#long under the readmore!

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

[tangledinink]

Hello sorry for tagging. I am very sick, my asthma is at its maximum level, my nose freezes, I have no medicine or food. I am in bad shape financially, I am a black disabled, who uses multiple medications, I pay for my food and lodging

Unfortunately I do not have all the resources to keep me safe, that is why I need your help, whatever you can contribute to me will be of great help.

Okay kids, are you ready for a lesson in SPOTTING ONLINE SCAMS????

*please don't message this person or harass them-- i do recommend that you report and block them, however.

right now it's incredibly important to give time, attention, and money to online fundraisers. but it's also incredibly important not to let scammers take advantage of that and steal money that could actually save lives right now.

firstly-- if we go to this person's blog, and navigate to "archive--"

this person's blog has only existed for a few days, only has a handful of generic posts (many reblogged multiple times,) and made their first reblog the same day that they posted their "fundraiser" post. this is a MASSIVE red flag.

please also note that neither their ask nor post actually mention palestine or gaza at all, but it's still tagged with "free palestine" and "gaza."

though this one should obviously be taken with a grain of salt, it is also worth noting the poor grammar here, because this can be (but isn't always!!!) another red flag. Note also that all the details are really vague and don't quite make sense... user describes "enduring cold" and their "nose freezing" though it's the middle of the summer. This user says that they're "sick," but doesn't really offer any further details about this. This user says that they need money for "resources," but don't elaborate on what exactly they need. They vaguely elude to a need for lodging, caretakers, and medicine, but don't actually give us any details-- despite this they have a "$1200" goal. What is this specific goal of $1200 for? Is that the cost of their medication? Overdue medical bills? Cost for rent this month?... They also apologize in their ask for "tagging" me... but they didn't tag me. They sent me an ask.

Another red flag is that their link labeled "Fundraiser link" leads directly to a Paypal donation page rather than a gofundme or anything else. If someone chooses to collect aid through paypal, venmo, etc. instead of through a gofundme, that's not a huge issue in and of itself... but it is fishy that it's mislabeled like this.

And if we GOOGLE this user's tumblr name or paypal name, we can find results like this:

This also led me to find them on @/kyra45's blog on their list of current scam accounts.

Despite all this, they have close to 100 reblogs from well-meaning people trying to signal boost and ask for donations on their behalf.

With the current situation in Palestine and the amount of actual, legitimate fundraisers and donations being circulated right now, for Palestine, Sudan, the Congo, or otherwise, it is more important than ever to be aware of people who are trying to take advantage of the situation for their own personal gain. Whenever possible, please take the time to do some due diligence when you receive messages like this and check to see if a fundraiser is legitimate! It always sucks for someone to be the victim of a scam and lose money to someone playing pretend on the internet... but it sucks even more when that money could have gone to people in actual, acute, dire need.

Here's some more information about spotting scams on tumblr! Shoutout to tumblr user kyra45 for compiling this, and for all the other hard work they do-- thanks.

Here's an actual, vetted, and legitimate campaign that could use your support. After receiving this ask, I went and donated. If you have the means to do so, it would be amazing if you did so, too.

[ see ALL gaza funds campaigns here ]

[cor-lapis]

I decided to have a go at doing my own redesigns because these three are my favourites and I love them very much. further notes + sources under the readmore (warning: lots of text). I did my best with the research, but if there's anything I overlooked, I'd really appreciate people letting me know :)

Tighnari:

My main source for Tighnari was this excellent thread, from which I looked up each item of clothing individually. Since djellabas tend to be quite long, and Tighnari needs mobility for forest ranger activities, I figured he would cut and re-hem the lower half. He also has a lot of clothing pieces that are traditionally multicoloured, but to keep his design cohesive I decided to use the same colours across different items, but using a larger palette of colours than I would usually. I like the bright colours on him a lot though!

There are also some minor details I just changed because I wanted to. The flower on his chest is now a nilotpala lotus, because I thought it was nice to include his acension material/the material he asks you to help gather. The dirt stains/scuff marks are because rainforests are muddy and I wanted the design to emphasise Tighnari being very practical and hands-on with his work (see also, the specimen belt).

Finally, I shrunk the magnifying glass on his back (because I'm pretty sure it's meant to be his first magnifying glass toy and that thing is very large for a child to handle) and gave him an undercut because it seemed right. Also, I merged his front and back trailing cloths into a scarf type of thing that he could wrap around his nose and mouth to prevent inhaling spores from mushrooms.

Collei:

COLLEI my beloved. I had a mild nightmare trying to figure out a specific source culture for her design, but nobody seemed to know specifics and her outfit wasn't matching with any traditional dress I looked up, so in the end decided to keep the overall look the same. Just in case I assigned her something else, but then it turned out I missed her actual inspiration.

Anyway, I made her shoes simpler (no fur, heels, and open toes in the rainforest seemed reasonable to me), and gave her shorts. I liked the green colour because it's pretty unique under a dark dress, and pairs nicely with Nahida's white dress + green undersides. Amber's tie stays, but I made most of her jewellery smaller since it felt a little clunky for a trainee ranger.

Her earring and necklace(?) are allusions to the Evil Eye and the Khmissa/Hamsa, both symbols of protection. Especially considering the fact they're meant to ward off evil, and very common across multiple MENA cultures, it seemed fitting for Collei to have them. Also, she has Eleazar scars, and I used the design for her stockings as inspiration for the combination knee braces (similar to those used for arthritis, since Eleazar also causes stiff limbs and I HC that people affected would probably still need some recovery support)/knee pads (in the case of a fall). I like the idea that Kaveh would have helped make them for her (tangent but the fic Here is the House explores similar ideas; it's really really good, I heavily recommend it). Finally, she has curly hair because I thought it would be cute.

Cyno:

Here's the thread I found for Cyno. The main critique was to do with the eras from which each aspect of his clothing drew inspiration, but I admittedly wouldn't be able to do much about this without a lot of research. One thing I did try and verify was the small strip of cloth on the left of his chest, and I found a few wall murals where the people seem to be wearing similar strips of cloth? (example here; rightmost figure) Therefore, I didn't remove it, but if someone wants to explain Ancient Egyptian clothing history to me I'd be really interested to hear it 6.6

I might iterate on the design in the future, but for now the changes are mostly HC territory. Cyno wearing his hair in locs (a protective hairstyle) makes sense for someone who does a lot of hiking after rogue scholars, and I also gave him quite old and faded top surgery scars because healthcare is canonically free in Sumeru (thanks for that information, al-Haitham)(though tbf Cyno makes bank anyway). I also adjusted the colours a bit, since Genshin tends to use desaturated shades for metallic elements.

I also considered giving Cyno more scars, but figured that it could indicate Hermanubis' presence that someone you'd expect to get injured a lot is relatively scar-free (i.e. some sort of godly healing factor/resistance to damage). However, we know next to nothing about Hermanubis, so Cyno having a lot of scars also makes sense. This paragraph is mostly just a cry for help cyno story quest 2 literally any more elaboration about the nature of Hermanubis' pact and the Temple of Silence.

Conclusion

I wasn't intending to write one when I started the explanations but this got REALLY long so if you made it this far, thank you so so much ToT please check out the links; the threads especially were a great resource, and I'm grateful that people take the time to make them <3 genshin's character design department are cowards but I'm glad I learned some new things through the redesign process

[pigswithwings]

A Guide On Lessening Yourself

(Or, What To Do Before They Cut You Open)

This guide has been created to prepare you for your upcoming procedure. Please read carefully and follow all directions in order to have the safest experience.

RECOMMENDATIONS:

- Do not eat. (Required; at least 3 hours before the procedure starts. No meats, no vegetables, no grains, and especially no fruits. Any remaining food that is being digested will get in the way.)

- Do not drink. (Required; at least 2 hours before the procedure starts. No water, soda, juice, soup, milk, coffee, or energy drinks. Any remaining fluids will get in the way.)

- Do not bleed. (Required; at least 1 month before the procedure. No paper cuts, nosebleeds, injuries or other form of your own blood leaving your body. Restriction of the expression of your mortality is imperative.)

- Do not dream. (Strongly suggested; at least 1 month before the procedure starts. No daydreams, no hopes, no wishes, no lifelong goals, and no nightmares. Avoid losing yourself within any fantastical trappings - these are the vestiges of a mortal mind.)

