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laurafaritos · 7 days ago

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HDMS032. From Banner Ads to Retargeting: A Comedian’s Guide to Display Advertising

By now, we’ve covered search ads (aka, what happens when someone Googles something and sees an ad). But now, we’re talking about display ads—which are a whole different beast.

Search ads show up when people are actively looking for something.

Display ads show up even when people aren’t searching—they’re just scrolling, reading, or watching content.

If you’ve ever been browsing a website and suddenly seen an ad for something you looked at last week, that’s display advertising at work.

Now, I know what you’re thinking: "Cool, but what does this have to do with comedy?????"

EVERYTHING!!!!!! Comedians should care about display ads!!!!

If you want to sell out shows, you need to stay on people’s minds.

If you want to grow your podcast, you need to get in front of new audiences.

If you want bookers, agents, and fans to discover you, you need visibility outside of just social media.

And guess what?? Display ads can help with all of that!!!

💡 The big question: How can comedians use display ads to grow their audience, sell more tickets, and stay top of mind? That’s exactly what we’re diving into!!!

I. Understanding Display Ads: The Basics

Alright, none of this made sense to me when I first learned about it. So let’s break this down so it actually makes sense for comedians.

What Are Display Ads?

Think of display ads like digital billboards—except instead of being stuck on the side of a highway, they follow people around the internet.

Unlike search ads, which only show up when someone Googles something specific, display ads appear while people are doing other things—reading the news, scrolling through blogs, or watching YouTube.

Where Do Display Ads Show Up?

If you’ve ever been minding your business on the internet and suddenly seen an ad for something you looked at once, congrats! You’ve experienced display advertising.

Display ads can show up on:

Websites (blogs, news sites, entertainment websites)

YouTube videos (pre-roll or banner ads)

Social media feeds (Facebook, Instagram, Twitter)

Apps (game apps, news apps, etc.)

How Are Display Ads Different From Search Ads?

Search ads and display ads work very differently, even though they’re both forms of paid advertising.

Search ads show up when people are actively looking for something. If someone Googles "comedy shows in Toronto," a search ad can promote your upcoming event.

Display ads show up when people are browsing the internet, even if they weren’t searching for comedy at all. If someone watched a stand-up clip on YouTube, a display ad might show them an ad for your live show.

In short: search ads reach people with high intent, while display ads introduce you to new people who might not even know they need comedy in their life yet.

How Companies Use Display Ads (And Why Comedians Should Too)

Brands use display ads in three main ways, all of which can be applied to comedy careers.

Brand Awareness – Showing your name and face to new people.

Example: An ad on a comedy blog or entertainment site saying "Discover This Hilarious New Comedian."

Consideration – Targeting people who are interested in comedy but don’t know you yet.

Example: An ad saying "Top Comedy Shows This Weekend" appearing for people who watch Netflix stand-up specials.

Retargeting – Showing ads to people who visited your website but didn’t buy tickets.

Example: An ad saying "Tickets Are Almost Sold Out! Get Yours Now" targeted at people who checked out your event page but didn’t purchase.

Why Display Ads Matter for Comedians

They help new audiences discover you.

They keep you visible—even when people aren’t actively searching for you.

They remind people to take action, like buying tickets or checking out your podcast.

And that’s why display ads aren’t just for big brands—they can be a game-changer for comedians too.

II. The Different Types of Display Ads (And How Comedians Can Use Them)

Now that we understand how display ads work, let’s talk about the different types of display ads and how comedians can use them to build an audience, sell tickets, and promote content.

1. Banner Ads – The OG of Display Advertising

Banner ads are the standard rectangular ads that show up at the top, bottom, or sides of a webpage. These are the digital version of billboards—except instead of hoping people drive by them, you’re hoping they scroll by them.

How comedians can use banner ads:

Promote upcoming comedy shows with ads on event websites, local blogs, or entertainment sites.

Run banner ads on comedy-related websites to promote a podcast or stand-up special.

Example: If someone is reading a comedy blog about the best stand-up specials of the year, a banner ad could promote your latest show or YouTube special.

2. Expandable Banner Ads – The Attention-Grabbers

Expandable banners start as small ads but expand when a user hovers over or clicks them. These ads can include images, text, or even short video clips to grab attention.

How comedians can use expandable banners:

Tease a funny stand-up clip and link it to a full video on YouTube.

Promote an upcoming show with a short highlight reel of past performances.

These work well for comedians because video-based content tends to get higher engagement than static images.

3. Interstitial Ads – The Full-Screen Takeover

Interstitial ads are full-page ads that appear before a user loads a webpage. You’ve probably seen these when visiting a news site—before you can read the article, you get hit with an ad.

How comedians can use interstitial ads:

Retarget people who visited your website but didn’t buy tickets.

Promote a big announcement (like a special or a tour) to grab attention.

Because interstitial ads are unavoidable, they’re great for important promotions—but if used too aggressively, they can also annoy potential fans.

4. Rich Media Ads – The Most Engaging Format

Rich media ads go beyond static images by including video, audio, or interactive elements. These are the ads where you might see a GIF, a mini video clip, or an option to play sound.

How comedians can use rich media ads:

Run an ad with a stand-up clip and a “Watch More” button leading to your YouTube.

Create an interactive ad where users can click different punchlines for a surprise joke.

These ads are ideal for comedians and podcasters because they let you showcase your humor and personality right inside the ad.

Which Type of Display Ad is Best for Comedians?

It depends on your goal.

For brand awareness: Banner ads on comedy websites

For promoting shows: Interstitial ads for retargeting

For growing a podcast or YouTube channel: Rich media ads with video clips

For experimenting: Expandable banner ads with teaser content

The key is to test different types and see what works best for your audience!!!! Most comedians don’t think about digital advertising—but those who do have a serious advantage!!!! You see?? By using the right display ad formats, you can:

Get your name in front of new audiences

Sell more tickets without relying only on social media

Promote your podcast, YouTube, or stand-up special to a much larger audience

Annnnnd thisssss is how big brands market their products, and it’s something comedians can start using too!!!

IV. The Power of Retargeting (How to Stay Top of Mind & Sell More Tickets)

If you’ve ever looked at a product online, left the website, and then started seeing ads for that exact product everywhere—you’ve experienced retargeting in action.

This is one of the most powerful tools in digital advertising, and comedians can use it to boost ticket sales, grow their audience, and stay top of mind.

What is Retargeting?

Retargeting (or remarketing) is when ads are shown to people who have already interacted with your content but didn’t take action.

For example:

Someone visits your comedy show ticket page but doesn’t buy a ticket.

Someone watches your YouTube clip but doesn’t subscribe.

Someone clicks on your podcast link but doesn’t listen.

Instead of losing that potential fan forever, retargeting lets you follow up with ads that remind them to take action.

This is why after you look at a pair of shoes online, those shoes haunt you across the internet until you finally give in and buy them.

