#lots to chew on here

[skrunksthatwunk]

finished lolita. ough.

[akanemnon]

We don't talk about the scar

[elfcollector]

DRAGON AGE: ORIGINS (2009) — developed by bioware.

[wolves-in-the-world]

the thing about eliot spencer as a character, right. the thing about him.

(and as always your mileage may vary on my analyses so if we disagree that's cool actually)

is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.

(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)

on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.

[solar093-art]

some adventures can get too dangerous... so it's time to summon friends :)

[clownfettis]

This idea has been stuck in my mind for months, and I'm do glad to have finally made it

This is the most experimental I've ever been with my art. I'm really proud

This was inspired by @beluvbug 's amazing Princess of Gender Dysphoria AU, and all the amazing AUs that came from it. Check them all out!!

Expect a lot more experimental pixel brush art full of symbolism for this jester, because I'm obsessed with him and projected on him to hell and back

Textless version under the cut

[struggling-jpg]

Random thoughts but

imagine Boothill going to the Luofu and meeting Jing Yuan and by extension Yanqing and it's like "Wow! You guys are motherfudging cool!"

But it occurs to him how young Yanqing is and he can't help but think that maybe his daughter could have grown and made friends with him. It's somewhat concerning that this little guy is in the constant face of danger. Boothill gets it, the kid's strong, but the dad in him worries just a bit.

Then maybe Boothill and Jing Yuan talk while eating (well, Boothill chewing on a bullet probably), and he brings it up casually, smoothly but the General knows what he's trying to get at.

Jing Yuan talks about how he's also feels worry, that he had thought about what it meant to raise Yanqing as a son, retainer, and a soldier. It takes some moments but Boothill finally openly talks about his daughter and how he wishes that he got to see beyond her first steps. That she could have had the chance to play guitar or ride horses or even learn to drive a spaceship. He feels afraid for Yanqing because isn't that boy still so small?

And Jing Yuan agrees with a thin, close-eyed smile that Boothill recognizes but can't put a name to. They reach a mutual understanding yet unanswered questions hang in the air.

[diamondcitydarlin]

----LOTS OF SPOILERS FOR THE FILM BELOW BE AWARE---

The thing that's driving me kinda CRAZY about the sequel though is how perfectly it sets up a personal arc for Lydia to be intertwined with Beej's. Like I said in my reaction post after seeing the film last night, I feel like Lydia as a character doesn't really get much of an arc or a resolution by the end of the story, as most of the plot is focused on repairing her relationship with her daughter, with Delia, maybe even her ex-husband to a certain extent, and for as much as she's rid of someone actually preying on her (Rory) we have no reason to believe she's found inner peace or really discovered herself or isn't still constantly popping pills to help with the 'gift' of sight she still has to deal with. There's so much about her left unresolved that Tim is either going to have to make another film about or I will have to fanfic about. But again, what's also fascinating is the way the beats of Lydia's story become tangled up with Beej's by the end of this, and also the ambiguous suggestion that there might be some kind of red string of fate linking them together across life and death and centuries (my kingdom for Beej saying "I've crossed oceans of time to find you" in a deep sexy Dracula voice and Lydia being like "plz shut the fuck up" LMAO)

Like, the 'psychic connection'. The thing that makes Lydia able to see and interact with Beej in places other than the house/model in Winter River. At first I think we're led to believe these are genuine hallucinations she's having, but ofc that's debunked when Beej reveals he's aware of these sightings and has been participating in them on purpose. Does this suggest that their first marriage may have been binding in some way that didn't release him from death, but allowed him more range to manifest so long as he was attached to her? That's not really addressed or explained, but I feel like it opens the possibility of being a thing (as so many fanfics have had happen before, I LOVE it tbh)

Also, the parallel of them both having had predatory exes that tricked them into 'selling their souls' (one in a figurative sense, the other literally lmao). I'm honestly shocked more conclusions weren't drawn from that conspicuous parallel in the film itself, because it's VERY interesting. It seems almost to suggest they're both meant to safeguard each other's souls (which is why I'm still bitter we didn't get Lydia defending him from Delores, I think that would've been a nice follow up to Beej saving her from Rory, even if she was just doing it out of a sense of obligation).

And idk, on the whole I feel a lot of Lydia's personal struggle at this point in her life is defined by a need to feel 'normal'. I get how that can seem odd coming from the teen girl that confidently described herself as 'strange and unusual', but this is 30 years later, after several failed relationships, after becoming a mom and struggling with a strained relationship with her daughter because of her oddity, idk, I think it's a good case study on how society forces women to conform lest they be a bad daughter or a bad mom or a bad wife, etc, but I think it's obvious she's just fighting her 'strange and unusual' nature and the more she does that, the more difficult her life will be.

To me, that suggests her path to happiness has actually a lot to do with Beej, or very well could. Who else is going to understand her true nature the way he does? Who else is going to unashamedly encourage her to be balls to the wall weirdo like she REALLY is??? Who else can truly set her free that way??? Like I'm gnawing on wires here yall, if nothing else Tim gave us SO much fanfic material to work with on this one.

[fulcrum-art-fox]

Monica gets so much of the “as you get older, you discover that your parents/any adults that raised you have as little idea what they’re doing as you do, and are in fact just as messed up as you are” thing this movie. Like, the whole bit where Carol breaks down, and explains that she didn’t want to bring “the Annihilator” home to her and Maria, that she thought she had to fix it before she could possibly come home. Monica just goes “family doesn’t work like that” bc like. She loves Carol, and she’s been hurt by her, she wondered every day why she never came back. And now, here’s the reason, and now all she can do is shake her head and smile a painful smile and say “family doesn’t work like that” because now she gets it and it’s as understandable and stupid and human as anything. Carol wanted to be perfect for her, she didn’t want to bring her baggage home for her family to deal with. She wanted to sort it all out and thought she had to do it alone. But family doesn’t work like that

[daylighteclipsed]

Y’all ever think about if Sora falls to darkness that inside his heart will look like the Destiny Islands falling again

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[macadam]

Fully of the belief that Miko is only seen as an annoying character because of the dynamic between her and Jack.

Miko in isolation isn’t an annoying character. She’s reckless, and unwise, and has to be bailed out of trouble every five seconds, but this isn’t really an issue for any of the bots because as far as they’re concerned, this is Normal Human Behaviour™. They are constantly having to work with and around humans or bail them out of trouble.

Bulkhead adores Miko. He is exasperated by her like a parent is of their toddler, sure, but I wouldn’t say he is annoyed by her in any way. Her interaction with wheeljack is another example. When she exists with the bots by herself, she doesn’t come across as burdensome. She’s just limited, as every human is, by the curse of being small.

It’s only through her interactions with Jack, and his continuous challenging and calling out on her behaviour, that Miko becomes an annoying character. Frankly, it’s the tension between them which annoys the audience. We can only watch the same cyclical bickering between children before it gets old.

I have noticed that there actually are a lot of people who do like Miko, and find Jack super annoying instead. It seems like people pick one or the other depending on how you interpret which one is causing the tension. When I watched tfp as a kid, I loved Miko and hated Jack. Like, hated hated him. Because I saw Miko as a fun punk rock kid and Jack as the one needlessly calling her out. Upon rewatching tfp as an adult (who works with kids a lot) I related far more to Jack, and so the situation flipped; I saw Miko’s actions as more frustrating to watch.

The writers did eventually try to fix this, with the one heart-to-heart scene between Miko and Jack. But it was kind of rushed, and didn’t leave any lasting change to their dynamic. They went right back to arguing.

Tldr: Miko and Jack are annoying together. Fans usually pick one of em as the cause to be annoyed at but honestly, they are both fine on their own. Children bickering is annoying even in a fictional cartoon lmao

[so-much-for-subtlety]

tomorrow officially starts my 15th year in the “United” States. I’m gonna make a cake. Not to celebrate- I was just gonna make one anyway🥕

[rad-roche]

i much prefer DiMA's original texture file compared to the one in game, which is Nick's face 1:1. i'm not too sure why they went with it. maybe to better sell the idea of them being twins? in any case, i think there's something to be said about DiMA having a more 'youthful' appearance, even if they're the same age. i think there's something interesting in difficult circumstances and hard living 'aging' Nick, and DiMA looking like he would have in the institute, save for modifications he's made himself. DiMA doesn't have the stress of unwanted thoughts or memories, Nick very much does

[kantraels]

fseer funniest behaviors

[hugheses]

frames from the bauer hype squad promo