#lots of bribes too. | Explore Tumblr posts and blogs

evermoreal · 3 months ago

Text

thinking abt some kind of outlaw!au where the 141 walk away from a raid with a lot more than they bargained for.

౨ৎ *· edit: this is now a series!

a few weeks back they’d received word of a nobleman and his wife who’d be leaving for their honeymoon, valuables aboard the carriage. after a bit of lurking and bribing, they’d narrowed down just which road was desolate and wild enough to get away with the raid.

concealed by the bordering forests, they’d waited. an embarrassingly opulent carriage came dawdling down the road (polished wood, velvet curtains, ostentatious engravings) & they pounced.

the drivers & guards, they’d expected. the gunshots, the shouting. what took them by surprise, though, was the wife, who did not fight as gaz wrestled her into his arms. who watched a little too closely when ghost dragged his blade across her husband’s chest, demanding the location of their funds.

“where’s’a money?” price questioned, moving towards the woman when her husband’s pride weighed heavier than his cowardice. his broad palm gripped her jaw as gaz held her arms behind her back. “hm, lovey? y’speak english? y’better tell me, or your sweetheart ‘ere ‘ll be gutted before tha night’s over.”

she watched her husband writhe for a long moment, before meeting price’s gaze. her voice was flat, steady. “kill him.”

soap barked a laugh. ghost cocked his head.

price, though, was intrigued.

“kill ‘im?” he echoed. then, he lifted her hand, yanking the diamond ring off her finger and pinching it between his fingers. “wha’ bout this? just a rock, is it? ‘till death do us part’ mean nothin’ to ya?”

“words don’t mean much when you’re forced to say them, sir.”

“forced?” price questions, narrowed eyes flicking across your features. he looks to your husband, then, who’s soiled his pants. “tha fuck is this muppet forcin’?”

price is quiet for a while, watching your husband as he wriggles in ghost’s grip. when he meets your gaze, there’s a small, barely-there curve to his chapped lips. “you really want ‘im dead?” there’s an amusement to his tone, a disbelief.

you steel your gaze. “yes.”

the curve of his lips bends into a grin, and you’ve barely exhaled before he’s lifting his pistol, aiming it at your husband’s head, and shooting.

limp, he falls to the ground.

you don’t flinch. in fact your voice is steady when you state, “the money’s in the chest, beneath the seats.”

once again, price approaches you. grips your jaw, tilts your face this way and that. he taps your cheek twice, and says, “you heard the woman. soap, get the money. gaz, tie ‘er up, she’s with me.”

#my writing *ੈ✩‧₊˚#god’s gonna cut you down 🌾 ༉‧₊˚#price ⋆₊˚⊹♡#gaz ⋆₊˚⊹♡#soap ⋆₊˚⊹♡#ghost ⋆₊˚⊹♡#call of duty #mw2 #cod x reader #mw2 x reader #john price x reader #gaz garrick x reader #kyle garrick x reader #simon riley x reader #ghost x reader #soap x reader #john mactavish x reader

5K notes · View notes

iamthedukeofurl · 6 months ago

Text

Discworld is an interesting beast in the age of ACAB. Like, the city watch books are a story about police and the way in which a good police force can help and protect people. Which would make it copoganda. And I'm not going to say that the City Watch books are completely free of copoganda, but they also do something interesting that fairly few stories about heroic police officers do, and I think it has a lot to do with Samuel Vimes. A lot of copoganda stories like, say, Brooklyn 99, are perfectly capable of portraying cops as cruel, bigoted, and greedy, but our central cast of characters are portrayed as good people who want to help their communities. The result is that the bad cops are portrayed as an aberration, while most cops can be assumed to be good people doing a tough job because they want to help protect people from the nebulous evil forces of "Crime". The police are considered to be naturally heroic. Pratchett does something very interesting, which is provide us with Vimes' perspective, and present us with an Unnaturally heroic police force. In Ahnk-Morpork, the natural state of the watch is a gang with extra paperwork. It's the place for people who, at best, just want a steady paycheck and at worst want an excuse to hit people with a truncheon. Rather than be an army defending people from the forces of Crime, the Watch is described as a sort of sleight-of-hand, big burly watchmen in shiny uniforms don't stand around in-case a Crime happens in their vicinity, they stand around to remind people that The Law exists and has teeth. The Watchmen are people, when danger rears it's head, their instinct is to hide and get out of the way. When faced with authority, their instinct is to bow to it out of fear of what it might do to them if they don't. Carrot is a genuine Hero, but his natural heroism is presented as an aberration. Normal Cops don't act like Carrot does. The fact that the Watch ends up acting like a Heroic Police Force is largely due to the leadership of Sam Vimes, but Vimes himself is a microcosm of the Watch. The base state of Sam Vimes would be an alchoholic bully of an officer, one who beats people until they confess to anything because that makes his job easier. Vimes The Hero is a homunculous, an artificial being created by Sam Vimes fighting back all those instincts and FORCING himself to behave as his conscience dictates. Vimes doesn't take bribes or let his officers do the same because, damnit, that sort of thing shouldn't happen, even if doing so would make things a lot easier. Vimes doesn't run towards sounds of screaming because he WANTS to, he forces himself to do so because somebody needs to. It's best summed up in Thud “Quis custodiet ipsos custodes? Your Grace.” “I know that one,” said Vimes. “Who watches the watchmen? Me, Mr. Pessimal.” “Ah, but who watches you, Your Grace?” said the inspector with a brief little smile. “I do that, too. All the time,” said Vimes. “Believe me.”

In the hands of another writer, or another series, this exchange would be weirdly dismissive. To whom should the police be accountable to? Themselves, shut up and trust us. But from Vimes, it's a different story. Vimes DOES constantly watch himself, and he doesn't trust that bastard, he's known him his entire life. The Heroic Police are not a natural state, they're an ideal, and ahnk-morpork only gets anywhere close. Vimes is constantly struggling against his own instincts to take shortcuts, to let things slide, but he forces himself to live up to that ideal and the Watch follows his example. Discworld doesn't propose any solutions to the problems with policing in the real world. We don't have a Sam Vimes to run the NYPD and force them to behave. We don't have a Carrot Ironfounderson. But it's at least a story about detectives and police that I can read without feeling like I'm being sold propaganda about the Thin Blue Line.

#discworld #sam vimes #copoganda

5K notes · View notes

stromblessed · 1 year ago

Text

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

#blue eye samurai #mizu #akemi #kinuyo #bes #women are birds okay they are BIRDS #the let me die line is so SCARY AND SAD like a part of Mizu wants death but she cant? she doesnt know how?? excuse you show???#when all these other delicate birds are dying all around her #akemis character gets more and more gutwrenching upon subsequent rewatches because whenever she says her life is in danger #NO ONE BELIEVES HER - certainly not other women #because shes rich and pampered and that means shes safe and is worrying about nothing right? right?????#and it turns out that all of akemis instincts were right and she was in danger the ENTIRE TIME #also I need to make a post just for kinuyo because I am sad

11K notes · View notes

envy-of-the-apple · 2 months ago

Text

Fun Sized

Dark!Fairy!Gojo Satoru x reader

Word Count: 2k

Synopsis: You save a tiny fairy. Gojo Satoru decides that you and him belong together, regardless of how little he is and how little you think of him.

(Warnings: Yandere, not many warnings in this one ngl)

The fae are a dangerous bunch. You've heard more than enough stories to be spooked. Sirens will sing beautiful songs before dragging you into the depths. Dragons will burn you to a crisp before a second's thought. Nagas would make sure you were alive until the very end as they feast on your organs. Centaurs would use their powerful legs to stomp yours to mere twigs. Driders would suck your blood until there's nothing left but a husk of your body.

You've never heard anything about fairies. They didn't live in your region. Their lands were high in the mountains, where humans rarely traveled. Also, they were so tiny, according to the books. The biggest seemed to be barely the size of your hand. They were harmless, you concluded. Harmless to humans. Harmless to you.

He had been harmless. At first, you thought it was a cluster of leaves in the stream, but as the current drew it closer, you noticed tiny arms and a tiny face. He was unconscious; you didn't even know if the poor thing was alive.

The Fae are a dangerous bunch, but saving one tiny fairy couldn't hurt, right?

Your guest quickly proved to be a bigger hassle than you initially thought.

When you brought him to your cottage, he laid in a basket of warm linen, asleep for hours near the warm fireplace. The blueberry pie was still hot when you turned around and caught him staring at you.

It was silent for a while, and then you said:

"Do you like sweets?"

That's how your tentative friendship with the other kind started. Gojo Satoru (you later learned his name) was a boisterous thing. He did in fact like sweets, which helped bribe his friendship. You're surprised that he ate so much despite his stature. Did all faires have black holes for stomachs?

He healed up rather quickly. At first, you were afraid that his wings had crumbled due to the prolonged exposure to water. But after stuffing himself full of the blueberry syrup, he smiled widely before flitting out your window.

You thought that would be the end of it, but then he just came coming back.

Apparently, your baking skills left an impact on the small creature. He didn't visit often, but when he did, you would always make sure you had something. Whether it be cookies, brownies, or that blueberry pie he was so fond of. Anything was good enough for Gojo's taste palette.

"In the fae lands," Gojo said when you prodded, "sweets are too sweet. Yours is just enough." You weren't too sure what he meant by that, but you took it as a compliment. You were sure the fae wasn't something who'd give praises so easily.

It's not like you were upset at providing food for your tiny friend. Quite the contrary. You loved it when Gojo visited. You found him fascinating, the way he could fly miles and miles above your head. How tiny he was. The amount of times you had to hold yourself back from squishing him between your fingers because of how cute he was scared you.

And you hoped you were fascinating enough to entertain Gojo. You had to be; you don't know why else he'd keep coming back. Even after gobbling down your cooking, he'd lounge around your home, entertaining you with his stories. You learned of the other magical creatures he was in contact with, the students he taught, and how fond he was of them. You don't know why he was so open about sharing his personal life with you, in the stories fae hated humanity, but you would never complain.

It doesn't click as to why Gojo's so invested in you until he comes out and says it himself.

"Instead of me coming back and forth like this, why don't you just come live with me?" He says, "I would cut down my flying time by a lot."

You stare at him in amusement, sure he's joking. "I'm not sure how I'd fit in your house." You tease. "I'd probably crush all your furniture."

"I can make my house bigger." He announces. "Don't worry 'bout it, just say yes."

You stare at him, slowly realizing that he isn't as amused. He's still smiling, but there's no joke.

"No," you finally say, "I'm not doing that."

He cocks his head surprised as though he's never had someone reject him before.

"What?" He asks, "Why not?"

"Well." You clear your throat. "For one, I'm human, and you're a fairie. I don't think Fae would appreciate a human wandering around in their lands."

"Who cares about all that?" Gojo waves his hands around. "You'll be with me, anyways. It'd be fine."

"I don't get why you're so fixated on the human realm." His mouth turns into a sneer. "It's all so boring. Nothing ever happens. And our magic is much more advanced than yours." It's true. You can't disagree with that. Satoru didn't wear clothes made out of leaves or vines, unlike the common fairy stereotype. His clothing looked much more advanced compared to your loose cotton dresses. A black shirt with intricate buttons and long sleeves. Along with black trousers. You wonder what material could make his suit so shiny.

You laugh at his disgust. At that time, you saw Gojo as a tiny child clutching their mother's skirts, a cute puppy. You hadn't yet taken Gojo Satoru as the threat he was.

"It's because I am human." You say, not offended by his remarks. "So I like being near other humans."

He groans as though your logic makes no sense. "Yuji and the others ask about you all the time, though. They've been dying to meet you."

"You talk to your students about the giant that cooks for you? I'm flattered."

"You're dodging," he warns. You roll your eyes.

"Satoru, I'm not coming to live with you. It'd be too much of a hassle." You finally say. "Besides, you're not my type."

"I'm everyone's type." He argues.

"Not mine." You smile, and then you make your first blunder.

"I like my men a little taller."

He stiffens, and you know you said the wrong thing. Your smile fades as does the cheery energy in your cottage. He says nothing, but he's zipping out your window before you can apologize.

He doesn't return for the longest time. You count the weeks. Guilt weighs on your shoulders, heavy and burdensome. Every day you bake something even tastier than the day before. Not even that is enough to coax him back.

You think you've lost him forever, when he returns on one sweltering summer evening.

"Hi." You blink. He's watching you, sitting idly on the window, kicking his tiny feet.

"Hi." He smiles.

You're happy enough to grab him with one fist and hugging him to your chest, but as always, you stop yourself. Instead, a shy smile rests on your face.

"I'm sorry," you say, "I really am...will you accept an apology pie?"

He grins wider, and you relax.

He eats, and you're grateful. Something you once cherished in your life has finally come back to you. You might not return Gojo's feelings, but you still care for him. You'd rather die than ever hurt him again.

"No, you're right." Gojo surprisingly concedes when you apologize for the third time. "We're too different. It'd never work out. Not as the way you are, right now."

You nod, grateful he's so understanding. "Exactly."

He's finishing up when he announces he brought you a gift.

"I've been working on it for the past few weeks," he cheerily says. "It took a while, but it's finally safe for human consumption."

He takes out a tiny glass bottle filled with something swirling and blue. When he asks you to bring a glass of water, you acquiesce. To your astonishment, when the elixer is poured, the entire water becomes a swirling mass of a color comparable to none other than galaxies. You're so mesmerized by the color, it's enough to stump your voice.

"For you!" He declares. "You've always been cooking for me; thought I might return the favor, just this once."

"What is it?" You ask, amazed by the color. You admire the glance, unaware of the glint in Gojo's eye.

"It's kinda like the wine you have in the mortal realms, but a little less poignant." He gives when you glance at him. "Go on, tell me what you think?"

You're too trusting, and so you make your second blunder.

Once you start, you can't seem to stop. The taste is otherworldly, addicting. You drink and drink, not wasting a single drop. You're breathing heavily once the cup detaches from your lips.

"Amazing." You say before looking at him. His eyes are too wide, but you're too distracted by the taste still on your tongue. "Seriously, what was that? Can I make it here?"

He scratches the back of his head. "Not really, the ingredients are pretty hard to find." He shrugs. "Besides, it's supposed to be a one-time use."

Your eyebrows twist, and then the world sinks.

You're falling. You think you are. You don't really know. Everything feels like it's stretching. The walls of your tiny little cottage get higher and higher and higher. The floor gets more and more warped. You're sinking, sinking through the air. When you scream, nothing comes out. You feel like you're choking because you can't breathe, and then your vision grows black.

The next time you open your eyes. It's still dark, and to your horror, you realize you're buried underneath something.

You panic, clawing and tearing your way out. The material gives away easily. It's fabric. Cotton. But there was so much, an undying ocean of fabric. You lift yourself up from the pile and that's when you realize you're completely naked.

The mountain of cotton you just climbed to the top of was your old dress.

Everything was gigantic—the table, the chairs. The windows seemed endless. The ceiling looked miles above you, and you know what happened, but your brain can't formulate it because it can't be—it just can't be.

There's a flutter of wings. You always thought he was so quiet before. Now, he's all you can hear. Immediately, you wrap your body with the cloth. It's hard to keep still; your body is buzzing with nerves and you still can't understand. You have to force yourself to look at him.

You don't know why you expected shock, guilt, something other than the pure manic glee on his face. Satoru towers above you, head tilted. He bends down, cupping your trembling face in his hand because he's big enough to do that now.

"Just when I thought you couldn't get any more adorable." He coos.

You can see him now. His skin isn't pale, it's borderline translucent. His canines are sharp and pointy. And his eyes. Oh God you've never seen eyes so terrifying before—an endless mass of blue, threatening to swallow you whole.

He wasn't a cute little fairy. He was anything but that.

"Gojo..." You start, heart squeezing. "What did you do.."

You know. He knows. That's why he ignores your question entirely.

"I'm surprised it worked." He says, mainly talking to himself. "Shoko said it might be a dud, and she was so sure of it, that I mostly believed her."

"But now look at you!" He roughly pinches your cheek. "You're the perfect size now."

"Stop." You blubber, pushing his hand off of you. "Don't touch me. Change me back. Change me back."

He frowns. "Why would I do that? You being human-sized was always such a hassle. Lumbering around. Way too loud. Don't get me wrong, I adore you either way." He proclaims like it's something benevolent. "But this has its charm."

He leans forward, and you scuddle backward in fear. His grin widens.

"So, am I tall enough for you, now?"

#yandere #yandere jjk #dark jjk #dark gojo satoru #dark content #yandere gojo satoru #x reader #yandere x reader #yandere jjk x reader #yandere jujutsu kaisen #yandere jujutsu kaisen x reader #yandere scenarios #short king gojo #he doesnt take that too well tho

2K notes · View notes