#lots of bribes too.

[kingcriccket]

First outdoors outing & she took it in stride, like she does everything. And then she tried to kill a bug.

[raelyn-dreams]

I think one of my favorite things about UNDEAD willl always be Kaoru Not Getting The Memo.

Like.

Only one smiling on the Destruction Road album cover.

First ! Era 5 Star isn't in the UNDEAD uniform.

The only UNDEAD member to not regularly wear earrings.

His center event song and vibe are completely different from the others and without any purple in the card.

Kaoru also:

Is the only monolingual one in UNDEAD (made a separate post about it here)

Is the only UNDEAD member who couldn't play an instrument (except for middle-school-level recorder) until !! Era.

During Halloween, instead of a traditional monster like the rest of UNDEAD (vampire, werewolf, Frankenstein), he was a "sexy priest".

Is the only UNDEAD member whose center event didn't release in November (releasing in June instead).

Is the only one who didn't want to initially join/be associated with UNDEAD.

He really is the "human" one of UNDEAD and it's so funny and interesting to me.

[bacchuschucklefuck]

you get riz gukgak so well 👍👍

thank u!! he really kinda is all of my favourite character things rolled into one package (negotiation of principles/investigator-truth seeker-negotiator with reality and the narrative/obnoxious character whose narrative reward for participating in the story is getting to be even more authentically obnoxious/deeply and hauntingly aroace

[in-memoriam-tgwk]

update going out at 4 PM CST today! send me some asks if you like, ill get to them when i get home from work ^^

[lukasdoodles]

Some more Oc doodles (Ever + Macho man hehe)

[canislupusangelus]

World's normalest girl's search history

[popponn]

im suffering through a backpain rn so all i will offer for a while are rebblogs with madman babblings. and here, for anyone who are interested (whoever u r, ily.)

[queerofthedagger]

I might have to read 70 pages of this within a week for class, but at least I have a fancy little coffee beverage and a cosy coffee shop to keep me company

[theloopcrew]

the thing is is that i'm really not a monogamous shipper at all im just really obsessed with the motives that sort of carry luzeni. like Jigen and or Fujiko with Lupin etc are absolutely a thing that's just fact but when it comes to Lupin and Zenigata it's like Well they're not one thing or another but their relationship is so utterly revealing and grotesque and it eats away at them because they're both terrified of Forever finally ending. so terrified that they will go to the very extent of simulating it all ending over and over. And even moreso they're terrified of the other dying because if one dies than truly, truly the other one does too. And both of them can't exist without the other, not fully, not in the way they could now, there needs to be the chase and the capture and the cycle and the defeat and the victory because it's what's defines them. Anyway do you guys think Jigen and Lupin got shotgun married in Vegas while blackout drunk

[phoenixiancrystallist]

Month 3, day 8, I hid the guide so I could see how things are working without it, and the answer is eyes are hard. So I'm going back to focusing on just one facial feature, in this case the mouth. Next I'll do the ears, and I'll finish the face off with the eyes. Gotta save the toughest bit for last!

After I'm done with the face as a whole, then I'll do the hair and zipper pulls, then I'll tie everything down and make it clean (and probably do a lot of fixing things when I do that), then color, and maybe some super simple shading. After that? Who knows! It's still a ways off, so I've got plenty of time to figure it out XD

[thewingedwolf]

one goofy ass thing i like about my job is we all really like having staff feedback after programs (like after in service, after summer reading, etc) because it just makes it easier to make it actually helpful and easier next time around and that’s all we want right, like PERSONALLY i don’t want to be anxious about a program and dreading it all year, which means i get to do what i Love which is offer my opinion constructively so i can be like “i think some people just don’t understand paylocity, it is a little confusing & for them, going through that app is this scary time sink so they don’t open it ever.” and no one is taking it personally because five other people wrote in “beanstack scares me” and “i’m not using teams” and we can just adjust our expectations of our older coworkers instead of writing people up for it akskd.

