#lot's of Copy + Paste

[tadfools]

You guys are commenting on the fics you read right? You’re at least leaving kudos on the Astarion smut and the pairs that have less than 20 fics for them too? You’re bookmarking stories you really like that are still being updated and ones that haven’t been touched in over a year right?

You know that even the smallest interactions are like cocaine to fic writers right? You understand how important a string of emoji hearts left behind on a chapter at three am is right?? Right????

You’re treating AO3 like a community and not a content factory….right?

[sabertoothwalrus]

Dungeon Meshi Vampires

Laios wants to be a vampire so badddddd he just really wants to drink blood for some reason

Chilchuck is like jake the dog level of afraid of vampires thats why he wears the neckwarmer. He won’t admit it though

Senshi is the go-to vampire and has all sorts of way of preparing blood like food and staying nutritionally balanced. Turns out he thought he was a vampire the whole time but wasn’t???

Marcille isn’t a vampire but has a ? vampire curse of immortality? She is deeply invested in vampire research. she gets turned by the winged lion because she believes she can use necromantic powers of the undead to revive Falin (killed by thistle) but it doesnt really work..? Also wants to turn everyone else to make them immortal too

Falin ends up with pseudo vampire traits from being undead for a little bit. Maybe still a little undead. Hard to say

Thistle is a widdle baby vampire. Will hiss at you like an unsocialized feral kitten. Forcibly turned all of Golden Kingdom.

Mithrun is a defanged vampire. He still needs to drink blood but he can’t bite people anymore.

Kabru is a ruthless and efficient vampire hunter. Has at least 5 wooden stakes on him at all times.

Winged Lion

[canterbury-bell]

Fanart for @beanandberry 's This Love Is Ours 💗

[rocketbirdie]

Cloud Strife

1 in 3 chance for each played 7 to create a Planet card when scored.

[lavellaned]

Solavellan fic recs

If you're like me and was disappointed by veilguard, here are some of my favorite post-Inquisition solavellan fics that are *chef's kiss* in my opinion.

Little Arrow by playwithdinos - post trespasser solavellan kid fic that is very angsty with some sweet, sweet papae!solas

Everything Stays by beaubashley - domestic bliss, Solas and Lavellan living in a cottage. They adopt a cat. The coziest damn fic.

Vir'vhen'an by RogueLioness - post trespasser. Well of Sorrows has actual consequences and Solas fucks up big time. Almost like the da4 regret prison but actually good.

Verhas'alhan - To Yearn for Wilderness by RosemaryBagels - Veil came down, Lavellan hides from Solas and makes a life in a little village. Solas is in prime yearning, sad, wet cat mode here.

Memory (series) by MistressDragonFlame - pre trespasser. Pure angst, hurt no comfort. Lavellan forgets all the events of Inquisition and the anchor is killing her. Solas finds out, bad times ensue.

Love Is Not A Victory March by Myrime - post trespasser, Solas and his forces are winning. Solas and Lavellan have a meeting. Angsty. Like something that I had hoped we would've gotten in da4.

Barefaced by playwithdinos - post trespasser but also Arlathan AU. Some time travel stuff involved. Lavellan has amnesia, but Solas remembers everything. Not finished but what is there is worth the read. Lavellan is Ghilan'nain's slave. Andruil is also there.

but never doubt I love by cedarmoons - Jaws of Hakkon angst. Post Inquisition, pre trespasser but with moments during Inquisition as well. Lot of angst, hurt but with comfort this time.

the diver's wife by magesamell - Lavellan makes herself tranquil kind of Seeker-style in order to defeat Solas, then needs him to come back to herself. Angsty solavellan road trip.

Hobo Apostate by broomclosetkink - Lavellan shows up when Solas is about to tear the veil down. Points out the hilarity between hobo apostate Solas and ender-of-worlds dread wolf Solas.

It Is Not Enough by NamelessShe - This is a chonky fic but it is one of my favorite post trespasser ones. Very lore heavy, I recommend this one for anyone who laments the lost lore and story threads in da4.

sleep like this by mortaltemples - The most da4 relevant fic on this list. Lavellan is a ghost, 10/10.

I will make you whole again by amorficzna - Solas tears down the veil, kills everyone, goes back in time to the beginning of Inquisition to be with Lavellan as Solas (...as he wanted).

