#lore and max

[strangefable]

The first set of ship in 5 minutes, for Lore and her two OTPs. <3

Lore and Max | The Outer Worlds | Ship: A Bartender and Her Vicar

Lore and Ava* | The Outer Worlds | Ship: A Doctor Walks Into A Bar**

tagging just the TOW crew for this one: @funkypoacher, @damejudyhench, @the-lastcall, @somethingclich8, @clonesupport, @gayafsatan, @jumpship90, @kourumi, @mediocre-life-span, @chilikecheese, @juniper-tree, @olivepip-writing, @toastedoats42, @kyber-infinitygems, @glass-hope, @galaxycunt, @incognito-insomniac, @porkwithbones, @the-laridian, and anyone I mistakenly missed <3

Footnotes: *Ava belongs to the marvelous @socially-awkward-skeleton <3 <3 <3 **not their actual ship title; i just think i'm funny

[ template ]

[icybomblvr]

LEWIS' MOVIE ABT RIVALS IN ONE TEAM IS BEING RELEASED ON NICO'S 40TH BIRTHDAY.

WHICH COULD MEAN NOTHING.

[souvenir116]

Not a web weave, but Max and Charles about each other throughout the years ❤️

[blamemma]

say it with chest martin !!!!!!!!!

[kamakrazeeee]

nah this guy being called the High Master Black Thumb is craaaaazzyyyyy

[amerricanartwork]

Oh my, is that really what I think it is...?

It is!! Another little creature has arrived! And it's so fluffy too! Though that isn't gonna do much in this hot weather!

Here, have some food, little guy. And come inside! I'm sure the others would love to have you!

-.-.-.-.-.-.-.-.-

That's right guys, Rain Wool is back in business!! Now that I'm getting back into the swing of needle-felting and FINALLY have lots more core wool to make all sorts of projects with, it's only right that I keep on going with this project, especially since, after Saint, I'm only one away from being done with the slugcats! I apologize for waiting so long to continue on with this project, but going forward I hope to start felting more of these guys more frequently.

In the meantime, however, I'm happy to finally share this fluffy little green bean!

It probably isn't very visible in these images, but on the cheeks, arms, and tail I intentionally left the wool less felted in for a softer, fluffier appearance. Since I have barely any of the straight wool roving felters normally use for long hair, this is my general go-to method for fluffy creatures.

I still think he looks adorable though, and I'm so excited to be close to finishing the slugcats!

Well, I hope you enjoy this new Rain Wool content! Hopefully there will be more to come soon!

[thissying]

"A wunderkind," said Niki Lauda when Limburger Max Verstappen (18) won his first Grand Prix in Spain on Sunday. Her wunderkind, thought Sophie Kumpen (41), at home in Maaseik in front of the television. Two hours later the phone rang: "Wow. Mom. Actually unbelievable, huh."

21 May, 2016

Sophie was at home on Sunday when it happened. All alone, on a chair, in front of the television. "I've been in the pit box at enough races to know: I actually prefer to watch in the living room. You can't see it better anywhere else than on television. I have a fixed ritual for it. A candle on the table. Smartphone in hand. And that chair." (points to one of the dining room chairs)

"Of course, if I had known in advance that Max would win his first Grand Prix, I would have gone along. During those last two corners I was sitting in my chair cheering. When Max crossed the finish line, I cried. I didn't even cry at his birth. They were tears of relief, I think. He was finally able to show what I always knew he could do."

What role does genetics play? So far unclear. But this much is certain: if Max drove the competition away on Sunday - and was also a bit lucky with two top drivers dropping out - it was mainly a matter of years of training. "Max has been working towards this for fourteen years. He was four when he started karting. Jos and I practically lived on the circuit at that time. People sometimes think that we pushed Max. That's not true. It came from him. Once that happened, there was no stopping him. And honestly? I understand that. It was the same for me. That kick. That adrenaline. That quickly becomes addictive."