[waffluous]

au where you're the bodyguard for rich boy yudai who keeps getting involved in shenanigans and needs you to save him damsel in distress style

[evermoreal]

thinking abt some kind of outlaw!au where the 141 walk away from a raid with a lot more than they bargained for.

a few weeks back they’d received word of a nobleman and his wife who’d be leaving for their honeymoon, valuables aboard the carriage. after a bit of lurking and bribing, they’d narrowed down just which road was desolate and wild enough to get away with the raid.

concealed by the bordering forests, they’d waited. an embarrassingly opulent carriage came dawdling down the road (polished wood, velvet curtains, ostentatious engravings) & they pounced.

the drivers & guards, they’d expected. the gunshots, the shouting. what took them by surprise, though, was the wife, who did not fight as gaz wrestled her into his arms. who watched a little too closely when ghost dragged his blade across her husband’s chest, demanding the location of their funds.

“where’s’a money?” price questioned, moving towards the woman when her husband’s pride weighed heavier than his cowardice. his broad palm gripped her jaw as gaz held her arms behind her back. “hm, lovey? y’speak english? y’better tell me, or your sweetheart ‘ere ‘ll be gutted before tha night’s over.”

she watched her husband writhe for a long moment, before meeting price’s gaze. her voice was flat, steady. “kill him.”

soap barked a laugh. ghost cocked his head.

price, though, was intrigued.

“kill ‘im?” he echoed. then, he lifted her hand, yanking the diamond ring off her finger and pinching it between his fingers. “wha’ bout this? just a rock, is it? ‘till death do us part’ mean nothin’ to ya?”

“words don’t mean much when you’re forced to say them, sir.”

“forced?” price questions, narrowed eyes flicking across your features. he looks to your husband, then, who’s soiled his pants. “tha fuck is this muppet forcin’?”

price is quiet for a while, watching your husband as he wriggles in ghost’s grip. when he meets your gaze, there’s a small, barely-there curve to his chapped lips. “you really want ‘im dead?” there’s an amusement to his tone, a disbelief.

you steel your gaze. “yes.”

the curve of his lips bends into a grin, and you’ve barely exhaled before he’s lifting his pistol, aiming it at your husband’s head, and shooting.

limp, he falls to the ground.

you don’t flinch. in fact your voice is steady when you state, “the money’s in the chest, beneath the seats.”

once again, price approaches you. grips your jaw, tilts your face this way and that. he taps your cheek twice, and says, “you heard the woman. soap, get the money. gaz, tie ‘er up, she’s with me.”

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[iamthedukeofurl]

Discworld is an interesting beast in the age of ACAB. Like, the city watch books are a story about police and the way in which a good police force can help and protect people. Which would make it copoganda. And I'm not going to say that the City Watch books are completely free of copoganda, but they also do something interesting that fairly few stories about heroic police officers do, and I think it has a lot to do with Samuel Vimes. A lot of copoganda stories like, say, Brooklyn 99, are perfectly capable of portraying cops as cruel, bigoted, and greedy, but our central cast of characters are portrayed as good people who want to help their communities. The result is that the bad cops are portrayed as an aberration, while most cops can be assumed to be good people doing a tough job because they want to help protect people from the nebulous evil forces of "Crime". The police are considered to be naturally heroic. Pratchett does something very interesting, which is provide us with Vimes' perspective, and present us with an Unnaturally heroic police force. In Ahnk-Morpork, the natural state of the watch is a gang with extra paperwork. It's the place for people who, at best, just want a steady paycheck and at worst want an excuse to hit people with a truncheon. Rather than be an army defending people from the forces of Crime, the Watch is described as a sort of sleight-of-hand, big burly watchmen in shiny uniforms don't stand around in-case a Crime happens in their vicinity, they stand around to remind people that The Law exists and has teeth. The Watchmen are people, when danger rears it's head, their instinct is to hide and get out of the way. When faced with authority, their instinct is to bow to it out of fear of what it might do to them if they don't. Carrot is a genuine Hero, but his natural heroism is presented as an aberration. Normal Cops don't act like Carrot does. The fact that the Watch ends up acting like a Heroic Police Force is largely due to the leadership of Sam Vimes, but Vimes himself is a microcosm of the Watch. The base state of Sam Vimes would be an alchoholic bully of an officer, one who beats people until they confess to anything because that makes his job easier. Vimes The Hero is a homunculous, an artificial being created by Sam Vimes fighting back all those instincts and FORCING himself to behave as his conscience dictates. Vimes doesn't take bribes or let his officers do the same because, damnit, that sort of thing shouldn't happen, even if doing so would make things a lot easier. Vimes doesn't run towards sounds of screaming because he WANTS to, he forces himself to do so because somebody needs to. It's best summed up in Thud “Quis custodiet ipsos custodes? Your Grace.” “I know that one,” said Vimes. “Who watches the watchmen? Me, Mr. Pessimal.” “Ah, but who watches you, Your Grace?” said the inspector with a brief little smile. “I do that, too. All the time,” said Vimes. “Believe me.”

In the hands of another writer, or another series, this exchange would be weirdly dismissive. To whom should the police be accountable to? Themselves, shut up and trust us. But from Vimes, it's a different story. Vimes DOES constantly watch himself, and he doesn't trust that bastard, he's known him his entire life. The Heroic Police are not a natural state, they're an ideal, and ahnk-morpork only gets anywhere close. Vimes is constantly struggling against his own instincts to take shortcuts, to let things slide, but he forces himself to live up to that ideal and the Watch follows his example. Discworld doesn't propose any solutions to the problems with policing in the real world. We don't have a Sam Vimes to run the NYPD and force them to behave. We don't have a Carrot Ironfounderson. But it's at least a story about detectives and police that I can read without feeling like I'm being sold propaganda about the Thin Blue Line.

[mutable-manifestation]

You know I've seen a few variations on "Danny is the one who can make the batfam sleep" now and most of them are powers-based or him being a tiny new orphan who is so so sad if you don't take care of yourself-based

May I propose another variation: Danny, having moved into the manner a month ago and long discovered all of the relevant secrets (without the others knowing) can tell their lack of self-care is weighing on Alfred.

Alfred is the one he's seen the most in his time there - the others have spent time with him, of course, but they all have their night jobs and work or school away from home (Danny is doing online classes so he can work at his own pace) - so he's not at all happy about Alfred being stressed.

Danny calls a family meeting.

He's built an app, he tells them, and each of them can access their own timer on their phones - yes he already downloaded it to each of them.

Yes, those are how long you've been awake, he tells them. Yes, he's sure they have noticed Tim's absence - Tim was on hour 35. The maximum allowed is 24.

If one's timer reaches 24, Danny will find them, and he will put them to sleep manually.

How? Danny hefts the Fenton creep stick pointedly.

Someone points out he could give them a concussion or kill them that way.

Danny says he's had a lot of practice judging swings.

He also maybe bribed Nocturne for a large amount of sleep dust. The bat is just for a deceptive bonk (and they will be getting a bonk, if a light one) as they go out so he doesn't have to explain himself - they'll just think he's really that good at judging swings.

Someone goes to find Tim to prove he's just bluffing. Except Tim is actually asleep.

Danny doesn't use any ghost powers, he's just that sneaky and he's keeping a close eye on the timers. No matter how they try to avoid him it simply doesn't work. He hacks the doors, he's good at combat the one time someone noticed him sneaking up on them, and he's such a good sneak that most of the time they don't notice him until it's too late (even more impressive once they actually start paying attention to their timers to try and anticipate him).

They don't all live together. That doesn't help.

Danny took a bus to Tim's apartment while claiming he was going on a jog to avoid suspicion. He hitchhikes all the way to Crime Alley to put out Red Hood. Nowhere is safe.

It becomes very obvious he knows about their secret IDs. It also becomes very clear that he only really cares about whether or not they're sleeping.