Why Retargeting is a Game-Changer for Comedians

Most people don’t buy tickets, subscribe, or follow the first time they see you.

Retargeting helps by: ✔ Keeping you visible after someone has already shown interest. ✔ Reminding people about an upcoming comedy show or new content. ✔ Increasing ticket sales by targeting people who visited your website but didn’t buy. ✔ Converting casual browsers into real fans.

How to Set Up Retargeting for Your Comedy Business

To start running retargeting ads, you need tracking tools installed on your website or content pages.

Install a tracking pixel

Facebook Pixel (for Facebook & Instagram ads)

Google Tag Manager (for Google & YouTube ads)

Create a custom audience

Target people who visited your show’s ticket page but didn’t purchase.

Target people who watched 50% of your comedy clips but didn’t follow you.

Target people who clicked your podcast link but didn’t listen.

Launch retargeting ads with the right message

For live shows: “Only a few tickets left—grab yours now!”

For YouTube clips: “Liked what you saw? Watch the full special here.”

For podcasts: “Missed this episode? Stream it now before the next one drops.”

Examples of Retargeting for Comedians

🎤 Scenario 1: Selling Tickets for a Comedy Show Someone visits your event page but doesn’t buy.

Retargeting ad: "Still thinking about coming to the show? Get your ticket before we sell out!"

🎤 Scenario 2: Promoting a Stand-Up Special Someone watches a short clip of your set on YouTube but doesn’t watch the full video.

Retargeting ad: "If you laughed at that, you’ll love the full special. Watch it here!"

🎤 Scenario 3: Growing Your Podcast Audience Someone clicks on your podcast link but doesn’t subscribe.

Retargeting ad: "Love stand-up and hilarious deep dives? Don’t miss this week’s episode!"

Bottom Line: Retargeting Helps You Win More Fans

Comedians who only rely on social media posts to sell tickets are missing out on a huge opportunity.

Retargeting lets you: ✔ Convert website visitors into ticket buyers ✔ Turn casual YouTube viewers into subscribers ✔ Remind potential fans to take action

Instead of losing people forever, you bring them back into your world—and that’s how you grow an audience without constantly starting from zero.

IV. Pros & Cons of Display Ads for Comedians

Now that we’ve covered how display ads work and how comedians can use them, let’s talk about the real-world pros and cons of using them in your marketing strategy.

✅ Pros: Why Display Ads Can Be a Game-Changer

1. Broader Reach (New Audiences Discover You) Display ads don’t require people to be looking for you—they introduce you to new audiences while they’re just browsing the internet. This means your comedy can reach people who might not have found you otherwise.

Example: A comedy fan reading an article about stand-up comedy trends sees an ad for your upcoming show. They might not have been searching for a show, but now they’re interested.

2. Retargeting Helps You Stay Top of Mind Most people don’t buy tickets or subscribe the first time they see your content. Display ads help remind them to come back.

Example: Someone clicks on your podcast link but doesn’t listen. A retargeting ad later reminds them to check out your latest episode.

3. Creative Flexibility (More Ways to Showcase Your Comedy) Unlike search ads, display ads aren’t just text-based—you can use images, GIFs, videos, and interactive elements to engage your audience.

Example: A banner ad could show a funny clip from your stand-up special with a call-to-action: “Watch the full set now!”

4. Works at Every Stage of the Fan Journey Display ads can help at every level of your comedy career, whether you’re just getting your name out there or trying to sell out a tour.

Brand awareness – New people discover you through ads on comedy-related websites.

Consideration – People see your ads and start following you or checking out your content.

Retargeting – Fans who already know you get reminders to buy tickets, listen to your podcast, or watch your content.

❌ Cons: The Downsides of Display Ads

1. Low Click-Through Rates (Most People Ignore Ads) Let’s be real—people scroll past ads all the time. Display ads don’t always lead to instant conversions, so it takes testing and patience to make them work.

Workaround: Use attention-grabbing visuals or funny headlines to increase engagement.

2. Can Feel Intrusive (People Hate Annoying Ads) Some display ads—especially pop-ups and interstitials—can annoy users, which could hurt your brand instead of helping it.

Workaround: Be strategic with where your ads appear and focus on ads that feel natural and relevant to comedy fans.

3. Budget Allocation Can Be Tricky (So Many Platforms to Choose From) Display advertising is spread across tons of websites, ad networks, and platforms, making it hard to know where to spend your money.

Workaround: Start small. Test one platform at a time (like Facebook or YouTube ads) before scaling up.

Final Verdict: Should Comedians Use Display Ads?

✅ Yes—if you want to grow beyond just social media and increase your visibility. ⚠ But—it works best when paired with a solid content strategy (clips, shows, and a strong online presence).

So if you want to build an audience, sell more tickets, and stay relevant, display ads can be a powerful tool when used correctly!!!

V. How I’m Using Display Ads to Grow My Comedy Business

I didn’t start out thinking about display ads. Hell, when I started in comedy, I barely thought about marketing at all. Like most comedians, I figured if I was funny enough, people would just… show up. Turns out, they don’t—not unless you give them a reason to.

I started looking at the business side of comedy differently once I realized that every big comedian, every sold-out show, every Netflix special that seemed to "blow up overnight" was backed by marketing. Digital ads. Billboards. Sponsored clips. It wasn’t just talent—it was strategy.

And so, I decided if I was going to take this seriously, I needed to start thinking like the comedians who sell out theaters. Not just the ones grinding out open mics.

1. Retargeting for Live Shows (Because People Forget, and I Refuse to Be Ignored)

The first time I experimented with display ads was for one of my live shows. I had people clicking on my event page, checking out the lineup, even adding tickets to their cart—and then? Nothing. Silence. Ghosted. They left, probably to scroll TikTok, forget all about it, and get distracted by some stupid meme.

I used to assume if people wanted to come, they’d just buy the ticket. What I didn’t realize was that most people need reminders. They need nudges. They need to be told again.

So I set up my first retargeting ad—a simple banner that followed them around after they visited my event page. “Still thinking about it? Tickets are almost gone.” That was it. No frills, no gimmicks. And suddenly, sales that would have been lost started converting.

That’s when I realized: this isn’t about convincing people to come. It’s about keeping the door open long enough for them to step inside.

2. Running Banner Ads on Comedy Websites (Because Social Media Alone Isn’t Enough)

For a long time, I did what every comedian does: relied on Instagram, Twitter, and word-of-mouth to spread the word. But here’s the thing—not everyone who likes comedy is following me.

Some people read comedy blogs. Some people look up stand-up specials. Some people search for local events. And if I wanted to expand beyond my immediate circle, I had to meet them where they were already looking.

So I started placing banner ads in spaces where comedy fans already existed—event websites, local entertainment blogs, YouTube channels dedicated to stand-up. The ads weren’t pushy; they were just enough to plant a seed:

"Toronto Comedy Show This Friday | Limited Tickets Available"

And it worked. Not overnight, not in a viral way—but in a slow, steady, reliable way. The kind of growth that builds a real audience, not just a lucky moment.

3. Testing Video Ads for Comedy Clips & My Podcast (Because Laughter is Visual)

Here’s what I know for sure: comedy is best when it’s seen and heard.

You can describe a joke, you can write a killer caption, but nothing sells comedy like a clip that actually makes someone laugh. That’s why I shifted some of my display ads toward video content—quick, punchy teasers designed to stop the scroll.

Instead of a static ad, I tested:

A 10-second stand-up punchline that led to a full video.

A clip from my podcast with a hook so good, you had to know what came next.

A side-by-side comparison of "expectations vs. reality" for being a comedian.

What I found was people engage more when they can actually feel the comedy. A joke in motion is always stronger than a joke in text. And when people watch, they click. They follow. They want more.

4. A/B Testing Everything (Because Marketing is Just One Big Experiment)

I used to think marketing was about finding the one magic strategy that worked. But the truth is? It’s about testing. Tweaking. Iterating.

Some ads worked, some flopped. Some headlines got clicks, some got ignored. Some placements drove traffic, some were a waste of money. But every single test taught me something.

Now, when I launch a campaign, I don’t stress if one ad isn’t working. I just adjust. I try a new visual, a new caption, a new approach. Because marketing isn’t about luck—it’s about learning.

Most comedians don’t do this. They rely on Instagram posts, the occasional poster slapped on a venue wall, and a prayer. And that’s fine—if you want to grow at the speed of word-of-mouth.

But if you want to sell out shows consistently, build an audience beyond your friends, and get people invested in your work before they ever see you live—you need to think bigger.

That’s why I’m using display ads. Not because I have a giant budget. Not because I think ads alone will make me famous. But because in a world where attention is currency, I’m not leaving my visibility up to chance.

I’m making sure people see my name, hear my voice, and remember my comedy.

Because the only way to stand out is to be impossible to ignore.

This is my strategy, my experiment, my approach to marketing comedy like a business.

Some things will work. Some won’t. But the comedians who figure this out????? The ones who treat their careers like something worth promoting?????

They’re the ones you’ll be seeing on the biggest stages!!!!!!

TL;DR: A Comic’s Guide to Display Ads

I get it—this was a lot of information. So let’s break it down into the essentials, the takeaways that actually matter, and the steps you can act on today.

What You Need to Know About Display Ads

Search ads target people who are actively looking for something. Display ads introduce you to people who aren’t searching for you yet but might be interested.

Display ads show up on websites, YouTube, apps, and social media—not just on Google.

Retargeting is key—if someone visits your website or watches your content but doesn’t take action, you can use display ads to remind them later.

Different ad types serve different purposes:

Banner ads help with visibility.

Rich media ads (videos, GIFs, interactive ads) are better for engagement.

Retargeting ads help convert fans who didn’t buy the first time.

How Comedians Can Use Display Ads

✅ Promote Live Shows: Run ads on event sites, comedy blogs, or local entertainment pages. ✅ Retarget Potential Fans: If someone visits your ticket page but doesn’t buy, show them a reminder ad. ✅ Grow Your Podcast or YouTube Channel: Use video ads with clips from your content to attract new listeners and subscribers. ✅ Stay Visible: Even if people don’t click right away, seeing your name multiple times makes them more likely to remember you.

How I’m Using Display Ads in My Career

I’m running ads to remind people about upcoming shows, experimenting with video-based ads for my stand-up and podcast, and placing ads where comedy fans already hang out—instead of just relying on Instagram to do all the work.

The goal? To stop leaving my career’s visibility up to chance.

SO IF YOU WANT TO STAND OUT...

1️⃣ Set up a retargeting pixel on your website (Facebook Pixel or Google Tag Manager). 2️⃣ Identify where your audience hangs out online—comedy blogs, event sites, YouTube, etc. 3️⃣ Start small: Test a single ad campaign for your next show or video. 4️⃣ Track your results: See what works, adjust what doesn’t. 5️⃣ Repeat. Marketing isn’t luck, it’s learning.

Because most comedians rely only on social media to grow. But the ones who start thinking about long-term visibility, audience-building, and digital marketing are the ones who will sell out shows, grow loyal fans, and stand out in a crowded industry. You don’t have to be the biggest name in comedy to start using the same strategies big comedians use. You just have to be smart enough to start now.

I hope this lesson was as helpful to you as it was to me.

See you in the next one!! Tchau tchau <333

#ComedyMarketing #StandUpComedy #RetargetingAds #ComedyBusiness #LiveComedy #ComediansOfInstagram #ComediansOfTikTok #MarketingForCreatives #ComedyClips #DisplayAds

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marksmusingsuk · 18 days ago

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The Power of Comedy: Finding Light in the Darkness

Laughter has an incredible way of lifting the soul, especially when life feels heavy. I’ve always known that comedy can be a great escape, but last night, I truly felt its power in a way that reminded me why it’s so important.

I had the privilege of seeing John Shuttleworth live with a loyal and supportive friend of over 25 years, and I can honestly say it was exactly what I needed. It wasn’t just about the jokes or the music—it was the shared experience of laughter, the kind that sneaks up on you and has you crying with joy. For a couple of hours, any worries or low feelings melted away, replaced by pure, simple fun.

Life can be unpredictable, and no matter how strong or positive I try to be, there are days when I feel low. In those moments, it’s easy to withdraw and let the weight of my thoughts settle in. But last night reminded me that laughter isn’t just a distraction—it’s a form of release.

Looking around the room, I realised that every person there was laughing for their own reasons. Many of them had probably had a tough day, a hard week, maybe even a difficult year or life. Yet, for that time, we were all connected by humour, sharing something uplifting. Comedy has this incredible way of uniting people, no matter what they’re going through. In that moment, it didn’t matter what worries or burdens we had walked in with—what mattered was that we were laughing together, and that in itself felt like healing.

John Shuttleworth’s dry wit and quirky charm were the perfect antidote. His observations on everyday life, set to his unmistakable keyboard melodies, had the entire audience in stitches. And as I sat there laughing, I realised how important these moments are—how they bring people together, lift spirits, and create memories that linger far beyond the final punchline.

A good laugh can take the edge off even the heaviest thoughts, making things feel a little less overwhelming. Sharing laughter with a friend deepens bonds and reminds me that I’m not alone. Sometimes, all it takes is one comedy gig, one funny film, or one ridiculous joke to break the cycle of negativity and inject some much-needed joy.

I’m incredibly grateful for my friend, who knew exactly what I needed and made last night happen. Having someone who understands, who encourages moments of joy even when I might not seek them myself, is something I don’t take for granted.

Leaving the venue, I felt lighter. The worries I walked in with hadn’t magically disappeared, but they seemed smaller, less consuming. That’s the power of comedy. It doesn’t solve everything, but it gives you a break, a breather, a moment to remember that joy still exists—even on the hard days.

So, when life feels heavy, I’ll remind myself of last night. I’ll seek out laughter, surround myself with people who lift me up, and remember that sometimes, the best therapy is a keyboard-playing comic and a room full of people laughing together.

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rodneycomedyny · 2 months ago

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The Best New York Stand-Up Comedians Light Up the Stage

The stand-up comedians of New York are among the best in the world, and Rodney's Comedy Club is the place to see them live. From up-and-coming new talent to veteran comedians, our stage has been the place to see the funniest acts in NYC. For a sharp wit, great observational humor, or good old-fashioned stand-up, you'll find it all here.

Experience the energy of live comedy and see why NYC is the comedy capital. Grab your tickets now and enjoy the best stand-up comedy in town.

Visit: Rodney’s Comedy Club

#NewYorkStandUpComedians #StandUpComedyNYC #ComedyClubNYC #LiveComedy #rodney comedy

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mykpopwire · 4 months ago

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media release: COMEDY ROYALTY DOUGLAS LIM AND STAR SINGER-SONGWRITER AISHA RETNO BRING IN THE FIREWORKS AT THE BIG LOL ASIA SHOW

The countdown has begun! LOL Asia, South East Asia's leading entertainment powerhouse, is pulling out all the stops for its 15th Anniversary bash with The Big LOL Show—a two-night spectacular filled with comedy, music, and surprises at Zepp KL on December 13 & 14, 2024.

South East Asia’s iconic comedian Kumar, known for his razor-sharp wit and infectious energy, will headline the show. But he won’t be standing alone on this star-studded stage, because every great party needs an unforgettable twist!

Wait for ittttttt! LOL Asia is excited to announce that Douglas Lim, Malaysia’s beloved king of observational comedy and quick-fire one-liners, is set to deliver his signature laugh riot at The Big LOL Show 2024. Also adding a melodic twist to the celebration is none other than Aisha Retno, the rising superstar of Malaysia whose soulful voice has captured the hearts of fans across the nation.

Malaysian singer-songwriter and actress, Aisha Retno gained prominence as the Rookie Champion on TV3's singing talent show Vokal Mania in 2020. She has since built a reputation as a versatile artist in the local music and entertainment scene. In 2021, her English single "W.H.U.T." achieved significant success, garnering over 7 million Spotify streams within two months and reaching the third spot on the RIM domestic singles chart.

Aisha further showcased her talent in Big Stage Season 4, finishing in third place. Her music spans both Malay and English, with singles like "Cinta Denganmu" and "Sutera." Beyond music, Aisha debuted as an actress in the telemovie Cangkul in 2022, collaborating with Aziz Harun for the duet "Jarak" and released the single "Ternoktah" in 2023. Her creative portfolio is a blend of emotional ballads and upbeat tracks that resonate with diverse audiences.

Meanwhile, who doesn’t love Douglas Lim? A prominent Malaysian-Chinese comedian, actor, and content creator, renowned for his wit and versatile talents, Douglas first gained fame in the late 1990s for his role as Steven the Stylist in the popular sitcom Kopitiam, which earned him an Asian Television Award nomination. Over the years, he has built an impressive portfolio across television, film, theatre, and stand-up comedy.

Lim has appeared in notable productions such as the films 1957: Hati Malaya and Los and Faun and the stage musicals Lat Kampung Boy and Ola Bola: The Musical. Internationally, he performed in Malaysia's first off Broadway production, Thicker Than Water, in New York in 2018. In stand-up comedy, he co-founded the Malaysian Association of Chinese Comedians (MACC), touring extensively with its successful shows. His performances at prestigious events like the Melbourne International Comedy Festival has solidified his reputation as one of Asia’s top comedians. During the pandemic, Lim pivoted to creating viral parody videos, earning the title "King of Parody" from the Malaysia Book of Records.

The line-up doesn’t stop there! Malaysia’s top-tier comedians Joanne Kam Poh Poh, Prakash Daniel, Brian Tan, and Farid Azmeir will keep the laughter rolling, while musical powerhouses Saint Kylo and Claudia Tan promise electrifying performances. The Mast Millennium Dancers will add a dazzling touch of Broadway glamour to the evening.

We want to see you this December 13 & 14. Come for the laughs, stay for the music, and leave with memories that will last a lifetime. Get your tickets now at https://lolasia.bigtix.io

*photos courtesy of LOL Asia

Don’t forget to like, follow and subscribe to MY K-POP WIRE & POPPIN’ WIRE for more K-Pop interview, debut, comeback and event updates!

X (Twitter): mykpopwire

Instagram: mykpopwire & poppin__wire

TikTok: mykpopwire & poppin__wire

Facebook: MY K-POP WIRE

YouTube: MY K-POP WIRE

#LOLAsia #LiveComedy #LiveInKL #15YearsAnniversary #TBLOLS15 #POPPIN’WIRE #MYKPOPWIRE

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premierticketsau · 5 months ago

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Join Melbourne’s Crowd at Nahi Rehna INDIA Stand-Up Event

Join Melbourne’s crowd at the Nahi Rehna INDIA Stand Up Comedy Show Melbourne. Experience the buzz and excitement as audiences come together to enjoy top-notch comedy performances. This event is perfect for anyone looking to unwind and have a great time filled with laughter. With a lineup of talented comedians, you’re guaranteed an entertaining evening. Be part of the fun and get your tickets today through Premier Tickets!

#NahiRehnaINDIA #StandUpComedy #MelbourneComedy #ComedyShow #FunnyMoments #IndianComedy #MelbourneEvents #StandUpIndia #LiveComedy

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k-wavemy · 5 months ago

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LOL Asia celebrates 15 years of laughter with The Big LOL Show—an all-star, two-night anniversary spectacular.

#LOLAsia15thAnniversary #TheBigLOLShow #KWaveMY

Get ready and brace yourself! Gather the family for an epic two-night extravaganza of comedy, music, and pure entertainment as LOL Asia marks its 15th Anniversary with The Big LOL Show! on December 13th and 14th at ZEPP KL, this milestone event will bring audiences from across Malaysia and Southeast Asia to their feet, featuring a star-studded lineup of top comedians and a surprise guest guaranteed to deliver laughter, music, and unforgettable memories.

Tickets are now available at https://lolasia.bigtix.io!

Headlining this year’s anniversary celebration is the enigmatic comedy icon, KUMAR. Joining Kumar on stage are Malaysia’s comedy heavyweights JOANNE KAM POH POH, PRAKASH DANIEL, BRIAN TAN, and FARIDAZMEIR, each bringing their own unique brand of wit and charm. But the excitement doesn’t end with comedy alone! Rising music stars SAINT KYLO and CLAUDIA TAN will set the vibe with electrifying performances, while the incredible MAST MILLENNIUM DANCER troupe will elevate the night with Broadway-style dance numbers.

And just when you think the evening couldn’t get any more thrilling, a surprise performer will make a memorable appearance! Stay tuned for more updates on this exciting addition.

This celebration of LOL Asia’s 15 years wouldn’t be possible without our passionate audience, whose faith, loyalty, and trust in our brand and platform have fueled our journey of curating local and international multi-format entertainment events. For over a decade, our fans and supporters have uplifted us, amplifying the energy that makes LOL Asia shine brightly across Southeast Asia and in international markets like the UK, Australia, New Zealand, India, and beyond.

Since its inception in 2009, LOL Asia has captivated die-hard fans of fact-filled entertainment, selling over 500,000 tickets, showcasing more than 350 talents across various genres from around the world, and touring 23 cities across Asia and Australia.

This year, as a token of appreciation, LOL ASIA will host an incredible giveaway for its ticket-buying audience: two lucky ticket holders will win a pair of passes to all LOL Asia shows in 2025! How exciting is that? That means a whole year of laughter, fun, and unforgettable moments to enjoy with a different friend each time—because joy is always better when shared!

“Fifteen years of LOL Asia signifies more than mere entertainment; it’s a celebration of community, connection, and the joy of laughter. The Big LOL Show is our greatest expression of gratitude to the fans who have made this journey truly memorable. We’ve assembled an amazing lineup for two nights of unforgettable fun, and we’re excited to celebrate this milestone with everyone!” - Mr. Rizal Kamal, CEO of LOL Asia

This year, as a gesture of gratitude, LOL ASIA will host an incredible giveaway for its ticket-buying audience: Two lucky ticket holders will win a pair of passes to ALL LOL ASIA shows in 2025! How exciting is that? It’s a whole year filled with laughter, fun, and unforgettable experiences to enjoy with a different friend each time—because joy is best when shared!

Ticket Information: Tickets will be available starting November 2nd at 12:00 PM at https://lolasia.bigtix.io. Phase 1 tickets come with a 10% discount until November 30th, so be sure to secure yours early and reserve your seats for an unforgettable night!

#LOLAsia #LiveComedy #LOLAsia15thYearsAnniversary #KWaveMY #TheBigLOLShow

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chandigarhlifestyle · 5 months ago

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Abhishek Upmanyu: The king of stand-up comedy! 😎

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dsl4973 · 8 months ago

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zomgmouse · 9 months ago

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DEAR EDINBURGH, You are invited to join The Ceremony. You're welcome.

Part ritual, part group therapy, part comedy show. Not a cult.

Co-created with the audience, each show is completely different.

One-of-a-kind theatrical metaphysical nonsense. Existential, experimental. Clowny, chaotic, communal. Genuinely surprising every time.

It's the late-night deep and meaningless you never knew you needed. Or maybe you did. The choice is entirely so as to of yours.

Join me.

1-26 AUG (not 12, 19) | 9.45pm | Summerhall

WINNER – Pick of the Week – 2024 Adelaide Fringe Festival ★★★★ “Hilarious, moving, provocative ... extraordinary” - The List “Pure fringe … unique, intellectually spiky … definitely silly!” – Disrupting Stages

👁️🙏👁️

#edinburgh #edinburghfringe #edfringe24 #theatre #comedy #livecomedy #ritual #absurd #livetheatre #experimental #meaning

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aallamericanlimofan-blog · 1 year ago

Link

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mirecalemoments01 · 2 years ago

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#AdamSandlerComedyTour #ComedyExtravaganza #IMissedYouTour #LiveComedy #SandlerLaughs #SandlerOnTheRoad

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laurafaritos · 7 days ago

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HDMS031. Generic vs. Branded Keywords for Comedians

Alright, we've already talked about search engine marketing (SEM)—and specifically how that applies to my business, and how other comedians can apply it to theirs. Now let's talk about how keywords can make or break your discoverability.

Branded vs. generic keywords—what are they, and why do they matter for comedians trying to get discovered? This Harvard module broke down the key differences between branded keywords (specific to your name or brand) and generic keywords (category-based searches).

For comedians, this distinction can be the difference between being discovered by new audiences vs. only attracting people who already know you. In this post, I’ll share:

What Harvard taught me about keyword strategy

Why your name alone isn’t enough to get you gigs or grow your audience

How comedians can use branded AND generic keywords to get booked and build a fanbase

How I’m applying these concepts to my own career

If you’ve ever felt invisible in the industry, this post is for you!!!!!!

I. Understanding Branded vs. Generic Keywords (What Harvard Taught Me About Search Strategy)

Before we get into how comedians and creatives can use search marketing to their advantage, let's break down the core concept from this Harvard module 3.2.2. Branded and Generic Keywords—because once you understand this, you’ll start to see how search marketing isn’t just for big corporations trying to sell sneakers or hotel rooms. It’s actually something you, as a comedian, can use strategically to get discovered, booked, and grow your audience.

In this module, Harvard broke down two types of keywords that businesses use in search engine marketing (SEM):

Branded Keywords → These are search terms that specifically include a company or product name. Example: “OOFOS recovery shoes” or “Hilton Hotel in LA.”

Generic Keywords → These are search terms that describe a category or need, rather than a specific brand. Example: “best recovery shoes” or “hotels in LA.”

When companies bid on branded keywords, they’re targeting people who are already aware of their brand and are close to making a purchase. In contrast, bidding on generic keywords helps them reach people who don’t know about them yet but are searching for something in their category.

For OOFOS (Harvard’s case study brand), branded keywords are more efficient because they target people who are already looking for OOFOS shoes. They have a high intent to buy. But OOFOS also invests in generic keywords because it helps new potential customers discover them when searching for recovery shoes in general.

"But Laura, why should I, as a comedian, care about this difference?" beeeeeecause, my young padawan, learning the distinction between branded and generic keywords can determine whether you sell out shows on a regular basis or not!!!!!! DO YOU UNDERSTAND ME NOW, BITCH???? THIS IS SERIOUS BUSINESS!!!!

II. Why Your Name Alone Isn’t Enough to Get You Gigs or Grow Your Audience

Listen, I know a lot of comedians (and artists in general) think that once they get a bit of traction, people will magically start searching for their name like they’re the next Ali Wong.

But here’s the cold, hard truth: most people don’t know who the hell you are yet.

If someone already knows your name, congrats—they’ve either seen you perform, followed you online, or maybe your mom’s been aggressively Googling you to make sure you’re still alive.

But for everyone else (aka the majority of your potential audience), your name is meaningless. They don’t know you exist. They’re not typing “Laura Faritos comedy tickets” into Google.

What are they searching for?

“Best stand-up comedy in Toronto”

“Comedians to watch in 2025”

“Funny immigrant comedians”

“Hilarious podcasts about dating”

“Comedians talking about ADHD”

Do you see your name anywhere in those searches? No. Could you be relevant to those searches? Absolutely.

This is why relying only on branded keywords (your name) is a massive mistake—because it only captures people who already know you exist. If you want new people to find you, you need to show up in searches that describe your niche, your themes, and what you bring to the table.

In other words, you need to optimize for generic keywords, too.

And if you’re not doing this? Well, enjoy playing the comedy industry on hard mode.

III. How Comedians Can Use Branded Keywords to Their Advantage

Alright, so we’ve established that relying only on your name isn’t going to cut it—especially if you’re still building an audience. But that doesn’t mean branded keywords are useless. In fact, if used correctly, they can be a powerful tool in your comedy business.

Branded keywords shine when people already know who you are and are actively looking for you. Think about this:

If someone types "Taylor Tomlinson tickets", they’re not shopping around for comedians in general—they’re already sold on seeing Taylor Tomlinson.

If someone Googles "Ali Wong Netflix special", they’re not looking for just any comedian with a special—they want Ali Wong’s special.

If someone searches "John Mulaney tour dates", they’re not browsing for local comedy shows—they’re looking for his show.

See the pattern? Branded searches = high intent to buy.

That’s why established comedians benefit from branded keywords—because their name is the product people are looking for.

Now, you might be thinking: "Okay, but if people are already looking for me, why would I pay to bid on my own name in search ads?"

Here’s why: competitors can (and will) bid on your name.

Let’s say your name starts gaining traction. If you don’t bid on your own branded keyword, someone else might—meaning when people Google you, they’ll see an ad for another comedian’s tour or a competing event instead.

Big brands deal with this all the time. Hilton Hotels still has to bid on “Hilton Hotel in LA” because if they don’t, some other hotel might swoop in and place their ad above Hilton’s organic result.

So the exact same logic applies to comedians!!! If you’re starting to make a name for yourself, you might want to protect your search real estate by bidding on your own branded keywords!!!

If you look at top-tier comedians, they don’t just rely on organic searches for their name. They actively use search engine marketing to direct traffic exactly where they want it.

Touring comedians will bid on their name + “tickets” to make sure people see the right sales page first.

Comedians with specials might bid on their name + “Netflix” or “HBO” to ensure searchers get the right streaming info.

Podcasters will bid on their name + “podcast” to lead people to their show instead of a random third-party site.

Soooo what this means is that f you’re an established comedian, branded keywords are non-negotiable for locking in sales and preventing competitors from hijacking your search traffic!!!!!

If you’re still building your audience, branded keywords alone won’t be enough—which brings us to the real goldmine: generic keywords.

IV. How Comedians Can Use Generic Keywords to Get Booked & Most Importantly (!!!) Build a Fanbase

Alright, now we’re getting into the real game-changer: generic keywords.

If you’re an up-and-coming comedian, this is where you should be focusing your energy—because generic keywords are how new audiences discover you.

Think about the way you search for things online. If you’re planning a night out, you’re probably not typing:

“John Smith Comedy Tickets” (unless John Smith is a big deal).

Instead, you’re typing: ✅ “Best stand-up comedy in Toronto” ✅ “Comedy shows near me this weekend” ✅ “Fun date night ideas in [your city]”

See the difference?

Generic keywords target people who WANT comedy but don’t know who you are yet. If your name isn’t on their radar, these are the searches that can introduce you to them.

And this doesn’t just apply to live shows. Let’s break it down by different types of comedy careers.

For Stand Up Comedians

“Best up-and-coming comedians”

“Fun things to do in [your city]”

“Comedy clubs near me”

“Top comedians to watch in 2025”

💡 Pro tip: If you’re producing your own shows, you should be optimizing your website and event listings for these search terms. That way, when someone Googles “comedy show in [your city],” your event has a chance to show up.

For Comedy Podcasters

“Best comedy podcasts 2025”

“Podcasts about dating & relationships”

“Hilarious pop culture podcasts”

“Podcasts hosted by stand-up comedians”

💡 Pro tip: You can optimize your podcast show notes, website, and even episode titles with search-friendly phrases to attract new listeners.

For Digital Creators (YouTube, TikTok, etc.)

“Funny immigrant comedians”

“Comedians talking about ADHD”

“Relatable stand-up comedy clips”

“Best comedy YouTube channels”

💡 Pro tip: If your content fits into a specific niche (ex: immigrant experiences, neurodivergence, dating fails), you should be using relevant keywords in your video titles, descriptions, and hashtags.

How I Plan to Optimize My Own Comedy Business (Laura Faritos) with Generic Keywords

Now, let’s get personal. Here’s how I’m applying all of this to my own career:

✅ Live Shows: I’m making sure my event listings and website include terms like “stand-up comedy in Toronto”, “best comedy shows in Toronto”, and “live comedy events 2025”—not just my name.

✅ Podcast: For A Brazilian Girl’s Guide, I’m optimizing my episode titles and descriptions with phrases like “funny immigrant experiences”, “comedy podcast about relationships”, and “stand-up comedians on dating fails” to pull in new listeners.

✅ YouTube & Social Media: I’m testing keywords like “funny Brazilian comedian”, “comedy about being an immigrant”, and “relatable ADHD stand-up” to see what gets me the most traction.

If you’re only relying on people searching your name, you’re limiting your growth. If you start using generic keywords that match what people are ACTUALLY searching for, you increase your chances of being discovered by new fans, bookers, and industry pros. And that, my friend, is how you stand out in a crowded comedy market!!!!!!

But how do you go from invisible to in-demand?????

V. How I’m Applying These Concepts to My Own Career

Alright, we’ve covered what branded and generic keywords are, why relying on your name alone is a mistake, and how comedians can use both to grow their audience and get booked.

Now, let’s talk about my personal game plan—how I’m applying these strategies in my live shows, podcast, and content creation.

1. Making My Comedy Events Search-Friendly

When people search for comedy in Toronto, I want my shows to pop up. That means I need to optimize my event listings, website, and ads with relevant keywords.

Instead of only using my name, I’m using search-friendly event descriptions like:

“Best stand-up comedy in Toronto”

“Live comedy show in Toronto – February 28, 2025”

“Comedians talking about dating & relationships”

💡 Pro tip for comedians running their own shows: If you want people to find your event, use terms they’re actually searching for, not just your show’s name.

2. Optimizing My Podcasts for Search Traffic

If someone’s looking for a comedy podcast, they’re not searching A Brazilian Girl’s Guide (yet). They’re searching for:

“Hilarious dating podcasts”

“Funny immigrant experiences”

“Comedians talking about love & relationships”

So, for every episode title and description, I’m making sure I use keywords that match what people are actively searching for.

Example: Instead of titling an episode “My Experience with Dating Apps”, I’d go with: "Tinder Fails & Dating Horror Stories | A Comedy Podcast on Modern Love."

See the difference? One is vague, the other is optimized for discovery.

3. Testing Keywords to Boost Visibility

Platforms like YouTube, TikTok, and Instagram function like search engines. That means if I want my content to be found, I need to use keywords in my titles, captions, and hashtags.

