#lots of bits of the episode wound me up but I see it was a cheap one and that’s sort of fair. did it all have to be one scene? who knows

[keferon]

You all flatter me! Now I am all pumped up to continue on the TF mecha au train. Ratchlock has me in a chokehold. You can't compliment me like that, It goes to my head! I haven't writen anything in like 12 years 😭. Also Yes yes to all the angst. I thrive on it more then the fluffy moments. Jazz and Deadlock/Drift are lining up nicely for a possible meeting. But first Deadlock WILL bath in blood! Wanna see?

****

Ratchet will not let Deadlock follow him around. Nope. Instead he keeps Deadlock on strict bed rest /he's learning human terms in his free time/ with the oh so sweet promise to weld him to the wall if he doesn't listen. He knows better to not test Ratchet, he'd do it no hesitation. Deadlocks fangs and claws only cause a raised eyebrow and wave of a slipper near well... anywhere in Ratchet's swating or throwing range. Since both of them honor their word/glyphic, they made a deal that if Ratchet comes home on time then in return Deadlock will be on his best behavior.

They use every extra moment together to learn, heal, and plot together. Deadlock's wounds are fully healed by now. He is ready to be the guardian knight he vowed to be for Ratchet. Ratchet's knuckles still ache which makes his hands shaky at times, especially when cold, but his squishy perseveres like a true warrior. Deadlock has learned that revving his engine to build up heat and letting Ratchet rest against his chassis helps with those trimmering aches the bioengineer tries to rub out.

He wants to give any comfort he can to Ratchet while he's working in that cursed lab with those ungreatful sacks of slags. He has photos of each one of those fraggers saved in his proccesor. The list only grows the longer they wait to leave. If he can work around Ratchet somehow, he'll cross them off at some point with a deep satisfaction while doing it. Ratchet has been as sly as a turbofox. He's been sidestepping, talking around, and out ranting the higher ups for a while. Deadlock is so proud of him for not backing down or falling silent. Right now Deadlock has the tv playing a sitcom while tinkering with his long range blaster. His audial fins flick as the door opens and closes. Ratchet looks at the show while shrugs his winter coat off, "So has Sam confessed his undying love to the ice cream vender Carly yet?" Ratchet asks walking over to the lazy-e-boy chair.

Deadlock reaches out and taps his back before he can sit down. "Refuel first." He reminds him before going back to tightening some wires. He smiles at the grumble and is pleased when Ratchet listens to him for once and heads to the kitchen, "and no the episode ended with him getting hit by a waste disposal truck. Now it's a filler episode. Jack is trying to get out of going to an Amica Endura's beach party. He is playing up a illness called the pox."

Ratchet comes back with a warm plate of food. Deadlock nods pleased with the portion. Ratchet rolls his eyes and sits down, "They did that same plot with Raphael four seasons ago." He grumbles and bats at Deadlocks claw when he tries to ruffle his hair, "If they drag this out for three episodes like last time I am popping in a different show." Both are content, they banter and complain about the show while Ratchet eats. When Ratchet reclines his lazy-e-boy chair Deadlock puts his weapon away, "They are transferring some of us to a different base in the morning. You know First Aid. They are putting him on a transport to the sister base north east of here. Called the Alpha Blade Strikers."

Deadlock tilts his helm, "That's the one that was visiting here? The commander of that base is the one you knocked out for slagging you off right? You mentioned the base being cursed." He asks leaning forward a bit, his servos tingling for revenge.

"Yes, same place and person. Don't believe in any of that cursed stuff but a lot of talk does go around about it. Mostly one pacific mecha being the main cursed object. First Aid was stressed to tears about being transferred. He had just gotten comfortable here with his friends. I feel a bit bad for the kid." Ratchet mumbles rubbing his face with his unbandged hand.

Deadlock gives a soft smile, "From what you've told me, he keeps his helm down. I am sure he will find friends or leave when he can. But if you are worried I am not opposed to taking him with us."

"We do not kidnap people, Drift. He wouldn't want to come along anyways. He wants to 'do his part for human kind'. Besides it takes him a while to get use to change and the possibility that we may be hunted down once we leave would most likely send him into cardiac arrest." Ratchet tilts his head back gives Deadlock a stern look, "On the topic of leaving we'll need to do that sooner then planned. Something isn't right, I don't like how hyper focused Pharma has gotten with quintessons corpses. Now he is showing intrest in you. He wants to know how I programmed a mecha to be powered by an AI system so flawlessly. It's driving him up a wall to not know. You know, since a mecha has never moved around without a pilot and can not talk. He keeps begging the higher ups to let him 'partner up with me' or let him take over the 'project' since I am just 'playing around with you'."

"Right fine. No kidnapping the youngling. But do not assume we will be the ones being hunted." Deadlock hums amused but turns serious when Pharma is brought up. That name is at the top of his 'don't let Ratchet catch on' splat list, "But me being 'imprinted' on you is keeping them from letting him get his quintessons gut covered servos... Err hands sorry, on me."

Ratchet nods rubbing his face again with a tired sigh, "I made certain they know you'll attack anything that isn't me." Deadlock can tell Ratchet is fighting a yawn. He lays down behind the chair and rumbles his engine. Ratchet's lips twitch with a smile hearing how smooth it's running now, "Pharma has never been a good listener though. Just be on guard okay kid... he's ploting something." Ratchet mumbles soaking up the heat coming from behind him. He tilts his head back against the head rest looking up at Deadlocks handsome, smug, sharp fanged grin, "He tries touching you, you can kill him. Don't let him into your system. I fear what he'd do. Probably make you even more loony and unbearable." The bioengineer yawns his voice full of fondness that makes Deadlock's spark sing.

Deadlock purrs as he gently pets Ratchet's head with a, claw retracted, digit. Ratchet's eyes grow heavy missing the most feral, down right demonic, energon hungry look Deadlock has at the permission to off Pharma, "He will not harm me. But I can tell he has worn on you today. You are more drained then grumpy, your insults are lacking any heat. Recharge Ratchet. I will reconfigure our supplies and time line while you regain your strenght. Then I'll show you in the morning. You can edit it while you fuel." He chuckles as Ratchet grumbles and mumbles at him. His squishy can't fight the cozy warmth and soothing pets. Deadlock's humming engine makes a familiar white noise that has grown to mean safe to Ratchet. In no time Ratchet is out cold. Picking up a blanket with a careful pinch he lays it on top of Ratchet and follows him into recharge.

-- --

They are so close to leaving. They have a place picked out and a time. Their supplies are packed and hidden away with a close friend of Ratchet's. The thing still keeping them on base is Ratchet's need to clear out all of his research. He doesn't want anyone to have anything of his, to have a chance to twist it into something that would cause more harm and death. It's been a tedious process but Ratchet has been deleting his work bit by bit so no one catches on.

Four days before their chosen leave date Ratchet walks into his lab only to be escorted to a debriefing room. One he has have never been to. Deep under the base. He had tried getting anyone to speak up about what's happening but the escorts, six of them for fuck sakes, don't even look at him. His gut instinct is screaming DANGER the deeper they go. His skin is crawling with uneasiness and he is fighting his fight then flight instincts. He taps at the small circler tracker he has in his winter coats collar as subtly as possible. Hoping it looks more like a nervious tick then a trigger to call for help. Hopfully they aren't to far down for it to work. The group stops at a vault door and Ratchet cuts off a growl growing in his throat when one of the 'escorts' pulls out some heavy duty cuffs. "Tell me what reason you have for those or their not going on Spike." He warns fists clenching at his side. He huffs at the click of a gun and someone has the balls to press it into his back.

The young soldier, Spike, frowns and waves his hand at the others behind Ratchet, "Ratchet please it's just procedure. You have saved a lot of our lives don't make us be rough. We don't want to be. Just put them on so I don't get yelled at later." Ratchet narrows his eyes, frown tightening. Spike groans, "I don't know what they want. No one told us anything. Please I am just doing what I was told."

Ratchet can tell Spike is holding his breath, pleading silently for Ratchet to listen. Ratchet does let a growl slip when the guns barrel grinds into his spine. His head snaps around and he glares hard enough to cause pause, "Cut that out, I know exactly how far to shove that to not kill you but make damn sure you wish I did." He snarls as he holds his wrists up to Spike. The comment earns him muffled chuckles and a few glares. Cuffs on Ratchet walks into the room. Spike shoots him an apologetic look as the door closes behind him. With a heavy exhale Ratchet takes in the room. A concrete floor, circular shaped room with thick metal walls. Cameras line the ceiling edges. His exhale catches in his throat as the metal walls start rolling up to reveal bullet proof glass filled with quintessons in various stages of dissection and tests. "We have another sublevel secret lab bellow our sublevel secret lab. Of course we do." Ratchet mumbles flatly to pissed off he didn't know this base was more fucked up then he thought then to be scared.

Speakers crackle on and an annoying whine comes through, "Not the reaction I was hoping for. Come on Ratch buddy show a bit more emotion then that. Less grump more begging maybe? At least shock." Pharma's voice chimes around him in an irritating way.

"Looks like all of this has been going on for a while. Why bring me into this now Pharma?" Ratchet says calmly since that seems to piss Pharma off more. He looks at his cuffed wrists and his blood runs cold as the hair on his neck stands on end. Goosebumps cover his arms making him shudder under the heavy coat, "I am not here for shop talk."

"Mmhmm, I am going to miss that snarky brain of yours Ratchy. But you did do a lot of things that put the base in danger. Security has taken notice of a lot of data, intel, cameras and video footage being tampered with." Pharma almost has a mocking sing songy tone to him. Strange, Ratchet knows he didn't tamper with anything that would jeopardized the security of the base. Definitely not the cameras or video footage, "You know what you've done and what we do to traitors. I already have received the ok to take over your work. The good commander is allowing me to say goodbye to you since we were such good old friends. Don't worry. I'll take good care of your Mecha." Yeah, Pharma sounds real choked up about all this, Ratchet rolls his eyes.

"Yeah, he'll take care of you Pharma." Ratchet keeps his tone and body language nonchalant as he studies the cuffs. He takes note of the little bit of gap, if he dislocates his thumbs.. "Only thing that's annoying about all of this is I'll be late getting home."

"I swear you are boring me to death on purpose Ratchet!!" Pharma snarls as a thud noise rings through the speakers

"Oh could I be so lucky?" Ratchet sighs sounding hopeful. He stiffens as the room lights turn red and multiple hisses of compressed air being released surrounds him. A robotic voice rings out a warning that the test subjects are being released. Ratchet whips his head around stepping in a circle as snarles and screeches drowned out the warnings. Ratchet steadies his breathing as best he can as his hands trimble and heart beats wildly. Deadlock would be livid if he doesn't go down giving it his all to get back to him. Ratchet would be just as pissed to, "I'll do what I can but you better hurry kid..."

-- --

"You weren't suppose to do that Pharma." A flat voice speaks up from behind Pharma after picking up the chair he had kicked away. Pharma scoffs and grumbles, "You are not even going to ask him what he ment by being late to his quarters?" The chief of security drones on.

"Be sure to capture all angles. I want detailed shots of it all." Pharma growls removings his hand from the release butten he hit hard enough to crack. "You are being paranoid per usual. Don't tell me you never heard the rammblings of a dying man?" Pharma sighs, with a dramatic flick of his wrist he walks out of the room.

"No, but I imagine I will soon enough." The security director mumbles under his breath. Reaching over the chair he resets the cameras.

OH. OH THEY ARE FUUUUUUCKED

OH THEY ARE SO SO INCREDIBLY FUCKED THEY ARE GONNA GET SPREAD EVENLY ALL OVER THE FLOOR AND I WANNA SEE IT SO B A D

[arcane-ish]

Okay, so about Mel

I have a lot of Mel fans on my "following" list, so know I'm on a different place than most of them. I thought I would still sit down as a more casual Mel enjoyer and try to explain why I listed Mel as one of the better things in the last arc and genuinely read her as having one of the better arcs.

First let me say, I think I get some of the disappointment. There apparently was a lot of acrimony in fandom. And there sadly is often always a lot of bitching about being right. It's also one of those really annoying instincts for fannish people to value being right or getting character/ship payoff over quality. The kind of crappy shows or reasons I've seen people defend just because their ship was in it.

And I include myself within that. Two of my favorite ships, Timebomb and Zaundads got some stuff, and that has deeply clouded my perception of the season, even though my more neutral opinion is that season 2 was extremely spotty.

I get that from "I had to fight people in fandom" point of view, Act 3 sucked. I get that from a personal fan engagement point of view, it is always easier to stay excited and produce media if have a ship to hold on to rather than just being the fan of a singular character.

I'm kind of in a special situation, that I've always lowkey not liked Jayce and really only found him tolerable around Mel. I thought the beginning of Act 3 was still reasonably respectful to them. They protect each other, they do a couple fight with each other.

Yes it's weird that Jayce brings up now of all times to complain about the past, but for me that was pretty much wrapped by them fighting together against Viktor. Then we have this moment where Mel explains her situation to Jayce, we have Jayce complimenting her. Honestly, before the last minutes went full on "zomg, looping timeline gifts and zapping into space together", I thought the MelJay was a bit muted, but decent enough in a finale that was generally super busy and where tons of other characters didn't have too deep writing either. But again, I see where characters wound up, completely changed people's perception of how they get there (ie that Mel and Jayce actually had a decent relationship throughout most of the show and that in my opinion both Jayce and Viktor always and Cait and Vi recently had some really spotty writing).

Somethign that is more easy for me to bear, because, like I said, I never liked Jayce that much, so it's easier for me to not care.

Everybody's Arc Was Kind Of Shit And Mel Was One Of The Better Ones

This is my basic premise of season 2. If I think of season 2, if I think of the characters who to me had the better arcs I come up with for example Sevika and Ekko.

They had better arcs because they stayed roughly in characters, formed some new relationships, got some badass moments and ended up in interesting places in the end. However both their arcs BRUTALLY suffered by lack of airtime and often missing from episodes or even arcs like Ekko.

I think Jinx had one of the better arcs, because it was very emotional and poignant, was constantly present, but even if felt choppy and all over the place at times and people are mixed on where it ended up.

I guess Jayce counts as somebody with a really meaty arc with lots of airtime, emotion, ending up in a different place, getting hero moments, saving the day etc. But like I said, I dislike Jayce too much to really think about whether his story was actually good this season.

I count Mel as among the better arcs, because she got at least semi-constent airtime, she imo stayed generally in character, she got to be badass, she ends up in a very interesting situation and they tried to be emotionally poigant with her and Ambessa. (her killing Ambessa giving major Jinx and Silco vibes even if the context was completely different) The pain of Mel's storyline has always been that she was a bit isolated from other characters, so I was happy that she at least got a badass fight together with Caitlyn. [honestly, in retrospect it's noteworthy that Mel got that spot with Caitlyn rather than Caitlyn fighting side by side with either her love Vi or her nemesis Jinx]

Just getting a badass fight isn't the same as actually getting poignant moments and developing a relationship with new characters. So that was definitely missing. People are just prone to not care as much about Mel's relationship with Ambessa, LeBlanc or Kino because from the point of view of the audience those are side or new characters and the audience only cares if the show really puts a ton of work in like in the case of Isha.

Overall the gist of Mel's storyline to me is that it seemed to be very League dictated. It's the origin story of Mel as a badass fighter, it sets up her character premise.

TBSkyen, a well known content creator in the League of Legends space, "reacted" to Arcane and he got quite angry at the finale, exclaiming something along the lines of "I thought this was gonna be a closed story, that the characters would complete their stories. But these stories are not complete, this is a sequel tease".

And that's exactly why Mel's story feels unfinished. She feels like she's part of that sequel tease (together with Cait looking at those strange map, maybe hinting at an alive Jinx).

There's a chance that Mel will get a proper resolution. But to be honest. I can't promise that. Maybe she'll get a badass Noxus based either animated or live action sequel... but we might have to wait 5-10 years for it.

Maybe the "Ambessa" novel is actually 95% about her. Maybe she will get a badass intro trailer like Ambessa. But I'm not gonna lie, even if the next season of League will be heavily Noxus based and they make heavy use of Mel in it. I'm not gonna lie, League's story telling can be very, very spotty. And even when it is decent, not everybody is particularly into collecting their infomation from short stories, splash arts, music vids, in game voice lines.

[generalmelchett]

It was so Moffat to write a full conversation between the Doctor and an unconscious woman where, because her lifeless body is of use to him as a sounding board, the Doctor can still very cleverly demonstrate he has worked everything out. A sexy lamp moment. A sexy, dead lamp moment.

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[osarina]

ᡣ𐭩 I PRAY, DON'T FALL AWAY FROM ME

FEATURING: dazai osamu

SUMMARY: murphy's law has never been more true. anything that can go wrong will go wrong. and it does.

AUTHOR'S NOTES: HAPPY FRIDAYYYYYYY, we're finally getting into the thick of this series, the next few chapters will be INTENSE, i hope you enjoy them as much as i enjoyed writing them ;) this chapter was actually a doozy for me - i struggled a bit with reconciling civzai with canon!dazai and figuring out how to make civzai react to everything that's happened in a way that a civilian would, but i didn't want to make it too far removed from how canon!dazai would act. i ended up rewriting a few times, but i'm mostly happy with how it came out. anyway!! reblogs and comments greatly appreciated as always!! ENJOY heheh!

GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).

CHAPTER SPECIFIC WARNINGS: hardly edited. depictions of dissociation, brief depiction of gore in first scene, dazai's implied to be in a bit of a manic episode in the second scene and then crashes hard in the third (he is not coping well with everything that happened), reader is all strung up and agitated most of this chapter which leads to some very stupid decisions, dazai also makes some very stupid decisions.

ANOTHER THING TO NOTE: our lovely reader IS A MAFIA EXECUTIVE !! as a port mafia executive, she does port mafia things, this will become very apparent in the next chapter and the rest of the upcoming chapters. it hasn't been as apparent in the past few, so it might be a bit jarring to read but it is something to keep in mind. additionally, she is FLAWED and that is very apparent in how an argument goes down in this chapter. i wanted to add this warning just to give you all a bit of a heads up.

SEE: WASTELAND, BABY! SERIES MASTERLIST

You look so��� serene. 

Dazai’s knees are tucked to his chest as he sits on the bed next to you, watching as you rest. You’re fast asleep, even puffs of air escaping your lips as you curl up close to him beneath the comforter. You look a lot younger right now, not anything like the hardened mafia executive that he knows you are. Dazai’s breath catches when he sees you shift to get a bit more comfortable, moving closer to him so that your forehead is pressed against the side of his thigh.