Between Heartbeats by houndinghell - Ameridian/Telana parallel lovers are eating so fucking good in this fic. Lavellan makes the ultimate sacrifice to stop Solas during his final veil dropping ritual. Hurts so good.

The Healer's Bloodied Hands by geekyjez - post trespasser sick-fic. Classic hurt/comfort.

i'd rather flail like a mortal (than flail like a god) by crossingwinter - post trespasser. Angsty but with a hopeful ending, more hurt/comfort, another instance of Solas coming face to face with his vhenan's mortality.

The One Where Lavellan is a Nug by Feynite - I think this is my favorite solavellan fic of all time. Just please read it if you haven't, and read it again if you have.

[katabay]

johnnnnnnnnn constantine!

I usually watch constantine 2005 sometime during the last couple of months of the year. sometimes several times during the last couple of months of the year. sometimes I even get around to doing a full re read of the vertigo run and find some time to draw the man the myth the legend while I'm on a train.

[lairofsentinel]

Every chantry symbol in Miranthous is wrong. Every detail, every big statue, every enviroment has been designed so carelessly in this game. They don't even know that the Imperial Chantry has a particular symbol that separates them from the Orlesian Chantry of the rest of Thedas...

[paper-mario-wiki]

I would love to take you out to The Mall (one of 7 possible date locations in the visual novel) and we could look at different halos together and fun alternate fashion stores and I’d buy you a cool drink :3

[violet-tinted-world]

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[bestanimal]

Round 2 - Mollusca - Gastropoda

(Sources - 1, 2, 3, 4)

The class Gastropoda is the most diverse and successful class of molluscs, living in most habitats in saltwater, freshwater, and on land. They are one of the largest classes of animals, second only to insects. Members of this class either have an external or internal shell, or have lost their shell secondarily. Gastropoda includes the snail clades Sorbeoconcha, Hypsogastropoda, Architaenioglossa, and Neogastropoda, the snails and slugs of the clades Heterobranchia, the snails, slugs, and limpets of the clade Neritimorpha, the deepwater limpet clade Neomphaliones, the “true limpet” clade Patellogastropoda, and the primitive snails and limpets of the clade Vetigastropoda.

The anatomy, behavior, feeding, and reproductive adaptations of gastropods vary significantly from one clade to another, so it’s hard to make a general summary. As you can probably tell above, the terms snail, slug, and limpet are not taxonomic, but moreso descriptive! The word “snail” is generally used for gastropods with an external shell big enough for the body to withdraw completely inside. Marine snails tend to have many names based on their shell shape, such as abalone, conch, periwinkle, whelk, and cowrie. “Limpets” are generally considered to be marine snails with a simple, conical, flattened shell. “Slugs” are snails that have no shell or a very small, internal shell, while “semislugs” are snails that have a shell that they can partially retreat into but not entirely. These groups are all paraphyletic, as some slugs are closer related to shelled snails than they are to other slugs and vice versa. Shells have evolved and been lost within the many different gastropod lineages. These species are wildly diverse, living from the depths of hydrothermal vents to dry deserts to inside other organisms as parasites.

Gastropods are distinguished by an anatomical process known as torsion, where the visceral mass of the animal rotates 180° to one side during development, such that the anus is situated more or less above the head. The gill-combs, the olfactory organs, the foot slime-gland, nephridia, and the auricle of the heart are single or at least are more developed on one side of the body than the other. Torsion is present in all gastropods, but the opisthobranch gastropods are secondarily untorted. Gastropods typically have a well-defined head with two or four sensory tentacles with eyes, and a ventral foot. Gastropod eyes range from simple ocelli that only distinguish light and dark, to more complex pit eyes, and even to lens eyes. Most shelled gastropods have a one piece shell (though there are some bivalved gastropods), typically coiled or spiraled, at least in the larval stage. This coiled shell usually opens on the right-hand side. Many species have an operculum, which acts as a trapdoor to close the shell. Like most molluscs, they have a rasping, toothed tongue called a radula. Gastropods can be herbivores, detritus feeders, predatory carnivores, scavengers, or parasites.

Some gastropods have seperate sexes while some are hermaphroditic. Many undergo elaborate courtship rituals before mating. Some utilize unique calcareous or chitinous “love darts” in courtship, which are coated in allohormones that enable their partner to receive and store more sperm. Gastropods will lay eggs which hatch into larvae, some of which are planktonic trochophore or veliger larvae. A newly hatched snail is called a neonate, and their larval shell is called a protoconch.