TIPS:

BEFORE

- Make sure to confirm your procedure date. Whether by checking online, asking your doctor, or praying, it's of utmost importance that you remember the specific time and day of your event.

- Make certain that this procedure is for you.

Though the process has already been scheduled, you still have options if you're unsure. Asking God or previous patients are the most authentic ways to learn about this process. Consider the benefits and consequences of the procedure as a whole - this will undoubtedly affect your life, but will it be more negative rather than positive? Will you be able to be happy again? If you are willing to accept such possibilities, continue on. Should you choose to, however, you may still opt out before the scheduled date by telling your doctor and/or healthcare provider.

DURING

- Make sure to arrive early to your procedure. Timeliness is key.

- Be flexible with your interviewers. Many angels are unfamiliar with human languages and may instead choose to communicate directly inside your mind. This may cause discomfort as well as the feeling of being stripped into nothingness. Don't panic and remember that you deserve a chance at holiness, regardless of your humanity.

- Be polite. Though your angel interviewers may have already visited Earth before, human customs are often difficult to adjust to. If an interviewer makes a social faux pas (such as revealing their true form), brush it off and continue the conversation as best you can.

- Be prepared for any questions regarding your past attachments, relationships, possessions, etc. If you've prepared well, you'll be able to answer with full honesty that you have left all possible remnants of humanity behind - that means no mistakes, no regrets, and no emotions.

- Should you pass the interview (you will be told after they have finished), be ready to experience anywhere from a small to large amount of pain. This experience usually lasts around 20 seconds, but some say it feels like an eternity of blinding, searing light. The scale of your pain will be a direct result of how successful you were at stripping away your humanity; the agony that follows will be the angels burning it off of you.

- Wait through the pain.

- Wait through the pain.

- Wait through the pain.

- Wait through the pain.

- Wait through the pain.

- Wait through the pain.

- Wait thought it.

- Wait through it.

- Wait

AFTER

- If you've successfully passed the interview, survived the procedure, and become an angel, congratulations! The following tips are only suggestions, but may help you in adjusting to your new existence.

- Avoid brightening your divine light too much at once. You'll quickly realize that your new eyes are far more adjusted to light than a human's, making the world appear dimmer than before.

- Avoid speaking out loud to others for the first few millenium, as this may cause harm if done incorrectly. Instead, practice "speaking" through the visual and audible expression of abstract concepts.

- Don't expect to visit Earth again. More often than not, angels avoid the human world (most say it's too painful to linger), so it's very unlikely that you'll return. Don't come back if you possibly can.

Finally, enjoy your new status as part of the divine. Not many people get to experience the feeling - you have made it! Please enjoy the rest of infinity.

[armoredisopod]

Arknights Thank You Celebration 2024 PVs

New Operators

Figurino, 5* Merchant Specialist

I have a lot to learn, and right now, i'd like to start by making a new suit.

Crownslayer, 6* Welfare Executor Specialist

"Crownslayer", that's the name we're familiar with, let's keep it.

Vulpisfoglia, 6* Pioneer Vanguard

I appreciate the acknowledgement. But you know this means in the future the people who are hunting me for bounty will come to Rhodes Island first. Will that be fine?

Lappland the Decadenza, 6* Limited Mech-Accord Caster

Is this your way of trying to get me to settle down, or do you also think this game needs more excitement...

I just can't guess you, no wonder i like your trust in me!

2 new operators to the voucher shop

Contrail, 4* 巡空者 (Air Patrol) Specialist

Philae, 5* 本源铁卫 (Primal Protector) Defender

Operator Outfits Update

Total of 6 new outfits, 2 new additions for the Cambrian brand, 1 new addition for the Epoque brand, 2 new additions for the Test Collection brand and 1 new addition for the 0011/Tempest brand

Cambrian

At the Warm Velvet Corner - Warmy

Travel Freely - Sussurro (Login Event)

Epoque

Il Segreto Della Notte - Texas the Omertosa (21 OP)

Test Collection

Allmind As One - Executor the Ex Foedere (24 OP)

The city lights up. I can sense everyone's presence, and everyone's absence. We are together——— as one "Laterano".

Diversity Oneness - Virtuosa (24 OP)

Please stay, Sankta. Please tell me, is the Laterano of now a place that is connected to the rest of the land?

0011/Tempest

Ignis Fatuus - Lessing

Lessing's outfit will be up for sale during Zwillingstürme im Herbst Retrospect

Announced outfit reruns

Young Branch - Muelsyse

Red Countess - Skadi the Corrupting Heart

Operator Modules Update

All the new operators (except the red cert shop ops) being part of branches with modules immediately get their modules

FUN-X module base effect increases the starting damage of Lappland the Decadenza's drones to 35% of her ATK

SOL-X module base effect gives Vulpisfoglia +8% ATK and DEF when blocking

EXE-X module base effect makes it so retreating Crownslayer refunds 80% of her current DP Cost

MER-X module base effect reduces the DP drained by Figurino's trait effect

Ritualist Supporter branch gets 1 module type

Lessing gets his second module

DRE-Y module base effect allows Lessing to survive a single fatal blow, healing back to full and gaining +30 ASPD at the cost of -60% Max HP, this effect only activates once per deployment

Angelina and Rosmontis get Integrated Strategies specialized modules

These modules' effects are unknown at the time of writing

Events and Stories

I Portatori Dei Velluti, a Siracusa side story event

Put on your masks and dresses, the show is about to begin in the streets.

Come on, don't be boring - you're probably the least "Carnival" of the bunch!

Stronghold Protocol, limited time autobattler gamemode, opens during the third week of I Portatori Dei Velluti

Zwillingstürme im Herbst Retrospect, scheduled after I Portatori Dei Velluti

Operator Archives update for Lessing, Jieyun, Schwarz, Sora, Totter and Vigil

Misc Stuff

New QoL changes

Added the ability to have preset base loadouts that you can easily swap between

Added the ability to instantly send every exhausted operator into dormitories with one button

Max Sanity cap increased by +45

Refilling sanity using Originite Prime will refill 135 sanity regardless of level/max cap

Added the ability to instantly move to required lower materials when crafting and a button to move back the higher tier material that required it

Mountain, Kafka and Pinecone added to recruitment

Bagpipe's [Queen, No.1] outfit will be available in the certs shop to players that don't have it

Livestream Stuff

Showcased Lappland the Decadenza, a hyper offensive 6* Mech-Accord Caster with potent self buffs and powerful debuffs

First talent makes her stronger the longer she stays on the field, getting the following buffs in order: increased drone damage cap, ability to inflict Silence, gains more drones

Second talent increases the initial SP of all [Siracusa] operators when she's in the squad

Skill 1 has a passive effect that immediately gives her an additional drone, when the skill activates she gains ATK, releases her drones to attack enemies and her drones will attack idling enemies anywhere on the field

Skill 2 expands her attack range, increases her ATK, gives her more drones and releases her drones to attack enemies randomly within range, her drones have a chance to inflict Panic

Skill 3 increases her ATK and gives her more drones, then releases special drones that actively seek out and hunt enemies, the special drones inflict Panic upon reaching a target and locks onto them; enemies near the drones will have decreased movement speed and take Arts damage every second

Showcased Vulpisfoglia, a 6* Pioneer Vanguard with a strong battlefield presence

First talent makes her attacks deal additional Arts damage for a few seconds after the first time hitting them

Second talent increases the natural DP regeneration by a small amount and lets her recover HP when she hasn't taken damage for a few seconds

Skill 1 is a power strike skill that makes her next attack deal Arts damage and generate some DP, this skill can store charges

Skill 2 lets her immediately deal Arts damage in an area in front of her, Slows the hit enemies and generates some DP. If the enemies were already under the effects of Slow they will be Stunned instead, this skill can store charges

Skill 3 immediately generates DP, expands her attack range, increases her ATK, gives a massive decaying ASPD boost, allows her to attack enemies equal to block count and each attack briefly Stuns the hit enemies. If she defeats any enemy during the skill she will gain Camouflage at the end of the skill that lasts until the next skill activation

Showcased Crownslayer, a 6* Executor Specialist with a unique disruptive kit

First talent sprays a smokescreen on the 8 surrounding tiles around her during skill duration, reducing the Physical and Arts Hit Rate of ground enemies in those tiles

Second talent lets her deal increased Physical damage to enemies that have not landed a hit on her

Skill 1 gives her increased ATK and some amount of Physical and Arts Dodge

Skill 2 stops her from attacking upon deployment, makes her less likely to be attacked and increases the amount of Physical and Arts Hit Rate the smokescreen decreases, when skill ends she will deal a certain % of ATK as Physical damage to all enemies within range

Skill 3 increases her first talent range, gives her Invisibility and sets her Block Count to 0, every few seconds she will appear to attack an enemy within the talent range dealing a certain % of ATK as Physical damage and Stunning them for a few seconds

Showcased the event mechanic, a fireworks machine that will apply effects on a number of tiles around it when activated

While the machine is active, operators on those tiles will take periodic damage and cannot be healed but will not have their HP go below 1, enemies on those tiles will take constant damage

Players can additionally customize which tiles will be affected by the fireworks machine and have it apply additional bonus effects in the event menu

Showcased Contrail, an experimental 4* of a neat new branch 巡空者 (Air Patrol), a Specialist branch that consists of operators that have 2 Block Count and utilizes the new status "Takeoff"

Takeoff: Does not block ground enemies and will not be attacked by ground enemies, can block aerial enemies

S1 makes her takeoff immediately upon deployment, expands her attack range, increases her ATK and gives her some Physical Dodge

S2 makes her takeoff when activated, expands her attack range, increases her ATK, lets her attack 2 targets at once and is able to attack an additional aerial enemy and her attacks inflict Slow to aerial enemies

Showed footage of the new base loadouts feature

Work rooms and Dormitories are now in separate tabs

You can set up to 3 loadouts for each individual room and press a button to immediately swap out exhausted operators, there is also a button to immediately do this in every room all at once

Showed the button that immediately sends all exhausted operators into the dorms

Teased even more base QoL features planned for the next Sui sibling event update

Expanded the Reception Room and added the ability to decorate it

Added activity rooms, operators assigned to this room can be manually controlled and move around the base

Announced the ability to register your birthday, players will receive gift furniture on their set birthday and operators have special birthday voicelines

Announced the ability to have a list of rotating assistant operators that change every day

Announced the ability to make loadouts for the main menu background/UI theme/assistant operators for quick switching

SSS will get a skip feature, uses the same PRTS Proxy Cards used for annihilation skip

The older SSS maps will become playable again

Stronghold Protocol, limited time autobattler gamemode

In the gamemode the player will have to prepare their squad and operators before each battle, the player can hire additional operators and have multiple copies of them deployed or combined into a higher tier of that operator

Players can hire reserve operators should they lack usable units and also hire up to 8 friend support operators

Teased the next event involving Thorns and the history of alchemy in Iberia

Announced some kind of mini game collection "Poly Vision Museum"

Announced the second expansion update for IS#5

A 5th ending exploring the story of an alternate universe Amiya

The ability to share seeds of runs you completed to other players, completing a seeded run will not unlock higher difficulty/new relics/etc

Max difficulty increased beyond 15

New starting squads

New collectibles and thoughts (IS5 gimmick items)

Teased Arknights anime season 3 [RISE FROM EMBER]

Announced U-Official mini series

Announced Ambience Synesthesia 2025: Best Song Award, the song lineup featured in the concert will be decided via community polling

INVESTIGATED TERRA lore video covering the history and development of Originium on Terra and the technology that sprouted from it narrated by Kal'tsit

[starrystevie]

"it's a vhs night, huh?" eddie asks as he comes out of the kitchen, two mugs of decaf coffee in one hand, a box of oreos in the other. steve's on his knees in front of the tv with tapes scattered around him, a mixture of home movies and mashed up concert recordings and episodes of star trek that are bound to get recorded over eventually. he turns around as his husband enters the living room and opens his mouth for a cookie that eddie happily feeds him.

"yeah, why not?" he gives eddie a half smile that makes the crows feet around his eyes crinkle even more. "just feeling nostalgic, i guess."

eddie hums and sits on his end of the couch before pulling one foot up to cross over his knee. he takes a sip of the bitter black coffee and dunks an oreo in to soften it up then pops it into his mouth. steve finally settles on a video and rewinds it to the start, curling up on his side of the cushions with his feet tucked under eddie's thigh. a hand finds its way around his ankle and a thumb strokes at the soft skin it can find. gentle, comforting, home.

the grainy picture on the screen straightens out and the sound clicks on along with it. the greens of the grass are a little faded and the blue of the sky is dull but it's still clear enough to make out steve on the swings at the park down the road from loch nora. steve's mom is behind the camera yelling for him to pump your legs, good job stevie, there you go, wow you're going so high and the grin on the boy's face is a wide as the sky above him.

"you were so cute, what happened?" eddie murmurs with a chuckle causing steve to slap at the thigh currently warming his feet.

"i'm still cute, thank you very much." steve grumbles out his response which makes eddie chuckle again, leaning over with a groan to smash a kiss to his cheek.

there's little voices echoing in the background as steve continues to swing and the video switches suddenly to him on a red check blanket eating a sandwich. he has jelly on his cheek in the same place that eddie had placed a kiss not a minute earlier and it has them both cooing like the old men they are.

but then there's a flash of something in the background. a little kid runs by followed by what's presumably his mother and it distracts little steve, who turns on his blanket to watch the two running.

"is that...?" steve starts, turning to eddie who's staring at the screen with rapt attention. the gasp he gets in return is the only answer he could possibly need. the hand around his ankle gets a little tighter and he watches as a watery smile spreads across eddie's face, salt-and-pepper beard crinkling up on his cheeks.

"that's me, that's-" he breathes out, curling in on himself slightly to peer closer at the video. in the video, steve's still staring at the little boy in the park getting picked up by his mom and being thrown in the air. his little giggles break through the speakers as his mom catches him, cradling him to her chest as she runs off screen. they come back into frame a few seconds later and crash side-by-side onto the grass. their arms start pointing at the sky like they're finding shapes in the clouds and eddie inhales sharply. "-that's my mom."

steve reaches down and clasps his hand around eddie's where it's still on his bony ankle, trailing his fingers over his husband's. eddie looks up and tosses a bewildered grin at steve who catches it easily and returns it with one of his own. as if they have magnets stored in their hearts from where the universe made them for each other, the two move closer to one another instinctually until they have arms around waists and fingers tangled together and heads on shoulders.

they sit in silence for the next few minutes, reliving a time when they were still boys with their mothers, happy and loved, not even knowing their soulmate was right next to them.

[corellianhounds]

Some headcanons for Mando:

Anything he uses to shower or wash his clothes with is unscented. Those scent-neutralizer dryer sheets keep his clothes from smelling like anything that can be detected while he’s on a hunt. Very few species are exempt from being unable to detect him

He keeps a clean ship and a strict schedule. He’s been self-sufficient and on his own for long enough he knows how to cook and take care of himself. Keeping your tools, gear, weapons, armor, and ship in clean, efficient working order means you’re less likely to have to spend time fixing one of them when it breaks from your lack of routine maintenance, and his body is just another tool in his arsenal; sleep, food, necessary medical care, staying limber and getting vitamin D at some point all go a long way towards ensuring he can last longer in the field. You can’t run something ragged every day and expect for that to be sustainable.

That also means he’s well-equipped to handle long stints without different necessities when needed from time to time; you can push yourself pretty far when you’re already in prime condition.

Wilderness survival skills were some of the first things he learned while being brought up by the Mandalorians. Being aware of your surroundings, setting up and breaking down camp, foraging and hunting for food, building impromptu shelters, purifying water, navigating and finding your way, having a variety of general and specific medical knowledge— All of those skills are building blocks for self-sufficiency. You never know when you’re going to be alone or thrust into survival scenarios, so it pays to be prepared.

That also means he’s capable of stomaching a wide variety of what some might consider inedible. Beggars can’t be choosers, and it’s considered very rude to decline someone’s offer of food or hospitality so in any scenario where food is in short supply and/or it’s been offered to him, he’s taking it. As long as it’s something he knows humans can digest, he’s open to whatever cultural or regional dishes his travels have to offer, and he’ll muscle through the less pleasant tastes or textures of food he’s had to make do with when he didn’t have other options.

He does know how to make food taste good, but that more often than not requires more spices and ingredients and hardware than he can afford or spare the room for, so he makes do without. Once the kid comes along he branches out a bit more to make sure he gets some variety.