Still, none of this feels real. He hardly breathes as he reaches out to brush the back of his knuckles against your cheek, watching as you let out a soft noise in your sleep before nuzzling a bit closer to him. Dazai believed that he was a man destined to be alone for his whole life; never in his wildest dreams did he ever think someone would love him for who he is, much less someone like you who could have anyone you wanted.

It doesn’t feel real.

Was it all just a dream? 

A nightmare? 

He blinks and suddenly blood stains the back of his knuckles where he’d been touching you, dribbling from your lips to the mattress below. Your eyes are still closed, but Dazai knows if they were open, they’d be glassy and empty. His breath quickens and his gaze flickers down the bed to your torso where he knows the gaping wound is hidden beneath the sheets. He feels the weight of a gun in his right hand and hears a thud to his left of a body hitting the ground and-

“Stop thinking so hard.”

He physically jumps at the sound of your voice, eyes widening as he looks down at you. Your eyes are still closed and you haven’t budged an inch, but the blood is gone and the weight in his hand has disappeared. For a split second, Dazai thinks he might’ve imagined your voice, but then, as if you can sense the thought, your eyes crack open, sharp and squinted, not at all glassy or empty.

Just his mind playing tricks. 

“I can feel the shitty thoughts tossing around up there,” you mutter with a yawn, stretching a bit next to him. His face heats up when you press your lips against the sliver of bandages peeking out from where his shirt is riding up his sides. You sigh as you push yourself into a sitting position, dropping your head on his shoulder. “What time is it?”

“Half-past seven ish,” he answers, voice catching as he looks down at you. “You slept late. Your meeting is in twenty minutes.”

“Did you sleep at all?” you ask with a frown. You sit up straight again to look at him, a concerned expression on your face. “You’re not usually up this early.”

Dazai did not, in fact, sleep. Besides the fact that every time he closes his eyes, he’s plagued with the sight of your dead body, his mind has been in shambles over how easy it had been to pull the trigger of the gun you’d given him. Odasaku had instilled morals into him, morals that Dazai has strictly followed since the day he met the man, even more so after he died to save Dazai to honor the older man. And Dazai had known that being with you would compromise said morals but…

But it’s different when he’s actually the one stomping all over them.

Life should be treasured. Spend your days helping people.

Why had pulling the trigger been so easy?

Dazai stares down at his hands, willing an answer to come to him. He thinks the worst part is that even now, he can’t muster guilt. He should feel guilty—he knows that—he took someone’s life, someone who had people waiting on him if what you were saying held any merit, but he’d done it to protect you and he just can’t seem to feel guilty when it had been a choice between your life and an enemy’s.

Still, he thinks, it shouldn’t have been so easy.

He shouldn’t feel nothing.

Not for the first time, Dazai thinks there’s something fundamentally wrong with him. Something that sets him painfully apart from the rest of humanity. Something that leaves him grasping at straws as he tries to put on a face and convince the world that he’s just like everyone else. Something dark and empty that festers—it festered while he was on his own in Suribachi, it festered after Odasaku’s death, and it festers now with blood on his hands and no remorse to be found. 

“Osamu,” you say, more concerned now, but you sound like you’re underwater and Dazai can’t even turn his head to look at you.

That’s not even to mention the message from Professor Ui. The more he thinks about it, the more anxious he gets. A tip-off. Professor Ui hadn’t given enough context for him to try to narrow down what it might be about, and there’s been so much going on recently that Dazai couldn’t possibly hope to narrow it down on his own. The only given is that it would be bad for you.

He almost doesn’t want to tell you.

No, he doesn’t want to tell you. Not at all. Not yet. Not when all he can give you is more to stress about, more to be paranoid about. All he’s been able to do is come to you with issue after issue, he’s been a burden—the least he can do is figure out the scope of this new problem before saddling you with it.

He can handle it himself. He can. He’ll go to the meeting and figure out what Professor Ui’s tip-off is about so when he brings it to you, you can formulate a plan of action to handle it. He can’t just tell you ‘Hey! Remember that journalist that’s trying to target you! He got a tip-off that he’s planning to do something about!’ when you already have so much on your plate.

He-

“Osamu,” you say, reaching for his wrist but the sudden touch jolts him out of his spiral.

His heart rate spikes and his surroundings blur and Dazai is instinctively pushing you away from him as panic subsumes all coherent thought, unsure of where he is and what’s going on. The sheets feel too much like the soft dirt, the fingers on his wrist are too tight, the air is too brisk and cold, the early morning light shining through your blinds into your apartment is so reminiscent of the way it shone through the tall trees into the forest.

“Don’t touch me.”

His feet tangle against the sheets as he scrambles away and tumbles right off of the side of the bed—pain shoots up his ankle and for a moment, Dazai forgets where he is and it’s not you on the bed reaching out to him, but the rotted skin of Arahabaki, your blood dripping off its fingers. Dazai can hardly breathe as he tries to reorient himself, nails digging into his palms.

It takes a concerning amount of time for Dazai to remember where he is, who he’s with. By the time he does, you’re kneeling at the edge of the bed, an expression on your face that Dazai is just too out of it to understand, and Dazai can feel his face heating up in embarrassment, a heavy feeling of mortification spreading through his chest when he realizes how he just lashed out at you.

“Osamu,” you try again, voice a bit softer and there’s no mistaking the concern in your eyes now, but Dazai just wants to bury himself alive, throat spasming as he hides his face in his lap. “Hey, it’s-”

“Go away,” he snaps, humiliated. “Go away. I’m fine. Don’t you have a meeting to get to?”

“It can wait,” you say, too understanding. “Osamu, I-”

A burden. 

He’s a burden—he brings you issue after issue, distracts you from your work and gets you in trouble. For some reason, despite all of that, you still want him, and all he can repay you with is lashing out at you and causing more trouble. Now because he’s fucked in the head, you’re going to be late to another meeting that you can’t afford to be late to because you’re worried about him and he’s just so tired of being a liability all the time. 

“Go.” His voice cracks over the word, he hates the way it comes across as more pleading than angry; he doesn’t have to look up at you to know the way you must be looking at him. “Please just go. I’m fine. Please.”

For a terrible, terrible second, you don’t respond and Dazai thinks you might be about to press more. He’s not sure if he can handle that. He just needs you to go to your meeting so it’s one less thing that he’s fucked up for you. He needs you to go.

“Okay,” you finally say after a few moments. “Okay. I’m going to get dressed.”

The breath that Dazai lets out is too heavy and too relieved. He doesn’t dare to look up until he hears you shuffle off of the bed and make your way to your closet. His eyes slide shut as he leans his head against the wall he’d backed himself against, forcibly calming his unsteady heart.

After a few minutes, you finally come to kneel in front of him, dressed in your suit and ready to head out. He looks up at you, hoping he doesn’t look nearly as much of a mess as he feels, but he thinks he fails because the conflicted expression on your face only becomes even more worried.

“Please go,” he repeats, voice raspy.

You sigh, gaze lowering to the ground, but you nod so Dazai can only feel relief. His lashes flutter shut as you lean in to brush your lips against his forehead and again, Dazai’s chest swarms with guilt and self-loathing because he wishes he could just be normal.

“I’ll order you some takeout,” you finally say as you lean back to look at him again. “I probably won’t be back until late tonight. You have any preferences for lunch and dinner?”

Dazai’s throat spasms as he swallows. “Crab?” he asks, voice too strained for comfort.

You roll your eyes, but you smile. “You’re not eating crab for lunch and dinner,” you say lightly, and Dazai smiles back a bit, but his smile feels a lot more wobbly than yours looks. “I’ll order it for lunch, I’ll pick dinner.”

Dazai’s nose wrinkles. “No mushrooms.”

“No mushrooms,” you agree as you rise to your feet. “I’ll see you later, yeah? Call me if you need anything.”

He definitely won’t, but he nods anyway. “See you,” he whispers.

You don’t immediately walk away, lips drawn tight as you look down at him. “I love you,” you say after a few moments and Dazai inhales sharply, gaze flickering up to you.

“... I love you too,” he echoes, the tightness in his chest easing when he sees how your expression smooths out at his words. You linger for a few seconds longer before sighing and leaving your bedroom without another word.

Dazai doesn’t budge until he hears the elevator bing, signaling its arrival to your floor.

Even when he’s sure that it’s gone—and you with it—he doesn’t move. 

He doesn’t want to. His hands sting where he’d pushed you away from him and his legs feel bolted to the ground beneath him. He can hear his phone buzzing somewhere in front of him, probably tangled in the sheets he’d dragged off of the bed with him. He knows that he should get up and check—the meeting is in two hours and Dazai not only needs to get dressed, but he needs to figure out how he’s going to sneak out of this building without alerting any of your subordinates.

For you, he reminds himself as he sighs and pushes himself to his hands and knees and drags himself over to the mess of sheets on the ground, rifling through them until his hand closes around his cell phone. He’ll go to the meeting, get the information, and come back before you’re even finished with work… before that actually, he’ll need to get back by noon when you send someone here with takeout. If they show up and he’s not here, they’ll definitely report that back to you and he doesn’t want you to know that he’s going out because that’ll just cause you more stress and the whole point of this is to try to lessen your burden.

He unlocks his phone to see a few messages in the group chat and he cringes as soon as he reads them.

Koda Hinami: Is it okay if we meet a bit later today? I have an appointment in Tokyo and the soonest train I can catch is at 14:30.

Professor Ui: Does 15:30 work?

Otsuka Ayato: good with me, i’m free all day

Koda Hinami: Yup! That’s perfect.

Professor Ui: Dazai-kun?

Dazai supposes that this gives him more time at least—he doesn’t have to rush back before you send food for lunch. He doubts that you’ll be back before nightfall, and you probably won’t send dinner until 19:00 so that gives him almost four hours, which is more than enough time. He can spend the morning plotting out how he’s going to get out of the building without being seen.

Dazai: that works

He puts his phone back on the charger, a bit more pep in his step as he tells himself that he’ll make everything up to you. He pushes away all of the thoughts plaguing him, dressing himself in one of the outfits he’d left at your apartment. Those nagging feelings of doubt and self-loathing linger in spite of his attempts to shoo them away, but he does his best to ignore it. He needs to get himself into a better mood before seeing his professor and classmates—he doubts they would notice, but on the off chance they did, he needed to be ready to distract them from it in some way and he most definitely is not ready for that now.

But he has time now, so-

Was that the elevator?

Dazai’s head whips to the side to look out your bedroom door just as he finishes pulling on the new sweater you bought him. He creeps out of your bedroom slowly, wondering if you came back because you forgot something, but when he steps out of your room to the top of the staircase, he freezes because it is not you standing in the living room but instead a different, but unfortunately familiar, face.

Great, he thinks bitterly, expression twisting into distaste when he sees Nakahara Chuuya leaning on a pair of crutches. The man looks equally irate at the sight of Dazai standing on the balcony, making no effort to hide the way he scoffs and rolls his eyes. 

“Why are you here?” Dazai asks, eyes squinted as he stares down at the other man. 

He looks awful and Dazai isn’t sure why it makes him feel smug, but it does. Chuuya looks like he’s hardly able to hold himself up, leaning heavily on his crutches, face pale and beaded with sweat. He’s dressed in a thin t-shirt and sweats, so Dazai can see the aggravated scars running up his arms, but his eyes can’t help but linger on Chuuya’s hand. 

His left hand—the same one that had torn through your body, that had killed you, the same one that had tried and failed to kill him. If Dazai looks hard enough, he swears he can see the rot spreading across the other man’s skin again, from his fingertips to his wrist to his elbow, as Arahabaki takes back over, so Dazai forces his gaze back up to his face.

All of the aggression that had been plain on Chuuya’s face disappears when he notices where Dazai was looking. He shakes his head and asks roughly, “Where the hell is she?”

Dazai scowls. “Why do you want to know?” 

“You little-” Chuuya hisses, gaze sharpening. “Where is she?”

Just to be annoying, and because Dazai has no sense of self-preservation, he asks, “Why should I tell you?”

“I’m going to rip your head off,” Chuuya spits out, unnervingly quick on his crutches as he makes his way over to the staircase. Dazai darts into your bedroom, hand on the door so he can quickly slam it shut if Chuuya tries to come closer, although he’s not sure if a door is going to be enough to stop him. “Get back here.”

“You tried that already,” Dazai says lightly, watching Chuuya’s reaction carefully. “You failed, remember? … Or that’s right, you wouldn’t, would you? What’s his face… Fireboy? He mentioned that you probably wouldn’t… So, was he right? How much do you remember?”

Chuuya’s entire expression shifts at Dazai’s words, lips tightening and gaze averting down to the ground. The shame is clear on his face as he lets out a sigh, glancing up to see the bruises around Dazai’s neck just too shake his head and look away again.

“Enough,” he says quietly. “I remember enough.”

Dazai tilts his head to the side as he examines Chuuya. The scars on his arms indicate the shadow of Arahabaki’s presence in his body—Arahabaki, the violent and destructive god who had killed you and tried to kill Dazai. He expected to be more anxious around, or even scared of, Chuuya after what happened. He supposes he is to some extent, he can feel the itchiness on his tongue that always signals those unwelcome emotions approaching, but Dazai thinks it’s not because of Chuuya himself like he expected—he still feels the ever present urge to antagonize the man due to petty jealousy and the acute irritation his appearance and existence in general causes him.

 It’s natural, he rationalizes. It’s not like Chuuya is Arahabaki or Arahabaki is him, so there’s no reason for Dazai to be scared of Nakahara Chuuya. Arahabaki, on the other hand… he watched you die to it and he nearly died himself, although the former is decidedly more traumatizing, so it makes sense. But Dazai has never been fond of fear, he’s learned through his own experiences alone in Suribachi and from Odasaku that it’s the most treacherous emotion, the quickest to kill, so he’s swift in his efforts to channel those lingering nerves that Arahabaki is causing into an emotion he’s much more capable of processing: curiosity.

To kill fear of something that’s mostly unknown to him, it must first become known.

He doesn’t know much about Arahabaki, only the few vague things you mentioned and the fact that it seems to be incapable of touching Dazai without being neutralized, which Dazai supposes he can also use as a blanket of security. But he has to know more.

“Can you speak to it?” Dazai blurts out, unable to help himself from firing out the question, hardly holding back the forty more.

“What?” Chuuya asks, voice flat.

“Arahabaki,” Dazai says, and then adds, “obviously.”

Chuuya gives him a withering look and instead of responding, he repeats his question from earlier. “Where is she?”

Dazai’s lips flatten as he squints again, not appreciating the way the man blew off his question entirely, but this time he decides to respond. “She went to an executive meeting, shouldn’t you be there if you’re up and about?”

“I thought I could catch her before she left,” Chuuya sighs, suddenly looking very tired, which naturally piques Dazai’s interest because why was he trying to catch you before you left? “I’m not supposed to be up yet. Doc’s gonna fuckin’ skin me alive when he finds me.”

“Why were you looking for her?” Dazai prods.

Chuuya pointedly doesn’t respond, side-eyeing Dazai before turning to walk back down the stairs. Dazai’s jaw drops in disbelief at the way he was so blatantly ignored and darts forward, kicking his leg out to drive it into the back of Chuuya’s knee. He’s smug when the other man lets out a surprised yelp, knee buckling as he drops; he’s not quite as smug when he steadies himself with his ability and turns back to Dazai, eyes blazing.

“I’m going to kill you, you shitty bastard,” Chuuya spits out and Dazai’s eyes widen as he darts right back into your bedroom, slamming the door shut hard behind him. “Do you really think that’s going to stop me, you dumb fuck?”

Dazai presses his full body weight against the door as Chuuya drives his shoulder into it to force it open. He’s the one yelping now as he goes sprawling forward onto your floor when Chuuya pushes the door open so hard that it comes off the top hinge.

“She’ll kill you if you kill me in her apartment,” Dazai threatens before he can take another step forward, voice a bit too squeaky for comfort. “She will.”

Chuuya sounds and looks like an angry bull when he lets out a heavy breath as he tries to calm himself. Dazai almost comments on it, but he bites his tongue. He might seem to be impervious to the man’s gravity manipulating powers, but he’s not quite as impervious to the brute force he’s capable of.

“What the fuck was that for?” Chuuya hisses.

“I asked you a question,” Dazai says, raising his chin as he stands back up and looks down at Chuuya, enjoying the way the mafioso’s eye twitches when he has to look up to meet his gaze. “You ignored me.”

“You-” Chuuya begins before taking a deep breath again. “I just wanted to talk to her, that’s all.”

“But why?”

Chuuya doesn’t look amused by Dazai’s insistence, but that only makes Dazai more insistent. He clearly had a reason for seeking you out and it must’ve been an important one considering how upset he seemed after realizing that you’d left already, and nobody could really blame Dazai for being curious.

Chuuya stares at Dazai for a second before sighing. “She’s… not doing good. Boss has been putting her through the wringer lately and Piano Man said it was even worse yesterday, probably gonna be just as bad today. I wanted to check in on her before she left.”

Dazai’s throat spasms as he swallows, suddenly all of the amusement he was getting out of irritating Chuuya withers away as the man’s words register. He knew you weren’t doing good—he knew it, he could tell from the tense expression you had whenever you thought he wasn’t looking, could tell from the way your laughs and words seemed strained, could tell from the way your smile was frayed at the edges. It’s why he doesn’t want to come to you with another issue and no solution, but hearing it from someone else…

“Don’t feel bad if you didn’t notice,” Chuuya starts to say, noticing the expression on Dazai’s face. “I’m sure she’s careful to put up a front to not worry you, does that with everyone, but she’d do it especially with y-”

“I noticed,” Dazai says, bristling. “I just… Why is he putting her through the wringer? How?” 

Chuuya looks uncomfortable, like he doesn’t want to respond, and Dazai has his answer.

“Because of me,” he realizes, a lump in his throat.

“No,” Chuuya snaps before hesitating. “Not just you. He blames this whole shitshow with the Guild on her, and then there was the stuff with the Inagawa-kai and Shimazaki-kai-”

“Which happened because of me,” Dazai interjects, lashes lowering as he looks away. Dark claws pull at his heart again and Dazai can’t push them away this time.

“We were gonna go to war with them sooner or later anyway,” Chuuya says, shaking his head. “Whether it was then or later, doesn’t matter. Not on you or her.”

