#lots of anime doesn't have this problem. in fact

[wirebrainz]

robots with plainly human features, but they're secretly mechanical on the inside or whatever, but you Never get to see that - besides maybe a few visible joints here and there if you're lucky.... that's honestly one of my least favorite design conventions ever

it feels so lazy from a character design standpoint, too. you now have a robot without having to figure out how to draw robots... good job, I guess

I love those clunkier designs, where you have to actually think to some level about how all the different parts move and rotate. where the audience can get a good idea of how the robot functions just from looking at them. I hate when the artist just goes "oh they have synthetic skin and synthetic hair and also a super good self-repair system and-" and then they just never show any of the internals at all. kind of feels like a copout.

I genuinely just don't understand the appeal of androids & the like. it kind of feels like you don't really like robots that much at all if you do whatever you can to make them as non-robotic as possible

fucking robots that actually look like robots. You agree. Reblog.

[gamingblur103s]

my thoughts on neo the world ends with you

long but probably not very good to read. spoilers and allat

i have to admit that i have a knee-jerk resentment towards a lot of the twewy franchise outside of the original game. every port and remake and reimagining of the original is simply worse off because something fundamental about what made the original experience so fantastic is removed. granted, this is often out of necessity for it no longer being a DS game, and from a business perspective, something like the anime adaptation only makes sense when a sequel is coming out practically immediately after the anime ends. still, in regards to these rereleases, i can easily see them as things that only add to the franchise rather than remove from them. the mobile port, despite screwing with the art style and the gameplay, added new music that is on par with the original game's score. the anime adaptation, despite its truncation, occasional mischaracterization, and format the story was not made for, looks pretty great and is still fun enough to be an effective recap, which was its precise purpose. it is much harder to say the same for final remix.

final remix is a port of a port; it maintains the streamlined and exponentially less engaging gameplay of the mobile version. granted, it comes with new pins which work well enough with this new base, but that doesn't change the problems i have with these fundamentals. to make up for that (as well as bridge the gap between it and neo), final remix comes with "a new day": a continuation of the story that is necessary to experience in order to understand neo.

to be blunt, a new day is where my previously mentioned resentment began. the story it tries to tell is so emphatic on its mystery that it foregoes any actual depth. as something that is expressly being tacked onto the original story rather than its own entity, its poor quality leads to directly detracting from that story.

the reaper's game (for og twewy at least) was meant to act as a symbolic prison for neku that colored every bit of his progress. yes, his character development is fairly blatant, but if anything, it benefits from that. the framing of the reaper's game actually makes the arc more grounded in how arduous it is, in how it was so much longer than neku could have ever expected, in how it hurt in all the ways he was scared it would.

it's all perfectly embodied by the fact neku is still wearing his headphones when the original game ends on the sublime emotional note of him taking them off. it's careless storytelling, to such an extent that it colors everything that came before it as the last canonical events we get to see, made all the worse by how it (and consequently, the game) ends with Neku dying. again. the only thing that keeps me from being completely outraged at the comical disregard of his arc is that it at least doesn't take away his emotional development.

there's also the iffy characterization overall, once again to serve a mystery the plot cannot afford to answer the larger reaching implications of. mind you, there's nothing outright OFFENSIVE about its portrayals (i actually think fake joshua is the best example of characterization in the whole thing; it's fun to show what a character is by what they aren't), but it's all just so vapid. forgive me for being smarmy enough to use an antimetabole, but when you go through a whole-ass video game that has its plot function in service to its characters, playing such a blatant sequel-bait that has its characters serving the IDEA of a plot feels like a disservice to those characters. if there's a connection to be felt, it's not indicated or made stronger by what happens here; it's all for the sake of hype.

i'm rambling, but hopefully that embodies my emotions going into neo comprehensively enough. i couldn't help but see a new day as utterly counterintuitive, and as a result, i had my typical territorial nature for my favorite things cranked up to twelve. i couldn't even fully trust the original staff with this game. for a while, i couldn't shake the feeling that the franchise of twewy outside the original game tarnished my experience with it. i did everything i could to convince myself to go full "death of the author": everything that isn't the original game simply isn't canon. but that didn't feel right to me, so i still kept this deep curiosity in me. then, about two and a half years after its release, i started up neo and spent my winter break exclusively on playing it through to the end (college made it so if i didn't finish it then, i'd have to wait till the summer).

this FINALLY leads me to my thoughts on the game this post is supposed to be about.

in a word, neo feels derivative. mind you, that's by no means the full story. for certain aspects, that description is either deeply unfair or outright untrue; for others, it's frankly generous. holistically, however, it feels like a continuation of what twewy had to offer, when it could've been an evolution. this by itself would make it worse than the original, but then there are times where it can't even accomplish that much.

on that note: the presentation.

og twewy didn't just have a fantastic style, but phenomenal direction. it was a multi-pronged refutation of the idea of "style over substance". the pause menu alone is so informative, yet so digestible because of its adherence to the game's style, what with its inspired choice of music and cute lil thumbnails for all the menus you can navigate to from there. there's also accounting for what players will most often check the menu for and an effort to make such features particularly accessible. the shining examples of this are dedicating nearly all of the top screen to the map and the fact that all the combat options aside from the pins (your level, partner behavior, game difficulty) are available on that screen, rather than hidden in another menu. hell, credit where it's due, the rereleases' version of this menu are all just as good; the attempt to depixelize the visuals makes it look a little too much like a gacha game for my liking, but absolutely nothing about it was changed in such a way that it becomes harder to navigate

in general, i think ui/ux design is way more important in games than it's given credit for, though that's undoubtedly changed in recent times. it's always been listed as a separate career from other graphic design jobs, and rightfully so, but for games especially, it can't be stressed enough how much they make or break a game's flow and "vibe". fact of the matter is, a significant chunk of a player's time is going to be spent in menus no matter what. i'm sure there's exceptions to this, but all i can think of is very primitive examples like pong which obviously don't apply to what i mean. as a result, making those menus feel fun and/or natural to use elevates the entire experience in ways even the most diligent game developers might not realize. an article from gamesradar has a translated quote from persona 5 director katsura hashino which really emboldened my feelings on the topic

"In Japan, UI design is often handled by new employees. ... Top level designers are usually in charge of characters and background graphics, with the UI being secondary. I think that’s a mistake. That’s why Atlus' UI designers are paid so well."

(side note: as great as the menus in p3r mostly are, the change for the in-battle menu from the revolver chamber is criminal. i know they still kinda have it, but i still prefer what the original did)

with all that said: neo twewy has three pause menus.

the first menu, which i will call the main menu, is where most of the options that relate to gameplay are. your current objective, social network (no jesse eisenberg in sight), equipment, map, and collectible progress. each of those five things i mentioned are their own menu within this menu, except for equipment which is actually two menus in threads and pins (to be fair, just like twewy).

the second menu, which i’ll call the pause menu, has all the shit that give off system setting vibes. saving, loading, going to the title screen, volume control, subtitles (always yes), voice track (we’ll get to that), the works. worth noting that this menu has absolutely no style to it. it is laughably barebones. sauceless, if you will.

the third menu, which i’ll call the combat menu, has all the combat options twewy had at the bottom of its main menu. this menu is also pretty lacking in sauce, though i suppose there’s only so much that could be done without it feeling obtrusive.

an insane person would argue this is a good translation of the immediate access in twewy’s ui. this division means less navigation is needed for certain option and it makes clutter a non-issue (in theory). while i’m sure this is true for some, for me, it became a consistent headache which would often undermine what i think are its design goals. the main menu’s subdivisions are a good example, but i actually didn’t have too much of a problem with it since switching between the menus was fairly snappy. the pin menu, however, was COMICALLY clunky. it becomes far too difficult to navigate your list as soon as week 2 starts. neo is a home console game, so there is zero need for a single pin to take up THAT much space on the screen, especially when that same pin at a different level of progress is listed separately, effectively doubling the amount of shit you have to sift through. the attempts at giving me shortcuts and filters ended up only confusing me. by the end, i resorted to exclusively consulting the full list every time, because even if it was tedious as all hell, at least i understood it and could eventually memorize the positions of things.

granted, it’s not all bad. you can actually access the combat menu while you’re in the main menu, so you can experiment with your level and view the drop rates in the noisepedia simultaneously. this version of the map, while it takes extra steps to access, also has features twewy’s map did not, namely the ability to see the kinds of noises that spawn in an area. you can even zoom in and out! for some reason!

these undeniable improvements are not only things twewy did not have, but in some cases (i.e. the map's new features) couldn’t have. however, it’s still missing the forest for the trees; the fundamental flow is still so disjointed that these features feel like a bandage on a tumor. i fully concede this next complaint is at least partially on me, but i cannot tell you the number of times i pressed the button for the wrong menu. because each menu has important shit that i need frequent access to, my muscle memory for the ���i need menu things” neurons are always confused. if i’m not wasting time by going to the wrong menu, i’m wasting time by hesitating on pressing any button in case i’m wrong.

i’m being cruel here to an extent, and i acknowledge that. in isolation, these problems aren’t even a fraction as damning as i make them out to be, but when it’s something repeatedly experienced throughout the entire game, i cannot ignore how i dread having to interact with these menus and how they color my experience. granted, you could argue these complaints refute my thesis statement on neo being derivative. it may have failed, but is this not neo trying something new? to that, i would make the distinction that this is not a case of neo evolving, but rather, simply adapting.

allow me to branch back out to the more general subject of the game’s presentation.

i am by absolutely no means going to be calling the presentation of neo bad. that might be shocking to hear after me going so hard on the ui of all things, but i'm not an idiot. the soundtrack is a delight ("the beginning of a happy life" is genuinely, no bullshit, honest to god one of my favorite vg songs i have ever heard), the visuals are never any worse than ok (fret's design is by FAR my favorite, but i also liked shoka, rindo (mainly just his mask continuing the theme of neku's "hear no evil" with "speak no evil"), and susukichi), and when the two combine, it consistently achieves a familiar vibe throughout.

VERY familiar.

again, the presentation of neo is not bad. i would go so far as to call it good overall. but i genuinely struggle to think of any way it substantially iterates on what twewy has to offer. from where i'm standing, it feels like a complete copy-paste (with one exception that i swear i will get to soon cuz this is now like my third time alluding to it).

it's a bit of a mainstream example, but when you look at something like final fantasy, there's a clear throughline in the presentation of pretty much the entire series. even at its most vibrant and cutesy, there's this particular breed of gothic or sci-fi or—and i truly do not mean this disparagingly—edgy you can feel in the foundation of a final fantasy game. conversely, even at its darkest, final fantasy has its own brand of whimsy and bombast in chocobos or summons or the bajillion leitmotifs throughout the franchise. through it all, final fantasy has maintained a strong fundamental identity, but has managed to express it in a myriad of ways that, rather than dilute said identity, only bolster and refine its spirit.

i use final fantasy specifically because of its similarities to twewy. granted, these similarities are largely surface-level, but that's also kinda my point. final fantasy as a franchise achieves the variety it does through acknowledging what is fundamental to it and innovating off of that. by contrast, twewy (the franchise, not the game) is afraid to change its spirit and seeks purely to preserve it. because of that, the only way you could really differentiate twewy (the game, not the franchise) and neo at a glance is because of the hardware they are on. acquiescing to the merciless march of time, rather than embracing it.

that's why i still think my complaints about the ui ultimately fall back on the critiques of neo being derivative. while the problems with the ui in isolation seem like the developers trying something new, when you look at neo holistically, it is so clearly just an attempt at merely adapting, and sometimes it feels like neo fails even on that level. it isn't even innovation by necessity; every change feels like a sacrifice more than anything.

and on that note: gameplay.

i would say i generally enjoyed playing neo. the overworld exploration is very bog-standard, but i still appreciate it. remind is cute (it and telewarp's mechanics are obviously scripted but successfully "feel" cool to use) and dive fights are cool. i didn't mind the lack of fast travel, and in fact ADORED beat's soundsurf. having it add to your groove makes so much sense it hurts, and i love what it does to the music. but all of this is kinda window dressing when compared to the combat.

i'm sure my utter obsession with rpg (especially traditional rpg) gameplay aids my love of neo's combat, but i think most people can appreciate the gameplay loop. assigning party members to specific buttons is an undeniably fun concept. the hyper-customization of the combat is also something to be admired (to an extent); i'm sure i'm not particularly special for this, but i adore any opportunity to play a game "my way". the pin list is a teensy bit bloated with repeated ideas but with a higher number and/or different and somewhat arbitrary "element", but i sincerely love it overall. with how diverse the ideas are, there's a shocking few that i would consider objectively worse than the others. for example, the strength of the game's combo system "groove" means that a pin having a lower power doesn't actually make it necessarily worse, since less damage per attack allows for longer combos, which allows for more liberal and consistent use of the special moves unlocked by reaching the 100%, 200%, and 300% thresholds. inversely, as a compulsive grinder, the game's progression felt fairly natural even when i was pretty blatantly overprepared. fights are incredibly busy, and the boss fights especially are designed so that a single mistake can become a slippery slope of punishment. i died fairly frequently, particularly from getting too big for my britches and taking on a reduction chain i just couldn't handle. thus, fights never felt thoughtless the whole way through, which i was frankly REALLY impressed by.