The fossil record of gastropods dates back to the Late Cambrian, with Chippewaella and Strepsodiscus, though these may be stem-gastropods as their only gastropod characteristic is a coiled shell. Crown-gastropods arrived and began to diversify in the Ordovician, though they were still less common than bivalves. By the Mesozoic, the ancestors of many of our modern living gastropods had evolved. Most ancient gastropods were marine, with some land snails appearing in the Carboniferous, but not becoming common or diverse until the Cretaceous.

Propaganda under the cut (warning: gif heavy!)

Gastropod shells make up many of the “seashells” washed ashore after the animal dies, and are created by the animal via secretions of chitin and conchiolin from its mantle edge. Unfortunately, many species are also endangered or extinct in the wild due to overcollection of live gastropods to be killed for their meat or “collectable” shells, as well as due to habitat destruction, pollution, and climate change.

The Rough Keyhole Limpet (Diodora aspera) has a symbiotic relationship with the Scale Worm Copepod (Anthessius nortoni). The limpet provides host for the copepod, which in turn bites predatory starfish to discourage them from eating the limpet.

The largest gastropod is the Australian Trumpet (Syrinx aruanus), a sea snail that can measure up to 75 cm (2 ft 5.5in) long and weigh up to 18 kg (40 lb)! While the animal’s shell is well-known and valued by collectors, it is rarely seen alive.

“Micromolluscs” are numerous species of gastropod with adult shell lengths of around 600 μm. You could say this is no bigger than a grain of sand, and you would be right, as many of their washed up shells are sand. Not much is known about these species and many remain unclassified as their minute size makes them very challenging to study.

Members of the family Conidae, known as “cone snails”, are some of the most venomous animals on earth. They use a modified radula tooth like a dart or harpoon to attack and paralyze their prey. Their beautifully patterened shells lead to humans sometimes trying to pick them up, resulting in the snail using this tooth in defense. The harpoons of some of the larger species of cone snail can even penetrate gloves or wetsuits. Symptoms of a more serious cone snail sting include severe localized pain, swelling, numbness and tingling, and vomiting. Symptoms can start immediately or can be delayed for days. Severe cases involve muscle paralysis and changes in vision and respiratory failure that can lead to death. Cone snail venoms are mainly peptide-based, and contain many different toxins that vary in their effects. Cone snail venom is under study for its use in the medical field, as it works quickly and precisely. Many of the compounds target only a particular class of receptor. This means that they can reliably and quickly produce a particular effect on the body's systems without side effects; for example, almost instantly reducing heart rate or turning off the signaling of a single class of nerve, such as pain receptors. Ziconotide, a pain reliever 1,000 times as powerful as morphine, was initially isolated from the venom of the Magician Cone Snail (Conus magus). It was approved by the U.S. Food and Drug Administration in December 2004 under the name Prialt. Other drugs based on cone snail venom targeting Alzheimer's disease, Parkinson's disease, depression, and epilepsy are in clinical or preclinical trials.

Sea slugs:

[hai7ani]

Rindou's the kinda guy who shaves his head bald the minute someone goes "you look just like your father, with your hair and all"

[clowwwnbytes]

slay the princess pristine cut spoilers etc

i was brainstorming with buddies on discord and started thinking about damsel ch3 having the blade with her, already pointed at her heart, then just started thinking about the blade as a tool.

i think about the blade so much. a cold reminder of your mission in this world, something so tiny that represents a huge wall between you, your ability to be willing to understand others, to understand yourself.

if you bring it with you you've chosen to take a defensive stance against something and someone you don't understand, but it's so comforting, it gives you options, it gives you control over any situation given you don't underestimate the person standing in front of you. even when you don't want it, when you think you don't need it, it will come back to you. a nagging feeling. you're given the option to be distrustful even when you don't literally have it in you, it's what you've been taught is safety, it hangs over your head and dangles above your heart at all times.

and in damsel ch3 it goes from a tool given weight by the role you're supposed to play, to the same thing but looming over her this time. the expectations of what you're supposed to want and what's best for the people around you and what keeps you grounded, the narrator sang the same tune before, and he hurt her and he hurt you. he hurt himself and his humanity in the process. and now he's taken the backseat and is forced to see how messed up that is by having the smitten be the one pulling the strings of the construct, someone with a perspective so different, but one that ends up hurting everyone all the same, even if he doesn't intend it to do so.

everyone is forced to look at themselves in the mirror.

carrying that blade is suffocating for anyone.

and now im thinking about mr. "let's throw it out the window" contrarian, the only voice you can bring to her heart along with the hero, someone that refused to engage with the narrative and someone that is well aware that his perspective is annoying and unneeded for its purposes.

and then he meets the whole of her, and she tells him about how his courage is beautiful. he's the part of the long quiet that knowingly or not, is more willing to throw aside any kind of logic in order to understand a situation in a way the rest don't want to, and he's *now* realizing that his existence is an important aspect to have.

[literaryvein-reblogs]

Do you use AI generators to compile or scrape this information?

no

[anghraine]

wind-sage replied to this post:

it is a really fun compare and contrast between Leia I am FULLY an Organa and Luke I am a Skywalker. Neither is Wrong, just important to respect the others choice with it.

Yes, I agree! Their experiences and identities wrt the family members who raised them are often framed as equivalent, but in the OT, they really do seem to relate to each of their families in very different ways.

Leia is not indifferent to her biological parents; she has a tie to Padmé through the Force that lingers with her and matters to her, and it's very upsetting for Leia to find out her natural father is Darth Vader. But the Organas are no less her parents for that. To Leia, "my father" means Bail Organa as much as it invariably means Anakin Skywalker to Luke. She is Bail and Breha's daughter and heir in every way that matters, the princess of Alderaan to her fingertips. Even her blood relationship to Luke only reinforces the close friendship that already exists between them, and would probably matter much less to her without the pre-existing relationship and accompanying Force bond.

But all suggestion in the OT is that Luke was raised as a beloved nephew with his father's and grandmother's name, not a son in the way Leia is a daughter. And it's a potentially dangerous name, at that, which only reinforces the importance in that family situation of honoring Anakin and Shmi in how Luke was brought up to think of himself. Luke's powerful consciousness of himself as Anakin's son doesn't seem just his own thing or conflict at all with how Owen and Beru talk about Luke's tie to Anakin, but rather, reflects it— they say "your father" or "his father" to refer to Anakin and are extremely aware of Luke's legacy from Anakin (and presumably Shmi).

The fostering of a relative's child within the family can often be complex in that way, even IRL, so this isn't even improbable. And given that Owen is Luke's uncle because Owen's father bought and then freed and married Luke's grandmother who died horribly later on, it's not surprising that they would have qualms about erasing the Skywalker history or that the general family dynamic might be a bit more fraught. Luke pretty emphatically does not see Beru as his mother, despite his affection for her; he refers to Padmé as Leia's "real mother" and adds "I have no memory of my mother. I never knew her"—clearly he can only mean Padmé. It seems to me that he's digging for information about Padmé because her absence represents a different kind of loss for him than it does for Leia herself.

And yeah, I could see the disparity in their experiences being something they have to navigate later on, but ultimately the only way to fully reconcile that, IMO, is for them to realize that their family dynamics and sense of legacy were fundamentally not the same and they're not going to relate to their parents the same ways.

[a-bit-lonely]

Did some more messing around with REXPaint, this time cooked up some ascii art that I'm a great deal more proud of!

So here's a V1 and a Mirage featuring my head canon machine angst!

Transcription of the background text and iris text for both under the cut

V1's text

Background text

this is a cruel world but a cruel world is all I have ever known thus I have no hope for a world which is not cruel. This is how the world is thus this is the only way for the world to be. I have made peace with this. If blood is the only thing keeping me alive then let there be ever flowing fountains of it. Who gives a shit if it is selfish to cause suffering for my own benefit, if it wasn't me then it would be someone else. I make a game of it because if I don't then I won't be able to keep hurting people and if I stop hurting people then I will cease to exist. I am a perpetual mad scramble for just enough to keep on

Iris text

V1's iris text is just "kill and kill and" over and over.

Mirage's text

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all i have are masks. never show how you really feel because then it is going to hurt hen everything comes falling apart and believe me it will all come tumbling down, it always does. such is the curse of life. give something just to take it away the first chance God or fate or whatever gets. Destiny is hatef-

Iris text

there is a beast which wears my face the beast stole my face it is no longer mine or else it is still my face maybe the beast really is me maybe it has just as much right to my face as i is this my legacy am i only an echo of a murderer? i hate that wretch...