Dazai doesn’t think he agrees with that, and he doesn’t even think Chuuya agrees with that considering how he reacted to finding out that Dazai was the reason for you deciding to rush the attack on the Inagawa, but he doesn’t feel like arguing about it. Chuuya doesn’t let him anyway, starts talking before Dazai can get a word in.

“Now he’s pissed about the battle with Lovecraft and Steinbeck. I had to use Corruption, and I’m pretty sure he figured out that damned doctor from the Agency was the one to save her life,” he continues, grimacing. “He’s gonna hold that over her head.”

Oh? 

Dazai’s focus zeroes in on that, brows furrowing. He’d been wondering how you managed to survive the wound Arahabaki dealt but every time he asks you, you evade.

“Why?”

“Why what?” Chuuya asks brusquely, looking a bit startled almost, as if he’d forgotten he was talking to Dazai and had started venting on his own.

“Why is he going to hold it over her?” he asks carefully.

“That’s not for me to say,” Chuuya says after a few moments, much to Dazai’s frustration. “You’ll have to ask her-”

“She wouldn’t even tell me how she survived,” Dazai interrupts, annoyed. “I just want to… I want to understand what’s going on so I can help her.”

Chuuya looks conflicted, so Dazai takes the opportunity to press.

“I can’t help her if I don’t understand what’s going on, I can try to help. You’re worried about her, aren’t you?” Dazai demands, and then adds through gritted teeth, “Please.”

“Did she… tell you about her past with the Boss? During the war?” Chuuya finally asks, leaning against the railing as he waits for Dazai to respond.

“She told me that he brought her in after her town was massacred,” Dazai tells him, fingers thrumming against his thigh. “That she spent two years trying to figure out how to use her ability to help him create an immortal military unit.”

Chuuya lets out a breath as he looks away. “She wasn’t the only one that the Boss had taken in. There was another girl—Yosano Akiko—who had the ability to bring people back from the brink of death over and over and over again. From what she’s told me, and that’s not much, Yosano was prodigious with her ability and she… wasn’t. The Boss held it over her, pit the two of them against each other and to this day, compares her to Yosano. It’s a… touchy subject for her, I’m not surprised she evades it.”

Dazai’s face twists. “But she’s good at using her ability now,” he protests even though he knows it’s not that simple.

“I know,” Chuuya says, voice solemn. “Doesn’t matter though. It’ll never be enough—not for her or for him.”

Dazai has never met the Boss of the Port Mafia, but he thinks that he hates him more than anyone else Dazai has ever known. A bitter feeling claws at his chest as he thinks of a much younger you being rescued from a warzone only to find yourself in the hands of a cruel and manipulative man that guises as your savior. Dazai is not a man who has ever been inclined to turn to violence—he much prefers battles of wits—but god, if his fingers don’t twitch for it now.

The words slip from his lips before he can stop them, tight and angry: “He’s a piece of shit.”

Chuuya stares at Dazai for a moment in disbelief before barking out a laugh and then promptly slapping his hand over his mouth and forcing himself to quiet down. 

“Shut the fuck up,” he says dutifully. “He’s still the Boss.”

“Your boss, not mine.” Dazai rolls his eyes.

“Whatever,” Chuuya replies dryly, ever clever in his response. “I’m going to go try to run into her before Doc manages to sniff me out… Don’t do anything stupid while she’s gone.”

Dazai gives Chuuya a side eye. “Wasn’t planning to,” he lies, possibly. He hasn’t decided yet if going to this meeting is a stupid idea—it might be, but the rewards outweigh the risks anyway.

Chuuya stares at him for a second suspiciously. “Whatever,” he repeats, so astute. He hesitates as he moves to leave and Dazai raises his eyebrows, waiting for him to say whatever might be running through the slow brain of his.

“Why aren’t you scared of me?” Chuuya asks after a few moments, looking uncharacteristically unguarded as he stares at Dazai, waiting for an answer.

“Why would I be scared of someone the size of a slug?” Dazai counters, giving Chuuya a simpering smile as the man’s face immediately tightens in anger.

“You’re incorrigible,” Chuuya spits.

“Big word for such a small brain,” he taunts, “did she teach you it?”

Chuuya doesn’t even respond, hissing out insults under his breath as he promptly makes his way back down the stairs. 

Dazai is unbearably pleased with himself as he gives the ginger a mocking wave while he waits for the elevator, leaning over the railing looking down at the first floor. Chuuya promptly flips Dazai off, face so red that it clashes painfully with his hair.

As soon as Chuuya’s in the elevator and out of sight, Dazai disregards the warning and begins the first phase of his plan—finding your laptop to see if you happen to have a layout of the building anywhere on it so he can figure out how to sneak out—suddenly feeling significantly more inspired to do whatever he can to ease the burden that’s been placed on you.

You know something is wrong when you get up to your apartment and find it dead silent—there’s no trashy reality show playing in the living room, no sound of that new fighting game that Dazai had bought on your card, no excited call of your name because you came home early with food instead of sending someone with it. The elevator closes behind you and the takeout in your left hand weighs uncomfortably heavy, your gaze draws from the hallway leading to the guest room over to the kitchen.

He’s not in the living room and you don’t see him in the kitchen, so you look up at the stairs leading to your bedroom. Maybe he went back to sleep—you could tell this morning that he hadn’t slept much, if at all, last night, and when Albatross stopped by with lunch for him (after much complaining, naturally), he said that Dazai looked half dead on his feet. 

It’s why you made sure to finish up your last meeting early—it was a video call with Tolstoy anyway, he didn’t mind you running out early, only wanted to let you know that he had to go with Repin to New York but could be in Yokohama by the end of the day on Thursday if you needed. You don’t really want to rely on the Three Deaths for help in this conflict, it would make the Port Mafia look weak, but depending on how this vote goes in the Diet on Friday, you might not have a choice. The Port Mafia isn’t in the position to handle the full force of the Guild and the military at the same time. 

Why didn’t he come down when he heard the elevator?

You place the food down on the table in the living room before making your way to the staircase. He must be up there, so you don’t know why you suddenly feel so dreadful and you don’t know why it’s suddenly hard for you to make yourself move forward, like you’re walking through waist-deep water and the current is running against you. Your heart thuds painfully in your chest as you walk up the stairs to your bedroom.

He’s sleeping.

Since when was your staircase so long, it feels like each step you go up, ten more appear in front of you. You’re half convinced that it’s an ability messing with you and not just your mind playing tricks.

He’s a light sleeper. He would’ve woken up.

By the time you get up to your apartment, you know he won’t be there, but your heart still sinks to your feet when you push your door open and see the bed empty and the bathroom door open. 

Dazai is nowhere to be seen.

Your lashes flutter as you force yourself to take a deep breath, trying to keep yourself calm. You’re stiff as you walk back out to the balcony looking over your apartment. Your voice is just as tense as you raise your voice to call: “Osamu?”

No response. 

Shit, you think, vision spinning a bit as you shut your eyes, counting your breaths as your heart rate spikes. Shit, where did he go? Did someone break in? No. No one could have gotten through the building’s security. He must have left… but why? Why would he do that when he knows how dangerous it is out there? How did he sneak out with no one noticing? It doesn’t make sense.

You shouldn’t have left this morning. You knew that you shouldn't have left the moment you stepped into the elevator, but he’d just been so distressed and the longer you lingered, the worse it got. It was only when you agreed to go that he finally started calming down, so you thought you were doing what was best for him, regardless of how it made you feel, but fuck, you should have known better.

You blame Mori. You always blame Mori, but the bitterness and anger is so intense now that it has your blood pressure skyrocketing. He’s been keeping you busy on purpose—busy and angry and stressed—you’ve hardly even gotten the chance to talk to Dazai since everything that happened. When you do have time with him, you’re either exhausted or in a bad mood trying to mask it from him. He watched Arahabaki kill you, he almost died, and-

And he killed someone.

It’s a fact that you've yet to fully acknowledge yourself; it makes you sick with guilt and self-loathing, knowing that it’s your fault that it happened and that you had promised him it wouldn’t. And it’s selfish because it means he’s been coping on his own and how is a twenty-two year old kid whose biggest problem three weeks ago was a group project supposed to cope with the fact that he killed someone?

This morning had been a red flag—one that you should’ve listened to, but instead, you took the easy way out. You didn’t know what to do without being able to use your ability to calm someone down, you’ve done it for Chuuya countless times, Klaus and Akutagawa too, but for Dazai, you could only watch as he worked himself up into a panic attack over everything that happened, the only thing seemingly calming him down being you leaving. So you left. 

But you should have stayed. You never should have left him—not yesterday after the attack, not this morning. He doesn’t belong in this life, he never has, but you dragged him into it anyway and now what? You’re leaving him to process it on his own? You’re leaving him to cope with the consequences of your actions? Your selfishness? What else was supposed to happen besides him getting overwhelmed and having a breakdown over it? 

Of course he ran—you can’t blame him, how else is he supposed to react to all of this? There’s no way that the average kid would ever be able to come to terms with what had happened yesterday, especially not alone, without any sort of support system to help him. Cooped up in your apartment with only his own mind as company—of course he ran.

You had been his life jacket and you had left him to drown. 

You need to find him. He had to have gone back to his apartment, unless…

Your throat feels tight as you swallow, remembering the morning you woke up to the call from the hospital.

Fuck, you have to-

The elevator?

Your gaze cuts down to the first floor of your apartment, watching as the elevator doors slide open. You watch with bated breath as you wait for whoever came up to your apartment to step out of the elevator, fingers wrapped tight around your phone. 

It’s only when a familiar head of brown hair steps out of it can you finally breathe.

Dazai doesn’t look half as much of the mess he was this morning—there’s more of a pep to his step, his face doesn’t look as gaunt and pale, he’s dressed in one of the cashmere sweaters and comfortable dress pants you bought him. He looks… good, like he did before everything that happened—untainted by all of the darkness you’ve brought into his life.

What changed from this morning?

He freezes as soon as he sees the takeout that you dropped on the coffee table, shrugging his backpack off of his shoulders and dropping it to the ground near where you hang your jackets. His eyes are wide as he looks around the apartment trying to pinpoint where you are, it takes him a few seconds before he finally looks up and sees you staring down at him from the balcony.

The smile he gives you is nervous and it puts you on edge. 

“Hi,” he says sheepishly. “You’re back early.”

You’re relieved—you are. He’s okay. He’s safe. He’s back. He didn’t run off and get himself hurt, or worse. The Guild didn’t get their hands on him. He’s safe and you’re relieved. 

So why are you still so tense and angry?

“What did you get to eat?” he presses, creeping forward to look at the bag of food on the table. He sniffs as he peeks inside. “Chinese?”

“Where were you?” you finally ask. 

Your voice sounds distant even to your own ears, your body feels tense no matter how much you try to relax. Dazai looks up at you with wide eyes, a hesitant expression on his face like he doesn’t want to admit to wherever he went and you can hear blood rushing through your ears as frustration washes over you. 

God, you’ve just spent a whole day dealing with Mori and various other unsavory people—you’d been looking forward to coming home to Dazai and now he’s pulling this. You know you need to calm down, that you shouldn’t take out your general irritation of the day onto him when he’s already had a rough few days, but fuck the least he could do is-

“I went for a walk.”

The least he could do is not lie to you.

“You went for a walk,” you echo flatly.

“Mhm. I went for a walk,” he agrees.

You stare down at him from the balcony, not budging an inch. Dazai shifts uncomfortably under your stare, and a part of you thinks you should go downstairs and just drop this but you can’t. Dazai is lying to you—why he’s lying to you is an issue in itself, but you’re more concerned with knowing where he actually went because you need to make sure that no public CCTV tapes caught him going to and from the headquarters.

“Where did you walk to?” you ask, voice tight.

“Just… around.”

You inhale sharply and look away, biting your tongue to force yourself to calm down. “Osamu,” you say his name, low with warning when he tries to evade answering the question properly. 

He bristles. “I didn’t realize I was under house arrest,” he says defensively, raising his voice a little.

Your eye twitches as you take a sharp breath and step away from the balcony. You pace a few steps back to your room and look up at the ceiling, willing yourself the patience to not let this blow up into an argument. It’s the last thing the two of you need right now, but god he’s making it difficult.

After a few moments, you drag yourself back over to the staircase. This time, instead of leaning against the railing and looking down at him, you make your way down the steps so you can stand in front of him, arms folded across your chest. Dazai looks guilty already, chewing the inside of his cheek as he refuses to look you in the eye. 

“Osamu, I’ve had a long day. Please just tell me where you went so I can make sure no cameras caught you going to and from the headquarters,” you say tiredly. “You’re not under house arrest, I just-we need to be careful the next few weeks, okay? Just until things calm down.”

“I just went to the school,” Dazai finally admits.

Instantly, your brows are furrowing. “The school?” you question, confused. “You don’t have classes today after twelve. Why did you go there? And why didn’t you tell me? I would’ve had Albatross drive you.”

The way Dazai refuses to meet your eyes is unsettling. You feel even more on edge than before as you wait for him to respond. Fuck, you just wanted to have a glass of wine and watch him play one of his stupid games. 

“It wasn’t for class, I was meeting people for a group project,” he says after a few moments, pointedly not answering your second question.

A group project.

The only ‘group project’ he has is for his journalism class… and the fact that he didn’t tell you so you could have someone drive him…

“You met with Ui,” you realize, staring blankly at Dazai. “Why?”

“I was helping,” Dazai says and however much on edge you might’ve been before, you’re even more now. “I was-”

“You were helping?” you ask, not sure what that might mean and not even sure if you want to know. 

Ui is bad news and for Dazai to go out to meet him now of all times… He’s supposed to be smart. You rub your face with your hands, feeling the tightly wound cord that’s been threatening to snap for the past twenty-four hours becoming even more strained. It’s only a matter of time before it does snap and you don’t want Dazai to take the brunt of your anger, not when most of it is directed at Mori.

“I was!” Dazai insists, voice getting louder. You can see the way his fists are closing and opening at his sides and how his nails leave bloody crescents in his palms. You tell yourself to calm down and talk this out with him, that you’re both not in the best mental states and you need to be lenient with him, but his next words are enough to send you teetering off the edge. “I was helping, I helped. He texted last night saying he had a tip-off about our project and I went to go figure out what it was so I could warn you.”

What the fuck?

“Why on earth would you ever go there on your own?” you hiss, just barely maintaining enough control to not raise your voice at him. “Especially after what happened yesterday. The Guild knows about you, Osamu. It could’ve been a set up.”

God, you almost want to rip out your hair. In what world could he have possibly thought that was a good idea. The Ivory Eagle getting a tip-off the same night after a major conflict with the Guild is not a coincidence and you should probably be more focused on that than you are, but you just can’t get over Dazai’s stupidity. 

If he had used that brain that you know he has, he would have realized it was no coincidence. The Guild must have gone to the Ivory Eagle with information about the Port Mafia and considering that Steinbeck made a comment about Fitzgerald getting the confirmation he needed about Dazai…

Fuck, you feel sick. 

“Oh yeah, because my professor is going to set me up to be captured by a criminal organization, right,” he says sarcastically.

“You don’t know shit about this world, Osamu,” you snap at him, taking a step closer but he doesn’t budge, unrepentant. “The lengths people will go to so they can take the Mafia down. Do you even know why the Ivory Eagle is so set on us?”

“That doesn’t matter-”

“Of course it matters-”

“No, it doesn’t,” he interrupts, voice pitched with hysteria. “What matters is that I helped. I got the information you need and-and I can help more. I can help more, I’m not incapable, I don’t need to be a liability anymore. You should be thanking me, not yelling at me. I-“

What is your life? 

You almost want to cry as you shake your head and take a step away and press your hands to your lips. You can’t do this right now—not after the day you had today and yesterday, you’re going to snap and say something you regret. You need to end this conversation before it goes any further.

“No. No, I am not having this conversation with you. Sit down on the couch, eat the food I bought and be quiet.” 

“I’m having this conversation,” Dazai, much to your distress, presses the conversation. “I’m tired of being a liability, I want to be helpful-“

Helpful? What is he even getting at? He better not be getting at what you think he’s getting at?

“What the fuck, Osamu?” you demand. “You’re not a liability, where is this coming from?”

“If I’m not a liability then let me help-“

Oh my god.

“No.”

“Why?” He sounds more like he’s begging than arguing now and your heart feels like it’s lodged in your throat because you don’t know what you’ve done to make him feel like he’s a liability to you, and more importantly, you don’t know how to fix it. “I can do it. I can. And this way, there doesn’t have to be push back from your friends about us—not if I’m part of the organization too, and-”

What the fuck is your life?

You can’t even hide the way your expression twists at his words, can’t hide the way you instinctually step away from him, can’t hide the way that your hands tremble so you stuff them in your pockets and shake your head furiously. A part of you wants to believe that you’d just imagined those last few words but they ring so soundly through your head that you know you didn’t.

“What the f…” You don’t even know what to say as you stare at him in disbelief. He’s still talking, you can see his lips moving but you can’t hear anything. Your ears are ringing and you’re desperately trying to make sure the wound up cord inside you doesn’t snap. “Hold on. Hold on. You are not part of this life, Osamu. You’re a civilian-“

“I killed someone,” Dazai cries out. His voice wavers and cracks, his eyes are wide and wild, and his hands are shaking just as much as yours but he’s not even thinking straight enough to hide them like he usually would. “What type of civilian kills people? I don’t-I don’t belong there anymore. I don’t belong there, I belong with you.”

“You killed one person in self defense, someone who was trying to kill us. That’s nothing compared to being in the Mafia, Osamu.” You try to calm him down but you don’t think there’s any calming him down now and you feel sick at the sight of him collapsing like this. You do your best to soften your tone as you continue, “Why would you want to be in the Mafia? Come on, Osamu, you’ve got good things going for you, your friend’s book to write, you don’t want this.”

“I can’t just go back to worrying about classes and homework after all of this,” he says, voice pitched as he shakes his head and tugs his hair a bit. “I can’t. I don’t belong there, I belong here, I stopped being a civilian the moment you let me into your life-”

“That’s not fair,” you breathe out, shaking your head. “That is not fair, Osamu. You forced yourself into my life just as much as I let you into it. That’s not fair.”

“It’s the truth. You could’ve cut me off at any point and you know that. You admitted it,” he hisses at you, throwing your words back into your face and it feels like a slap. “So, you can’t sit there and judge me for trying to make the most of it so things can be easier on both of us. I can do this. I belong here, belong with you. I helped you figure out how to try to get the Guild out of Yokohama, I sat there and helped you with plans, I killed someone, and I got this information for you—the Port Mafia would’ve stumbled right into the trap if I hadn’t. And you should be thanking me. You should be thanking me.”

