What was actually happening in the love cage during weirdmageddon
Ford sees this as torture, Bill sees this as an opportunity to get his ex back.
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JUST REALIZED I NEVER POSTED THIS HERE ANYWAY *smacks art down on table* I love them so much
I'm so happy this show finally got released because it has been a long 4 years and of course, it has its flaws but I love it all the same
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“This is a song off of an album, anyway,” Jeff trails off, trying to let Eddie start the riff for the next song. But he's not about to let this go unchecked.
“Jeffrey,” he drags out the name into as many syllables as he can manage, giving the end a singsong-y trill. “Jeffrey, did you forget which album the next song is off of?”
Gareth isn't mic'd but Freak is, so he can hear that at least one of them picks up his teasing with an ooooh.
“We don't need to tell them what every album is, they paid good money to see us. Hell, some of them probably saw us when we were debuting it.”
“But you announced the last one,” Freak says.
“An excellent point, Freakazoid.” Eddie agrees, “And he certainly set this one up like he was going to share again, didn't he?”
“He did,” Freak's nod is a little more exaggerated than it needs to be, playing it up for the nosebleed seats in the crowd.
“We've got a set list to get to, these people don't wanna be here all night.” Jeff tries.
“This is a Corroded Coffin crowd, my man, they don't bow to the whims of things like a bedtime.”
“Thank you to everyone who took advantage of the AARP presale,” Gareth adds, the bit has gone on long enough that he's had stage crew bring him a mic.
“Gareth had his knee replaced three months ago and he's here. These old fogies can put up with the show going an extra twenty minutes, while we dig down on this right?”
The crowd cheers, Eddie only waves them on a bit to amp them up. He sends his shit eating-est grin Jeff’s way as they shout.
“See, it's fine. Now, did ye of the memory vitamin supplements forget what album the song was from?” He turns to the audience more directly, “The people want to know!”
“Fine, yes, you've written so many songs about fucking Steve, they've all started to blur together. Does that make you happy?”
“Thrilled,” and he is. It's the best thing he's heard all day, and he gets to be on stage again for three generations of fans. “This next one is off of Hunt the Freaks, and it's actually about him fucking me.”
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“Floyd, could you sing to me?”
The big brother looked up from where he was tucking the blanket under Branch’s feet. “Sure thing,” he said with a light smile. “What would you like to hear? A lullaby?”
“I don’t know,” Branch mumbled as he nestled his head into the pillow. “You choose.”
Floyd could still see a crease of worry between his baby brother’s brows. He softly brushed a thumb over it in a silent reassurance that everything was going to be okay before he turned around to reach for their dad’s old guitar.
I think Floyd would often sing to Branch to get him to fall asleep, usually the songs and lullabies their parents sang when the older four were still little.
I know in the movie it seemed like they all left right after their fight, but I like to imagine that they just stormed off to cool off and that they actually left in the following days. And that this was the last song Floyd sang for Branch that night. :')
Both Sides Now (specifically this cover by Voncken)
Rows and flows of angel hair
And ice cream castles in the air
And feather canyons everywhere
I've looked at clouds that way
But now they only block the sun
They snow and rain on everyone
So many things I would've done
But clouds got in the way
I've looked at clouds from both sides now
From up and down, and still somehow
It's clouds’ illusions, I recall
I really don't know clouds at all
Moons and Junes and Ferris wheels
The dizzy dancin' way you feel
When every fairy tale comes real
I've looked at love that way
But now it's just another show
You leave 'em laughin' as you go
And if you care, don't let them know
Don't give yourself away
I've looked at love from both sides now
From give and take, and still somehow
It's love's illusions, I recall
I really don't know love at all
Tears and fears and feeling proud
To say "I love you" right out loud
Dreams and schemes and circus crowds
I've looked at life that way
But now my friends, they’re acting strange
They shake their heads, and say I've changed
Well, something's lost, but something's gained
In living life each day
I've looked at life from both sides now
From up and down
And give and take
And win and lose, and still somehow
It's life's illusions, I recall
I really don't know life...
I really don't know life at all
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good omens the book, 1990: see, queen is so ubiquitous in london these days that if you leave a tape in a car for too long, it'll inevitably morph into a best of queen tape. which is why their megahits are playing in crowley's bentley all the time! isn't that a funny and topical joke?
good omens the show, 2019-2023: yeah crowley's car has a hands-free call system and also only plays cassette tapes. yeah it's whatever don't think about it. what's an incredibly earnest and passionate queen love song we can play during this scene where crowley tries urgently to reach aziraphale
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fall out boy is so fascinating because anyone who doesnt know anything about fall out boy thinks theyre only relevant to millenials who had intense emo phases while anyone who is a huge fall out boy fan is aware of the fact that every single album they release has gotten them a wave of new young fans. and actually thats not even true because every album second album cycle the fans from the one before the last one are like what do you mean you became a fan during the last album cycle i didnt think anyone was still onboarding. and this is going to go on forever until they retire probably.
edit: i must assume you like fall out boy. consider: fall out boy pins.
buy my art.
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