i would accredit each of these compliments (or a stronger version of them) to twewy (to the point where i'm strongly tempted to derail this whole thing into how much i fucking love twewy's gameplay), but to its credit, neo does take different ways to get there in a lot of cases. to be doubly fair, though, as i've previously stated, these different approaches feel like they needed to happen rather than resulting from a distinct and passionate vision. to be TRIPLY fair, though, what's here has so much polish and depth that there was clearly some kind of passion present. my mind made a strong connection to kingdom hearts; i am not a big kh fan, so that is either indicative of just how similar neo and kh are (that someone like me could point it out) or how ignorant i am to action rpgs (accusing neo of being similar when it's really not). i'm open to either option.

the hyper-customization also feels like a double-edged sword, in that there is virtually no difference in how each of the six party members play. making your party members distinct from a gameplay perspective is INCREDIBLY important, because it's such an effective tool of storytelling. for better or worse, how a character performs during gameplay will directly influence how a player will view that character holistically. if, either by pure luck or bad game design, a character underperforms, a player is inclined to view that character less fondly. while neo's method of little if any distinction seemingly circumvents this slight dice roll, it closes off a unique opportunity entirely and settles for something that feels a little bland. mind you, this doesn't change anything about what i liked about the game's customization and customization as a whole. i do believe, generally, that the more customization the better, but that can't be an excuse to homogenize the party members.

none of how the game handles levelling up and stats really helps this. yes, characters will have different tastes in terms of food (leading to potential bonuses on top of the stat increases that food already does), and some clothes will have secondary benefits exclusive to certain party members, but it's not nearly enough.

i'm tempted to say that the solution to this would be to find a better balance, and that is still true on a fundamental level, but i also don't think making party members distinct and customization are mutually exclusive, or even necessarily things that mitigate the capacity for the other. if you want to go as extreme as what neo attempts, then yes, a focus on customization will undermine uniqueness, but there's also ways to let them heighten the other. in twewy's case, the dynamism of neku's gameplay vs the static "gimmicks" of his partners spoke not only to the personalities of each character individually, but also of neku's relationship with those partners and with people as a whole. more contemporary and popular examples of this would be pokemon (especially nowadays with nature mints and streamlined ev training) and persona (especially 5 royal).

the latter of the examples i bring up is an interesting one to me: taking advantage of a protagonist who is a canonical blank-slate (not to say joker or any persona protag from 3 onward has no personality, just that they are wild cards) to let them fit whatever mold the player wants. it's a big indicator of what i mean when i say that customization and uniqueness can coexist, because in this case, they're two almost completely separate spheres that manage to function without overpowering the other. when they DO interact, such as with the intended evolution of the mc's personas or the customization allowed for non-mc party members, it only enhances what it touches.

i should stress, despite these critiques, that i think neo's gameplay is good. i had fun with it. there are aspects of it, such as its pin selection, that i found memorably impressive. but i want to stress why i stick so strongly by my thesis—that neo is derivative—even for its best aspects.

and on that note: the story.

let's get the big thing i've been alluding to out of the way: i ADORE neo's localization. i really, truly, sincerely think there wasn't a single time in the entire game where i felt some piece of dialogue was awkward, and that is not only a compliment for the localizers, but for the writers as well. don't get me wrong, i could sometimes notice that things were localized, but that realization never jarred me. rather, it made me that much more confident about what that piece of dialogue could tell me about the character saying it, the situation they're in, and/or their relationship(s) to whom they're talking to.

i won't act like it's absolutely perfect, of course. however, my complaints come from failures to achieve the goal of localization, rather than with the innate nature of the practice. for example, probably my biggest hang-up on it is that it undersells a lot of the sentiment when shiki and neku finally reunite, though the voice acting is partly responsible for that (likely moreso the voice direction rather than the actors themselves, but i can't say for sure).

back on the positives, i do find the english voice acting pretty good. miranda parkin as nagi is my personal highlight; her performance reminds me a LOT of erica lindbeck's futaba sakura, and you should absolutely look into her work on her youtube channel "ParkinArt" when you get the chance, because she is superbly talented. shoutouts also go to xander mobus as kubo (i struggle to think of a sleazier voice) and pretty much every returning va.

in general, i am pretty massively defensive of localization and localizers; whole lotta people who don't know shit spouting, well, shit. to be fair, i'm not much better, but at least i'm on the side of the people who do this shit for a living. and i'm also on the side which appreciates those people for the work they do, because i can't help but feel like it's really fuckin hard. you're not just translating the literal words, but finding ways to synthesize it to maintain the SPIRIT. This short video by "Jehtt" about the opening line of Sonic Adventure is an excellent example of what I'm talking about.

as for the content getting localized itself, final remix (and specifically a new day) made it clear that whatever sequel comes out, it's going to be some kind of direct continuation of what's been established, rather than a self-contained story in the same universe or something along those lines. personally, i would've preferred the latter if a twewy sequel HAD to exist, and to its credit, my favorite things about neo twewy's story tend to be the things which THEORETICALLY make it stand on its own. obviously, your enjoyment is enhanced if you play the first game, but there's enough in neo to make it possible for someone who doesn't to still understand it.

for example, new characters are fun, even if occasionally half-baked. i'll get the riff-raff out of the way: the shinjuku reapers felt like goofy personifications of gimmicks that served their purposes well enough, coco is a bit less annoying this time, tsumugi is hilariously half-baked after being hyped up as much as she was, hazuki... exists, and i struggled to see any of the other team leaders as more than an impetus for other characters (though i am DEEPLY grateful kanon isn't as bad as she could've been). speaking of which, how about those characters?

my favorites were nagi and fret; i see their concepts as a bit tropey, but executed well all the same. the ways their arcs intertwine were surprisingly compelling; nagi's dislike of fret wasn't just a weird gag, but an inevitability of fret's compulsion to put up a front and nagi's keen perception and hatred of "fake" people. once nagi learns why fret puts up this act as he makes an effort to move past that instinct, they start bonding almost immediately as she tells him more about her inner workings and that she'll take care not to be so judgmental thanks to his influence. the reveal that she got fret on elegant strategy after the events of the game made me smile way more than the game trying to get me to like rindo and shoka as a couple ever did.

on that note, i could take or leave rindo as a protagonist, and in general, my interest in the shinjuku reapers (especially shoka) waned as they became more significant. that's not BECAUSE of their significance, mind you, simply that they ended up disappointing me in one way or the other (with the possible exception of kaie who was just kind of a silly little guy). it comes back, yet again, to my thesis on this game failing to meaningfully iterate. i understand and agree that there's a lot of value in establishing parallels between characters, even if the plots of their stories are disconnected. i would go so far as to say it's ideal to make a sequel expand on the subtext of what's been established like that, as long as it and what's new bolster each other. in the case of rindo, i struggle to appreciate things about him that aren’t some extension of neku when he was a protagonist. i found his arc about making his own decisions sudden and a bit inexplicable, especially with how blatantly it was stated. felt like a case of saying a character was having a specific arc without actually giving them that arc.

as for shoka, i do like her more than rindo. in fact, it’s her relationship with him that made me lose interest; it felt like all the things that endeared me to her, like her relationships with the other shinjuku reapers and her brand of snark, got pushed to the side in favor of said relationship. it dominated everything else about her character in a way it felt like it just didn’t with rindo. granted, this could just be because he’s the protagonist, and her “snark” is a surface level reason to like her. however, i don’t find that first concession to be an adequate excuse, and it was precisely her personality that got me interested in the character to begin with, only for it to feel discarded (albeit probably not completely, i’m sure there’s a cute lil moment or two i’m forgetting). considering shoka’s love of gatto nero and shiki’s presence in the game, i imagine the parallels between the two have to be somewhat intentional, including with their relationships to their respective mc. like with rindo, these parallels make it hard for me to appreciate the character, but unlike rindo, shoka’s parallels seem to actively oust the things unique to her, as opposed to rindo’s leaving little opportunity for appreciable distinction to begin with. again, i ultimately prefer shoka, as tis better to have loved and lost than to have never loved at all.

that just leaves the three elephants in the room/party: all of them are returning characters. two of them are characters you played as in twewy.

i do want to make it clear that even at my most territorial, i don't think i was ever completely against the idea of there being returning characters; if anything, my ideal twewy sequel would actually feature characters like joshua or hanekoma more prevalently than they were here. rather, much like most things, it comes down to how you implement them, and neo does so in a way that pretty blatantly relies on them. even that isn’t a necessarily a bad thing, but remember what i said about this story attempting to stand on its own?

what shocks me about their sheer prevalence is that very little of it feels necessary. i don’t get the feeling that any of the og gang were needed to make this story work on a thematic level (as happy as a lot of their scenes together made me), and in fact, as i alluded to with rindo and shoka, it actually seems to impede or dampen a lot of what the game is trying to go for. i see it as perhaps the single most blatant example of my thesis statement. neo plays with the concept of a self-contained story, but is unable to let go of what's already there, innovate enough on the franchise and original game’s core, and pull through with something standalone, because it seems generally unwilling to embrace change, and consequently, key aspects of creativity and what makes a good sequel. i understand if others don’t share this opinion, but to me, it really feels like neo only changes when it has to, and that reflects in the changes it makes as well as the ones it doesn't.

and on that note: the conclusion.

sorry this feels so disparate. i definitely wouldn't call neo a bad game, and in fact, i think given some time, i can comfortably call it good. plus, i can, after some difficulty and deliberation, say it and even final remix's existence only add to og twewy. impulsive territorialism be damned, it makes me happy to see stories and characters i love be added on to like this. the aspects i consider bad, even if they might be fundamental, are not enough for me to avoid embracing and appreciating the good. my silly little headcanons are not “threatened” by things like final remix, even if it felt like they would be in the moment. it is still possible to imagine all my favorite characters living happily ever after with each other, even that cunt with the mop for hair joshua, and if anything, certain scenes in neo only add to those delusions. i may have complained about them, and i do stand by those complaints, but i cannot deny how much i love them in isolation. i think the only thing that could've made me hate them is mischaracterization, but the only instance of that which stuck out to me (neku and shiki reuniting) seems to be a translation issue, and the real sentiment of the scene aligns far more strongly with my views of the characters.

that said, i'm still definitely disappointed by it all. neo's derivative spirit felt very pervasive to me the whole way through, and by the end, i felt a strong urge to replay twewy. that's not a necessarily bad instinct to have after playing a sequel, because it's the idea of "wanting more". it is, however, bad in this case, because it was a mix of that and the idea of "wanting better". i wanted to play something where these good ideas were new, or better yet, something where the new ideas were good. as it stands, i'm left the slightest bit hollow; just enough to be noteworthy, but i still feel like a dick for bringing it up.

i'm happy i played this game. i may very well play it again in the future. there's aspects of it i like to the point of loving. and yet, i hesitate to say i like it.

my feelings on this game continue to be jumbled, even after all this. still, writing a lot of it out definitely helped, and it was really fun to make! thank you oh so very much for reading; i hope you enjoyed it!

oh, and i would rather rip my dick off than play scramble slam again-

[kerosene-saint]

I feel like Arcane has definitely messed up people's perception on how mobility aids like crutches and canes are supposed to be used to best benefit the user.

[sukunasweetheart]

the tiger and his milk! 🐯

in this world, a certain tiger hybrid male keeps a keen eye on a cow hybrid female next door...

warnings; female reader, inaccurate?omegaverse, lactation without pregnancy, animal-human hybrid AU (but theyre more human than animal tbh just imagine them with ears and a tail), heat and rut, breeding, alcohol as aphrodisiac, bullying of the cervix, tit sucking, nipple teasing, biting, dry humping, overstimulation, sexual frustration, neighbours-with-benefits, knotting, f!masturbation, lots of cum, this is straight up just a hxntai oop

word count; 6.5k

dividers by @/saradika-graphics and @/thecutestgrotto

do NOT expect a serious and well-paced writing from this one, i was horny and the end result is just.... this. sorry not sorry, I AM WARNING YALL; this is one degenerate ass fic also forgive me for any inaccuracies in any of the tropes i used, i just cherry picked the parts i wanted and mixed it all together so...

moving to this new neighborhood hasn't been all too easy for you.

being a little low on money aside, there's a certain rambunctious neighbour who won't leave you alone. he playfully terrorises you with threats to eat you up, and makes comments that all go straight to your head, making you feel weak and flustered, leading you to cower beneath him. though you should firmly tell him to cut it out, you struggle to do this when you’re dealing with someone who could be a natural predator of yours, had you been an actual sow and not a hybrid. 

that, and also-

strangely, there's a part of you that doesn't despise the way he treats you. in fact, when you see his large, brutish hands and the veins that run up his arms, you feel yourself squeezing your thighs together. you brush it off as it being a result of your apparent loneliness and sexual frustration. there's nothing good that'd come out from being with such a discourteous man.

setting that aside... there are numerous other problems that you've been having to deal with, recently.

your breasts have been collecting milk faster, and much more than usual, recently.

even for cow hybrids, milk should only be produced when the female is pregnant, and for only a year or two at most after giving birth. for some unknown reason, you produce it all year round, even without needing to have children. doctor after doctor you've visited, and all they've told you is that you're a strange anomaly. there is nothing you can do about it except extract it every now and then, to relieve the pain and swelling.

tonight, that is what you're planning on busying yourself with, once you get home from your shitty office job.

walking towards your porch with a deep sigh, you hear a deep voice call out to you.

"bad day at work, dollface?" your terrible neighbour-- sukuna, he's called, asks you with a cigarette in his hand dressed in jeans and a black tanktop. his tail swishes playfully behind him.

dollface. one of the few nicknames he uses condescendingly to refer to you. it's either dollface, doll, or sweetheart, and you don't recall ever hearing him actually use your name.