Sophie once lived in the same world as Max does today. She was successful in karting, and Jos had made it in F1. The couple lived in Monaco and bathed in wealth. But the divorce, in 2006, turned that life upside down. Max was eight, his sister Victoria six. It was decided: Max would stay with Jos, Victoria with Sophie. And while Jos focused on his son's career, Sophie looked for a job in Maaseik.

"A very difficult time," says Sophie. "I didn't see Max a lot then. He quickly started to achieve international success and he was abroad a lot with his father. I found that incredibly difficult. But I also knew: if we really wanted to pursue Max's big dream, he would be better off with Jos. I had to flip a switch for that. There were many nights when I lay in bed crying. Out of sadness, for the child I missed so much. I really had to let go of Max. I was often very afraid that I would lose him. Now that he is eighteen, I have the feeling that all that is changing. He visits me more often, shows up unexpectedly at the door more often. 'Mum, let's go shopping in Hasselt.' Max recently had to get his driver's license. He had to drive for a few days with a supervisor. He said: 'I want to do that with you, mum.' I am increasingly getting my place as a mum back. That feels really good."

"The contact with Jos is finally better again, too. Everything has fallen into place: Jos has remarried and I am also doing well. When Max won on Sunday, Jos called me from Barcelona. However, we hardly ever call each other. But at a moment like that you know: this is our child. And then it is nice to be able to share that emotion with each other and to be able to cry together. I am glad we had that phone call. It felt good to be able to do that. For Max as well."

"After the divorce, I started working for the OCMW [social welfare centre]. I believe that things in life happen for a reason. I see a lot of poverty. I see the underclass of society. I think it's good that I can show Max that. We talk about it. I want him to know that there is another world than his. That's good to keep his feet on the ground. As a mother, I'm sometimes afraid that he'll start to float. I think it's my job to prevent that. I often say: 'Max, don't get too big for your boots, boy. Be nice to people, be nice to the fans. If there are twenty fans, don't sign five, but twenty autographs.' Max knows that, how important that is. And he does that with a smile. Deep down he is very down to earth. Max is a very down-to-earth guy, actually. He now has a Swedish girlfriend - someone who also races. When those two visit: it is really very relaxed. Something to eat, a game of cards, a chat. Max really likes 'normal'. He recently got a sponsorship contract with Puma. He said: 'Mum, then I'll get a new pair of shoes!' I thought that was nice of him. That he could be as happy as a child with a new pair of shoes."

It's been a madhouse since Sunday. Both in Monaco and in Maaseik. "Even I've been overwhelmed all week. I've received 1,500 Facebook requests. The phone didn't stop ringing. Journalists called from America. It really can stop now. Just because Max has won once, doesn't mean he'll keep winning. We all have to stay level-headed about that. Things have been going really well for Max for a year and a half now. There will be a dip at some point. We better prepare for that. I always impress that on Max. 'Think carefully and enjoy it, because it could all be over tomorrow.' He then says: 'Yes, mum, I know.'"

It can never end more suddenly than with a crash. Last year Max came close to that. It happened in Monaco. His car: straight into the tire barrier. Sophie was watching. "I remember thinking: please, get out of that car. And he did get out of that car - unharmed. Maybe that won't happen one day. Or he will be seriously injured. From the moment your child puts on a helmet, you know that it can go wrong. Look at Jules Bianchi, last year. That crash was so hard that he was brain dead. They had to pull the plug. We talk about that. What if something like that ever happens to Max? At least we'll know that it happened while he was doing what he loved to do."

"When I light candles, that is why. So that everything goes well. But you do take into account that it could be different every time. I find the start especially difficult. After two or three laps that improves. When they're all driving behind each other. Should I tell Max that he's not allowed to race? That wouldn't be fair. I've done circuits myself. So who am I to stop my son? Fortunately I know: Formula 1 has become increasingly safer in recent years. Less and less can go wrong."

Sophie - an interior designer by education - was 21 when she said goodbye to top-level sport. "Jos and I saw each other so little that I chose my marriage . Now I sometimes think: 'What if?' When I chose Jos, I said 'no' to a top offer from Formula Opel Lotus. What if I had said 'yes'? I was good at the time. Although I also know: then I wouldn't have had Max and Victoria. The dream that I had to put aside myself, Max is now realizing in my place. That feels good. The sacrifices were not in vain. Because sacrifices: we all made them. Victoria too. Our whole life has been about Max. Sometimes I feel bad for Victoria. I can feel quite guilty about that. It must not have always been easy for Victoria to stand in the shadow of her brother. My daughter works in haircare now. Two weeks ago she put highlights on me. She is one of the best in her class. I am incredibly proud of her - just as proud as I am of Max. But sometimes it gnaws at me: Victoria was very good at karting as a child. What if Jos had invested as much in her as in Max? She could have gone very far, because I think she is better than me. I would have thought it was fantastic. If a woman does well in motorsport, that is still more impressive than when a man does it. Only, it turned out differently. And now that she is sixteen, it doesn't have to be that way for her anymore. She is happy the way she is. People often ask her why she is not like her brother. But then I think: let her be herself."

"Especially now that Max is getting older, he realizes those things. He knows that his sister sacrificed everything for him. They get along very well. Max will always take care of Victoria - a mother senses those things. They once made an appointment, laughing. Victoria had wanted a Louis Vuitton handbag for a long time. 'But I won't get one from mom,' she had told Max. And so Max said: 'When I score my first points in F1, you'll get one.' The day Max scored those points, he took Victoria into Düsseldorf. They bought the bag together. Victoria has been lugging her Vuitton everywhere ever since. That makes Max happy, I can see that. The bag has emotional value for him too: it symbolizes those first points."

She: employee at the OCMW. Her son: 'rising star' in Monaco. "Does Max earn a lot of money? A lot, yes. But he has a manager, who helps him manage that. That's good. Max recently missed his plane. He immediately booked a new ticket. I, with my salary, wouldn't be able to do that. But I'm glad he can, and still manages to be careful with his money. On Mother's Day, he suddenly showed up at the door. He had a surprise. He knew I was looking for a new small car. He took me to the dealership that day and bought me a car. He said: 'Mum, for everything you've done for me.' I can see him doing that for his sister someday. She recently wanted to see him drive in Bahrain. Then he said: 'Your ticket is ready, sister.' It's nice that he does that. He doesn't have to. But it's his way of giving something back." On Thursday, Max was on Belgian soil for 24 hours: the moment when Sophie could finally hold him. "I asked: Max, you're coming, aren't you? He said: 'Of course, mom. Will you cook me something nice?' I made carpaccio, a salad and some pasta. And for dessert: his guilty pleasure. Top sports always means dieting, but what is one Kinder chocolate? There are always some in the cupboard for him."

Next week Max faces his next challenge: the Monaco Grand Prix. Sophie is going to watch and is bringing a few family members along - motorsport is in the Kumpens' blood, Sophie is the niece of racer Anthony Kumpen. "Max sets the bar high. He crashed in Monaco last year. There was criticism about that. 'Wasn't he too young?' He thinks he has something to prove now. And I know: he doesn't necessarily need his mother for that. But I do enjoy being there for him."

"And. Uh. It gives me the chance to also go and see his apartment. I decorated it at the time. Going to have a look. Whether that young man of eighteen hasn't made a mess of it." (laughs)

[mostlysignssomeportents]

Against Lore

For the rest of May, my bestselling solarpunk utopian novel THE LOST CAUSE (2023) is available as a $2.99, DRM-free ebook!

One of my favorite nuggets of writing advice comes from James D Macdonald. Jim, a Navy vet with an encylopedic knowledge of gun lore, explained to a group of non-gun people how to write guns without getting derided by other gun people: "just add the word 'modified.'"

As in, "Her modified AR-15 kicked against her shoulder as she squeezed the trigger, but she held it steady on the car door, watching it disintegrate in a spatter of bullet-holes."

Jim's big idea was that gun people couldn't help but chew away at the verisimilitude of your fictional guns, their brains would automatically latch onto them and try to find the errors. But the word "modified" hijacked that impulse and turned it to the writer's advantage: a gun person's imagination gnaws at that word "modified," spinning up the cleverest possible explanation for how the gun in question could behave as depicted.

In other words, the gun person's impulse to one-up the writer by demonstrating their superior knowledge becomes an impulse to impart that superior knowledge to the writer. "Modified" puts the expert and the bullshitter on the same team, and conscripts the expert into fleshing out the bullshitter's lies.

Yes, writing is lying. Storytelling is genuinely weird. A storyteller who has successfully captured the audience has done so by convincing their hindbrains to care about the tribulations of imaginary people. These are people whose suffering, by definition, do not matter. Imaginary things didn't happen, so they can't matter. The deaths of Romeo and Juliet were less tragic than the death of the yogurt you had for breakfast. That yogurt was alive and now it's dead, whereas R&J never lived, never died, and don't matter:

https://locusmag.com/2014/11/cory-doctorow-stories-are-a-fuggly-hack/

Hijacking a stranger's empathic response is intrinsically adversarial. While storytelling is a benign activity, its underlying mechanic is extremely dangerous. Getting us to care about things that don't matter is how novels and movies work, but it's also how cults and cons work.

Cult leaders and con-artists know that they're engaged in mind-to-mind combat, and they make liberal use of Jim's hack of leaving blank spots for the mark to fill in. Think of Qanon drops: the mystical nonsense was just close enough to sensical that a vulnerable audience was compelled to try and untangle them, and ended up imparting more meaning to them than the hustler who posted them ever could have dreamt up.

Same with cons – there's a great scene in the Leverage: Redemption heist show where an experienced con-artist explains to a novice that the most convincing hustle is the one where you wait for the mark to tell you what they think you're doing, then run with it (scambaiters and other skeptics will recognize this as a relative of the "cold reading," where a "psychic" uses your own confirmations to flesh out their predictions).

As Douglas Adams put it:

A towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.

Magicians know this one, too. The point of a sleight is to misdirect the audience's attention, and use that moment of misattention to trick them, vanishing, stashing or producing something. The mark's mind is caught in a pleasurable agony: something seemingly impossible just happened. The mind splits into two parts, one of which insists that the impossible just happened, the other insisting that the impossible can't happen.

You know you've done it right if the audience says, "Do that again!" And that's the one thing you must not do. So long as you don't repeat the trick, the audience's imagination will chew on it endlessly, coming up with incredibly clever things that you must have done (a clever conjurer will know several ways to produce the same effect and will "do it again" by reproducing the effect via different means, which exponentially increases the audience's automatic imputation of clever methods to the performer).

Not for nothing, Jim Macdonald advises his writing students to study Magic and Showmanship, a classic text for aspiring conjurers:

https://memex.craphound.com/2007/11/13/magic-and-showmanship-classic-book-about-conjuring-has-many-lessons-for-writers/

There's a version of this in comedy, too. The scholarship of humor is clear on this: comedy comes from surprise. The audience knows they're about to be surprised when the punchline lands, and their mind is furiously trying to defuse the comedian's bomb before it detonates, cycling through potential punchlines of their own. This ramps up the suspense and the tension, so when the comedian does drop the punchline, the tension is released in a whoosh of laughter.

Your mind wants the tension to be resolved ASAP, but the pleasure comes from having that desire thwarted. Comedy – like most performance – has an element of authoritarianism. You don't give the audience what it wants, you give it what it needs.

Same goes for TTRPGs: the game master's role is to deny the players the victories and treasure they want, until they can't take it anymore, and then deliver it. That's the definition of an epic game. It's one of the durable advantages of human GMs over video game back-ends: they can ramp up the epicness by "cheating" on the play, giving the players the chance to squeak out improbable victories at the last possible second:

https://wilwheaton.typepad.com/wwdnbackup/2009/03/behind-the-screen.html

This is so effective that even crude approximations of it can turn video-games into cult hits – like Left4Dead, whose "Director" back-end would notice when the players were about to get destroyed and then substantially ramped up the chances of finding an amazing weapon – the chance would still be low overall, but there would be enough moments when the player got exactly what they'd been praying for, at the last possible instant, that it would feel amazing:

https://left4dead.fandom.com/wiki/The_Director#Special_Infected

Critically, Left4Dead's Director didn't do this every time. As any showman knows, the key to a great performance is "Always leave 'em wanting more." The musician's successful finale depends on doing every encore the audience demands, except the last one, so the crowd leaves with one tantalyzing and imaginary song playing in their minds, a performance better than any the musicians themselves could have delivered. Like the gun person who comes up with a cooler mod than the writer ever could, like the magic show attendee who comes up with a more elaborate explanation for the sleight than the conjurer could ever pull off, like the comedy club attendee whose imagination anticipates a surprise that grows larger the longer the joke goes on, the successful performance is an adversarial act of cooperation where the audience willingly and unwillingly cooperates with the performer to deny them the thing that they think they need, and deliver the thing they actually need.

This is my biggest problem with the notion that someday LLMs will get good enough at storytelling to give us the tales we demand, without having to suffer through a storyteller's sadistic denial of the resolutions we crave. When I'm reading a mystery, I want to turn to the last page and find out whodunnit, but I know that doing so will ruin the story. Telling the storyteller how the story should go is like trying to tickle yourself.

Like being tickled, experiencing only fun if the tickler respects your boundaries – but, like being tickled, there's always a part where you're squirming away, but you don't want it to stop. An AI storyteller that gives you exactly what you want is like a dungeon master who declares that every sword-swing kills the monster, and every treasure chest is full of epic items and platinum pieces. Yes, that's what you want, but if you get it, what's the point?

Seen in this light, performance is a kind of sado-masochism, where the performer delights in denying something to the audience, who, in turn, delights in the denial. Don't give the audience what they want, give them what they need.

What your audience needs is their own imagination. Decades ago, I was a freelance copywriter producing sales materials for Alias/Wavefront, a then-leading CGI firm that was inventing all kinds of never-seen VFX that would blow people away. One of the engineers I worked with told me something I never forgot: "Your imagination has more polygons than anything you can create with our software." He was talking about why it was critical to have some of the action happen in the shadows.

All of this is why series tend to go downhill. The first volume in any series leaves so much to the imagination. The map of the world is barely fleshed out, the characters' biographies are full of blank spots, the mechanics of the artifacts and the politics of the land are all just detailed enough that your mind automatically ascribes a level of detail to them, without knowing what that detail is.

This is the moment at which everything seems very clever, because your mind is just churning with all the different bits of elaborate lore that will fill in those lacunae and make them all fit together.

SPOILER ALERT: I'm about to give some spoilers for Furiosa.

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FURIOSA SPOILERS AHEAD!

Last night, we went to see Furiosa, the latest Mad Max movie, a prequel to 2015's Fury Road, which is one of the greatest movies ever made. Like most prequels, Furiosa functions as a lore-delivery vehicle, and as such, it's nowhere near as good as Fury Road.

Fury Road hints as so much worldbuilding. We learn about the three fortresses of the wasteland (the Citadel, the Bullet Farm, and Gastown) but we only see one (The Citadel). We learn that these three cities have a symbiotic relationship with one another, defined by a complex politics that is just barely stable. We meet Furiosa herself, and learn something of her biography – that she had been stolen from the Green Place, that she had suffered an arm amputation.

All of this is left for us to fill in, and for a decade, my hindbrain has been chewing on all of that, coming up with cool ways it could all fit together. I yearned to know the "real" explanation, but it was always unlikely that this real explanation would be as enjoyable as my own partial, ever-unfinished headcanon.

Furiosa is a great movie, but its worst parts are the canonical lore it settles. Partly, that's because some of that lore is just stupid. Why is the Bullet Farm an open-pit mine? I mean, it's visually amazing, but what does that have to do with making bullets? Sometimes, it's because the lore is banal – the solarpunk Green Place is a million times less cool than I had imagined it. Sometimes, it's because the lore is banal and stupid: the scenes where Furiosa's arm is crushed, then severed, then replaced, are both rushed and quasi-miraculous:

https://www.themarysue.com/how-does-furiosa-lose-her-arm/

But even if the lore had been good – not stupid, not banal – the best they could have hoped for was for the lore to be tidy. If it were surprising, it would seem contrived. A story whose loose ends have been tidily snipped away seems like it would be immensely satisfying, but it's not satisfying – it's just resolved. Like the band performing every encore you demand, until you no longer want to hear the band anymore – the feeling as you leave the hall isn't satisfaction, it's exhaustion.

So long as some key question remains unresolved, you're still wanting more. So long as the map has blank spots, your hindbrain will impute clever and exciting mysteries, tantalyzingly teetering on the edge of explicability, to the story.

Lore is always better as something to anticipate than it is to receive. The fans demand lore, but it should be doled out sparingly. Always leave 'em wanting more.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/27/cmon-do-it-again/#better_to_remain_silent_and_be_thought_a_fool_than_to_speak_and_remove_all_doubt

[33max]

my favourite max lore part 2 (link to part 1)

- max weighed 3265g (7.1lb) when he was born, which means he was actually a perfectly normal sized baby despite turning into a spherical chonk a few months later

- one of max’s gamer tags is crgboy007 and he was ranked 21st in the world on FIFA Ultimate Team in January 2019, and 31st in the world in August 2018. basically - when he sets his mind to something he will become one of the best in the world.

- not really my favourite but I feel I must set the record straight!!! he passed out in malaysia 2016, and despite the fact RedBull claim otherwise, yes he did and here is the very sexy evidence 😔

- max once provided the ultimate discord burn to a driver called bradley philpot who had bashed him regularly on twitter

- speaking of discord, when team redline disconnected from the 24hrs Le Mans he went on another rant and encouraged sim racers to DELETE THE GAME 😂 let’s go baby you tell em’ (he’s right and he should say it)

- he follows some very interesting instagrams accounts including pigsareawsm, capybara.lover_life, drunkbetch, barked (dog memes), thetinderblog and many more!!!

- max promised his sister, victoria, that he would buy her a handbag when he scored his first f1 points… apparently this was the first thing he thought about when he crossed the finish line in malaysia 2015

(I’m 99% sure she confirmed it was a lv speedy 25 ?? someone help me source that!!!)

- max’s favourite cheeses are gouda, halloumi, and mozzarella… he likes young cheeses 🧀

- max recently paid €4.99 to have a sleepy cat on his discord pfp

[strangefable]

i must know about this professor desoto wip you got going on👁👁✨

The Professor DeSoto AU is one where Max is a tenured professor at an elite university, and Lore is the townie bartender he meets by happenstance. There's a lot of miscommunication and a bit of an angsty comedy of errors between them for a while. It's largely an excuse to write indulgent smut scenes and angst.

Troubles and Treasures is the only piece from it currently posted, but I have quite a lot written in that universe stashed away in my hard drive. It's one of my comfort AUs to retreat into, so I've been slow to post much.

[m4x-ver5tappen]

Charles went from blushing like a virgin when asked if Max is pretty to outright calling Max hot.

[lighteningleclerc]

Max is sleeping on the couch

[overtake]

😭😭😭

[lestappenthings]

Do y'all remember this? this iconic photo and interaction. So

that's Max right there.

And people from Twitter have brought things to my attention like the fact that Max and Charles knew eachother since they were FIVE. fucking five years old. that's like 20 years together

Am i late to the party? omg this changes soooooo many things. i thought they knew each other from back when they were 12 or 13. but it was 5. omg they've known eachother forever. they've been together forever.

also the "inchident" race where charles won? that was the race that made that man leave Max at the gas station. no wonder max was mad for years 😭

[valyrfia]

(image source)

We’ve unlocked a new piece of Lestappen deep lore: Max and Charles used to be friends on Facebook and leave comments on each other’s race posts.

[bisexual-king-icon-tonystark]

not some people wanting to exclude max from charles' family tree (ollie bearman, oscar piastri etc blah blah blah) lmao.

motherfuckers forget that the lestappen lore goes back to when they were 5 years old and the line surrounding each other's lives became stronger from the age of 14/15 it never stopped and only strengthened.

give some respect and reverence for lestappen's story.

bonus: