Don't get me wrong, I love me some Korean BL and Seven Seas, but why does this series sound like a comics version of a chapter in Normal Mailer's Ancient Evenings? Like same plot and everything.
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Supernatural: hmmm okay so we need a way to show Jack how bad Lucifer is, something really horrible to force him to confess to, something that will make him drop his father forever….hmm, what could we do, what could we do….
Sam, life ruined all for Lucifer, possessed by Lucifer, tortured by him for centuries, multiple attempts on his life by lucifer, loved by jack like a father, main character on the show for 13 seasons, literally in the room when this happens:
Dean: multiple attempts on his life by Lucifer, loved by jack like a father, main character on the show for 13 seasons, literally in the room when this happens:
Castiel: killed by Lucifer multiple times, possessed by Lucifer, loved by jack like a father, main character on the show for 9 seasons, literally in the room when this happens:
Maggie: killed by Lucifer, met jack two episodes ago and barely interacted with him, literally introduced on the show two episodes ago, not in the room when this happens:
Supernatural: yes. Maggie is the one. Maggie is the one who will make Jack see what a monster his father TRULY is. She is such an important character on this show, so important than we will kill her off permanently less than a season later. Her impact is so real.
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Why is 13's regen abt a white dude and why is 15's regen abt a white dude when do we get rid of that white man that just Cannot let other people have their own moments I swear this is so old, like really, it's a tale as old as time where white dudes are the center of the narrative and universe and everyone caters to them, and I'm so bored of it being celebrated. It's not innovative, it's not new, it's not brave.
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am i just blorbo brainpilled to hell or does zote technically haunt the narrative if you leave him to die because of the glaring 'neglect' achievement you earn and how the pale beings did the same things to ghost and the vessels and therefore ghost can never be the same once it consciously decides to do that
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Omg this book really went for it with the horror aspect of a "fuck" or die situation I respect leckie so much for this. That was NASTY (positive)
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male authors, writing m/m friendships: their bond will develop through hundreds of chapters, we will get to see each stage of their budding relationship, they'll constantly be in each other thoughts, their first instinct will always be to reach for the other, their first worry will always be the other's safety, they'll spend every minute of the day together, they'll be complete opposites and yet perfectly compliment each other, they will put everything they ever loved in risk just to keep the other safe, they will give their life without hesitation to save the other's, they will fight and argue and tease and joke around but they will always be at each other's side at the end of the day, they will plan to spend the rest of their lives together, sharing the happy moments and the hard times, the idea of being without the other being unthinkable, the thought of being always together coming naturally, as easy as breathing.
the same male authors, writing m/f romance: she'll like,, smile once at him and he'll start thinking of marrying her and having children with her idk
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DC Writers were really like, "Yeah Maxima's an imperialist eugenicist fascist but ALSO she's a va-voom space babe so we're going to keep her around for the next 20 years because that's ~interesting!~."
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It's so funny how Disney will rather bring Ventress back from the dead with zero explanation, fake dementia and fish for sympathy points by pretending she's anywhere near the same level of manipulated as the literal men created to be cannon fodder in the war- when she herself enslaved, manipulated and killed people just because she wanted to, than ever explain what happened to Barriss or even mention her.
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i have a pattern for find out my fav fics in each fandom im in that consists in me looking for some quick fluffy shit to read bfr bed but being so tired i barely understand a thing forgeting about it for months then picking it to reread by pure accident just to transcend to the fucking skies over how good it actually is
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"Poor meow meow (tortures people)"
Does this mean there's lore for the dessert vampires au 👀👀👀👀👀
theres always been lore !
im still fleshing it out though, theres no overarching plot rn its just setting up the most important base details
i have a REALLY clear vision for how i want to introduce the whole au so its pretty unfortunate i cant share anything until i drop the introduction
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It's been rolling around in my brain the last few days for some reason, but I still hate the family backstory reveals for Sophie and Eliot. I've seen some of the meta for it, but quite frankly, it still makes no sense. If it had been something actually thought of and intentional in the original, I think it could have been so fascinating. I mean, Sophie's willing abandonment of Astrid to contrast with Nate's loss of Sam or Eliot's adoption in contrast with Hardison's and Parker's? Could have been excellent! But they came out of nowhere in Redemption and don't work with these characters.
Sophie was still actively using the fucking alias that she met Astrid under! She met with someone from her past on the show! Like. Quite frankly, that one is unequivocally bullshit that they made up and threw in and pretended could fit with the established canon. (And I'm sorry, but the idea of Sophie abandoning Astrid and never telling Nate about her just... So much of Nate's trauma was rooted in the loss of Sam, and I think that introducing this element after he's gone and unable to respond to it taints Sophie and Nate's relationship in a way bc I'm not exactly sure how Nate would've responded to learning about this but I think that it's something he'd have needed to know. I don't know how to fully express my thoughts on that but yeah.)
As for Eliot, I don't like the adoption aspect literally at all. The way that he would interact with his family and the memory of his family would be different, and I think that it's flat out ridiculous to think that he'd have never mentioned it to the team in the original show, especially when dealing with the kid cases. (I also dislike the biracial adoption as its own element because if Eliot was actually raised by Black parents in the... idk what 80s/90s? That just. doesn't feel congruent with how they write Eliot interacting with PoC, not necessarily in a bad way, but babe, he's written like a white southern man raised in a specific kind of culture that does not jell with that. It also makes Eliot look... really bad that he was apparently raised with the knowledge of how fucked up the military was and his parents' history and made the choices that he did.) Like the show may not have explicitly stated it but the implication of that relationship was vastly fucking different throughout the original show.
Just. These were not backstories that were congruent with their depiction and characters in the original show, and they're also just moves that I don't particularly like or find interesting directions for those characters. There's also something to be said about how it was apparently unacceptable for a woman to not have kids or someone not reconciling with their biological family when that was something that the original show handled a lot better. Out of all the directions to take Sophie and Eliot's stories, that's just not really one that I think was a good idea.
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