"um, work was alright... thank you for asking. have a good evening."

you like to make things short and stop any further conversation from happening, even though it might come off as a little awkward. one of sukuna's ears flick at your dry response, but he doesn't seem to bother you any further as you hurriedly unlock your front door and head inside.

sukuna drops his cigarette bud on the ground, and puts out the flame by stepping on it. you're not very sociable, as per usual...

but your sweet, passing scent makes for a little growl to rise in the back of his throat. sweet milk. that's what you always smell like. how curious. how tempting.

once you're home, you immediately grab your breastmilk pump that sits beside your sink. it hasn't been too long since you last cleaned it. you unhook your bra, and grimace at the wet stains on it, from leaking bit by bit throughout the day.

you press the pump up against one of your breasts and press the on button. it starts doing it's job. you sigh from relief, and watch as it fills up quite quickly. you wonder what you should do with all of it...

you stop the pump to empty it out into a glass bottle. it's a tedious process. sometimes... sometimes you wish you had a partner who could help you with it. sometimes, you wish someone would latch their mouth on and extract you directly-

what if he-- sukuna- did that for you? forcefully held you down and-

your eyes widen and your tail droops with shock at your own intrusive thoughts. heavens, no! you need to get yourself a partner. it's been too long. you hope you're not heading into heat already? it's not time for that yet, at least not according to your usual cycle. shaking your head as you extract the remnants of the milk from your breasts, you finish up quickly.

at least tomorrow, it will be saturday.

you'd forgotten about how overgrown the grass in your front yard had gotten. so, even though it's a saturday, and despite how you'd love to stay inside with all the curtains shut and doors locked tight... an unpleasant duty calls outside.

but despite the meticulous preparation of lathering enough sunscreen over yourself in protection against the sun's rays - the lawn mower suddenly doesn't want to heed to your calling.

your face scrunches up into a frown. darn thing.

the useless machine splutters and makes an obnoxious noise only in the beginning before giving out, no matter how many times you try to rev it back up again.

"goddamn it. you stupid thing," you mutter under your breath, crouching down to inspect it.

"need help?"

sukuna leans against the fence that is shorter than his own height, watching you with amusement. he'd been observing you for quite a few minutes by now.

"no thank you. i'm quite alright..." you respond without turning back. you know damn well whose voice that belongs to.

but does he listen? of course not! you hear the noise of the man easily bypassing the fence by elegantly hopping over it, before walking over towards you. how funny, even the fence fails to serve it's purpose in this moment.

"like that's believable. you think verbally degrading it will make it work?" sukuna snorts, coming around and shooing you away from the lawn mower.

he gives it a nice big rev, but not much happens. you smile slightly, wondering if he was going to make a fool of himself, after all that big attitude.

sukuna brings his foot against the side of the machine and gives it a hard kick. the sound startles you.

and now it's starting up nicely, and beginning to do it's job.

the man begins to mow your lawn for you, without another word. you stand around, not knowing what to do... your ears flicker as you stare at him doing your job for you. it feels odd. what is he up to?

well... no matter the hidden motive, it's true that he's doing you a huge favour. perhaps you should at least make a cold beverage for him, once he finishes with your yard. after observing him for a while, you head back inside to search for what would serve as an appropriate iced drink.

by the time you've stepped back outside, the yard is cut neatly and sukuna is in the midst of returning your lawn mower to your garage.

you silently hand him over his drink, and he takes it with a smirk.

"it's gone..." he suddenly comments.

"what's gone?" you question, with a raised eyebrow.

"that sweet smell that always surrounds you."

he proceeds to down his drink very quickly, not breaking eye contact with you. then, he starts chewing on the ice, tail swishing mischievously behind him.

"i... don't know what you mean." you cross your arms.

"hmm. playing dumb, i see. that's fine, i suppose."

you stand awkwardly with him in silence, simply listening to him crunching away on the ice. the heat from the sunlight gets more and more unbearable.

"if you're done with your drink... i think i'll start heading back inside now. thank you for your help today," you tell him politely, carefully taking your cup back from his hands.

he makes it seem like he's handing it over to you obediently, but then he tightens his grip against it when you're holding onto the glass, making you stare up at him in confusion. he pulls it back, so that you stumble closer to him.

"just letting you know. if you need any help, you can always ask me."

you're a bit nervous, but you try not to show it. does he know something? how much does he know? you feel your tail cowardly fall in between your legs. sukuna's ears give a light flick, but you don't know what that means.

"...we're neighbours, after all."

you look at him with distrust, holding onto your cup tighter. your gaze is unwavering as you meet his eyes.

"sure. i'll keep that in mind," you respond slowly.

seemingly satisfied, he lets go of your glass.

"thanks for the drink. see you."

it's a short backhanded wave he gives you, before he hops over the fence again. you narrow your eyes. just what kind of fence is this useless? can't even keep away one bad, bad man. you're not sure how much he's caught onto, but you sure hope he stops being interested in you with enough time. he easily sends odd tingles down your spine, and you don't like that one bit.

not at all...

the working part of an office job isn't actually that bad.

it's the people involved around you that makes it a living hell. nothing gets your blood pressure higher than your collusive colleagues and snobby superiors - especially the lazy ones who do everything to shove their workload onto other people.

such people are yet also, annoyingly obsessed with get-togethers and teamwork, which makes you laugh.

today is such an unlucky day, that you've been dragged off to an after-work gathering at some cheap restaurant with your shitty coworkers, all because one of them decided that they needed one.

nothing like being surrounded by a bunch of people that you hate, on a wednesday evening. you have to put on a fake smile, and remain the passive, agreeable coworker in this environment. they coerce you to drink more alcohol. you want to decline, but you feel as though you'll ruin the mood if you turn them down. you down a few pints of beer.

you can feel your breasts leaking again.

just let me go home, you think to yourself, for the fifth time in a row.

your wish is only granted after an hour or two later. you're still sober, maybe a little tipsy, seeing as you can feel the heat in your face from the alcohol. your body is probably not taking it very well today.

the first thing you do when you get home is washing your hands and settling down with your little trusty pump. when you undo your bra, you sigh in relief as your chest feels free. and also...

it's probably the alcohol acting as an aphrodisiac - you're a bit more sensitive tonight. you caress the swell of your breast and groan, your horniness overriding how tired you are. your other hand wanders down your panties, and your ears droop down.

you purse your lips together and let your fingers work against your clit for an orgasm that you know will be unsatisfactory, but you chase after such pleasure regardless. your breaths quicken, and you tilt your head back, closing your eyes. nearly there...

just when you were about to reach your first high of the night, a firm knock is heard from your door. just your luck. a ruined orgasm.

who can it be, at this time of the evening? you throw on a cardigan that just barely covers you up, and boldly stomp towards the door, irritated. you could give this person just about any piece of your mind.

but when you open the door, you're met with your most cunning and bothersome of a neighbour, sukuna. maybe it's because you're hornier than ever right now - you feel as though he looks even...hotter, tonight. his scent makes you dizzy.

sukuna had come by because he needed an ingredient for his dinner.

he wasn't expecting to be met with the eye candy that is your slightly disheveled self, with one hand keeping your loose cardigan together, while you're very obviously braless, judging by your nipples jutting out against the fabric. that, and the thick smell of your arousal that hit him right when the door had opened.

"wh-what do you want?" you ask, a little breathless, trying to keep it together.

sukuna looks down at you, trying to keep himself calm. this seems amusing. he doesn't think he'll be able to stop himself from tenting his pants soon, if he stays around you longer...

"you look like you were busy with something... sorry to interrupt," he voices slyly, his fangs showing when he smiles.

"just... get on with it, please," you frown, your legs squeezing together. you can never tell what he's thinking - whether he knows everything or if he's pretending to know everything.

"nothing much, just ran out of salt at home. could i get some of yours?" sukuna shrugs innocently, holding up his empty salt jar.

"hold on a second."

you turn around to button your cardigan up with a sigh of annoyance, and you tell him to come in while you grab your salt from the kitchen.

once sukuna steps inside, he observes a million details at once. the very first thing he sees is your little pump that you'd forgotten to put away there. there's no way that puny thing is enough for you, is it?

in your kitchen, you grab your jar of salt, and attempt to open the thing - but your arms feel like jelly at the moment. you grit your teeth and try harder, cursing at yourself for shutting it so tight the last time you used it. you begin to strain your arms further. sukuna marvels at this excellent opportunity he is granted.

your feelings of irritation are whisked away when a pair of hands gently land on top of yours, against the jar. his fingertips reach the lid through the gaps between your own fingers. you feel the bigger man's body warmth, when he comes around from behind. it makes you feel so weak. your tail is hanging off to the side, raised high.

sukuna applies a bit of pressure, and the jar comes off easily. you note how warm his large hands feel.

"i came here for the salt, but now i'm thinking maybe i won't need it anymore..." he whispers down at you. your ears can't help but flicker from his voice.

"what... do you mean by that?" you ask, not knowing what to think.

he guides your hands to put the salt down on the counter. and then his body presses up against yours a little harder. you can feel his growing boner against your behind, and you feel lightheaded. sukuna peers down longingly at the exposed side of your neck.

your pheromones mix with his, and his fluffy tail curls around your leg, almost possessively. sukuna's hands are still holding onto yours, and you feel your breaths get more laboured by the tension.

"i promised to lend my help, didn't i? c'mon..." he coaxes, speaking closely so that his breath grazes against the skin of your neck.

you feel yourself starting to sweat a little more - his body heat is just too much. your chest is uncomfortably full, and the thought of someone sucking on your sensitive nipples is enough for you to finally cave in, and play the fool for the night.

you break free from his grasp for a moment, and hesitatingly point to your couch.

"...sit. it's probably easier on the couch," you tell him, not looking his way. and now you're even shoving him towards it, impatiently.

"my, how demanding," he comments teasingly. he knows you purposefully broke the tension - to prevent him from taking the lead. but he obediently takes a seat on your couch. following that, you awkwardly mount him and sit on his lap.

sukuna watches with a softer smirk as you unbutton yourself again, revealing your leaky breasts with a flustered look on your face. sukuna's hit with that familiar sweet scent that's always been floating around you all this time - but now, it's right in front of him, in full force. it makes his mouth water. he was right about you lactating.

"....go ahead," you tell him shamelessly, yet still sorely embarrassed, cheeks feeling so warm that you're concerned you might pass out. "just be gentle," you warn him, looking at him with a little hesitation and pursed lips.

sukuna feels his cock twitch against you, and he wonders if you can feel it too, from the way you're sitting right on it. his own face feels quite flushed - any man would be the same if they were in his position. such a pretty thing in his lap, willingly undoing her buttons for him. he's never seen tits more beautiful than yours.

"hurry-" you breathe out, impatient, and moreover, shy from the way he's shamelessly admiring your face and chest with a dumb smirk plastered on his face.

not even a millisecond after you say it, he puts his searing hot mouth around one of your nipples. your brain ceases to function as a zap runs through your body, and you whine without meaning to, your back arching. though you grab at his shoulder, your other hand claps over your own mouth to muffle your moans.

the suction of his mouth does wonders for pleasure, nothing like the dull feeling that your mechanic pump gives. you hear his throaty growls as he sucks on your nipple, getting a mouthful of the taste of your sweet milk. you shudder on top of him, becoming pliant with his touch.

sukuna bathes in your warmth and the softness of your breasts, enjoying how he is able to breathe in your scent from this close. your milk isn't like anything he's ever had before. not too sweet and yet not bland - a taste that is unique to you...

his other hand squeezes your other nipple, making sure it isn't too lonely from his touch. you jerk your hips against him, whole body twitching from the pleasure, the joy of having your tits milked by someone else rather than yourself. you can't hold your moans back any longer.

"fuck... oh please..." you mumble, feeling your breast being drained of it's milk.

he stops sucking for a moment, and you see the beautiful but subtle blush on his cheeks, as he looks up at you like he's intoxicated. he lets his tongue out and flicks it up and down your erect nipple, rolling it around the areola. it makes you whimper and tremble in his lap.

"don't... tease me..." you say through gritted teeth, frowning at him while he merely chuckles at your reaction.

sukuna attaches his mouth to your other breast, as it's leaking so much - as if to beg him to drain it next.

your cunt is pulsing so bad, and you feel yourself drenching your panties already. you subconsciously grind down against him and his obvious boner, trying to relieve yourself, desperate to reach a proper orgasm this time. both of you are in a lusty haze, unconcentrated eyes, you're lost in pleasure and he's lost in the taste of you, your breast milk dripping down his chin as he messily gulps down with greed.

sukuna also bucks his hips up against you, cock straining in his pants - god, he's so hard that it hurts. when was the last time he's felt such a way? he breathlessly sucks and slurps everything out of you, feeling the milk pass down his throat and into his stomach. he could drink this shit forever.

he wants to cum. he's gonna fucking cum. into his pants no less, like a damn virgin. with the way you're rolling your hips around and grinding down on him like a whore, its only a matter of time.

"haah... sukuna... more- do it more," you plead, relishing in the pleasure of having your tits taken care of, while you get yourself off on his very obvious erection - rubbing your clothed cunt against him. it feels so good on your sensitive clit, you're gonna lose your damn mind.

sukuna doesn't pry his lips away from your nipple, but his hands come off your breasts - you feel his arms wrap around your waist instead, holding you down against him tightly, guiding your hips and helping himself dry hump you harder while his face is still all up in your tits.

your breathing quickens even further, and you grab fistfuls of his shirt on his back, shutting your eyes in anticipation-- before letting your orgasm crash over you completely. you gasp as your clit throbs intensely, and you feel slick leaking all over in your panties as you ride your climax out against sukuna's hard cock, shuddering as you do so.

sukuna groans with his mouth still on your breast, his orgasm coming a little later than yours, dick twitching as rope after rope of his cum soils his boxers, hips bucking up into you without control - it feels so restricted in his shorts, and he desperately wants to take it out. his lips finally leave your swollen nipple with a little pop sound. his large hands come to grope the soft flesh as he comes off his high, a dull throb ringing in his cock, one orgasm being far from enough.

"look at you, rubbing your cunt all over my cock to get yourself off, like a proper slut. aren't you a little too eager?" he teases breathlessly, with a weak smirk on his face.

"you're the one... that came onto me so strongly..." you pant, drunk from the waves of pleasure you just received, and from the endless twitching of sukuna's giant cock... he's still hard.

"just admit that you're perverted. arguably, even worse than what i am," sukuna mocks, pinching at your nipples, making you wince.

"shut up, you."

in the spur of the moment, you lift your hips up slightly to shove your hand down his pants to take his dick out due to irritation. sukuna gives the slightest flinch from the sensation of your hand, grabbing onto his now bare erection.

you begin to fiercely jerk him off with a frown on your face, wanting to punish him for his comments a few seconds ago, knowing he's still sensitive from his recent orgasm.

"fuck-! what're you-" he cuts his own voice off with a choked off gasp due to the tight grip of your hand against his twitching cock. he's back to bucking his hips again as you pump up and down with both hands, his dick already being lathered with his own cum making it easier for you. the noises that come out of him almost fills you with pride - and also surprise. you'd never thought that someone like him would ever moan in this way... you jerk him off faster, and a little harder, being fixated on his pretty looking cock that keeps jumping in your hands.

"shit! that's- enough-" sukuna gasps again, chest heaving and whole body jerking, but oddly, not attempting to stop you at all.

you watch in awe, as his cock spurts out several strings of white cum once again, his head tilted back with deep groans, dick pulsing - your hands keep away from it for the first few seconds just to observe, but then you help to milk it dry, grabbing his base and slowly stroking up and down. he shudders from your touch, and the sight of him being so sorely sensitive makes you feel your heartbeat in your pussy again.

he really does cum a shit ton. it goes for what seems to be like ages, never ending pulses of his cock and rope after rope tainting your hands, and his own stomach. the way he shivers before you, how captivating his groans sound, it all makes you want to do it all over again.

you slowly rub his tip against your palm, playing with his dick as if it were a toy - but this time, he grabs your wrist to stop you.

"enough..." he says with a low voice - and the look that he gives you sends a shiver down your spine.

he's beginning to smell a bit different. its not like before. and it's getting thicker by the second...

"ah, fuck.... i'm in rut," sukuna admits with a scowl, and a flushed face.

the realisation hits you like a truck.

"look at what you've done," sukuna growls as he grabs your hips and pushes you closer towards him, his cock impossibly harder. he's breathing heavily, and you see the precum that's gathering on his tip. he won't be able to hold himself back much longer, and you know it.

and curse the omega in you - you're unable to resist him, and you can feel yourself syncing with his rut, a strange swoop occurring in your stomach. his strong pheromones make you lightheaded and feverish, instigating your submissive side as you become obedient - sitting on his lap with an eager shine in your eyes, breathing heavy from his strong scent and your desire to be dominated.

you want to have your brains fucked out. you can't take it anymore.

as if reading your mind, sukuna lunges forward and practically throws you onto your back on your couch - you let out a yelp and watch as he pulls your shorts and panties down and casts them aside, stripping you completely. you feel so vulnerable, but his intense strength and desperation is only adding to your arousal.

he pushes your knees up and rubs his cock up against your clit, and puckering hole.

"look at all this slick. you want me that bad huh?" sukuna remarks darkly, sweat gathering on his temples.

you grit your teeth, fighting the urge to give him a meek response - having the strange desire to provoke and set him off until the end.

"you're the desperate one here..." you tell him breathlessly, sensing how his dick is practically begging to be inside you, with the way it twitches on your cunt.

your blood runs cold for a second, when you see the way he looks down at you, with a vein popping out on his forehead.

"...maybe i am," he relents, with a low voice, grabbing your face.

and then he leans down to shove his lips against yours, while thrusting his cock into you at the same time.

you whimper into the kiss as his tip hits your womb like nothing. you'd ignored how massive he was at the start, but now it's impossible to brush off.

"t-too big..." you mumble when he breaks away from your lips.

sukuna groans as he drags his cock in and out of your sopping cunt, practically holding him in an iron grip from the suction. your endless amount of slick coats his dick with plenty of lubricant to fuck you more easily.

"you can take it, doll. i'll make you take it..."

his eyes dilate as he begins to piston his hips at a fast but uneven pace, groaning shamelessly as his cock ravishes your pussy by hitting all the right places, heavy balls smacking against your ass with every thrust. the pleasure runs through your veins like electricity, and you feel high off the feeling of someone so big and strong using you like you were his fleshlight - to relieve his rut.

you can barely breathe from the way he pounds you, relentlessly pushing you to the limit, tears forming in your eyes and high pitched moans coming from your throat.

"ohh-! sukuna... oh, please please please..." you plead, almost sobbing.

he responds by leaning down to lather his tongue against your scent glands, sucking on them and rest of the skin on your neck. you shudder and let out another set of whimpers - and sukuna's fangs feel antsy, wanting to sink them into your flesh.

sukuna aims for the sweetness from your breasts, to distract himself. you cry out as he roughly latches onto your nipple and begins to suck as he squeezes your soft flesh. his cock feels like it's about to burst.

when he stimulates your nipples a certain way and his tip grazes your g-spot at the same time, you're hit with an orgasm that makes you squeal and has your cunt fluttering uncontrollably.

his dick gives in to the sudden milkings of your pussy and sukuna pushes his hips to settle himself into you as deep as he can - giving a choked off groan from the sudden climax as his cock swells up inside of you, anchoring itself.

the knowledge of him knotting you doesn't seem to matter as you enjoy the feeling of the warm gush of his cum pouring into your womb, his balls clenching with every rope that spurts out, messily coating your walls with white.

sukuna pants so heavily above you, abs flexing as he continues to orgasm in your warm cunt that still has a dull pulse from your previous climax. he nuzzles into the crook of your neck with a soft growl, and you wrap your arms around his shoulders.

your breathing relaxes as you lay still on the couch while sukuna weighs you down and breeds you properly, consequences be damned. you could try and fight him off, but it's been so long since you've been so sexually satisfied that your logical thinking has turned itself off. all you want to do is enjoy bathing in the pheromones of your alpha and let the heaviness of his large body drape over yours as he pumps you full of his babies.

sukuna is usually very careful about who he's around when he's in a rut - and he's always made sure either he or his partner had some sort of protection on before doing anything. he wouldn't want to go around having kids with the wrong people. it's hard to say whether you're wrong or right for him - he doesn't know much about you to judge yet...

but you make him feel so right.

and he's still fighting off the urge to mark you to make you officially his, with drool beginning to run down his chin. his fangs are making it unbearable; he needs to bite something right now.

"you look restless..." you tell him, getting him to tear his gaze away from your neck, to your face instead.

you pull him in for a messy kiss, slipping your tongue into his mouth. he feels the way you brush over his fangs, paying extra attention to them as you make out with him, and it makes him groan. you must have done this with someone else before. sukuna nips at your tongue and lower lip, doing his best not to break skin - trying to relieve himself of the urge to bite.

the swell of his knot is gradually subsiding, but you know that the night is far from over.

"which way to your bedroom?" sukuna asks after breaking away from your kiss, breathlessly.

"farthest down the corridor, past the kitchen.." you respond, feeling a little needy after he abruptly stopped the kiss like that.

"hold onto me."

he lifts you up easily with his arms, and you wrap your legs around his waist, arms over his shoulders. the display of strength makes your heartbeat quicken.

when you're laid upon the soft mattress of your bed, his lips come crashing down again - while his hips begin to give shallow thrusts, cock still hard and throbbing. sukuna kisses you like he's a man starved, and you feel as though he might actually swallow you up at this rate.

the strong grip on your hips tighten as his pace gets rougher. you have to break away to gasp and moan. every time he jostles your body, you feel his previous heavy load sloshing inside you, and it's getting too much. sukuna doesn't look like he's even entirely here, hips moving mindlessly and drool dripping down his chin - it's a terrifyingly arousing sight.

he tries to come down and kiss you again, but you have to push his face away - you're so out of breath that you're afraid you might pass out if he does that again. it's overwhelming, how his thick cock bullies itself against your walls over and over again.

sukuna doesn't seem too pleased that you're pushing him away; he holds you tighter and he adjusts his hips to fuck you deeper. you mewl loudly, but keep your hand weakly against his face - he doesn't force it away, but lets his tongue droop out, caressing your fingers with it. you feel him bite and suck on your hand as his sharp thrusts produce small bulges in your stomach.

you witness his eyes dilating again, and you swear you see hearts in them this time, your fingers still in his mouth.

his dick feels so, so good in your pussy. your intoxicating smell now surrounds him after coming into your bedroom, and it's driving him insane. he grunts above you, balls feeling heavy, dick pulsing as his tip finds its way knocking on your cervix. there's a thick ring of cream foaming on the base of his cock now, a mixed concoction of both his cum and your slick.

his thrusting gets sloppy and his hips stutter, meaning that he's going to orgasm again. sukuna's eyes roll back, as he messily "kisses" your hand, pushing himself balls deep into you at the final moment.

you arch your back at the sensation of his knot swelling up once again, cumming at this moment. sukuna almost topples over from the tightness, as the walls of your cunt flutter around his knot, effectively squeezing everything out of him.

"f-fu-uuck..." he drones, his voice dragging the curse word out.

you feel him dumping every drop into your poor womb, emptying his balls. you're afraid that you'll get addicted to this "full" feeling, the warmth of his seed filling you up, the way your insides can feel his cock twitch violently with every thick string of cum he shoots out. you never imagined being held down and inseminated would feel this good.

sukuna's eyes are half-lidded, pleasure continuing to run up and down his spine. he pins your wrist down against the bed suddenly, and latches his mouth to one of your breasts - beginning to suck immediately, like he's trying to rehydrate himself with your milk. you shudder. it seems as though he's doing nothing but take, take, and take from your body... not that you'll stop him from doing so.

you run your fingers through his soft hair, catching your breath, slightly trembling each time he sucks a little too hard. shortly after he is seemingly content, he completely collapses his body over yours, face all up in your breasts, purring while his knot still sits inside of you.

you sense that it's only the beginning of a long, long night.

once the sun has rolled into the sky, you finally remember the fact that the weekdays haven't finished yet - and that you're supposed to be getting ready for work right now.

problem is, there's a certain someone clinging to your whole body from behind, still purring against the nape of your neck with a hand lazily groping the flesh of your tit. you can feel his fluffy tail curling around yours, possessively. you're sleepy, and his stupid purring keeps coaxing you to take a nap. he's a lot more docile and softhearted than you imagined. you supposed he'd be out of your house by now.

you reach out and feel around to grab your phone, to give your workplace a call to take the day off. while you're on the phone, sukuna places soft kisses down your back. you hope your boss can't hear the excessive vibration in the background. once you're done with that, you shove your phone under your pillow.

"i need a nap... you can use my shower, or go home, whichever you prefer," you tell him sleepily, shutting your eyes.

"is sleeping next to you also an option?" he asks from behind you, snuggling up closer.

"mm," you reply mindlessly, already dozing off. he slips his arm under your head. admittedly, his arm pillow does feel comfortable.

when you next wake up in a few hours time, you don't know what to feel when you notice that he's still next to you in bed.

"finally awake?"

"yeah... i'm surprised you haven't left," you mumble, following that with a yawn.

"i'm surprised you're not chasing me out," he shoots back.

"what would be the point? i'll see you again the moment i step outside the house."

"i bet you love that. being able to see me all the time," sukuna teases, twirling a strand of your hair with his finger.

"ugh, think what you will," you roll your eyes, trying not to be flustered.

you suddenly realise how thirsty and hungry you are.

"i'm starving... i don't remember what's in the fridge," you mumble to yourself.

"hop in the shower with me and i'll take care of all your meals today," he offers, smirking.

you don't really trust his intentions - especially something as intimate as showering together - but you are famished, and you don't think you will be bothered to cook at all today.

"what meals are we thinking?" you ask, curious.

"hm. well, how about steak?"

"... is that a threat?"

sukuna bursts into laughter.

he informs you that the salt he had originally wanted from you was supposed to be for the steak he was cooking last night. who knew that he'd be having a different kind of steak that evening? you look unamused as he makes the joke between chuckles.

unsurprisingly, you do end up in the shower with him, and again, unsurprisingly, he does pay extra attention to soaping up your tits in particular, and making out with you a little here and there. but as promised, you are rewarded with possibly the best meals you've ever had since you moved to this neighbourhood.

after a bit of conversation, turns out the man is a freelance chef, which is something you would've never guessed. from first glance, he seemed like he could've been part of some gang or a shady underground business.

when you sheepishly apologise for misjudging him based on his looks, sukuna laughs once again, and tells you that he'll forgive you if you let him continue to "help you out" from here onwards...

the rest is in dot points bc im lazy!

originally, i had wanted to make this a bit more toxic but i turned it more wholesome bc i felt like ive already posted toxic stuff before this so haha...

btw you do a few pregnancy checks while sukuna is still there after that night, and it turns out negative. it's a big sigh of relief for you and while it should be the case for sukuna too, since he's never really liked the idea of having kids, for some reason there's the tiniest twinge of disappointment...

anyway - after this, their relationship turns into a weird mix between friends with benefits and ?lovers, semi slow burn

often crashing in each others beds and sharing meals, but also having periods where you won't see one another for a week or so when life gets busy

thing is, you always try and tell yourself that you'll only use him to relieve the swell in your breasts, but it's never the case. things always go out of control and you end up bouncing on his cock without thinking of the consequences.

and he can't stop himself from teasing you everytime, those tits of yours could kill a man, he swears. sukuna gets extremely touchy with them, grazing his fingertips over your nipples, groping you with your shirt still on like a lewd old man, life just feels better when he has your tit in his mouth or hands. it hardly feels like he's actually bullying you when he gets hard like a mf while doing it.

and there are moments where he blurs the line between FWB and becoming something a little more, like when he scents you before you leave his place. "...why're you scenting me?" "why not?"

there is an incident that happens in your house one time, where a huge water leak had happened while you were away at work, drenching the floorboards and things requiring a lot of fixing. you had nowhere else to stay that wasn't either a motel or some cheap sauna so sukuna offered you to sleep at his place for the time being.

it really made things between you two feel a lot more intimate and romantic, a lot of tension, especially when sleeping together without the sex and doing all the chores. both of you felt a little empty when the house maintenance was all done and you had to go back to your own place.

"but there's nowhere for you to sleep except for my bed. i'm not bothered to clean out any of the spare rooms and i don't suppose you want to sleep on the sofa for weeks straight?"

a sly method of getting you to sleep next to him.

also, this man is quite loaded with money. freelance chef popular in demand, but he only takes up jobs that he feels like doing. sometimes he'll leave his house empty for longer times because he's busy, which makes you quite lonely and confused, since he doesn't really explain to you where he's going and why a lot of the time.

when he eventually is back again, he is met with you, holding the scent of some other alpha. he finds himself feeling incredibly upset and possessive, even though he's always deemed relationships to be superficial in his life, because it limits his freedom. but he just feels so deeply unhappy about it that he ends up arguing with you

he knows it shouldn't be something he is entitled to feel angry about when he's not even properly committed to you but it's not like he's ever mingled with other omegas ever since he's met you? it just felt so unfair to him in the moment.

shortly after the argument, you end up confessing you didn't even do anything with the alpha anyway, just a boring date and one quick hug. and sukuna also explains that it was his fault in the first place, leaving and coming back without saying anything. turns out that he sometimes works as a chef in places like hotels and when he's preparing food for companies or people who live a distance away, he just spends the nights somewhere nearby for convenience.

the tension is high after both of you are finished clearing things up, and it eventually leads to sex again. he wants to get rid of that scent ASAP, whether it was from just a hug or not, he needs it GONE. and this time, he properly marks you, sinking his fangs into your scent glands like he's always ached to do.

the night ends with you two officially becoming a couple, finally haha, happy days

the end

Masterlist

[sharkylass]

ALRIGHT, I ASKED FOREVER AGO, BUT WHO WANTS TO HEAR ABOUT MY ISA LOOPS AU??

Heads up this contains a lot, and I mean A LOT of spoilers for In Stars And Time. Including: = Act 6 spoilers, including main mystery and secret encounter = Minimal Act 5 stuff = And a bunch of extra stuff that happens through Act 3 and 4. SO BASICALLY ALMOST EVERYTHING, FINISH THIS GAME COMPLETELY BEFORE READING (ESPECIALLY THAT ACT 6 ENCOUNTER, IT WILL LITERALLY BE THE FIRST THING I MENTION UNDER THE CUT)

With all those warnings out of the way-

IN REPETITION AND CHANGE

Initial Concepts:

I feel it's important to show these sketches because they were the first ideas I ever had. I wasn't even entirely sure I wanted to make an AU at this point, I didn't even know how I'd approach it. But I started sketching and it's been on my mind since- SO! Isa is stuck in the timeloop. I know what his wish is and he DOES have a Loop equivalent! The grumpy dandelion guy is Roboro (it/they/he). Their name is a very small play on Ouroboros and they call Isa "Seedling". However, this post is not about them, as I'm gonna talk about it and Isa's dynamic in a separate post. In short, Isa is his normal loud self up until Act 3, right? They beat the King, they reach the end, and whoops, the loop isn't broken. So now, what happens is that Isa starts getting his brains out. He starts thinking more analytically and tries to problem solve.

The more stuck he gets in his head, the less he's able to perceive his friends as real people, and more like them holding him back. Because even if Isa explains that he's smart, that they shouldn't be surprised if he says something, shock of all shocks, reasonable- They'll forget it the next loop.

So Isa is stuck with trying to portray his confident, loud, supportive facade- Which is fine! It wouldn't be the first time! But it progressively gets more and more frustrating, as he tries to find answers and simply looses the energy to pretend to be stupid.

TL;DR: Isa in the timeloop, unlike Siffrin, becomes more distant and cold rather then something more akin to Sif's mania.

NOW, MORE ART!!!

KILL KILL KILL:

I imagine Isa didn't have this encounter the same way that Sif did. Yeah, frankly, Isa is pissed with the sadness- But that's not why he goes through with this.

In this moment, Isa is trying to kill two birds with one stone. He's trying to get through this quickly, as well as reassure Mira that they can do this! If he shows how strong he is, then she'll feel safe right???

Poor Isabeau forgot that whenever he shows that he thinks ahead, he scares people. How could he forget that? How could he forget that he's inherently---

Family Quest:

I still think Odile is the one to call out to him (same with sus quest).

The hangouts I'm still figuring out, cause I don't think they'd too similar to base game- But, fun fact, at the end of this run, everyone agrees to keep travel together!

Isabeau brings it up, can't hurt if you can fix your mistakes right? And everyone agrees. The relief on Siffrin is the most palpable thing Isabeau has ever seen.

In this moment they love you. In this moment they all love you. In this moment---

Death Screen:

He loops back anyways. (This is one of the initial concepts that I ended up animating. This line in particular is when he reaches the end)

Act 5 Tarot Card:

NOW TO SEE MORE OF HIS PASSIVE AGRESSIVE SIDE

Thanks to @the-bitter-ocean for prescribing tarot cards to Isa (THEY ALL FUCK SO HARD) and for the RAW ASS LINE

If interacted with in act 5, predictably, Isa tears it apart. He doesn't need the divine judgement upon him, he's faced everyone's perception his entire life.

However, he tears it methodically. Tears it once in even pieces, twice, three times, and one of the pieces once more. In a way he isn't even getting his emotions out, it's like he's actively trying to tear it apart so it stops nagging him, like he wants to shut it up. Though, the Judgement card symbolizes rebirth, absolution and inner calling. In Act 6 he'd be able to look at it and find comfort and confidence in the card.

Act 5 Mirror:

And lastly, I have the Act 5 mirror picture. I haven't quite figured out how to make the normal ones work yet, however, I couldn't let go of the idea that Isa would not want to be in the picture.

The idea of seeing himself at all makes his head hurt and his stomach squeeze. The memory haunts him as he stands to the side and says the word. He didn't think the mirror would catch him.

AAAAND THAT'S ALL THE ART STUFF FOR NOW!!

I still have quite a bit of it to post, especially about Roboro, but I'm gonna leave it here for now.

I still gotta figure out the hangouts and potentially the dagger equivalent- but I have ideas for Bad Touch, the glass equivalent, and some extra little things that didn't happen in Siffrin's loops.

I needed to yap about this, because I've been slowly stacking up ideas and writing and I needed to share it at some point- If anyone read all this and has questions and stuff I fully welcome 'em!!

[sunderwight]

Cumplane where Airplane, in a fit of either bravery or insanity or positive or negative self-esteem (he's not totally sure) decides to cosplay as Luo Binghe and post the pictures online.

Of course, he doesn't do it as "Airplane Shooting Towards the Sky", he knows he has some questionable fans and doesn't really want to hand them a picture of his face. So he posts the images under one of the pseudonyms he uses for lurking around the comment section and social media tags. It's just a handful of images of him looking like the protagonist in his head, attempting to strike cool poses in a wig and some period clothes (he rented both).

The reception is... mixed. Airplane does not have abs, after all, nor a flawless complexion or much skill with makeup. He is fat, freckled, and awkward. The PIDW readership is not known for being particularly supportive either. In fact they're mostly a crab bucket of negativity and masculine posturing, so he gets a lot of mean-spirited commentary.

It's fine. Nothing he hadn't expected. Really solidifies for him that posting was a fit of madness, actually! What did he even expect? He's bracing himself for the worst when he sees that Peerless Cucumber, notorious hate-reader and defender of Luo Binghe's honor, has commented. Ah, shit. He's probably going to rip into Airplane for daring to sully his precious Binghe's reputation by dressing up like that, isn't he?

The comment is long, too. Fuck. Airplane's not sure if his self-esteem can take a comprehensive beating from the champion hater himself, but he's too curious not to look.

Shen Yuan, in the meanwhile, is just pleased that there has FINALLY been a Luo Binghe cosplayer who looks the part. Of course Luo Binghe wouldn't have exaggerated muscles, those are just a product of dehydration. Binghe spent most of his disciple years running around chopping wood and hauling laundry, and then later doing whatever he could to pack on the calories in order to make it through the Abyss. A hefty workman's build would only make sense for him, anything else would be nonsense. Airplane also described Luo Binghe as having a beautiful face, which Shen Yuan won't blame most cosplayers for not being able to just make happen, but a beautiful face doesn't mean "covered in so much makeup it looks like an anime character"! When would Luo Binghe have the time or inclination to put on makeup? A natural beauty with some inevitable blemishes would make more sense and be much more appealing, and this "Airplane Crashing to the Ground" (funny play on the author's name, Shen Yuan approves) has very pretty features! Everyone hating on this cosplay is just an idiot, the only actual problem is that his wig is poorly fitted.

So in true Peerless Cucumber fashion, he lays this all out.

This gets him embroiled in arguments with several other fans, who even accuse him of actually being the guy in the photos, claiming that there's no other reason why he would defend them. Shen Yuan doesn't care if people think that's him, because that's still the best Luo Binghe cosplay he's ever seen, but he doesn't want them doubting the sincerity of his arguments. So, he decides that the only reasonable thing to do is dress himself up in cosplay as well and then post the actual photos of himself.

While he'd like to dress up as one of Luo Binghe's allies like Mobei Jun, or maybe someone cool like Yue Qingyuan, he is too pedantic to think he could pull that off. Those guys are all strong warrior types, and Shen Yuan is a scrawny pale rich kid who looks like he'd probably lose a fight with a wet paper towel. The only characters he could plausibly pull off would be some of the more consumptive members of Binghe's harem and maybe, maybe, one of the weaker villains like Shen Qingqiu.

Shen Yuan is NOT posting pictures of himself crossplaying to the central nexus of toxic masculinity itself, so... Shen Qingqiu it is!

Poor Airplane has to go sit and stare at a while for a while. Peerless Cucumber likes his cosplay. Peerless Cucumber, ardent defender of Shang Qinghua's sellout crappy main character mary-sue, thinks Airplane is good-looking enough to cosplay as him. And said so. Repeatedly. And then posted borderline thirst-trap villain cosplay of himself, inadvertently revealing in the process that he is hot.

What the. What. What?!

Anyway, Shen Yuan suggests that they attend the next convention both cosplaying together because Airplane Shooting Towards the Sky is supposed to be doing a meet & greet at that one, and wouldn't it be fun to go as a pair? And Airplane agrees before his brain catches up and he realizes that might present a problem.

[r0-boat]

Whb Kings Do NNN Challenge

With a magic cock ring the Kings are (totally not forced) to do a 30-day challenge where they are forbidden from orgasming for the entire month of November let's see how they're faring!

If they win the challenge they get to have you for a week straight doing whatever they want to you.

Satan

Satan was extremely confident that he could do this challenge no problem. Human struggle to do this challenge and he's a king so obviously he would have a better chance.

After the first week he was whining and growling threatening you that as soon as this thing comes off He's going to fuck you and pump all his seed inside you. And you're not going to cum not even once as payback with the suffering you put him through.

Everything irritation because all he could feel is the throbbing between his legs tearing and ripping apart every stress ball in his hand as he tries so hard to stop him from knocking out anyone that mildly inconveniences him.

Mammon

He kind of likes the feeling of being pent up and needy for you. Mammon becomes more and more touchy as time goes on. He'll kiss you and touch you and before you know it he'll be spreading your legs to have more.

Just because he can't cum doesn't mean he can't fuck you, Don't let him do this! Because then he'll go on for hours and hours seemingly without end. Fucking you harder and harder, The sensation in his full balls burns so good.

He cannot wait for when this ring is off him and he gets to give you all of his cum.

Leviathan

Levi's lasts longer than you think, He has a high tolerance for pain like this so it looks like it's hardly affecting him.

In reality, He is in shambles. He can't think and it's driving him crazy He's even resorted to pumping his cock underneath his desk or anywhere where no one can see him. Moaning and gasping your name as tears and drool fall from his face.

He wants to cum, He needs to cum, but he doesn't want to lose this silly little challenge His pride depends on it.

Beelzebub

It's like he's being starved. Please please he's begging you he'll do anything! Let him cum.

He's made the grave mistake of fucking you and hopes he could perhaps try to convince you. But the pain just keeps getting worse and all he wants to do is finish inside you over and over.

He doesn't care about the challenge anymore He just wants to cum. When he pins you down he growls and moans like a feral animal rutting and bucking his hips to no avail. Muttering that he's starving and he needs to cum. The only thing to quench his hunger is feeling your core on his tongue.

Belphegor

How annoying... How very annoying... He thought he could just do this challenge get it over with and have you all to himself for a week as part of the deal. But it turns out he bit off more than he could chew. He thought he could just sleep through it and be done but no.

Wet dreams constantly wake him up and He wakes up with in all too familiar ache and stiffness. He wants to touch himself but he knows from experience it will just get worse.

He doesn't want to lose the challenge now because then it will make him seem weak. But he can't let this go unpunish. He might just give you to Beleth he'll know what to do to punish you.

Lucifer

Child's Play. He's done this his whole life it'll be easy for a month. In fact he's so confident that instead of a cock ring he goes a step further. A chastity belt.

That is what he initially thought, turns out since becomtemptations, it's a lot harder to resist such temptations. Now that he's accepted his pride is on the line and he will not lose.

Lucifer looks like he's unaffected; but believe me he wants you so bad And he will absolutely tell you how he's feeling if you ask. Perhaps he'll even try to convince you with his silver tongue to take off the belt so he could fuck you.

He kind of regrets the chastity belt now because all he wants to do is make you sit on his lap and grinding against you.

The demon of lust was never one to hold back. So when you put up a challenge he was vaguely familiar with he laughed and automatically refused but then you put up an offer he simply too tempting for him not to at least try... Having you for an entire week... Even if it's just for a week The fact that you'll be doing whatever he desires was what sealed the deal.

Asmodeus

He never thought being so pent up would feel so good. He hates it but at the same time the burn of not getting something he usually has a luxury too is addicting.

Only you turn him into a feral beast. And it gets worse This is mind betrays him showing him delicious images of flooding your insides with all that cum his balls is making. He can't help but taunt you and see the uneasiness and fear in your eyes as he's lasting longer than you expected.

[narcjsistx]

𝐕𝐀𝐑𝐈𝐎𝐔𝐒 𝐇𝐂𝐒 𝐈𝐍 𝐀 𝐑𝐄𝐋𝐀𝐓𝐈𝐎𝐍𝐒𝐇𝐈𝐏 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄𝐌 | reo, isagi, kaiser (part one)

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!

— reo mikage

✶ don't even remotely expect to lift a finger in his presence. the princess treatment in his relationships is MANDATORY, he simply loves to do the things that the people he loves want. it would be something like "I know you can do it, but I'm your boyfriend, so let me do it for you"

✶ I think one of the things he loves most about his partners is when they are dressed in shades of purple or maaaybe white, in clothes given by him. do you want to bring him to his knees? do as I tell you, trust me!

✶ kind of guy who would post you everywhere, like: his ig profile feed is made up of 80% of posts with you or dedicated to you, the remaining 20% ​​are photos relating to soccer. he loves to show you off, and above all he does all those trends (even the cringe ones) like posting your girlfriend with a certain song on a certain day

what would he post on socials ↓

✶ his concept of family is quite normal, sooner or later he would like to have a family, actually, the idea of ​​getting married has never displeased him. as a child, being the only heir of the Mikage, he had to bear all the expectations alone... therefore, his idea would be to at least have two children, not that he wants to share the expectations between them! simply as a child he suffered a lot from being the only child

✶ jealosy level: 4/10 (he's not the jealous type! he might only be more so in cases where he sees someone trying with you EXTREMELY too hard)

✶ flirtiness level: 6/10

✶ pet names: "babe" / "precious"

—————————————

— isagi yoichi

✶ even though on the field he seems to have bipolar disorder, isagi is literally one of the most possibily boyfriend in the entire verse in my opinion. he's just a chill guy who takes soccer a little too seriously, but hey, you love him for that reason right? yeah, absolutely yes

✶ he's someone who would be embarrassed by a kiss even after years and years of being in a relationship. at the beginning of your story, he had to take a lot of his courage just to ask you if he could hold your hand, but over time he got used to it. with kisses, well... he still gets embarrassed, even though he's often the one who initiates them. he's just a sweet coward in this things

✶ he is someone who, in my mind, cares a lot about gifts related to the phases of the relationship, such as those for the first month together, the six months and so on. not huge gifts, he keeps those more for more important dates, but gifts like letters, stuffed animals or bracelets found at random moments of the day and which immediately reminded him of you for some reason that only he knows

what would he post on socials ↓

✶ his concept of family is actually based a lot on what he had. he doesn't exactly have a preference on the number of children, one or five would be fine, he just knows that he will love them no matter what. getting married has never been a thought he's actually spent 5 minutes thinking about every now and then, but now with you he's pretty sure that asking you to spend your life with him is a great excuse to see you in the white dress

✶ jealosy level: 2/10

✶ flirtiness level: 3/10 (more in private, but absolutely not in public, he just can't do it)

✶ pet names: "cutie" / "y/n chan"

—————————————

— micheal kaiser

✶ your relationship is certainly interesting, maybe not one of the healthiest, but you can't say you don't care for each other. Kaiser definitely has some problems related to trusting or in any case "letting himself be discovered" by other people, but surely you are the closest person to him at the moment, hell, you are literally the emperor's girlfriend!. micheal knows very well that he is not a simple person and just the fact that you continue to not let him go, and he wouldn't blame you, means a lot. will he ever admit it? no, obviously not, because he also has a problem, or perhaps more than one, with expressing himself

✶ Ness, one way or another, will have to worship you too. Ness probably just wants to strangle you because you stole the little attention Kaiser gave him, but if Kaiser says he has to worship you like he would him, Ness will do it without a word. Kaiser doesn't even minimally accept someone saying anything remotely comparable to an insult to you, let's say his love language is to protect your respect. he wouldn't mind throwing a punch at someone who even called you "stupid", it's something he can't stand

✶ even if you are not cheering for him at the stadium when he plays, which is quite strange because you are there all the time, you already know beforehand that if he scores a goal, it will obviously be dedicated to you. it's something he always found beautiful when he was little, when he saw videos on public screens in Berlin: seeing then-famous footballers dedicate goals to their girlfriends seemed so exciting. he's the emperor now, right? he must repay his empress somehow for always being so good to him

what would he post on socials ↓

✶ well, we all know that Micheal didn't grow up with any concept of family, or rather, he never actually had one. having children actually scares him, and the same thing happens even if he just thinks about getting married. he is simply afraid, and indeed he is sure, that sooner or later everything would turn into what he experienced in Germany with his father. it would take a LOT of reassurance, and maybe therapy, to eventually have children and get married. he actually wouldn't be a bad father, because he knows what it's like to live in a toxic house with someone who doesn't really love you, and he doesn't want his heir to go through the same thing he went through when was a kid. Kaiser is not like his father, and never will be, and just the thought of being like this with his kids makes him vomit

✶ jealosy level: 8/10

✶ flirtiness level: 9/10

✶ pet names: "schatz" / "mein liebling" / "doll"

[originalwinnerfanfish]

Well, I did it

Megatron - I love his tfp design. Probably one of the best iteration of Megs. He is huge, heavy armoured, his face covered with scars… He doesn’t looks like an ordinary military leader who is only capable of giving orders, but like real warrior who can destroy any enemy with his bare hands.

So, in the WOF version, he definitely shares some features with Princess Burn, not only because of his might, but also because of his horns shape and dirty-dark scales (that absorbed blood of his enemies)

Starscream - Boy, I hate him so much 🤣… but in the good way, trust me! In my opinion, when the show's creators make you feel such strong negative emotions towards a villain, it means they've done a great job. Also, I think that his animation in the show was absolutely incredible, because even though he's a 3D model, he still manages to move like a 2D character, which is amazing!

I feel that in my design he still looks more like a skywing, than an icewing (which is kinda logical)

Soundwave - This one was tricky. I couldn't figure out what his mask would look like, so I just made his face a really dark color. I think Soundwave has both gifts of the nightwings, and he’s equally great at telepathy and a future vision. So he doesn't really need equipment to predict enemy movements, which makes him an ideal communicator in the WOF setting. His Laserbeak is part of the armor enchanted by Shockwave, and it might also allow him to open portals (but I'm not sure with this one)

Shockwave - My favourite evil genius. He would definitely have animus magic and mind reading. I think Shockwave is the only one who has advanced the study of magic so far, precisely because he combined it with scientific knowledge and created safer methods of using it, that don't damage the mind. It's like if a Mastermind got animus magic in books.

I also like to think that he didn't heal the damaged part of his face just so that his enemies would fear him more)

Dreadwing - This man deserved better! It's really a shame that he was removed from the show so quickly due to financial problems. It would be great if his arc got a proper conclusion in season 3.

Considering that I didn't want to make him a hybrid, it was difficult to choose a suitable color palette. So let’s just say, that I tried my best😅

I don’t think that he would have any nightwing powers, but honestly it doesn’t even matter - this guy can make a bombs, what else does he need to be cool

Arachnid - Did anyone even doubt that she would be a hivewing? Damn, she even got her own “Othermind” virus. Her design was the easiest to work with - just a little poisonous ass (suspiciously similar to Maleficent).

Just like Starscream, I hate her, but in a good way. She's one of the creepiest characters in the entire series, who’s acting like a fucking heartless monster, especially with Arcee, but even so, there's always was something mesmerizing about her. I just really like strong female villains

Knockout - Wery bright and charismatic guy, definitely one of my fav cons!

I tried to draw him as handsome as possible. Worked a lot on the face shape and coloring, and as for me it turned out pretty nice (finally).

Most decepticons think Knockout is as stupid and lazy as all the other rainwings. And it's not like he completely disagrees with that. Of course he’s not stupid and lazy, but if it’s means less dirty work on the battlefield, well, he’ll continue act like a tipical rainwing

(I also believe that Megatron keeps him as an “art”)

Breakdown - Fun fact: "Operation Breakdown" was the very first thing I saw in this series. And it was an interesting experience for 8 year old me. Maybe that's why I'm so scared of eye gouging scenes in movies now…

I think that he didn't have any siblings initially due to his parents nature, and even after meeting Bulkhead, he felt uncomfortable among the other mudwings. And this is why he later chose the side of the decepticons. And maaaaybe because of one cute rainwing influence)

P.s.

I think that, being mostly nightwings and icewings, the decepticons are much more concerned about purity of their blood and rarely accept half-breeds into their ranks.

During the war, there were many animus dragons among decepticons, which is why they have so many artifacts that allowed teleportation and communication at a distance. But, honestly, I still can't imagine what Nemesis would look like in this AU

[tgcg]

thank u so much🙂erm sorry this isn't very "romantic" but its something ive thought abt quite a bit & thought it'd be a nice one 2 share heheh

once they start regularly sleeping together, they find out they have like rlly fascinatingly clashing sleeping habits, but they end up perfectly balancing out for a bunch of reasons. it comes down to them finding each other's presence incredibly comforting.

dave sleeps straight and silent like a plank of wood, karkat sleeps crumpled up like an animal and is prone 2 snoring. he drools a bunch too, because that's just part of having an overbite. and isn't a problem when you sleep in slime, which is his defense when it's brought up.

the snoring doesn't bother dave, in fact he finds the sound soothing. he doesnt snore really loud, it’s kind of gentle and rumbly. and the way he still looks grumpy even when he's sleeping is pretty endearing, so sometimes dave will just watch him snooze for a bit. it's rhythmic and relaxing & something to focus on if he can't sleep.

karkat has his own dedicated pillowcases that are extra-thick for the drooling & they gotta be washed nightly. typically dave will switch the cases for him in passing.

sleeping in a bed is also one of the rare times where someone would get to see karkat in something that isn't long pants and a long-sleeve shirt, especially in warmer weather, because karkat is abnormally committed to wearing the same outfit out every day. so it's a very rare privilege and dave likes to see him in short sleeves.

it actually ends up working really well for both of them even though they're polar opposites, because dave finds a lot of comfort in the steady quiet noise, and karkat is sensitive to sound so the fact dave is a quiet sleeper is good for him too. & they both find having each other there helps against sleeping alone drastically. makes it easier to remember they’re in a safe space.

ofc karkat does the same thing to dave, i.e. watching him sleep sometimes. he never really gets over how nice dave's eyes look even when they're closed. typically though watching dave sleep ends up making him snort because dave will just faceplant the pillow *hard* and karkat wouldn't even believe he's capable of breathing in that position if he couldn't see his lungs expanding in real time.

they both have a lot of trouble sleeping. while dave tends to have trouble *falling* asleep in particular, karkat tends to have more trouble *staying* asleep. once dave is out he's typically OUT on a good night, and although karkat gets to sleep faster than him he's more likely to wake up in the middle of the night. this works out great, because if dave's face is ever visible it's because he was watching karkat until he dozed off -- and that means karkat gets to watch *dave* sleep til he can get back to sleep himself. so they feed into each other sleeping better, if that makes sense.

& they both suck at getting up in the morning.godbless

[knifedog-machina]

(Non)Humanity and Species Dysphoria: the Forced Transformation Trope

Written by Gavin on August 25, 2024.

As a nonhuman, do you ever think about why there's so many stories and myths and legends about humans being turned into animals? You ever wonder why it's usually a punishment or a curse, or why the characters try to do whatever it takes to become human again? You ever think, "I don't understand, I would love to be an animal and get rid of my human body, what's the problem?"

As a human myself, one whose system has been in the alterhuman community for years, I hope I can help bridge the gap of understanding here.

The way many humans see being turned into an animal as a curse, the way they'd be incredibly distressed about becoming nonhuman?

That is species dysphoria.

That is a human experiencing species dysphoria, because being perceived as nonhuman or other-than-human causes the exact same feelings of pain and wrongness and disconnection from their body that a nonhuman can experience when perceived as human.

(Particularly, this might be an orthohuman, someone who has a normative relationship with their human cultural and species identity, as opposed to an alterhuman, who experiences alternative/nonnormative humanity or a species identity separate from humanity. Human alterhumans can also experience this sort of species dysphoria - hi, I'm one of them.)

Imagine being your species your entire life, the way you know you're intended to be, living in a body you're comfortable in - and then having that body ripped away from you. Being forced to live in a form that doesn't match who you are, what you know you are, and desperately wanting to find a way to change back because you know you're not meant to be like this.

If this sounds familiar because it's what you experience as a nonhuman - that is how a lot of human beings feel about being transformed into something nonhuman. It's the feeling of being the wrong species! It's the desire to return to the form that you know as yourself!

The fact that orthohumans are born into the species they identify as does not mean that they could never comprehend your nonhuman experience. You can explain your nonhuman species dysphoria to an orthohuman. Given all the examples of unwanted transformation stories throughout human history, I think you're likely to find that they'll understand when you put it in that frame of reference.

"How would you feel about being turned into another species against your will, leaving behind everything that feels good and right and comfortable about your human body? That sounds horrible, right? That's how I feel, being nonhuman in a human body, and it's distressing in the same way you would hate being human and stuck in a nonhuman body."

I know that the gap between humanity and nonhumanity looks enormous. The horror of, say, werewolf mythology looks like a completely alien experience when you are a wolf, so you see being transformed into a wolf as nothing short of a wonderful experience, and you don't understand why anyone would see it as horrifying.

But if you understand that it's not about the species, but the experience of species dysphoria, of being trapped in a body that has never been yours and desperately trying to return to one that feels like you, well - that's a lot more understandable, isn't it?

Humanity and nonhumanity are not two opposite ends of a binary, destined to never understand each other. I know many alterhumans who are both human and nonhuman, and their humanity is an identity in much the same way as their nonhumanity. Humans are just another species on this planet, as bipedal tool-using social primates, and we have our species identities just like many nonhumans. You are not as alone in this world as you might think you are.

There is room for understanding and connection. Your experiences as nonhuman are not purely individual, not wholly unique, not utterly incomprehensible to human beings, and this is a good thing. The gap isn't actually as wide as it seems. You can reach out and cross it if you just remember - you have far more in common than you might think.

[room-surprise]

New Ryoko Kui Interview from Anime Expo 2024 (Summary/Commentary)

This interview is unintentionally hilarious. It's much shorter than the other interview, and every question was met with either a polite non-answer or a flat-out "No." Kui embodied this elf lady she drew for the entire thing:

Kui really wasn't having any of it. Every time the interviewer tried to ask a leading question about things the fandom thinks are extremely central to the manga, Kui basically answered no/I don't care/You're overthinking it/I wasn't suggesting what you're assuming I was suggesting.

My summary/commentary of the interview under the cut.

Please keep in mind these are my opinions, based on my knowledge of Japanese social conventions, and how I personally read the interview!

Q: Dungeon Meshi is about the power of eating in groups/family, do you have any food memories or recipes you can share with us that are important to you? A: No. (In other interviews Kui has stated that she doesn't like eating, other people seeing her eat, or watching others eat, and that she used to eat her meals in the toilet to avoid being around other people during meals. This is a common thing people who are shy, bullied, or socially avoidant do in Japan.)

Q: What meal in DM do you want to eat? A: None of them, I'm a picky eater.

Q: You obviously love TTRPGs. A: Uh...Not really... I've never played one, I just read about them for research purposes. (In other interviews Kui has stated she's never played a TTRPG because she doesn't have friends she can do it with. The fact that so many people in the world do have that many friends they are that close to was very shocking to her. She was amazed that people would actually role-play in front of other people. This, plus other things Kui has said in the past ("I'm not good at human relationships"), suggests that she's not very socially active.)

Q: Your fantasy ecosystem is so complex, how did you build it? A: I though about it, and then I used my imagination. (This is kind of an ice-cold burn. Like a writer saying "I wrote one word, and then another, and then I kept adding words until the book was done.")

Q: Do you love monsters as much as Laios? A: No. But I do like them a lot, and I've loved them since I was a kid.

Q: How'd you design Laios' ultimate monster? A: I used the childhood memory of wanting to design the coolest, strongest monster.

Q: A lot of fans think Laios is autistic, especially because of his fight with Toshiro. A: I wrote him to be a normal guy that anyone can relate to. I don't think he's special or unusual. Both he and Toshiro have problems and they both need to work on communicating better. (Kui saying she didn't write Laios as autistic doesn't mean you should shit on other fans who read him as autistic. All it means is that he's not canonically autistic, and you can't say "Laios being autistic is the foundation of the entire manga." Kui saying that she didn't intentionally write Laios as autistic doesn't invalidate the interpretation, it just means saying Laios is autistic is an interpretation, and not a concrete fact. Also worth noting that labeling Laios as autistic might come across as very rude for a Japanese person. Kui may not want to call Laios autistic due to social stigma.)

Q: Tell us about the Senshi fanservice. A: Calling it "fanservice" feels wrong to me. He's just an older man who doesn't care if people see his underwear, something I've experienced in real life. It might make some people uncomfortable but Senshi's just living his life, I thought that was funny. Laios is a bit uncomfortable seeing people in their underwear. (Holy shit. This answer is the equivalent of Kui firing a shotgun directly in the interviewer's face and screaming "it's not fucking fanservice." She's being VERY direct for a Japanese person, and implying that she doesn't like people calling the Senshi pantyshots fanservice, that she sees them as comedy.)

Q: But Senshi's handsome isn't he? A: All dwarves are handsome :) (This is a complete non-answer, and after that previous answer, it's very likely Kui is trying to brush the interviewer off. This is most likely Kui saying "Please stop this line of questioning/I don't want to talk about this anymore.")

Q: What inspired Marcille's dungeon lord dress? Her friends all make fun of her but I thought it looked nice. A: There's no specific reference. I made it up to look like her mom's dress and added a childish head covering. The dress is totally normal, her friends making fun of Marcille is a joke. They're just not used to seeing Marcille in that kind of clothing, so it seems weird to them. They don't actually think the dress is that strange or uncool.

Q: Did you expect the strong fan reaction to Marcille and Falin's relationship? A: I don't think about how the fans will react when I'm writing. (Another complete non-answer. She doesn't want to discuss the topic of Farcille and avoids it like a landmine. Honestly, good for her. She wants fans to feel free to think what they want and have their own interpretations.)

Q: Will you write a spin-off about Izutsumi getting revenge on the person who made her? A: Maybe, maybe not. Probably not. I think Izutsumi's pretty happy as she is and just wants to live her life.

In short, Kui's reaction to a lot of the fandom opinion questions was:

EDIT: Also, looking at the headline/page summary for the article, it's uh...insanely misleading.

"We sat down with Kui-sensei at Anime Expo 2024 to discuss the community of food, why Senshi is so sexy, seeing neurodivergence in Laios, and more." Kui literally said no in response to all of those questions, this summary of their own interview implies that there was anything discussed, and not just Kui telling them "no" to each question.

[banamine-bananime]

Growing up I lived in an area with a lot of cattle farming and I was very scared of the cows. Do you have any cool facts that will make me either more or less afraid of cows?

oh hmm let me think on that!

facts related to how to interact with cows so all parties feel and stay safe:

they have a very prey herd animal mentality. they want to move with their herdmates. they want to watch any potential threats like people and move away from them. they don't like loud or unfamiliar noises (they're sensitive souls. sometimes if i visit a dairy wearing waterproof coveralls where the cows are only used to people wearing cotton coveralls, just the whisper of waterproof pants rubbing against each other can spook them) or abrupt movements or going into areas they can't see well (and they have difficulty with depth perception due to their wide-set eyes for 300 degree vision, and with high-contrast, so going from sun into shade or vice versa can look like stepping into a white or black void for them and they don't like it)

based on this, we know the keys to low-stress cattle handling are consistency in how you interact with them, calmness (small movements, quiet words to let them know you're there), moving cows in groups big enough to have friends but small enough you can control the whole group without them milling around or the ones in front stopping and causing a traffic jam, and slowly moving them by just barely getting in their "bubble" of "whoa, you're a little too close for comfort, i'm going to move in the other direction" without ever getting into their "YIKES RUN AWAY FROM THIS THING" bubble

the last point involves understanding pressure and flight zones and point of balance:

from Mississippi State University Extension:

from grandin.com (highly recommend as a source of information about animal behaviour and welfare!!! temple grandin my idol since i was like nine i love her so. and i tear up when i think about how much she's done for millions of animals ;_; she's a genius and no lie revolutionized low-stress handling):

pet cows that get doted on enough to bond with people may not see people as a threat so the normal ways we use pressure zones to iinteract with cows don't necessarily do anything for them. you would lead them more like a horse, using a halter. or lure them with treats.

beef cows typically have little contact with people, often just processing (vaccines, preg checks, quick exam for any health problems) a couple times a year, so they can be very wild. doesn't mean they're aggressive, the overwhelming majority are non-aggressive but they have very large flight zones, so if you don't recognize that and approach too quickly, getting deep in their flight zone, that can get you into a dangerous situation where they get aggressive as a last resort. that said, they do usually still choose flight unless their calf is with them. "never get between mom and baby" applies as it does with any species

dairy cows are in between beef cows and pet cows. they interact with people regularly, several times per day, and it's respectful but not doting. kind of a business relationship with their handlers. they're not terrified of people by any means, but they haven't been, like, hand-fed treats to get over their instinctive wariness of potential-predator-like animals, and they know sometimes handling results in unpleasant experiences like medical treatment or pregnancy checks, so they avoid touch and have a flight zone, though it's small (and sometimes they'll calmly let you walk right up to them unrestrained, or approach you and lick you out of curiosity). very very rare to have an aggressive dairy cow (as in, one that attacks you instead of moving away when you're bothering them a little. really bothering them and ignoring body language when they can't move away is much more likely to get you kicked)

bulls are not docile. not every bull will be aggressive, but you should assume that every bull has the capacity to become aggressive with little provocation, and always keep a respectful distance and know your escape route if you have to be in a pen or field with them

cows love exploring with their tongues. any time you're in a dairy barn there's gonna be at least one friendly girl mlem mlem mlemming who won't leave you alone

adding on to the above, there is a slight caveat that you still have to be a LITTLE wary of friendly cows. 99% of the time they're just friendly but sometimes cows in heat will try to mount people. you don't have to be scared of friendly cows but if they're right next to you just keep them in your line of sight so you can move away if they make like they're going to mount. again, not common, never happened to me, but something to be aware of

signs of a happy, relaxed cow: lying down, chewing cud or eating, tail hanging down relaxed, moving slowly with her herd

signs of a slightly wary cow (you have entered the "pressure zone"): standing still/stopping what she's doing, turning towards you, ears turning towards you (watching the ears is a very good way of knowing what she's paying attention to), tail swishing or raised a bit away from body

signs of a distressed cow: vocalizing (they also moo for other reasons though), tail swishing, fidgeting/pawing/looking like she wants to move but doesn't know where to, freezing up and intermittently making erratic movements (back away a little)

signs of an aggressive cow: head down with attention on you, pawing ground, turning to show you their broad side. (turn sideways and calmly but swiftly walk away diagonally)

[endearing-dalliance]

Just like Piltover, Arcane's beauty hides its fundamental problems. Its ableist, antisemetic, acephobic, classist, and worst of all, it doesn't initially seem that way.

Firstly, I want to say that this post and my problem with all of this is due to the real-life references, biases, and viewpoints of the team people who created the show, made the design decisions, wrote the scripts, and continue to defend what many have pointed out are genuine problems in their stories and characters. This nothing to do with the VAs, individual animators, supporting crew, or even the characters themselves. I'm genuinely heartbroken for all those people who proudly worked on the show, did their parts beautifully, supported the viewers, and are met with a fanbase disappointed, hurt, and angry about something completely out of their control.

I wrote up a different post about Piltover vs Zaun in the original lore and how that version is such a different situation than we we got.

Despite everything they did to make the Arcane undercity/Zaun this horrible place, they keep referencing the positives of LoL Zaun (an equal and respected society) and attributing them to Arcane Zaun. All of this is straight from the AoA:

"When you look closely, Piltover and Zaun are not entirely dissimilar" (y'all literally designed them as polar opposites)

Zaun is a refuge for outcasts who don't have a home, and there is the thrilling sense that anything is possible. So pretty much the exact opposite of what Vi was trying to show Cait?

In Piltover everything is heavily regulated; Zaun is wild and more pure meritocracy. "its is not completely lawless, though there are some issues with the mob." That's certainly one way to put it.

Zaunites "make magic out of nothing. nothing is precious, everything can be recycled and be reworked to make it better" I'm sure it has absolutely nothing to do with the fact that people can't afford to replace things when they break. Nope. Completely plausible reasoning. No real life parallel at all.

One example of innovation is a jeweler from Zaun who makes unique gothic work. Not only did they never showed us this side of the undercity, I maintain NOBODY in Piltover is putting on a gas mask to go jewelry shopping in a slum.

"Even though they were oppressed, they can innovate in ways Topside can't. Like well let's take this freedom we have because they don't care about us, and use it to find beauty and innovation. That's where Ekko's little conclave came in." Did they forget the literal orphans he rescued from those "shady streets"? What were they free from, their parents? Cause Piltover's enforcers seem to kill a lot of those despite "not caring". This is straight from Ekko's LoL lore where he spent his days being a kid running around with the Lost Children and inventing for fun. Arcane Ekko got Misfit Toys as an intro song. The Firelights were called a gang. These are not happy, healthy kids enjoying their world. They're vigilantes taking care of other kids who have nobody else.

"Ekko emerged as one of the unlikely heroes of the show, rising to meet tough, sometimes heartwrenching challenges, and becoming a charismatic and beloved leader" His LoL lore is that of a self-educated genius described as "The Hero of Zaun's Youth". Beloved pretty firmly established already. Also charismatic...are we really not past the point where its not supposed to be a shock that a black guy can be articulate?

Sevika's arm is specifically described as "flamboyant", which was the same word used to describe Piltover's augments

This gave me the vibe that they were trying to glorify or romanticize Zaunites' suffering and environment, but on further reflection I think that's giving them way too much credit. Christian's reply below makes it pretty clear he doesn't understand his own story, and Alex's indicates they weren't even trying to tell it and are surprised by this interpretation. Because to them, the Zaunites were the bad guys all along.

(Cool cool name one team member who has personal experience with living in under an oppressive ruling class that is either ignores their suffering or actively worsens it. I'll wait.)

Also, I think its very telling that a cocreator admits to having difficulty distinguishing between a group of systemically abused people fighting for their right to live on their own terms and people breaking the law because want power and influence and money. I don't think Peaky Blinders and the French and American Revolution (among others) are really compatible stories.

"It was an impossible pipe dream if you ask me." Well then. All the nations that successfully rose up and freed themselves from their oppressive overlords were just flukes I guess. Also I'm not sure how they managed to figure out the alien invasion lack of relatability and not realize that's basically what they ended up with. Also, the fact that they keep framing it as a civil war rather than a revolutionary one is mindbogglingly out of touch.

So they were trying to comment on the two party system, but also the point wasn't to comment on the real world. They wanted to show the widening wealth gap in a "fun way", but also that's not what they were shooting for. Over and over we've heard about how the show is about duality, the struggle of Jinx and Vi and the struggle of the two cities. If they didn't want to comment on the real world, didn't know enough about politics to even realize what they were doing or what message they sent, DON'T MAKE A $250 MILLION STORY ABOUT IT. Thanks to their contributions, we now have a story about two girls brutally traumatized by their environment enveloped in a pro-oppressor, forgive your abusers theme. Well I aint forgiving any of this.

I get the idea of "show, not tell", but some things do need to be explicitly told. Oppression is objectively wrong no matter who the oppressed are should not be left up to interpretation. Its not the viewers' job to piece together that Zaun's problems are ultimately caused by Piltover, especially since what they are shown is that death of a child makes the world a better place. Not once in 18 episodes do they ever explicitly condemn Piltover. Not once did they validate Zaun's right to independence. We got "forgiveness" (forgiving your abusers? great message) and "finding your way back to each other" (which none of the duos actually did. They're all "dead"). And my personal favorite, the important lesson that asexual people do not have happy, healthy, nonplatonic relationships, so TAKE THAT JAYVIK SHIPPERS.

Since they ended Arcane with a reference to a Japanese proverb, in the spirit of duality I'm ending with a quote by someone who actually has personal experience on the subject:

“If you are neutral in situations of injustice, you have chosen the side of the oppressor."- Desmond Tutu

[picturejasper20]

Steven Universe as a character is someone who has been mischaracterized and flanderized over the years, to the point people who aren't into the fandom or haven't watched the show believe that mischaracterization to be a fact rather that a product that comes from memes and jokes

The truth is that Steven often fights in the series when it is needed, usually by fusing with someone else like Connie or Amethyst since he is still developing his powers in the original series. He doesn't cry when he has to fight back or defend himself, with exception if the person attacking is someone he considers a friend. Because, yes, for a 14-15 old teenager it isn't fun having to do something like that and it can be traumatic.

He also doesn't start to cry the moment someone refuses to change their mind or is being mean. He often isn't afraid to be sarcastic or call that person out. He didn't cry when Aquamarine mocked him in ¨Stuck Together¨ nor when Jasper didn't apologize for poofing Amethyst in ¨Crack the Whip¨

However, what we see is sometimes him blaming himself for not being able to help people that, more often than not, have been hurt by Rose Quartz, his mother, in some way. After Season 3, Steven fears a lot that he is going to become like Rose and he is going to hurt people the way like she did.

In general Steven deals with an Atlas complex in the show. He feels like he has to fix his mother mistakes and deal with ¨what she left behind¨ even when Rose wanted for him to be his own person as seen in the tape she left for him as it was revealed in the episode ¨Lion 4: The Alternate Ending¨.

Steven also defines his identity a lot for being to help other people and fix their problems. He believes that he has to be ¨useful¨ for others. So when he believes that he failed to help someone, that may lead him to think that he isn't living up to his ¨purpose¨ or that he is a failure as a person.

In reality, he isn't that much different from other hero protagonists from other animated shows. Those who are kind and emphatic and willing to listen to other people and give them a second chance if the person changes their ways. You probably like an animated show that has a protagonist like this. (Who was probably taken inspiration from Steven if the series came out after SU).

The main difference, i think, is that Steven goes a bit more than those protagonists do when it comes to listening to other people, understand their motivations and give them another chance if they regret their actions. A lot has to do with how he is aware that his enemies (usually gems) act the way the do because of the system they were born into rather ¨they are evil just because¨. He gets that their motivations come from the system that hurt them or lead them to believe that their actions are justified.

Another common mischaracterization is that Steven becomes super buddies with every person he helps...when this isn't always the case. There are some occasions that Steven shows discomfort around people who he has given a second chance. Just because he gives them a second chance doesn't mean that he immediately considers them close friends, maybe allies at best.

A good example of this is the gif above of Steven's interactions with White Diamond in ¨Homeworld Bound¨. White Diamond touches Steven very close to where his gem is- which makes Steven distressed since in his battle again White, she ripped his gem out to prove that Pink was still ¨alive¨. In most of the episode Steven shows to be very uncomfortable around the Diamonds and Spinel, to some extent. They bring him bad memories, which is the main reason he has been doing everything to avoid going to them to ask for their help until this point in Steven Universe Future. He even almost accidentally hurts White's gem by smashing her head against a pillar when she lets him control her to talk to himself. This being result of a intrusive ¨vengeful¨ thought.

I wouldn't say that Steven hates the Diamonds,but- he doesn't want to be their friend neither and wants to avoid in general because he feels nervous and bad around them. It's something like ¨I'm glad that you are changing but i don't want to be associated with you. Please, i would appreciate if you kept your distance from me.¨ dynamic.

On last point, Steven is someone who usually pushes his feelings down in certain situations and buries them down, which has led him to have strong emotional outbursts in bad moments. He usually prefers to ignore his own problems and take priority on others. Again, this comes a lot from his desire to be useful and be needed, making him trying to ignore how he feels about certain people and pretend that he is doing fine.

This explains why we don't see him lash out that much to others in the original series, and, why he feels so frustrated and angry in Future, since all that anger and negative feelings can't no longer be ignored as they used to and they are having a negative impact in Steven's mental health. This, of course, isn't meant to be seen is a healthy coping mechanism. It is in fact potrayed as something pretty self-destructive for Steven, as a huge flaw of his, that over time he comes to learn that it isn't the best way for him to deal with his problems.

These are some of the most common misconceptions i have seen about Steven's character online. I could go in more depth with some of them but i think the points should be clear enough. This could be considered a general analysis of how Steven is as a character and how he operates, leaving aside more specific things that can be covered in other posts.

[affectionatecorpse]

I'm once again getting overly philosophical over horror movies, so here's a study of the death angels from A Quiet Place as observed by a very enthusiastic animal loving veterinarian.

Every time people talk about death angels, it is, understandably, about how violent they are. These creatures are brutal and merciless, and will tear apart anything that makes too much noise. Hence the title of the movie.

Death angels are frankly terrifying, and show no empathy towards the creatures of the planet they invaded. No living thing is safe from them.

... so here's why they COULD be--

Look. Death angels are simply not suited for our planet. It's a noisy, chaotic place full of noisy, chaotic animals. From humans, to raccoons, to birds, to cats, nearly everything in our world is a potential trigger for a noise sensitive animal such as these.

But that's exactly what they are. Animals. And no one seems to remember that fact. People talk about them as though they themselves are sentient, anthropomorphic monsters, but the way these creatures act mimic many real life animals. Animals that don't belong here, but are trying to survive here. On a noisy planet covered in water, which they despise and cannot swim in.

Death angels are completely blind by nature, as seen in many other creatures such as cavefish, moles, and my personal favourite, the olm. Due to a lack of sight, they very clearly use echolocation in the film, to scan their surroundings and... well, not get dead. But echolocation is far from their only tool, as their ears are the strongest asset they have.

Their ears are INCREDIBLY sensitive. Just the slight ticking of an egg timer when heard from their perspective in the first film, is like a pounding drum in their ear. This is fine in a naturally quiet planet, but if a very subtle tick is that loud, then imagine the rest of the noise. Screaming. Explosions. Crashing. Little toy planes. Holy CRAP, that's gotta hurt.

Sounds that loud would definitely cause extreme hearing problems from pressure over time, and easily result in lifelong illnesses and disabilities such as deafness, infection, and so forth, if not stopped. It's going to be painful. It's literally bursting their ear drums inside their heads, and you can't explain to an animal why it hurts. You cannot rationalise with wildlife about treatment and self care. An injured and scared animal is always going to turn hostile, no matter how docile they may be normally. You can't explain to a lion with a knife in it's belly that you can stop the pain if it just doesn't attack you. You can't explain to a death angel that it needs to go somewhere more isolated instead of just destroying the source of the noise to shut it up.

Going to backtrack here a sec. Remember how I mentioned echolocation being another asset this creature has? Which means the slightest movement, the tiniest breath, can immediately allow you to be seen by it. With ears that good, too? It can see you from ages away. It knows you're there. Which means they DON'T attack for sport.

'Evil' is a concept rarely seen in nature. Yes, a lot of humans can be evil. And yes, many creatures can be too. Animals hunt for sport as well. Cats, for example! Although even then, I wouldn't describe it as evil. Calling the death angels evil implies they're attacking out of malicious intent, which just isn't true. In moments of panic, they'll destroy. But they are fully aware of humans around them.

Humans need to breathe, and can't stay perfectly still very easily. The death angels would be able to see our main cast at several points, even when they're being quiet. They don't attack whenever they locate a sign of life. For example, the scene in the basement. Being that close, whether the water was running or not, that alien absolutely would've heard Evelyn and the baby's sharp breaths. It didn't care. It was clicking at them almost curiously before it heard the bang of the silo, to which it ditched them to stop the sound.

This scene is a great example of why they don't kill for sport. Injured and young animals are especially easy prey for a creature built so strong and nimble. Evelyn is shown to be terrified of the mere presence of this thing, but it never actually does anything in the scene. It moves about. Ignores her movements in the flooding water. Investigates the baby. Clicks curiously at her while she backs away. It moves slowly and on all fours, when we know while aggressive, they will stand up on their hind legs (unless sprinting) and move very fast.

This implies it was in... well, not a submissive position, but a nonthreatening one. It wasn't baring it's teeth (as best it could), it had it's claws tucked up and unused, and was in no way in a primed-to-attack mentality. Until the silo made a loud bang. And even then, it could've quickly sliced up the two in the basement before running off, but it DIDN'T. It just left, without a moment of hesitation.

Let's also acknowledge the anatomy.

This is a carnivore. With sharp teeth for ripping apart prey, sharp claws for defence, and thick armour for protection from it's natural climate, as well as strong, long legs for running, this is absolutely a meat eater. The fact it's so well equipped makes me wonder if their natural prey is just as dangerous as them, which is why they have such tough skin. Or if they themselves have something above them in the food chain.

They seem to be pack animals, as usually others aren't far behind when one is about. Such as the trio by the Abbott house, the few at the docks, the ones by Emet's hideout, and even that group sliding down the building in the Day One clip I keep seeing as a gif. With their knack for running included, I wonder if they function like lions? Blending into their environment back home, clicking to hear prey, then the whole pack going on the chase when their target is vulnerable, in a way.

I got distracted. My point was, in a year, all the bodies from past victims vanished. All those people in the town who were swiped left and right just vanished from the town. They couldn't have decomposed in such short time, which means something moved them when it was safe. Something like a carnivore needing food after it felt comfortable in the silent aftermath. The argument that they do it for sport is one I see all the time, and it's just not true.

Everything needs to eat. Carnivores need to eat. Animals need to protect themselves from suspected danger. They never eat on screen because whenever they're on screen, they're surrounded by noise and are DISTRESSED. Have you ever had a sick pet? Most of the time, it won't eat when it's ill because it's too stressed, uncomfortable or in too much pain. When having their ear drums assaulted, a death angel isn't going to sit down with a cup of tea and a grilled cheese. Also, I won't add it because there's blood, but in the scene with the old man screaming in the woods, after it attacks, you can actually see it go back on all fours and sniff about the aftermath, like a hungry predator catching prey to eat. This was probably the first and currently only on screen proof of my claim.

By all means, not all animals are meant to be tamed. Jordan Peele's Nope said that best. Yet I can't help but wonder about the individual. Every animal is completely unique. Some will tolerate more than others. Due to their realistic nature and the similarities to actual animals, in specific circumstances, could they be befriended?

Anyway keep an eye out for A Quiet Place 4 where someone has a pet one that wears doggy ear protectors and accepts meat in exchange for pets-- /j