#long under the readmore!

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

[tangledinink]

Hello sorry for tagging. I am very sick, my asthma is at its maximum level, my nose freezes, I have no medicine or food. I am in bad shape financially, I am a black disabled, who uses multiple medications, I pay for my food and lodging

Unfortunately I do not have all the resources to keep me safe, that is why I need your help, whatever you can contribute to me will be of great help.

Okay kids, are you ready for a lesson in SPOTTING ONLINE SCAMS????

*please don't message this person or harass them-- i do recommend that you report and block them, however.

right now it's incredibly important to give time, attention, and money to online fundraisers. but it's also incredibly important not to let scammers take advantage of that and steal money that could actually save lives right now.

firstly-- if we go to this person's blog, and navigate to "archive--"

this person's blog has only existed for a few days, only has a handful of generic posts (many reblogged multiple times,) and made their first reblog the same day that they posted their "fundraiser" post. this is a MASSIVE red flag.

please also note that neither their ask nor post actually mention palestine or gaza at all, but it's still tagged with "free palestine" and "gaza."

though this one should obviously be taken with a grain of salt, it is also worth noting the poor grammar here, because this can be (but isn't always!!!) another red flag. Note also that all the details are really vague and don't quite make sense... user describes "enduring cold" and their "nose freezing" though it's the middle of the summer. This user says that they're "sick," but doesn't really offer any further details about this. This user says that they need money for "resources," but don't elaborate on what exactly they need. They vaguely elude to a need for lodging, caretakers, and medicine, but don't actually give us any details-- despite this they have a "$1200" goal. What is this specific goal of $1200 for? Is that the cost of their medication? Overdue medical bills? Cost for rent this month?... They also apologize in their ask for "tagging" me... but they didn't tag me. They sent me an ask.

Another red flag is that their link labeled "Fundraiser link" leads directly to a Paypal donation page rather than a gofundme or anything else. If someone chooses to collect aid through paypal, venmo, etc. instead of through a gofundme, that's not a huge issue in and of itself... but it is fishy that it's mislabeled like this.

And if we GOOGLE this user's tumblr name or paypal name, we can find results like this:

This also led me to find them on @/kyra45's blog on their list of current scam accounts.

Despite all this, they have close to 100 reblogs from well-meaning people trying to signal boost and ask for donations on their behalf.

With the current situation in Palestine and the amount of actual, legitimate fundraisers and donations being circulated right now, for Palestine, Sudan, the Congo, or otherwise, it is more important than ever to be aware of people who are trying to take advantage of the situation for their own personal gain. Whenever possible, please take the time to do some due diligence when you receive messages like this and check to see if a fundraiser is legitimate! It always sucks for someone to be the victim of a scam and lose money to someone playing pretend on the internet... but it sucks even more when that money could have gone to people in actual, acute, dire need.

Here's some more information about spotting scams on tumblr! Shoutout to tumblr user kyra45 for compiling this, and for all the other hard work they do-- thanks.

Here's an actual, vetted, and legitimate campaign that could use your support. After receiving this ask, I went and donated. If you have the means to do so, it would be amazing if you did so, too.

[ see ALL gaza funds campaigns here ]

[cor-lapis]

I decided to have a go at doing my own redesigns because these three are my favourites and I love them very much. further notes + sources under the readmore (warning: lots of text). I did my best with the research, but if there's anything I overlooked, I'd really appreciate people letting me know :)

Tighnari:

My main source for Tighnari was this excellent thread, from which I looked up each item of clothing individually. Since djellabas tend to be quite long, and Tighnari needs mobility for forest ranger activities, I figured he would cut and re-hem the lower half. He also has a lot of clothing pieces that are traditionally multicoloured, but to keep his design cohesive I decided to use the same colours across different items, but using a larger palette of colours than I would usually. I like the bright colours on him a lot though!

There are also some minor details I just changed because I wanted to. The flower on his chest is now a nilotpala lotus, because I thought it was nice to include his acension material/the material he asks you to help gather. The dirt stains/scuff marks are because rainforests are muddy and I wanted the design to emphasise Tighnari being very practical and hands-on with his work (see also, the specimen belt).

Finally, I shrunk the magnifying glass on his back (because I'm pretty sure it's meant to be his first magnifying glass toy and that thing is very large for a child to handle) and gave him an undercut because it seemed right. Also, I merged his front and back trailing cloths into a scarf type of thing that he could wrap around his nose and mouth to prevent inhaling spores from mushrooms.

Collei:

COLLEI my beloved. I had a mild nightmare trying to figure out a specific source culture for her design, but nobody seemed to know specifics and her outfit wasn't matching with any traditional dress I looked up, so in the end decided to keep the overall look the same. Just in case I assigned her something else, but then it turned out I missed her actual inspiration.

Anyway, I made her shoes simpler (no fur, heels, and open toes in the rainforest seemed reasonable to me), and gave her shorts. I liked the green colour because it's pretty unique under a dark dress, and pairs nicely with Nahida's white dress + green undersides. Amber's tie stays, but I made most of her jewellery smaller since it felt a little clunky for a trainee ranger.

Her earring and necklace(?) are allusions to the Evil Eye and the Khmissa/Hamsa, both symbols of protection. Especially considering the fact they're meant to ward off evil, and very common across multiple MENA cultures, it seemed fitting for Collei to have them. Also, she has Eleazar scars, and I used the design for her stockings as inspiration for the combination knee braces (similar to those used for arthritis, since Eleazar also causes stiff limbs and I HC that people affected would probably still need some recovery support)/knee pads (in the case of a fall). I like the idea that Kaveh would have helped make them for her (tangent but the fic Here is the House explores similar ideas; it's really really good, I heavily recommend it). Finally, she has curly hair because I thought it would be cute.

Cyno:

Here's the thread I found for Cyno. The main critique was to do with the eras from which each aspect of his clothing drew inspiration, but I admittedly wouldn't be able to do much about this without a lot of research. One thing I did try and verify was the small strip of cloth on the left of his chest, and I found a few wall murals where the people seem to be wearing similar strips of cloth? (example here; rightmost figure) Therefore, I didn't remove it, but if someone wants to explain Ancient Egyptian clothing history to me I'd be really interested to hear it 6.6

I might iterate on the design in the future, but for now the changes are mostly HC territory. Cyno wearing his hair in locs (a protective hairstyle) makes sense for someone who does a lot of hiking after rogue scholars, and I also gave him quite old and faded top surgery scars because healthcare is canonically free in Sumeru (thanks for that information, al-Haitham)(though tbf Cyno makes bank anyway). I also adjusted the colours a bit, since Genshin tends to use desaturated shades for metallic elements.

I also considered giving Cyno more scars, but figured that it could indicate Hermanubis' presence that someone you'd expect to get injured a lot is relatively scar-free (i.e. some sort of godly healing factor/resistance to damage). However, we know next to nothing about Hermanubis, so Cyno having a lot of scars also makes sense. This paragraph is mostly just a cry for help cyno story quest 2 literally any more elaboration about the nature of Hermanubis' pact and the Temple of Silence.

Conclusion

I wasn't intending to write one when I started the explanations but this got REALLY long so if you made it this far, thank you so so much ToT please check out the links; the threads especially were a great resource, and I'm grateful that people take the time to make them <3 genshin's character design department are cowards but I'm glad I learned some new things through the redesign process

[transactinides]

There is a reason why Ranpo often struggles with getting lost/finding his way back home

This might seem like a far fetched beginning, but for this to be clear I do need to explain one pretty easy to understand (I prommy) math concept - a random walk. In math, a random walk describes a path consisting of random steps in some sort of mathematical space. A path of a molecule in a gas is a random walk, and individual foraging animal's movement is a random walk, and even your Tw*tter follow suggestions use a random walk process. I have heard of it from Markov's chains and computer science. You might not have heard of it at all which is both valid and understandable. The important parts are:

1) a random walk is. well. a random walk;

2) In Japanese, while most commonly referred to by its transliterated name, ランダムウォーク (literally 'random walk' in katakana), a random walk can also be called 乱歩, with 乱 meaning 'disordered' and 歩 meaning 'path.

If you (unlike me) know Japanese, you already see where I am going with this - yes, 乱歩 reads as 'Ranpo'. It is, in fact, the same 'Ranpo' as in our beloved detectives name, Edogawa Ranpo!

So Ranpo's general directionally challenges nature could be a nod towards his name, meaning that he probably gets lost easily and struggles with routes due to taking random detours and turns (just like a random walk ^-^)

[pigswithwings]

A Guide On Lessening Yourself

(Or, What To Do Before They Cut You Open)

This guide has been created to prepare you for your upcoming procedure. Please read carefully and follow all directions in order to have the safest experience.

RECOMMENDATIONS:

- Do not eat. (Required; at least 3 hours before the procedure starts. No meats, no vegetables, no grains, and especially no fruits. Any remaining food that is being digested will get in the way.)

- Do not drink. (Required; at least 2 hours before the procedure starts. No water, soda, juice, soup, milk, coffee, or energy drinks. Any remaining fluids will get in the way.)

- Do not bleed. (Required; at least 1 month before the procedure. No paper cuts, nosebleeds, injuries or other form of your own blood leaving your body. Restriction of the expression of your mortality is imperative.)

- Do not dream. (Strongly suggested; at least 1 month before the procedure starts. No daydreams, no hopes, no wishes, no lifelong goals, and no nightmares. Avoid losing yourself within any fantastical trappings - these are the vestiges of a mortal mind.)

TIPS:

BEFORE

- Make sure to confirm your procedure date. Whether by checking online, asking your doctor, or praying, it's of utmost importance that you remember the specific time and day of your event.

- Make certain that this procedure is for you.

Though the process has already been scheduled, you still have options if you're unsure. Asking God or previous patients are the most authentic ways to learn about this process. Consider the benefits and consequences of the procedure as a whole - this will undoubtedly affect your life, but will it be more negative rather than positive? Will you be able to be happy again? If you are willing to accept such possibilities, continue on. Should you choose to, however, you may still opt out before the scheduled date by telling your doctor and/or healthcare provider.

DURING

- Make sure to arrive early to your procedure. Timeliness is key.

- Be flexible with your interviewers. Many angels are unfamiliar with human languages and may instead choose to communicate directly inside your mind. This may cause discomfort as well as the feeling of being stripped into nothingness. Don't panic and remember that you deserve a chance at holiness, regardless of your humanity.

- Be polite. Though your angel interviewers may have already visited Earth before, human customs are often difficult to adjust to. If an interviewer makes a social faux pas (such as revealing their true form), brush it off and continue the conversation as best you can.

- Be prepared for any questions regarding your past attachments, relationships, possessions, etc. If you've prepared well, you'll be able to answer with full honesty that you have left all possible remnants of humanity behind - that means no mistakes, no regrets, and no emotions.

- Should you pass the interview (you will be told after they have finished), be ready to experience anywhere from a small to large amount of pain. This experience usually lasts around 20 seconds, but some say it feels like an eternity of blinding, searing light. The scale of your pain will be a direct result of how successful you were at stripping away your humanity; the agony that follows will be the angels burning it off of you.

- Wait through the pain.

- Wait through the pain.

- Wait through the pain.

- Wait through the pain.

- Wait through the pain.

- Wait through the pain.

- Wait thought it.

- Wait through it.

- Wait

AFTER

- If you've successfully passed the interview, survived the procedure, and become an angel, congratulations! The following tips are only suggestions, but may help you in adjusting to your new existence.

- Avoid brightening your divine light too much at once. You'll quickly realize that your new eyes are far more adjusted to light than a human's, making the world appear dimmer than before.

- Avoid speaking out loud to others for the first few millenium, as this may cause harm if done incorrectly. Instead, practice "speaking" through the visual and audible expression of abstract concepts.

- Don't expect to visit Earth again. More often than not, angels avoid the human world (most say it's too painful to linger), so it's very unlikely that you'll return. Don't come back if you possibly can.

Finally, enjoy your new status as part of the divine. Not many people get to experience the feeling - you have made it! Please enjoy the rest of infinity.

[armoredisopod]

Arknights Thank You Celebration 2024 PVs

New Operators

Figurino, 5* Merchant Specialist

I have a lot to learn, and right now, i'd like to start by making a new suit.

Crownslayer, 6* Welfare Executor Specialist

"Crownslayer", that's the name we're familiar with, let's keep it.

Vulpisfoglia, 6* Pioneer Vanguard

I appreciate the acknowledgement. But you know this means in the future the people who are hunting me for bounty will come to Rhodes Island first. Will that be fine?

Lappland the Decadenza, 6* Limited Mech-Accord Caster

Is this your way of trying to get me to settle down, or do you also think this game needs more excitement...

I just can't guess you, no wonder i like your trust in me!

2 new operators to the voucher shop

Contrail, 4* 巡空者 (Air Patrol) Specialist

Philae, 5* 本源铁卫 (Primal Protector) Defender

Operator Outfits Update

Total of 6 new outfits, 2 new additions for the Cambrian brand, 1 new addition for the Epoque brand, 2 new additions for the Test Collection brand and 1 new addition for the 0011/Tempest brand

Cambrian

At the Warm Velvet Corner - Warmy

Travel Freely - Sussurro (Login Event)

Epoque

Il Segreto Della Notte - Texas the Omertosa (21 OP)

Test Collection

Allmind As One - Executor the Ex Foedere (24 OP)

The city lights up. I can sense everyone's presence, and everyone's absence. We are together——— as one "Laterano".

Diversity Oneness - Virtuosa (24 OP)

Please stay, Sankta. Please tell me, is the Laterano of now a place that is connected to the rest of the land?

0011/Tempest

Ignis Fatuus - Lessing

Lessing's outfit will be up for sale during Zwillingstürme im Herbst Retrospect

Announced outfit reruns

Young Branch - Muelsyse

Red Countess - Skadi the Corrupting Heart

Operator Modules Update

All the new operators (except the red cert shop ops) being part of branches with modules immediately get their modules

FUN-X module base effect increases the starting damage of Lappland the Decadenza's drones to 35% of her ATK

SOL-X module base effect gives Vulpisfoglia +8% ATK and DEF when blocking

EXE-X module base effect makes it so retreating Crownslayer refunds 80% of her current DP Cost

MER-X module base effect reduces the DP drained by Figurino's trait effect

Ritualist Supporter branch gets 1 module type

Lessing gets his second module

DRE-Y module base effect allows Lessing to survive a single fatal blow, healing back to full and gaining +30 ASPD at the cost of -60% Max HP, this effect only activates once per deployment

Angelina and Rosmontis get Integrated Strategies specialized modules

These modules' effects are unknown at the time of writing

Events and Stories

I Portatori Dei Velluti, a Siracusa side story event

Put on your masks and dresses, the show is about to begin in the streets.

Come on, don't be boring - you're probably the least "Carnival" of the bunch!

Stronghold Protocol, limited time autobattler gamemode, opens during the third week of I Portatori Dei Velluti

Zwillingstürme im Herbst Retrospect, scheduled after I Portatori Dei Velluti

Operator Archives update for Lessing, Jieyun, Schwarz, Sora, Totter and Vigil

Misc Stuff

New QoL changes

Added the ability to have preset base loadouts that you can easily swap between

Added the ability to instantly send every exhausted operator into dormitories with one button

Max Sanity cap increased by +45

Refilling sanity using Originite Prime will refill 135 sanity regardless of level/max cap

Added the ability to instantly move to required lower materials when crafting and a button to move back the higher tier material that required it

Mountain, Kafka and Pinecone added to recruitment

Bagpipe's [Queen, No.1] outfit will be available in the certs shop to players that don't have it

Livestream Stuff

Showcased Lappland the Decadenza, a hyper offensive 6* Mech-Accord Caster with potent self buffs and powerful debuffs

First talent makes her stronger the longer she stays on the field, getting the following buffs in order: increased drone damage cap, ability to inflict Silence, gains more drones

Second talent increases the initial SP of all [Siracusa] operators when she's in the squad

Skill 1 has a passive effect that immediately gives her an additional drone, when the skill activates she gains ATK, releases her drones to attack enemies and her drones will attack idling enemies anywhere on the field

Skill 2 expands her attack range, increases her ATK, gives her more drones and releases her drones to attack enemies randomly within range, her drones have a chance to inflict Panic

Skill 3 increases her ATK and gives her more drones, then releases special drones that actively seek out and hunt enemies, the special drones inflict Panic upon reaching a target and locks onto them; enemies near the drones will have decreased movement speed and take Arts damage every second

Showcased Vulpisfoglia, a 6* Pioneer Vanguard with a strong battlefield presence

First talent makes her attacks deal additional Arts damage for a few seconds after the first time hitting them

Second talent increases the natural DP regeneration by a small amount and lets her recover HP when she hasn't taken damage for a few seconds

Skill 1 is a power strike skill that makes her next attack deal Arts damage and generate some DP, this skill can store charges

Skill 2 lets her immediately deal Arts damage in an area in front of her, Slows the hit enemies and generates some DP. If the enemies were already under the effects of Slow they will be Stunned instead, this skill can store charges

Skill 3 immediately generates DP, expands her attack range, increases her ATK, gives a massive decaying ASPD boost, allows her to attack enemies equal to block count and each attack briefly Stuns the hit enemies. If she defeats any enemy during the skill she will gain Camouflage at the end of the skill that lasts until the next skill activation

Showcased Crownslayer, a 6* Executor Specialist with a unique disruptive kit

First talent sprays a smokescreen on the 8 surrounding tiles around her during skill duration, reducing the Physical and Arts Hit Rate of ground enemies in those tiles

Second talent lets her deal increased Physical damage to enemies that have not landed a hit on her

Skill 1 gives her increased ATK and some amount of Physical and Arts Dodge

Skill 2 stops her from attacking upon deployment, makes her less likely to be attacked and increases the amount of Physical and Arts Hit Rate the smokescreen decreases, when skill ends she will deal a certain % of ATK as Physical damage to all enemies within range

Skill 3 increases her first talent range, gives her Invisibility and sets her Block Count to 0, every few seconds she will appear to attack an enemy within the talent range dealing a certain % of ATK as Physical damage and Stunning them for a few seconds

Showcased the event mechanic, a fireworks machine that will apply effects on a number of tiles around it when activated

While the machine is active, operators on those tiles will take periodic damage and cannot be healed but will not have their HP go below 1, enemies on those tiles will take constant damage

Players can additionally customize which tiles will be affected by the fireworks machine and have it apply additional bonus effects in the event menu

Showcased Contrail, an experimental 4* of a neat new branch 巡空者 (Air Patrol), a Specialist branch that consists of operators that have 2 Block Count and utilizes the new status "Takeoff"

Takeoff: Does not block ground enemies and will not be attacked by ground enemies, can block aerial enemies

S1 makes her takeoff immediately upon deployment, expands her attack range, increases her ATK and gives her some Physical Dodge

S2 makes her takeoff when activated, expands her attack range, increases her ATK, lets her attack 2 targets at once and is able to attack an additional aerial enemy and her attacks inflict Slow to aerial enemies

Showed footage of the new base loadouts feature

Work rooms and Dormitories are now in separate tabs

You can set up to 3 loadouts for each individual room and press a button to immediately swap out exhausted operators, there is also a button to immediately do this in every room all at once

Showed the button that immediately sends all exhausted operators into the dorms

Teased even more base QoL features planned for the next Sui sibling event update

Expanded the Reception Room and added the ability to decorate it

Added activity rooms, operators assigned to this room can be manually controlled and move around the base

Announced the ability to register your birthday, players will receive gift furniture on their set birthday and operators have special birthday voicelines

Announced the ability to have a list of rotating assistant operators that change every day

Announced the ability to make loadouts for the main menu background/UI theme/assistant operators for quick switching

SSS will get a skip feature, uses the same PRTS Proxy Cards used for annihilation skip

The older SSS maps will become playable again

Stronghold Protocol, limited time autobattler gamemode

In the gamemode the player will have to prepare their squad and operators before each battle, the player can hire additional operators and have multiple copies of them deployed or combined into a higher tier of that operator

Players can hire reserve operators should they lack usable units and also hire up to 8 friend support operators

Teased the next event involving Thorns and the history of alchemy in Iberia

Announced some kind of mini game collection "Poly Vision Museum"

Announced the second expansion update for IS#5

A 5th ending exploring the story of an alternate universe Amiya

The ability to share seeds of runs you completed to other players, completing a seeded run will not unlock higher difficulty/new relics/etc

Max difficulty increased beyond 15

New starting squads

New collectibles and thoughts (IS5 gimmick items)

Teased Arknights anime season 3 [RISE FROM EMBER]

Announced U-Official mini series

Announced Ambience Synesthesia 2025: Best Song Award, the song lineup featured in the concert will be decided via community polling

INVESTIGATED TERRA lore video covering the history and development of Originium on Terra and the technology that sprouted from it narrated by Kal'tsit

[starrystevie]

"it's a vhs night, huh?" eddie asks as he comes out of the kitchen, two mugs of decaf coffee in one hand, a box of oreos in the other. steve's on his knees in front of the tv with tapes scattered around him, a mixture of home movies and mashed up concert recordings and episodes of star trek that are bound to get recorded over eventually. he turns around as his husband enters the living room and opens his mouth for a cookie that eddie happily feeds him.

"yeah, why not?" he gives eddie a half smile that makes the crows feet around his eyes crinkle even more. "just feeling nostalgic, i guess."

eddie hums and sits on his end of the couch before pulling one foot up to cross over his knee. he takes a sip of the bitter black coffee and dunks an oreo in to soften it up then pops it into his mouth. steve finally settles on a video and rewinds it to the start, curling up on his side of the cushions with his feet tucked under eddie's thigh. a hand finds its way around his ankle and a thumb strokes at the soft skin it can find. gentle, comforting, home.

the grainy picture on the screen straightens out and the sound clicks on along with it. the greens of the grass are a little faded and the blue of the sky is dull but it's still clear enough to make out steve on the swings at the park down the road from loch nora. steve's mom is behind the camera yelling for him to pump your legs, good job stevie, there you go, wow you're going so high and the grin on the boy's face is a wide as the sky above him.

"you were so cute, what happened?" eddie murmurs with a chuckle causing steve to slap at the thigh currently warming his feet.

"i'm still cute, thank you very much." steve grumbles out his response which makes eddie chuckle again, leaning over with a groan to smash a kiss to his cheek.

there's little voices echoing in the background as steve continues to swing and the video switches suddenly to him on a red check blanket eating a sandwich. he has jelly on his cheek in the same place that eddie had placed a kiss not a minute earlier and it has them both cooing like the old men they are.

but then there's a flash of something in the background. a little kid runs by followed by what's presumably his mother and it distracts little steve, who turns on his blanket to watch the two running.

"is that...?" steve starts, turning to eddie who's staring at the screen with rapt attention. the gasp he gets in return is the only answer he could possibly need. the hand around his ankle gets a little tighter and he watches as a watery smile spreads across eddie's face, salt-and-pepper beard crinkling up on his cheeks.

"that's me, that's-" he breathes out, curling in on himself slightly to peer closer at the video. in the video, steve's still staring at the little boy in the park getting picked up by his mom and being thrown in the air. his little giggles break through the speakers as his mom catches him, cradling him to her chest as she runs off screen. they come back into frame a few seconds later and crash side-by-side onto the grass. their arms start pointing at the sky like they're finding shapes in the clouds and eddie inhales sharply. "-that's my mom."

steve reaches down and clasps his hand around eddie's where it's still on his bony ankle, trailing his fingers over his husband's. eddie looks up and tosses a bewildered grin at steve who catches it easily and returns it with one of his own. as if they have magnets stored in their hearts from where the universe made them for each other, the two move closer to one another instinctually until they have arms around waists and fingers tangled together and heads on shoulders.

they sit in silence for the next few minutes, reliving a time when they were still boys with their mothers, happy and loved, not even knowing their soulmate was right next to them.

[orokay]

My (hopefully) last batch of large ko-fis for a while!

I had an interview for the paid training opportunity through ovr on Thursday so I'm waiting to hear back from them to know for sure, but regardless of if I get it or not, I'm going to be taking a much needed break from larger ko-fis to recuperate and draw for myself. In the meantime I'm going to keep mini's open, so if you're interested in supporting me until I (fingers crossed) start this new job in February, please check out my commissions page on ko-fi! I’m currently unemployed! If you’d like to help me out you can buy a mini or donate to my ko-fi! Thank you so much for all of your support!🌺

I don't want this to turn into a novel, so I'll try keep this brief, but I want to thank you guys from the bottom of my heart for supporting me through this period of my life. It's been a really rocky road, but I don't know where I'd be without the generous support of all of you guys who commissioned me, donated, and boosted my posts. Thank you so so so so so much! I want to send a special, huge thank you to Jax who commissioned me almost every time I opened them. I can't tell you how happy I was every time you popped up in my emails. You've been a dream commissioner to work with I honestly don't have the words to express how much working with you meant to me! Thank you again! I hope I'll be able to draw more of your characters for you in the future! ♥

[salt216000]

I saw a post today that made me quite upset. Normally I'd just ignore, but I read some of the tags and they upset me quite a bit too.

Username is cropped out because I don't want to make it seem like I'm putting 'em on blast, I just want to give my opinion on this.

Transfem headcanons of Gabriel are absolutely fine. Awesome, even. But not while putting down transmasc headcanons at the same time.

The post makes a really interesting and good point! Transfem Gabriel does work well with his narrative of growth and discovery of his own identity, especially as someone cast out of Heaven for not achieving the ridiculous standards they set. That is a really good notion that, yes, being entirely honest, I don't see as frequently from that angle.

But you do NOT have to say it is a 'failure of the fandom' and pin the blame on more people headcanoning him as transmasc. If you want transfem Gabriel content then you can make it: art, writing, musings, anything, but you don't have to put down other creators for projecting their own ideas and potentially their own experiences onto a character they like and relate to.

I'm going to preface this next part with: I am NOT disparaging against transfem Gabriel headcanons, or giving reasons as to why they shouldn't exist. All I am doing here is clarifying why people tend to headcanon him as transmasc. Francis Xie was hired by Hakita to draw concept art, and he is known for drawing a lot of artwork of Gabriel (some NSFW in nature, as a warning in case you decide to look for yourself), and in said artwork he depicts his headcanon of Gabriel being transmasc. Of course, this is not gospel, it is not officially canon and even if it was people are allowed to headcanon him as whatever they want, I only bring this up to help explain why the headcanon may be so popular.

More personally, I find it really gender affirming to have a character in the ballpark of masculine in frame and voice, but to see him wear more feminine clothing in official artwork without it being degrading. It's very nice to see a depiction of this to help push back against the reinforcement that masculine presenting people must conform to certain standards, and that's why I personally enjoy the headcanon too.

There are also a decent few characters that DO get more transfem rep: Mirage, the mindflayers, mannequins, V2, so I don't understand why it's a problem that it is the minority with Gabriel. I wasn't originally going to post this publically, but these tags pushed me to do so:

Username once again cropped out for the same reason as above. To be clear, these are NOT OP's tags.

I don't care what the original tone OP meant was, if it was joking or playful or whatever else, because the sentiment that that post gathered is absolutely wretched. I don't have much else to say about it without getting deeper into gender stuff that I don't want to extend this post with, but I'll reiterate my main point.

You can be upset that there aren't headcanons that represent a certain idea you prefer, but DO NOT put down others who have contrasting ideas in the same breath. If you want to make a post about Gabriel being transfem being a great narrative, go for it, no one will stop you, but do not fucking wrap in a 'transmasc headcanons are wrong and don't get it, and my headcanon is more correct', and at those tags in particular, do NOT treat transmasc headcanons like this, 'transmasc pandemic' is such an awful way to put it and makes me feel as though a line in the sand is being further drawn between transmascs and others who are not.

[g0nta-g0kuhara]

The Chapter 4 Essay Part 1: Kokichi Ouma

A metapost on my thoughts on Kokichi’s overall motivations and Gonta’s actions during ch4. Split into two parts. You can find the Gonta half here: (LINK)

I think the way Kokichi acts when he’s telling the truth says something crucial about his personality. When he’s telling the genuine truth, his expression becomes carefully neutral.

(post trial, chapter 1)

To me, it feels like he’s trying very hard to keep this face of neutrality. Normally, he’s able to expertly express any emotion that he wants to. In these moments, its almost like the emotion he’s feeling is so overpowering that he’s trying to repress it in order to maintain control over the face he presents to everyone else, but isn’t quite able to do so.

Kokichi is very careful about keeping people from seeing the parts of himself that he doesn’t choose to show. His villain persona and constant lying is part of this- He wants to keep people away from him. During the events of the killing game, he uses the distance that he creates in many ways. Part of it was that not having many close alliances allowed him to go off and do whatever he wanted during daily life. This let him explore the school and investigate the truth of the killing game without interruption or much attention. Lying also gave him distance between the game and himself. Pretending that the killing game was fun might’ve been his way to cope with everything that was happening. I think Kokichi is really damn good at separating himself from his emotions, lying to himself to do what he thinks needs to be done. This line from Chapter 1 is pretty telling…

(post trial, chapter 1)

This was also something he says himself to Kaito in the exisal hanger during chapter 5.

(post trial, chapter 5)

I’m inclined to believe everything that Kokichi says to Kaito in the exisal hanger. As Kiibo says when Kaito questions it, “I think his dying words may have been the honest truth.” Knowing he was about the die, and that he absolutely needed Kaito’s help to get his plan to break the killing game to work- to achieve his genuine, true goal- I don’t see any reason for him to lie.

This emotional distance extends past just the killing game. I think it's a key part of how he interacts with others around him.

Kokichi is an ultimate leader. I think he uses his talent throughout the game in an attempt to “lead” everyone from the shadows. He wanted to stop the killing game and escape with as many people as possible. However, his methods are very ends-justify-the-means. I believe that he did genuinely care about everyone at the ultimate academy, but in the detached way a distant king might care about his subjects. On the other hand, if he had to use or sacrifice a few as pawns for the greater good, that is what had to be done. It’s not like it didn’t emotionally affect him, but I think he was deliberately trying to keep his distance so that it would not impact him as much, and so that he could continue trying to tear the killing game apart with as many tools in his arsenal as possible.

(post trial, chapter 5)

With this core motivation in mind, this brings us to Chapter 4.

In my opinion, the Killing Game Busters was never a plan that was meant to succeed. From an in-game perspective, the idea that he was originally going to follow this mercy kill plan doesn’t make sense to me. Firstly, Kokichi already had suspicions that they were being watched as early as chapter 3.

(post trial, chapter 3)

…and he later confirms that he was fully convinced of this fact when Monokuma agreed to reuse the chapter 4 motive in the virtual world.

(post trial, chapter 5)

He knew that this killing game was for somebody else’s entertainment. I’ll go a bit into the secret of the outside world in a moment, but considering this, I don’t think he ever fully believed in it. Choosing to mercy kill everyone, in the name of a “truth” that was incompatible with what he had discovered… just doesn’t make sense to me.

Not to mention, from a narrative standpoint, I think the idea that he was completely for this mercy kill plan, decided to throw out the plan mid-trial, and then start an entirely different plan to end the killing game in chapter 5, isn’t very compelling. It weakens Kokichi’s overall character by making his motivation less cohesive and making him seem less organized over all, which I think is one of his strengths as a character. A Kokichi that is this fickle with what he’s trying to do would not have been able to write the script for chapter 5.

I think he always had different goals in mind with the Killing Game Busters. The first was something that is made very clear in chapter 5, but started here in chapter 4: He wanted to stop the killing to give himself room to break the game while minimizing deaths. The second was to further villainize himself, for all the reasons I talked about above, and some more I will get into in a little bit.

Seeing the secret of the outside world was undoubtably disturbing, regardless of whether he believed it or not; there is a noticeable shift in how Kokichi acts before and after he swipes that card key. Combined with discovering that Miu, someone he’d been working with closely, was planning on murdering him, I believe that seeing the destruction of the outside world pushed him towards more drastic measures than what he had been doing in previous chapters. He decided that in order for his plan in chapter 5 to work (which he had almost certainly already been planning at this point, considering how elaborate it was), he needed to make everyone question if pursuing the truth was the right thing to do at all.

After Miu’s body discovery, nobody was really worried about losing this class trial. Everyone had seen how Shuichi had guided them all to the truth and caught the blackened three times in a row, despite the unique difficulties in each case. They had full confidence in his abilities.

(investigation, chapter 4)

Shuichi is also not really doubting his abilities as a detective anymore. One of Shuichi’s core internal conflicts is his fear of the consequences of revealing the truth. Up to this point, it seems like he’s been moving past it. Especially after catching Korekiyo “Actual Serial Killer” Shinguji, who had no regrets or grey motivation for his killings. Shuichi’s morale, and subsequently everyone else’s, was at an all time high. (Of course, he was starting to feel a lot of pressure to solve these cases and save everyone on his own… but that’s another issue. ily Shuichi)

If Kokichi could take the wind out of Shuichi’s sails, really destroy the confidence he had built up so far, he could set up his impossible trial in chapter 5 to be more likely to work as intended. Everyone will be less motivated to try and figure out what happened if they are uncertain that finding the truth would actually result in anything good.

And I do believe he was trying to knock Shuichi off balance specifically. Damaging his confidence is one thing, but he was also deliberately trying to drive a wedge between him and Kaito. He antagonizes Kaito all chapter 4 investigation, including making up a nickname for Shuichi (“Shumai”) that directly riffs off Kaito’s closeness with Maki. He insists into the trial that he and Shuichi are partners now.

(class trial, chapter 4)

(Sidenote: Kokichi’s behaviour during trial 4 is genuinely really interesting to me. On top of the direct digs like this, he says a lot more subtle things to get under Kaito’s skin during trial 4 that I think are super neat to pay attention to.)

Theoretically, pushing Kaito away from Shuichi, combined with the powerlessness he’ll feel in the wake of the truth of both trial 4 and the outside world, could make him easier to convince to join Kokichi’s “side”. He even directly asks Shuichi to team up with him before leaving the virtual world:

(daily life, Chapter 4)

This leads me to believe that Shuichi was originally the one that Kokichi intended to use to build his impossible trial. I mean, if Shuichi was the one in the exisal hanger and presumed dead instead of Kaito, the chances of everyone else solving that mystery drops Significantly. Everyone else, aside from maybe Kiibo, was 100% convinced that Kokichi was the mastermind at that point. No one except Shuichi would’ve tried to dig as deep as he did, for better or for worse. I think this idea is supported by the note that Kokichi wrote next to Shuichi’s face on the whiteboard in his room (“trustworthy?”). He was clearly considering Shuichi as a person for one reason or another, and I believe this is it.

By condemning Gonta, who everyone else perceived as a kind soul who would never hurt anybody, someone who was struggling to understand what the virtual world even was with his amnesia, would be perceived by the others as kicking someone when they were down. Gonta has an absolutely miserable time through the accusations and wholly blames himself for how things turned out in the end. That, and Gonta’s actions were even well-intentioned. The secret of the outside world was apparently so horrible, Gonta thought it would be kinder to mercy kill everyone rather than force them to face it. This result would make everyone question if the truth was really as undoubtably good as they had come to think so far; Not only did Gonta suffer because they had to find the truth, but seeking the secret of the outside world would apparently also only lead to suffering. This would make them hesitate during Kokichi’s impossible trial.

(class trial, chapter 4)

As I said before, Kokichi’s second goal for trial 4 was villainizing himself even further. He says that this was a goal himself to Kaito in chapter 5.

(post trial, chapter 5)

Part of this villainization was just adding to the persona he had already created for himself and that I already talked about his motivations for before. The other part was what he says here. He specifically wanted everyone to think that he was the mastermind. This gave him leverage in two main ways. First, making himself appear to be the mastermind with an actual mastermind as hands off as Tsumugi genuinely gave him power over everyone else. He used this in chapter 5 to put a pause to the killings and give himself more room to enact his plan to break the killing game from the inside.

(daily life, chapter 5)

Although he then says “You guys can commit suicide together or kill each other… / Or, you can change your mind and stay here! You’re welcome to do that too!”, having experienced the secret of the outside world already, I think he’s pretty confident in what they will be feeling in this moment. No one is going to kill each other, and he knows that. He wants them to take that second option for the time being while he sets up his plot.

Making himself appear like the mastermind also benefited his impossible trial plan directly. Everyone would be much more likely to vote for someone they were convinced was the mastermind rather than one of their friends. No one would suspect that it was really him that was the victim.

“Using Gonta and making him into a murderer” was a significant part of how he villainized himself, but the way he treated Gonta during this whole experience was also a major factor. Starting as early as just after Miu was killed, he begins to be really aggressively mean to Gonta. He just straight up bullies him throughout the second half of the trial.

(daily life, chapter 4)

(class trial, chapter 4)

And then, after all this, he acts remorseful and sides himself with Gonta at the very end. It isn't genuine emotion like he felt before Kaede's execution, shown by his neutral expression. To me, this uncharacteristically open expression of grief feels like it was just set up to exacerbate the impact of his cruelty after Gonta’s execution. At this point, everybody’s little faith in Kokichi has been shaken significantly. With the shock of the trial, maybe you Could start to believe they were on the same side, as a team. Then, at the reveal of the extent of Kokichi’s manipulation, that is all ripped painfully away again.

(post trial, chapter 4)

(post trial, chapter 4)

Even if these parts of trial 4 make my stomach turn, I don’t want to imply that Kokichi is completely cold-hearted and unfeeling. Actually, I think there were multiple moments in chapter 4 that show him struggling to regulate his emotions and keep face around everyone else while he enacted this plan.

1: I don’t think Kokichi initially planned to make the reveal that Gonta was the killer as dramatic (or frankly, a bit traumatic) as it ended up being. He had been carrying himself a certain way during the first half of the trial, and I think Shuichi lying to his face in front of everyone about Kokichi’s own alibi dramatically changed his attitude. I mean, Shuichi lied (as he had done almost every trial and gotten 0 flack for) and Tsumugi even called him out on it, but everyone believed him over Kokichi anyways. So when Kokichi lies, it’s completely inexcusable, even though he’s been working tirelessly on his own trying to save everyone?* But when SHUICHI lies, and gets caught in it, people go along with him? They don’t doubt their trust in him for even a second? This double standard infuriated him. It’s at this point that he completely shifts in energy. If Shuichi, no, everyone, is going to disrespect him like this, he was going to make them suffer for it.

(class trial, chapter 4)

2: Kokichi only goes full villain after Kaito says “Kokichi, If you really cared for Gonta, explain yourself to everyone” in the post trial. I think that even though he was always going to paint himself as the villain, he was legitimately affected by the things that had just happened (Gonta’s death, Miu’s attempted murder, the secret of the outside world, even if he knew it wasn’t real) and what he’d just done. Even if he was trying hard not to be. The sudden shift he has from not saying anything to cackling about how little he cared about Gonta feels to me like he was kicking himself back into gear after trying to process some genuinely difficult emotions. 3: After Kokichi punches Kaito down, and everyone completely ignores him in favour of helping Kaito up, Shuichi says these iconic words to Kokichi: “Kaito always has us by his side, see? But no one wants to be around you. / You’re alone, Kokichi. And you always will be.” Kokichi responds like this:

(Post-trial, chapter 4)

There’s something about the way he cuts himself off, pauses, and then his mask falls. I think Shuichi’s words got to him more than he wanted them to. Honestly, Kokichi’s attitude towards cooperation, keeping everyone at arm’s length, and insisting (to himself) that he (as a leader) must fix the killing game completely on his own just seems so lonely to me. Even if he is intentionally trying to alienate himself and get everyone to hate him, being so viscerally cut into like this must have hurt. Especially from someone he was trying to work to get onto his side. It’s no wonder he quickly left after this moment.

This is what I think drove Kokichi in chapter 4. He’s a leader who wants to “lead” his classmates into safety, but he isn’t afraid to use underhanded, cruel tactics if he thinks it will get him ahead in the game for the greater good. He viscerally represses his emotions in order to keep himself going and keep everyone else away from him. He tried to destroy Shuichi’s confidence and drive a wedge between him and Kaito to get him on his side for his plan. He used and made Gonta into a murderer to villainize himself and discourage everyone else from seeking the truth.

Whenever I imagine Kokichi on his own, out of the spotlight of the Audience or the eyes of his castmates, he’s never as expressive as he is in the open. I think in reality, Kokichi is a pretty depressed and lonely person. His clownish personality isn’t entirely a facade, and outside of a killing game scenario, I think he would act pretty similarly to how he does in game. But I do think that he uses it as a mask for his true emotions. While I feel like the “evil villain” persona is a genuine part of Kokichi’s personality, outside of the killing game he probably doesn’t act on it as deeply as he does in-game. I also think Kokichi struggles with letting people become close to him, even without anything on the line. The killing game just caused him to lean into these aspects of his personality hard, and in potentially the worst ways.

*I feel like here it’s important to mention that personally, I still think the collateral damage he caused in his attempts to stop the killing game matters. A lot. I don’t think he should be excused for the things he did, even if he had good intentions. This makes him a really interesting, morally grey character, and I like that about him. EDIT: I can't believe I have to add this, but please do not use this essay as ammunition for harassing people who ship ougoku… I don't agree with doing that at all. I hope I made it clear that I find Kokichi to be a complex character whose mistreatment of Gonta was never targeted, and more just an aspect how how he isolated himself and how he manipulated others to end the killing game, even if it caused suffering to them in the moment. Kokichi cares about everyone in the ultimate academy, in his own weird, detached way. He's not completely heartless nor is he an abusive monster. And even if none of that was the case, it's never an excuse to harass people for disagreeing with you. Please be cool!! Thanks <3

[demeterdefence]

i had some time to chill i took a walk i drank some water i still hate this sequence

fastpass spoilers and sexual assault references ahead

i mentioned a few weeks ago how much i disliked persephone's last interaction with apollo and how the narrative wants to insist that persephone has moved on / healed from her assault, and with the last chapter and fastpass spoilers, it has genuinely just gotten worse. like at this point i can't even fault the characters or their choices, this is 1000% a rachel thing, and i hope her computer crashes in the middle of an eight hour drawing that she hasn't saved ANYWAYS

i don't think it needs to be said that rachel sexualizes her abuse victim. like, there's a reason that hera is naked during her fight with kronos despite kronos being clothed; there's a reason persephone was alone and apollo had his shirt undone when they spoke on the phone before the press conference. it's masquerading as feminine empowerment, but it just seeks to emphasize how rachel sexualizes abuse, and how she will still try to redeem these male characters.

it's very telling that while she's having kronos monologue how sad and abused he was, and how he was ruled by fear, we cut to a shot of apollo and eros with the love arrow - another plot point that drove me absolutely bonkers but we'll get to that. the placement is not random, for all that it feels it; she's trying to draw a connection between apollo and kronos, how they're both ruled by fear.

apollo is planning to assault persephone again. this is not me being dramatic or exaggerating - he knows what the arrow does, he knows persephone hates him, he is absolutely planning to assault her again for his own purposes. whether kronos' apology was intended to be sincere or not, placing apollo in the visual middle of it sets a tone. he has abused persephone in the past and he will abuse her again.

the next time apollo and persephone interact, persephone has figured out how to make spring again (somehow, without explanation, one trainwreck at a time i guess.)

i don't love her plan, and i don't love how it came about, but on the top ten list of crimes in this webcomic, it's not the worst. persephone plays up her "weak, damsel in distress" image to apollo so he'll underestimate her - fine, whatever, not the end of the world. it's how rachel depicts this that i take issue with.

it took me a couple of minutes for that last picture to realize they're supposed to be struggling because it genuinely looks like they're making out lmao thanks rachel i hate it

not entirely related but the way the lineart becomes minuscule except on the face and chest rachel really shows her priorities

i'll skip a few more panels of apollo manhandling persephone with her doing pretty much nothing to fight back - she alternates between pleading with him to listen to her when he has historically never done so, and threatening to expose him for the rape, which also historically has never worked, but that's about the extent of her fight back. this is all before she knows about the arrow, so i'm hesitant to say she's playing him with her distress; this is genuinely the extent of her fight back.

a clear callback to the assault, which in another author's hands might have succeeded in being harrowing and traumatizing for the readers, but just filled me with visceral anger.

[narrator voice] fucking yikes!

ties her up, but don't worry! her chest will be on prominent display no matter what.

unrelated tangent once again but i love! how rachel has retconned the narrative so that ouranos was manipulating apollo all along! instead of apollo owning up to being a shitheel, we've got a master manipulator in the background, who can take some of the blame for apollo's actions! cool!!!

anyways persephone's plan is to make apollo fall in love with her, so he'll feel bad about raping her.

that's it.

we don't get persephone defeating apollo. we don't get persephone getting actual justice. it takes apollo being under the control of magic to admit what happened - it's a cheap cop-out, a lukewarm offering at best. i'm not joking, either, in the fastpass apollo quite literally goes on live television and admits he raped persephone, because he's under the magic of the love arrow. not because he genuinely feels bad, or because persephone got justice - it's a deus ex machina to wrap up the assault plotline. rachel never figured out if apollo was a master manipulator or some idiot tool, so she swerves between both, and then tosses the plot out to make room for something else.

it's such a miserable, cheap conclusion to a storyline that so many women have dealt with. years of waiting for apollo to be brought to justice, and he goes out with a little whimper, and persephone's assault gets swept under the rug again.

what a disappointment.

[abyssalzones]

What's your comic writing process like? I'm starting to get into making my own comics and I really admire your work!!! Any advice?

Ah, intrepid traveler, you've done well to journey to this secluded mountaintop spire, in search of the answers you seek. I indeed can provide such forbidden comicmancy knowledge... at the cost of your mortal soul...

coughs. anyway, I'm going to warn you immediately that what works for me does not work for everyone else, and in my experience the way I do things can prove very slow and discouraging for anyone who is more interested in the actual "drawing the damn comic" part of the process. I only do it this way because I enjoy weaving a narrative web that feels not only fully contained but re-readable, but my projects are often so long and my memory so shitty that I can't just keep all of it in my head! It would spill all over the place and make a really embarrassing mess of brain-juice. Not ideal.

but as for my own process, uhh... I suppose a comic would be fitting, right?

a little choppy but you get the idea.

as for turning words into art, I've been experimenting with figuring out the best way to do that for a little while now. Originally what I was doing for something like Ad Astra Per Aspera was to take my "script" and sketch it out on paper very loosely, before transposing that onto my canvas and working from there:

...but, I've found that can make it kind of difficult to space everything around on your standard page-size, and the thing I'm having the most problems with currently seems to be finding the sweet spot of panel-size proportions. So, I've taken to printing out standard thumbnail templates (you can just find these on google) and sketching very tiny panels in those, which seems to give me a slightly better sense of scale... (mild chapter 5 spoilers, sorry ad astra fans)

but I have yet to totally pull through on this, so who knows, maybe I'll try something else in the future!

As for advice, this is probably most applicable to me, but as a disabled artist I have a very hard time managing my workload without literally working myself into injury. I don't think I talked about this publicly but when I was working on that ten year anniversary comic I was literally drawing every single day for 3 solid months. Sometimes, in my case, I really can't bring myself to stop once I've latched onto an idea, and sometimes I find the most rewarding thing I can do with my time is to draw- but I seriously cannot overstate: Do not fucking do this.

You will fuck up your wrist, your back, your neck, your eyes, and probably your mental health. It's a well-known fact that mangaka have a lower life expectancy than the average japanese person due to the intense workload imposed on them by deadlines and personal expectations. Comics are a very demanding artform, and even though I'm not on any sort of mandated schedule there are times where I've toiled away at something when I likely should have been exercising or taking vision-breaks. Therefore the best advice I can give you is to chill the hell out.

Namely, find parts of the process you can be lazy about, and embrace the laziness! You don't like digitally sketching? Don't do it! Skip it, or maybe find a way to traditionally sketch things out in advance like I do. Hate lineart? Don't fucking do it. You really don't feel like wasting your time writing 72k words of comic scripts? ...then, don't be like me. skip that part. I'm a flawed human being and what works for me might not work for you.

The second most important piece of advice I could give is to read comics. Of all kinds. The reason for this is pretty self explanatory: In order to figure out your own comic-making style, you should first pick out bits and pieces from the artist's buffet to add to your plate. Manga, graphic novels, american comics, european comics, weird niche little webcomics, funny papers, anything and everything. This advice rings true of pretty much any art form, but I find it to be essential to honing comic-making skills because so many things you feel will just come intuitively often don't. and that's okay! nobody is born knowing how to leave space for speech bubbles or shape their panels in a way that imitates stretches of time. The best way to figure out stuff like this, in my experience, is to study the "masters", and then after becoming well accustomed to the basics, figure out what rules you want to bend or break to create your own style.

I consider myself to be in equal parts a writer and an artist, which lends itself well to making narrative comics, but maybe you're a bit more of an artist and want to focus on panel-by-panel visual storytelling. Or, conversely, maybe your talents lean closer towards writing, and the art itself is more of a secondary skill. Regardless of your unique blend of talents you can and should make a comic, you should just also be aware of your strengths and try to hone in on those- there will always be opportunities to build up skills you lack, but focusing on what you do best will always lead you in the right direction.

Anyway, that being said, here are some recommendations in no particular order:

Monster, Naoki Urasawa (!!)

Bone, Jeff Smith

Witch Hat Atelier, Kamome Shirahama

The first IDW run of Transformers comics (namely More Than Meets the Eye and Lost Light)

Persepolis, Marjane Satrapi (!!)

Through the Woods, Emily Carroll (really any Emily Carroll comics)

Kill Six Billion Demons (webcomic) (!!)

Akira, Katsuhiro Otomo

The Third Person, Emma Grove

Tintin, Hergé (can be super racist please be wary)

Dungeon Meshi, Ryoko Kui

Calvin & Hobbes, Bill Watterson

Maus, Art Spiegelman

Cucumber Quest (webcomic)

Jellyfish Princess, Akiko Higashimura

Golden Kamuy, Satoru Noda (!!)

Note that I did not grow up with manga so I am seriously behind on a lot of extremely influential japanese comics such as Dragon Ball, One Piece, basically any of the original Shonen Jump comics, but they're widely considered building blocks of the genre so if you love the artform I think you should give them a try! Same goes for classic non-shonen manga genres like various Shoujo, Josei, Yuri, Gekiga, ETC.

same as above applies to a lot of classic DC and Marvel works, I unfortunately am just not a big fan of superhero comics... but I'm sure there's good stuff in there. a couple of my mutuals talk about booster gold and the blue beetle all the time so I'm assuming there has to be something worthwhile.

...and many, many, many more that I'm forgetting! I noticed as I made this list that, to my knowledge, hardly any of these are made by black or just non-japanese-mangaka BIPOC artists, which makes me sad about the gaps in my own comic collection. Therefore, anyone is welcome to add their own recommendations in the replies!

now go forth, and combine images with text!!!!!!!!!!!

[tcfactory]

Please consider: Liu Qingge and Shen Qingqiu role-swap

[LiuJiu, 2300 words]

After the fire, Shen Jiu doesn't sit around, he's aiming straight for Cang Qiong. Wu Yanzi tempts him, but if he is to ever find out what happened to Qi-ge then he can't play around with rogue cultivators, so he ditches the man before Wu Yanzi could take him as a disciple.

He arrives to the sect at a year when they are not doing the disciple selection - the women at the Warm Red Pavilion say it's because the Sect Leader is busy monitoring his cursed head disciple and if the Sect Leader doesn't take part then the rest of the sect has to wait too - but he's tipped off that Bai Zhan is always open to those who are determined enough to climb the mountain and demand admittance.

So that's exactly what he does. The Peak Lord sets him against one of his junior disciples and tells him there are no rules, if he can beat them he's in. It's a test he's not supposed to win, to see his determination and his reaction to failure, as a malnourished slave boy should be no match to someone in good health who has two years of training under his belt. But Shen Jiu doesn't know this, he has come too far to give up now and unlike the scrappy, but well-fed farmer's son he's set up against, he fights dirty.

He sets the basis of his future nickname - The Rabid Wolf of Bai Zhan - that day when he claws the boy's eye out and forces him to yield. His rise among the disciples is almost as meteoric as Yue Qi's and people are on the lookout for when the upstart slave boy will plummet back to the earth, but he never does. When the year is up and the sect is abuzz that Lingxi caves are finally opening again because they are letting the cursed disciple out, he's there in the front row among the curious onlookers and throws himself in his Qi-ge's arms as soon as the other boy steps foot into the light again.

Shen Qingqiu grows up tall and willowy and unpredictable, an unconventional physical cultivator that bends with the wind, but never breaks. With Yue Qingyuan's support as an unshakeable mountain behind his back, he is untouchable. He never bothers to hide what he is, not his scars or his sharp edges or the slave brand burned into the meat of his shoulder, often bared to the world by his choice of outfit; he stands as testament that even the lowest wretches can claw their way up to stand among giants.

Liu Mingqu yields to his rich family and allows himself to be enrolled into Qing Jing. He is not as suited for spiritual cultivation and he has no head for arts, but he is still a prodigy and a really hard working one at that. He learns all there is to learn for a scholar and doesn't rest until he perfects them all - music, calligraphy, painting, poetry - and even if he's ever uninspired about pursuing them, the Peerless Beauty of Qing Jing is a competent teacher who stands head and shoulders over his peers. He masters his temper and his manners and takes to hiding his face behind a fan or sometimes a veil like his sister to discourage people from staring at him.

Their roles may be different, but their nature remains the same. Shen Jiu has always been more clever than he was strong and nothing changed about that now that he's essentially a spiritual cultivator playing at star athlete. He plants a bamboo forest on his mountain - for meditation and ambush practice, he says, but everyone knows he just needed a bubble of calm for himself in the endless war zone of Bai Zhan - and mercilessly beats any disciple who dares to damage the forest. In the serene calm of his little house he hoards books and maps and all the culture he can get his calloused hands on, always thirsty to know more, an endless pit his Qi-ge happily pours obscure knowledge into. He uses the standing feud between Bai Zhan and Qing Jing to spy on them, learn their cultivation methods by sight and listen to the senior disciples do ad hoc concerts, so he can practice music in the brothel or under a silencing array just behind his house.

It's during one of these trips when he discovers Liu Qingge behind the Qing Jing Peak Lord's manor, restlessly shuffling through the steps of a formal dance. Liu Qingge yearns to move, he yearns for the exertion of his wild youth, but there are only so many acceptable options for a scholar and as a cultivator he can't channel his restlessness into hunting or horse riding. That leaves dancing, but Liu Qingge is not a creative person. He sticks to the dances he half-remembers learning as a rich young master and maybe asks his sister for some more, but that's where his resourcefulness runs out on this venture.

Shen Qingqiu watches him go through the steps of the same dozen dances, swap to a few rounds of sword forms - perfectly executed and ethereal, an immortal beauty that earthbound Shen Qingqiu will never be able to replicate - and then swap back to the dances, increasingly frustrated and restless.

"If Peak Lord Qingge wants to learn some better dances, this shidi can introduce you to someone." Liu Qingge startles and almost turns him into a pincushion with a barrage of bamboo leaves.

"What do you want?!" They are secure in their respective positions, but they still don't like each other.

"Peace, shixiong. I'm just looking out for the sect. How would it reflect on me if I let my fellow Peak Lord work himself into a qi deviation and didn't step in?" Shen Qingqiu shrugs and smiles with an easy, predatory grace that makes Liu Qingge wish he had fangs to match the Wolf of Bai Zhan, but there's no malice in the offer. "Come now, shixiong. There's nobody else here. We don't need to do this stupid game of social posturing. Tell you what, as a sign of my goodwill I'm going to teach you a meditation technique to calm your qi after exercise, free of charge."

Almost everything with Shen Qingqiu is a transaction, so Liu Qingge knows better than to pass up the chance to get something from his shidi for free - and the meditation does help settle his roiling qi.

"What do you want in return, then?" It's almost terrifying how intensely Shen Qingqiu's eyes light up.

"That trick with the leaves - teach me how to do it."

Liu Qingge doesn't bother to point out that it's a spiritual technique. It's an unspoken secret that they would be better suited to each other's cultivation styles than that of their own peaks. Shen Qingqiu has a storm of razor sharp leaves dancing in the air before Liu Qingge is even done explaining.

He almost regrets agreeing when Shen Qingqiu takes him down to the brothel, but the women his shidi introduces him to are truly masters of dance - they were stars of an imperial dance troupe before their owner was executed for offending the Emperor and they were sold to the brothel. They take him to the back and teach him dances he could never have imagined, dances that make his heart soar and his blood rush hot in his veins, while Shen Qingqiu lightly dozes among the women in the main reception area, his very presence frightening all but the most unruly patrons into behaving.

Liu Qingge is an honest man and he knows, deep down, that he got much more out of this exchange than his shidi. He’s on the lookout to see how he could repay him, but Shen Qingqiu seems to want for nothing. What he can’t get on his own Yue Qingyuan gifts to him, doting relentlessly on his sharp-edged little brother. So when he hears that Shen Qingqiu is to set out to assist in a night hunt against a particularly dangerous demonic beast that made its way over the to the far shore of the sea, he hops to the opportunity to compile a scroll of all the unspoken rules and etiquette of the island, as well as a short history on the ninja clan that asked for their aid. It’s all information that Shen Qingqiu has no way of learning otherwise, but should ease his time on the hunt.

When he can’t find Shen Qingqiu at the bamboo house he goes looking for him and that’s when he finds the silencing array, that’s when he sees his shidi sitting with his guqin in a clearing, composing music. Liu Qingge’s mouth goes dry, his heart skips a beat - his shidi is like a vision from the heavens and for the first time since he started this scholarly lifestyle, Liu Qingge wants to paint. He wants to etch this scene in his heart and condense it into a poem.

He slinks away before his shidi can notice him and leaves the scroll in the bamboo house. In the three years Shen Qingqiu is gone, hunting that elusive monster that decimates one village after another, he becomes a man possessed - or more accurately, a tender hearted young maiden yearning for her first love. He paints picture after picture, sometimes of a wolf stalking among the bamboo, sometimes of Qingqiu with his guqin as the scene lives in his memory. Rarely he paints his shidi stretched out on a couch in the brothel, languid with feigned sleep and one eye opened a crack as he vigilantly watches over his sisters - he gifts one of those to the brothel, much to the ladies’ delight. He starts writing poetry, yearning, horrible poetry his sister mocks relentlessly, but slowly he finds his words and his latest attempts are almost good. He is the first to hound Zhangmen-shixiong for news on Shen shidi and learns every word of every letter by heart, no matter how short or impersonal the progress reports are.

Liu Qingge knows that his martial siblings are not blind to his obsession - he has caught Shang shidi muttering “bro, really?!” under his breath more than once. He’s not familiar with the expression, but he can understand the sentiment. Yue Qingyuan watches him with patient exasperation, but he knows that the man doesn’t disapprove from the mild comment about how Shen Jiu will need a new ceremonial robe for his return celebration because his old one is ten years out of fashion.

Embroidery is, technically, within the skill set of the Qing Jing Peak Lord. He hounds An Ding until someone supplies him with Shen Qingqiu’s measurements and the finest materials he can bully Shang shidi into acquiring - “That’s the same stuff demon royalty wears, try not to waste it, my contact had to go through the royal seamstress of the northern kingdom to get it in that color.” - and sets to work. Bai Zhan’s color is steel blue, but that never fit his shidi, so he picks greens instead to match his striking green eyes. He creates a design that accentuates the deceptive slimness of Qingqiu, then embroiders the robes with bamboo patterns and a wolf on the hunt and when they are done he crafts a matching fan - Shen shidi hides from nothing and nobody, but Liu Qingge thinks he might enjoy being a little mysterious.

He is daydreaming about his shidi during the next Peak Lord meeting when the Sect Leader breaks the news: the beast has finally been slain and Shen Qingqiu will be on the next ship back home. Liu Qingge stays barely long enough to not be impolite at the end of the meeting before he rushes off to finish the last touches on the robes. He wants to leave it all set out for his shidi in the bamboo house.

In his haste he misses the look Shang Qinghua and Yue Qingyuan exchange behind his back.

“So, about those arrangements we made…”

“Yes, please. Let’s get Xiao Jiu home before Liu-shidi pines himself into a qi deviation.”

“Yeah, he’s down bad isn’t he?”

“Are you certain your prince doesn’t mind? If you are in any danger, shidi…”

“No! It’s fine, I’m fine, he already agreed to it! In fact, my Xuebao likes your brother so much I’m almost a little jealous.”

“Really now?”

“Zhangmen-shixiong, please stop looking like you are plotting murder. It’s not like that. As the Mobei prince, he really doesn’t have a lot of friends. Of course he misses A-Jiu.”

“If you say so, shidi.”

Liu Qingge is all jitters when he walks down the path to the bamboo house. He can’t understand why because Shen Qingiu won’t be back for months, but he still feels like a maiden on her way to ask out her love on the first date.

He almost drops the package with the robes when he opens the door and finds Shen Qingqiu standing there in the sunlit room. His shidi is too solid, too real to be an apparition, his clothes worn from travel, his heavy pack still unpacked by the table. He stands with a letter in one hand - Qingge recognizes his sister’s wobbly, childish handwriting - and with Qingge’s notebook in which he wrote all his stumbling, horrible poetry in the other and Liu Qingge wishes nothing more than for the ground to open up and swallow him whole.

“Are those my new robes?” Shen Qingqiu asks, as if they have only met this morning, as if that was a reasonable thing to ask when Qingge’s heart is about to explode from nerves. He can only mutely nod at his shidi. “You know shixiong, I can see that you have put enormous effort into courting me. I would have loved it if it happened when I was here to experience it.”

Shen Qingqiu sets the notebook and the letter down and stalks up to Liu Qingge, his eyes sharp with an emotion he can’t interpret, but it makes Liu Qingge want to bare his throat to his teeth and be devoured.

“So, Liu-shixiong. Are you going to help me try on my new robes?”

[creaturefeaster]

Hi... Great job on colorquest but... Im having trouble keeping up with the formatting... I haven't really been able to read it... But maybe that's just my dyslexic ass.

Hi-- thank you, first off!

But hmm, I wonder how this could be mitigated. Would alternating colors per line help alleviate dyslexia?

If you (or anyone else who is dyslexic) have any suggestions on how I could improve the dialogue layout, I'd like to hear them.

I'd like my story to be as accessible as possible.

[sn0wbat]

well what family doesn't keep a secret vampire family member hidden deep in in the basement /s

EDIT: Rest of the comic is now under the cut!

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BONUS:

[pizzainator]

Sixteenth Day Event Prompt:

Foolish remembers the Red Banquet

Hello! This is what I made for @sixteenth-day-event! The prompt instantly made me think of this little moment from this Foolish stream. (~43:00)

Thank you for putting on this event :-) It's been fun!

Paper sketches below: