#love me some angles

[frroott-draws]

Where are monster sanctuary fans at?

[hinamie]

inflict

[odo-apologist]

POV: You're a scientist and the little creatures you've been observing have discovered one of the hidden cameras you placed in their natural habitat

[veinsfullofstars]

"Back for a rematch, little Knightmare?"

(ID: Kirby series fanart of Galacta Knight seated on a cluster of tall, cracked, geometric stone pillars, framed at an angle with crescent-moon-like rock formations rising behind him as well as a starry sky backdrop. He leers down at the viewer through the cross visor of his mask, his feet crossed and his wings spread majestically, his head resting in one hand, the other held out to lazily nudge the end of his lance, which stands pierced through another pillar below him, his shield similarly embedded in a third pillar beside it. Behind his horns shines a brilliant halo of glowing pink Heart Spears, the pale light that radiates from it erupting in rings of soft flares and leaving all surfaces rimmed with sparkles, as beautiful as it is ominous. END ID.)

Started 07/07/24, finished 07/13/24, updated for color correction 11/02/24.

[giddlygoat]

mario + peach is such a good ship istg they’re so good. straight ship so good it feels gay

[welcometogrouchland]

I've been binging Batman Beyond recently (Terry ily so much) and thought about how- bc of the JLU twist which I think isn't even canon to the comics BB verse but shhh bare with me- he'd technically be Damian's half brother??? Which is just so ridiculously soap opera to me. I need them to interact in a silly time travel adventure so bad you don't even understand (ID in alt)

[beneathsilverstars]

you know what fuck you [loopifies your figure drawings]

original normal drawings under the cut lol.. for the art-heads

[knifebaby3000]

young prince

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[a-bit-lonely]

Did some more messing around with REXPaint, this time cooked up some ascii art that I'm a great deal more proud of!

So here's a V1 and a Mirage featuring my head canon machine angst!

Transcription of the background text and iris text for both under the cut

V1's text

Background text

this is a cruel world but a cruel world is all I have ever known thus I have no hope for a world which is not cruel. This is how the world is thus this is the only way for the world to be. I have made peace with this. If blood is the only thing keeping me alive then let there be ever flowing fountains of it. Who gives a shit if it is selfish to cause suffering for my own benefit, if it wasn't me then it would be someone else. I make a game of it because if I don't then I won't be able to keep hurting people and if I stop hurting people then I will cease to exist. I am a perpetual mad scramble for just enough to keep on

Iris text

V1's iris text is just "kill and kill and" over and over.

Mirage's text

Background text

all i have are masks. never show how you really feel because then it is going to hurt hen everything comes falling apart and believe me it will all come tumbling down, it always does. such is the curse of life. give something just to take it away the first chance God or fate or whatever gets. Destiny is hatef-

Iris text

there is a beast which wears my face the beast stole my face it is no longer mine or else it is still my face maybe the beast really is me maybe it has just as much right to my face as i is this my legacy am i only an echo of a murderer? i hate that wretch...

[hinamie]

unconditionally

[anistarrose]

My current version, of my ever-evolving theory, on what constitutes "aromantic stories" is that first off, there's absolutely a wide spectrum between 1, "this is explicitly undeniably about aromanticism," and 2, "there sure is a noteworthy amount of aro subtext, but representing aros clearly wasn't the author's intent." But the spectrum is best completed not as a straight line, but as a triangle, where the 3rd point is "the story probably wasn't created with aromanticism at the forefront of anyone's mind, but was created with subverting particular expectations related to romantic relationships in mind." And in my experience, a lot of juicy aromanticism-related experiences that are underrepresented in their own right can lie in that third option, regardless of whether the characters are aro-spec or allo or kind of whatever you headcanon.

So, what does make a story on this spectrum "aromantic?" IDK, I wouldn't necessarily include all or most of the firm 2s (unintentional subtext) under the aromantic story mantle. But when you get into the gray areas that inch a little closer to 1 and 3, let alone the gray area between 1 and 3 where intent is ambiguous but ultimately may not matter, it makes sense that different people will have different takes.

[andy-clutterbuck]

6x11 | Knots Untie | requested by Anonymous

[spaceratprodigy]

Ooh palettes 🥰 Jasper and Faith in either Malabar squirrel or cherry pie?

@darkfire1177 — [ palette prompts ]

✨ The Unplanned Variables ✨

[nitsa13]

At halt

[seaglassdinosaur]

I know we collectively agree that Hiccup isn’t romantically inclined, and his getting married and having kids didn’t make sense in the epilogue, but consider: Hiccup getting married for political reasons.

It’s a marriage of alliance, which is recognized both by him and his partner, and they enter it without expectations of romantic involvement. Since they’re now married, they live in the same castle, spend time together, and Hiccup finds he really likes his spouse. They’re funny, get along with his friends, and has the same interests and values. They both probably speak multiple languages. She understands why Hiccup is so dedicated to making the Wilderwest better, and holds similar views. She’s a good politician (her job after all, was to be an ambassador). Hiccup likes spending time with them, and the feeling is mutual. They’re not in love, they have their own lives, but they’re dedicated to each other and eventually decide to raise children. They teach their kids how to train hawks and hunt with dragons, riding, history, the Languages, and all the necessary skills of their world. They’re not in love and they’re happy together.