you, but fear held you back. instead, you tried to focus on the moment, on the bittersweet reality of his impending marriage. “oh, my god—” you choke on your own. one hand covering your mouth before you face him.

gojo reached out and took your hand, his touch warm and comforting. “promise me we’ll always be friends, no matter what,” he said, his voice almost pleading. you squeezed his hand, fighting back tears. “always,” you promised, even as your heart shattered a little more. your hands, the one he wants to carry his heart by.

your eyes are shaking, matching his heart, it’s hurting. “i’m so happy for you,” your smile didn’t reach your eyes. someone once said that people’s hearts appear in their eyes, gojo can see yours now; it’s broken, shattered before him.

please don’t be happy for me, be miserable, so i don’t have the heart to leave you, so i can be with you,’ he wants to scream at you.

“oh, god, i’m so happy for you. . .”

look at you, a girl who doesn’t believe in god now crying, begging, pleading while calling his name because the pain was unbearable. how is cruel love can be?

the weight of the moment hung heavy in the air, the lavender invitation between you acting as both a bridge and a barrier. you took a deep breath, feeling the tears welling up, and without thinking, you pulled gojo into a hug. he stiffened for a moment, then relaxed, wrapping his arms around you in a familiar embrace.

your tears flowed freely, once, twice, thrice, the moonlight catching them and making your eyes sparkle like crystals. “i’m happy for you,” you whispered, your voice trembling with a mix of joy and sorrow. satoru held you tighter, his breath warm against your ear. “thank you,” he murmured, his voice thick with emotion. “it means everything to me to have your support.”

the maze around you seemed to close in, the hedges whispering secrets and memories of times past. you clung to him, your heartbreaking and mending all at once, the scent of the night flowers mingling with the salt of your tears. “i wish you every happiness,” you continued, your words barely more than a breath. “you deserve it, ‘toru. you deserve all the happiness in the world.”

he pulled back slightly, just enough to look into your eyes. his own were glistening, the usual sparkle tempered by the weight of the moment. “and you deserve happiness too,” he said softly, his thumb gently brushing a tear from your cheek. “promise me you’ll find it.”

your foreheads met, and the gentle press of his skin against yours felt like the most natural thing in the world. your breaths mingled, soft and warm, creating a delicate rhythm that only the two of you shared, a silent conversation of souls.

his eyes, filled with a depth of emotion you had always known but never fully understood, locked with yours. the moonlight bathed you both in a soft, ethereal glow, casting a spell that held the night in a timeless embrace. every unspoken word, every hidden feeling, shimmered in the air between you, a tapestry of love and longing woven through years of friendship.

gojo’s hand gently cupped your cheek, his touch feather-light, as if he were afraid you might disappear. slowly, almost reverently, he began to close the gap between you. his movements were unhurried, each inch a testament to the gravity of the moment, the culmination of everything that had been left unsaid.

your heart pounded in your chest, a wild, erratic beat that seemed to echo through the silence. the anticipation was electric, every second stretched into an eternity. as his lips drew nearer, you felt the world around you blur into insignificance, the maze and the moonlight fading into the background. then, with a tenderness that took your breath away, his lips brushed against yours. the touch was soft, almost tentative, like the whisper of a dream.

oh, how empty he is to be full by you.

the contact sent a shiver through you, a spark that ignited every fiber of your being. you responded instinctively, your hands finding their way to his face, fingers threading through his hair as you pulled him closer, deepening the kiss.

the kiss was everything—a confession, a promise, a revelation. it spoke of years of hidden desires, of nights spent wondering, of the unbreakable bond that had always connected you. the taste of him, the feel of his lips moving against yours, was like coming home after a long, arduous journey.

when you finally pulled back, your breaths mingling in the cool night air, you opened your eyes to find him gazing at you with an expression that mirrored your own—wonder, longing, and a profound sense of rightness. ‘longing’, such a tender name for such a miserable state of being.

you nodded, the ache in your chest making it hard to speak. “i’ll try,” you whispered, your voice barely audible. “but right now, i just need to be here for you.” gojo’s gaze held yours, the moonlight illuminating the silent understanding passing between you. “you’ve always been there for me,” he said, his voice a soft caress. “and i hope you always will be.”

the world around you seemed to fade, the only sounds the rustling of the leaves and the steady beating of your hearts. you felt a bittersweet calm wash over you, knowing that despite everything, your bond with satoru was unbreakable, saddest.

“i will be,” you promised, your voice firm despite the tears. “no matter what.”

he smiled then, a small, tender smile that spoke of shared sorrow, of the disaster from loving you, but oh how he promised, i will always be this tender for you. “good,” he whispered, pulling you back into his arms. “because i don’t know what i’d do without you.”

his arm tightly around you as your cheeks rest against his chest— he gathers you up, folds you to his heart, and looks at each other a little too long to be just friends.

[thenightling]

For those keeping score here are all the TV shows based on the work of Neil Gaiman from the last ten years. Lucifer - Loosely based on the version of Lucifer who quits ruling Hell and opens a piano bar, from The Sandman comics by Neil Gaiman. Originally aired on Fox and then moved to Netflix for seasons 4 through 6. Neil Gaiman also got to play God in a bonus episode for season 3. The full series can be watched on Netflix. And is available on DVD. The plot deals with Lucifer, the ruler of Hell, up and quitting and moving to Earth where he opens a night club called Lux and takes up playing piano. In the TV series he befriends (and eventually falls in love with) a woman homicide detective named Chloe Decker.

_______________________ American Gods - Based on the novel by Neil Gaiman. Aired on Starz. The plot deals with a man called Shadow Moon who gets dragged into the strange world of Old and New Gods vying for power.

________________ Anansi Boys - Originally written by Neil Gaiman as a spin-off of American Gods, the TV series version was filmed for Amazon Prime and is currently in post-production (Not yet released.) The plot deals with the sons of Anansi, the African trickster Spider-God.

__________________ Good Omens - Showrun by Neil Gaiman and based on the novel by Neil Gaiman and Terry Pratchett. Also Neil Gaiman has a small cameo in the first season. Available now on Amazon Prime. Seasons 1 and 2 are complete. Season 3 has not yet started filming and will very likely be the final season. Season 1 is currently available on DVD. The plot deals with two "differently competent" entities, an Angel and a Demon, who have come to love life on Earth and each other. And now must work together to prevent the apocalypse.

______________________________ The Sandman - First episode was co-written by Neil Gaiman, based on the stories and original characters created by Neil Gaiman with a few borrowed DC comics characters. Currently on Netflix. Season 2 is in production now. Neil Gaiman also voiced a ghostly bird in the bonus episode segment Dream of a Thousand Cats. Season 1 will be available on DVD and Blu Ray at the end of this month. The plot deals with Morpheus, the King of Dreams, who accidentally gets summoned and captured by occultists who had been trying to capture The Grim Reaper. After over a hundred and six years in captivity Morpheus finally escapes and has to track down his tools which had been taken from him when he was captured. He also comes to realize he had made many terrible mistakes in the past and struggles to set those wrongs right.

_________________________________________ The Dead Boy Detectives - First official spin-off of The Sandman. The Dead Boy Detectives were originally planned as an HBO Max series (now just Max) but moved to Netflix after the success of the first season of The Sandman. Based on characters who first appeared in Neil Gaiman's The Sandman: Season of Mists, Neil Gaiman is involved in the production. The plot is a pair of ghost teenagers decide to become detectives and are really bad at it. These two characters made a previous appearance in Doom Patrol on Max (Formerly HBO Max) but had been played by different actors.

[fuckyeahisawthat]

Dune: Prophecy episode 1 thoughts, tried to keep it vague to avoid major spoilers:

Wow there is a lot of exposition. Like a LOT of exposition, especially in the first 10-15 minutes when we're not invested in any of the characters yet. I hope this is a first episode problem.

Ah they went the coward's route and used "Great Machine War" instead of "Butlerian Jihad."

There's an interesting "history is written by the victors" thread there right from the beginning that I hope they pull on some more.

I love how they did the Voice, which appears early in the episode, because both the actor's performance and the sound design of it are slightly different from the films. It really feels/sounds like the character using it is straining to access a new and unfamiliar power, in contrast to the effortless, overwhelming assertion of control it comes across as in the films.

Salusa Secundus looks so green and lush in comparison to how it looks at the time of the films.

I realize this is probably an unfair complaint for something made on a TV budget (even an HBO TV budget), but imo the production design doesn't quite measure up to the films. I think the best work is on the props. The key to the genetic index room, the little slides that Valya and Tula are looking at with students' info on them, the Emperor's projection table--those all look great and have that feeling of "future filtered through the past" that I think is key to the Dune aesthetic. Many of the location exteriors are gorgeous, too. Some of the interior sets are quite striking and others are underwhelming. The costumes are...mid imo; there are some beautiful elements and others that look too identifiably modern. Including Princess Ynez's red gown unfortunately which looks like a department store prom dress. I realize it's a high bar--the films were really really good at making everything look both futuristic and ancient, layered and textured--but you do notice the difference.

So! Many! Women! Pretty racially diverse casting too. But also omg so many characters and I already forget half their names. I'm gonna need Dune: Facebook for the next episode.

Emily Watson and Olivia Williams are already very compelling, even if you don't quite know their characters' full agendas yet. Heckin ready for some Machiavellian women scheming.

Love some of the more fucked up shit that just slides by and the information it gives you about the world. Adult (? idk maybe she's supposed to be in her late teens) woman getting engaged to a 9-year-old. Practicing Truthsaying on prisoners, some of whom have fresh bruises on their faces.

Arrakis is...the same. This one is honestly fucking me up. I know time scales in Dune are absurd and really kind of incomprehensible in comparison to real Earth history but can you imagine your home being passed around various imperialist powers for resource extraction for ten thousand years?? FOUR HUNDRED GENERATIONS. 80 years of Harkonnen rule seems like nothing. We're talking about whole eras of colonial control and resistance here. Like damn. No wonder so many Fremen have come to believe that only a messiah can save them. Imagine being someone like Chani and feeling the legacy of not decades or even centuries but millennia of struggle on your shoulders. It is gonna take me a while to fully absorb this one. Holy fuck.

Travis Fimmel's character has an...ability that we haven't seen in the Dune universe before and I'm super curious to see where they're gonna go with that.

Overall it feels like this episode was mostly setup but there's a lot of potential? Like there are a lot of potential threads that could develop into something cool and twisty and interesting. I'm not sure where any of it is going yet but I'm ready to find out.

[rosaq]

how I see pearlrose (it's one of my favorite ships and I promise this isn't hate):

rose and pearl were in love with each other but pearl wasn't in love with pink diamond, she was only in love with rose quartz. so pearl was in love with the parts of pink diamond that became more predominant when she turned into rose + that fed into the fantasy they created for themselves

see how in the gif below pearl sings "we became our fantasy" when pink turns into rose quartz? and her demeanor immediately changes when pink turns into rose. her smile widens and both of them hug each other and start holding hands + pearl starts blushing

I think this is intentional — just like in "a single pale rose" pearl and rose hug and hold hands but when rose turns into pink diamond, the physical intimacy stops. that's not to say they're uncomfortable with each other, only that rose quartz and pearl seem far closer and intimate. the very first time we see pearl talk to pink she still calls her "my diamond" (which is a title used with superiors) even though this scene takes place near the end of the war and pearl has been a rebel for more than one thousand years

now let's get into the batman and alfred/robin allegory:

Rebecca and Ian, while discussing Rose’s “Batcave,” brought up the scene when Pearl couldn’t talk about Rose’s full details during “Rose’s Scabbard.” Incidentally, yes, Pearl is Alfred if Alfred was in love with Batman. It’s very important to note that we’re talking about Batman here, NOT Bruce Wayne. She loves BATMAN. 

— Steven Universe Podcast, Volume 3, Episode 1

Rose plays Batman on the ground. Pearl is Robin (and Alfred).

— Steven Universe: End of an Era, page 77

so pink diamond = bruce wayne and rose quartz = batman; pearl = alfred and rebel pearl = robin. rebecca and ian seem to want to make it clear that pearl was only in love with rose (batman). and pearl also seems to see herself as two separate people: the servant and the rebel

it makes a lot of sense for pearl and rose to create an escapist fantasy for themselves on earth as a way to get away from their awful realities. the idea that their lives on homeworld were someone else's lives was something they both took comfort in

But I've been... imagining things, even when you haven't asked me to. I imagined that I ran away and met you here on Earth, a Rose Quartz. And I'm not yours, but, I make you so happy anyway! Isn't that ridiculous?! Tell me to stop! 

Rose: Please don't ever stop! 

—Pearl, Now We’re Only Falling Apart

and that was the fantasy: pearl was a rebel who ran away and met rose on earth. rose was made on earth. pearl's presence makes rose happy even though she doesn't belong to rose.

rose is delighted when pearl shares this with her bc she loves this fantasy just as much as pearl does (and also bc it made her realize that other gems, like pearl and garnet, want to escape homeworld. she realizes that she wants to fight for them). but obviously this fantasy is incompatible with their actual lives

later on pearl would also get caught up in the idea of being rose's knight. she romanticized the idea of putting rose above all else, even herself; she romanticized the idea of having a princess to save. so she put rose on a pedestal, not because rose was a diamond, but because of this fantasy she created for their relationship

This is an Ancient Sky Arena, Connie, where some of the first battles for Earth took place. It was here that I became familiar with the human concept of being a knight, completely dedicated to a person and a cause.

—Pearl, Sworn to the Sword

in this fantasy rose quartz can't be pink diamond. rose loathed herself so this suited her just fine: she wanted to be the rose quartz from this fantasy, the gem who was made on earth and was a compassionate leader and healed instead of destroying. she thinks pearl is right to love only rose quartz bc she thinks pink diamond is unlovable

let's take a look at the movie: at first amethyst and steven think rose quartz is the solution to getting pearl's memories back. so amethyst shape shifts into rose and sings for pearl, but pearl won't stop looking at greg throughout the entire scene. then they understand that they don't need rose to be around, they need greg to disappear. so steven fuses with greg and greg disappears into the fusion, allowing pearl to finally get her memories back. greg is pink and steg is rose. when greg (pink) disappears, pearl manages to look beyond her assigned duty

it's also worth noting that pearl wasn't the only one putting rose on a pedestal. rose put everyone around her on a pedestal, including pearl, because she thought they were all so much better than she could ever be. so while pearl saw rose as a sort of princess to be saved/protected, rose saw pearl as a superior and as someone who was so much better than herself

The fact that Rose says "my Pearl" to Pearl... A lot of people wonder, "oh, she belonged to Rose". No one calls their Pearl my Pearl, people only say that to their superiors. So there's actually a lot more going on in that scene.

—Rebecca Sugar, The Truth About Rose Quartz

but this whole fantasy thing was very unhealthy and meant they never dealt with how their actual roles in gem society affected their relationship. they wanted to sweep all the ugly parts under the rug and pretend it didn't exist—and it was so easy because only the two of them knew the truth and they were all too happy to feed into each other's fantasies. it created a communication barrier between them that made it extremely difficult for them to communicate and understand each other's low self worth and insecurities. pink's final order to pearl was a way to keep the fantasy going post-war which pretty much doomed them bc pearl was unable to talk about anything she went through and rose never opened up to anyone about her past. but they needed to talk about it to heal and move forward

I believe pearlrose is supposed to parallel rupphire in this sense: both are interclass gem relationships, but rupphire never ignored how their roles in gem society affected their relationship; so much so that by the end of the show garnet's main theme becomes "the truth" while pearlrose's main theme remains "the fantasy"

this fantasy only starts to fall apart when pearl manages to tell steven the truth about pink diamond: pearl finally has to confront the fact that rose quartz and pink diamond were the same person. by letting the fantasy go, pearl was able to address the unhealthy aspects of their relationship and understand her own repressed feelings + rose's struggles. only then is pearl able to start healing from everything that happened

[icanhearcolors]

I really love the idea of Tav drawing Astarion to show him what he looks like, could you maybe write something about that? ^-^

Hiiiiii! I can indeed thank you for the request :b

Welcome back to another episode of Abby tries to write something short and can't make it less than two thousand words.

EVERYBODY LOOK AT THIS GIF CUZ KJNKBJHGFRRETFO

Sorry I think I got possessed for a second there

Word count: 2.1k

The night sky had never been this gorgeous in the city. In Baldur’s Gate, the upper city was illuminated by mage lights that adorned the cobblestone paths. The light was bright enough that the citizens split into two factions, the night life and the day. Even those without dark vision could operate solely at night in total comfort if they chose to. In the lower city, fires were always burning, sending plumes of rich smelling smoke into the air constantly, obscuring the night sky.

But out here, under the blue light of a full moon, you can see every star and constellation in vivid detail. A soft purr-like snore hums against your back, and you brush a hand over the downy feathers of the owlbear cub you rescued from the goblins. He was getting so big. If he gets half as big as his mother was it is going to become a challenge to travel with him. It’s a sacrifice you’re more than willing to make. Besides, you could always cast the reduction spell on him in a pinch if any problem arose. He sleeps curled around your back, alongside his friend Scratch the dog, whose fluffy white head is resting in your lap.

The campfire crackles a few yards ahead as Wyll adds a few logs, humming a Baldurian tune you recognize but can’t quite recall the name of.

For the first time since the nautiloid crash you feel peaceful. Safe.

You turn your gaze to Astarion’s tent, probably for the thousandth time tonight, and stare at his profile as he flips through the pages of the seemingly sentient necromancy tomb you had discovered a few tendays prior. A faint green light curls from the pages like mist, illuminating half his face and casting the rest in shadow. You’d never really understood the saying “so beautiful it hurts'' until you met Astarion. An unknown emotion compresses your chest in a way that makes it hard to breathe sometimes when you look at him. You think it started out as empathy. Every detail of Astarion’s story he revealed to either warn you about vampires or shock you for his own amusement painted a picture of a horrific life full of trauma and misery that you found hard to reconcile with your enigmatic companion. He was always the first to crack a joke. He laughed loudly and on a constant basis. From an outsider’s view he’d appear almost carefree. Happy even. You wondered now how much of that laughter was real, and how much of it was the armor he’d donned a couple hundred years ago when he breached the surface of his own grave. You recall a conversation you had with him a while back about vanity. In his two hundred and forty years, give or take, he’d only been able to see his reflection for thirty nine. An incredibly young age to die for a high elf, and a small fraction of his life-span. Even if any fuzzy memory remained of that past life, it was no longer accurate anyway. 

He was something different now. 

Your eyes slide to your pack. You had found something yesterday- something rare indeed. A merchant selling art supplies outside of the city. You had everything you needed to give Astarion something you took for granted every day. His reflection.

Slowly, both as to not disturb your sleeping friends and not alert the elf in question to your actions, you slip a hand inside the bag. Your fingers find a pencil easily, the paper next, and you begin to draw. At first you draw him as he is, using his current unmoving form as a model, but you had been quite the artist in your time in Baldur’s gate, and you finished that drawing almost too quickly. So, you draw him again from memory, this time with his head thrown back, face scrunched with laughter. Then you draw his frown, his smirk, the condescending expression he so often gives Gale, the softer one you don’t quite understand that he reserves for you. You don’t hide or downplay his vampiric traits. You draw him exactly as he is, blending colored chalk to capture every shade of red in his eyes. Time falls away as you lose focus on everything but your work. Eventually, some time much later, the cramps in your muscles wake you from your trance. You stretch, and your knees, shoulders, and spine crack loudly. Scratch wakes up, stands, shakes himself off, and trots into the bushes. Your owlbear notices, and trills a soft sound before standing too, following him into the woods. You smile as you watch them amble off, happy they get along so well. You turn back to your drawings and examine them with new eyes. You expected to feel excitement, pride maybe, but instead a cold feeling ties your insides in knots as you realize you can never give these to Astarion. The drawings are some of your best work, but they’re also… reverential. A glimpse of Astarion through your eyes. Anyone who saw them would think you had drawn your lover, not your less-than-trusting involuntary traveling companion. He would take one look and realize exactly what you’ve been hiding from him since- well since you met him. You were infatuated with the vampire, and somehow, miraculously, despite the fact that you’d slept with him once already,  he seemed to be unaware.

He was going to find out.

You eye the campfire, half tempted to toss the whole pad of paper into it.

In your panic you turn your gaze toward Astarion’s tent.

He’s not there. 

His tent is open, and no one is inside it. You can see that from here. 

Somehow- maybe it’s the tadpole, or maybe it’s because you’ve spent so much time with the rogue, you realize you know exactly where he is.

Slowly, as if to avoid instigating an attack from a stalking predator, you turn your head to find Astarion standing behind you, peering over your shoulder.

Even though you were expecting it, you still startle out of your skin. Astarion drops to his knees on the ground in front of you and claps his hand over your mouth just in time to muffle your screech. You both look at eachother with wide eyes before turning slowly and in unison towards a sleeping Lae’zel. She’s frowning in her sleep, which isn’t unusual for her. She twitches, and then rolls over to her other side, sound asleep. You sigh in relief, through your nose because your mouth is still covered by Astarion’s hand. You swat it away and throw him a withering glare.

“What the in the hells is wrong with you?” You whisper-shout.

Astarion presses his lips together and turns his head away from you for a moment, his shoulders shaking with silent laughter.

“Oh yeah, laugh it up. If she’d woken up we’d be dead right now.”

“Look it’s not my fault you weren’t paying attention. You haven’t moved in almost four hours, I wanted to know what you could possibly be writing.”

You clutch the drawing pad to your chest and swallow nervously, eyes darting around for any glimpse of something you can use to distract him.

Unfortunately as you’ve come to realize, regardless of what they used to be, once turned vampires become lethal predators. Astarion sees your darting eyes, catches the scent of your fear, and you see the shift in his demeanor. 

His movements become slower, more fluid, as he tilts his head in malicious curiosity.

He reminds you sometimes of the big cats that roam the mountains of Faerûn. Once something captures his attention, there’s little use in trying to pull him off the hunt.

Still, you’re going to try.

“I’m not writing.”

His eyes flick to your hands, dusted in red powder, then back up. He hums.

“Drawing then. What have you been drawing Tav?” 

His voice is darker now. Persuasive. 

“It’s- uh… personal.”

Astarion lowers himself fully to the ground and stretches his legs out in front of him, leaning back on his arms. 

“A personal drawing?” He purrs, “Well now I have to see it.”

“No-” You cover your face with your hand, “That’s not what I meant and you know that Astarion.”

A moment of silence passes, so you lift your hand away from your face.

Astarion is gazing at you with that unknown expression again. His eyes look earnest, a soft smile on his lips, when he speaks the words that are your undoing.

“You can trust me, Tav. I already know how talented you are, you don’t have anything to worry about. Just show me.”

You sigh, and his smile grows. He knows he’s won.

Bastard.

“Fine you can see my drawings, but I need to tell you-”

The drawing pad is already out of your hands, your permission apparently all that was keeping Astarion from snatching it away from you.

Your heart stops at his first look at the paper. He stills, flipping through the drawings slowly, his eyes tracing every detail with excruciating slowness.

Finally, he puts you out of your misery.

“I-” He clears his throat, not meeting your eyes. “These are...”

He grips the paper tightly when you attempt to take the drawing pad back from him. You’re confused, and a little… well actually very hurt for a reason beyond your understanding.

Does he hate it? Did you overstep?

“What are you thinking?”

Astarion finally looks at you, his expression guarded. He points to the drawings.

“Who is this?”

Oh.

You’re shocked silent. You should have anticipated this. Of course Astarion wouldn’t recognize himself in your drawings. That was the entire reason you drew him in the first place.

“He’s um-” You fall silent again.

Astarion looks both terrified and heartbreakingly hopeful. You’re sure he already knows the answer. You’ve spoken to him at length about what he is. You know that he knows he’s the only vampire spawn you’ve ever met, and you’ve been traveling together without much separation ever since.

He still needs to hear you say it.

You stare at your wringing hands in your lap and take a deep breath.

“I remembered that conversation we had about how you don’t know what you look like, you just have to go off of what other people tell you, and I bought these art supplies earlier and I haven’t drawn in so long, I used to all the time but with everything that’s going on- and I meant to just draw you once but I wanted you to know what you looked like when you smiled too and then I got a little carried away I’m so-”

You don’t hear him move. Your rambling speech stutters to a stop at the sensation of a hand on your cheek. Astarion hooks his thumb under your chin and lifts your head just enough to press his lips to yours.

Your eyes widen in surprise and then flutter closed. All thoughts cease, replaced by a languid warmth that melts you into a puddle on the ground.

You tilt your head and kiss him back, a tingling sensation racing down your spine. His hand slides from your cheek into your hair, and he gently pulls your head back, deepening the kiss in a way that steals the air from your lungs.

All too soon he pulls back, just a few inches, and smiles.

A real, genuine smile that shows his teeth and lights his eyes. You think you would do terrible terrible things to see that smile more often.

He brings his other hand up to frame your face, holding you in place as if he’s afraid you’ll pull away.

“Thank you.” He says simply, his voice hoarse.

“This is a gift. I won’t forget it.”

He repeats the words he said to you what feels like centuries ago, the night you found out he was a vampire and agreed to feed him. 

“You’re welcome.” Is all you can think to say.

With absolutely no warning at all Astarion drops his hands to your shoulders and yanks you toward him just in time. A pillow, rather violent in its velocity, grazes the back of your head in its catapult into the forest. Somewhere in the dark woods, Scratch yelps.

“Next time it will be my sword Isticks”

Growls Lae’zel from her bed roll on the other side of the campfire.

You turn back to Astarion with an amused but also terrified expression, and he smiles knowingly, rolling his eyes.

He picks the drawings up off the ground from where they’d been scattered at some point and gathers them in one hand. He stands, hoisting you up with his free hand, and practically drags you across the camp to his tent.

You’ll have to draw him more often.

[torantuga]

i was unmotivated to draw this week so i forced myself to draw in diff styles - and i chose to redesign emmk cus i love them both sm (even tho i dont even enjoy td anymore)

buut then i got the idea of maybeeee i could make a what-if scenario where julia-mk-emma alliance could be made

so here they are!

EXPLANATION BELOW!!! (warning, maybe ooc but it's a rewrite + redesign)

sooo what im bringing to the table is a rewrite of their characters - esp s1

JULIA

for julia, i wanted to make the twist villain thing for s2, which might sound weird... but i can explain

she mantains the happy-go-hippie personality as a facade during the time she stays in the island, whilst in the background she's actively sabotaging other contestants with the help of mk. she only shows her true colors after mk betrays her (which i kept the same, probably after the merge tho) and she gets kicked out. (iii feel like mk would stay longer BUT not be a finalist, mainly cus in this redesign she plans things through very VERY carefully)

she would be used as the main villain for s2, and she would be like julia in mid s1 probably - petty, strategic and, most importantly, deadly. she replaces her tropical, pinkish clothing with blueish popular outfits and she becomes mean as she can be. hostile, she becomes someone to fear as she turns her gentle face into one full of disgust for those around her.

MK

So. you guys know i love MK - shes the whole reason i still havent let go of td - so im giving her the best character ever!

calculative, observative, and sneaky, shes the definition of a stellar strategist. she makes herself look average just to pass by smoothly, and she sabotages everyone she cans to assure she stays that way until the very end.

though she's snarky, she understands that overdoing it might get her on a radar. she observes everyone she can to understand them on face value in order to know how to approach them.

she's naturally drawn to julia, as she notices things in her behavior that differentiate her from genuinely nice people like priya or emma. her smile twitches when no one looks, her eyes do not smile along with her mouth... she's as fake as she can be.

so she observes her during the first episodes, trying to make a conclusion and find a way to get her on her good side.

so she confronts julia alone, which makes julia drop the act and threaten her. mk assures julia that shes in no way trying to threaten her, and that she wants to form an alliance, which julia then accepts after some convincing that they were probably the best duo in the game so far.

she's still got a lot of character outside julia though, and she shows it through her snarky attitude when it comes to everything, and her master thief tactics that she uses to hack and learn what challenge is going to happen and how she's going to eliminate certain people that oppose a threat to her.

However, a duo like them always needs a backup to throw under the bus at any circumstance of danger, so they decide to pick a gullible, insecure person....

EMMA

A nice, silly girl that has some bottled up anger from years and years of frustration she was told to keep in because of her internet persona.

after a messy break up and a fine that cost her almost thousands of dollars, she's pretty sure the bottled up anger is now cracking. she's no longer a youtube star, as her ex's channel was the only thing keeping her trendy, so she no longer needed to spread herself thin to please an audience - to please him.

so! chase is here! hm! how the FUCK is she supposed to continue the game knowing that her stupid ex is in the same tv show as her?!

he's dumb, lazy, and apathetic. he shouldn't be there to begin with!

...so she tries to ignore him as much as she can, though he sometimes makes her want to scream.

either way, her ex aside, she tries to be kind to everyone she meets, but everyone sees her as gullible and naïve cus of it. shes letting everyone see her insecurities by simply existing, and though she's friends with bowie, everyone guesses she won't make it far. she's fun, silly, but also weird in her own way.

mk observes emma and concludes that she's the perfect pawn for their game, and so she finds her alone to play mindgames on her, knowing that her biggest insecurity is not being a good people-pleaser.

mk manages to convince emma that she should join the alliance, and so she accepts. emma's not happy about it though, but she understands mk wouldn't let her join if she didn't saw potential.

THE ALLIANCE

mk, julia and emma are underestimated due to their actions, so it's not hard to cheat in challenges that way. emma finds this a bit uncomfortable, but she helps them with social intel. she's the least suspicious of the bunch, so she can eavesdrop with ease since she's not seen as a threat.

they manage to kick out chase and ripper with ease, and they go unpunished through the series.

well. until mk betrays julia, that is.

mk knows that her days are counted if she keeps julia around for too long, so she frames her as soon as she feels things going against her. it is not pretty, and julia swears on her life she'll take her down.

but she didn't betray emma.

mk never mentioned emma being in the alliance, causing her to get the boot as soon as possible, which is 2 episodes after julia.

emma stays to be in the final five, but she doesn't end up winning.

mk swears it's so that they can team up next season, but it's something more.

HOW EMMK CAN STILL WIN

mk originally was going to betray both of them, but she couldn't. not emma.

emma was a genuinely nice person to be around, and though she was useless when it came to actual scheming, she was funny and understanding.

mk had a big crush, long story short, and couldn't bring herself to see emma get hurt like that. if she had had a crush on julia, which she thought she had, she would've still betrayed her. it was strategy, and there were no hard feelings.

but emma? mk believes seeing her sad face would probably ruin her. she's a truthful person, and mk admires that.

so she and emma stay friends, and continue being alliance members in s2, which escalates into something more.

S2

i believe s2 wld be julia vs mk in terms of main villains, and emmk wld be the main focus when it comes to mk and emma screentime.

julia tries her hardest to sabotage, and mk counterattacks in default, leaving them to battle for dominance all the way til the merge, when mk gets eliminated instead of julia. emma is heartbroken due to her ...friend.. getting kicked out, and she follows the next elimination.

idk for s3 but maybe mk wld be a finalist or win cus my girl needs a win under her belt!!!

[cleolinda]

I’ve read a few of the umpteen thousand upset comments about the paid Watcher service, and I’ve read comments angry about the upset comments. There’s one thing I want to point out, and it’s that this isn’t, or shouldn’t be, “You’re saying people don’t deserve to earn money for their work.”

The Watcher guys do deserve to earn money. I already give them money. I give them $5 a month on Patreon, not because I think they do or don’t give me $5 worth of media, but because I want to support them. I canceled Netflix for pissing me off with its price hike/ad tier, but I give Watcher Entertainment money.

They’re saying now that the Patreon will be solely about the podcasts, and they understand if people leave. I’m perfectly happy to switch the support I can afford to the streaming service. With the early adopter 30% discount, I’d actually save money. In fact, I tried to subscribe, but the site didn’t work.

Watcher wanting to profit from their shows isn’t the problem. It’s that they’re now discovering that their fanbase is young and broke in a terrible economy, judging by tens of thousands of comments on multiple platforms. I can throw them $5/month, so I do. But the Patreon only has (checks notes) 5874 paying followers, and there’s a reason for that. $60/year upfront would not be “accessible.” Patreon is literally patronage from the people who can afford it.

If the guys had said up front, “ONLY new shows and episodes will be exclusive to the service,” I think we’d be having a different conversation right now. But at first they did say, “We’re pulling all our content from YouTube,” to the point where Variety had to issue an update. Like, that’s in print and I’m pretty sure it was on video. Now they’ve backtracked to ONLY new etc.—but most people haven’t heard, and they feel crushed. And the trust is probably gone regardless.

So now four years of back catalogue will stay public. And now, you’re paying $6.99 a month for one episode, maybe two, of something a week, and now, not an exclusive back catalogue. I would pay for Watcher shows before I’d pay for anyone else, but I just don’t think the company is big enough yet for a SVOD at that price. They’re not Dropout size. They needed to build more programming and get a higher follower count first, or at the very least, charge less.

The international price/exchange rate situation is a nightmare and I don’t know what it is they’re not doing to make it… not… be like that.

I don’t know what they should have done instead of a full streaming service, but surely there were alternatives? I’ve seen comments from people suggesting they GET a Patreon. Lean on that more! Do the shows exclusive for a month and then let them roll onto YouTube! I don’t know! Anything but One More Fucking Streaming Service, which enraged me, and I was willing to move my support to it!

And I shouldn’t say this, but I will. In the “Goodbye YouTube” video the guys posted, they say that setting up the streaming service has allowed Steven to do a remake of Worth It where he and his cohosts travel the world and eat expensive food. This is the first new show they announce. Not “We have always been committed to diversity and we’re now able to bring on new creator(s) to expand our programming.” No, a redo of an old show that by definition has got to be expensive. Commenters are saying they can’t pay for the streaming service because they can’t make ends meet in this economy. The optics are terrible. I genuinely question what the thought process even was here.

I love the guys and I still watch their shows. I want to see Watcher succeed. I started watching Buzzfeed Unsolved in 2018 while recovering from surgery—as with a lot of people, their shows got me through a tough time. I’m as attached as anyone. If I can continue to afford monthly support—this is not a certainty—I’ll give it to them. I’m not a ~hater who doesn’t want Watcher to make money. But I am absolutely BAFFLED by every single decision here. I want them to figure out how to turn this around and go in a better direction, because right now, this ain’t it.

[thexfridax]

D.E.B.S. at 20: a Queer Cult Classic

Bessie Yuill Photo: Sundance/WireImage

There is a secret film hidden within the shadowy sapphic corners of Letterboxd. Some call it escapist trash, some call it an underrated cult classic, fools call it a male fantasy. It calls itself D.E.B.S. As other early-2000s chick flicks like Charlie’s Angels and St. Trinian’s have been reevaluated and embraced for their candy-floss aesthetics and campy wit over the years, the lesbian community was quietly reclaiming its own equivalent with 2004’s D.E.B.S.

The precursor to contemporary high-concept lesbian films like Bottoms, the spy flick is filled with something that queer female moviegoers still often yearn for: fun. That includes Jordana Brewster and her era-defying eyebrows as the impeccably named supervillain Lucy Diamond, John Woo–style fight scenes that parody the action genre in the same way as Charlie’s Angels, and a cheerfully cheap aesthetic where spies run around in plaid schoolgirl skirts.

D.E.B.S. was written, directed, and edited by filmmaker Angela Robinson. While “unapologetically queer” might be an overused phrase, it does apply neatly to Robinson. The Chicago-born director’s first project was a short film called Chickula: Teenage Vampire, calling on the long history of vampiric queer women that began with 1872’s Carmilla.