For YouTube titles, I’m testing:

“Funny Brazilian comedian talks about dating”

“Comedians with ADHD – Stand-Up & Real Talk”

“Hilarious immigrant stories – Comedy clips”

For TikTok/Instagram, I’m using hashtags like:

#ComedyPodcast

#StandUpComedy

#DatingFails

#ImmigrantComedy

#NeurodivergentComedians

💡 Pro tip for comedians: If you want your videos to reach more people, experiment with SEO-friendly video titles and hashtags that match your niche.

Comedians tend to focus only on social media trends, but search engine strategy is what gives your content long-term discoverability.

Branded keywords (your name) help people who already know you find you.

Generic keywords (comedy topics, categories) help NEW audiences discover you.

If you optimize for both, you’ll: Get more bookings because people searching for comedy shows will find you. Attract more podcast listeners because your episodes match their interests. Gain more visibility on social media & YouTube by using search-friendly titles & hashtags.

And that's at least how I intend to go from invisible to in-demand. Whether that's gonna work or not....... only time will tell!!! But I will surely be reporting it here to learn from my mistakes hahahaha

TL;DR: Branded & Generic Keywords

Alright, let’s hit the fast-forward button and sum up the key takeaways so you can actually use this information instead of letting it rot in your brain. In this post, you learned that:

✅ Branded keywords = your name.

Good for comedians who are already well-known (ex: “Ali Wong Netflix special”).

Helps people who already know you find your content faster.

If you don’t bid on your own name, competitors might.

✅ Generic keywords = category-based searches.

Essential for getting discovered by new people (ex: “best stand-up comedy in Toronto”).

If you want new fans, bookings, and visibility, you NEED to optimize for these.

Helps you stand out in a crowded comedy industry.

✅ Most comedians make the mistake of only focusing on their name.

If you’re not famous yet, no one is searching for your name.

To grow, you need to show up in searches your potential fans/bookers are making.

✅ How I’m applying this:

Optimizing my live show pages for local comedy searches.

Making sure my podcast episodes include searchable topics.

Using SEO-friendly video titles & hashtags on YouTube/TikTok.

Action Steps for Comedians

1. Google what people are searching for in your niche.

Type “best comedy podcasts” or “stand-up comedians to watch” and see what comes up.

Think about what topics you naturally fit into and start using those keywords.

2. Optimize your event listings, website, and content.

If you have a comedy show, include keywords like “stand-up comedy in [your city]” so people can find it.

If you have a podcast, make sure your titles and descriptions include searchable phrases.

If you’re on YouTube/TikTok, test search-friendly titles instead of just trying to be clever.

3. Track what’s working and adjust.

If certain keywords bring you more traffic, keep using them.

If something isn’t working, experiment with new search terms.

SEM (Search Engine Marketing) is all about testing & learning.

Final Thoughts: Start Playing the Comedy Business on Easy Mode

If you take one thing away from this post, it’s this:

If you don’t make yourself searchable, you are making it harder for people to find you. 🔑

Most comedians ignore SEO & search strategy because they assume it’s only for big brands. But the truth is—if you want to sell out shows, grow your podcast, or get discovered online—you NEED to understand how people search for comedy content.

And now you do!!!!!!!

So, will you start optimizing your comedy career for search, or are you gonna keep making it harder on yourself????

See you in the next one. Tchau tchau <33

#StandUpComedy #ComedyMarketing #ComediansOfTikTok #SEOForComedians #PodcastGrowth #ComedyBusiness #MarketingForCreatives #StandUpToronto #ComedyClub #SearchMarketing #ComediansOfInstagram #FunnyPodcasts #NeurodivergentComedians #ImmigrantComedy #LiveComedy

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twoinchreview · 2 years ago

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2023 gigs.

A list rather than a review but there will be the odd descriptive comment when warranted. The list will include accompanying fine dining.

13.1 Harry Hill. New Theatre, 'Boro. Nuts. Funny af, but nuts.

23.1 Frank Turner, Lottery Winners, Wildwood Buoys. O2 Academy, Leicester. The Marquis Wellington.

26.1 Francis of Delirium, Sloe Noon, Collars. Bedford Esquires. McDs. Great gig. 1st support, quirky (the drummer was also the guitarist), 2nd were superb, reminded me of Slothrust and FoD are always excellent.

2.2 Sprints, Langkamer, Eades. Bedford Esquires. Herd. Amazing, just brilliant. Missed Eades (fucked off 'bout that), Langkamer got me well in the mood and Sprints nailed it. Burger at Herd was one of the best I have ever eaten. Top night.

14.2 Mogwai, Brainiac. Rock City. Horn in the Hand. Brainiac are odd, Mogwai were fucking loud. HitH always delivers when it comes to burgers.

17.2 Doors Alive. Roadmender. Oriental Garden. Great tribute act. Great Chinese meal.

18.2 Dr. Feelgood, Dois Padres. Bedford Esquires. McDs. So glad I made the effort.

22.2 Hotel Lux, Average Life Complaints, The Barratts. The Craufurd Arms, MK. 81 The Original Diner. Three good bands. ALC stood out, HL were so interesting to watch. Burger was just 'good'.

25.2 Total Stone Roses, Oaysis. Met Lounge 'Boro. The College Arms. decent tributes, decent pub-grub katsu curry.

28.2 Young Fathers, Callum Easter. O2 Academy Leeds. Almost Famous. Wow. What a midweek trek, what a gig! YF did not disappoint and CE was intriguing - he played with YF also. And, the best burger I have EVER eaten. EVER.

3.3 Emily Breeze, Andrea Kenny. The Donkey, Leicester. Heritage India. EB was fabulous. The restaurant front of house thought I was a food critic, I am sure of it.

5.3 Grade 2, Clobber, Kings of Pigs. Voodoo Lounge, Stamford. McDs. Sunday gig, G2 were really good.

10.3 Suede, Desperate Journalists. Rock City. Horn in the Hand. DJ were fucking excellent. Also, saw great singer in the Lilly Langtrees pub after the gig....see 06.07 entry.

13.3 Self Esteem, Campbell King, Tom Rasmussen. Cambridge Corn Exchange. Honest Burger. SE was wonderful - great show, great songs, great voice, great live.

14.3 Slow Readers Club, Andrew Cushin. Lafayette, King's Cross. Cut and Grind. I loved this gig. SRC in a small venue - place was bouncing. Katsu chicken burger was good.

16.3 Mike Wozniak. The Core at Corby Cube. Nando's. Wonderful, laugh out loud ramblings.

21.3 Death Cab for Cutie, Slow Pulp. O2 Institute, Brum. Manzils. SP stole the show, DCFC were 'alright'. Great veg madras but with fucking mushrooms.

22.3 The Orielles, Pale Blue Eyes. MASH, Cambridge. Butch Annie's. Brilliant gig. TO were a different band live and PBE will play arenas one day, I'm sure of it. Marvellous burger, marvellous gaff.

24.3 Black Honey, The Howlers. Bedford Esquires. Herd. Bloody excellent night for food and music.

28.3 Anna B. Savage. Village Underground. McDs.

30.3 Jadu Heart, Gglum. Assembly Rooms, Islington. MEATLiquor, GDK. Gglum stole the show. She rocked, actually. I had a balcony ticket but snuck downstairs during a technical hitch with JH's kit; the upstairs bar ran out of beer (wtf?) so I went in search of booze only to find I could walk into the main hall unchallenged! Great burger followed by a really great kebab. 04.04 Gretel Hänlyn, Mary in the Junkyard. The Moth Club. McDs. Great little venue and MitJ were excellent (brilliant drumming and drummer) and GH was fantastic. No overground afterwards but jumped in an Uber to Finsbury Park with two fellas who'd been to the gig #lifesavers

11.04 Big Thief. Hammersmith Apollo. Chicago Grill. I found BT disjointed and out of tune at first, came good toward the end. Burger was fucking huge and beat me. Plus I had to use cutlery to eat it.

14.04 Joe Rooney., A Celebration of Father Ted. The Key Theatre, Peterborough. Interesting evening with the chap that was in one episode of Father Ted as Father Damo. 18.04 Waxahatchee, Indigo Sparks. Earth. GDK. No overground, walked there and back and still made GDK and caught the 23.00 train. 20.04 Fenne Lily, Naima Bock. Islington Assembly hall. GDK. Last minute gig (thanks to ReTickin') and I am glad I made the effort FL and her band (esp. the guitarist) was most impressive - great live sound. 21.04 Lemondaze, Treeboy & Arc. Portland Arms, Cambridge. Butch Annie's. Brilliant live sets from both and a flipping excellent burger.

04.05 Yard Act. Troxy.

05.05 Big Country, Spear of Destiny. Islington Assembly hall.

08.05 Haley Blais, Katie Tupper, Georgia Harmer. Bush Hall. Tiger's Diner. Three great artists and HB's voice is one of the best I have ever heard. Burger was a treat...I shovelled it down!

11.05 Foals. Pryzm Kingston. The first of two shows for the band on the night presented by Banquet Records and they were on top form.

16.05 Lael Neale, Guy Blakeslea. Lexington, Islington. McDs, GDK. LN was simply wonderful. 2-4-1 GDK is always a treat! 08.06 Crawlers. Omeara, Borough. The Kebab Shop. Last minute ReTickin' gig and I am very glad I made the effort. Lamb Shawarma was amazing. 10.06 Diane Cluck, Johanna Warren. Cafe OTO, Dalston. Only went to see JH and it was a performance workshop, so no singing. Not what I expected.

16.06 Arctic Monkeys, The Hives, The Mysterines. Emirates Stadium. 22.06 The Sherlocks. Bedford Esquires. Herd. Last minute gig 'cos Dara O Briain was cancelled due to flooding. TS were cracking.

26.06 Indigo de Souza, Rosie Alena. Village Underground. Fat Hippo, Shoreditch. IdS, and her band, flippin' rocked. I like it when the live performance is a real step up from studio. FH was also cracking.

06.07 Get Cape. Wear Cape. Fly, Girl Band. Craufurd Arms. GB were excellent - saw the guitarist/lead singer, Georgie, after the Suede gig 10.03 - chatting after their set, she remembered me! GCWCF lost the plot with the chatting, rowdy audience...it was embarrassing.

07.07 Breanna Barbara, Memory of Speke. Moth Club. Burke's Warehouse. BB was so good, fantastic. MoS were very good. Burger & chips were excellent.

19.09 My Baby. MK11 MB were really good value - rock enthused dance music and the lead singer's voice is exemplary.

22.08 Boygenius, Ethal Cain. Piece Hall, Halifax. 242 mile round trip was just about worth it. Both acts were OK. Venue is special, though.

28.08 Karen Jonas. Great Easton Village Hall. 29/08 Future Islands. Cambridge Corn Exchange. Popeyes Louisiana Kitchen. FI are so good live. Cajun chicken burger was fine.

05.09 Samia, Art School Girlfriend. Kentish Town Forum. One of the best gigs this year.

23.09 Flock of Seagulls, Enjoyable Listens. Bedford Esquires. Brewhouse & Kitchen. FoS were good value, EL were excellent as always and the burger was fine.

26.09 The National. Ally Pally. Views from the venue were spectacular.

04.10 Sprints. Scala. Ballache getting to the gig 'cos of the train strike, but well worth it. Aftershow gathering at The Lexington warranted an overnight stay!

05.10 Hard-Fi, Tom A. Smith. The Junction. Impressed with HF, even more impressed with TAS and his band.

06.10 The Undertones, Tom Robinson Band. The Junction. TRB were amazing. He is a great entertainer and his guitarist was superb.

18.10 Treeboy & Arc, Bo Gritz. The Moth Club. T&A are seriously good live.

23.10 Lande Hekt, Charley Stone's Actual Band. The Lexington. 26.10 Yumi and the Weather, Sunny Gym. The Craufurd Arms. Only caught the final song from SG but it was excellent. YatW were banging.

30.10 Cash Savage and the Last Drinks, James P. Honey. The Lexington. CSatLD were amazing. The violinist pulled out one of the best live solos of any instrument I have even witnessed.

08.11 Deadletter, The Joy Hotel. The Craufurd Arms. TJH were bloody good...including bass, 5 guitars! D were superb - great front man.

09.11 Nothing But Thieves. World Resorts Arena, Brum (old NEC). £7.50 a fucking pint. NBT is about right.

12.11 This Is The Kit, Gina Birch. The Glee Club, Brum.

15.11 The Murder Capital. Electric Ballroom. Mental gig. Haven't seena mosh pit like it since the 80s. Thoroughly enjoyed this gig.

16.11 Bleach Lab, Wings of Desire. Scala. WoD were right down my street and delivered - a nice surprise as I'd not heard of them before. One of those gigs where support > headliner.

23.11 Bdrmm, Damefrisor. Bedford Esquires. I flipping enjoyed this. B drummer cracked open a bottle of beer with the end of his drumstick which was the coolest thing I have ever seen.

03.12 The Rural Alberta Advantage, Zoon. Lafayette. I was not in the mood for travelling down to this on a Monday night. However, it was well worth it. RAA were every bit as 9, or so, years ago when I first saw them.

04.12 Coach Party, Bedroom High Club, House of Women. O'Meara. A free gig put on by Beavertown brewery and I'd have gladly paid. Each band were great. BHC were brand new to me and were the pick of a fantastic bunch. I will definitely catch all 3 live again.

12.12 Rahill The Lower Third

#gigs #livemusic #best burgers #livecomedy #standup #Food #fastfood #music

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