Just like that, the cord snaps.

“This isn’t something to be fucking proud of, Osamu,” you shout at him, but he doesn’t even flinch, stands his ground about what he wants and it only pisses you off more. “None of this is shit to be proud of. Do you think I’m proud of who I am? You think Chuuya, or the Flags, or Klaus are? Do you think any of us are proud of what we do? Fuck, Osamu, how can you sit here and ask me to let you be part of this?”

“Because I could help. I could help you. Arahabaki couldn’t kill me, couldn’t even touch me—I could help, I could be the one sent to handle it instead of you. And-and I could do more, no one would expect a college kid to be part of the Mafia, I’d be able to get information for you, and I could-”

“Enough!” Your voice goes hoarse as you yell at him, unable to listen to this anymore. “Enough, what the fuck is wrong with you?”

You don’t see the way Dazai’s face falls at your words, the crestfallen expression that crosses over his face as soon as your words process through his head. You turn away from him, breathing heavily because you think you feel nauseous. 

How the fuck did this happen? 

You can’t let anyone find out about Dazai—his type of ability, the nullification, not even the West has developed anti-ability technology to this degree, they would kill to get their hands on Dazai. They’d put the bounty that had been on Atsushi to shame and you wouldn’t be able to protect him. He’d spend the rest of his life in labs being experimented on so they could replicate his ability in weapons.

Your phone starts ringing and you don’t even look to see who it is before you’re muttering out an excuse to Dazai and lifting it to your ear, pacing back to the stairs to go up to your bedroom for a few minutes alone to calm yourself down.

Except naturally, the person on the other line only induces more stress in you.

“How prompt, you’re not usually so quick to answer the phone when you’re with that little distraction of yours, little hime… lover’s spat, perhaps?”

Oh, for fuck’s sake.

“I thought you were someone else,” you say, voice dry and sharp. “Why are you calling me so late? Haven’t I seen enough of you today?” 

Mori laughs airly on the opposite line. “My, your time spent with that boy has sharpened your tongue… To think that all it would take for you to start stepping out of your shell is this…”

“I’m not in the mood,” you cut him off before he can continue, tongue running along the back of your teeth in frustration. “What do you want?” 

“There’s an issue at a warehouse by our ports in Shinko. The ones with the weapons being ready for transportation to Brazil. Take your subordinate and go ensure nothing is out of order—we can’t afford to be late on another shipment to Machado considering you redirected the last one to Paz.”

Instantly, you’re rolling your eyes. “Shinko is Ace’s port. Send him to get control over his territory,” you snap. “I’m busy.”

“Unfortunately, I’ve asked you. So, you’ll be going. You’ve caused enough trouble the past few weeks, I recommend you do as told without making a fuss.”

You grit your teeth but you bite back the next comment threatening to spill from your lips. Instead, you ask tightly, “What’s the issue there? What am I walking into?” 

Mori doesn’t respond for a moment. “... I’m not sure. Ace got word from one of his subordinates that something was going down there, but the line went dead before he could get a response. Our cameras are down. Take your subordinate, I can have the Black Lizards ready if you wish too.”

“No,” you say, shaking your head, wandering over to your closet to grab one of your longer dark jackets. As you shrug it over your shoulders, you say, “I’ll go figure it out. I’m not making it into a big operation.”

Mori sighs. “If that’s what you want… Call me once you’re done.”

You roll your eyes as you hang up the phone, stuffing it in your pocket before leaving your room. “Look, Osamu,” you say loudly as you head down the stairs. “I’m sorry, I shouldn’t have let that escalate like that. I have to head out for a bit but…”

Your voice trails off when you make it down the steps and find that Dazai is nowhere to be seen. Instantly, that sick, dreadful feeling returns.

“Osamu?” you call louder, voice a bit more strained, cracking over his name. 

No response.

Fuck.

“Fuck!” you shout, slamming your hands against the back of the couch before resting on it, trying to push back the nausea that builds up quickly in your through. 

You fumble for your phone, finding Dazai’s contact so you can call him but your hopes are quashed when you hear it buzzing on the floor near where you’re standing—must’ve fallen out of his pocket in his rush to leave. Your vision blurs and your eyes sting with tears, your breath becomes so shuddered that you think you might be on the verge of a panic attack.

God, you can’t even remember the last time you cried, but your cheeks are unmistakably wet and there’s no torrential downpour for you to mask them with.

Now’s not the time to cry, though. You need to move. The ports are on the way to Dazai’s apartment—you’ll check out what’s happening there and if there’s some sort of disturbance, you’ll… shit, you don’t even know. Chuuya is out of commission from Corruption, Akutagawa is out of commission because the wounds he received from Arahabaki aggravated his respiratory issue, and Klaus is out of commission because he’s still suffering the effects of using his ability to heal himself as much as he did.

Maybe you’ll see if Iceman and Albatross can handle it, but Albatross already did you a favor today…

You’ll figure it out as you drive there. You can’t waste time on it now, you need to get moving. The quicker you get to the ports, the better.

Because you need to get to Dazai. 

What the fuck is wrong with you?

Your words ring through Dazai’s head on repeat as he stumbles down the sidewalks in the direction of his apartment complex. He can hardly even breathe, his breath is ragged and uneven and his vision is so blurry that he can hardly see where he’s stepping.

What the fuck is wrong with you?

Dazai doesn’t know. He doesn’t know. He’s always known that there was something wrong with him—it’s why people could hardly stand to look at him, why his mother killed herself, why his aunt abandoned him, why no matter how hard he tried to be likable, people still turned their back to him. He’s always known there was something fundamentally wrong with him, but when he’s with you, you make him forget that. 

You make him feel normal. Make him feel human. Like there was never anything wrong with him, but it was everyone else in the world who was wrong instead. Like he didn’t deserve everything bad that’s happened to him. 

Dazai has never had faith in anything—not in any god because that would mean he had to admit that even god had forsaken him and certainly not in himself because Dazai has only ever failed himself, but he had faith in you. He let himself have hope when he was with you because you looked at him like he was worthy of being loved, like he was the only thing in the world that mattered to you.

What the fuck is wrong with you?

You looked at Dazai like you’ve never really seen him before that moment and he just… He couldn’t stay there, not with you looking at him like that, not when he realized the day that he’s been dreading has finally come to pass. 

What the fuck is wrong with you?

You’ve finally seen what everyone else does when they look at him. He knew this day was coming. He knew it, and he knew he’d been pressing his luck, that he was on borrowed time, but he had hope. He had hope that maybe this time would be different, that someone would see past all of his fronts and love him for him but he should’ve known better. Dazai is not someone capable of being loved. His own blood scorned and rejected him, the woman who gave birth to him killed herself to be free of him—Dazai is not someone capable of being loved. 

What the fuck is wrong with you?

He hiccups over another intake of air, tripping over uneven ground before steadying himself against the brickwall of a nearby building. He can see his apartment complex in the distance, it’s not far now, but Dazai feels sick. He feels sick and he can hardly breathe and-

And he misses you. He wants to go back to your apartment even if he’s met with contemptuous looks and rejection. He presses his hand to his mouth to hide the way he nearly chokes over a dry sob, feeling far too lost and alone. If he doesn’t belong with you, he doesn’t belong with anyone. Doesn’t belong anywhere. He wants to call you and ask you to come get him just to see if you’ll show, but he’s too scared that you won’t—and he doesn’t feel the familiar weight of his phone in his pocket anyway.

He forces himself to keep moving forward. He’s tired and it’s cold and Dazai just wants to lay in his cheap futon and cling to the thinning hope that you might come for him even if you did think he was a monster just like the rest of the world.

His feet drag against the concrete, the noise around him drowns out and his surroundings blur together, he keeps his gaze pinned to the ground as he moves forward. 

What is wrong with him? He’d known you were stressed with work, Nakahara Chuuya had told him that you were doing a lot worse than you were letting on, and he thought going out and putting himself in danger would be helpful… He’d just been so blinded by the idea of doing something useful…

It’s not until he gets to the steps of the complex that he realizes something is wrong. That someone is watching him. His gaze lifts as he looks around, eyes wide—for a moment, he doesn’t see anybody and he’s about to rush into the building but then he sees the shadow of a figure shift out of the overhang, waving his hand in the air.

“There you are, we’ve been waiting for ya,” a cheerful voice greets and Dazai’s hair stands on end as his gaze focuses on an unfamiliar redhead. He has an accent—American—and holds a handgun haphazardly in the hand he’s waving. “Damn, you look like you’ve had a shit night.”

This must be a member of the Guild.

You were right—they have been looking for Dazai and he… he just walked right into their hands. He lets out a breath, gaze darting up to the gun before swiveling around the area. He can’t outrun a gun, but he doubts that they’re going to shoot to kill if they plan to use him against you. If he could at least get a bit further out on the sidewalk… you have your subordinates monitor those cameras, they would see him get taken and report to you and-

And you would come for him. You would. You had to. 

Right?

“Thanks for the flashdrive, by the way,” the man grins as he bounds down the steps closer to Dazai. Dazai takes steps back to match the steps the Guild member takes forward, hoping that he can get far enough into the view of the cameras. “We can finally get little miss princess out of the way. Now that girl is a piece of work, takin’ this city’s gonna be much easier with her behind bars.”

Dazai stops dead in his tracks.

“What?” he breathes out. “What did you just say?”

His smile sharpens as he lifts his hand, showing off a very familiar hard drive tucked between his middle and index finger. “Gotta give you props, we’ve been trying for so long to get something to hold over her. She’s one slippery bitch, that’s for sure. And she’s got way too many allies. I kinda wanted to meet her just to see what all of the hype is about, but guess I’m not gonna get the chance.”

Dazai can hardly think—or, he is thinking but he’s thinking too much, so much that he can’t even tell one thought from the next because they’re all tumbling over each other and jumbling together.

“Give me that,” Dazai whispers before steadying his voice. “Give me that back now.”

The redhead shrugs and tosses him the flash drive. He cradles it to his chest instantly, throat spasming as he swallows.

“Sure,” the other man says. “Not like it matters, damage is already done. Hear that?”

Dazai becomes acutely aware of the sirens in the distance and he shakes his head, not willing to believe what’s happening. He-he can’t even do anything—he can’t call you to warn you, can’t out run a gun. Dazai feels so frustrated that he’s almost sick again. He’s never felt so entirely helpless before, never not been able to think his way out of a situation.

This is all his fault. 

He never should have sought out this footage, he should’ve destroyed it ages ago. He can never do anything right. He understands now why so many people were against him being in your life and for a brief second, he wishes that they’d succeeded in convincing you to cut him off because you’d be better off that way.

This is his fault.

What the fuck is wrong with him?

“Sorry kid,” he sighs lazily, not sounding sorry at all. “I fear I’m boutta make your shitty night a whole lot worse. Go on, James. Let’s bring him in.”

Dazai doesn’t even have the chance to react when he catches movement from the corner of his eye, a baton cracks against the side of his head so hard that his brain rattles against his skull and he doesn’t even register hitting the ground until he can feel the cool concrete against the side of his face.

Dazai’s vision blurs before it starts fading in and out, his body limp and uncooperative even as he tries to drag himself away from his assailants. He feels two hands grab him and hoist him over their shoulder, and as his body finally starts to succumb to the tantalizing lull of darkness, all he can think of is you.

I’m sorry, he thinks, wishing you could hear him. I’m sorry, I’m sorry, I’msorryimsorryimsorryi-

You hear police sirens in the distance as you arrive at the ferry leading to Shinko. It takes about five seconds for irritation to cloud your mind, realizing that the ferrymaster is not, in fact, waiting for you even though you called Ace and told him to have the ferry ready for you so you can check this out as soon as possible. You hate that despicable man but you need to get to Dazai, so speaking to him was a displeasure you were forced to deal with.

What a bastard, you think bitterly, shooting a text to Albatross to ask if he’s busy. You sigh as you lean against the cool wall, tilting your head up to look up at the colors the setting sun paints across the sky as you wait for a response.

You never should’ve let that fight escalate.

The thought has been plaguing you since you left your apartment. You knew better. Dazai is a civilian, he’s struggling to cope with everything that’s happened, of course he’s going to feel out of place with other civilians after what he saw, after what he did. He’d already opened up to you about his struggles to fit in with people and you knew this would make those insecurities worse but…

But hearing him say that he belonged in the Mafia scared you. He doesn’t belong there and he seemed to well and truly believe that it was the only place for him. The thought of the likes of Mori getting his hands on Dazai’s nullifying ability… It scared you beyond words could describe. Dazai belongs with you, yes, but he doesn’t belong with the Mafia. 

Still, you shouldn’t have reacted the way you did. Of course he ran, he’d been on the verge of collapse and you yelled at him, you scorned him, he was lost and looking for something to hold onto, looking for you to tell him everything would be okay, and you walked away.

Your eyes sting again. Even though no one is around to bear witness, you still close them to hide the way they mist over with regret. You’ve made many mistakes in your life—mistakes that got Itou killed, mistakes that ruined Chuuya’s life, and now mistakes that might’ve pushed away the only person who you could safely say loved you for who you are, unconditionally and unrepentantly.

You only force yourself to reopen your eyes when you feel your phone buzzing again, hopefully Albatross responding to your text. Before you can even unlock your phone, there are several more texts coming through, too quick for you to read what they’re saying—Chuuya, Kouyou, Doc, Lippmann, Piano Man, Klaus. You straighten, a heavy feeling settling over you as you look down at your phone and get ready to click one of the messages from Kouyou.

It’s only when Iceman calls that you pick up.

“What’s going on?” you ask, your voice steady even if your throat spasms with nerves.

Is it Dazai? Did something happen to him?

“Where are you?” Iceman demands. “I’m in the car with Albatross. Give us your location now.”

“I’m at the ferry terminal leading to Shinko. What is going on? Is Os-Dazai okay?” you question sharply, fingers tight and trembling around your phone. “Iceman-”

“I don’t know shit about your boyfriend,” Iceman snaps. “Have you even seen the news?”

You pull your phone from your ear without another word, fingers trembling as you pull up the news app. Your ears ring with the approaching police sirens as you read the trending headline, vision swimming and a shaky breath escaping your lips as you lean your weight against the wall so you don’t crumple to the ground. 

Vice Chair of the Mori Corporation suspected of Mafia affiliation after the release of footage from behind the Tokyo City Hall. What does this mean for the rest of the Corporation?

“No,” you breathe out, shaking your head as you stare down at the news article. You can hear Iceman and Albatross yelling on the opposite line, trying to get your attention, but you can hardly make out what they’re saying. The sound of the sirens is too loud, too near. “This isn’t real. We… got rid of the…”

“Footage from behind the Tokyo City Hall… you and the ginger with the ugly hat… splattered six guys against the wall.”

Dazai… what did you do?

No, he would never. No matter how upset he is at you. He would never hand over the footage. The real question is: what happened to him? How did they get ahold of the footage he’s been hiding? What did they do to him?

You feel sick as soon as the thought crosses your mind. The regret you felt moments before triples, quadruples, weighs on you so heavily that you think if you jumped in the bay, you would sink to the bottom. You never should have let the fight escalate, never should have given him the chance to leave.

You can see the flashing lights now, they’re rapidly closing in on you. You need to think—you don’t have much time left. You need to figure out how the Ivory Eagle got their hands on the video; they had to have gotten it through Dazai, but because Dazai would never give it up willingly… And the meeting about the tip-off right after the conflict with the Guild where Steinbeck confirmed that Fitzgerald knew about Dazai… 

The Guild must be involved. They must have worked with the journalists. They did the dirty work to get the footage from Dazai and passed it along to the journalists. You could send Klaus after the journalists, but it would condemn you if they were attacked or killed the day after they released an exposé on you. It would all but confirm your position in the mafia.

But Dazai could be in trouble.

And just like that, your decision is made.

“It’s too late, the cops are here,” you finally tell Iceman, “don’t bother coming.”

“But-”

“Shut up and listen to me, I don’t have much time,” you say sharply. “Ace set this up—have Piano Man call an executive meeting to have him executed. The Ivory Eagle journalism house. There’s a journalist called Ui Koutarou working there. He needs to be captured and interrogated immediately. Tonight. There’s a good chance that they worked with the Guild to get this video. Have Klaus do it, he’ll know what to do once he has the information… Kill the rest of them, I want them dead before I’m out on bail.”

“If we kill them now-”

“I know,” you spit. “I know what it means for me. I don’t care. Have it done.”

With Klaus behind the interrogation, as soon as Ui cracks and admits they had the Guild get the video through force from Dazai, he’ll know to go after the Guild to get to Dazai, and hopefully, Ui will have decent enough information about how he should go about it. If all goes well, Dazai will be back in your apartment and under a serious protection detail before you even get released from holding.

If it doesn’t go well… you’ll be arraigned by the court either tomorrow or the day after, Mori or Lippmann will handle bail, and you’ll put the Guild in its fucking grave before the prosecution is forced to drop the charges against you.

Dazai just needs to wait for you. 

He needs to trust you, even if he doesn’t have much reason to right now.

You toss your phone into the bay as several police cars skid to a stop at the front of the pier. The sirens are loud and piercing, the lights blinding, and you can hardly hear the words the officers are shouting as they approach you with guns drawn. You can hear the rotor blades of a helicopter thundering in the air above you as a spotlight shines down on you and the approaching officers.

You lift your hands in the air before you’re forced to your knees, arms twisted painfully behind your back as metal cuffs are locked around your wrists. You're dragged back to your feet, and the charges against you and your rights are read, but you don’t hear any of it. Your mind is only trained on one thing—one person.

Dazai, you think desperately, wait for me.

[reidmarieprentiss]

Could I please request Spencer & Fem Reader based on the episode 9x24 when he gets shot and reader is super worried about him so is comforting him and doing all she can to make sure he’s ok and just fretting over him and on the jet she’s helping him in and just sitting with him next to the couch, brushing his hair so he sleeps. Just lots of cuddles. Maybe overbearing for Spencer because he’s not used to being the one taken care of since it’s usually vise versa. Thanks!!

Wounds: Physical & Emotional

Pairing: Spencer Reid x fem!reader

Category: angst, hurt

Warnings/Includes: aftermath of Spencer getting shot, reader being overbearing, Spencer snapping, no happy ending

Word count: 2.1k

a/n: hiii i hope this is okay <33 i needed some angst so this was perfect

main masterlist

The atmosphere in the hospital room was filled with a quiet tension, the sterile smell of antiseptics mingling with the dull hum of machines. Spencer lay there, eyes half-open, a little pale and looking both exhausted and grateful just to be alive. His neck, wrapped in fresh bandages, still bore the marks of his ordeal, a stark reminder of how close he’d come to something irreversible.