Along the lines of self-sufficiency and independence, he has a lot of general repair skills: you may not always have somebody who can fix things for you, and he obviously isn’t going to pay somebody else to do something he’s capable of learning, except for when he’s short on time or resources. We see him working on the interior circuitry of his armor in the second episode. He knows how to bypass and pick locks. He has the electrical, mechanical, and structural know-how to fix his ship and would know how to weld and use a torch cutter and a variety of other tools, but it also means he’d know how to sew and mend his clothes. Soft goods are just as necessary as hardware.

Injuries where he genuinely needs professional medical care are few and far in between partially because he’s very good at what he does, and partially out of necessity. Though it is by choice, him tending to his own wounds may not necessarily be because he is neglectful or prideful or has a penchant for pain; medcenters cost money, and submitting to that care means he is vulnerable and at risk of somebody breaking his creed by force, or doing more damage when he can’t fight back. It’s why he likely refuses anesthesia or anything that will put him under and make him unaware of what’s happening while he’s asleep. Either he will find somebody he’s close to to help him, or he will find a way to muscle through self-administered medical care yet again, or he will die from his injuries (which means he will have gone down because of a fight)

Though he has a few physical reference materials and logs he’s written down important details in, a vast majority of his knowledge concerning trade routes, ballistics, geography, maps, various customs and cultures and languages, Guild bylaws— anything he could possibly need to know for a hunt— is committed to memory. He travels light, and the Mandalorians have an oral history more than a written one; belongings and archives can be destroyed, but their people live on and carry the knowledge that’s been passed down through centuries. It just makes more sense to him to commit everything to memory.

That being said, he does a significant amount of research before each hunt anyway, though the bulk of it is centered around the target themselves. Having all of your prep work done means the acquisition itself will go smoother.

He’s mathematically sharp: engine repair, manual piloting, vector calculus, electrical work, ballistics, basic engineering, weapons maintenance, financial management, and navigation by maps or by stars take a lot of mental acuity to understand and apply as quickly as he usually has to use them.

He’s not going to back down from others who purposefully encroach on his personal space, but he dislikes being in close proximity to strangers for extended periods of time. So much of his life is spent evading threats and fighting off challengers it’s hard to trust anybody to be that close. It’s not an aversion so much as it is an irritation that makes him tense. When you’re always looking over your shoulder, it’s just reflex to act defensively.

He doesn’t drink alcohol or caf unless he has sufficient time and he’s secure in the Crest without worry of attack; both impede his marksmanship and reflexes, neither of which are things he can afford while he’s working, so it’s usually only when he’s traveling through space that he’ll indulge

He doesn’t sing, but once the kid comes along he’s found that it’s easier to get him to sleep when he hums as he holds him and walks around the cargo hold.

[orokay]

My (hopefully) last batch of large ko-fis for a while!

I had an interview for the paid training opportunity through ovr on Thursday so I'm waiting to hear back from them to know for sure, but regardless of if I get it or not, I'm going to be taking a much needed break from larger ko-fis to recuperate and draw for myself. In the meantime I'm going to keep mini's open, so if you're interested in supporting me until I (fingers crossed) start this new job in February, please check out my commissions page on ko-fi! I’m currently unemployed! If you’d like to help me out you can buy a mini or donate to my ko-fi! Thank you so much for all of your support!🌺

I don't want this to turn into a novel, so I'll try keep this brief, but I want to thank you guys from the bottom of my heart for supporting me through this period of my life. It's been a really rocky road, but I don't know where I'd be without the generous support of all of you guys who commissioned me, donated, and boosted my posts. Thank you so so so so so much! I want to send a special, huge thank you to Jax who commissioned me almost every time I opened them. I can't tell you how happy I was every time you popped up in my emails. You've been a dream commissioner to work with I honestly don't have the words to express how much working with you meant to me! Thank you again! I hope I'll be able to draw more of your characters for you in the future! ♥

[mythtiide]

recent falklers from the past few weeks! (+ click the readmore for a SCARY suprise….) ❄️

BOO FALKLER JUMSCARE

[g0nta-g0kuhara]

The Chapter 4 Essay Part 1: Kokichi Ouma

A metapost on my thoughts on Kokichi’s overall motivations and Gonta’s actions during ch4. Split into two parts. You can find the Gonta half here: (LINK)

I think the way Kokichi acts when he’s telling the truth says something crucial about his personality. When he’s telling the genuine truth, his expression becomes carefully neutral.

(post trial, chapter 1)

To me, it feels like he’s trying very hard to keep this face of neutrality. Normally, he’s able to expertly express any emotion that he wants to. In these moments, its almost like the emotion he’s feeling is so overpowering that he’s trying to repress it in order to maintain control over the face he presents to everyone else, but isn’t quite able to do so.

Kokichi is very careful about keeping people from seeing the parts of himself that he doesn’t choose to show. His villain persona and constant lying is part of this- He wants to keep people away from him. During the events of the killing game, he uses the distance that he creates in many ways. Part of it was that not having many close alliances allowed him to go off and do whatever he wanted during daily life. This let him explore the school and investigate the truth of the killing game without interruption or much attention. Lying also gave him distance between the game and himself. Pretending that the killing game was fun might’ve been his way to cope with everything that was happening. I think Kokichi is really damn good at separating himself from his emotions, lying to himself to do what he thinks needs to be done. This line from Chapter 1 is pretty telling…

(post trial, chapter 1)

This was also something he says himself to Kaito in the exisal hanger during chapter 5.

(post trial, chapter 5)

I’m inclined to believe everything that Kokichi says to Kaito in the exisal hanger. As Kiibo says when Kaito questions it, “I think his dying words may have been the honest truth.” Knowing he was about the die, and that he absolutely needed Kaito’s help to get his plan to break the killing game to work- to achieve his genuine, true goal- I don’t see any reason for him to lie.

This emotional distance extends past just the killing game. I think it's a key part of how he interacts with others around him.

Kokichi is an ultimate leader. I think he uses his talent throughout the game in an attempt to “lead” everyone from the shadows. He wanted to stop the killing game and escape with as many people as possible. However, his methods are very ends-justify-the-means. I believe that he did genuinely care about everyone at the ultimate academy, but in the detached way a distant king might care about his subjects. On the other hand, if he had to use or sacrifice a few as pawns for the greater good, that is what had to be done. It’s not like it didn’t emotionally affect him, but I think he was deliberately trying to keep his distance so that it would not impact him as much, and so that he could continue trying to tear the killing game apart with as many tools in his arsenal as possible.

(post trial, chapter 5)

With this core motivation in mind, this brings us to Chapter 4.

In my opinion, the Killing Game Busters was never a plan that was meant to succeed. From an in-game perspective, the idea that he was originally going to follow this mercy kill plan doesn’t make sense to me. Firstly, Kokichi already had suspicions that they were being watched as early as chapter 3.

(post trial, chapter 3)

…and he later confirms that he was fully convinced of this fact when Monokuma agreed to reuse the chapter 4 motive in the virtual world.

(post trial, chapter 5)

He knew that this killing game was for somebody else’s entertainment. I’ll go a bit into the secret of the outside world in a moment, but considering this, I don’t think he ever fully believed in it. Choosing to mercy kill everyone, in the name of a “truth” that was incompatible with what he had discovered… just doesn’t make sense to me.

Not to mention, from a narrative standpoint, I think the idea that he was completely for this mercy kill plan, decided to throw out the plan mid-trial, and then start an entirely different plan to end the killing game in chapter 5, isn’t very compelling. It weakens Kokichi’s overall character by making his motivation less cohesive and making him seem less organized over all, which I think is one of his strengths as a character. A Kokichi that is this fickle with what he’s trying to do would not have been able to write the script for chapter 5.

I think he always had different goals in mind with the Killing Game Busters. The first was something that is made very clear in chapter 5, but started here in chapter 4: He wanted to stop the killing to give himself room to break the game while minimizing deaths. The second was to further villainize himself, for all the reasons I talked about above, and some more I will get into in a little bit.

Seeing the secret of the outside world was undoubtably disturbing, regardless of whether he believed it or not; there is a noticeable shift in how Kokichi acts before and after he swipes that card key. Combined with discovering that Miu, someone he’d been working with closely, was planning on murdering him, I believe that seeing the destruction of the outside world pushed him towards more drastic measures than what he had been doing in previous chapters. He decided that in order for his plan in chapter 5 to work (which he had almost certainly already been planning at this point, considering how elaborate it was), he needed to make everyone question if pursuing the truth was the right thing to do at all.

After Miu’s body discovery, nobody was really worried about losing this class trial. Everyone had seen how Shuichi had guided them all to the truth and caught the blackened three times in a row, despite the unique difficulties in each case. They had full confidence in his abilities.

(investigation, chapter 4)

Shuichi is also not really doubting his abilities as a detective anymore. One of Shuichi’s core internal conflicts is his fear of the consequences of revealing the truth. Up to this point, it seems like he’s been moving past it. Especially after catching Korekiyo “Actual Serial Killer” Shinguji, who had no regrets or grey motivation for his killings. Shuichi’s morale, and subsequently everyone else’s, was at an all time high. (Of course, he was starting to feel a lot of pressure to solve these cases and save everyone on his own… but that’s another issue. ily Shuichi)

If Kokichi could take the wind out of Shuichi’s sails, really destroy the confidence he had built up so far, he could set up his impossible trial in chapter 5 to be more likely to work as intended. Everyone will be less motivated to try and figure out what happened if they are uncertain that finding the truth would actually result in anything good.

And I do believe he was trying to knock Shuichi off balance specifically. Damaging his confidence is one thing, but he was also deliberately trying to drive a wedge between him and Kaito. He antagonizes Kaito all chapter 4 investigation, including making up a nickname for Shuichi (“Shumai”) that directly riffs off Kaito’s closeness with Maki. He insists into the trial that he and Shuichi are partners now.

(class trial, chapter 4)

(Sidenote: Kokichi’s behaviour during trial 4 is genuinely really interesting to me. On top of the direct digs like this, he says a lot more subtle things to get under Kaito’s skin during trial 4 that I think are super neat to pay attention to.)

Theoretically, pushing Kaito away from Shuichi, combined with the powerlessness he’ll feel in the wake of the truth of both trial 4 and the outside world, could make him easier to convince to join Kokichi’s “side”. He even directly asks Shuichi to team up with him before leaving the virtual world:

(daily life, Chapter 4)

This leads me to believe that Shuichi was originally the one that Kokichi intended to use to build his impossible trial. I mean, if Shuichi was the one in the exisal hanger and presumed dead instead of Kaito, the chances of everyone else solving that mystery drops Significantly. Everyone else, aside from maybe Kiibo, was 100% convinced that Kokichi was the mastermind at that point. No one except Shuichi would’ve tried to dig as deep as he did, for better or for worse. I think this idea is supported by the note that Kokichi wrote next to Shuichi’s face on the whiteboard in his room (“trustworthy?”). He was clearly considering Shuichi as a person for one reason or another, and I believe this is it.

By condemning Gonta, who everyone else perceived as a kind soul who would never hurt anybody, someone who was struggling to understand what the virtual world even was with his amnesia, would be perceived by the others as kicking someone when they were down. Gonta has an absolutely miserable time through the accusations and wholly blames himself for how things turned out in the end. That, and Gonta’s actions were even well-intentioned. The secret of the outside world was apparently so horrible, Gonta thought it would be kinder to mercy kill everyone rather than force them to face it. This result would make everyone question if the truth was really as undoubtably good as they had come to think so far; Not only did Gonta suffer because they had to find the truth, but seeking the secret of the outside world would apparently also only lead to suffering. This would make them hesitate during Kokichi’s impossible trial.

(class trial, chapter 4)

As I said before, Kokichi’s second goal for trial 4 was villainizing himself even further. He says that this was a goal himself to Kaito in chapter 5.

(post trial, chapter 5)

Part of this villainization was just adding to the persona he had already created for himself and that I already talked about his motivations for before. The other part was what he says here. He specifically wanted everyone to think that he was the mastermind. This gave him leverage in two main ways. First, making himself appear to be the mastermind with an actual mastermind as hands off as Tsumugi genuinely gave him power over everyone else. He used this in chapter 5 to put a pause to the killings and give himself more room to enact his plan to break the killing game from the inside.

(daily life, chapter 5)

Although he then says “You guys can commit suicide together or kill each other… / Or, you can change your mind and stay here! You’re welcome to do that too!”, having experienced the secret of the outside world already, I think he’s pretty confident in what they will be feeling in this moment. No one is going to kill each other, and he knows that. He wants them to take that second option for the time being while he sets up his plot.

Making himself appear like the mastermind also benefited his impossible trial plan directly. Everyone would be much more likely to vote for someone they were convinced was the mastermind rather than one of their friends. No one would suspect that it was really him that was the victim.

“Using Gonta and making him into a murderer” was a significant part of how he villainized himself, but the way he treated Gonta during this whole experience was also a major factor. Starting as early as just after Miu was killed, he begins to be really aggressively mean to Gonta. He just straight up bullies him throughout the second half of the trial.

(daily life, chapter 4)

(class trial, chapter 4)

And then, after all this, he acts remorseful and sides himself with Gonta at the very end. It isn't genuine emotion like he felt before Kaede's execution, shown by his neutral expression. To me, this uncharacteristically open expression of grief feels like it was just set up to exacerbate the impact of his cruelty after Gonta’s execution. At this point, everybody’s little faith in Kokichi has been shaken significantly. With the shock of the trial, maybe you Could start to believe they were on the same side, as a team. Then, at the reveal of the extent of Kokichi’s manipulation, that is all ripped painfully away again.

(post trial, chapter 4)

(post trial, chapter 4)

Even if these parts of trial 4 make my stomach turn, I don’t want to imply that Kokichi is completely cold-hearted and unfeeling. Actually, I think there were multiple moments in chapter 4 that show him struggling to regulate his emotions and keep face around everyone else while he enacted this plan.

1: I don’t think Kokichi initially planned to make the reveal that Gonta was the killer as dramatic (or frankly, a bit traumatic) as it ended up being. He had been carrying himself a certain way during the first half of the trial, and I think Shuichi lying to his face in front of everyone about Kokichi’s own alibi dramatically changed his attitude. I mean, Shuichi lied (as he had done almost every trial and gotten 0 flack for) and Tsumugi even called him out on it, but everyone believed him over Kokichi anyways. So when Kokichi lies, it’s completely inexcusable, even though he’s been working tirelessly on his own trying to save everyone?* But when SHUICHI lies, and gets caught in it, people go along with him? They don’t doubt their trust in him for even a second? This double standard infuriated him. It’s at this point that he completely shifts in energy. If Shuichi, no, everyone, is going to disrespect him like this, he was going to make them suffer for it.

(class trial, chapter 4)

2: Kokichi only goes full villain after Kaito says “Kokichi, If you really cared for Gonta, explain yourself to everyone” in the post trial. I think that even though he was always going to paint himself as the villain, he was legitimately affected by the things that had just happened (Gonta’s death, Miu’s attempted murder, the secret of the outside world, even if he knew it wasn’t real) and what he’d just done. Even if he was trying hard not to be. The sudden shift he has from not saying anything to cackling about how little he cared about Gonta feels to me like he was kicking himself back into gear after trying to process some genuinely difficult emotions. 3: After Kokichi punches Kaito down, and everyone completely ignores him in favour of helping Kaito up, Shuichi says these iconic words to Kokichi: “Kaito always has us by his side, see? But no one wants to be around you. / You’re alone, Kokichi. And you always will be.” Kokichi responds like this:

(Post-trial, chapter 4)

There’s something about the way he cuts himself off, pauses, and then his mask falls. I think Shuichi’s words got to him more than he wanted them to. Honestly, Kokichi’s attitude towards cooperation, keeping everyone at arm’s length, and insisting (to himself) that he (as a leader) must fix the killing game completely on his own just seems so lonely to me. Even if he is intentionally trying to alienate himself and get everyone to hate him, being so viscerally cut into like this must have hurt. Especially from someone he was trying to work to get onto his side. It’s no wonder he quickly left after this moment.

This is what I think drove Kokichi in chapter 4. He’s a leader who wants to “lead” his classmates into safety, but he isn’t afraid to use underhanded, cruel tactics if he thinks it will get him ahead in the game for the greater good. He viscerally represses his emotions in order to keep himself going and keep everyone else away from him. He tried to destroy Shuichi’s confidence and drive a wedge between him and Kaito to get him on his side for his plan. He used and made Gonta into a murderer to villainize himself and discourage everyone else from seeking the truth.

Whenever I imagine Kokichi on his own, out of the spotlight of the Audience or the eyes of his castmates, he’s never as expressive as he is in the open. I think in reality, Kokichi is a pretty depressed and lonely person. His clownish personality isn’t entirely a facade, and outside of a killing game scenario, I think he would act pretty similarly to how he does in game. But I do think that he uses it as a mask for his true emotions. While I feel like the “evil villain” persona is a genuine part of Kokichi’s personality, outside of the killing game he probably doesn’t act on it as deeply as he does in-game. I also think Kokichi struggles with letting people become close to him, even without anything on the line. The killing game just caused him to lean into these aspects of his personality hard, and in potentially the worst ways.

*I feel like here it’s important to mention that personally, I still think the collateral damage he caused in his attempts to stop the killing game matters. A lot. I don’t think he should be excused for the things he did, even if he had good intentions. This makes him a really interesting, morally grey character, and I like that about him. EDIT: I can't believe I have to add this, but please do not use this essay as ammunition for harassing people who ship ougoku… I don't agree with doing that at all. I hope I made it clear that I find Kokichi to be a complex character whose mistreatment of Gonta was never targeted, and more just an aspect how how he isolated himself and how he manipulated others to end the killing game, even if it caused suffering to them in the moment. Kokichi cares about everyone in the ultimate academy, in his own weird, detached way. He's not completely heartless nor is he an abusive monster. And even if none of that was the case, it's never an excuse to harass people for disagreeing with you. Please be cool!! Thanks <3

[demeterdefence]

i had some time to chill i took a walk i drank some water i still hate this sequence

fastpass spoilers and sexual assault references ahead

i mentioned a few weeks ago how much i disliked persephone's last interaction with apollo and how the narrative wants to insist that persephone has moved on / healed from her assault, and with the last chapter and fastpass spoilers, it has genuinely just gotten worse. like at this point i can't even fault the characters or their choices, this is 1000% a rachel thing, and i hope her computer crashes in the middle of an eight hour drawing that she hasn't saved ANYWAYS

i don't think it needs to be said that rachel sexualizes her abuse victim. like, there's a reason that hera is naked during her fight with kronos despite kronos being clothed; there's a reason persephone was alone and apollo had his shirt undone when they spoke on the phone before the press conference. it's masquerading as feminine empowerment, but it just seeks to emphasize how rachel sexualizes abuse, and how she will still try to redeem these male characters.

it's very telling that while she's having kronos monologue how sad and abused he was, and how he was ruled by fear, we cut to a shot of apollo and eros with the love arrow - another plot point that drove me absolutely bonkers but we'll get to that. the placement is not random, for all that it feels it; she's trying to draw a connection between apollo and kronos, how they're both ruled by fear.

apollo is planning to assault persephone again. this is not me being dramatic or exaggerating - he knows what the arrow does, he knows persephone hates him, he is absolutely planning to assault her again for his own purposes. whether kronos' apology was intended to be sincere or not, placing apollo in the visual middle of it sets a tone. he has abused persephone in the past and he will abuse her again.

the next time apollo and persephone interact, persephone has figured out how to make spring again (somehow, without explanation, one trainwreck at a time i guess.)

i don't love her plan, and i don't love how it came about, but on the top ten list of crimes in this webcomic, it's not the worst. persephone plays up her "weak, damsel in distress" image to apollo so he'll underestimate her - fine, whatever, not the end of the world. it's how rachel depicts this that i take issue with.

it took me a couple of minutes for that last picture to realize they're supposed to be struggling because it genuinely looks like they're making out lmao thanks rachel i hate it

not entirely related but the way the lineart becomes minuscule except on the face and chest rachel really shows her priorities

i'll skip a few more panels of apollo manhandling persephone with her doing pretty much nothing to fight back - she alternates between pleading with him to listen to her when he has historically never done so, and threatening to expose him for the rape, which also historically has never worked, but that's about the extent of her fight back. this is all before she knows about the arrow, so i'm hesitant to say she's playing him with her distress; this is genuinely the extent of her fight back.

a clear callback to the assault, which in another author's hands might have succeeded in being harrowing and traumatizing for the readers, but just filled me with visceral anger.

[narrator voice] fucking yikes!

ties her up, but don't worry! her chest will be on prominent display no matter what.

unrelated tangent once again but i love! how rachel has retconned the narrative so that ouranos was manipulating apollo all along! instead of apollo owning up to being a shitheel, we've got a master manipulator in the background, who can take some of the blame for apollo's actions! cool!!!

anyways persephone's plan is to make apollo fall in love with her, so he'll feel bad about raping her.

that's it.

we don't get persephone defeating apollo. we don't get persephone getting actual justice. it takes apollo being under the control of magic to admit what happened - it's a cheap cop-out, a lukewarm offering at best. i'm not joking, either, in the fastpass apollo quite literally goes on live television and admits he raped persephone, because he's under the magic of the love arrow. not because he genuinely feels bad, or because persephone got justice - it's a deus ex machina to wrap up the assault plotline. rachel never figured out if apollo was a master manipulator or some idiot tool, so she swerves between both, and then tosses the plot out to make room for something else.

it's such a miserable, cheap conclusion to a storyline that so many women have dealt with. years of waiting for apollo to be brought to justice, and he goes out with a little whimper, and persephone's assault gets swept under the rug again.

what a disappointment.

[skrunksthatwunk]

i am losing to the demon trying to possess me (devilman. the 52 y/o media franchise)

>:]

EDIT I FORGOT THIS ONE

[abyssalzones]

What's your comic writing process like? I'm starting to get into making my own comics and I really admire your work!!! Any advice?

Ah, intrepid traveler, you've done well to journey to this secluded mountaintop spire, in search of the answers you seek. I indeed can provide such forbidden comicmancy knowledge... at the cost of your mortal soul...

coughs. anyway, I'm going to warn you immediately that what works for me does not work for everyone else, and in my experience the way I do things can prove very slow and discouraging for anyone who is more interested in the actual "drawing the damn comic" part of the process. I only do it this way because I enjoy weaving a narrative web that feels not only fully contained but re-readable, but my projects are often so long and my memory so shitty that I can't just keep all of it in my head! It would spill all over the place and make a really embarrassing mess of brain-juice. Not ideal.

but as for my own process, uhh... I suppose a comic would be fitting, right?

a little choppy but you get the idea.

as for turning words into art, I've been experimenting with figuring out the best way to do that for a little while now. Originally what I was doing for something like Ad Astra Per Aspera was to take my "script" and sketch it out on paper very loosely, before transposing that onto my canvas and working from there:

...but, I've found that can make it kind of difficult to space everything around on your standard page-size, and the thing I'm having the most problems with currently seems to be finding the sweet spot of panel-size proportions. So, I've taken to printing out standard thumbnail templates (you can just find these on google) and sketching very tiny panels in those, which seems to give me a slightly better sense of scale... (mild chapter 5 spoilers, sorry ad astra fans)

but I have yet to totally pull through on this, so who knows, maybe I'll try something else in the future!

As for advice, this is probably most applicable to me, but as a disabled artist I have a very hard time managing my workload without literally working myself into injury. I don't think I talked about this publicly but when I was working on that ten year anniversary comic I was literally drawing every single day for 3 solid months. Sometimes, in my case, I really can't bring myself to stop once I've latched onto an idea, and sometimes I find the most rewarding thing I can do with my time is to draw- but I seriously cannot overstate: Do not fucking do this.

You will fuck up your wrist, your back, your neck, your eyes, and probably your mental health. It's a well-known fact that mangaka have a lower life expectancy than the average japanese person due to the intense workload imposed on them by deadlines and personal expectations. Comics are a very demanding artform, and even though I'm not on any sort of mandated schedule there are times where I've toiled away at something when I likely should have been exercising or taking vision-breaks. Therefore the best advice I can give you is to chill the hell out.

Namely, find parts of the process you can be lazy about, and embrace the laziness! You don't like digitally sketching? Don't do it! Skip it, or maybe find a way to traditionally sketch things out in advance like I do. Hate lineart? Don't fucking do it. You really don't feel like wasting your time writing 72k words of comic scripts? ...then, don't be like me. skip that part. I'm a flawed human being and what works for me might not work for you.

The second most important piece of advice I could give is to read comics. Of all kinds. The reason for this is pretty self explanatory: In order to figure out your own comic-making style, you should first pick out bits and pieces from the artist's buffet to add to your plate. Manga, graphic novels, american comics, european comics, weird niche little webcomics, funny papers, anything and everything. This advice rings true of pretty much any art form, but I find it to be essential to honing comic-making skills because so many things you feel will just come intuitively often don't. and that's okay! nobody is born knowing how to leave space for speech bubbles or shape their panels in a way that imitates stretches of time. The best way to figure out stuff like this, in my experience, is to study the "masters", and then after becoming well accustomed to the basics, figure out what rules you want to bend or break to create your own style.

I consider myself to be in equal parts a writer and an artist, which lends itself well to making narrative comics, but maybe you're a bit more of an artist and want to focus on panel-by-panel visual storytelling. Or, conversely, maybe your talents lean closer towards writing, and the art itself is more of a secondary skill. Regardless of your unique blend of talents you can and should make a comic, you should just also be aware of your strengths and try to hone in on those- there will always be opportunities to build up skills you lack, but focusing on what you do best will always lead you in the right direction.

Anyway, that being said, here are some recommendations in no particular order:

Monster, Naoki Urasawa (!!)

Bone, Jeff Smith

Witch Hat Atelier, Kamome Shirahama

The first IDW run of Transformers comics (namely More Than Meets the Eye and Lost Light)

Persepolis, Marjane Satrapi (!!)

Through the Woods, Emily Carroll (really any Emily Carroll comics)

Kill Six Billion Demons (webcomic) (!!)

Akira, Katsuhiro Otomo

The Third Person, Emma Grove

Tintin, Hergé (can be super racist please be wary)

Dungeon Meshi, Ryoko Kui

Calvin & Hobbes, Bill Watterson

Maus, Art Spiegelman

Cucumber Quest (webcomic)

Jellyfish Princess, Akiko Higashimura

Golden Kamuy, Satoru Noda (!!)

Note that I did not grow up with manga so I am seriously behind on a lot of extremely influential japanese comics such as Dragon Ball, One Piece, basically any of the original Shonen Jump comics, but they're widely considered building blocks of the genre so if you love the artform I think you should give them a try! Same goes for classic non-shonen manga genres like various Shoujo, Josei, Yuri, Gekiga, ETC.

same as above applies to a lot of classic DC and Marvel works, I unfortunately am just not a big fan of superhero comics... but I'm sure there's good stuff in there. a couple of my mutuals talk about booster gold and the blue beetle all the time so I'm assuming there has to be something worthwhile.

...and many, many, many more that I'm forgetting! I noticed as I made this list that, to my knowledge, hardly any of these are made by black or just non-japanese-mangaka BIPOC artists, which makes me sad about the gaps in my own comic collection. Therefore, anyone is welcome to add their own recommendations in the replies!

now go forth, and combine images with text!!!!!!!!!!!

[obstinaterixatrix]

Do u know any good mob psycho 100 fanfics?? Or authors??

well obviously my sister but I’m guessing you’re the same anon so 1) you already know her fics 2) you want different recs from what’s on her list (some of them being fics I rec’d to her lol). recs will skew heavily seri/rei and I’m just going through my bookmarks so it’s gonna be most recently read to oldest read. also seconding sister’s recs of bobmoss and crookedturtle. but I’ll add a fic from each anyway because I already wrote something for one while I was drafting this (oops)

Recollection by CowardlyBean

This is the journal of missing 31 year old Reigen Arataka, distributed with permission from friends and family. The version presented in this document has been kindly edited with added commentary by a loyal customer of his. -Editor’s Note

gen, experimental and in progress at 14k so definitely deserves more love than it’s getting. inspired by house of leaves; as the summary says, it’s some rando writing annotations about reigen’s journal, but Something Weird Is Going On. the 4th chapter updated so I actually need to catch up. also, sister rec’d this fic to me

Like Acid Reflux, or Love by partingxshot

Dating Reigen is like dating a single dad—only with more children, weirder scruples, and an extreme ruthlessness vis-à-vis group takoyaki discounts. He's not hot enough for this.

OR: "Me, You and Steve" by Garfunkel and Oates but with fifteen million teenagers.

OR: Outsider POV exploring Reigen’s dedication to his gaggle of bizarre children through an ill-fated dating attempt.

OR: Serizawa gets bruxism.

gen(/pre-relationship seri/rei), oneshot, 7k. oc/reigen breakup lmao. extremely funny concept, extremely good execution

Dream Dial by Alakazamboni

For the better part of nine years, Arataka has proudly worked in customer service at a behemoth of a company. At least, that's what he remembers, but a strange illness and a mysterious caller keeps trying to convince him otherwise. It doesn't help that this caller has the power to distort reality.

seri/rei, in progress, 16k. great uncanny atmosphere, and also reigen is trapped in time prison as a miserable office worker. hasn’t been updated for a while but read it anyway, the stoping point is fine

What We Make by crookedturtle

Reigen and Tome are kidnapped from the Spirits and Such office to be used as leverage against Mob. They have two goals: to contact the outside world, and keep each other safe. In doing so they engage in a dangerous game of lies and manipulation with their captors—a game with potentially deadly consequences.

gen (bg seri/rei), complete, 36k. Good for whump and high stakes interpersonal maneuvering & drama. I liked how the story extends beyond rescue and goes into how everyone navigates the fallout

Man's Best Friend by bobmoss

A cursed dog gets left at Spirits and Such. Anyone who pets it is doomed to die a horrible death.

Reigen, of course, pets it.

seri/rei, oneshot, 4k. funny and cute and sweet :) there’s a very charming tentative & tender vibe

heart line by ruthwrites

It doesn’t really matter, he reminds himself. He’s making a change, just like all of Reigen’s clients. What’s on his hands isn’t set in stone. He just has to make sure Reigen doesn’t see it— even if it might feel nice to have that steady attention, Reigen’s hands that are so much nicer than Serizawa’s folding around his.

(or: Reigen starts offering palm readings as a service, leading to Serizawa having to confront his feelings for his boss.)

seri/rei, oneshot, 6k. getting together fluff, a fun light read that also highlights serizawa’s insecurities—the internal narration has good character voice

If you won't believe me when I say it, believe me when I don't by deathdefied

Two years after Reigen invited Serizawa to work for him, he still can't quite categorize his feelings for his coworker. Instead of actually dealing with those feelings like an adult and talking to his friend, he decided to get really paranoid and overthink everything Serizawa does.

seri/rei, complete, 26k. reigen drives himself nuts lmao

Obvious by skeilig

Tome’s perspective on Reigen and Serizawa’s developing relationship.

gen (but about seri/rei), oneshot, 3k. I like outsider perspective getting together fics, especially when the perspective character is like ‘I’m actually not invested in this except when it affects me directly’

Cover Me by flecksofpoppy

Reigen’s shadow seems longer as the days move forward, more solitary. The cuts on his face heal and the ache in his bones go away, but a new sting replaces it. It’s loneliness, the thing he had managed to avoid ever since a primary school-aged kid who could make cups float stumbled into his office so many years ago.

seri/rei, oneshot, 3k. getting together fic that shows off a little of reigen’s gloomier side, it’s cute

loved you just a little too much by shcherbatskayas

You learn how to let go.

(It doesn't come naturally.)

gen(ish), oneshot, 2k. 2nd person character study of serizawa’s relationship with touichiro, I liked the ambivalence; effectively captures development over time with a relatively short wordcount.

offering genuine help with genuine results by suitablyskippy

“The curse was pretty clear on me not telling lies,” concedes Reigen. “It was pretty clear on me telling the truth. But,” as he lifts one finger, already sliding into the same educational tone he generally uses for imparting wisdom to Mob about life and love and the overall holistic benefits of making sure he’s always available for unexpected overtime work on weekends, “telling the truth isn’t necessarily the same as being honest, is it?”

“You’re the professional liar,” says Dimple. “You tell me.”

(Being cursed to only tell the truth and being cursed with Dimple as an employee are pretty much equally bad, as far as Reigen's stress levels are concerned.)

gen, oneshot, 2k. the tags include friends with no benefits whatsoever, which is very apt. Very funny to have reigen and dimple be petty and shady

a slightly more miraculous miracle by suitablyskippy

“Rumour has it that something impossible’s happened. Something that could never have happened. That shouldn’t have been able to happen.” In a single slick move Mezato produces a tiny voice recorder from an inside pocket, flips it open and active, and holds it up before Mob’s mouth to ask him, in a tone of devastating intensity: “Do you know anything about… a miracle, Mob-kun?”

Mob doesn’t hesitate. “We had maths homework to hand in,” he says. “But now we don’t have to. We don’t even have to go to the lesson.”

(The sun is shining, the birds are singing, Salt Middle School has been closed by an unexplained miracle, and the only thing wrong in Spice City is the fact that nothing is even slightly wrong at all.)

teru/mob, incomplete, 55k. for the most part I haven’t been repeating authors on this list, but listen. listen to me. I need you to listen. it is extremely unlikely for this fic to ever be completed. but hark, lest this sad probability turn you away and leave you dispassionately scrolling to the next fic, I need you (you specifically) to know that if I were in the same room as you, I would be wrestling the phone/mouse/trackpad/touchscreen/etc from your hands and furiously clicking the link. when I bookmarked this fic in 2017 I described it as having “some breathtakingly sensical prose and the funniest misunderstandings I’ve ever read”. trust me from seven years ago. open your heart.

skylight by inexhaustible

unconnected snapshots in what might, in some worlds, be something a little like recovery.

seri/rei, oneshot, 2k. character study that nails the tension of an escalating romantic atmosphere.

come on, come on, come over (take it off your shoulder) by mortarsmayfall

Reigen's free hand cradles Serizawa's head, curled under his ear just so to turn it for a better angle. He feels his pulse pound under Reigen's fingers, shivers just the slightest bit. If Reigen notices, he doesn't say anything about it.

seri/rei, oneshot, 2k. when I first read this I saved it as a private bookmark because I was so embarrassed by the sheer intimacy of haircuts with severely unresolved sexual tension. I’m guessing this was written after studio bones gave us reigen cutting serizawa’s hair. crumbs no more; for once we had a feast to enjoy. short & sweet getting together fic

Off-White by reigreitz

Some habits are tells.

seri/rei, oneshot, 1k. snapshots of pre-relationship and established relationship scenes, I’m quite fond of it. on my first reading I’m pretty sure I remember not paying attention to the habit piece at all (even with it being right in the summary) so at the last scene I was hit by the double whammy of ‘oh so that was what serizawa was reacting to’ and ‘AW… THAT’S SWEET…’; I think the fic does a great job of hiding/not acknowledging certain things the perspective character knows and is reacting to, which makes it fun to reread and pinpoint what exactly serizawa’s previously more opaque train of thought was. like, it’s the same stuff, but you get to read into more nuance.

the seven stages of falling in love by reigen arataka by matsunoble

You suppose one of the weirdest times to realize you've fallen deeply and irrevocably in love is when it's fuck o'clock in the morning and you're blearily checking your fridge for leftover curry.

seri/rei, oneshot, 3k. I was quite taken by the mundane (and sometimes unappealing) descriptions of love, and I like when serizawa has the upper hand

Mr. Psychic by beefstatic

Looks like trouble in Spice City...

seri/rei, oneshot, 4k. Serizawa Acts Like An Intimidating Bodyguard During Tense/Shady Situations. fun emphasis on that potential aspect of his character, I like how it’s done.

Late by hamlingo

For the first few days after hiring Serizawa, Reigen couldn’t help but be alarmed when the door opened at eight o’clock sharp in the mornings. He got used to it eventually, and in a month’s time he was more surprised when the door didn’t creak open right on time.

This was one of those mornings.

seri/rei, oneshot, 2k. this is actually among the first seri/rei fics I bookmarked so I can say with relative certainty that on may 20th 2017 I decided that maybe seri/rei was not just a joke of me indulging my own spurious unreasonable whims. fun character study and has that enjoyable tension of pleasant pre-relationship uncertainty.

Quiet Talks by krypkaktus

At some point, Reigen cutting his hair twice a month had turned into a mutual habit.

seri/rei, oneshot, 600 words. another charming snapshot of pre-relationship uncertainty, pleasantly embarrassing unresolved romantic tension.

walk in by ruthwrites

It was then he realized that the reason Reigen and Serizawa were standing so close was because they were kissing.

Mob was not really sure what to do with that information.

(or: mob leaves something at the office, comes back, and walks into something he wasn't supposed to)

seri/rei, oneshot, 3k. an extremely popular fic for extremely valid reasons, this is a shining example of the outsider POV shipfic where the perspective character is like. I’m 14 and did not want to see you guys kissing. and the couple is like. we also did not want you to see us kissing, this is excruciatingly awkward.

tomorrow isn't always another day by suitablyskippy

It’s like Reigen’s been waiting for the question. He stops dead on the pavement, grips Mob by the shoulders, and stares down into his eyes with an expression as haunted as though every ghost the pair of them has ever exorcised has taken up residence behind it. “Mob,” he says. “Mob,” he says again. “Tell me, Mob. Look at me and tell me. Tell me truthfully. Do I look cursed to you?”

Mob looks at him, and tells him truthfully. “No.”

“Well, you didn’t look very long,” says Reigen. “Let’s just stand here for a moment, like so, and you can have another look, a nice long look, and really think about it...”

(There's nothing strange about being called back to exorcise the same haunted photocopier six days in a row. It must just be a very haunted photocopier.)

gen, oneshot, 18k. I didn’t mean to rec the same author three (3) times but this is also one of my top faves. extremely funny time prison where nobody is on the same page ever.

space voyage by Anonymous

Tome Kurata is slightly famous—or notorious, more like—for being... a weirdo, to put it simply. She's definitely a person of interest. Just not exactly in a newsworthy way, which is obviously the only way that matters.

mezato/tome, oneshot, 1k. charming pre-relationship contention, they’re the same type of self-absorbed and tunnel vision (affectionate)

I was thinking of not writing up recs for sister’s fics but since one author got three (3) fics on the list I’m gonna also put 3 of my fave fics of sister’s

Reigen's Comprehensive Fool-Proof Guide on How Not To Be Next Door Neighbors With Your Employee (because that'd just be creepy) by MalkyTop

Reigen hires Serizawa and they somehow end up as roommates.

seri/rei, complete, 17k. a fic sister wrote for ✨ME✨ that shows off reigen’s neuroticism and his decidedly not-normal attempts to come across as Extremely Normal, The Most Normal Man Alive. there are so many comedic setups and payoffs. there are so many shenanigans. reigen gets frog-boiled into romance. actually, I drop that term a lot but I’m not sure it’s a common enough to intuitively understand. it refers to the boiling frog metaphor

If At First You Don't Succeed, Find a Loophole by MalkyTop

Reigen keeps dying; Serizawa keeps trying to save him.

seri/rei, complete, 18k. sister was insane for this because she trapped all of her readers AND herself in time prison by releasing one chapter a day. it was really funny to witness because I was the only person not in time prison by virtue of editing privilege. while we were watching mondays: see you next week (an office time loop movie), sister was saying she was impressed at how effective/efficient the movie was at picking which scenes to repeat. this is to say, as someone who notices these details, sister was very intentional about when things changed and how things changed from the perspective of a character completely unaware of time prison. also, the emotional momentum is extremely good, I loved reading serizawa’s increasing desperation from reigen’s context-less perspective.

in absentia* by MalkyTop

After what was supposed to be a routine exorcism, Reigen wakes up in the wrong body.

serirei, complete, 26k. slowburn bodyswap with mystery and intrigue. a solid casefic! I can be biased and right. there are metanarrative elements that I find fun and that, in my opinion, highlights how sister did in fact get a degree in philosophy. there’s also some fun subtle and messy characterization notes, like when serizawa asks reigen not to cook for him. it’s hard to talk about what I like about this fic without giving away a lot of specifics, so go read it.

[waytray]

I’M MAKING MYSELF EMOTIONAL THINKING ABOUT JAYVIK WITH THIS SONG 

I’ve said it before, and I’ll say it again, they’re alive in another dimension! 

[creaturefeaster]

Hi... Great job on colorquest but... Im having trouble keeping up with the formatting... I haven't really been able to read it... But maybe that's just my dyslexic ass.

Hi-- thank you, first off!

But hmm, I wonder how this could be mitigated. Would alternating colors per line help alleviate dyslexia?

If you (or anyone else who is dyslexic) have any suggestions on how I could improve the dialogue layout, I'd like to hear them.

I'd like my story to be as accessible as possible.