#local literary scene

[onarangel]

Dreamy bookstores

Boasting an attractive Georgian blue façade, Books Upstairs is “Dublin’s oldest independent bookshop.” Started in 1978, it remains one of the most charming ones that stocks a curated collection featuring primarily Irish literature and poetry. Book lovers wanting to discover the local literary scene will find the shelves of Books Upstairs quite satisfying. Others can take a risk and order one of their popular themed book bundles. The first floor of this Dublin bookstore houses a cute café, perfect for a chat with fellow bibliophiles over copious cups of coffee. 

More in:https://www.whatshouldireadnext.com/blog/5-dreamy-bookstores-in-dublin-you-need-to-visit-soon

[ijustmissyouraccenths]

The Alchemy

AU where Harry is the star quarterback at his college and y/n is an English major.

Based very loosely off The Alchemy by Taylor Swift

CW: Smut

Word Count: 6,871

Leaving my family to go to University was a bittersweet decision. My heart tugged at the thought of being away from them, but my passion for mastering the art of English pulled me towards my dream. My family had always been my biggest supporters and I wanted to make them proud by becoming an English professor. This meant leaving behind my comfortable life in a small suburban town in Florida to study abroad at one of the most prestigious universities. The campus was nestled in the very heart of where literary greats had once roamed and created their masterpieces. It was as if the walls exuded inspiration and creativity, urging me to chase after my dreams with even more fervor. Though I missed my family dearly, I knew that this journey would lead me to become the best version of myself and honor their unwavering support and love.

It was a whirlwind of experiences as I made my way through the unfamiliar streets. The currency conversion was a constant challenge, with every transaction feeling like a game of guesswork. And then there was the driving - on the opposite side of the road no less - which required all of my concentration to avoid any mishaps. But perhaps most daunting of all was the non-stop partying at pubs, a culture shock for someone like me who had grown up in a small town in America.

Thankfully, I was able to find a flat that was within walking distance from the school, and even luckier to have another American girl as my roommate. Mia was a sweet, bubbly girl from the middle of nowhere Kansas, embracing every aspect of British culture including the pub scene and the charming local lads.

Living with Mia meant constantly having people over, and it seemed like every night brought new faces into our home. I didn't mind too much, mostly enjoying the lively atmosphere and meeting new people. However, there were definitely some moments that tested my patience, like when one of Mia's friends named Arthur ended up getting sick and leaving his mark in our kitchen. Despite these occasional hiccups, I was grateful for this experience abroad and all the unique encounters it brought my way.

Though Mia's social butterfly nature could be trying at times, I appreciated her warm companionship in this foreign place. It was on one such night, after we had cleaned up the remnants of Arthur's ill-fated escapades, that we found ourselves cozied up with mugs of tea and watching the rain patter against the windows. 

Mia was unusually pensive as she stared out into the drizzly Manchester night. "You know," she began softly, "sometimes I wonder if I'm chasing the wrong dreams. My parents wanted me to become a doctor or lawyer, something stereotypically successful, but I just wanted adventure. Now here I am, living it up in England, but it all feels...empty, like I'm still searching for meaning."

I nodded thoughtfully, sensing the vulnerability in her words. Though Mia put on a bubbly facade, there was more depth to her than met the eye. 

"I think the great thing about being here is that we have time to figure it all out," I offered gently. "We're writing our own stories, not just following someone else's script." 

Mia smiled, some of the spark returning to her eyes. "You're right. That's exactly why I love being here with you."

As the rain continued to drum against the windows, Mia and I sat in comfortable silence for a moment, each lost in our own thoughts. Finally, Mia turned to me with a curious expression.

"Do you ever have doubts about your dreams, too?" Mia asked, her voice tinged with vulnerability.

I considered her question for a moment before responding, "All the time. Sometimes I wonder if I'm on the right path or if I'm just going through the motions."

Mia nodded understandingly, her eyes reflecting the shimmer of uncertainty. "It's scary, isn't it? The idea that we might wake up one day and realize we've been chasing a dream all along."

I placed a comforting hand on Mia's shoulder. "It is scary, but it's also part of the journey. We're allowed to question and evolve along the way."

She smiled weakly, her gaze drifting back to the rain-splattered window. "I guess that's what makes life interesting, right? The uncertainty of it all."

Our conversation was interrupted by a sudden knock on the door. Mia got up to answer it, revealing a group of our friends who had decided to brave the rainy night for an impromptu gathering.

"Come in, come in!" Mia exclaimed cheerfully, ushering everyone inside. The room quickly filled with laughter and chatter as our friends settled in.

As I looked around the group, my eyes landed on a few familiar faces who have crossed paths with me several times before. Among them was Arthur, a friendly face that always brought a sense of comfort and familiarity. As everyone piled into the room, my gaze wandered to him - Harry Styles, the renowned quarterback of our school's football team. I couldn't help but feel a tinge of excitement at being in the presence of such a well-known athlete. When I first arrived from the United States, I had assumed the term "football" referred to what we call soccer back home. But as I soon discovered, American Football was just as beloved and popular in the UK.

Harry noticed me looking his way and met my gaze. There was an intensity in his green eyes that made me quickly avert my own, focusing instead on my friend Grace who was animatedly sharing a story next to me. 

I tried to tune into her words, but my thoughts kept drifting back to the handsome footballer across the room. By all accounts, Harry was cocky, brash, and a bit of a player. And yet, I couldn't deny there was something magnetic about him. He carried himself with a self-assured swagger, his athletic frame filling out his clothes in a way that betrayed his strength. 

I scolded myself internally. Just because he's nice to look at doesn't change the fact that he seems like an arrogant jock. Still, when our eyes met again, I felt a flutter in my stomach I couldn't ignore. 

Harry said something to his friend that made the group erupt into laughter. He flashed a crooked smile, his eyes crinkling at the corners. I quickly looked away once more, but the image of his smile lingered in my mind.

Get it together, I told myself sternly. Harry is off-limits. With his reputation, getting involved would only lead to trouble. I turned my focus back to Grace, pushing all thoughts of Harry's eyes, smile and broad shoulders out of my head. 

For the rest of the night, I avoided looking in Harry's direction, though I could feel his gaze on me periodically as the hours wore on. By the time people started trickling out, I felt certain I had avoided any direct interaction with the dashing footballer. 

That is, until I went to lock the door behind the last guest and found him standing there. He flashed that crooked smile again as he leaned against the door frame. "See you around, Y/N," he said, holding my gaze for a moment before disappearing into the night. I stood frozen, my heart racing as I replayed those five simple words in my head.

As I stood there in shock at Harry's unexpected presence, I couldn't help but feel a mix of emotions swirling inside me. His parting words echoed in my mind, leaving me slightly breathless and unsure of what to make of the situation. Gathering my composure, I locked the door behind him and turned to find Mia watching me with a knowing smile.

"Looks like someone caught your eye, Y/N," Mia teased, nudging me playfully. "Harry Styles, huh? Quite the charmer."

I flushed slightly at her comment, trying to brush off any implications. "Oh, come on, Mia. It's not like that," I deflected, hoping to downplay the significance of the moment.

But Mia wasn't convinced. "Sure, sure," she replied with a wink. "Just remember, not all that glitters is gold."

Her words lingered in my mind as I bid her goodnight and retreated to my room. Sitting on my bed, I couldn't shake off the image of Harry's smile or the way he had looked at me in that brief moment by the door. The conflicting thoughts swirled in my head, leaving me restless and contemplative.

The following day at school, as I made my way through the bustling halls, I noticed a familiar figure leaning against the lockers up ahead. It was Harry, his usual confident demeanor on full display as he chatted with his friends. As our eyes met briefly, he flashed a grin in my direction before turning back to his conversation.

Feeling a surge of boldness, I approached him tentatively. "Hey, Harry," I greeted him, trying to keep my tone casual despite the flutter in my stomach.

"Hey there, Y/N," he responded with a smirk, his green eyes twinkling mischievously. "Didn't think you'd show up here again so soon."

I felt my cheeks flush at his words. Clearly he was referring to my abrupt exit last night after our brief encounter at the door. I scrambled to think of a clever response. 

"Well, we do go to the same school," I pointed out, trying to keep my voice light despite the nerves I felt. 

Harry chuckled, crossing his arms over his broad chest as he regarded me with amusement. 

"True enough," he conceded. "But I got the sense you were trying to avoid me last night. Did I make you nervous?"

His bluntness took me aback. I opened my mouth to respond, but no words came out. Harry's eyes danced with mirth at my flustered state. 

"Cat got your tongue?" He teased. 

I took a steadying breath, determined not to let him get the best of me. "You wish," I retorted, hoping the bravado in my voice sounded more convincing than I felt. 

Harry laughed, a rich warm sound that made my knees weak. Our eyes locked and in that moment, it was like the noisy hallway melted away and there was only the two of us.

"Feisty. I like it," he murmured. Before I could respond, the warning bell rang, snapping us both back to reality. 

"See you around, Y/N," Harry said with a wink before disappearing into the swarm of students heading to class. 

My body froze in place, heart thudding against my ribs as I gazed at the infamous Harry. He exuded an undeniable air of trouble, and yet, as our charged banter replayed in my mind, I couldn't deny the adrenaline pumping through my veins. With a determined stride, I made my way to class, refusing to let this boy be the cause of my tardiness.

I took a seat in my Studies of Shakespeare class, the one subject I truly loved. The works of William Shakespeare never failed to captivate me, and if you could understand the Elizabethan lingo, his witty humor shone through brilliantly. Unfortunately, this particular teacher seemed to have a talent for draining all the life and humor out of these masterpieces.

I tried to focus as the professor droned on about the themes in Romeo and Juliet, but my mind kept wandering back to my encounter with Harry. Something about our charged banter had awakened feelings in me that I didn't quite understand. 

Out of the corner of my eye, I noticed a folded piece of paper land on my desk as if taken out of a scene from a movie. I looked around furtively before opening it. In an unfamiliar scrawling handwriting it read:

"What light through yonder window breaks? It is the east, and Juliet is the sun." - H

I felt a thrill run through me and quickly tucked the note into my bag before the professor could notice. So Harry was in this class too? I scanned the room subtly until I spotted him a few rows behind me. He caught my eye and gave me a roguish wink.

I turned back to the front, trying to ignore the simmering exhilaration I felt. Over the next few days, the notes kept coming during Shakespeare class, each with a quote or two from the Bard himself. They were usually cheeky and flirtatious, hinting at some blossoming rapport between us.

I found myself anticipating each one, my heart skipping a beat when I would spot a new folded note on my desk. Our eyes would meet across the room, a hidden smile just between us.

After class one day, as I gathered my things, I sensed Harry approach my desk. "So when's our study session?" he asked nonchalantly, though there was a glint of something more in his eyes. I hesitated, knowing I should keep my distance, yet unable to deny I was intrigued.

I nervously tucked a loose strand of hair behind my ear, trying to appear nonchalant. "Well, I don't know... I've heard you're not the most dedicated studier," I teased, giving him a playful smile.

Harry chuckled, his eyes sparkling mischievously. "Oh, but that's where you're wrong. I may not look like it, but I'm quite the Shakespeare aficionado," he replied with a grin.

I raised an eyebrow in skepticism. "Is that so? Well, I suppose we could arrange a study session... if you can prove your expertise," I challenged, a hint of challenge in my tone.

His grin widened, accepting the challenge. "Consider it done. How about we meet at the library tomorrow after school?" Harry suggested, his gaze unwavering.

I hesitated for a moment, the thrill of anticipation coursing through me. "Alright, it's a date then," I agreed, feeling a rush of excitement at the prospect of spending more time with him.

As the final bell rang, signaling the end of the school day, Harry flashed me one last grin before disappearing into the bustling hallway. My heart raced with both nervousness and exhilaration as I packed up my belongings, eager for our upcoming study session.

The following day at the library, I found myself anxiously scanning the room for Harry. My pulse quickened when I spotted him sitting at a table in the corner, a stack of Shakespearean plays spread out in front of him.

I made my way over to him, feeling a mix of nerves and excitement swirling inside me. "Ready to impress me with your Shakespeare knowledge?" I asked with a teasing smile as I took a seat across from him.

Harry flashed me a charming grin. "Just watch and learn," he said confidently, picking up a copy of Romeo and Juliet and flipping to a random page.

As he began to recite lines from the play with passion and flair, I couldn't help but be captivated by his enthusiasm. His eyes lit up as he delved into each line, bringing the centuries-old words to life in a way that was both mesmerizing and captivating.

By the time our study session ended, I found myself completely enthralled by Harry's interpretation of Shakespeare's works. As we gathered our things to leave, he turned to me with a twinkle in his eye, he knew a lot more about the works than he let on to.

Harry turned to me, “So now that I’ve shown you i’m smart, I know Shakespeare, when are you coming to one of my games?” he asked confidently.

I was taken aback by his forward invitation. Attending one of his football games felt intimate in a way that made me nervous. 

"Oh, um, I don't know..." I fumbled over my words, suddenly feeling shy. 

Harry tilted his head, giving me a crooked smile. "Come on, it'll be fun. I'll even give you a personal tour of the field afterwards," he joked. 

I bit my lip, considering it. There was no denying I felt drawn to him, despite trying to keep my distance. And the thought of seeing him command the field sent a little thrill through me. 

"Alright, I suppose I could stop by," I finally conceded, tucking a strand of hair behind my ear self-consciously. 

Harry's face lit up. "Brilliant! Our next game is on Friday. I'll leave a ticket for you at will call," he said eagerly.

I nodded, butterflies taking flight in my stomach. "Okay, yeah. I’ll see you then," I replied softly. 

Harry gave me a dazzling smile and I felt my knees go weak.

Friday night arrived and I found myself filled with nervous excitement as I made my way to the football stadium. I couldn't believe I had actually agreed to come watch Harry play. As I approached the ticket booth, I gave my name and they handed me the ticket Harry had left for me. 

I found my seat in the packed bleachers and waited anxiously for the game to start. When the players rushed onto the field, I immediately spotted Harry's mop of curly hair. He looked focused and determined as he took his position on the field. 

As the game began, I was immediately drawn in by Harry's commanding presence on the field. His movements were fluid and precise, each pass and dodge executed with passion and skill. With each successful play, the crowd erupted into thunderous cheers, mirroring my own excitement. It was impossible not to join in, jumping to my feet and cheering for Harry along with everyone else.

At halftime, Harry made his way over to the sidelines, sweat glistening on his forehead and tattooed arms, his chest heaving from exertion. As he scanned the crowd for familiar faces, his eyes locked onto mine and a wide grin spread across his face. He waved enthusiastically, causing my cheeks to flush as I shyly waved back in return. 

In the second half of the game, Harry's presence seemed to radiate even more brightly. With each touchdown he scored, his fists pumped triumphantly in the air. The crowd roared and cheered as he ripped off his helmet and hoisted it victoriously above his head, his teammates swarming around him in celebration.

As the stadium emptied out, I stayed behind with a swarm of butterflies fluttering in my stomach. I couldn't wait to see Harry once again. Finally, after what felt like an eternity, he emerged from the locker room, his hair still damp from his post-game shower but his eyes shining with joy.

"So, what did you think?" he asked eagerly as he approached me.

"You were truly spectacular out there," I gushed earnestly. A wide grin stretched across Harry's face.

"Come on, let me give you that promised tour," he said playfully, offering me his arm. Laughing, I happily took it and followed him onto the empty field, my heart racing with excitement and admiration for the amazing athlete by my side.

Harry led me onto the empty stadium field, the night air crisp and cool against our skin. He pointed out spots on the grass where pivotal plays had happened, describing them with a passion that revealed his deep love for the game. 

I found myself enthralled, leaning into him as we walked, his arm solid and warm beneath my hand. When we reached the middle of the field, he turned to face me. His eyes were soft, searching my face in the dim glow of the stadium lights. 

"You know, I was afraid you wouldn't come tonight," he admitted quietly. 

I tilted my head. "Why's that?"

He shrugged, a small smile playing on his lips. "You never seemed to like me much before. I figured I wasn't your type."

Heat rose to my cheeks. He wasn't wrong - I'd unfairly judged him as arrogant and cocky. But tonight had shattered those assumptions. 

"I guess I realized there's more to you than meets the eye," I said softly. 

Harry's smile widened. He lifted his hand, gently tucking a strand of hair behind my ear. My breath caught at his touch. Slowly, he leaned in. I let my eyes fall shut in anticipation...

But suddenly, the stadium lights flickered off, plunging us into darkness. We jumped apart in surprise. 

Harry laughed. "Guess that's our cue to head out." 

He took my hand, interlacing our fingers, and led me towards the parking lot. I walked close beside him, hyper-aware of his palm pressed against mine.

As he towered over me, Harry's eyes scanned the street, searching for a car. "Where did you park?" he asked, his voice deep and smooth.

I shifted nervously on my feet, avoiding eye contact. "Oh. Uh. I didn't drive. I just live around the street," I murmured, my cheeks flushing with embarrassment. The thought of navigating English roads was terrifying to me.

A warm chuckle escaped from Harry's lips as he looked back down at me. "I can drive you home, love," he offered, extending a hand towards me. His scent wafted towards me - a mix of cologne and something woodsy - and I couldn't help but feel a flutter in my stomach at his closeness.

As Harry and I walked towards his car, our hands still entwined, I felt a sense of excitement and anticipation build within me. "So, tell me more about this amazing game-winning touchdown," I teased, trying to break the silence that had fallen between us.

Harry laughed softly, his eyes sparkling with amusement as he glanced at me sideways. "Oh, you mean the one where I body-slammed the other team's runner into oblivion?" He pretended to flex his muscles playfully. "That was pretty epic, if I do say so myself."

I shook my head, feigning disbelief. "You're such a show-off," I said with a grin. "I bet you were the star of the school playground too."

Harry snorted. "Hardly. I was more of a loner growing up. Spent most of my time with my nose buried in books."

"Really?" I raised an eyebrow in surprise. "And here I thought all jocks were brain-dead."

He laughed again, his laughter echoing through the empty streets as we walked towards his car. When we finally reached it, Harry unlocked the door and gestured for me to get inside. As I slid into the passenger seat, I couldn't help but notice how perfectly he filled the driver's seat - broad shoulders tapering down to narrow hips and long legs. The image of him all sweaty and wet from a shower flashed through my mind, making my cheeks heat up again.

"So," Harry began as he started the engine and pulled out onto the road, his eyes fixed on the road ahead, "tell me more about yourself."

I felt myself blush even harder at his directness but decided to play along. "Well," I said slowly, thinking quickly. "I'm a huge bookworm too - Harry Potter is probably my favorite series ever."

Harry chuckled softly as he glanced at me briefly before looking back at the road. "I can see why you fit right in here in England then."

We drove through the quiet streets in companionable silence for a while before Harry spoke up again. "You know, you don't have to act all tough around me," he said quietly, his eyes still on the road as he slowed down at a stoplight.

I turned to face him fully now, surprised by his words. "I wasn't trying to be tough," I said defensively. "I just didn't want you to think that... well, never mind what I didn't want you to think," I muttered under my breath.

Harry's face softened into a gentle smile as he reached out to brush a strand of hair behind my ear once again - a gesture that sent shivers down my spine despite the warmth of the car interior. "It's okay," he murmured soothingly as he took my hand in his once more and squeezed gently before letting go when the light turned green again.

The rest of our drive was filled with more easy conversation punctuated by moments of awkward silence broken only by the sounds of our breathing and occasional traffic noises outside. When we finally pulled up outside my house I found myself hesitating before opening the car door knowing that this was goodbye.

Under the dim glow of the street lamp, I tentatively turned to face Harry. "Thanks for...for tonight," I stammered out, suddenly self-conscious under his intense gaze. 

His emerald eyes twinkled mysteriously as he simply nodded and began unbuckling his seatbelt. His eyes never left mine, setting off a simmering warmth between us that was hard to ignore. 

"I should probably walk you to your door," he said softly, accentuating each word with an inexplicably seductive lilt. My heart pounded in my chest as we exited the car and made our way towards my apartment.

Once at the front door, we stood facing each other in silence, the air around us thick with unspoken words and desires. I felt his strong fingers gently cradle my chin, tilting my face up to meet his gaze. The intensity of this simple touch sent sparks racing down my spine, pooling heat in places I hadn't even known existed.

"Can I come inside?" His voice was barely a whisper but it echoed loudly in my ears.

My mind screamed caution but my body had other plans. “Yes,” I breathed out, unlocking the door and pulling him inside.

Inside, Harry's lips found mine in a searing kiss that left me breathless. His tongue teased against mine, creating a warm and delicious friction that sent shivers down my legs. As he pressed his hips against me, I could feel the unmistakable hardness growing between us. Our hands roamed freely over each other's bodies, exploring new territory and seeking pleasure through every touch.

Harry's fingers made their way to the waistband of my skirt, pulling it down over my hips and letting it fall to the ground. He lifted me up onto the edge of a nearby table, spreading my legs slightly as he stood between them. The feel of his fingers brushing against my inner thigh caused me to gasp and arch my back in anticipation.

Harry pulled back abruptly,“I’m sorry,” He started, “that was really inappropriate.”

As Harry apologized, his eyes were drawn to the hint of my arousal peeking out from between my legs. His hesitation vanished as his fingers brushed against my wetness once more, this time without pulling away. He groaned in approval and leaned forward, pressing his lips against mine once more. I craved him in the worst ways.

Our tongues tangled as he pushed me back onto the table, spreading my legs further apart. His hands found their way under my shirt, skimming over my stomach before lifting it up, exposing my bra-clad breasts. He took a deep breath, inhaling my scent and trailing his fingers lightly across one tight nipple.

"Harry," I moaned, cavinginto his touch. "Please don't stop."

He smirked wickedly down at me before pulling back slightly. In one swift motion, he yanked my shirt over my head, tossing it aside carelessly. Grabbing hold of both sides of my bra, he pulled it down too with such force that my breasts were freed from their confinement.

I gasped at the sudden rush of air hitting my sensitive nipples but before I could catch my breath, he took one of them into his mouth sucking hard while pinching the other between two fingers, teasing it mercilessly.

"Fuck," I whimpered, clawing at the table underneath me as pleasure coursed through me like lightning. The intense mix of pain and pleasure sent waves of desire crashing over me as I felt myself becoming wetter with every passing second.

Sliding one hand down towards his pants, I slowly undid the button and zipper before slipping my hand inside his boxers to grip him firmly around his growing erection. He groaned into my breast at the contact sending shivers down my spine.

"You want me to fuck you?" he whispered hoarsely against my skin leaving a trail of saliva along my collarbone as he ran his tongue upwards caressingly .

"Yes," I breathed out between parted lips unable to form complete words due to the intensity of emotions running through me. 

My heart raced as his erection throbbed in my hand. I could feel the heat radiating off his skin, mixed with the desire that seemed to emanate from him. His other hand slid down my back, over my ass cheeks, and gripped them roughly, pulling me closer against his hardness.

"Do you have any idea how fucking sexy you are? You and your little shy good girl act" he growled into my neck, nipping at the skin there softly. With one swift movement, he lifted me up onto the countertop, pushing my legs apart with his hips. His mouth trailed kisses along my jawline, down my throat, and on my breasts. 

I arched my back slightly offering myself to him more fully as he took a hungry mouthful of one of my nipples into his mouth sucking on it hard while pinching the other between his fingers causing a sharp intake of breath from me which made him smile devilishly before moving on to devour the other one.

My body trembled with anticipation as he bit my neck playfully, his rough hands sliding over my hips and ass cheeks before pulling me against him. His cock twitched against my wet core, making me whimper in want. "You like that, don't you?" he growled, his voice low and husky. "You're so fucking beautiful."

"Harry," I moaned, my voice reduced to a desperate whimper as he continued teasing me with his words and touches. "Please..."

The sound of skin slapping against skin filled the room, along with our ragged breathing and the occasional moan. I could feel myself getting lost in the sensations, my body responding eagerly to his movements. His hands were everywhere, tracing over my curves and gripping me tightly as he pounded into me.

My own hands were roaming his back, digging into his flesh as I tried to hold on to something amidst the overwhelming pleasure that was coursing through me. Every inch of my body felt on fire, and I couldn't get enough.

"Fuck," he grunted, his face contorting with pleasure. "You feel so good."

I whimpered in response, unable to form any coherent words as he continued to move inside me relentlessly. My whole world had narrowed down to this moment – his body against mine, the sound of our bodies coming together in a perfect rhythm.

My mind was blissfully blank as he increased his pace, his thrusts becoming rougher and more urgent. I could feel my climax building up within me, like a fire threatening to consume me whole.

And then it hit me like a tidal wave – intense and all-consuming. My back arched off the counter as I cried out his name, my body trembling with pleasure as every nerve ending exploded with ecstasy.

He followed soon after, letting out a loud groan as he spilled himself inside me. We stayed still for a moment, trying to catch our breaths and bask in the aftermath of our passion.

But eventually reality came crashing back around us. Panic started creeping up inside me as I tried to gather my thoughts and make sense of what had just happened. 

As I lay there, my heart still pounding in my chest, he gently pulled out of me and straightened up. His eyes, dark with desire just moments ago, now softened with a mixture of tenderness and regret.

"I'm sorry," he whispered, his voice barely audible over the sound of our heavy breathing. "I shouldn't have let things go this far."

I sat up slowly, feeling a mix of emotions swirling inside me – confusion, guilt, and a lingering sense of pleasure that refused to dissipate. 

"It's not just your fault," I murmured, avoiding his gaze as I tried to gather my clothes around me. "I wanted this too."

He reached out a hand to touch my arm, but hesitated before making contact.

"We should talk about this," he said finally, his tone serious. "About what it means for us."

I nodded slowly, feeling the weight of his words settling between us. What had started as a moment of passion had now morphed into something more complicated, something that demanded attention and discussion.

As we dressed in silence, the air in the room felt charged with unspoken thoughts and emotions. The intensity of our physical connection lingered like a ghost between us, refusing to be ignored.

We began to gather our clothes from around the room, now tainted with the evidence of our reckless choices. Harry buried his face into his shirt before pulling it on, perhaps ruminating on what just occurred, or maybe trying to drown out the reality with the lingering scent of his cologne.

"Y/n," he started after a long silence, pulling his trousers up. His voice sounded strained, an indication that he was struggling with the right choice of words. "I... I didn't mean for this to... I mean, I like spending time with you." He sighed heavily, rubbing his face between his large palms.

I remained silent as I fastened my bra. The finality in his voice was suffocating, making it harder for me to breathe with each passing moment. I felt my heart thumping loudly in my chest – a crude reminder of the complication we had willingly dived into.

"I like you, Y/N," he said finally, his voice a hoarse whisper. The words hung in the air between us, hovering like a dense fog, obscuring any clarity that might lie beyond.

I stopped fumbling with my blouse, my fingers stilled by his confession. "Harry," I began, my voice barely audible. Fear clung to me, making my words tremble.

"I know," he cut me off before I could finish what I started. "I know we're both in different places... Me with football and you with your studies." There was a tingling silence after his statement, as if he was waiting for me to confirm or deny his declaration.

I sighed heavily, tugging at the hem of my blouse, feeling the cool fabric against my still heated skin. "It's not that simple Harry," I admitted, blinking back tears that had started to sting my eyes. "This," I motioned around the room, encompassing our discarded underwear strewn haphazardly around the room - a silent testament to the passion that had just consumed us, "this complicates things."

He ran his hand through his tousled hair and nodded solemnly. "I understand," he replied, a hint of resignation etching lines onto his face. His gaze was heavy with something akin to regret as it met mine.

My breath hitched in my throat at the intensity of his stare. I wanted desperately to reach out and ease the burden that seemed to weigh heavily on him. But reality was an insidious shadow that lurked in our midst, reminding us of the impracticality of our desires.

"I think it's better if we keep our distance for now," Harry broke the silence after what felt like an eternity. His words were like cold water dousing the fire that our bodies had kindled only moments ago.

A feeling of sudden emptiness clawed at me. His words, though probably said in goodwill, felt like a punch to my gut. I swallowed hard, fighting back the tears that threatened to spill over.

I nodded, unable to bring myself to utter a word. He stepped towards me and for a moment I thought he would pull me into his arms one last time. But he merely extended a hand that I shook lightly, the gesture felt impersonal after the intimacy we had just shared.

Without another word, he turned and left the room. I stood still in the silence that followed, the sound of his departing footsteps echoing in my ears long after he was gone.

Mia came home later that night, oblivious to the charged atmosphere that still lingered, suffocating and heavy in the air. Her chatter about an extra credit assignment she’d completed was a stark contrast to the silence that had enveloped the room just hours ago. 

“Y/N, are you okay?” she asked suddenly, noticing my distant gaze. I gave her a weak smile in response before excusing myself to bed.

As I lay there in the dark, staring at the ceiling, Harry's words echoed through my mind. "I think it's better if we keep our distance for now." His voice was etched into my memory, roughened by regret and something else I couldn't quite place. His face bore an expression that told me this was as hard for him as it was for me.

The next day was a blur. My classes seemed trivial compared to the turmoil swirling in my mind. My interactions with others were mechanical and flat as if I was watching myself from outside my body.

Football practice was going on when I walked past the field on my way back from the campus library. My eyes instinctively sought out Harry among the sea of players. I found him focused on his game, every muscle in his body straining as he kicked the ball towards the goalpost.

His world seemed unchanged—still revolving around football—while mine felt like it had been knocked off its axis.

The following weeks were no easier. Everywhere I went, I could feel his presence like a phantom pain - a dull ache that refused to fade away. In every conversation, every song playing in the background, every corner of campus - Harry was there.

I knew we had made a rational decision, given our circumstances. But my heart couldn't comprehend what my mind had already accepted.

Months passed and winter set in, blanketing Manchester in white. Serene and beautiful yet so melancholy it mirrored my mood perfectly. The once familiar campus looked different under the soft glow of the snow as if to mirror the change that had occurred in my life.

One evening, as I was walking back from the library, I spotted Harry sitting alone on a bench, bundled up in a thick coat, his breath misting in the frigid air. His eyes were trained on the football field, currently blanketed by snow, and his hands were tucked into his pockets, his usual energy replaced by a pensive quietness.

I hesitated, weighing my options. We hadn't spoken since that night – the night when our worlds collided and then abruptly fell apart. But something drew me towards him – an inexplicable magnetism I had been fighting for so long.

Stepping tentatively closer, I cleared my throat to announce my presence. "Harry," I said softly, trying not to startle him.

He looked up at the sound of my voice, surprise flickering across his features before they settled into guarded neutrality. "Y/N," he responded with a curt nod, but made no move to invite me to sit.

Taking a leap of faith, I lowered myself onto the bench next to him, maintaining some distance while also bracing for the icy cold through my jeans. For several minutes we sat in silence, lost in our own thoughts as we stared out at the snowy field.

"I've missed you." The words slipped out before I could stop them.

He turned toward me then, his emerald eyes soft and searching as they met mine. His lips opened as if to say something but closed again as if reconsidering his words.

"Y/N..." His voice trailed off and there was a long pause before he continued. "I’ve missed you too."

Relief washed over me at his confession but it was quickly replaced with a gnawing sadness as I realized that missing each other wasn’t enough to bridge the gap between us. Our realities were still the same - he was still the star football player with ambitions bigger than Manchester itself and I was still an English major trying to carve out a place for myself in academia.

“Do you ever think about…?” I started, swallowing hard as I tried to voice the question that had been eating at me.

“Us?” He completed my sentence, his voice barely above a whisper. His gaze was heavy but he held it steady, openly showing the vulnerability he usually kept hidden beneath his star athlete facade. “All the time.”

The honesty in his confession hit me harder than I expected. We were both stuck in our respective worlds, looking at each other from afar but never truly reaching out.

I took a deep breath, feeling the biting winter air fill my lungs before exhaling slowly. “We can’t keep doing this, Harry,” I said finally, breaking the silence that had fallen between us.

He looked at me then, his gaze filled with understanding and something else I couldn't quite place. “I know,” he replied softly, his eyes never leaving mine.

The future was uncertain and full of challenges. But if there was one thing I had learnt from this whole ordeal, it was that some chances are worth taking. No matter how daunting they may seem.

[f2e5b1]

blue lock: endgame | prologue

in a country where tradition is of utmost reverence, [Surname] [Name] aims to set her own path and follow it, even if it means leaving behind everything she has ever known in her quaint city of kamakura.

pairing(s). itoshi sae x fem. reader, itoshi rin x fem. reader, nagi seishiro x fem. reader, mikage reo x fem. reader, isagi yoichi x fem. reader, hiori yo x fem. reader, karasu tabito x fem. reader, michael kaiser x fem. reader, chigiri hyoma x fem. reader

genres + tags. childhood friends au, reverse harem, coming-of-age, romance, slight angst, canon compliant + profanity, mentions of bullying/ostracization, slow updates, reader is a chess player in jpn (wow crazy i know), implied gyaru!reader

wordcount. 404 words

access full story in Ao3

Geniuses are born, and recognized too quickly. 

Take the most famous genius for example, Leonardo da Vinci, an artist and a pioneer for many advancements said to be well-ahead of his time, and subsequently  became so famous during his time in the Renaissance. Or maybe Albert Einstein, who was a child prodigy well-versed in high-level physics before he was even eleven years old, becoming the most famous physicist of all time for his theory of relativity and his contributions to quantum mechanics. Or Mozart, the musical genius who began composing music at the mere age of five, then became widely regarded as the greatest composer of all time during his time and now—his compositions having stood through the test of time, constantly being repeated by those who wish to perfect his craft.

Going local would be towards the genius Samurai, Oda Nobunaga, who was praised for his excellent military skill which allowed him to overthrow the Ashikaga bakufu, ending the long-standing feudal wars and unifying half of Japan. Or maybe Dazai Osamu, the literary genius praised for his influential work in and out of Japan during the 20th century. Even Oda Eiichirō, the creator of the hit series One Piece, is widely accredited for his incredible work and influence in the manga and anime scene—a genius of his own right. 

The world has its geniuses, the best of the best, the cream of the crop, and it knows them. It recognizes them. It will always recognize them. 

Which is how you know that the world will one day recognize your childhood best friends Itoshi Sae and Itoshi Rin, two geniuses at football in their own right, long after you have recognized them first. 

But, you often wonder: will the world recognize—you? 

…Will it recognize the genius born between Fujisawa and Zushi in the peaceful city of Kamakura? The genius who chooses to claw her way out of Japan and its islands to one day show the world what she is made of? The genius so incredibly full of passion it would be unwise to derail her of her goal, to not recognize that she, just like all the other geniuses in this world, the da Vincis and the Einsteins and the Nobunagas and even the Itoshis, is deserving of that title as well? 

Genius—that is what you are. 

And you will be recognized, too. You will make sure of it. 

story by f2e5b1. do not steal.

[vidavalor]

"There will come a tempest" scene & possible S3 Crowley & Aziraphale foreshadowing...

When Gabriel is apparently possessed in the second half of Awning of a New Age, he and the woman who appears to be possessing him say something that is strangely repetitive:

"There will come a tempest and darkness and great storms, and the dead will leave their graves and walk the Earth once more and there will be great lamentations."

There is no actual difference in definition between a "tempest" and a "storm." A tempest *is* a storm-- both are wind and rain together. The usage of them is more of a matter of manner of speaking-- it's situational. "Storm" is the common usage while "tempest" is just the more literary, more poetic way of saying "storm." Your local news station reports on an impending "storm" but a poet might call that same storm a "tempest." As a result, the prophecy is weirdly repetitive at the start, right? It really reads like this:

"There will come a storm and darkness and great storms..."

Ok, why repeat it? Why use "tempest" and "storms" in the same phrase? Why separate them? To Crowley? Maybe because whoever this is is trying to warn Crowley specifically of events, not just warn of them in general. Because the word that triggers the whole thing is "tempest"-- and it's Crowley who said it. It's Crowley who called what he just did in Awning of a New Age "a tempest" and not a storm because he's poetic and dramatic like that.

So... what if the first part of the prophecy is actually already in motion? What would this potentially tell us about S3?

What if it's kind of like Agnes Nutter's first prophecy for Aziraphale was in S1-- "...thy cocoa doth grow cold" being about *that particular moment right then* with a difference of it being unclear right now if Crowley really understands that someone is trying to warn him through Gabriel? If this is the case? Then S3 isn't about *preventing* The Second Coming-- it's about somehow trying to *reverse or fix it*... because it's already happening. The tempest is Crowley's storm in Awning of a New Age... which Crowley thinks he failed at but didn't really entirely. It's his failure, in his estimation, to get Maggie and Nina to fully vavoom that causes him to tell Aziraphale that it's Aziraphale's turn to try-- setting up the meeting/ball to go the way it does, leading directly to the end of S2. What comes next?

Darkness and great storms. The end of the world. The dead rising from their graves and walking the Earth once more. The Second Coming. And there will be great lamentations...

Obviously, The Second Coming sounds horrible in GO. It's The Metatron's plan and he's the main antagonist. It sounds like they're going to destroy Earth and the known universe and only the the chosen few will survive it but what intrigues me about this is why whoever is delivering this prophecy is warning Crowley about great lamentations. Crowley is the one who prophesied in S1 that he thought the real war that was coming was "all of us versus all of them", and he meant he and Aziraphale and humanity versus the system of Heaven and Hell. So far, he seems to be correct on that and given that it was a set up line in the final moments of the season for future plot, it seems likely to be true. This would be how he survives it. Armageddon in its S1 round was supposed to trigger a war between Heaven and Hell that could have resulted in Crowley and Aziraphale being separated for eternity after it. They managed to push it off until the end of S2 and now Round 2 is a different flavor of Armageddon. The Second Coming is what Crowley seemed to predict in S1... but someone here is trying to get a message to Crowley and it sounds as if it might be meant for him directly as much as it is for the world. And what might that prophecy possibly be saying about S3's Crowley & Aziraphale plot, specifically?

That after Crowley's tempest comes darkness, comes great storms, comes the end of the world, comes The Second Coming... comes great lamentations-- great grief, great mourning. I'm not saying that Crowley wouldn't be broken by the end of the world but I am saying that someone warning Crowley that in an era of "the saved" being given eternal life, that will Crowley will be experiencing great lamentations feels very much like Aziraphale is not among them. (I am not saying that the show will end like this-- it will be fine.) It also would be the height of irony if Crowley and Aziraphale spent their time together always thinking that they had the about 6,000 years until Armageddon and that it was probably Crowley who wasn't going to make it beyond then and then it turns out that Aziraphale, who always thought that he was the one who was going to spend eternity alone without Crowley if they couldn't figure out a way out of Armageddon... it's Aziraphale who then doesn't make it.

It might also be worth considering that Crowley is the character who was given information along with us about The Book of Life from Beez-- someone who would know and whose memory isn't damaged. He doesn't need this information if he's the one getting Book of Life'd. He needs it if his plot in the future is to try to un-Book of Life someone.

There is also that while Michael was threatening to Book of Life Aziraphale in the bookshop, they didn't just *do* it-- and then The Metatron said that Michael wasn't qualified to do it. I'm not sure how true that is or if it was just him getting Michael to knock it off and stop giving everyone spoiler alerts for his game plan lol but The Metatron *would* be qualified and is the angel associated with The Book of Life in religious texts and S2 ends, as we all know, with Aziraphale getting in the elevator to Heaven with The Metatron.

You know those unused concept art images of the bookshop that didn't make it into S2 where it's the last thing standing in what looks like some kind of apocalyptic nightmare around it?

Crowley saves the bookshop during The Second Coming? Sends as many from Whickber Street as he can to Muriel in the shop and makes sure it survives because he can't see it destroyed again and, in doing so, he might have preserved evidence of Aziraphale's existence enough for a plot to bring him back when he finds out he's gone? (I'm aware that the idea with The Book of Life is that the person is erased from existence and so never existed at all. I'm a romantic and this show is too, really. Aziraphale can't be fully erased and Crowley can't fully forget him. Fight me on it if you want to lol but I also can't see how a plot to bring him back happens unless Crowley somehow remembers him.) S2 also gave us way too many things Aziraphale has made in a way that kind of foreshadow his disappearance in a way that makes their existences more relevant. His sketch of Gabriel. His diaries. The photo Furfur took of him and Crowley in 1941... Then, there's this line. This bloody line:

...and that one...

...and this bit from S1 when Aziraphale is in a state of semi-existence and what can help them is what Crowley saved from the bookshop...

[fatestayyuri]

with the official localization of FSN coming this year, FBates' translation lost the niche it previously had as a translation faithful to Nasu's literary prose.

This however is an opportunity to lean into its actual strengths as an unofficial project: being able to actually call her Artoria and the sex scenes. This is why I am formally petitioning for the release of the FBates FSN sex cut

[centrally-unplanned]

Another big stop in Tokyo for me was Jimbocho Book Town! It is a neighborhood of, depending on who you ask, up to 400 generally-secondhand bookstores flanked by some of the major universities in Tokyo. The local government even prints out maps of the stores to help people find them all:

Which, you will note, is not 400 stores, because the process of becoming an "official" Jimbocho Town Bookstore is an intensely political operation run by local stakeholders with tons of fights over what should qualify and what rights that entails - never change humanity!

"Book Towns" used to actually be quite a common thing, and they peaked during the literary boom of the late 19th century. Figuring out "what books existed" was a hard task, and to do serious research you needed to own the books (you weren't making photocopies), so concentrating specialty bookstores in one area made sense to allow someone to go to one place and ask around to find what they need and discover what exists. It was academia's version of Comiket! Modern digital information & distribution networks slowly killed or at least reduced these districts in places like Paris or London, but Jimbocho is one of the few that still survives.

Why it has is multi-causal for sure - half of this story is that Tokyo is YIMBY paradise and has constantly built new buildings to meet demand so rents have been kept down, allowing low-margin, individually-owned operations to continue where they have struggled in places like the US. These stores don't make much money but they don't have to. But as important is that Japan has a very strong 'book collector' culture, it's the original baseball cards for a lot of people. The "organic" demand for a 1960's shoujo magazine or porcelainware picture book is low, but hobbyists building collections is a whole new source of interest. Book-as-art-collection powered Jimbocho through until the 21st century, where - again like Comiket - the 'spectacle' could give it a lift and allow the area to become a tourist attraction and a mecca for the ~cozy book hoarder aesthetic~ to take over. Now it can exist on its vibes, which go so far as to be government-recognized: In 2001 the "scent wafting from the pages of the secondhand bookstore" was added to Japan's Ministry of Environment's List of 100 Fragrance Landscapes.

Of course this transition has changed what it sells; when it first began in the Meiji area, Jimbocho served the growing universities flanking it, and was a hotpot of academic (and political-polemic) texts. Those stores still exist, but as universities built libraries and then digital collections, the hobby world has taken over. Which comes back to me, baby! If you want Old Anime Books Jimbocho is one of the best places to go - the list of "subculture" stores is expansive.

I'll highlight two here: the first store I went to was Kudan Shobo, a 3rd floor walk-up specializing in shoujo manga. And my guys, the ~vibes~ of this store. It has this little sign outside pointing you up the stairs with the cutest book angel logo:

And the stairs:

Real flex of Japan's low crime status btw. Inside is jam-packed shelves and the owner just sitting there eating dinner, so I didn't take any photos inside, but not only did it have a great collection of fully-complete shoujo magazines going back to the 1970's, it had a ton of "meta" books on shoujo & anime, even a doujinshi collection focusing on 'commentary on the otaku scene' style publications. Every Jimbocho store just has their own unique collection, and you can only discover it by visiting. I picked up two books here (will showcase some of the buys in another post).

The other great ~subculture~ store I went to was Yumeno Shoten - and this is the store I would recommend to any otaku visiting, it was a much broader collection while still having a ton of niche stuff. The vibes continued to be immaculate of course:

And they covered every category you could imagine - Newtype-style news magazine, anime cels, artbooks, off-beat serial manga magazines, 1st edition prints, just everything. They had promotional posters from Mushi Pro-era productions like Cleopatra, nothing was out of reach. I got a ton of books here - it was one of the first stores I visited on my second day in Jimobocho, which made me *heavily* weighed down for the subsequent explorations, a rookie mistake for sure. There are adorable book-themed hotels and hostels in Jimbocho, and I absolutely could see a trip where you just shop here for a week and stay nearby so you can drop off your haul as you go.

We went to other great stores - I was on the lookout for some 90's era photography stuff, particularly by youth punk photographer Hiromix (#FLCL database), and I got very close at fashion/photography store Komiyama Shoten but never quite got what I was looking for. Shinsendo Shoten is a bookstore devoted entirely to the "railway and industrial history of Japan" and an extensive map collection, it was my kind of fetish art. My partner @darktypedreams found two old copies of the fashion magazine Gothic & Lolita Bible, uh, somewhere, we checked like five places and I don't remember which finally had it! And we also visited Aratama Shoten, a store collecting vintage pornography with a gigantic section on old BDSM works that was very much up her alley. It had the porn price premium so we didn't buy anything, but it was delightful to look through works on bondage and non-con from as far back as the 1960's, where honestly the line between "this is just for the fetish" and "this is authentic gender politics" was...sometimes very blurry. No photos of this one for very obvious reasons.

Jimbocho absolutely earned its rep, its an extremely stellar example of how history, culture, and uh land use policy can build something in one place that seems impossible in another operating under a different set of those forces. Definitely one of the highlights of the trip.

[literallymechanical]

Just finished reading Titanium Noir, by Nick Harkaway. Fantastic book, highly recommend. Harkaway has done a lot of high-concept literary science fiction, so when I saw that he’d done a cyberpunky scifi detective noir I was very curious.

This is one of those books where you can tell that the author was having a ton of fun writing it, but it never comes across as self-indulgent. Just a delight start to finish, twisty and clever and very earnest in its cheese. The premise sounds goofy and maybe a bit tawdry when you say it out loud, and the execution is sharp and smart.

There’s a hard-boiled private eye working a case the cops won’t touch, there are jilted lovers and guns in alleys and an eight-foot tall genetically-engineered Titan of a dame walking into his office, corruption and glamor and bulletproof evening wear. It’s great.

Publisher's blurb under the cut:

Cal Sounder is a detective working for the police on certain very sensitive cases. So when he’s called in to investigate a homicide at a local apartment, he’s surprised by the routineness of it all. But when he arrives on scene, Cal soon learns that the victim—Roddy Tebbit, an otherwise milquetoast techie—is well over seven feet tall. And although he doesn’t look a day over thirty, he is ninety-one years old. Tebbit is a Titan—one of this dystopian, near-future society’s genetically altered elites. And this case is definitely Cal’s thing. There are only a few thousand Titans worldwide, thanks to Stefan Tonfamecasca’s discovery of the controversial T7 genetic therapy, which elevated his family to godlike status. T7 turns average humans into near-immortal distortions of themselves—with immense physical proportions to match their ostentatious, unreachable lifestyles. A dead Titan is big news . . . a murdered Titan is unimaginable. But these modified magnates are Cal’s specialty. In fact, his own ex-girlfriend, Athena, is a Titan. And not just any—she is Stefan’s daughter, heir to the massive Tonfamecasca empire.   As the murder investigation intensifies, Cal begins to unravel the complicated threads of what should have been a straightforward case, and it becomes clear he’s on the trail of a crime whose roots run deep into the dark heart of the world.

[nitrochiralfan]

The Visual Symbolism of the True Route: Mirror symbolism

There's a lot of visual symbolism in the true route but one of the prominent symbols that stands out the most is the use of mirrors. It was talked about before in a post on Tumblr by someone but here I wanted to elaborate on it 

This post will primarily focus on the original Japanese version of the game, not the Jast localization. Since it did the game dirty I wanted to go over the true context by looking at the Japanese version.

This post will cover the true route to those who haven’t played the game; a spoiler warning is now in effect.

Mirror 

First, before we begin I want to talk about Mirrors in general and how they are used. The main purpose of mirrors is to show your appearance.

In a fictional sense, the mirror is used as a literary device to show your true self, mirrors show the reflection of ourselves and reflect our flaws and imperfections, the worst parts of ourselves we don’t like to look at. the mirror can reflect all the terrible aspects we don’t like about ourselves. 

Literature uses this to highlight the similarities in characters which is used to reflect the theme “Equals” in Towa and Fujieda.

Towa and Maya

Going over mirror symbolism in the route the first ones to discuss are Towa and Maya.

Without a doubt Towa looks exactly like his mother, Towa got most of his appearance from Maya he's the spitting image of his mother many characters point out the resemblance and their claims are not unfounded if you put Towa and Maya together it's like looking at a mirror but it is not limited by their appearances. 

Maya runs a store called Euphoria, the name that Towa would later take to use as his artist name. The store is a cabinet club for the wealthy but in reality, it is an establishment meant to fulfill the most twisted desires of man this is similar to what Towa does in his euphoria art sessions. 

There is a scene in the opening song of Slow Damage when Towa smiles, when you compare the smile that Towa gives it resembles the one that Maya gave, Towa's smile looks like Maya when she was smiling. This is made to point out how much Maya influences Towa’s actions which is seen in the game.

When Towa’s resemblance to Maya in the Fujieda route is pointed out Towa shatters the mirror in his room because he is disgusted that he looks like the monster who ruined his life he attempts to hurt himself to scar his face to further reduce the resemblance it shows just how much this Towa fears Maya once he begins to remember her. Towa is afraid and hates his mother even hates the idea of inheriting her appearance because it is associated with his abuser. Towa sees himself as a copy of Maya not only because of his appearance but how his euphoria art sessions are similar to what Maya did.

The CG where Towa impersonates Maya to trick Sakaki mirrors that scene of Towa standing in front of the mirror even the position Towa in the CG is similar to the CG of Towa standing in front of the mirror. This points out that all along Sakaki only ever saw Maya in Towa, not himself this led to him being fooled and to his death.

Towa is viewed as a mirror to Maya by certain people including Maya herself no matter how much Maya can claim she loves her son the truth is Maya views Towa as a version of herself instead of his person she treats Towa as a doll, a toy, not a person that she molds and uses like clay, and is angry that he didn’t conform to her image.  

Towa breaking the mirror is a metaphor and a foreshadowing of Towa tricking Sakaki and remaining himself in the good ending and that Towa isn’t Maya but himself. They may resemble each other as mother and son but Maya and Towa themselves are not similar which would get to our next part 

Towa and Fujieda

I pointed out in a post that when you put both Towa and Fujieda together they reflect each other like a mirror. Their appearances serve as parallels reflecting off each other like a mirror. 

Writing-wise they are similar to each other there are many parallels between Towa and Fujeida both had been abused by their parents resulting in the scars on their bodies, Fujieda's scars came from the abuse he received from his parents, and Towa's scars are made by his customers through his mother's euphoria sessions the abuse caused them to led them to lives of sexual debauchery as a result. Both of them hate their parents and cut off anything that is associated with them.

They both carry scars metaphorically and literally, a metaphor that they have the same pain and trauma. 

There was something about the way Fujieda is first introduced to Towa in the game through the routes; his appearances mirror Towa’s state in the routes a post pointed this out before. Fujieda being an enigmatic person in the game to Towa and the audience is parallel to how Towa's past is a mystery to the audience.

There is the visual symbolism of the CGS in the route to analyze, this is seen in the placement of the characters Towa and Fujieda in the CG, in the route has them facing each other like standing in front of a mirror correlating to the mirror symbolism. 

For the significance of those CGs:

This happened when both Fujieda and Towa escaped from being shot by the yakuza as they fled from the Takasato group away from the rain Towa and Fujieda fled to his condo and they went into his apartment and changed clothes Fujieda was apprehensive about changing in front of Towa than Towa provokes him in a childish rage Fujieda undresses than after what Towa saw catches him off guard Fujieda had scars littered across his upper torso mirrors how Towa own body appeared. it is the moment when Towa realizes that maybe they aren't so different This scene shows that Fujieda has more than meets the eye

There is visual symbolism sprinkled throughout this CG,

It shows us Fujieda’s back with his entire torso littered with scars Fujieda has his back turned only focusing on Towa’s reactions, it doesn’t show Fujieda's face primarily only focusing on Towa’s expressions. The placement in the CG is both characters facing each other. Both Towa and Fujieda are half naked with scared bodies much like looking at the mirror. 

In another scene in the game when Fujieda attacks Towa, Fujieda overcome with sorrow after learning the truth, lashes out at Towa believing that Towa is just as culpable as Maya he is furious that he had no idea that Towa’s a victim of Maya despite Towa being her son. Fujieda is finding a tangible way of getting revenge for Mei. This mirrors how Towa attacked Fujieda in their first meeting in the playground when he is overcome with his PTSD symptoms from remembering the past.

After they visited the ruins of euphoria the trip to the store changed their mindsets leading to this cg the next cg balances hope and despair. 

Here Towa is draped in despair after he recovers his memories from the ruins of euphoria he sees no reason to live anymore the pain of what happened to him destroys him from learning the truth about his past He is overcome with survivor's guilt and despair and felt his life isn’t worth living any longer when an innocent life like Mei’s died for his sake. 

While Fujieda stands in hope.

Fujieda talks down Towa from a suicide attempt he doesn’t say simple platitudes about how life will get better or that Towa has so much to live for he acknowledges the pain this information causes him. But Towa’s life is still valuable just as Mei's life was valuable. this is coming from a personal place about Fujieda, Fujieda dealt with suicidal thoughts and hopes to die once his mission to find Mei's fate is complete he didn’t start the route with the confidence to live despite the pain.

Fujieda went through the same thing Towa went through at the beginning of the route. Fujieda is the only person who understands Towa at that moment. visual representation of this during the suicide confrontation reflects off of each other Fujieda is Towa in this scene this further emphasizes that Fujieda is Towa's mirror After their visit Fujieda realizes that Towa was just as hurt as he was and seems to regret his actions he now knows that Towa is a victim of abuse. Towa’s pain is acknowledged. 

Fujieda knew that Towa reminded him of himself and deep down knew that this was the very reason why it caused him to repel from Towa due to how similar they are. He reflected all the aspects of Fujieda that he tried to bury deep inside of himself. The reason he doesn’t think Towa reminded Fujieda of himself before is that it would be like admitting that his existence is just as miserable as Towa’s.

This scene is where Fujieda finally acknowledges their similarities to each other. in the way they are each other's mirror, Towa is Fujieda’s mirror just as Fujieda acts as Towa's mirror

Afterward, In the bathroom, Fujieda and Towa face each other parallels both scenes of Towa standing in front of the mirror shower referencing the rain as a callback to the apartment after they got the rain when Towa first saw Fujieda's scars. Towa requests to see Fujieda's scars wishing to take solace in the sight then to this beautiful CG

Fujieda and Towa are facing each other naked in the shower covered in scars standing in front of each other this is like looking in a mirror. This shows solidarity and comfort in their similarity 

Next to the sex scene. The sex scene is an accumulation of their feelings. Towa feels comfortable being touched by Fujieda. he is overwhelmed to be touched by someone similar to him. In the sex scene, Towa touches Fujieda’s scars Fujieda and Towa understand their pain and trauma. This is about Towa making sure that their pain, trauma, and experiences are on their bodies. It alone was enough if they both understood. 

Yeah, he has Taku and Rei but he never finds someone to whom he can relate or even acknowledge his pain. Fujieda understands what Towa has been through in the way Taku and Rei don't. Towa has someone to whom he can relate, and pushes himself to better himself that is why Fujieda is around to help Towa process his trauma to heal from it.

They are similar to each other, yet different, so they're equal.

[jinitak]

Rant about the book Jom is reading

The book Jom is reading from is Khan Chang Khan Phaen, a Thai literary classic. It is folklore from Siphon Buri and was only written down long after it was conceived.

The story by modern standards is quite problematic, I have summarised the story below but there is a TL;DR below this paragraph;

Khun Phaen (previous name, Phlai Kaeo), Wan Thong (previous name, Pham Phi La Lai) and Khun Chang were childhood friends, Shun Chang is handsome whilst Shun Phaen is balding. Wan Thong would fall in love with Khun Phaen and Khun Chang would fall in love with Wan Thong and they marry but he was sent to command an army to Ching Mai. During his absence, Khan Chang came up with a scheme to get Wan Thong to marry him, by lying that Khun Phaen was killed in action, it worked and Wan Thong was unwillingly married to him. When Khun Phaen came back, he found what happened and tried to get Wan Thong back, despite him finding a wife in Chiang Mai already. He kidnap Wan Thong from Khan Chang, getting a 3rd wife in process. Each side would kidnap Wan Thong back and fourth a couple times which led to a trial by Phra Phanwasa (meaning the Queen mother), the matriarch of the Kingdom, which ended in Wan Thong being executed for not wanting to commit to either men.

TL;DR a woman gets stuck in a love triangle between a man she loved which betrayed her trust and a man she didn't love who treated her well but their relationship was based on lies. In the end she was executed for not committing to a relationship. (Who could blame her to be honest)

Parts of this epic is actually mandated in Thai schools (I had this for one of my Thai midterms, lol) and in the education system, they focus on the literary rather than the historical context behind the epic.

Many scholars such as Sujit Wongthes believe that this epic is actually a story about a fictional hero of the Suphannaphum Kingdom, one of the kingdoms that would become Ayutthaya in the 14th century. The Suphannaphum dynasty would rule Ayutthaya for much of its early history, which might explain how the story is so widespread.

Sujit believes that many aspects of the epic is representative of the early history of the Suvarnabhumi (not the airport) region, such as

Khun Phaen being a name for the Hindu god of creation, Brahma

Khun Phaen's magical sword, the "Fa Fuen" is named after an ancestral god of the Nan and Luang Prabang region.

When presenting the "Fa Fuen" to Phra Phanwasa, she placed it next to the Chai Si sword, which is representative of the Lao-Khmer origins of Ayutthaya.

All in all, Sujit argues that this folklore is more rooted in the ruling classes than the popular folk. This analysis of Khun Chang Khun Phaen is not present in the episode though, as this would ruin the mood of it so much.

But its inclusion even though it seems out of place (Suphan Buri is in the central parts of Thailand whilst the story is set in the north), is actually not that weird. In the period of the series, Bangkok has just had a major reforms to local administration, ditching the Mandala system in favour of western style centralisation based on colonial administration in the Dutch East Indies. This had the effect of Bangkok suppressing Lanna culture and a "Siamisation" of Lanna. Yai's family who I presume is local administrators sent from Bangkok shows this very cleary, he doesn't try to blend in with locals, he speak the central (Siamese) tongue and reads Siamese literature.

The inclusion of this epic rather than using something most Thai people already know to create the scene, it also creates the historical backdrop in which the series is set.

Thank you for coming to my TedTalk. I might talk about Sunthon Phu, which Yai recited whilst drunk and also talk about the historical context behind the series too. Please tell me if you are interested.

[owlsie-hoot]

ACGAS 05x01 "To All Our Boys"

After a horrible evening where my internet decided to stop working at exactly 10pm (CET, I am not in the UK), I finally had time to rewatch the entire episode in one go without interruptions.

My initial grumpiness has disappeared now. Thankfully.

It might not have been an episode 3.1 or 4.1 but it was a wonderful start to the fifth series that reminded us of many wonderful moments in the past by constantly giving us parallels to earlier episodes.

brucellosis

James's mixing up two cats

both were also black cats

Audrey's time in the WRENS

James's first bus ride into Darrowby

James's first solo case + the case that brought him back to Darrowby

which was then extended to Siegfried giving Carmody more responsibility

Salut D'Amour being played in the background of the uniform scene

Siegfried being speechless when seeing Audrey in an unexpected outfit

a dog finding shelter at Skeldale because the owner went to war

James and Siegfried talking about war and family like in 4.5 and Siegfried DID take care of Helen like he promised- together with Audrey

There might be even more moments. The structure of the episode was also interesting and yes, I always notice such things. It's not nitpicking, far from it, it's just how I watch things and might be related to the fact that I read too many books and studied literature at one point and therefore approach everything I watch and read with my literary analysis glasses on.

We start in Darrowby and are introduced to the local WI and ARP group, the Home Front war effort. It is contrasted with scenes from the RAF base and we switch back and forth between "getting ready to fight" and "the warm family home that is Skeldale". There is the family getting used to black out regulations versus planes getting ready for the first long distance flight. The family vibes are so strong in the first quarter of the episode with Siegfried being the perfect uncle/surrogate granddad and Audrey being more his wife than the housekeeper. It is clear that the vibe at Skeldale has shifted to something much more familial and relaxed.

Then we get the second quarter of the episode when James's illness is revealed, the war effort picks up and Carmody's suggested triage system is put to the test. We cover a few days and not just a few hours until the missing cat is found and the groundwork is laid for the denouement of the storylines.

A third quarter then features almost exclusively James with only two small scenes from Skeldale and Darrowby that sadly are a bit short and feel as if something is missing. That was my least favourite bit of the episode because until then everything had felt really balanced.

Finally we bookend the episode by James's return, the return to Darrowby and Skeldale. To the warmth of the house and the family. All the storylines are concluded and Audrey appears in her new uniform for the first time and leaves Siegfried completely stunned and overwhelmed. That, and the many baby moments Siegfried had as well as the constant bright smile on Audrey's face when she looked at him, was my favourite bit. The way she just went to Bosworth, told him she can totally do it because she has all the qualifications and then just slays it! It was her decision, no need to ask Siegfried. She knows that he will not say no to it anyway. He is in fact proud and absolutely mesmerised by her and her bright smile and flustered question if she looks daft show us how far they have come. Audrey lives her own life. She might be in Siegfried's employ but that is by now only a formality if we're honest. The scene Siegfried then shares with James also suggests that he stays up until Audrey has returned. Everyone else has gone to bed after all. It is 11:10pm. With the two dogs cuddled up in front of the fireplace representing Audrey and Siegfried we leave him there in his armchair, waiting for his friend and companion (and housekeeper last) to return safely from her first shift.

[vickyvicarious]

You may be interested in this article about ine if the "unpublished" letters in Dracula. It's the letter from Mina to Lucy that we don't get to see.

https://www.mpw.ac.uk/2021/03/18/the-suppressed-letter-in-dracula/

(I've not read all of it yet, but the author takes jabs at the literary critics who call Lucy frivolous and empty headed)

(Link for ease of clicking.) Okay, so this is another instance of the author raising several interesting points but then interpreting them in ways that go wildly against my view of the book and the characters.

Mina's missing letter to Lucy is indeed interesting. I love the defense of Lucy's intelligence. The idea of condolences being given in some capacity as well is quite interesting. There are certainly hints towards bisexuality/polyamory throughout the story. Lucy's search for the key vs. Jonathan's search for the key is something I've noted myself.

However...

Then the article begins to suggest that Dracula/vampires are liberating in some way. They don't come right out and say it but there are hints with the suspicion at Mina's description of her attack (I read it as her guilt complex, not her in denial about having actual complicity) or remarking that Dracula is Lucy's key and generally leads to freedom in the various escape scenes except with Jonathan (Lucy tries to take a literal key from Mina; when she leaves she is put in a position of danger. There is something to be discussed about 'freedom from the cage' with Lucy, Renfield, Bersicker leaving the home/asylum/zoo... but it's notable that they never actually become free, just puppeted by or drawn to Dracula, and they're all hurt in the process). I don't think Mina blushing in that scene where she asked if her entry was necessary to add was because she felt guilty about possibly having cheated/wanted to with Arthur - I think she didn't want to embarrass people, and also maybe was embarrassed at her own excitement/gushing. I don't believe Mina's letter about her wedding was trying to convince Lucy to follow her duty and marry a man she doesn't love, but instead meant as a comfort in advance for the loss of her mother that Mina knew would soon occur.

I don't think that Lucy doesn't love Arthur. If anything, I think her difficulty speaking about him in too great detail suggests her love for him is deeper and more genuine. The lack of detail in the proposal scene is actually a match with a pattern in books like Jane Austen, where bad proposals are delivered exactly and good ones are summarized. I think Lucy loves Arthur a lot, and her line about marrying three men is more reflective of her not wanting to disappoint them than her genuinely being romantically inclined towards them. I did a whole analysis of that entry last year, talking about how Lucy and Arthur are shown to be more in sync than she is with either other suitor.

However, his alignment with Mrs. Westenra is really interesting, and I do agree that he is the definitely the one that there would be pressure towards. Quincey is rich, Jack has had an impressive career - but Arthur is rich, titled, established in local society, and of the same/greater social class. I think, however, that the tension here revolves around Lucy and Mrs. Westenra, not Lucy and Arthur. Mrs. Westenra clearly wants them to be married, and I suspect is going to a fair bit of effort to push them together. I wonder if she is the chaperone for them, and in fact is not allowing them alone together (something Lucy mentions about Arthur's proposal, that he had tried a couple times but didn't get the chance). But Lucy's mother isn't just pushy about Arthur. She infantilizes Lucy and doesn't tell her things, and I think is a major contributor to Lucy's own difficulty about speaking up about her own feelings.

I've spoken in the past about how key the fundamental truthfulness of our authors is to this book. And that's something the article discusses as well, remarking how they all align with one another to tell a single agreed story despite different authors. However, I don't think we're intended to try and read between the lines to find places where they are lying/hiding from one another. And I also just don't think they are for the most part. It ties into the themes of the book more for them to be open where they can, and thus makes them sharing these documents more significant as well. Admittedly, the author of this article isn't suggesting that Lucy is outright lying to Mina here... more that she is forcing herself into playing a role, and Mina sees through it. But I still think that undercuts the primarily happy tone of this letter in a real way.

I do love the idea that Mina's letter does have some actual commiseration about things that are bothering Lucy. But I would read that as being much more about Mrs. Westenra and Lucy's expected role in society. Lucy wants to speak more of Arthur but she can't, because of the type of restrictions a lady has to follow. That sort of thing, more than doubting Lucy's feelings for Arthur are genuine. She's obviously stressed about marrying him, hence the sleepwalking, but again I don't doubt her feelings for him. I think it's the major shift in role and also concern for her mother, possibly mixed in with resentment of her.

Mina and duty is also an interesting topic and there is plenty to discuss there. But I don't see her as forcing herself in her various relationships. She genuinely loves Jonathan, her support for Lucy and Arthur is genuine too. She actually assigns things she does for fun to dutiful reasoning several times. I just... don't agree with the way this article interprets its topic.

Relatedly, there are several other letters alluded to that we never get to see. I recently noticed Jonathan's short letter to Mina before arriving at the castle, but there are more to come. Some of them also seem relevant to the plot, perhaps even more so than some of these letters between Lucy and Mina. But I think these are included because they establish things that become relevant, such as Mina's plan to keep a journal, Mina's knowledge of the three suitors before she meets them, Lucy's health at various points, and such details. Why things make it in or don't can still be interesting to discuss, but I just don't interpret them as ever holding some key that will unlock a secret hidden in the rest of the book. Whether that be about relationships or events.

[yourdeepestfathoms]

Such a gooseworx question but if you could describe each chapter in one word what would they be?

i’m pretty sure this is referring to Whumptober, and if it is, i technically already did that when i posted what each day would vaguely be about, so instead, here’s me describing each day but in the most obscene way possible!

Day 1- Y’all ever heard of a game called The Long Dark?

Day 2- Existential Dread For Dummies!

Day 3-

Day 4- this TikTok audio

Day 5- KFM (Kentucky Fried Moose)

Day 6- Idiot

Day 7-

Day 8- Perrine kins Amicia de Rune A Plague Tale Requiem frfr

Day 9- Local moose 1v5s a group of teenagers! What happens next will shock you!

Day 10- Perrine kins Amicia de Rune A Plague Tale Requiem frfr

Day 11- Get this kid some bupropion

Day 12- “I don’t care,” says Perrine, caring immensely.

Day 13- oatmeal

Day 14- Y’all know that scene at the very start of Tomb Raider 2013?

Day 15-

Day 16- 🪨🪨🪨🪨

Day 17- Personification is a literary device where non-human things are given human attributes!

Day 18-

Day 19- Cute date gets interrupted when some kid toddles in, covered in blood

Day 20- Not even the most potent and powerful laxatives can help the sheer magnitude of this kid’s emotional constipation

Day 21- Body horror

Day 22- Oh my god what the hell you stupid moose why would you ever think that was a good idea are you incompetent

Day 23- Good soup

Day 24-

Day 25- Based on a true story!

Day 26-

Day 27- The most excruciating pain known to man

Day 28- Existential Dread For Dummies! 2

Day 29- Turns out, overstimulation and dehydration don’t mix well!

Day 30- Itchy itchy, scratchy scratchy

Day 31- Perrine asks for help?!?!?!?! (NOT CLICKBAIT) (WATCH TILL THE END) (CRIED)

[turneradora]

NEW ABOUT RIVALS 💯💯💯💯

New article in the Harper's Bazaar UK, October Issue, to promote "Rivals"!

Amazing photoshoot !

Here is the article of the Harper's Bazaar Uk magazine !!

Thanks to Emma Jones for the written transcription ! 🙏👍🌺

Harpers Bazaar - October 2024

BEST OF ENEMIES

Bazaar recreates the fictional county of Rutshire to meet the cast of Rivals, a new TV adaptation of Jilly Cooper’s racy 1980s blockbuster

As Jilly Cooper’s Rivals leaps rambunctiously to our screens, we meet the cast of the saucy new show

It’s 1986 and, high over the Atlantic, a London-bound Concorde is about to break the sound barrier. Most passengers continue smoking, flicking through magazines and ordering martinis, while the rattling WC door indicates that two are currently joining the mile-high club. Moments later, an unruffled, glamorous couple emerge triumphantly from the loo and the tannoy announces that supersonic speed has been reached: everyone whoops; glasses are clinked; and the thumping chorus of ‘You might as well face it/you’re addicted to love’ is amped up. This is the opening scene of Rivals, the much-anticipated new television adaptation of Jilly Cooper’s bestselling novel, and it’s so unsubtle that, even alone in a dark screening bunker below the streets of Soho, it makes me splutter with laughter. It is also irresistible.

The 1988 book is a classic of the Cooper canon and part of the Rutshire Chronicles, a series based in a fictional Cotswolds county that follows the lives and loves of the affluent elite – an area the team behind its new, and first, on-screen adaptation are well-versed in bringing to life. Produced by A Very English Scandal ’s Dominic Treadwell-Collins and written by Laura Wade, who was behind The Riot Club, Disney+’s eight-part drama is also executivelyproduced by both Cooper and her literary agent Felicity Blunt. It is largely faithful to the novel but, as that has 700 pages and 79 characters listed by name and personality trait in an A-Z at the front, the show necessarily homes in on the central plot lines.

The two main protagonists are Rupert Campbell-Black (played by Alex Hassell), a former Olympic-gold show jumper turned Conservative MP (and, incidentally, the ‘best-looking man in England’); and Declan O’Hara (Aidan Turner), an Irish broadcasting star who leaves the BBC to move to Rutshire with his actress wife Maud and children Taggie, Caitlin and Patrick. Declan’s new employer, Corinium Television, is run by David Tennant’s vile Lord Tony Baddingham and his sidekick Cameron Cook, an American producer he has lured over from New York, depicted by the US native Nafessa Williams. They are joined by a large supporting cast that includes Danny Dyer and Emily Atack.

The titular rivalries are many and varied, primarily centred on the struggle to win the local TV franchise; simultaneously, characters lock horns over love, money, class, pets, politics and property, while presenting chat shows, throwing parties and playing nude tennis. The resulting viewing experience is both a period drama that seems set on another planet and a series exploring themes that still resonate today.

Cooper – who, at 87, is still in full ownership of her signature cloud of coiffed hair, inimitable charisma and a hundred-mile-an hour conversation – loved working on the project. ‘It’s terribly exciting,’ she tells me, with an amazed shake of the head. ‘Other books of mine have been televised and it was awful – but with this, we took casting very seriously and I can’t fault any of them.’

During a break on Bazaar ’s shoot, Turner tells me how Cooper gave a cocktail party for the cast in her garden, and what a ball they all had filming in the West Country last summer. (The latter is clear: he’s delighted to see his co-stars, including the mongrel Pontie, who plays Gertrude, the O’Hara family dog, and some of her canine colleagues brought along for a day in front of the camera.)

The series appealed to the Poldark star immediately. ‘I thought the scripts were really, really funny – line-wise, I have some crackers,’ he says. Turner’s Declan is a big-hearted if self involved journalist, wrestling to reconcile his bosses’ desire to monetise his charm, his own dream of writing a Yeats documentary and the need to bread-win for his profligate family. Although this push and pull between being commercial and creative, between the professional and the personal, plays out in a larger-than-life fashion, it still somehow feels familiar to a modern viewer. ‘That’s the sign of really good television, isn’t it, when it holds the mirror up to our present,’ says the actor. ‘What have we thrown in the trash? What still needs to change?’

The ways in which prejudices have evolved in the past 40 years are thrown into quite harsh relief in the show. Casting a Black actress to play Cameron Cook, the damaged but resilient hot-shot American producer, gives the series an opportunity to delicately include a glimpse of the regularity of what we’d now recognise as racist micro aggressions. Equally, Cameron’s strength is joyful to witness. ‘Such a spicy, smart character – especially a Black woman, who can carry her own and get her way in the male-dominated world of that time – I wanted to sink my teeth into that,’ Williams says. ‘I also love the glamour: the red lip, the red nails.’ (The cast have embraced the scarlet-stiletto emoji – a replica of the original image on the classic book cover – as their unofficial series motif when posting on social media.)

The changing dynamics between men and women are portrayed with a light touch. Victoria Smurfit read Cooper as a teenager, and has now adored playing Declan’s wife Maud O’Hara – an insecure, attentionseeking former actress, the kind of mother who arrives at her son’s New Year’s Eve 21st-birthday party in the Cotswolds on a camel. ‘There are aspects of Rivals that make you think, “Oh my Lord, can you believe they got away with this back then?”’ the Irish actress says. ‘But in the show, it’s delivered in such a clear, fun, gentle, appalled way that a 2024 audience can digest it very easily.’ When I suggest the series has made more of the women and ensured they have three dimensions, perhaps to modernise the story a little, she makes a good point: that Cooper’s male characters – be it the rakish Rupert Campbell-Black or the angelic Lysander Hawkley of The Man Who Made Husbands Jealous – may seem the most famous because it was mostly women reading the books, and the author had designed her heroes – or antiheroes – to be ‘their perfect man’. ‘But look closely, and the women are not less than the men,’ she says. ‘Essentially, every character wants something they don’t have – usually love and safety – whether from their partners, animals or colleagues. Women in this world are entering the era of “having it all” and are learning to be open about what they want – and, by the same token, we are starting to see a softer side to the men.’

This is embodied perfectly in Bella Maclean’s Taggie O’Hara, the delightful, very dyslexic cook and daughter of Declan and Maud: on screen, she has slightly more twinkle in her eye than in the book – a good decision, as otherwise Taggie could be seen as almost too virtuous to be true to a modern audience. ‘But it’s so nice playing someone with a really strong backbone – it slightly rubs off on you,’ says the actress, who appeared in the latest Sex Education series and has just shone as the lead at the National Theatre’s London Tide. ‘Among all the silliness, the shoulder pads and mad hairdos, there’s always an undercurrent of something thought-provoking,’ she says of the show that could prove to be her career’s turning point. ‘There’s a love story that blossoms out of something really unpleasant. There’s light and shade.’

But the figure with perhaps the most chiaroscuro is Rupert Campbell-Black, Cooper’s number-one character, into whose shoes Alex Hassell is amazed to be stepping. Hassell is a seasoned RSC actor, with turns in The Miniaturist and His Dark Materials, whose theatre company The Factory counts Mark Rylance and Emma Thompson among its patrons. ‘I’m also from Essex, with dark features,’ he points out wryly, in reference to the white-blond locks and blue eyes of his new alter-ego, both of which are oft-alluded to in the books, and about which many young women dreamed in the 1980s and 90s. (Cooper was initially appalled.) ‘Rupert exudes privilege and confidence, so I had to learn a loucheness. It was helpful that everyone was told to treat me as if I was extremely attractive,’ he continues, laughing. ‘When you walk into a room of supporting artists who’ve been briefed to fall over themselves looking at you, smouldering becomes a lot easier. They imbued me with a certain power.’

In the Rivals prequel Riders, there are some pretty unpalatable aspects of Rupert’s personality – particularly the way he treats women and animals – that haven’t aged well. ‘We never explicitly had this conversation, but for my portrayal of Rupert, we’ve kept some parts of that history and taken out others. In our version, there’s a loneliness to him: he is a shit, but he has a kindness.’

However, there are two elements of Cooper’s storytelling to which the show stays steadfastly loyal: the abundance of sex and wordplay. Rupert’s dialogue is riddled with quips – some very clever, some very… Eighties. Hassell’s favourite is delivered just as Rupert is getting down to it, and involves a pun that combines Tories and the clitoris. ‘It was a hard sell,’ he says, laughing.

His character and storyline – which takes Rupert on, dare I say, a journey – are key to the show’s charm, pace, plot and sociopolitical signposting. What would Hassell like viewers to make of the series? ‘I hope people enjoy it, have conversations about the knottier topics it raises, and maybe have sex later,’ he says. ‘I say that jokingly, but – and maybe this is high hopes – perhaps for people who don’t talk to one another that much, as the series goes on, watching it with someone else might allow certain things to come to light.’

Cooper is delighted by this possibility. ‘Well, we’re philanthropists, aren’t we? I keep reading that the birth rate is going down like mad. Putting Rivals on the telly may help,’ she says, with the enthusiasm of a writer who has long had one foot in showbusiness: in her forties, she appeared in her capacity as a celebrity columnist on the BBC game show What’s My Line, and wrote a sitcom about a four-girl flat-share with Joanna Lumley in the lead role.

Revisiting the world she created – and partially lived in herself – 40 years ago has been bittersweet: it made her miss the era (‘it was much more naughty’), but also her late husband (‘there’s a lot of darling Leo and his jokes in the book’). Indeed, what today’s viewers may not clock is the real people Cooper drew on to shape several fictional figures, namely the ‘glamorous aristocratic types who were floating about when I, middle-class Jilly, moved to the country in ’82’. Rupert Campbell-Black, for example, is a patchwork of Andrew Parker Bowles, the late Earl of Suffolk and the fashion designer Rupert Lycett-Green. Her ‘beloved’ Taggie is entirely made up, but the scruffy Lizzie Vereker – a novelist whose husband cheats on her – is, she admits, based on herself: ‘She is nicer than me, though. I love her – that’s terribly narcissistic to say, but I do.’

Like her conversation, Cooper herself still rattles along at a good clip – last year, she released a bonkbuster about football inevitably titled Tackle!; this May, the King presented her with a damehood for services to charity and literature, and she’ll be tapping away at her typewriter on various secret projects right up to the very moment she is dragged out of rural Gloucestershire to the premiere of Rivals.

To all these endeavours, Dame Jilly continues to bring the same philosophies she always has: a disregard for snobbery (like many great minds, she rereads Proust and loves Helen Fielding) and a straightforward goal of contributing to the gaiety of the nation. ‘Maybe one day I’ll write something serious,’ she says. ‘But, at the moment, there’s some terrible sadness and loneliness, isn’t there? So, more than ever, and more than anything, I’d like to cheer people up.’

‘Rivals’ is released on Disney+ in October.

[myloveforhergoeson]

ash's june 2024 reading round up

find all the books and fics i read this month under the cut with a link to the synopsis and my reviews/ratings attached :)

this is just for fun! i'm not a professional, i just like to read <3

booklist:!

Book Lovers by Emily Henry (18+!)

• big emily henry fan here, i've read most of her other books and i just picked up her new one. this one, in comparison to the other ones i've read, was in my opinion, just kind of middle ground. it wasn't as amazing as i was expecting and it wasn't bad, i just don't think this was the book for me. about a literary agent, nora, and her rival - a brooding editor for a major company she works with, charlie - both being displaced from their big city life and finding themselves in the same small town for the summer. they keep bumping into one another in sunshine falls after a less than fortuitous business meeting in NYC a few years ago and one thing leads to another. turns out charlie isn't actually as bad as she had thought! perhaps i'm just unread in the small town romance genre, but again, this one wasn't really for me. i didn't feel like charlie and nora really had all that much chemistry. i was actually more interested in their lives separate from each other than how they meshed together oddly enough. a lot of henry's books center around family - more specifically familial grief after the death of a parent - and this book was no exception. the detailed descriptions of nora's past, dealing with the death of her mother and needing to step up to take care of her younger sister, hit really close to home for me as an older sister. learning about the course of her life come to a grinding halt and the two of them learning to pick up the pieces together was beautifully done and had major implications for the turning point of charlie and nora's story. nora and libby were the highlight of this book for me - i loved every single scene between them and i almost wish it was just about these two. charlie on the other hand, is a local of this small town and has a sordid past with many of the individuals there. i didn't like his character all that much personally, he felt kind of flat in general to me, but i did think his interactions with the other local characters was very interesting and i liked that nora had a bit of a puzzle to put together as she stayed in sunshine falls. though she accidentally went out with his cousin - yikes! overall, two very detailed stories coming together to form one that i almost wish were two separate books. romance plot in this one didn't really do it for me and that's okay! i still had a good time reading it :)

i'd recommend beach read or happy place by the same author in place of this one.

• rating 3/5 times i wondered why anyone would want to live in a small town over the city...

2. My Roommate is a Vampire by Jenna Levine (18+)

• yeah i know. guys i know. but what can i say. i'm a simple girl with simple taste and i love vampires. this book wasn't groundbreaking of course but it was soooo fucking funny. loved very moment of it! like what do you mean our fmc cassie just moves in with a random guy who has a wonderful apartment and he's super hot and sexy and he talks and dresses like he's from a different time and he tells you there's a part of your apartment you can never go and he sleeps all day and is out all night and she's just okay with it 😭 girl what if he killed you 😭 anyway. mmc fredrick j. fitzwilliam they can never make me hate you. being alive for almost 400 years is tough, especially when you need someone to teach you the modern ways of life after being asleep for the last century! every time the two of them went everywhere and did something i was like rolling in my seat with laughter. trying to pay for coffee at a hipster coffee shop where the drink names don't actually tell you what's inside? where the sizes are named after planetary phenomenons? where he pulls out a velvet sack of coins and tries to pay with dabloons? god guys it was so funny i can't even begin to put my thoughts of this down on paper. they go to a party so he studies pop culture all night and memorizes taylor swift's entire Wikipedia page???? normally i hate t swift being brought up randomly in modern romance novels (happens way too much IMO) but i'm willing to look past it this time. WHAT DO YOU MEAN SHE STOPPED A KIDNAPPING USING TIKTOK LIKE???? say what you will about my sense of humor but never in a million years did i guess how this book was ending. fucking hilarious and so entertaining and cassie and fredrick are very cute together. honestly the romance was like b plot for me i just thought he was too silly and wanted to know all about what weird shit fredrick was doing that day. again, not the most enlightening or literary force of nature i've ever read but i did have a very very good time. boo me if you want but i'm right <3

•rating: 4/5 times i wished cassie and fredrick wrote more notes to each other

fic list:

i read a lot i'll try to get them all im so sorry if i missed any but i've read, rb'd, and loved them all!!!

assorted works of @partiallypearl:

just another wide-eyed girl, who's desperately in love with you

keep going to the sunrise (put the car in cruise control)

'cause i can't turn to you when it all falls apart

when you love someone that's all you can do

cargan blurb

running to your heart

no notes literally every single one of these was perfect and i'm so lucky to have the privilege of reading them :) james and elisa have been on my mind so much lately, but i also really loved your other works with rhuben and logan and macie. when you love someone that's all you can do is a work of art i wish i could frame it and put it in a museum <3

• assorted works of @icegirl2772

Take a Shot in the Dark

Better than Neil (a GIFT?? for me???)

We Do (But Friends Don't)

my friend... i love your writing so much!! the new chapter if take a shot in the dark is just wonderful, can't wait to reread and leave my comment hehe. better than neil (along with being such a surprise!!) had so much love and care put into it, each section bouncing off of one another was just genius and reading it made me feel so giddy. james and kaelyn are like handmade to be perfect for each other and that story did so well of highlighting that. and we do (but friends don't) !! don't even have words. i love kaelyn and james so much and this fic makes it so clear how they care for each other and want to be cautious of that while still having fun together :) so much raw trust and honesty on display, it's just an incredible (and spicy!) read :) <3

• assorted works of @ceruleanmusings:

• .3

.4

.5

Mason - Band Dynamics

Big Time Confession

.6

.7

Big Time Double Date

desolation pt 1

desolation pt 2

endearment

omg i don't even have words for this incredible selection of works from this month. all of the mickames blurbs were so adorable, confession literally brought me to tears, double date was just hilarious, and endearment made me smile!!! i love how those all balanced out with the emotion and power tucked into both parts of desolation; the switch up really shows how hard relationships can be, even if they seem easy!, and how two people try and get past even the toughest of times together. loved the openness of difficult conversation and how james and mickey managed that together. it felt so true to real life and literally had my stomach wrenching at points. i was so worried for them, and i'm so happy they're working it out! <3 and i always love reading more about the mason band! i love them!! :))

• assorted works of @selangkir

• the girl time rush au

• jucy (no, not that one) story

ohhh my god again and again and again i read girl time rush. literally like twice a month but this month especially i wanted to highlight it bc it served as inspiration for my own little story hehe <3 stories from the perspective of james just kill me i love him so much and i feel like all three parts of girl time rush encapsulate that perfectly. from dealing with a job he didn't really want, to working behind the scenes, to a tumultuous situationship(? kind of. i don't really know what that word means but it feels appropriate) with dak zevon. god every time i read it i love it even more. and the jucy story... such a wonderful switch up of the real story and how it would affect the characters if things went differently! it was so cute, i loved it so much. can't wait to add it to my reread list <3333

• @cant-get-enough-btr-forever 's story Big Time Battle of the Bands

ahh!! i loved this story so much; the only bad thing was having to wait for the chapters to upload and not getting to read it all at once! i know i said this over and over but it truly read like a big time rush episode - you did such a wonderful job of taking the wackiness from the real show and molding it into something if your own. the battle of the bands was such a fun idea and i loved all of the girls and how they mirrored btr! jessica my beloved... it had it all: action, romance, comedy, i couldn't ask for more!!!!

• assorted works of @raging-violets:

• Around the World and Back

such a wonderful story (inspired by a wonderful song!) that put forth the trouble with touring, what happens when it comes to an end, and the toughness of a goodbye. kendall and riley have such a wonderful dynamic that was put on full display with this one! their promise to keep talking when they can (because talking is what they do best!!) was so adorable and i love that they managed to get through their tough time together :)

i believe that's everything but if i missed something IM SO SORRY!

<3333

[plotandelegy]

Unleashing Creativity: Top Ways to Generate Unique Fantasy Story Ideas

Photo: Standard License- Adobe Stock

Welcome back,

There's no denying that fantasy has been at the core of some of the most enchanting, daring, and downright unforgettable tales (for one reason or another) that have shaped the literary landscape. Who doesn't love the thrill of journeying to some new adventurous place with otherworldly creatures and epic battles between the forces of dark and light? Personally, I'm all about the dark side. Even for the most seasoned writers sparking the imagination can be difficult. Things like inspiration seem elusive as a dragon hiding in a mist-covered mountain. Today, I will cover a few ideas to find your muse. My muse sometimes hides in a dumpster...so let's find better ways to do this, shall we?

People Watching, with a Twist: Observing people in everyday situations can be a great source of inspiration. Now, add a layer of 'What If?'. What if the barista at your local coffee shop could control elements? What if the older woman feeding pigeons in the park was a retired warrior queen? This exercise allows you to create complex characters with intriguing backstories, ripe for the world of fantasy.

Travel Through Time: History is brimming with periods that, with a little twist, can become fantastic settings for your story. Victorian England's social hierarchies, the Renaissance's scientific innovations, and the fierce battles of Feudal Japan offer fertile ground for fantastical tales. Weave in elements of magic or mythical creatures, and you have an intoxicating cocktail of historical fact and enticing fantasy.

Bioinspiration – Fantasize with Flora and Fauna: The natural world is a veritable treasure trove of inspiration. Let's call this approach 'bioinspiration.' Start by exploring Earth's biodiversity's peculiar traits, behaviors, and survival mechanisms. Why not envision a species that communicates like whales but hunts like a pack of wolves? Or perhaps a plant that blooms under the moonlight and has the power to manipulate time? The possibilities are endless when you fuse the wonder of our world with a dash of fantasy.

Take a Hike (Literally!): When was the last time you truly engaged with the wilderness, the mountains, or the sea? Natural landscapes are rife with potential for fantasy storytelling. As you walk through a dense forest, consider the creatures that might inhabit such a place in a fantasy realm. That murmuring stream could be a water nymph's dwelling, and the wind howling through the canyon might be a dragon's call. Try to visualize your surroundings through the lens of fantasy — you may be surprised at what your imagination conjures up!

Harness the Power of Music: Like music, few things can stir the soul and spark the imagination. A piece of music can evoke many emotions and images depending on its rhythm, melody, and harmony. Try listening to music without lyrics (like classical, orchestral, or ambient music) and let your mind wander. Picture the scenes that the music evokes. Is that tranquil harp melody the song of a peaceful elven village? Does the tumultuous symphony represent the climax of an epic battle? Use these mental images as a springboard for your fantasy narrative.

So there it is, everyone. Five unique ways to draw up some inspiration. Go find your muse!! Probably shouldn't have said mine hides in a dumpster. I'm all about being superstitious, so I'm sure she'll never speak to me again.

Happy Writing,

Indigo Everly 

P.S. Need more? Check out this post!

[barricadescon]

Schedule for Barricades 2024, Saturday, July 13th

Good morning! It's time for the second day of Barricades 2024!

Saturday, June 13th

All times are in UTC, and can be converted to your local time zone at this link.

Key to types of Panels:

Convention Administration panels: Panels run by the Con Committee, to open and end the convention.

Guest of Honor: Special panels from our guests of honor. This year, our guests of honor are Jean Baptiste Hugo, a descendant of Victor Hugo who will discuss his project photograph his ancestor’s house; Christina Soontornvat, the author of the award-winning Les Mis retelling “A Wish in the Dark;” and Luciano Muriel, playwright of the 2018 musical play “Grantaire.” 

Fan/Academic Panel Presentations: Panels on history, fandom, or analysis of Les Mis. Scholars will share historical research, fans will share hobby projects, and the audience may get an opportunity to ask questions. 

Social Meetups: Casual unstructured time to meet up over video call and chat!

Social Games: Games and activities.

Guest of Honor: The Photography of Jean Baptiste Hugo

Saturday, 15:00-16:00 UTC

Session Type: Guest of Honor

Presented by: Jean Baptiste  Hugo

Recorded: yes

Jean Baptiste Hugo is the great-great-grandson of Victor Hugo. He has extensively photographed Hugo’s home in exile on Guernsey, which Victor Hugo decorated following his own aesthetic philosophies–in particular, the journey from darkness into light, which we see reflected throughout Hugo’s literary career. M. Hugo will share his photographs and discuss Hauteville House as a physical realization of his ancestor’s ideas.

Reflecting on Directing Les Mis

Saturday, 16:00-17:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Cait

Recorded: yes

In Cait’s words: “I directed an amateur production of Les Mis at the end of last year, and would love to talk about how that went and share snippets from the show and behind the scenes. This will include talking about adapting Les Mis for the space and budget, approaches to certain scenes, dual casting lead roles, and probably raving about my lovely cast.”

The Fallibility of History in Les Misérables 

Saturday, 16:00-17:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Syrup 

Recorded: yes

Throughout Les Misérables, Hugo often reminds readers that what they are reading is derived from some form of documentation or hearsay. While this serves to provide credibility to the tales he is sharing, there are certain moments where Hugo opts out of describing exact details, despite his efforts at a historically-accurate record. In this panel, I will take a look at these instances where Hugo either addresses or obfuscates these events, and how by doing so, he reveals the fallibility of history, and highlights how history documentations are not always as reliable as they seem. Thesis: By crafting Les Misérables as a form of historical documentation, Hugo reveals the fallibility of history, and readers are able to understand how history and history documentation are not always as reliable as they seem.

Break  

Saturday, 17:00-18:00 UTC

What Horizon: Tragedies, Time Loops, and the Hopefulness of Les Amis

Saturday, 18:00-18:30  UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Percy

Recorded: yes

In Percy’s words: “I have directed a staged reading of the play and will have video clips to show! My play is focused on the rebellion and Les Amis; it aims to give the barricades the attention they often lack in adaptation and develop the individual characters of the insurgents. I’m working to make this episode of the Hugo novel and its historical context accessible to audience members who may not be familiar with the source material, while hopefully also bringing something new to the story for longtime fans.

One aspect of the story I’m particularly interested in examining is the persistent sense of hope associated with the barricades, despite the insurgents’ eventual defeat and the previous failure of the July Revolution. Linking the seemingly cyclical process of revolution and restoration, the metatheatrical tradition of tragedies aware of their own repetition in performance before the audience, and the nature of Les Misérables itself as a story that has been told and retold countless times, I hope to show the audience the worth of the insurgents’ struggle and the importance of their continued efforts. Many adaptations construe the rebellion as futile or as solely a tragic story, so I would like my adaptation to counter that idea, as Les Amis grapple with the meaning of their sacrifice and the impacts of their actions.

In a presentation, I would discuss these ideas with reference to Hugo’s original text and the ways in which the rebellion has been changed in adaptation, as well as other works that inspired me (namely Hadestown and Rosencrantz & Guildenstern Are Dead). I’d discuss the choices I made in my adaptation process and show clips from the staged reading, touching on the different characters and the historical setting as well as the overarching themes with which I engaged.”

Cosette: A Novel, The (Fanmade) Sequel to Les Misérables

Saturday, 18:30-19:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: IMiserabili

Recorded: yes

This presentation is  a deep-dive into the 1995 fanfiction “Cosette” by Laura Kalpakian. It will include a short background on the author and the publication, a summary of the plot, an analysis of represented historical events in the work, character analyses and comparisons to the source material and other Les Mis adaptations, and memorable quotes. 

Musical Eponine and Grantaire in song and lyric edits: Personal research on their development

Saturday, 18:00-19:00 UTC

Session Type: Panel Presentation

Presented by: Ruth Kenyon

Recorded: yes

In Ruth’s words: “I’m an older musical Les Misérables fan who has watched the show develop from its beginnings at the Palace Theatre. I have a special interest in how the lyrics and the characters have changed over time. As plenty of people know now, I am also writing a book on the musical using these experiences. I’m working on Eponine’s chapter at the moment, and while I know fans have a lot of love for as she is now, I feel quite upset to see what happened to her as she was developed from the original French version of the musical. She seems to have lost quite a lot of emotional agency along the way. Grantaire has also changed over time; he was cut before the previews and there was a big re-write of his character when the show went to Broadway, but I really like what they have done with his character. I’ll provide examples of all this detail with material from my book and (trying) to sing bits of lyrics to explain what has happened to the characters.”

Barricades as a Tactic: How Do They Work?

Saturday, 19:00-20:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Lem

Recorded: No

This session will explore the tactical and strategic uses of barricades, with an eye towards what to consider when writing both canon-era fanfiction and modern AUs. After all, the strategic goals towards which the barricades were used in canon-era urban warfare were often quite different from the strategic goals of similar-looking tactics in contemporary protest movements. Core components of the session will be a map-based analysis of July 1830, a comparison with June 1832 highlighting strategic goals and considerations canon-era characters would have, and an exploration of various parallels among contemporary protest tactics (which may or may not *look* like barricades).

Meetup: Musical Fans

Saturday, 19:00-20:00 UTC

Session Type: Social Meetup

Presented by: Erin

Recorded: No

A casual place to meet up with other fans and discuss the musical!

Break

Saturday, 20:00-21:00 UTC

Why is There a Roller Coaster in Les Mis? The Strange History of the Russian Mountains

Saturday, 21:00-22:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Peyton Parker/Mellow

Recorded: Yes

In Les Miserables there is an actual canon scene where Fantine rides a roller coaster. How did a roller coaster end up in Paris in 1817? And why did this ride, one of the world's first wheeled Roller Coasters, make a cameo in Victor Hugo’s novel?

It’s “Les Mis Meets Defunctland.”

We’re going talk about the earliest origins of the Russian Mountains, the fascinating history behind how they came to France, their many connections to the political turmoil of the time period, what they felt like to ride, why they were shut down, how they fell into obscurity, and why Victor Hugo included them in Les Miserables. It’s time for a roller coaster digression.

Fanfic Round Robin

Saturday, 22:00-23:00 UTC

Session Type: Social Game

Presented by: Featheraly

Recorded: No

Participate in a round robin to help write a fic together!

Obscure(-ish) Les Mis Adaptations To Watch

Saturday, 23:00-23:30 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Pureanon

Recorded: Yes

Les Mis has been adapted many times over the years, and this means there’s a lot of adaptations to enjoy. Because of this, a lot of adaptations are underviewed or underappreciated. I’d like to use this panel to discuss some of my favorites/the most unique — 1925, 1948, 1967, and 1995. These are all very different, and aside from all being ones I enjoy, they’re fascinating looks at how different countries and different time periods adapt this story. 

The adaptations I’ve chosen are both some of the best and some of the worst out there, but they’re all unique. 1925 is one of the most faithful adaptations out there, and it uses the medium of silent film to full effect. 1948 has Valean get shot at multiple times in the opening minutes, and the revolutionaries fight with BARRELS in the barricade. 1967 is half one of the best Anglophone Les Mis adaptations ever, and half the drunkest. 1995 is more of an adaptation of how people react to Les Mis as a story than a straightforward adaptation, and it’s one of the most beautiful and unique versions out there. I intend to show a clip from each adaptation, so people can get a little taste of what each adaptation is like.

Recovery: a Fanfic Live Read

Saturday, 22:30-23:00

Session Type: Fan/Academic Panel Presentation

Presented by: Eli, Barri

Recorded: Yes

A full cast will live read a Les Mis fanfic written specifically for the con.

Compared to Some People Grantaire is Doing Just Fine (No, Really)

Saturday: 22:00-23:00

Session Type: Fan/Academic Panel Presentation

Presented by: Ellen Fremedon, Pilferingapples

Recorded: Yes

Grantaire and Marius are the two characters on the fringes of the Friends of the ABC, connected to the group by social ties rather than sincere political belief. In this panel, Pilf and Ellen will discuss the two characters as narrative foils, touching along the way on the problem with Great Men, bourgeois inaction, what it means to have the republic as a mother, and dying for love–plus those two pistols in Marius’s pocket.

Preliminary Gaities

23:00-24:00 UTC

Session Type: Social Game

Presented by: Rare, Percy, and ShitpostingFromTheBarricade

Recorded: No

Preliminary Gayeties is the chapter where Grantaire gets drunk with Joly and Bossuet before the barricades.  It is perfect for a drinking game. 

In keeping with personal tradition, Rare, Percy, and ShitpostingFromTheBarricade will bring you a second year of our dramatic reading of the “Preliminary Gayeties” chapter of the brick. all while following specified drinking game rules (including classics such as “drink for brick quotes that appear commonly in fanfiction,” “pretentious classical references,” and “drink/eat when characters drink/eat”), and enjoying snacks mentioned in the chapter as they are mentioned. Everyone is invited to participate by reading, eating, and drinking along with this activity!