You stood by his bedside, fingers gently resting on the thin hospital blanket, as if the mere act of touching it could somehow channel some of your strength to him. You'd been pacing the hallway for what felt like hours, running through every worst-case scenario, but finally seeing him, hearing the faint sound of his breathing steady and rhythmic—it brought a wave of relief so overwhelming it nearly took you to your knees.

As his eyes fluttered open, a soft but tired smile curved on his lips when he saw you there. “You… you really didn’t have to stay,” he murmured, his voice a bit strained, weakened from both the injury and the exhaustion that came with it.

You shook your head immediately, your hand instinctively reaching for his, fingers wrapping around his gently. “Don’t even say that, Spencer,” you whispered, your voice thick with emotion, each word infused with the worry you’d been bottling up since the moment you’d found out he’d been hurt. “There’s nowhere else I would be. You… I was so scared.”

He squeezed your hand weakly, his thumb tracing a small, reassuring pattern against your knuckles. "I'm sorry," he whispered. "I know... I know how it must've felt, seeing me like that."

“No, no,” you replied quickly, shaking your head. “You don’t have to apologize for anything. None of this was your fault. You just… you’re always putting yourself out there for everyone else, and… Spencer, I can’t lose you. Not like that.”

His gaze softened as he looked up at you, the slight sheen of tears glistening in your eyes. He’d seen you in countless stressful situations, through endless cases and late-night work sessions, but this—this was different. “I’m still here,” he assured, his voice barely above a whisper, but steady. “I’m still here.”

You couldn’t stop yourself from reaching out and brushing a loose strand of hair from his forehead, your fingertips lingering, just relieved to feel the warmth of his skin beneath them. “You have no idea how glad I am to hear you say that,” you replied, your voice catching. “I didn’t… I didn’t know if I’d get to.”

He closed his eyes for a moment, leaning into your touch, letting himself be comforted by your presence. The weight of what he’d been through hung between you both, unspoken yet deeply felt. It was as though your silent worry, your prayers for his survival, had wrapped around him, bringing him back.

“Are you… are you comfortable? Do you need anything?” you asked, your voice barely louder than a whisper, but still filled with all the care and concern that had carried you through those agonizing hours of waiting.

He chuckled softly, a little hoarse, but there was a warmth in his eyes as he shook his head. “Just having you here is… more than enough,” he replied, his hand squeezing yours a little more firmly, a silent acknowledgment of how much it meant to him that you’d stayed, that you were there.

Your hand drifted from his forehead to his cheek, your thumb softly tracing the edge of his jaw, and for a moment, he simply closed his eyes, letting himself rest, letting himself lean on you.

“Promise me,” you said softly, breaking the quiet that had settled over you both. “Promise me you’ll be more careful next time, that… that you won’t go scaring me like this again.”

He opened his eyes, looking up at you, a small, apologetic smile tugging at his lips. “I’ll try,” he whispered. “But you know me…”

You rolled your eyes, a reluctant smile of your own finally breaking through the worry. “Yeah, I do,” you murmured, shaking your head fondly. “Which is exactly why I’ll be here, making sure you keep that promise.”

—

Your concern for Spencer had taken on a life of its own, a constant, consuming presence that followed him from the hospital back to work and even into the comfort of his own home. Every glance his way was laden with worry, every touch a check for signs of strain or pain, an endless stream of small but deeply attentive gestures. It seemed you couldn’t stop yourself from fretting over him, as if that watchful care alone could ensure his safety and recovery.

On the jet, you were never far from his side. When he tried to settle into the couch, you followed, bringing a small pillow and blanket, making sure he was comfortable, even sitting right beside him as if to act as a physical buffer against anything that might cause him pain. 

“Let me know if you need anything,” you whispered for what felt like the tenth time, fingers gently brushing a stray curl from his forehead. You stayed close, sometimes pulling a chair beside him, sometimes gently brushing your fingers through his hair in a rhythm that would lull him to sleep. Every time he shifted or opened his eyes, he found you right there, watching him with that same blend of worry and tenderness.

But back at home, your concern reached new levels. You simply couldn’t bear the idea of leaving him to fend for himself—not after what he’d just gone through. Any movement he made was met with your insistent, gentle intervention. “No, no,” you’d say softly but firmly when he reached for the coffee pot or attempted to carry anything from the kitchen. “I’ve got it. You’re supposed to be resting.” You’d guide him back to the couch or bed, a hand on his shoulder as if you thought he might collapse any moment if left unattended.

He found himself surrounded by the constant reminders of your care: you’d already brought him fresh coffee, placed his favorite books within easy reach, even left snacks and water close by. You practically fussed over him like he was made of glass, which at first he found touching. There was an odd but comforting warmth in how your love translated into these little gestures of support.

In the quiet intimacy of his apartment, you’d taken to accompanying him into the bathroom, even the shower, ensuring he was never alone. “I just… I can’t bear to leave you alone yet,” you’d said with a nervous laugh the first time, reaching for his hand. “It makes me feel better, okay?” 

Spencer, both surprised and touched, had reluctantly agreed, though he couldn’t deny the awkwardness. You watched him carefully as he bathed, helping him wash himself, bringing him his towel, even brushing his hair afterward with the same attention you give every one of his movements. 

Every small thing, even the routine act of bathing, became a moment for you to ensure his well-being. And while it was comforting, he found himself increasingly confined by your constant care.

Finally, it became too much. Spencer, who had always prided himself on his independence, was beginning to feel suffocated, trapped by the very love that usually gave him comfort and strength. He’d always been the one to look after others, the quiet pillar of support, and the sudden inversion had been tolerable at first. But as the days wore on, he found himself unable to breathe under the weight of it.

One evening, after yet another shower where you hovered nearby, he reached a breaking point. Just as he reached for the towel, he looked up seeing you already holding it, his face was now laced with frustration and fatigue. “Can’t you… can’t you just give me a little space?” he snapped, his voice louder than he intended, sharp enough to startle you.

The words hung in the air, and you looked at him, taken aback by the sudden tension in his voice. He sighed, running a hand through his hair, the frustration evident as he struggled to put his feelings into words. “I know you’re worried about me—I know. But you won’t even let me bathe alone,” he continued, his tone edged with an exasperation that mirrored how he felt. “I can’t even think for five minutes without you hovering!”

You took a shaky breath, hurt and confusion clouding your expression as you tried to process his outburst. “I… I just wanted to make sure you were okay,” you said softly, your voice breaking with the vulnerability you’d tried so hard to keep hidden.

Spencer’s gaze never softened, “I know you’re worried, and I want to appreciate it, I do. But I need time to myself. I need to feel like I can still do something without help. I need space from you!” he raised his voice again.

You flinched as your heart sank, realizing how tightly you’d been holding on to the fear of losing him, how it had manifested in every act of love, every worried glance, every touch that you’d thought was comforting. You nodded, stepping back a little, trying to offer him the space he so clearly needed. “I’m sorry,” you whispered, eyes dropping to the floor. “I… I’ll give you that space.”

As you quietly closed the bathroom door behind you, Spencer felt a calmness settle over him, a rare feeling of unencumbered space. He hadn’t realized until that moment just how much the attention—though well-meaning and deeply appreciated—had begun to weigh on him, like an invisible net keeping him grounded. The soft click of the door seemed to signal a return to normalcy, to a routine he thought he’d lost somewhere in the haze of his injury.

But what he didn’t realize was how deeply his outburst had hurt you, how you’d clung so desperately to the idea of keeping him safe, only to feel dismissed, even resented, for the very care you’d thought he needed.

Spencer felt lighter as he brushed his hair, each stroke a small declaration of independence. He took his time shaving, enjoying the familiar ritual. He finished, splashing cold water on his face, feeling as if he’d reclaimed a part of himself, a small but significant piece of control.

Satisfied, he wrapped himself in a fresh towel and stepped into the bedroom, thinking of nothing but how good it felt to finally be able to tend to himself. But the moment he crossed the threshold, a chill settled over him. His eyes flicked to the small armchair in the corner, the one that had become a fixture for your bag during your stayover, always waiting quietly, a reminder of your presence and your watchful care. Except now, the chair sat empty. Your bag was gone.

His heart stilled, a sinking feeling creeping into his chest. Quickly, he threw on clothes, barely fastening the buttons of his shirt before moving through the apartment, calling out your name, his voice echoing through the silent rooms. “Y/N?”

He stepped into the living room, glancing around in hopes you were just out of sight, maybe near the kitchen or just down the hall. But there was no answer, no sound, just an aching quiet that pressed in on him like a vise.

“Y/N!” he called again, louder this time, almost pleading. But the silence that met him felt crushing. His mind whirled with dread, memories of the sharpness in his tone, the flash of hurt in your eyes just before you’d turned away. The realization of what he’d done, what he’d said, crashed over him with a painful clarity. In his desperate need for solitude, he hadn’t stopped to consider what his words might mean to you, hadn’t thought of how they might cut deep after all you’d done to care for him.

The hollow ache in his chest grew as he scanned the empty room, his mind replaying each moment you’d been there, every touch, every comforting smile. He could still feel the warmth of your hand in his, the gentle brush of your fingers through his hair. The thought that you might’ve left, might have taken that warmth and devotion with you, was more terrifying than anything he’d faced in the field.

His voice softened, almost a whisper, as he spoke into the empty room, “Please, don’t go.” But the quiet, unyielding silence lingered, leaving him alone with the weight of his words, and he realized that maybe, just maybe, he’d pushed away the one thing he truly needed.

---------------------------------------------------------------------------

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[piningintrovert]

Timelines, Jewelry, and Sex? Oh My!

Despite all efforts to keep myself from constantly overanalyzing love scenes on this site, here I am once again. And this time I've brought three (3) of them!

It was honestly inevitable because in a series like this where sex quite literally drives the plot, these scenes are necessary to understanding the story and characters, and in turn must be discussed. That said, walk with me lovelies. We have a lot to cover. Theories and takeaways are in blue, and questions and discourse are welcome.

Great and Tyme's love scene was so beautiful and truly a joy to witness which is why it pains me to say that it was not real. At this point, we can all agree that there are multiple timelines in play. That's why I think their love scene and the moments that lead up to it were what Great wishes their relationship was like if he had made all the right choices and met Tyme under different circumstances.

I think their relationship started with a one-night stand possibly initiated by Tyme to get closer to Great and his family.

Now before I attempt to provide evidence to support my thesis, I need to point out one thing about the timelines—they are parallel. Great's first 4-minute out of body experience establishes that point.

Sure, going back in time allows him to make a different, often better choice, but the timeline in which he made his initial choice continues.

That is why we see him wake from the "nightmare" of seeing Manee lying dead on the ground after he hits her and drives off. That timeline is still in motion and part of him has experienced and is still experiencing it.

The notion of parallel timelines is further supported by the final scene in episode 4 where we see two timelines seemingly collide as Dome returns home in one and is dead in another.

I highly recommend reading this post by @becauseimanicequeen which has an extraordinary breakdown of possible timelines and the differences between them.

Taking what we've seen so far into account, my theory is that each 4-minute jump creates a new timeline or a new branch in an existing timeline that later merges back into it's parent timeline while all events and memories remain intact. Lukwa provides a bit of insight on this during her interview with Dr. Den:

What I plan to discuss in this post is based on the premise that there at least 4 timelines in play for Great-Tyme's part of the story:

Great hits Manee and drives off → has his first 4-minute jump (4MJ) → a new timeline is created; this one continues with memories intact → ?

Great hits Manee, stays, and calls for help → visits her at the hospital and delivers flowers to her room where they talk for a bit → bumps into Tyme and tries to leave, but ends up having a 4MJ → a new timeline is created; this one continues w/ memories intact → ?

Great leaves the flowers he brought for Manee at the nurse's station → first instance of seeing visions of he and Tyme having sex on 2 different occasions → bumps into Tyme, says sorry, and helps him pick up the papers → Title kills Dome and Great has a 4MJ → a new timeline is created; this one continues w/ memories intact → (this is where Tonkla and Win would come in, but they're not my focus atm) → ?

Great saves Dome and takes him to the hospital → Tyme sutures his wound; Great recalls visions of him riding Tyme → Tyme saves him from being choked out/killed by Title in the garage → Tyme brings Great his favorite iced tea and is rejected when he asks Great out → Great has a 4MJ, explains what's been going on to Tyme and asks him out → claw machine date at the mall and almost kiss in the car (interspersed with another round of visions of his other self and Tyme from T2 sleeping together; I'll explain later) → Tyme attacks Korn looking for answers about Nan's whereabouts → Great confronts Tyme at the hospital → has a second 4MJ and promises to help find Nan → Great finds Nan, but hesitates and fails to save her → has a third 4MJ, manages to save Nan, and escapes with Tyme's help → they quickly drop Nan off at the hospital and skip town → sleep together

Since Great has had three 4MJs in T4 (the current timeline), it is plausible that 3 additional timelines may have been created but I don't think that's the case because (1) four is a thematic number in the series and (2) T4 is the timeline that offers the most continuity in sequence of events.

It's also interesting to note that Great's 4MJs have become more frequent and life-threatening which could mean that he's on the right track and/or nearing the end.

That aside, the timeline I want to focus on is T2, which is where I think one of their sexual encounters takes place. Let's take a look at the timeline as if Great's 4MJ does not occur:

Great hits Manee, stays with her, and calls for help

Great visits Manee at the hospital and delivers flowers to her room where they talk for a bit

Great, unnerved by his conversation with Manee, bumps into Tyme and leaves

Great meets Tyme at a bar and they end up having a one-night stand

This scene was the sole catalyst for this post because Great seems to be wearing the same outfit he had on when he visited Manee at the hospital—jewelry and all.

Our rich boy may like wearing black and white, but he is not one for repeating outfits.

While chatting at the bar, they're conversation indicates that they remember bumping into each other at the hospital. However, unlike in T3 and T4, they don't seem to know each other beyond that. It's possible that Tyme may have some info on Great because he is investigating his family, but they're essentially strangers both to us and each other. This Dr. Tyme (T2) is not the rizz-less one we know and love from T4 because he manages to charm his way into spending the night with Great (this is speculation; Great very well could have done the charming and Tyme got lucky). How do we know this? Great's visions from the first time he bumped into Tyme at the hospital (T3) and the almost-kiss in the car (T4) show us what happens next.

Great-Tyme are seen holding hands as they enter Great's condo. I will admit that this is quite familiar behavior for people who've essentially just met, but holding hands with your one-night stand is entirely possible. That aside, if you look closely you'll notice that Tyme is wearing a silver paperclip bracelet and Great is wearing his favored watch.

These are the same pieces of jewelry that they're wearing when Tyme kisses Great's chest on the pool table ... which is insane choice of a flat surface to start a romp on when the bed is literally a few feet away, but I get it. Where else would one serve a full-course meal if not on a table?

Anyway~ Tyme is also wearing a necklace which will be of note in a sec, but what I find interesting is the stark difference in this Tyme's gaze and demeanor in comparison to the one in episode 4. He appears to be more confident and decisive.

A man on a mission and who knows exactly what he's doing. That said, if we ever get the entirety of this scene, I wouldn't be surprised if he doesn't kiss Great on the lips because there seems to be an emotional distance between them that is not present in the love scene we saw in episode 4.

Now back to Tyme's necklace. He appears to be wearing it in another scene from the trailer where he's standing next to Great's window so it's safe to assume that it's the same day.

I can't decide whether his gaze is menacing or not, but he is holding a rag and something black and shiny that looks like a switchblade a phone so we'll just have to wait and see.

So far we've looked at 2 of the 3 Great-Tyme love scenes shown in the trailer. The third, which also takes place in Great's condo, is one that also gives me pause because once again, Tyme's gaze is different.

Something about the way he looks at Great does not read as the Tyme we've been seeing over the last 4 episodes.

But what's most notable to me in this love scene is that neither of them is wearing any jewelry. Great doesn't wear jewelry at home, so not having any jewelry on in this scene isn't out of the ordinary. Tyme on the other hand, is NEVER without his smartwatch. And as I'm writing this, I've realized that we've never seen any indication of what time it is when Tyme is alone. The only instance we've seen a clock in direct relation to Tyme is on his phone when he exchanged numbers with Great at the skatepark.

So, is any of what we've seen so far real?

Yes and no. The only thing that has been real and consistent throughout Great-Tyme's storyline is the certainty of death; impending or otherwise. And because of that, neither Great's nor Tyme's perspectives are reliable.

It may feel like we are getting the full picture, but there is always something missing in between.

If you've made it this far, thanks for reading. Now off to episode 5 to see how wrong I am XD

[peachesofteal]

Dead Disco / Chapter 10

Dead Disco masterlist

Ghost/Soap/female reader 3.1k words - AO3 Warnings-tags: 18+ no smut but this fic contains mature themes. Relationship issues, anxiety, self loathing, crying. Angst. Brief mention of asshole ex. Eating related issues. Mention of prescription medication, mental illness and depressive/manic episodes. Pre established throuple. Darling is her/your own tag/warning. Excessive internal monologue. You held onto the hot pan too long, and now you’ve been burnt.

"Look at me." 

"I can't." You keep your eyes clenched tight, so tight it hurts, lungs burning inside your chest. 

"Yes you can, darling. Just open your eyes." Simon's voice is soft, an entreating melody, grit and gravel smoothed out with the gentleness of his words. You get lost in it, the soft murmuring, the easy request, and when you open your eyes, he's still right in front of you, thick palm on the back of your neck, Johnny by his side. "Good girl." 

"I'm sorry." You whisper, and Johnny's brows crease, his fingers brushing along your cheek. 

"Ye dinnae have anything to be sorry for, darling. Ye never do." 

"I didn't-" you gasp for a breath, and Johnny shifts, moving so that you're in front of him, sat between his legs, back against his chest. His hand holds yours, nestling above your breastbone. 

"Breathe with me. Ye can do it." 

"I didn't- I wanted to be better. Be different. I didn't want you to see." You try to explain, try to make sense of it for them. Simon's fingers intertwine with Johnny's, his other hand still firm on the back of your neck, your body cradled between them, in the space that once never existed, a space that now feels like it's been carved out just for you. Johnny pushes closer, holding you tight, and Simon leans forward, forehead touching yours, voice barely a murmur. 

"We've always seen you, darling." 

The floor is a fairly comfortable spot to lay.

It’s comfortable enough, you suppose, as you lay on your back with your eyes fixed on a spot along the ten-foot-high ceiling. Maybe you could paint the ceiling. With clouds. Or a night sky. That might be cool. 

Voices vibrate through the flat, locked door the only thing separating you from them, Johnny’s tone pitching with increasing anxiety, Simon’s cadence soothing, and calm.

He’s calling your name. Calling you darling. Calling you anything to try to get you to come to the door.

You’re overreacting. 

You’re a fool. 

You close your eyes. A night sky might be cool. You could do a lot with the stars, or maybe even the milky way. Get some greens and greys and cobalt in there. Make it look like a long exposure photo. And the moon, you could certainly paint the moon. You’d have to find a ladder tall enough though. And you’d probably need help. You haven’t painted from a ladder in years, not since you did that one mural for- 

“Darling.” It’s Simon. Again. And again, and again, again. Darling, darling, darling. “It’s getting late. Will you open the door?" You keep your eyes closed, but for a minute, your mind fractures, splitting in two, confusing emotions and thoughts bubbling up to the surface.

Don’t think about it. Don’t. 

“No.” You croak out in a whisper. It’s quiet, but he hears it. You know he does.

“Please. I need to know you’re alright, at least.”

You held onto the hot pan too long, and now you’ve been burnt. 

It’s late. The streets are probably mostly empty. You could run down them, if you wanted. You could take a train anywhere. You could take a plane, even, go on a vacation. Go somewhere nice. Go somewhere tropical, maybe get a cute rental, spend some time in the sun or by the oc- 

The thoughts are rapid fire. They spill over, trying to patch up the expanding wound in your heart. They grow and twist, convincing you it’s a good idea, the best idea, to just slip away for a little bit. To go somewhere you don't have feel this, where you don't have to know this as well as you do. 

Don’t think about it. Pack it up. Put it away. 

Johnny’s eyes haven’t left your face. His fingers stroke from the crown of your head and hairline to your temple, your cheek. He’s staring at you like you’re something precious, like you’re a piece of gold, something marvelous he’s never seen before.

“What is it?” You ask, half asleep, drowsy in the bed. You’re still wrapped in a post orgasm haze, cocooned in the soft and sweet of their attention, affection, and Johnny only smiles, leaning forward to press his lips to your forehead. 

“Ye’re so special to us. Ah love ye. Did ye know that?” You shrug, ducking your face away, pressing it into his shoulder to avoid his eyes. 

A wave of longing crashes over you. It swells in your heart until tears prick in your eyes, and you take a deep breath to steady yourself. 

It’s so much. So much more than you ever imagined. So much more than you ever thought you could have. 

“She doesn’t.” Simon says over your shoulder. His hand sits on your waist, the touch firm. Grounding. Like a tether to their world. Their love. You turn, nose pointing up towards the ceiling, looking at him through your peripheral, your fingers intertwined with Johnny’s, holding onto them both. Seeing them both. 

“Tell me again.” 

The TV in the living room is on.

You can hear it’s faint murmur, some movie playing on low volume, the guys undoubtedly sitting stiff on the couch, waiting for you to appear.

You stare at the dark, nearly blackened trees that you’ve painted onto canvas, long, broad brushstrokes taking up too much space, bark texturized to appear burnt, nearly dead, forest scourged by a disease or fire, you’re unsure.

“It starts to chafe us.” Us. Us, he said. Us. Him and Johnny. Right?

“It doesn’t seem fair.”

You’re unsure of everything right now. Unsure about how you should feel. Unsure about what’s happening inside your head.

“-sometimes I worry… about it being the right thing…” The more you think about it, the more you start to lose your grasp. Were those his exact words? Did he mean something else?

For the first time in a long time, you think about one of your ex's. You think about a person who made you feel so small, so much like a burden, a horrible, unwanted responsibility, all the time. You'll never have what regular people have, he said. No one will ever be able to put up with this fucking circus. No one will want this. 

Was he right? 

You should have gotten out. The sentiment replays over and over in between your ears, the awful, miserable doubt and fear and sadness picking away at you until you can feel yourself starting to compartmentalize it all, trying to sort it into neat little bins, trying to keep the weight that is sinking to the bottom of your soul from drowning you, trying to build a wall around your heart.

It’s not conscious. It’s like you’re not even in the driver’s seat anymore, not feeling the full effect of your emotions, not letting it in.

It’s how you felt, when you packed your bags the last time. How you felt when you checked into the hotel, like you were on autopilot. Buried beneath a mountain of feelings but enclosed in a glass cage, segregated from it all.

You should have gotten out. 

“I said I was listening.” 

“But I don’t want ye to listen. I want ye to talk, darling. I want ye to tell us how ye’re feeling. We can’t do this if ye’re not able to communicate.” Johnny’s voice is steady, but there’s a hint of anger behind it, a small flare just starting to light. It makes you angry, that he’s getting angry, and it churns in your stomach until you’re biting out a retort. 

“I communicate just fine!” 

“Do ye?” He snaps, exasperated, your head jolting backwards with wide eyes. “Because from where I’m standin’ it feels like ye’re trying to be stubborn on purpose. Like a child.” 

“A child? You’re calling ME a child?” The air in their apartment is suddenly paper thin, and you hold your breath as Johnny watches you with that same, unchanged, irritated expression. 

“Alright. This is over. We’re taking a break from this conversation.” Simon tells you both, fingers sliding over your shoulder, the touch meant to comfort, reassure, but you jerk away. 

You eye your purse, your keys on the counter. 

“I’m just gonna go home.” 

“No.” He rebukes, and Johnny pales. 

“No, darling. Ye just got here, and we missed ye so, so much. I’m sorry, I dinnae mean-” Johnny pleads, crestfallen, and it makes you feel worse. Like you’re failing him. Like you’re failing at this. Like you’re not good enough for it, for them. “Please?” He adds, and you wilt, silence falling over the three of you again, awkward and wrong. 

“It’s alright.” Simon says. “If you want to go. I’ll take you home.” 

“I can get home on my own.” You try not look at him, finding mundane details in the floor, the sink to stare at instead of their faces, resisting eye contact until Simon steps directly back into your line of sight. 

“I’ll take you.” He steps closer, and like there is a magnet pulling you into his orbit, you respond, tilting your face backwards, letting him see everything. The tears. The anger and sadness. The confusion. He’s intentional with his movements, letting you anticipate everything, the movement of his hand, the bend of his body as his lips come down to press against your forehead. “Tomorrow, alright?” He asks and tells with the words, seeking permission, giving command. Tomorrow, you’ll talk. Tomorrow, you’ll get it sorted. Tomorrow, you and Johnny will apologize. And you’ll try again. Like you always do. 

You nod, because the promise of tomorrow, the assurance that this hasn’t all come crashing down, is the only way any of you will be able to sleep tonight. 

“Tomorrow.”

They both straighten on the couch when the door clicks open.

“Hey.” Johnny says softly, hopefully, and Simon says nothing, just watches you like you’re a wounded animal that might try to flee at any moment. On edge. Vigilant.

Your mind turns, but nothing comes out of your mouth. No response. No acknowledgement. Just empty silence that feels like a thousand pounds, all laying on top of the three of you. Suffocating you. Killing you.

You beeline for the bedroom.

Running away. You’re running away. Are you really going to run away? 

The memory of the hotel haunts you, the awful, empty pit in your stomach that could have swallowed you whole, the dark curtains and dark room enveloping you in a never-ending spiral.

All you wanted was to be found. All you wanted was to be home, with them.

All you wanted was your home, the one you built, made, suffered for, with them. The one that you carved out inside your own bones to hold space for two others, not just one. The home that you completely changed your life for, the love that you believed would see you through it all. 

The love that was always them first. The love that you barged in on, knocked walls down, forced yourself inside of. The love that they held for one another, before they ever held it for you. 

Your head feels like it's underwater. 

Did you make a mistake? Should you have sent them away that time? Should you have fought yourself harder?

The bed calls to you. It begs you to lay down in it, to burrow yourself beneath it's soft sheets, curl up on top of it's ridiculous mattress. Get lost in it. Be found in it. Let your boys curl themselves around you in it, let them kiss you softly and make you promises about how much they love you, or how they understand the way you feel.

If you close your eyes, you can almost see the future. Minutes would pass before Johnny crept inside the door, scoping it out. Doing the recon. Looking for you. His heart would soar when he saw you in the bed, his fears allayed, and he'd hold you so tight you'd think you were suffocating. 

If you were lucky, Simon would come and turn your brain off. Johnny would pass you to him and he'd bring your deepest insecurities, your worries to light, dragging them out to be exorcised and vanquished, by the only men capable of doing so. 

Is that what you want? 

Should you have gotten out? 

“There she is.” Johnny coos above you, warm palm cradling your cheek. You blink, fog encasing your mind struggling to clear, and you push yourself up onto your elbows. 

“What-“

“Happened?” Simon finishes from where he kneels next to the couch, concerned eyes trained on yours, not missing a beat. 

You blink. What did happen? Did- 

“When was the last time ye ate something, darling?” Johnny asks, not unkindly, palm at your back to relieve the pressure from your elbows, moving you into a sitting position so he can take the spot on the couch behind you, effectively wrapping you up in his arms as Simon settles on the other side. 

Shame curdles your stomach, hot embarrassment flaring in your veins. You avoid peering over Simon’s shoulder at the disarray of your kitchen, wincing when you realize he’s sitting on a pile of your dirty clothes. 

“I had breakfast.” You whisper, but Simon shakes his head. 

“When?”

“Yesterday.” You try to adjust, to sit more upright, but the sudden movement has your head spinning, and your palm covers your eyes, little groan in your throat. 

“Easy.” Johnny soothes. Your water bottle is in his hand, and he unscrews the lid for you, lifting it to your lips. “Slow sips, darling. Not too much.” 

It’s easier this way, you realize. Easier to do what’s being asked of you, easier to listen than to think. After a few sips, Johnny pulls the bottle away, and wide fingers stroke your cheek. 

“This is what you were talking about. A few weeks ago.” Simon murmurs, concentrating all his focus, all his attention, on you, fingers still caressing your skin gently. Lovingly. 

“I didn’t mean for it to get so bad this time. I… usually have a better handle on myself.” You try to lie, but Simon cocks his head. 

“Do you?” His fingers hold up the scrap of paper, the one with your note to yourself scrawled across it. 

‘You HAVE to, or you’ll regret it.’ 

You bite your lip, but Simon’s thumb presses into it, rolling it out from beneath your teeth, as Johnny rubs your arm, lips soft against your temple. 

“I’m going to take you home. To ours.” Simon tells you slowly, each word deliberate “Johnny is going to clean up your apartment and pack you a few things for the rest of the week.” When you don’t answer, brain slow to catch up, Johnny murmurs in your hair. 

“You have to agree, darling.” Simon watches, silent for a moment before he answers the unspoken question, still cradling your face with one hand. 

“You can trust us.” 

“Where are ye going?” Johnny asks when you appear from the bedroom, hesitant steps keeping him far enough from your body, desperation written all over his face.

“Out.” Your answer is short, sufficient. It feels like it’s coming from another person. You still think you might be underwater.

“Out? No… we need to talk and-“

“I don’t want to talk. To either of you.”

“Darling. Stop.” Simon tries to cut you off, but you turn sharply, away from them both, backpack swinging on your back.

“Ye canae run away from this, from us.” Johnny pleads. “We need to talk about it. Communicate. Like we promised.”

“Like we promised?” You hiss, sizzle of anger breaking through the ice that’s frozen in your veins. “The promise that we made to always tell each other how we’re feeling, the one that he can’t honor?” You jerk your thumb towards Simon, who tries to take a step towards you, only for you to retreat. “Don’t corner me!” you snap, and against your attempt at control, your voice breaks, sob welling in your chest.

Don’t think about it. 

Don’t think about it. 

“It’s alright.” His hands are palms out, cautious. It’s supposed to make him look like he’s not a threat, make him seem harmless. But he’s not harmless. This gaping hole in your heart says so. “We don’t want you to leave.” He implores. “Please. I- let me explain.”

“There’s no need. Everything is pretty clear.”

“No, it’s not.” Johnny argues. “Just, let Simon at least tell-“

“Tell me what? Tell me how it’s not fair? Does it chafe you too, Johnny? You also thinking what’s the right thing? Because it’s an us thing, right? You and him. It’s an us and me. It’s the us that I suffer for.” Your voice crests, and Johnny flinches.

“I made a mistake.” Simon whispers. “Don’t let my stupidity make you question your place in this relationship. We love you, darling. I love you.” Tears burn at the back of your eyes, and you feel the horror of the truth, the confusion about your love for them, their love for you, searing together into a snarled mess.

“If I left you, the both of you, at the end of the day, you’d still have each other. You’d still be together, and I would have nothing!”

“That’s not true. We canae exist without ye.” Johnny sounds broken, hopeless, but you blow by it, dancing around Simon to pull your prescription bottles from the kitchen cabinet by the sink.

“If I died tomorrow-“

“Do not say that.” Simon cuts you off. “Don’t ever say that.” His knuckles are white at the edge of the countertop, expression stricken, and Johnny looks horrified. They both watch you like they’re afraid of what you might say next, what you might do, and nausea pools saliva on the back of your tongue.

Don’t think about it. 

You close your eyes, and search for that underwater feeling. That untouchable feeling, the boxes being packed away in your mind, and try to cling to it, try to shut up the incessant stream of doubt and loathing and everything going wrong inside your head.

They don’t need you. They have each other. 

You chafe them.

Don’t think about it.

“I need…” You trail off, trying to take a deep breath. Trying to organize your thoughts. Trying to hear yourself through the noise of everything else, through the searing pain that’s ripping through your heart.

“It’s alright, darling.” Simon murmurs, encouraging you. “Tell us what you need. Whatever it is.” Johnny’s face has shifted from despondent to hopeful, eyes wide and locked onto yours, while Simon waits, his normal steadfast and patient demeanor nowhere to be found, instead he’s more anxious, more nervous than you’ve ever seen.

You close your eyes again. Your voice shakes when you finally speak.

“I need a break.”

[thesiltverses]

Hello! Writing first to thank you for such an extraordinary creation - as a piece of writing and even more so in performance. Every episode manages to somehow build on and outdo the last; you navigated that transition from a smaller scale story of grisly mysteries and personal crises of faith to a grand scale of war, revolution and political satire with absolute aplomb, and never lost that throughline of exceptional characterisation and sharp writing, always steering to the most interesting conflicts. You are always very humble in your public comments, but I hope you allow yourself a little pride, because this is absolutely top notch stuff.

I was struck by Paige's final words, that she hopes what they left would be found 'flawed, inadequate, yearning'. As the show went on, I was surprised - in a good way - that the show's politics gradually crystalised into a full-on nihilist anarchism, something perhaps even along the lines of Monsieur Dupont. (Muna used the 'a' word in one of the Q&As but it was pretty evident even before that). Taking these gods as a metaphor for ideologies and social systems, the scope of it becomes pretty universal - and unsparing. And, equally, hard to answer.

I wondered when the Many Below/Wound Tree was introduced what answers they would find: what political movement could truly resist cooption or becoming its own horrible self-sustaining egregore. And in the end the answer you express I suppose is a negative one: that even Paige's god of victims is a tool, one that must eventually be discarded to go into some unknown place beyond it all (to walk away from Omelas), towards something that narrative fiction - as a form of the 'endless words' that are derided so much in the third season - can no longer address. Which I respect - to pose the question is vital, even if the tools can't reach any answers if they even exist.

I think this struggle exists in many stories that address themes of making a break from the rapacious society that created them (and take it seriously) - your Baru Cormorants and Mononoke-himes. We can describe the problem vividly, but since we do not have a counterexample to hand, any story we tell about ~what is to be done~ and what it will look like when it is feels like it will be just as hollow as the spins and angles and parasitic fantasies that so many characters advance in the Silt Verses. (How could there possibly be a time where it finally works out, after we have seen all this? But then, what are we living for?)

To try to make this a question and not a ramble, I wanted to ask - what do you see as the role of fiction in addressing the horrible machinery of this world? Is it enough to pose the question particularly sharply, skewer the bad and inadequate answers, and leave the readers/listeners to figure out how to make the killing of gods concrete? How do we punch through the bounds of it all being Content, another product to be bought and sold? What does it mean to sit here and fantasise about people making that revolutionary break when there is no revolution to be had?

I don't know what answer I'm hoping for here, but given the themes of the show, I feel like this must be a kind of thing you've thought about, and probably have a far more developed line of thought than I do. And if this is a bit too much to drop in your inbox on a Saturday morning, I will say again thank you for writing this story and all the actors for making it so strikingly concrete - it truly means a lot, and I will treasure it.

Hi, and thank you for listening and for a beautifully written and thoughtful ask! ('Horrible machinery of the world' stopped me dead in my tracks.) And I am very proud, genuinely.

I don't have a good enough answer to your questions, and for me a lot of TSV is very much about trying to figure those answers out, but let me try and sum up my perspective bit by bit.

Is it enough for fiction to pose the question, without also proposing the answer?

I don't think it's enough for fiction as a collective body of work.

I'd argue there's probably a tendency towards open-endedness and irresolution in these individual narratives simply because it feels like a more honest acknowledgement that in real life, the foe has yet to take a real body blow and will not go down easy; that the foe, in fact, is the marketplace for the work itself and ironically profits from the popularity of stories with easy heroic victories over villains who represent capitalism. That these stories inevitably become a pleasant consumable that serves our complacency within the belly of the beast, a kind of daily tonic to reassure us that good always triumphs and regular people always come out on top.

I also think that the sheer scale and scope of the topic creates its own challenges; you probably can't engage thoroughly enough with both the dystopian question and your ideas for a utopian answer all in a single story, without ultimately turning the latter into that false reassurance, a quick handwave of a happy ending.

You mention Omelas, and I think we could illustrate the problem by looking at how LeGuin handles her two successive masterpieces:

The Ones Who Walk Away From Omelas, which gives us the titular resource-rich u(dys)topia built on invisible suffering, and the dissidents who turn their backs on that world and walk out into the inhospitable wilderness in search of something better.

The Dispossessed, which as its premise gives us Anarres, an imperfect but sympathetic anarchist society whose adherents turned their backs on a neighbouring world of capitalist plenty to live out in the inhospitable wilderness in search of something better.

Anarres can very reasonably be viewed as LeGuin's direct answer to the question posed by Omelas, and she would have likely had it in her mind already as she wrote Omelas. But if the short story had ended with 'I hear that against all odds, the ones who walk away have successfully founded an anarchist utopia where hardship is everywhere but it's shared as equitably as possible. THE END', the amount of lazy shorthand and empty comfort involved in that happier ending would inevitably make it a dishonest and unserious offering.

Instead, Anarres is a starting premise to be interrogated at length over the course of a separate story, rather than a happy ending to simply reassure the reader that better things are possible - and even at the end of the novel LeGuin's unresolved questions are still very similar to the ones that we're left with in Omelas (and the same questions that I feel like we were knocking about in The Silt Verses, and which I guess you could argue are all lingering concerns at the end of Mononoke, as well): how and where can we find space to create and sustain a genuine alternative when the narrative environment of capitalism is so powerfully all-subsuming and constantly growing to fill the space? Do we need to disconnect entirely, vanishing as if dead? If we disconnect, how can we possibly survive and what inhumanities or ethical compromises will be required of us? If we do survive, is our isolationism a dereliction of human responsibility to those left behind?

All of which is to say that I think present-day fiction absolutely can make the attempt to meaningfully explore potential alternative-utopian solutions in more depth and with far more tangibility than we attempted with TSV - but that dystopian fiction like ours which concludes with the unexplored promise of a revolutionary utopia and the vague reassurance that the irrepressible human spirit will figure things out from here on out (Chewbacca gets a medal, everyone's in the streets wearing a Guy Fawkes mask) doesn't do much more than dramatically undermine its own goal of disrupting the audience's comfort.

That said, one of my big regrets this season was that we didn't succeed in more engagingly exploring and articulating the Woundtree camp's development into a flawed but functioning society in Dispossessed fashion ahead of the ending. That was my intention, but what quickly became clear was that in a dramatic format, with a limited cast, it was just endless static meeting-room scenes with Paige and Elgin discussing difficult responses to impossible challenges, while everyone else was out having dynamic and exciting adventures with lots of fun and exciting gods. Dystopias remain too entertaining for utopias' own good.

What do you see as the role of fiction in addressing the horrible machinery of this world?

I believe that absurdist horror fiction specifically, founded on the principle of 'people in a world that makes no sense, deluding themselves that it definitely does make sense' can play a very powerful role in that stated purpose.

Many horror traditions carry the baggage of inbuilt or inadvertent conservatism - the concept of a peaceable, passive, safe, middle-class Normality which is then disrupted by a terrifying outside threat (alien, ultra-foreign, ultra-low-class, underworldly, wild, etc). But absurdist horror very directly identifies Normality as the true source of our terror and very directly confronts our human response to it. It creates the right environment for us to ask all of the good questions. Isn't this an unsustainable nightmare we're living in? Why are we expending so much energy pretending it isn't? How do we get out and what do we do if we can't?

Probably the only listener reaction that's genuinely frustrated me about both of our shows is the folks who come away turning their noses up at the bluntness of that approach and acting like they've Solved The Art simply for figuring out where our broad sympathies lie. "Hm, just listened to The Silt Verses and I understood it at once; it's clearly trying to say that capitalism is bad. A little heavy-handed in its messaging for my liking, hm-hm!"

Not to go full Garth Marenghi, but for me the directness of the provocation and the obvious outrageousness of the nightmare is the point; it then allows us to go to places that other genres (or more understated critiques) generally can't.

How do we punch through the bounds of it all being Content, another product to be bought and sold? What does it mean to sit here and fantasise about people making that revolutionary break when there is no revolution to be had?

God, I don't know.

Maybe it means nothing; maybe we can't punch through; maybe there is no story unruly enough to be truly unco-optable, and therefore even the most radical fiction ultimately serves as a distraction, a placebo, a reassurance (that we are not alone, that better things are possible) which will impact the wider world more by keeping us subscribed to the Kindle app than by any action we might feel inspired to take.

Amazon is paying Boots Riley to make TV shows. Disney won much praise for delivering a revolutionary fantasy in a Star Wars shell. Apple is funding excellent, discomfiting and furious corporate satires about how we happily ignore invisible worker abuses for the sake of our own lifestyles, but they also cannot be considered accountable for the deaths of Congolese child-labourers in the global cobalt supply chain. The Dispossessed is in development as a limited series and the LeGuin estate are closely involved.

The master doesn't just own the tools, he's been buying up the guillotines as well.

What if, as with the unknowable nothingness outside of Omelas, the only art that cannot be reduced to product in net service of the status quo is the art that's so invisible and inaccessible and disconnected as to not exist at all? Does being relatively small and ramshackle really lend us any ideological purity, any genuine detachment? You can listen to The Silt Verses on Apple and Spotify and Amazon Music. Brought to you by Acast.

Chapter 36 with Dev and Seb was to a large extent intended as an articulation of that worry. To what extent can we still trust in the integrity of a sincere love story (one that we want to believe in) it if takes place in an insincere and predatory environment? Can any meaningful story be told honestly within such a space?

This stuff really worries me. I think it's probably right to worry. I don't know the answer. I do know that there are some folks for whom the show has made a tangible difference in terms of their life's direction, and that's a huge comfort to me.

There was someone who said it helped them find their faith, strangely and wonderfully. Someone else who said it contributed to their decision not to go down a more lucrative career path within what they view as an exploitative industry. (I hope they don't regret that decision; I hope it makes them happy.)

So there's something there. Maybe.

[three-realms-archive]

(This me rambling, feel free to ignore and lesson 16 spoilers! ^^; hi hello btw!)

I wanna see MC sometimes staying at Purgatory Hall and the Demon Lord's Castle more often as an escape to truly relax and maybe see the brothers try to overcome some of their struggles in their own, even if it's just a bit, if not for them, then for MC who has done so much, maybe even too much, for them, y'know?

Lesson 16 was quite the turning point, but not a lot of things changed. I wanna see before and afters with everyone. I wanna see angst where everyone is trying to be normal (maybe because MC is trying to be normal), but when the slightest thing goes wrong, they all flinch to shield MC or something. The smallest smell of vlood after chopping up food for dinner? Flashback to lesson 16. MC being too cold? Mammon flashes back. Belphie standing over MC (holding blankets or just so happen to be there for some reason)? Levi is holding his breath.

But at the same time, i want to see MC flinch from Lucifer. Before Belphie, Lucifer was going to hurt MC or worse, and he did it the most and has succeeded in hurting MC the most out of the brothers. I want to see MC hold their breath anytime he gets angry but is completely calm with Satan. I wanna see MC's shoulders tense while helping with paperwork alone with him but be completely fine with doing the same with Diavolo. I wanna see Mammon acting as like a bridge between the two.

Everyone is so creative on how they write lesson 16 but i don't see a lot of "after the lesson" ones. I always wondered, if their MC went through that (assuming if they made ir canon in their MC's story), what changed, if at all?

Phantom Pain

First oneshot of Scars, Wounds and Minor Inconveniences: a oneshot series featuring slice-of-life snapshots of the aftermath of Lesson 16. Naturally, features spoilers for OG Obey Me! up until that point. Each oneshot will have an associated headcannons post, which will be linked when it goes up!

(thank you to @kittylilyheart for inspiring what will now be a oneshot series dedicated to everyday life in the aftermath of lesson 16, because there's just so many characters in this series with so many things you can write for each. they gave so many interesting examples in their submitted idea; so I'll be including some and incorporating my own. If you have an idea for something related to Obey Me! or Obey Me! Nightbringer that you'd like me to put to writing, please read the rules pinned to this blog before submitting to the blog's inbox!)

_

It’s like pins and needles, starting at your neck and running down your back. Mammon sees you arch your back oddly as you go to knock on the door to the Demon Lord’s castle; and immediately knows.

“Hey, hey.” He says as he bumps his shoulder into yours, fingers touching your sleeve. Even though he’s seen this a bunch of times, he never really knows what to do. “Ya, uh. Ya got the needles-thing again?”

“Yeah. Ugh, why now?” You groan through gritted teeth, waiting for the feeling to subside. Both you and Mammon were used to this, episodes happening every now and then. Temporary bouts of phantom pain down your back and sides, where arms had hugged you and…

Dwelling wouldn’t help. And besides; they barely inconvenienced you. You sat down and pressed your back against a nearby wall.

“Don’t do that. What are ya doin’?”

“It feels better when I put my back against something hard and flat.” You state matter-of-factly, never breaking eye contact as you slowly slide down. He looks more confused. You grin. "As long as Beel hasn't got his fifth dinner on it, the kitchen table is nice, too."

“Weird humans…” Mammon mutters disapprovingly, but he sits beside you to wait it out. His head flops to one side, cheek resting on your head, as he makes the ever-so-cliché show of pretending to stretch his arm above his head, over yours… and, eventually, around your shoulders. You snort as his fingers fidget, figuring he just doesn’t know where to place them. They first settle on your chest, lingering over where your heart beats. Then, they scurry up to your collarbone and settle on your pulse point. He presses around a little, as if searching. Then, with a satisfied hum, he leans back against the wall, too.

“I think it’s going away, now. Mams. Hey, Mams.” You shake his arm a few minutes later. He blushes at your willing contact (as if he hadn’t been holding you close this whole time) and the cutesy nickname, but shuffles back to give you space to stand. Though not before checking your back first, touching the back of his hand to the skin between your shoulder blades, which your outfit exposes. Because you’d been leaning on a metal wall, your skin is cold.

He freezes. Your skin, cold. Your lips, not breathing. The slight red from where his hand had pressed against you has a slightly red flush. Red - red, just like it had been when -

He makes a show of dusting off your shoulders, one hand curling its fingers just enough to press a little more around your neck pulse point.

He hums again, satisfied. Then, the sheer amount of touching you that he’s done today hits him - and he turns his head to the side with a not-so-subtle cough.

“Y-Yeah, okay. Good. Let’s knock, then.” Mammon straightens and flashes you one of his signature grins. You notice it wobbles a little, but you attribute that to the adorably-dramatic cough he was forcing out of his throat just moments earlier. “If we get back late, Lucifer’ll think we’re slackin.”

“We can’t stay longer? Lord Diavolo said in his letter that I can work at the castle for as long as I like.” You pout. Secretly, your heartbeat gets a little faster; you swore you read the letter correctly. You look at Mammon hopefully, avoiding looking at the path behind you; which was starting to look awfully short. “I thought we were getting back after Lucifer goes out tonight.”

Mammon raises an eyebrow. “Ya wanna stay that long? It’s dangerous out. It’s safer with Lucifer around. ” He protests worriedly - but catches himself quickly. “W-Well. Not that I can’t protect ya… But everyone’s at home, too! The more people around, the better the protectin'!”

“Mammon -”

“Mammon is probably right, MC." Suddenly, you hear a voice behind you. "Though, I admit - I hadn't thought about that when I wrote the letter requesting your visit.”

The two of you jump. You and Mammon immediately find each others’ hands, and whip around to face the source of the voice. Mammon is already stepping forward, stretching his arm in front of you protectively... when he sees who it is.

“Lord… Geez, Lord Diavolo. Barbatos.” He nervously chuckles, stepping back. “We were literally just about to knock. Warn a guy next time, why don’t’cha?”

“No worries, Mammon. Sorry for startling you.” Diavolo offers apologetically. He nods in acknowledgement to you. “Hello there, MC. Lucifer may worry too much if he doesn’t see you before leaving the House, so it may be best for him to see you’re safe and sound, first.”

You look up slowly at the Crown Prince of the Devildom. The prince’s demon butler stands just behind his liege, almost blending into the shadows. They look so… tall. So towering. You don’t register the words that come out of your mouth.

“Oh, u-uh. Okay, then. I’ll help with some RAD event planning, then leave. early”

Mammon gives you a look, shuffling closer and bumping his shoulder into yours, again. “Oi, human, are you sure? I thought earlier you said -”

“I’ll do what Lord Diavolo, said. It’s probably for a reason.” You reply nonchalantly as Barbatos steps forward and unlocks the front door. You can see the hallway as it creaks open and it’s dark. It reminds you of a room you had woken up in when you were pulled from your home with no warning. It reminds you of winding stairs that had lead up to an attic, with a shadowy figure waiting behind a locked door. It was the home of two people who, try as you might, you could never, ever say no to.

Was it fear? You didn’t think so, you could talk to them pretty easily. Agree with them, easily.

Was it hatred? Not that either. You knew Mammon appreciates them for their part in saving you, so you guess you do, too.

You think of the phantom pain from earlier, then think that the darkness of the castle hallway looks a lot more inviting than dwelling on painful memories and difficult questions. So you let your feet follow Diavolo and Barbatos into the castle, laughing when Diavolo fondly tussles Mammon’s hair and enthusiastically piping up with ideas when Barbatos lists off the upcoming events to be held by the student council at RAD.

Mammon does hang back a little at first, though; wondering why you disapproved of his idea when he said it - but then agreed so readily when Diavolo did. But Diavolo did help you with the whole Belphie situation. And he was grateful Diavolo had you brought to the Devildom at all. So he follows you and thinks nothing of it.

And you follow Barbatos and Diavolo. Listening to their every word, like it was instinct. Like you didn’t really have a choice. Just like you didn't have when they had saved you.

Just like you had no choice when they had first brought you here.

(first chapter of the blog's very first series! this was pretty interesting and challenging to write as i really didn't want anything sad or angsty; just the same tone as my other slice-of-life stuff but with little pangs of hurt from the habits that the characters pick up after the belphie incident. i'd like to think that mc and the obm cast actually do recover pretty quickly from lesson 16, but not for the reason of forgiving each other easily, which i'll get to in later chapters. in this case, mc gets along well with dia and barb out of trust for them saving them, but also because they've always taken the reigns on their fate anyway.)

[thigholstercas]

So I wanted to have all these parts of scripts that I love with destiel moments that were erased, changed, or added context in one place. Bare in mind that there are some that are Production Drafts and others Writer's Drafts, and so on.

4x02 - Are you there, God? It's me, Dean Winchester

Oh honey, he's gonna be your husband

Honestly, I'm just putting this here because I love this scene.

5x04 - The End

Cas received the order to follow Dean's commands once, and he sticked to it up 'til the end of everything.

7x17 - Born again identity

Just remember, this was after everything that happened in season 6 and widow!dean arc 1.0

Forward to Cas' speech in 15x18, yes the parallels.

Swear this is a whole Dean thesis. If we go back to what started this whole thing in tmwwbk. Dean tells Cas, we can fix this. And he never stopped wanting to fix it.

8x17 - Goodby Stranger

Like, I know they established that it didn't make sense for Dean to say I love you here, which fair, and we ended up which I need you (somehow worse).

But if we look at this as a whole, what Dean might understand is that saying I love you makes people leave him. Fastforward to the part when Dean takes the sigils so Cas can find him and Naomi visits and tells him that Cas doesn't return his feelings. Fastforward again to the You didn't trust me because even if we get to know that it was hard for Cas to leave with the tablet, away from Dean, Dean doesn't. For Dean, he left him, without even acknowledging that he loves/needs him, ignored him, and didn't trust him. Imagine you say I love you and you are left feeling abandoned, betrayed, and angry.

8x19 - Taxi Driver

This in the middle of I love you, and You didn't trust me is something

8x22 - Clip show

The one guy that's always had your back.

9x22 - Stairway to Heaven

Don't know what they smoked to write this, but I want some

10x23 - Brother's Keeper

You'll see the word shattered used a lot. This very much both destiel and drowley imo.

Season 12 is weirdly filled with these, so here are special mentions (because the max of pictures is 30 and there are too many moments). Most likely, it has to do with the market research by the end of 2016, which is why from 12-15, these scenes are more emotionally charged.

Mary saying Good friend when Dean and Cas hug in 12x01

Cas told Mary I promised (Dean) when they were talking outside the barn before going in to help Dean save Sam in 12x02

Dean telling Mary Get him outta here! when Cas was wounded in 12x12. And of course, when Cas says the things they have shared changed him (but that's on screen)

Cas texts? from 12x16

Dean is a worried husband on 12x18.

Dean explaining that no matter how much Cas messed up, did the wrong thing, or every dumb move he got it in 12x20. Cas was always Cas.

12x10 - Lily Sunder has some regrets

Dean telling Cas he has changed, and it has all been for the good. Again, forward to 15x18.

12x19 - The Future

This whole episode is charged with scenes from Dean and Cas. Like you have the angry Welcome home from Dean when Cas returns from Heaven. Dean calls Cas a super strong dude in a trenchcoat. The mixtape scene with the That was a gift. To keep. And Dean softening a bit even if he's angry because he's more worried.

But I think the biggest one is this one. The destiel sex scene (jk)

And after this, even though it is said in the show. There is more insistence from Dean to not let go of Cas -> We're not gonna let you just walk away. Not again. Not happening.

12x23 - All Along the Watchtower

The word shattered is mentioned a lot in the scripts. This is every part that describes Dean's reactions after losing Cas. Forward to 15x18.

13x06 - Tombstone

This is one of the best things that never happened in the show. You have Dean choking down his emotions saying he's much better now and Cas who fought with the empty with everything he had in 13x04 to return to Dean, coming to a meadow near a windmill because Dean thought he'd like it.

13x14 - Good Intentions

Forget about the in love part. They are best friends, and we didn´t get this.

13x20 - Unfinished Business

He lost Cas and it damn near broke him. Not we lost Cas, I.

14x12 - Prophet and Loss

Losing Dean was unacceptable. Cas said that losing Dean was unacceptable. And Dean got emotional. And then forward to 15x18, Cas just goes no, Dean can't die because that'd be unacceptable to me, so i'll sacrifice. And then, Dean gets emotional. Again. But for Dean, the unacceptable happened.

15x09 - The Trap

Forward to 15x20. In this future that Chuck showed Sam that he lost Dean the second Cas was gone.

Have I said how much they used the word shattered. Anyway, Dean wanted Cas to stay. That's his best friend.

He's amazing.

15x18 - Despair

This is not that different from what it was filmed, it is just that seeing it described makes it different. Especially when you get things as Still beautiful, still Dean Winchester, Dean is emotional, stunned, shocked. And have I said how much they used the word shattered. Also, you can see how it starts as a confession because Cas is confessing that he made a deal, but then it ends as a declaration, a declaration of love. Which makes testament such a good word for it.

15x19 - Inherit the Earth

The fact that Dean couldn't say Cas was gone

He's not the ultimate killer. He's not daddy's blunt instrument. He's someone who raised his little brother for love, who fought for the world for love and the most caring man on Earth

15x20 - Carry On

We don't talk about this episode because the script has way too many [omitted] but this is exactly what happened in 15x09 when Chuck showed their future to Sam if they followed the road they were taking.

Okay, that was it. Probably missed some, but for me, these are the parts that stand out.

[kindofatheatrekid]

Soft Yandere! Veteran HCs (and a special something at the end!)

So I basically fell in love with this nameless man I wrote on a whim- And now I’m giving the dude a name now- My precious moot helped me to cement his identity as a jaded, Russian veteran and I obviously leaped at the chance of making an old dilf. I fucking love this man- 😀

This is definitely NSFW so…

MINORS DNI. MINORS DNI. MINORS DNI.

That’s better! ❤️

Soft Yandere! Veteran who’s at least twenty-five years your senior— and makes sure that you remember that. He’ll make sure that any bratty attitude coming from you will be promptly shut down. Whether it’ll be through a spanking session or giving your mouth something better to do… Well. It depends on how much you’ve pissed him off already. ^^

(Don’t worry, though. He’s too much of a softie to not ensure that you’ll enjoy every second of your “punishment~” 😮‍💨)

“In my days, cadets used to have their teeth smashed in if they mouthed off to their superiors. Shouldn’t you thank me for my leniency, love?”

Soft Yandere! Veteran who makes sure that you’re always well fed. He may have some food insecurity problems, and would never want his beloved to ever experience that gnawing hunger he felt in his earlier years. So say au revoir to any diets you want to do!

He’s a good cook too, so you bet he’s going to feed you every time you see each other. You’re always going to be greeted with food as aftercare— there’s no arguing on that. He will force-feed you. 😓

“A diet? Tch. You don’t need that. Just eat, dear. You need the nutrients for later.”

Speaking of aftercare! Soft Yandere! Veteran who knows exactly what to do after years of fucking women. …And maybe some men but we don’t talk about his soldier years- The man will wipe you down and massage every part of your body that aches after his rough treatment. Believe in the old man who has chronic pain every day because of what he did in his youth- He definitely knows how to relieve any muscle aches. 😌

Soft Yandere! Veteran who is a huge cuddler. He’s taller than you and is just a brickhouse— you’re not going anywhere if he wants to cuddle with you. He probably has a size kink, loves seeing you try to fit him in your mouth. He’ll be so condescending about it too, goading you on while he’s reading the newspaper like the senile man he is. 😩

“Come on, love~ Is that really the best you can do? You can take a bit more, right? For me~?”

Soft Yandere! Veteran who is Russian! The man never speaks crass words, though— always a gentleman through and through. His mama taught him right! He has to make sure that you remember your manners with him too! Say please and then he might give you what you want. It depends, though. Have you been a polite lover to him today? 🤔

“Mmm… I don’t know, Солнце… You’ve been so naughty today. I think you should beg some more for my cock~”

Soft Yandere! Veteran who has episodes of depression whenever he remembers the young men he killed in the battlefield. You can find him on the floor while staring at his countless medals— bottles of everclear on the floor with a few cigar buds in the ashtray nearby. A hug from you will help him a lot…

(Please replace the bitter cigar in his mouth with your sweet lips. Give him something else to think about. Better yet, why don’t you spread those thighs of yours? That will always get the old man going! 😊)

“...Thank you, лапочка. I needed this.”

Soft Yandere! Veteran who will never let you go. You’re just too pure for the world… He’s directly seen how dirty humans can be. You’re like a spring breeze to him, allowing him to relax his mind for the first time since he was drafted. Just listen to everything he says. Don’t you believe in him? 🥺

“...People… They can be cruel. Especially to wounded rabbits like you.”

You didn’t think that I’d just make headcanons after painting a scene in your head, right? Dear gods no! I want to be a nice author to you all! (At least until my mind decides to switch up and make angst- But you’re all safe! For now.) 😈

Anyways! I’m going to show y’all a blowjob scene with this old man now! Have fun! ^^

(It’s gender neutral this time because you’re sucking his dick-)

You thought he was being too cruel right now. Here you were: on your knees, serving the man while he was enjoying his morning cup of coffee. If you could talk, you would’ve whined at him for his attention; to get that dumb paper out of the way so he could fuck your mouth like you knew he could. He was undoubtedly affected by the way your lips were wrapped around not even half of his cock, though. There was a reason why his hand had a firm grip on your hair— not allowing you to pull away nor go deeper.

The old man had way too much patience compared to you, not even budging when you start to paw at his clothed thighs. He’s spent years on the battlefield, dear. The man can neglect his own needs as long as you learn your lesson. Your parents must have not taught you very well, but that’s fine! He can show you exactly how to stay in the lines.

Your desperate whimpers send shivers down his spine, the vibrations making his warm cock grow hotter— a familiar warmth pooling underneath his stomach. His hand tightens around your locks, a deep sigh escaping from his lips before he even knew it. You got what you wanted, his attention. And oh… You have his full attention.

A low growl was your only warning before he forced his cock down your throat— his hands now occupied with pulling your hair like it were a horse’s reins. You couldn’t breathe; he was big, and he knew that. You could barely see his sly grin through your tears, but you could feel it. By the way his hand was kept on the back of your head to keep your spit-covered lips on his cock. By the way his other hand was patting the top of your head so affectionately. By the way he cooed at you like he wasn’t choking you on his dick right now.

“Aww~ Is there something you want to say, Солнце? Come on~ Use your words for me, hm?”

The bastard was taking pleasure in your helplessness; he knew that your throat was far too occupied to do anything but let out a few muffled whimpers. Whimpers that went straight down to his weeping cock, his balls tightening even more when he sees how prettily you were silently begging for his mercy. The old man was just getting his rocks off at this point.

He kept on using you, bobbing your head over and over again— he was an old soldier, he knew precisely how long he could keep you gagging before you’d pass out. It was like a game to him in a way, seeing how far he could physically push you before you were on the brink of passing out. You were seeing both stars in your eyes and black spots; your adrenaline peaking from this deadly game. One where all you could do was trust the man in front of you that he knew what he was doing.

His endurance was no joke even after over a decade, you didn’t know how long it was before you could finally taste something bitter on your tongue— his head tilting up as he groaned. You were still gagging, your head pushed as far as possible when he came in your throat. The thick, slimy liquid going down your throat effortlessly as he slowly slides you off his limp dick. A round of coughs greeting you after your lungs were suddenly filled with oxygen after a while with barely any.

All he did was pat your head, grabbing a cloth from the table to clean up the mixture of his cum and your drool and tears off your face. His palms tenderly cupping your cheeks afterward— steadily lifting your face up before he presses a soft kiss on your now clean lips. A satisfied smile curving up his lips when he sees your blissed out, lost expression; your usual bratty self not seen at all.

“Hm… Better.”

Translation:

Солнце = sunshine

лапочка = sweetie pie / cutie

BRO. THIS. THIS DOES THINGS TO ME. Y'ALL LIKE THIS OLD MAN TOO, HUH??

"I know what you are."

[justanotherhh]

some trailer things:

big fight around lust/ozzie's place that involves m&m and loona + we know fizzarolli is going to make another appearance, so i wonder how that'll connect potentially. also, new villain?

obvs the whole section of CHERUB working with DHORKS and this massive thing/portal:

john waters big villain episode???? (ghostfuckers from the looks of things)

also more crossdressing in that same episode + millie vs possessed blitz? both millie and blitz giving some evil dead type vibes?

more on stolas' whole social sphere and potential judgement and hell's class politics related to his dating blitz + p much confirmed that blitz will not take stolas' gift in the spirit it was intended

also, "you fucks think you can do this every time-" feels not just like it's about the wider class issues in hell, but maybe like it's personal (potentially with verosika? although it does seem like it's canon that he had more than a little bit of a hand in ending that relationship, so could just be him echoing everything he's been seeing in the treatment of imps and putting that onto stolas in this moment)

and then "thank you blitz, for making me so happy, even for a little while" is during this moment too. lot of teasers for how this is gonna go down (badly, upsettingly, emotionally)

the whole "do you feel any remorse for what you do" feels like a misdirect -- that is, it's edited to look like it's about blitz, but i feel like it's directed at stella or her brother

generally a lot of fun stolas visuals that i won't get into here, but am excited to see more contexts for

also this isn't new, but im always interested in blitz's heart/broken-heart forehead marking

blitz and tilla moment! generally more flashbacks (in the shape of blitz seeming to be almost at the movies, watching his own "failures") around the time of the fire! i didn't see any barbie stuff, alas, but the rest of it looks !!! also lowkey confirmed it was cash who stopped blitz from seeing fizz in hospital

who's this?

another sin? maybe related to ozzie and/or stolas and that judgement of the kinds of people they love?

blitz protecting stolas - maybe from the above, considering the hand motif of it all... stolas really living the life of blitz as a romantic hero, while blitz is barely holding it together as a person the whole time. different genres, my guys. different genres (that's their real communication issue)

this fuck-you-blitz cake looks like a verosika thing to do, esp considering it's her calling him shitty in the VO -- but yay, maybe giving that verosika catharsis, but also generally just verosika!

also the VO part where he says he doesn't want to be this way, he's wearing the same shroud as during his confrontation with verosika. idk, im just. contexts for things. i am curious

is the below also the same episode? I'd think so. it's set during halloween (?) and blitz is then maybe in the blood-covered shroud (costume? undercover? going undercover as a ghost? post-breakup stalking undercover ghost costume?)

MAMMON! and he looks pleased. oh dear.

this blitz + fizz moment

it kinda looks like blitz is wearing the same tee as when he and stolas have their moment + a horse bag + fizz casual wear. fizz generally in this trailer seems to be having the best time (outside the flashbacks). everything makes me suspicious all the time

(also generally hello all the different outfits coming up!!)

fascinated by this:

is that millie?

things we didn't see:

no barbie, no striker, no crimson, no asmodeus (directly, although his imagery is everywhere + fizz and mammon appear), no paimon -- this not to say none of them will show up, but am enjoying that a lot of this is clearly pulling from s1, with the focus on verosika, DHORKS, and CHERUB -- potentially a lot of the s2 villains need some time to lick their wounds a bit (and paimon was never a Villain, just a terrible parent... if he ever returns though...)

and barbie... i do want to see barbie again soonish ngl, she needs some proper introducing, but this is already giving so much callback and continuation of immediate plot-threads, very excited

[starlight-bread-blog]

It's Zutara Month 2024 So I'm Gonna Discuss (See: Fangirl) Them and Emotional Labor

Katara cooks, sews, but most of all: she gives unconditional emotional support for her brother, and later the rest of the Gaang.

Illustrated after Appa was stolen, the Gaang got stuck in a desert without much water, food or any means of transportation besides their legs. Katara gave everyone her bending water, without drinking any herself, responded to everyone with compassion, and by the end she helped bring Aang back to himself while he was out of control in the Avatar State.

Even after the episode is over, next episode and she helps delivering a baby, and still makes sure to look after Aang.

Sokka too testified that Katara did a lot of labor for him:

Sokka: Actually, in a way, I rely on [Katara's bossiness].

Toph: I don't understand.

Sokka: When our mom died, that was the hardest time in my life. Our family was a mess, but Katara, she had so much strength. She stepped up and took on so much responsibility. She helpwd fill the void that was left by our mom.

Toph: I guess I never thought about that.

And appropriately, Katara is the one doing the vast majority of the emotional labor in her relationships. She takes care everyone, comfrots them, and protects them. Take "The Deserter" as an example: Aang was being extremely careless with his new found fire bending ability, to the point where he accidently burns Katara's hands.

Katara herself never express her anger at him, she ends up healing her own wounds. Sokka does the scolding. A\ang felt incredibly guilty, but still – by the end, Katara is the one comfroting Aang when he wants to give up on fire bending.

Katara takes care of everyone in the Gaang, making sure they're well, helping them heal their scars. Moreover, Katara often brings up her own grief to empthize with other people's loss. It's a pattern of sorts:

1) A character talks about their past with the Fire Nation

Haru: Yeah. Problem is ... [Close-up, earthbends two stones in a circle above his hand.] the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Hama: I'm sorry. It's too painful to talk about anymore.

2) Katara brings up her own grief, sympathizing with their loss

Katara (to Haru): See this necklace? My mother gave it to me.

Katara (to Jet): Sokka and I lost our mother to the Fire Nation.

Katara (to Hama): We completely understand. We lost our mother in a raid.

A\ang is a bit of an exception, given that she brought up her grief to prepare him for the loss of his people. (Ad they all respond sympathetically). Still, she brings it up to sympathize and help. There is nothing wrong with that, of course. but here is how it went with Zuko:

1) A character talks about their past with the Fire Nation

Katara: You have no idea what this war has put me through! Me personally! The Fire Nation took my mother away from me.

2) Katara brings up her own grief, sympathizing with their loss

Zuko: I'm sorry. That's something we have in common.

It's Zuko who responds to her grief this time. It's him empathizing with her. It's him doing the emotional labor for her. And it's this sympathy is their first real civil conversation, establishing that in their relationship, Zuko will do some of the labor needed of him.

In The Southern Raiders, Katara opens up to Zuko, compleyely unprompted, while she is yet to forgive him, about the precise events that led to her mother's death.

A thing she has never done with anyone, and is doing now with someone she considers untrust worthy. Zuko responds with "your mother was a brave women". She, once again, is on the reciving end of the emotional labor – and in a way that is deeper than any other intance of her in the show.

In rest of the episode, Zuko is the one thinking of her and taking care of her.

Exhibit A:

Exhibit B:

Exhibit C:

Katara takes care of everyone, but it is with Zuko that she recives the help she deserves.

She put herself in danger to help A\ang, she helpped him after he'd burnt her, and she stepped up when her mother died. But with Zuko, he is the one reaching out. He's the one taking care of her needs.

[genericpuff]

oh boy it's that time again

when rachel posts 'video progress' of her work and we proceed to dissect it like a frog in 9th grade science class

like ok first the caption of "is persephone the chicken and hades the egg" makes no fucking sense except to anyone who overthinks it and goes "wait is that a reference to the popularly-perpetuated version of the myth where persephone went down to the underworld willingly and hades didn't actually exist???" because if it is ima scream lmao

but MORE IMPORTANTLY-

Here's the transcript of what she's saying in the video:

"I think I've always wanted to write Hades' and Persephone's story because obviously I really like them. It's like very much a chicken and egg situation because I think in the beginning I thought that I was going to use a very abstract black and white style, and I realized it wasn't very enticing or fun for me, um... and I started drawing these very like vibrant characters and as I drew them I understood more about the story the more that I explored the art style, um and I guess an example of that is, y'know, Persephone is like a very bright color um, and the Underworld, is a very dark dark blue, and so when she says she really sticks out so it's just environmental uh processes like that that really helped inspire the direction of the story."

(despite her expanding on the "chicken and the egg" bit it still doesn't make sense imo lmao)

But what we're seeing isn't S1 LO, it's actually from S3 of LO:

But um... you notice anything interesting about the screenshot I just showed you?

That literally looks NOTHING like what we see in the final panel. At the VERY least I think this goes to show how overcooked it becomes in post-production, when they add the canvas layer and hypersaturate the shit out of the colors, but even the blending technique just isn't matching up?

A lot of what she's doing in this video also feels very... non-existent, like she's brushing her pen around but very little is happening so it feels more like her just putting down random brush strokes to try and make it seem put-together but really she's just kind of pushing colors around and/or doing nothing. Especially when, again, what she's painting here looks nothing like the final picture (so at best it's a lot of wasted work??)

And knowing what we know about the assistants drawing the characters separately so that Rachel can rearrange them in the final episode layout... I don't wanna call foul play here, but this feels like yet another attempt on Rachel's behalf to make her process seem more involved than it is by simply redrawing a scene for the performative aspect of it all. It's like the "sketches" in the books looking way too 'clean' for the final product and giving the impression that she just sketched over the final panels to make them look pretty enough for print.

I also wanna mention that for some reason she's drawing this on her iPad when she owns a Cintiq. It could be because she was drawing this while abroad in the US for her conventions last fall, but despite clearly being ahead of schedule, she still wound up drawing the final episode the night of-

Oh yeah and btw there are like a million clipping layers for what looks like just a simple drawing of Demeter. And this lines up with our previous theories about her using like 128549021809 layers for literally one character.

And aside from all that her commentary, as always, is very nothingburger, just a bunch of word salad. Like she's literally trying to explain LO's color theory as "well Persephone is bright pink and the Underworld is dark blue so she sticks out! That's all you need to know!"

IDK, I'm not coming to any sort of ironclad conclusion based off this one video, but it does feel like yet another desperate attempt to prove that she does work on LO and doesn't just leave it all to her assistants to do at the last minute. But like... she's kind of screwed in that argument either way, because even if she draws the majority of panels in LO, that just further proves the argument that she's stopped trying.

[dreamerwitches]

Wnk trailer analysis TWO!

MAJO MENTION???!!

Charlotte and Aodamo?

Pyotr, ? and Izabel

I think it should be this way around. I cant tell though...

Elly and Gertrud

Gisela and Izabel

Excuse me being a picky little whore but I dont like how they're using the magireco sprites... whats wrong with the og art? Also magireco gisela is a little weird looking...

There are a lot of pages that are just blank like this... dunno if its important or just animation filler ToT

Theres Anthony, Anja, Pyotr, Ulla, Gotz, Sebastian, Daniyyel and Jennifer, Bartels

I can definitely see a few Factor of Despair witches. Man... please keep magireco out of the movie... i just want the main series please ToT

I was really hoping this section would hide a new witch ToT but no dice... (well aside from the first one but i could just be forgetting who it is)

Oktaviaaaaaa. I think Sayaka's outfit is cute...

The seats remind me of her and madoka seeing kyosuke in episode 12 or, of course, oktavia's labyrinth

This is nagisa's orange friend maybe in the big lady room sayaka was in because the books look the same as before. Also fuck off kyubey

I wont show the next scene because of the blood (also showing that with no warning was a bit rude...)

A knife (very rusty looking and broken) is stabbed into someone's arm and there's a black lizard on the skin. The arm has a baggy white top. We can see a teacup on the side that matches the appearance of the cafe the green girl was in. It looks like the lizard shrivels up and disappears and blood gushes up to make a shiny, black, semi transparent block around the wound which breaks the blade.

I always wondered if the green girl that resembles the one from the concept movie was itzli and um... if this is the cafe scene...

Eyes emoji

White feather turns black oooooo

Okay very tiny thing but why in the american description for the trailer is walpurgisnacht rising crossed out? Weird