Her love of playing with genre led her to later put a lesbian spin on the movie musical by writing the underappreciated Girltrash: All Night Long and exploring polyamory in a period biopic about the creators of Wonder Woman, Professor Marston and the Wonder Women. On the small screen, she also burnished her lesbian credentials by working on several episodes of The L Word.

When D.E.B.S. started life as a short film, Robinson described it as “a story about a trio of superspies who are all chicks. I love all the comic-book characters: Charlie’s Angels, Batman, Josie & the Pussycats … But I always wanted them to be gay and they never were, so I wrote my own.” Success at Sundance led to Sony snatching the short up and deciding that D.E.B.S. should be a full-length feature.

Two decades later, the joy of this movie lies in the details. The tone is immediately set by a gravelly voice-over telling us that there is a secret test hidden within the SAT to recruit young female superspies (and establishing that, like Bottoms, this is a film aware of genre archetypes and willing to push believability). Our main character Amy (Sara Foster) is an academic overachiever — like many lesbians overcompensating for their perceived failure to live up to social norms. Her perfect score on the secret SAT test makes it even more scandalous when she falls for the aforementioned supervillain Lucy Diamond.

Queer friend groups may delight over the nostalgic frosty eye shadow and lip gloss worn by the D.E.B.S. (which stands for “discipline, energy, beauty, strength,” naturally) at all times. Flip phones, CGI holographic screens, and Goldfrapp’s appearance on the soundtrack will also remind you that you’re watching a film made in the early 2000s. And many will squeal when they spot Holland Taylor, over a decade before she came out, as the academy’s head.

Admittedly, the special effects are goofy enough to cross over into comedy, especially when our girls are abseiling into a restaurant or climbing walls with plungers, and the lighting could be charitably described as resembling teen soap operas of that era. But the chemistry between Amy and Lucy is crackling enough that YouTube compilations of their scenes have racked up hundreds of thousands of views online. Their fun enemies-to-lovers plotline begins with the pair pointing guns at each other and quickly progresses to a whirlwind romance (the other D.E.B.S. think Amy’s been kidnapped and launch a national manhunt, just as many friend groups have had to organize rescue missions for lesbians on weeklong first dates).

You could argue that espionage serves as a metaphor for the closet and that Amy is such an effective spy because she’s used to lying to herself about her sexuality. But that almost seems like too much weight to put on this meringue confection of a genre spoof: Its campiness liberates the characters to inhabit a fun, exaggerated universe with no serious homophobia or consequences. Guns are used, but the so-called superspies have such consistently terrible aim that there are no real casualties. And Lucy Diamond’s supposedly nefarious crimes are all reversible — the murders pinned on her are revealed to be misunderstandings, and she returns all of her stolen goods in order to win Amy back.

When this live-action Totally Spies with a lesbian twist debuted, it only made $97,000 and was dismissed by critics. But there were enough moviegoing gays impressed by its snappy dialogue, fun romance, and stunning supporting cast (including Meagan Good, Jimmi Simpson, and Devon Aoki with a French accent) for its reputation to grow online over time. In forums and YouTube comment sections, young girls were asking, “Are there any lesbian films where they just fall in love and have fun and don’t die at the end?” Their answer was D.E.B.S.

[funnyoldworld-isnt-it]

I keep wondering if the double take Aziraphale does when Crowley mentions Alpha Centauri in the last episode is not what we think it is. Because, as far as we know, Crowley has only ever mentioned Alpha Centauri once in six thousand years. And it wasn’t in a romantic, wouldn’t it be lovely to retire there together someday way. It was in a terrified, frantic, the world is ending and the puddle of burning goo is imminent so please get in the car kind of way.

So, if Crowley was trying to casually slip into conversation that the world was ending again in a way that only Aziraphale would understand because they were in a room full of people where they couldn’t talk freely, mentioning Alpha Centauri would probably do the trick. And maybe that little double take was Aziraphale picking up on it.

[genericpuff]

Are there any things you like about LO? Or is it all shit to you. Personally, I think it could be a great storyline with the right execution, but a lot of the stuff and plot is unnecessary (I.e. Hades being thousands of years older than Kore and making characters fall in love with people they are racist/classist towards 😨😨)

Oh there are LOADS of things that I liked and still enjoy about LO despite all the shit I've thrown at it. I love love LOVE a lot of the older art-

Like, damn, that shit is so charming! I swear I had that Tower 4 panel as my phone background for like, 2 years LOL

Rachel had a really strong understanding of shape language, composition, color theory, and expressive linework in a way that was really appealing and unique at the time, but along the way it was just lost, undoubtedly due to her taking more of a backseat in the character art process and leaving it to her assistants.

That said, there's a lot of... not so charming, too.

I think, on the one hand, there's a lot to appreciate in the old art that shouldn't be rejected as we criticize this series. At the end of the day, as much as we riff on it, many of us did love this series at one point in time, so we shouldn't cringe at what it used to make us feel or pretend like we were ever above it when we were very much lost in it for ages before it went down the tubes.

But there is a lot to be said about the effects of rose-colored glasses, and how LO was never perfect. The reality is that much of Rachel's work is exemplified by the odd beautiful thing that sticks in our memories, but when we actually go back to relive those memories, we find they're all strung together by some not so beautiful stuff that makes us go 'wait what???'

Case in point, with LO we remember beautiful compositions like this:

But then within those same episodes we get:

And it's like oh. Yikes.

Aside from the art, there was also the SA plot as well as the Act of Wrath. The SA plot felt really special to me at the time because I was someone who was once in Persephone's shoes, being pressured into sex that I wasn't ready for but wasn't capable of saying no to. I can appreciate what Rachel was trying to do with that plot, but over time it became clear that she wasn't committed to seeing that plotline through and so I kind of just dropped my expectations for it entirely.

That said, it wasn't the SA plotline that set me off. I had good faith in that one still that it would be addressed eventually. It was the Act of Wrath plotline that did me in. The premise of it was totally my cup of tea in the way of "quirky character has a dark evil backstory!" which is shit that I absolutely LOVE, but then when the "twist" happened that Eris was the one to give her wrath, that was literally when I had my almost "canon event" moment of realizing "wait... I don't think Rachel knows what she's doing." And then it was just all downhill from there. The S2 finale sealed my fate LOL

All that said, as much as my brain is often defaulting to "ew! gross! bad!!!" in all honesty I do still appreciate what LO meant to be back when I still enjoyed it. It meant enough to me that I just couldn't let it the fuck go when it started to go downhill, so much so that I started making my own version of it! And that's something that sets it apart so much more from other comics I really don't like anymore (or comics I never liked to begin with) like Down to Earth, The Kiss Bet, Let's Play, etc. where I really can't even be bothered to think about them let alone talk about them to the extent I do about LO. I may be full of beans when it comes to LO, but I'd still rather be talking about it and all its failings and what it used to mean to me than about any of those other works. I loved it enough to still want it in my life and that's what Rekindled has accomplished for me.

[mello0cat]

Himmel x Herbalist elf reader

➳ Afab reader A little angst, Little fluff, Himmel is a little ooc, feminine pronouns (sorry!), Not proofread! Timeline: shortly after defeating the demon king Maybe a little inaccurate as I'm only on the beginning of the 6th episode

➳ *little A/N*

Reader is a elf who is proficient in identifying plants and had learnt some magic to enhance or modify plant growth.

Sorry if the grammer or writing is bad, I'm a little new to fanfic writing,it may feel a little rushed and short, feel free to give me advice, Enjoy <3

Credits to @strangergraphics-archive for the line divider and @mochikofi for the idea to write a fic

A silent Meadow, filled with colorful flowers, the ruins of some ancient fort sits in the center lost to time... The rest of the party had run off somewhere....

The elf was sitting on a piece of fallen rubble, examining a small blue flower and various other plants she picked up on the way

Himmel walked up to the elf, taking a deep breath. After much time debating with himself he had made up his mind, he coughed to get her attention. she was caught off guard and stood up turning to him

"Hm? Is something wrong, Himmel?"

"Nothing... I wanted to give you something"

He placed a flower crown on her head. She tilted her head in confusion, letting out a small "Huh?", She looked at the flower crown on her head and smiled, reaching out her hand to his hair with the blue flower...

As soon as the flower came in contact with his hair, small vines grew from it, intertwined with eachother and more of the flower sprouted all tangled into a small flower crown

He was quite suprised and in awe, the flower looked like blue-moon weed, his favourite flower which used to grow in his hometown, before he could reply, she spoke with a soft smile

"Thank you, for the flowers, they're quite beautiful"

"your welcome, afterall the flowers I pick are the most beautiful"

His voice was smug, but inside he was a mess, he wanted to confess all that he felt for her through the years but he still hesitated, he could feel his face turn hot everytime he looked into her eyes....She noticed something was wrong with him, she reached up to touch his forehead to check for a fever

"Are you feeling okay? your forehead is warm..."

"I-I'm fine!.... really...."

He grew red at the contact, she tilted her head in concern, removing her hand

"Are you sure?... Did you touch any poisonous plants?"

"Wha- No!! I'm fine... look I want to confess something...."

He hesitated before looking at her, holding eye contact, she looked concerned about him

"You do know you can tell me anything... "

He sighed, placing a hand on her shoulder

"Look,..... I... I may have come to develop feelings for you... I love you, okay? For a few years now, More than a friend, a party member, Anything!"

She froze as if all time had stopped, her face faltered, no response...

"Hey!... Please just give me a answer, I'll take it no matter what..."

his tone was desperate, almost pleading her just for a single word, his heart filled with anticipation

She simply looked at the ground and took a deep breath

"....Himmel... you know how this will go right?.... "

"I don't understand... What do you mean?..."

He was confused, looking at her for an explanation, he couldn't help but feel a sense of.... Dread

"Himmel... you're a human, I'm a elf... Time passes way differently for the both of us... I live for thousands of decades if not centuries, while you get a couple more decades, and I'm on the constant move, you wouldn't be able to keep up with me as you grow old while I still stay the same...."

He felt a pang of hurt in his chest as you say those words. he had never thought about that before, the fact that elves lived so much longer than humans, and that he had such a short life in comparison...

"....if we get together... It's going to be full of hardships...."

He listened to her words, he was determined...he knew of the hardships that would come with being in a relationship with you, but he couldn't help but to be selfish... Afterall he loved her, truly

"But... I know, I know it's going to be tough... but I dont care... l dont care about the hardship..

He took a step closer to her

I just... I just want to be with you, no matter what..."

He stepped forward holding her hand, looking at her in the eye, his tone sincere

"...even though it's going to be quite a hard time?"

"I dont care how hard it's going to be...I would go through any hardship, just to be with you..."

He nodded his head, his determination evident in his eyes. he spoke firmly and surely

She considered it for a moment

"If you are truly ready for it... I'm willing to give this a try.... I'll love you as much as it hurts me to watch you wither away with time...."

"It doesn't matter... as long as I get to spend whatever time I have left with you… I'll live happily knowing you love me...."

he could hear the sorrow in your voice, and his heart ached at the thought of the time that you would have to live without him

She looked up at him with a smile

"It may be a small time for me, to you it's a life time..."

He held her hand against his chest

"every moment I spend with you, no matter how short it is, it’s worth everything to me…"

[warning-heckboop]

I really love your changeling dev au 🤌✨️, i was thinking does this make dev the youngest in fairy world ? then that means there is a fairy who accidently had a baby but beacuse of da rules, it cause them to give it to dale as a gift? Im sorry don't know how the gifting works 😅

Okay, first off. Apologies for the late reply. Writing the fic on top of work and other plans took a lot out of me.

On to the actual question! To be honest, I hadn't actually thought too much about Dev's origins regarding who his actual fairy parent(s) would be. So let's brainstorm now, shall we? I'll be putting this under read more, because it got kind of long :')

Full disclosure, I never watched the entirety of the original FOP, especially after Poof/Peri was born, so I don't have a full grasp on the canon lore. I know before Peri, fairy babies were against the rules for thousands and thousands of years, but I guess I kind of assumed that after the dam was broken, they just kind of let fairies have babies whenever they wanted again--especially considering there's a "fairy shortage" in the later episodes (that's my understanding, at least, from what I've read. Again, I've never watched the later episodes, especially not the really later ones with Chloe). Even if this wasn't necessarily canon, I consider it canon in my head, especially since I like seeing people's OCs who are younger fairies born after Peri! Just gives more possibility for world building, I guess.

Regardless of the above, however, I think I'm leaning towards going more the route of Dev being an especially unique case. As I mentioned in my previous posts, Dev was given to Dale as a sort of compensation for Dale's lost childhood, where a fairy could have intervened and helped him escape Vicky's wrath, but he was just somehow overlooked. As I mentioned as well, I see this as a sort of cover-up that would have been handled very high-up in the fairy hierarchy, possibly by the Fairy Counsel themselves. Not only is giving a human a Changeling Baby an outdated and frowned upon practice that they want to limit the number of fairies knowing about, but I also think they'd just want to hide the fact that they so largely failed Dale (and the other children who worked with him) to begin with. They can't let the populous know that their all-powerful and all-knowing leaders screwed up like that, so instead they'd rather just pay off those affected in secret, and pretend like it never happened.

(Does this imply that there might be more changeling kiddos out there that were given to the other kids who suffered under Vicky alongside Dale? Maybe. I'm probably not going to ever expand upon that myself, but if that piques anyone's interest, feel free to build on it yourself!)

Based on this line of thought, I don't see this as a scenario where Dev was born first and then they decided to give him to Dale afterwards. I think Dev would have been created specifically for Dale. We've seen that fairies can reproduce like humans do through birth, obviously, but since they are magical creatures, who's to say there aren't other methods of creating more of their kind?

A fairy's human form appearance isn't completely detached from their natural form appearance (based on my own headcanons which are based on those created by @bunnieswithknives, who originated the 'natural form' concept I'm using in this au, for context), so in this case, in order to create a child that the world and probably even Dale would truly believe is his own flesh and blood, they'd have to create a fairy who would have traits that resemble Dale's. Maybe it was even a process of using magic combined with something of Dale's, like a lock of hair or something like that, to create a fairy child that to some extent really is related to Dale, although less in a "biological child" sort of way and more in a "slightly-modified-by-magic clone" sort of way.

I guess that's all just a really long-winded way to say: I don't think Dev has fairy parents! He's just a product of magic, and the closest thing he'll ever really have to a technical parent would, in fact, be Dale. I hope that's not a disappointing answer, haha.

[sugarlywhispers]

b.katsuki x reader ; m.izuku x reader — bakugou cheats on his gf, with midoriya's girlfriend.

☆– warnings; ANGST. swear words, cheating.

☆– i got inspired to write this angst while i was watching Grey's Anatomy, SPOILER ALERT, the episode where Alex leaves Jo and goes back with Izzy.

☆– okay, so, in this blog, we support old, grown up, calmed down mineta. i read a fanfic once (i can't remember the name! ill try to find it🙈) where mineta had cooled down his thirst for women and became a great friend (still with the double meaning of things, but funny actually), and i thought "okay, if we accept redeemed bakugou, we can accept redeemed mineta". in fanfiction, cuz he's still a stupid, hormonal kid in the manga/anime. so expect more cool mineta bestie here, cuz i like and enjoy double meaning humor. if it's not your cup of tea, you're welcome not to read this🤍

It takes a second, a breath, the entrance of air on your lungs to realize. To assimilate what happened, what it means.

"I brought a bottle of wine, some snacks and ice cream… Nothing heals the heart better than ice cream, talking about personal experience here," his voice says, but you're barely paying attention. You even saw him come into your apartment like it's his own, like he has done it thousands of times. But you don't leave your standing position by the door.

You saw the silhouette of Mineta, tall and broad shoulders through the peephole of the entrance door, and for a second you thought it was him. Even though they look nothing alike. But you thought… you wished it was him.

Bakugou Katsuki.

Reality hurts. 

Reality… is a bitch.

It takes a second to blink, to watch how everything changes, how everything falls apart in the simple action of closing and opening one's eyes.

You never thought it would happen to you. You thought he was it for you. You thought Bakugou Katsuki was going to be the one true love of your life. You trusted him. You gave him years of your life. Years where you thought he was the most amazing thing that ever happened to you. Years where you gave up dreams to help and support him in his dreams. And how does he thank you? Cheating. Choosing somebody else over you. Choosing her over you.

"I also heard hooking up with someone else also helps," Mineta jokes, snorting at his own ridiculous words. You know he is joking, he is your best friend and he has always joked this way. You know it. But… the heaviness in your chest doesn't know it. The pain in your heart doesn't know it.

"I'm not offering though… Don't take it personal, love. I love you and you're one the hottest hotties around here, but you're not exactly my type." He chuckles, taking the things he brought on bags over the counter of your kitchen.

You can see him from your position because it's not that far away, your apartment isn't big. When you and Bakugou went apartment hunting two months ago, you didn't want anything big and ostentatious. You simply wanted a home, whether that be a one room apartment.

It had been a home... Or so you thought.

Now, this apartment feels like a prison. A cell where it doesn't hold enough oxygen to breathe. Where every single corner reminds you of him. Where every single item and thing picked to decorate or to use, spoke about him. Him and you.

And there wasn't a "him and you" anymore.

Everything was a reminder of what him and you were.

There fucking isn't a "him and you" anymore.

"He left me," you breathe out, hand trembling over the doorknob.

Mineta turns around then. He sees you, shaking by the closed door at the entrance of your apartment. Hand holding the doorknob with strength, like your whole body depends on that contact to not fall apart. But your face… He has never seen you like this.

It's blank. And it's full of sentiment, emotions that hurt to actually see. Dark circles under your eyes. The skin of your face is pale, almost like a sick person; and that worries him. You're barely holding everything inside.

You are barely looking like your usual self.

Your breathing starts to agitate when you let go of the doorknob and turn your body a bit towards his direction. Then, your eyes find his.

"He… He just left me… And I–... I can't… I can't breathe," you finally cry.

You haven't cried since he confessed he had cheated on you with his ex-girlfriend, Uraraka Ochako. And that he has been doing it for three months. You did cry in that moment, but you haven't done it again. Not even when you broke the news to Mineta two days after–if you could describe your best friend's reaction, it would be murderous. It had been the first time you had seen Mineta Minoru that furious–. And you haven't even cried when you told Midoriya Izuku about what his actual girlfriend had been doing with your now ex-boyfriend. You remembered watching clearly the slow break of the number one Pro Hero's heart right through his eyes.

You haven't cried again until now. 

Why? Because today, you woke up to a message that said: "I'll pick up my stuff and leave the key at the apartment. I'll go in the morning when you're at work so I don't bother you." When you came back from work at 5pm today, Bakugou Katsuki had done as he promised. His clothes were no longer there, just more space for you to hang and organize your clothes. His computer set-up was no longer there, just an empty desk that you could use as your little home office. His shoes were no longer by the door, just empty space that you didn't know how to fill up.

The apartment is small, but it feels huge now that his things are no longer there.

You immediately texted Mineta: "S.O.S.", and it didn't take even an hour for him to appear with all this stuff he bought to make you feel better.

As you finally broke down on your knees, sobbing uncontrollably like you couldn't bring enough air to your lungs, Mineta knew any silly thing he could bring would be able to help you heal.

Because the only one able to heal this pain inside you… is yourself. 

But you're broken now. And Mineta's heart breaks with yours.

As he kneels beside you and holds you in his arms, he prays his friendship is enough to help you put yourself back together. And if not, Mineta prays to whatever exists up there that they send someone that can help you heal your heart with the devotion you deserve.

As you cry in your best friend's chest, you don't hear the little sound of a new notification on your phone. It's a message, that says:

"Hi, Y/N. It's Midoriya… I was just thinking that… only if you want to, if not it's okay… we could go grab a coffee together sometime. Just if you feel like it. Just… let me know if you want."

[fizzy-soda-cans-ohyea]

My og comment from reddit in a general a hellverse sub about Bee getting the ick from watching Mammon chow down (can u tell I was walking on eggshells to not piss off defensive fans lol) and my expanded thoughts

Now for my unfiltered opinion. Ahem. Yeah it's actually very VERY stupid to have the sin of Gluttony, even a "nice party girl" and alternative take on it, to look disturbed by Greed (seriously, it's almost funny how similar gluttony is to greed in description) messily gorging on food. Like okay. They don't like each other, even hate each other. Sure. But for a haha funny reaction to Mammon going wild for lunch, you can keep Ozzie looked sickened, fine, but just have Bee glaring at him in a "this is not the time asshole" kind of way or SOMETHING damn idk.

Also. So many fans not knowing the full def of Gluttony. I felt like I was going insane with barely a few people in comment sections filled with thousands only getting it. It's not just being a foodie that maybe snacks too much, or drinking a few too many beers, or taking drugs at a party or whatever else people said lol. It's messy, it's over excess to the point of harm. It's sloppy, messy, kinda gross. Whether it's food, drink, or anything you overindulge in, it's not pretty. It's also...GREEDY. Let me not go on a tangent about how I think it would be more interesting for Bee and Mammon to frenemies instead-

And yeah. I made a post...about a year ago? About my slight discomfort and how unsure I was with how Mammon, and the few other plus size characters across both shows, were portrayed despite liking him. And wow did his portrayal this episode actually kinda made me a bit mad. Just made him the butt of the joke and gave him the obnoxious/annoying unlovable fat bully trope. Thanks for that I guess. Whatever I still love him lol.At least he was rocking the cool skeleton suit.

Also Ozzie. Don't tag team with Bee to clap back at Mammon like this is some teen's attempt at YA where the two friend characters always have a comeback for the pathetic bully character. Please. This is embarrassing. Don't let my GOAT be washed </3