#literally cannot think about one of these scenes without also thinking of the other I just can't

[everybodyknows-everybodydies]

just in case you’re not.

[leafy-m]

alizayd for character opinion bingo 🧍🏽‍♀️

Thank you! 💖

Alizayd al Qahtani is the fucking best. There is no contest. He's empathetic, he's a sass machine, he's got a backbone made of righteous steel, he's a nerd raised to be a jock and was the best zulfiqari of his generation through sheer determination. He's the smartest (and tallest) man in the room that loves to help people and is also an oblivious social loser. He's a math genius and an economic wizard that outsmarted the Royal Treasury's best accountants as a teenager to secretly fund and make the Tanzeem's illegal transactions untraceable, and *During a Recession* got a millennia-old decrepit hospital to be completely rebuilt and functional in like 6 months. He also actually listens to people, and did possibly the most romantic thing in the series by building Nahri her private Cairo-themed office. He's self-sacrificing and self-denying to a fault and all he wants to do is fix things (and swim, and read), and he perfectly fits into soldier life and civilian life.

My man has the best character arc of the trilogy as he learns and grows past his early prejudice and indecision while sharpening his best traits. He is constantly reevaluating himself and his actions while still holding on to what matters to him, like his faith and his idealism that Daevabad can be improved. Even in the depths of his bitterness or grief, he always returns to trying to do the right thing, and not holding unrelated people responsible for the actions of others. He has the best motivational speeches in the series. His great grandpa is a crocodile and their scenes together are hilarious.

My man Alizayd has some Lord of the Rings: Return of the King-level epicness, in how he is descended from both Zaydi al Qahtani and the marid-blessed Armah. Zaydi, who rallied the djinn world against the genocidal Nahids and overthrew them to take Daevabad 1400 years earlier; and his ally Armah who commanded the marid to help take the city and Suleiman's Ring, and made the ultimate sacrifice by staying allied with the djinn. Ali is constantly compared to Zaydi in City of Brass and Kingdom of Copper, but there's this steady transfer of similarities to Armah in Kingdom of Copper and Empire of Gold, until Ali is truly representing both sides combined as he aids Nahri and a global army that he put together in three days to once again take back Daevabad from a genocidal Nahid. The man is a fucking legend, and with any other author or director it would unquestionably be at the forefront of the story. Instead it hides in background details foe readers to piece together, like it's barely worth mentioning.

This is because my man Ali also has the self-confidence/self-esteem of a shy beetle hiding six feet under the earth, and the author's subtle/vague writing style and inability to stand up for what she's trying to say when people misunderstand has created... how do I word this... A lot of wiggle room for bullshit?

Ali gets dragged a lot for being self-righteous and a fanatic, because characters that are threatened by him in the book call him that, and readers parrot it without any consideration or critical thought. Is it self-righteous to be against slavery? Or to create personal boundaries regarding drinking and premarital sex? Is it fanaticism when he argues against corruption, or practices his religion *in a completely normal way?* I dare say no! But Ali is both black and muslim, so he gets a shit load of shit from every corner, and with the author unable to really clear things up and too cowardly to even admit that Ali is her favorite character without immediately asking everyone to forget she said that (Oops. Also: no), it makes me very, very concerned for whoever ends up playing Ali in the Netflix show. Because if past is any pretext, he's definitely not gonna get paid enough for all the harassment he'll face. And if the author can't stand up for her characters and book themes now, how will she do it when the audience is much, much bigger and louder? :/

As much as I love Ali and his countless parallels with Nahri, and have a thousand headcanons for him (and a thousand fic & art ideas/wips), the series itself (or rather how it undid all its narrative themes in the end to appease loud fans who never understood what the series was trying to say in the first place, along with the author's blindspots regarding the Nahids/Daevas), has made me incredibly bitter. 🙃 I am someone who worships canon encyclopedically and remembers everything, and have come to the unfortunate realization that I cannot in good health ever read this series again.

So my beloved blorbo Ali exists for me in a weird dimension that I cannot really interact with anymore. Made worse because I still desperately want to see fandom stuff, but then also viciously tear apart everything I find. 💀

Idk how to end this. Thanks for the ask! ☺️

[alwaysahiccupandastrid]

Pixar did not have to go as hard as they did with the Kronos Unveiled scene in The Incredibles (2004), yet they did anyway and gave us one of the best scenes in modern cinema. Literally cannot stop thinking about how good this scene is, from the animation to the build up to the soundtrack.

I don’t think I truly understood how dark this scene - and this film - was a child: Syndrome is systematically and strategically luring in superheroes and killing them off in order to test and improve his Omnidroid design… these people were not only supers but they also had family and loved ones too, just like Bob, and one day they would have just disappeared because chances are they weren’t telling people where they were going because it was "top secret" and against the law. They thought they were doing something good, like helping the people in the island, while also getting to relive their glory days, perhaps even paving the way for superheroes to make a proper comeback… only for Syndrome to kill them in cold blood.

Most of these people can actually be seen at Bob and Helen’s wedding in the beginning of the film - they weren’t just random supers, they were their friends, people they worked alongside and cared about. It’s even worse when you realise that Bob probably blames himself because, after all, Buddy/Syndrome was his biggest fan and he dismissed him by not letting him help.

The relief on Bob’s face when he realises Syndrome doesn’t know where Helen is - meaning he also doesn’t know where their children are because he didn’t realise they were married at this point - is so realistic and gut wrenching to see. The relief contrasting with the anguish of knowing how much danger they and their entire family could have been in the entire time without even knowing...it's so well-done, you can literally feel it.

It’s also worth noting that originally the next target wasn’t Mr Incredible but Frozone - that was who Mirage was trailing, hence why his location is “known”. Imagine if she/Syndrome hadn’t realised that Mr Incredible was with him and they’d lured Frozone in instead as planned; he would have gone to the island to fight the Omnidroid 8 in a volcano setting. We saw how being in the burning building dehydrated Frozone and made it impossible to use his ice powers - presumably it would have been the same in the middle of a lava filled volcano, and he’d have been slaughtered just like the other superheroes before him.

This scene shows an entire generation of superheroes - Bob, Helen and Lucius’ generation - wiped out all because Syndrome felt slighted by his hero as a child, because he internalised that slight and let it drive him to revenge. And, if we take into account the deleted alternate opening scene, it’s mentioned that superheroes "aren't supposed to breed” - meaning there’s a likelihood that Violet, Dash and Jack-Jack are among the very few supers of the next generation. I know that it's deleted and so not really canon, but it's definitely a concept to consider, I think.

Then there's the fact Syndrome named the project "Kronos" - Kronos was a God who overthrew his own father in order to take over his rule, and then he ate his own children to prevent them doing the same thing to him. It feels like it reflects Syndrome once looking up to Mr Incredible and even saying "I could be your ward!", meaning Mr Incredible adopting or fostering him - the project name is a metaphor for Syndrome destroying the Supers, especially Mr Incredible, who he viewed as a father figure. The Omnidroids he built killed two birds with one stone: not only was he able to acquire the data to upgrade the robot to its final design, but it also eliminated the real super heroes and so left him as the last remaining "superhero", even though his powers are man-made, not something he was born with.

Not only did he want to become the only remaining superhero by killing the real ones in revenge, he also planned to sell his inventions at some point so everyone can be super - because "when everyone is super, nobody is". It's like a final blow to the memory of the superheroes he had killed.

I've talked too much about this scene but God... I love it so much more as an adult because it's just so chilling to think about. I'm sure other people can put it much more articulately than I just tried to, but I just really wanted to appreciate this scene.

[jonnywaistcoat]

What’s your opinion on the contrast between “silly” and “serious” spaces? Do you think people can have very serious interpretations about a genuine piece of media and also be goofy about it? I’m asking this particularly because I’ve seen people in the Magnus podcast fandoms fight about people “misinterpreting” characters you, Alex, and the many other authors have written. Are you okay with the blorbofication or do you really wish the media you’ve written would be “taken seriously” 100% of the time?

And follow up question, what do you think about the whole “it’s up to the reader (or in some cases, listener) to make their own conclusions and interpretations and that does not make them wrong”, versus the “it was written this way because the author intended it this way, and we should respect that” argument?

This is a question I've given a lot of thought over the years, to the point where I don't know how much I can respond without it becoming a literal essay. But I'll try.

My main principle for this stuff boils roughly down to: "The only incorrect way to respond to art is to try and police the responses of others." Art is an intensely subjective, personal thing, and I think a lot of online spaces that engage with media are somewhat antithetical to what is, to me, a key part of it, which is sitting alone with your response to a story, a character, a scene or an image and allowing yourself to explore it's effect on you. To feel your feelings and think about them in relation to the text.

Now, this is not to say that jokes and goofiness about a piece of art aren't fucking great. I love to watch The Thing and drink in the vibes or arctic desolation and paranoia, or think about the picture it paints of masculinity as a sublimely lonely thing where the most terrible threat is that of an imposed, alien intimacy. And that actually makes me laugh even more the jokey shitpost "Do you think the guys in The Thing ever explored each other's bodies? Yeah but watch out". Silly and serious don't have to be in opposition, and I often find the best jokes about a piece of media come from those who have really engaged with it.

And in terms of interpreting characters? Interpreting and responding to fictional characters is one of the key functions of stories. They're not real people, there is no objective truth to who they are or what they do or why they do it. They are artificial constructs and the life they are given is given by you, the reader/listener/viewer, etc. Your interpetation of them can't be wrong, because your interpretation of them is all that there is, they have no existence outside of that.

And obviously your interpretation will be different to other people's, because your brain, your life, your associations - the building blocks from which the voices you hear on a podcast become realised people in your mind - are entirely your own. Thus you cannot say anyone else's is wrong. You can say "That's not how it came across to me" or "I have a very different reading of that character", but that's it. I suppose if someone is fundamentally missing something (like saying "x character would never use violence" when x character strangles a man to death in chapter 4) you could say "I think that's a significant misreading of the text", but that's only to be reserved for if you have the evidence to back it up and are feeling really savage.

I think this is one of the things that saddens me a bit about some aspects of fandom culture - it has a tendency to police or standardise responses or interpretations, turning them from personal experiences to be explored into public takes to be argued over. It also has the occasional moralistic strain, and if there's one thing I wish I could carve in stone on every fan space it's that Your Responses to a Piece of Art Carry No Intrinsic Moral Weight.

As for authorial intention, that's a simpler one: who gives a shit? Even the author doesn't know their own intentions half the time. There is intentionality there, of course, but often it's a chaotic and shifting mix of theme and story and character which rarely sticks in the mind in the exact form it had during writing. If you ask me what my intention was in a scene from five years ago, I'll give you an answer, but it will be my own current interpretation of a half-remembered thing, altered and warped by my own changing relationship to the work and five years of consideration and change within myself. Or I might not remember at all and just have a guess. And I'm a best case scenario because I'm still alive. Thinking about a writers possible or stated intentions is interesting and can often lead to some compelling discussion or examination, but to try and hold it up as any sort of "truth" is, to my mind, deeply misguided.

Authorial statements can provide interesting context to a work, or suggest possible readings, but they have no actual transformative effect on the text. If an author says of a book that they always imagined y character being black, despite it never being mentioned in the text, that's interesting - what happens if we read that character as black? How does it change our responses to the that character actions and position? How does it affect the wider themes and story? It doesn't, however, actually make y character black because in the text itself their race remains nonspecific. The author lost the ability to make that change the moment it was published. It's not solely theirs anymore.

So yeah, that was a fuckin essay. In conclusion, serious and silly are both good, but serious does not mean yelling at other people about "misinterpretations", it means sitting with your personal explorations of a piece of art. All interpretations are valid unless they've legitimately missed a major part of the text (and even then they're still valid interpretations of whatever incomplete or odd version of the text exists inside that person's brain). Authorial intent is interesting to think about but ultimately unknowable, untrustworthy and certainly not a source of truth. Phew.

Oh, and blorbofication is fine, though it does to my mind sometimes pair with a certain shallowness to one's exploration of the work in question.

[allthingswhumpyandangsty]

let's talk Dead Dove: Do Not Eat tag.

since this has been debated a lot, here's what the tag actually means;

before we begin, Dead Dove: Do Not Eat tag originated from the 2003 sitcom 'Arrested Development' — in one of the scenes, a character opened a fridge and found a brown paper bag with 'dead dove, do not eat' written on it. he opened the bag and surprise! inside was a dead dove (a literal dead dove). the character then said "I don't know what I expected."

thus the beginning of Dead Dove: Do Not Eat tag on Archive of Our Own; the tag is basically to tell potential readers that the work they're about to read contains topics that are considered disturbing, offensive, violent, morally messed up, etc.

it's also to tell potential readers that they cannot be offended, they cannot get mad and blame the author for writing such a disturbing thing, because they have been warned beforehand.

so yes, Dead Dove: Do Not Eat tag translates to 'hey, this work you're about to read is fucked up. if you choose to read it and it triggered your trauma, then you cannot be mad at the writer because they did warn you that it was gonna be fucked up.'

that being said, writers are also expected to tag other tags besides Dead Dove that will give their potential readers an idea of what the actual warnings are about. because Dead Dove tag alone is not enough to tell potential readers what they will find in a story they're about to read; as previously stated, Dead Dove tag is just to warn potential readers that the work might be offensive and triggering to them, but the tag alone does not say why it can be offensive and triggering.

for instance, if your work contains graphic details of human trafficking, then you should tag 'Dead Dove: Do Not Eat' and 'human trafficking', 'rape/non-con' and other tags that might be applied to the nature of your work, so that your potential readers know what, exactly, the Dead Dove tag is for. don't just tag it as Dead Dove without any further explanation.

also, Dead Dove does not equal tragic ending. a story that is tagged as 'Dead Dove: Do Not Eat' can still have fluff and/or happy ending. it's up to the author if they want their entire work to be Dead Dove or if they only want some parts of the work to be Dead Dove.

and I think that's it for 'Dead Dove: Do Not Eat' tag! remember to always tag your works properly! if you have any further question, my inbox is always open.

[zan0tix]

Any general thoughts on/relating to the Brobot?

Have my half awake scrawlings...

I really love the brobot!!!! People really misconstrue it and also leave it out in a lot of dirkjake talk? Its a big player in not only how dirk expresses his affection/desire towards jake but also in their multi year spanning unspoken game of gay chicken 😭😭(all of dirks splinters are but Not about them rn)

It was sent yknow under the pretense that jake loves wrestling and wished so bad to have somebody he could wrestle with. But at the same time it protects jake from the horrors of hellmurder island (seen before they strife), pushing jake into the Damsel in distress role he wasnt expecting to play even before all the shit in the game, with Dirk being his hero.

Jake says he keeps it on a high difficulty because apparently in the Novice mode he says their interactions become "too tender" and doesnt want to elaborate, Friendly reminder! His convo with jane on the SAME DAY dirk pulled off that big romantic overture and the kiss happens and him and dirk begin "dating".. is the same day he asked jane if it didnt make him weird for wanting to date dirk. And he also says hed joke around with dirk about how theyd soo make a great couple if dirk were a girl haha.

I imagine the brobot and well. Getting physical like that with a robot that supposedly looks like dirk probably gave jake his internal gay awakening at 13 but he just never wanted to actually confront it and instead just wanted to brush past everything 😭😭 (See: every single time sexuality or romance comes up in relation to jake he is literally always thinking about dirk somehow and he never directly talks about his attraction to men or how that reflects/contradicts on his self image of the Movie Star Hero guy)

and jake doesnt actually hate the thing either, he tells jane he thinks it genuinely did improve his fighting capabilities (Which we see it did in collide! he beat basically the whole felt with guns and fisticuffs alone, no hope powers.) Which serves as a pretty evident parallel to dave who also is good at fighting, even if he doesnt want to be. (see dirk + dave convo)

This one comes from hussies authors notes in the aradiabot and equius scene (which equius imagery being invoked with dirk. something i could totally rant about another time haha) but yeah. Jake was being selfish asshat in that log forcing jane into a corner and wringing what he wanted to hear out of her, and also not giving a shit about the brobot (Which served as his protector and only other semblance of human connection since he was 13 and was a BIRTHDAY GIFT FROM DIRK) KILLING ITSELF? But hes so preoccupied talking about dirk. THE REAL DIRK. And immediately after jake loses the dirk splinter that protected him, HE (AND DIRK) CREATE A NEW ONE FOR HIMSELF USING THEIR COMBINED POWERS/?

Hussie is lying.. somebody Does care about dirks feelings. a whole lot to the point they activate their powers unwittingly Because of it. and its jake. but jake just cant admit that himself. (He cannot admit his real feelings until given permission to, dirk would have to concede the game of gay chicken first using his words and not just actions)

ANYWAY. hussie is so right its so easy to get sidetracked times one million talking about this comic. BUT AHH!! BROBOT. his existence.. tragic.. Jakes really smart in knowing that all of dirks splinters enlighten aspects of himself he doesnt oft share, and the brobot served as another dirk action on the pile of dirk actions he engineers to signify his deep immense care for jake, where he lets these grand gestures and implications sit out in the open without ever actually saying what they mean and where his feelings lay.

EVEN IF ITS SUPER OBVIOUS. The d man cant use his big boy words to actually describe his feelings despite how much a yaps! so jake doesnt know if hes even allowed to say anything about his own. Fellas: Is it gay if you labour for supposedly an extended period of time to create a custom robot in your own image to ship in pieces to your best bro guy crush who is HUNDREDS OF YEARS IN THE PAST because you cant be there yourself?

I think this hal message says enough about how bad dirk wished he could visit jake 💀💀

[dekusleftsock]

I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.

Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.

Himiko is a really interesting subversion of her trope for two reasons:

She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)

She’s not possessive. Like at all.

I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?

You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?

You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?

Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.

But Izuku… ohhhh Izuku…

He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.

Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.

So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.

Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.

I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.

So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.

A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.

[samwinchesterism]

in re: “cas knows dean better than sam”

“cas sees dean as a whole person and sam just sees dean’s façade as his big brother slash parent” but like how and where. outside of your fanfiction. season and episode. scene and line. if it’s so obvious and apparent you should have at least 3-5 concrete examples right? “sam doesn’t know dean carried him out of the burning house” yeah but did cas? outside of a footnote in the angelic manila folder they gave him between seasons 3 and 4 so he could better manipulate him and sam into doing heaven’s bidding? like if you’re going to say “cas knows dean better than sam” than you need to show how cas succeeds where you perceive sam to be failing at the very least. but even your perceptions of how sam doesn’t measure up are so warped, blinkered, and moronic that it wouldn’t even be worth much if you could provide the textual evidence, but at least you’d have a semblance of a point. like say anything without going “as an eldest daughter…” “well my relationship with my sibling isn’t…” please say anything without fucking projecting your own self-pitying crybaby bullshit onto your little woobie dean and using the actual canon text of the show. I’m literally begging you.

like the thing of it all is and always has been that you’re so hell-bent on twisting the sam and dean relationship to fit into this narrow and almost entirely inaccurate mold which is the basis upon which you build the entire Destiel Mythos that you literally lose all sense of media literacy. you don’t even miss the forest for the trees, you miss the trees for like, the pretend invisible things you’re seeing in between the trees, the forest is a whole long way away from your current level of perception. because the Destiel Mythos is based entirely on the fact that dean is Not Seen and Not Appreciated and Not Loved and Cannot Be Himself until cas comes along, and that Family (read: sam) Is Only A Burden on Him That He Must Be Freed From In Order to Flourish, so you keep trying to warp the sam relationship into something that is only one dimension of it – and keep ignoring the ways in which dean is seen, loved and understood within it, because you need to keep lying to yourselves that there is a narrative need to emancipate dean from something that he has never wanted emancipation from because it is ultimately a net good for dean in the particular circumstances of their lives. it’s also profoundly unhealthy, codependent, evil and toxic etc. (a lot more dean’s fault than sam’s but I will nawt be getting into all that right now) but that doesn’t change the fact that sam and dean both know and understand and feel deeply that they are each other’s person – that they know the best and love the most in the world. but that – which IS true canon fact – is incompatible with the Destiel Mythos so it must be ignored and all good sense must be thrown out the window in order to do it.

anyway i digress there are two main categories of Bad Thinking that i will be addressing below

childhood/ “parent/child” / blah blah blah

every single thing people are saying in favour of the deeply stupid thesis in the title of this post is proof positive of the very silly form of ‘analysis’ I just described. a few things:

“wah sam didn’t know that dean carried him out of the burning house :( this means that dean withholds things from sam to protect him because he is a PARENT and sam can only know things about him in the context of him being a PARENT to him” – what the fuck are you on about genuinely. first of all reducing the sam/dean relationship exclusively to parent/child is in itself foolishness for so many reasons that I don’t have time for right now. but also, it’s clear that this is just something that happened when sam was a baby that just never came up. in the scene (1.09) where this is brought up, dean is mildly surprised that he or john never mentioned that detail and then states that sam knows the rest of the story (i.e. the actual traumatic stuff) just as well as dean does – which is true, demonstrably whenever they talk about it.

obviously there are some things that happened to dean in their childhood that sam doesn’t know about (or didn’t know about, until told in whatever episode they come up in). equally, there are things dean doesn’t know about sam’s childhood, e.g. the fact that he was so lonely he needed a zanna (11.08). or how dean didn’t remember that sam was friends with barry cook until he mentions it when they go back to their old school (4.13). or about the nature of sam’s relationship with amy pond (7.03). these don’t mean that ‘sam withheld these things to protect dean out of parental love’ lol, it’s just that there are details and events in each of their lives that the other happens to not have been told about.

similarly “sam didn’t even know dean wanted to be a firefighter L” girl did dean know sam wanted to be a lawyer? in 1.01 he’s pretty surprised that sam has a law school interview. the point here isn’t “neither sam nor dean know each other well,” these are minutiae that aren’t relevant to how well you know someone as a whole, and very poorly demonstrate the bad and inaccurate point that dean withholds things from sam the way a parent does a child (on a constant or regular basis). obviously the way they were raised, sam was deemed too young to know about certain things until he got older and dean had to keep that secret, but as shown in 3.08 flashbacks, most if not all of this is eventually revealed throughout their childhood when sam is still fairly young.

or possibly the dumbest one is that “wah sam doesn’t even know that dean reads books L” whenever that was he was also obviously joking because in more serious moments (e.g. 8.14) he admits that dean is smart/a better researcher than he is, literally remembers dean reading to him as a kid (8.21) so like. clam down  

one of the extra annoying variants of this type of ‘proof’ covers things that are very clearly novel pieces of information about dean that dean, sam, and the audience are learning about dean in real time. like if you’re actually watching the show to comprehend it as it was intended to be comprehended, instead of funnelling everything through the Destiel Machine until it’s unrecognizable slop that fits neatly into your pre-ordained molds that Make Destiel Necessary In the Narrative (when it actually isn’t, at all) it’s abundantly clear. the top two worst offenders:

“sam didn’t even know that dean is good with kids :( he doesn’t even realize that dean raised him :(” first of all you people need to understand that parentification does not literally create a parent-child dynamic between siblings but I digress – this doesn’t make any sense bro. in 1.03 dean admits he doesn’t know any kids as an adult. dean being good with his own kid brother when they were both kids is to any reasonable person not necessarily linked with him being good with other random kids when he’s an adult. in 1.03 it’s clear that dean himself is a bit surprised that he’s able to connect w/ lucas so well because he’s clearly not dealt with a lot of kids since sam grew up. the whole point of this is that dean, sam, and the audience are all sort of seeing a new side of dean. who again is just 26. after this very early episode, there’s no question from sam that dean is able to connect w kids. sam being a bit surprised by this also has absolutely zero connection with him not understanding or realizing that dean looked out for him when they were both kids – sam is standing there at 22 years of age talking about adult dean and children – of fucking course he doesn’t mean himself are you stupid.

from the very first season, sam is very clearly aware of everything dean ~did for him~ when they were kids, see e.g. 1.21: “Dean...ah...I wanna thank you. […] For everything. You've always had my back you know? Even when I couldn't count on anyone I could always count on you. And I don't know, I just wanted to let you know, just in case.”

and 1.06: DEAN: Well, I’m a freak, too. I’m right there with ya, all the way. (SAM laughs.) SAM: Yeah, I know you are.

and then possibly even more stupidly, the one where it’s like “wah sam doesn’t even know dean can cook :( he doesn’t even know that DEAN was the one making him food as a babe in arms :(” – when sam is surprised that dean made something fairly gourmet and from scratch literally the first time they have ever had a permanent living space with a functional kitchen. in this VERY scene (8.14), dean himself points out that they haven’t had a kitchen before and when sam remarks on the irregularity of him doing serious cooking, he says “I’m nesting”, clearly showing that this is a novel development because they now have a kitchen, and that it’s irregular relative to past behaviour – both of them acknowledge this. because real proper in-depth cooking and making box mac and cheese for sam until he was like 11 and old enough to be left alone are two different things, which sam understands because he’s smart, unlike whoever chooses to make this point. dean never showed significant signs of liking to cook before this, which is what the exchange is about, but he did have to prepare food for them both when sam was too young – of course sam knows he had to, there are childhood memories referred to (e.g. 14.11) where sam is mentioned to literally help dean do the cooking as kids lol (and yes, genius, sam says ‘I didn’t know you knew what a kitchen was’ or something to that effect, but if you think he’s being 100% literal there I have an oceanfront property in Kansas to sell you)

again, obviously there are pieces that sam doesn’t know about dean, e.g. when he’s talking about his response to mary dying in 1.03. but again, Sam is 22, dean is 26, the last time they were in regular contact was when sam was 18-20, these are things that happen when people grow up, they’re able to reflect and share on childhood experiences if they’re close with their siblings as adults. it’s clearly not something that 26 y/o dean wanted to hide from 22 y/o sam. yes sam didn’t know everything about how dean felt when they were young, but that’s equally true in the other direction, and it’s such an irrelevant point in this discussion when, crucially, sam does learn these things about dean mostly fairly early on in the series (i.e. when they’re really not that deep into adulthood yet). cas was also not magically blessed w/ knowledge about dean, he also had to learn whatever it is that he knows, but somehow sam has to know everything about dean from age 7 or it doesn’t count when it’s sam lol.

“sam doesn’t know the One True Dean / doesn’t see through his facades”

the next branch of defending this flawed thesis is invariably that sam has little idea of the fronts and facades that dean puts up and is content to just believe them, whereas cas digs deep and sees the One True Dean that stupid sam always misses. there is nothing in the text that demonstrates this is true. multiple times, we see sam being very knowing of the fact that dean puts up fronts and facades. sam is also knowledgeable of the way dean perceives himself, and – demonstrated in multiple episodes before such sam lines were very poorly recycled and regurgitated into cas’s dialogue in 15.18, but keep acting like that was the first time anyone ever showed that they knew the One True Dean.

Obviously there are times where sam teases dean when he’s being more touchy-feely than usual, but 9.99 times out of 10 (as a conservative estimate in case there's something i'm forgetting otherwise i would say every time) that’s very clearly coming from a place of knowing the real dean vs. the façade he puts up because that’s the whole joke. and it’s allowed to be a joke because they’re siblings and that’s what siblings do lol. esp since sam and dean have touchy feely moments at the end of like every episode.

examples of all of the above off the top of my head (there are more than these, but these are the ones I can think of):

2.02 (about John’s death)

Sam: “I mean this ‘strong silent’ thing of yours, it's crap. […] I'm over it. This isn't just anyone we're talking about, this is Dad. I know how you felt about the man.”

Dean: “You know what, back off, all right? Just because I'm not caring and sharing like you want me to.”

Sam: “No, no, no, that's not what this is about, Dean. I don't care how you deal with this. But you have to deal with it, man. Listen, I'm your brother, all right? I just want to make sure you're okay.”

2.03 (Sam to Dean, also about John’s death): “You know, you slap on this big fake smile but I can see right through it. Because I know how you feel, Dean. Dad's dead. And he left a hole, and it hurts so bad you can't take it, but you can't just fill up that hole with whoever you want to. It's an insult to his memory.”

Note that Dean essentially admits that Sam is right in these two instances in 2.04 bc I know yall have stupid shit to say about john too that has nothing to do with how anyone actually felt about him in canon

3.07 (about Dean’s demon deal – also proven true in later episodes)

SAM: Dude, drop the attitude, Dean. Quit turning everything into a punch line. And you know something else? Stop trying to act like you're not afraid.

DEAN: I'm not!

SAM: You're lying. And you may as well drop it 'cause I can see right through you.

DEAN: You got no idea what you're talking about.

SAM: Yeah, I do. You're scared, Dean. You're scared because your year is running out, and you're still going to Hell, and you're freaked.

DEAN: And how do you know that?

SAM: Because I know you! […] Yeah, I've been following you around my entire life! I mean, I've been looking up to you since I was four, Dean. Studying you, trying to be just like my big brother. So yeah, I know you. Better than anyone else in the entire world. And this is exactly how you act when you're terrified. And, I mean, I can't blame you. It's just […] I wish you would drop the show and be my brother again. 'Cause... (can't find words; tears in his eyes) just 'cause.

5.18 [Sam figures out what Dean is doing re: his plan to let Michael possess him, tracks him down, and eventually is the catalyst for Dean ‘making the right call’, which he predicts] – e.g.:

SAM: No, you won’t. When push shoves, you’ll make the right call

DEAN: You know, if tables were turned…I’d let you rot in here. Hell, I have let you rot in here.

SAM: Yeah, well…I guess I’m not that smart.

DEAN: I—I don’t get it. Sam, why are you doing this?

SAM: Because… you’re still my big brother.

8.14 (basically the o.g. version of whatever went on in 15.18 + sam intrinsically understanding the trials are a death wish for dean): “I'm closing the gates. It's a suicide mission for you. I want to slam hell shut, too, okay? But I want to survive it. I want to live, and so should you. You have friends up here, family. I mean, hell, you even got your own room now. You were right, okay? I see light at the end of this tunnel. And I'm sorry you don't – I am. But it's there. And if you come with me, I can take you to it. […] I AM smart, and so are you. You're not a grunt, Dean. You're a genius – when it comes to lore, to – you're the best damn hunter I have ever seen – better than me, better than dad. I believe in you, Dean. So, please – please believe in me, too.”

10.22 (understanding how much dean has ~done for him~)

SAM: I'm saving my brother.

CASTIEL: You told Dean—

SAM: —I know what I told Dean. Cas, look. I've been the one out there, messed up and scared. And alone. And Dean—

CASTIEL: He did whatever he could to save you.

SAM: Yes. I mean, it's become his thing. I owe him this. I owe him everything.

10.23 (basically the o.g. version of whatever went on in 15.18, x2 – from Sam to Dean): “You were also willing to summon death to make sure you could never do any more harm. You summoned me because you knew I would do anything to protect you. That's not evil, Dean. That's not an evil man. That is a good man crying to be heard, searching for... some other way. […] You will never, ever hear me say that you -- the real you -- is anything but good.”

11.13 (Sam understanding exactly how Dean feels about Amara being his ‘deepest desire’, and confirming that it doesn’t make him a bad person)

Dean: Why? Because if she is that means that I’m…

Sam: Means you’re what? Complicit? Weak? Evil?

Dean: For starters, yeah.

Sam: Dean. Do you honestly think you ever had a choice in the matter? She’s the sister of God, and for some reason she picked you and that sucks, but if you think I’m gonna blame you or judge you…I’m not.

Dean: You know that I want her ass dead.

Sam: Yes. Of course. And I know you’ve also probably beaten yourself up a hundred times over it, but where has that gotten us? (Long silence) Just how bad is it?

13.02 (Sam perfectly explaining Dean’s psyche to Jack)

JACK: Is that why Dean hates me?

SAM: Dean doesn’t hate you. It… Look, sometimes the wires in Dean’s head get crossed and—and he gets frustrated, and then he mixes frustration with anger, and—and fear.

JACK: Why would he be afraid?

SAM: Because Dean feels like it’s his job to protect everyone. And right now, we need to protect you. But we may also need to protect people from you.

14.03 [Sam assesses Dean’s psychological/emotional response to the Michael possession; end of episode, Dean confirms that Sam’s assessment was fully accurate]

14.10 [Sam is the only one able to snap Dean out of his weird Michael mind loop by using their code word]

14.11 [Sam figuring out that something is troubling Dean just based on the fact that Dean hugs him]

15.17 (self explanatory at this point)

DEAN: Chuck has to die. He has to! Otherwise he'll keep us tap dancing forever, and I can't live like that, man! I can't live like that! I won't!

SAM: I know you feel like that right now, okay. I know you do. But you gotta trust me. My entire life, you've protected me— from Dad, from Lucifer, from everything. I didn't always like it, you know, but... it's the one thing in the whole world that I could always count on. It's the only thing I've ever known that was true. So please... put the gun away. Just put it away, and we'll figure it out, Dean, we'll find another way, you and me. We always do.

like maybe there are some cas moments w dean along these lines too. i don't know, i don't remember what the guy says or does anymore it's been too many years and he is not memorable. but the point is where and in what capacity and based on what metric other than the amount of bad fanfic you've read does cas exceed sam in these respects.

so basically just. genuinely, what are you people literally ever talking about. go watch the show instead of saying stupid wrong stuff about sam on the hellsites all day. or watch another show (please for the love of god watch any other show this one is absolutely lost on you and it’s such a stupid one too i'm embarrassed for you)

[twomiddlefingersforthehaters]

"My boby moved on its own" is an SNS trope . Sasuke is the type of person who always does something for Naruto and then finds a logical reason to cover that up.

1. His reason for offering his bento to Naruto

2. His reason for looking after Naruto who had been training all night.

3. His reason for to Save Naruto from Haku's attack.

4. His reason for why he wasn't able to kill Naruto in vote1

5. His reason for protecting Naruto from Obito

It gets so intense every time he protects Naruto from Obito. And Naruto notices how Sasuke protecting him from the attacks every time. Even when his Susanoo is already protecting Naruto, his hand is also going there to shield him.

We've never seen Sasuke do anything like this for Sakura, while with Naruto it's pretty consistent throughout the series. And Why do you think Kishi made 5 scenarios like this to point that out? Sasuke wouldn't do this kind of thing for anyone else. Absolutely no one. So what impression does it make?

In this war arc, Sakura herself acknowledged to the fact that Sasuke didn't care about her:

When Sakura ran up to Madara to get stabbed, both Naruto and Kakashi were either terrified or shocked as she plunged on someone she couldn't deal with. And Sasuke's expression was completely different from the others, he was just focused on the opening to attack madara. Where are Sasuke's instincts when it comes to Sakura? And the one who saved her was Naruto. Look at her dejected face! Even she herself accepting the fact that Sasuke doesn't even worry or care about her. Also, Sasuke put Sakura and Kakashi in their place by calling them "useless" directly to their faces while they were being protected under his Susanoo.

You know, Naruto is the one who asks Kakashi and Sakura to stay closer to him...without knowing what's going on up there. And, Sasuke was talking specifically to Naruto to not move around when he comes down to Naruto and he didn't mention the other two. He only wanted to save Naruto with his Sasunoo from the infinite tsukuyomi, but Sakura and kakashi just happened to be near with Naruto.

And Sasuke himself openly said Kakashi and Sakura just happened to be next to Naruto and that's all! Once again Sakura looked so dejected and realizes it even more in this scene. It's very clear that Sasuke didn't care about kakashi & Sakura. When Sasuke summons a hawk , and Naruto points to the right and says, "Sasuke!! Over there!!" to help Kakashi and Sakura, but Sasuke only saves Naruto

We know that Naruto cares about others and Sasuke knows this very well. And Sasuke is the character who will PROTECT those he cares about in dire situations. And who has he been saving repeatedly? NARUTO. But what Sasuke says and his actions are an underscoring for Naruto to prioritize his own safety and life in the war. Sasuke has a valid point that everything would be over if he and Naruto were to die, but it doesn't erase the fact that he doesn't care about Sakura and Kakashi and almost let them die because he was busy saving Naruto, a person who wasn't even in danger to begin with.

Simply put, he would protect Naruto, no matter what. And all Sasuke's actions are completely and purely instinctive and derived from his sub-consciousness.

To which Naruto said,

Raw: お前の言ってることも分かってるつもりだ... けど... こういう時は体が勝手に動いちまうもんだ ろ... 橋での時────

Romaji: omae no itteru koto mo wakatteru tsumori da ... kedo... kōiu toki wa karada ga katte ni ugoichimau mondaro ...kyōde no tokiーーー

Literal: I think I understand what you're saying. But...in this situation, a body moves on its own (unconciously)... Just like that time on the bridgeーーー

What he meant: " just like your body moved on its own to save me on the bridge.... my body also move on its own to save Kakashi & Sakura". Because Naruto does care about Kakashi & Sakura. Therefore, he cannot ignore them falling into the lava and dying.

The Land of the Waves arc, specifically the battle with Haku and Sasuke's sacrifice, was pivotal to Naruto and Sasuke's relationship, as they both realized for the first time how important and deeply they care for each other. It was a very emotional moment for both of them.

When they came back from Land of waves, Naruto couldn't even look at him without blushing, and then Sasuke couldn't even look at him at all. They'd rather die in this moment than admit that how much they care for each other, but their actions speak louder than words.

Whenever something happens between these two, there are always other characters pointing out what's going on. After they return to Konoha, Kishi uses Sakura to point this out, even though it's clearly visualized in the panel:

Raw: あ〜〜〜まだだわ!

Romaji: a〜〜〜madadawa!

Literal: Ahh〜〜〜 Not again!

Raw: この2人...波の国から帰って来てからちょっ と変なのよね...

Romaji: kono 2 nin...ha no kuni kara kaettekite kara chotto hennanoyone...

Literal: These two... have been acting somewhat/ a bit weird ever since we came back from the land of waves...

Raw: づ〜〜〜 何だか気詰まり...

Romaji: zu〜〜〜 nandaka kizumari...

Literal: oh〜〜〜 I feel ill at ease for some reason....

Raw: 早く来い来い! カカシ先生!! じゃーんなろー!!

Romaji: hayaku koikoi! kakashi sensei !! Shānnarō!!

Literal: Hurry up and get here! Kakashi-Sensei!!

Notes:

変な (henna) - strange; odd; peculiar; weird; queer; eccentric; suspicious; fishy; disturbance; funny; abnormal; unusual etc... It is used as a colloquial word that has many meanings.

何だか気詰まり (nandaka kizumari): somehow I feel awkward; Somehow I feel uncomfortable; I don't know why, but I feel ill at ease.

• the author choose the length of prolonged sound mark (ーーー) longer to implying that the sound is prolonged for longer than normal. e. g: Naruto saying "Time on the bridge."

• prolonged sound mark → a wave line (〜〜〜) is used instead of a straight line (ーー)...this often represents a deliberate prolonging of the sound by the character who speaks it or just a trembly, shaky voice of the character.

Only Naruto and Sasuke knew what happened on the bridge, others like Sakura and Kakashi didn't know about it or not very clear about what exactly happened there. Later, Sasuke & Naruto didn't talk about it, but this scene always comes at crucial moments that point to their "precious person". Finally after 5 years, saving Naruto from falling into the lava leads to Naruto talking about what happened on the bridge.

Sasuke saves Naruto even when he knows Naruto could have saved himself because of Kyuubi Mode, but Sasuke has been known to save Naruto even when he doesn't need saving. We also know that Sasuke would rather give Naruto a stupid and lame excuse than tell the truth straight to Naruto's face. So, this isn't the first time Sasuke prioritize Naruto over Sakura, a pattern that has been repeating since Kishi introduced Sasuke to the story in Chapter 3.

Naruto's feelings for Sasuke grew stronger at this point. After everything Naruto had been through and talking to Sasuke every time they met, Naruto knew for sure that Sasuke still cared for him. Naruto could see through Sasuke's actions. Naruto truly understand and knows that Sasuke cares for him and that's why he mentioned what happened in the Land of Waves.

Naruto only says "bridge", but of course Sasuke knows that he was talking about that time at "The Bridge in the Land of Waves."

Sasuke had a reaction to Naruto's words. No matter what Naruto says, he wouldn't say anything... Sasuke is probably trying to show that he's "unfazed," but in reality, he might be "fazed" because Naruto has seen through his heart.

Sasuke's reaction... His facial expression is hidden by his hair and "not visible," but this "invisibility" stirs up the reader's imagination

And he's confidently teasing Sasuke: "Even though I asked you to save them, you saved me...because your body moved on its own... because you cared about me. so I'm sure you understand my feelings to save them....Sasuke"

However, the "meaning" of this conversation...is something only Naruto and Sasuke can understand and it's their extremely personal thing (because the events on that "bridge" are memories shared only by the two of them). Kakashi & Sakura certainly not aware of this peculiar phenomenon that is unconsciously moving bodies.

Sakura's "inner words"... they really express her current feelings. Sakura is convince herself that what Sasuke says is "reasonable." Look at what Sakura says, she herself agrees with Sasuke: "It's as Sasuke-kun says (we're useless)... but (thank you, Naruto for caring about us)...." Sasuke didn't care about her desperate attempts to get his attention. And Even she herself acknowledged it, you know!

Years ago Naruto & Sasuke couldn't even look at each other pretending nothing happened, but now Naruto was talking about it with confidence. And he's clearly flirting with Sasuke.

[scatteredskittless]

Okayy so I’ve done something similar but I wanted to see it from someone else but it’s Creepy pasta room head canons !!! I don’t mind who you do but I would love to see Jack’s most of all !! Thank you <3

Creepypasta room headcanons

A/n: At the beach rn with family.. sighhh I hate the beach (._.) BUT I LOVE THIS REQUEST !!! LMK IF YALL WANR A PART TWO (^_-)☆

Includes: Jeff, Ej, Toby, BP and Nina :333

Warnings: None

「 ✦ Jeff ✦ 」

🔪✮ MESSY ASS ROOM and it does NOT smell all that great tbh 😭😭

🔪✮ Has zero shame about it too, you come to hang out in his room he'll just kick stuff to the side and shove stuff off the bed casually.

🔪✮ Posters all over the walls, most of them are of bands he enjoys (He stole most of them 💀)

🔪✮ Jeff has a knife collection so he has a little setup for them :3

🔪✮ ALSO!!!! Side headcanon he fucking loves MSI (The song "This Hurts" by them is literally him chat)

🔪✮ There's a window in his room by his bed that you can use to get to the roof of the manor, it's actually got a pretty damn good view too

🔪✮ Has a mini fridge in his room beside his bed that has drinks in it

🔪✮ Mostly energy drinks and Pepsi with like, a singular water that'll never get drank.

🔪✮ Probably doesn't have sheets on his bed.. the mattress is full of mysterious stains

🔪✮ Musty BEAST (I love him)

「 ✦ Eyeless Jack ✦ 」

👁️‍🗨️𖤐 Jacks room doesn't smell all that great either.. he keeps all his organs to munch on and such in there.

👁️‍🗨️𖤐 There really isn't much there tbh, just the essentials to have in a bedroom.

👁️‍🗨️𖤐 A bed, a wardrobe, chair and a desk with an old computer on it..

👁️‍🗨️𖤐 Oh and a few shelves with one big window that he usually keeps closed ദ്ദി(ᵔᗜᵔ)

👁️‍🗨️𖤐 His flooring is a grey-ish carpet and his walls are painted black

👁️‍🗨️𖤐 Kinda boring, ik 😭

「 ✦ Toby ✦ 」

🪓☆ Chaotically clean room, bro is a maximalist to the extreme (^o^)

🪓☆ ‼️‼️ He yearns to collect ‼️‼️

🪓☆ there's a few shelves with trinkets he's collected over the years on them (≧ω≦)

🪓☆ Posters, banners, stickers, drawings and records littered eevveryywhere on the walls and ceiling of his room (maybe this is just projecting because thats witterly my room ☝️)

🪓☆ Has the glow in the dark star stickers on his ceiling for sure

🪓☆ His room is MUCH bigger than the other proxies, has everything he needs and more

🪓☆ I mean, he has a little couch in there that has a big stuffed animal on it and a bug blanket (His hyperfixation is bugs, if you couldn't tell /silly 🪲🪲 )

🪓☆ He spends a shit ton of time in his room because it's genuinely super cool

🪓☆ Has a Tv mounted on his wall in the corner !!

🪓☆ Oh and he has a guitar in his room that he l can't play, he just thinks it looks cool o_O

「 ✦ Bloody Painter ✦ 」

🎨꩜ VERY CLEAN ROOM. AND VERY PARTICULAR ON HOW HE KEEPS THINGS.

🎨꩜ Don't mess with any of his shit without permission first and you'll be fine 🙏

🎨꩜ Has some of the normal (Ones that he doesn't use blood in, he keeps those safe.) paintings, drawings and sketches he's made on his wall behind his easel in the corner of his room :33

🎨꩜ I also think he likes to write!! So maybe some poetry is on his wall as well in that little corner ^_^

🎨꩜ Almost the entirety of his back wall is window which he loves

🎨꩜ HAS PLANTS !!!! 🌱🪴

🎨꩜ Has a nice desk to draw on with a comfortable chair. Theres a nice smelling candle on it with a few books and a lamp (●＾o＾●)

🎨꩜ Also owns the most??? Comfortable?? Blankets?? EVER????? Amazing textures, NO SHERPA <(｀^´)>

🎨꩜ Has a drawer thingy dedicated to his art supplies (Which is also very organized, btw)

🎨꩜ HE HAS A RECORD PLAYER. YOU CANNOT CONVINCE ME OTHERWISE.

「 ✦ Nina ✦ 」

🪱ᰔ SHES A SCENE GIRL!!! ROOM IS SCENE!!!

🪱ᰔ Like holy shit it's so colourful ( ꩜ ᯅ ꩜;) 

🪱ᰔ LOTS and LOTS of homemade stuff stuck on her walls along with various other things, there's stuff everywhere

🪱ᰔ Now you already know she owns a gir blanket and a gir backpack, like cmon (灬ºωº灬)♡

🪱ᰔ Collection of stuffed animals !! Some on her bed and some in a hanging net in the corner above her bed

🪱ᰔ Has LED lights and there's no windows in her room

🪱ᰔ Has a nice desk with a computer on it and trinkets, her keyboard lights up rainbow ☆´∀｀☆

🪱ᰔ Her wardrobe and closet are FULL. She has like, so many cool clothes, belts and accessories

🪱ᰔ Convinced slender to let her paint her walls funky and cool !!

🪱ᰔ Soooo her walls are purple and she painted on with a smaller paint brush cheetah print all over them :3 (She's an icon and I love her dearly)

Please do not repost, translate, or plagarize any of my fanfictions/headcanons/writing without permission ◟( ˃̶͈◡ ˂̶͈ )◞

ᯓ★ Scatteredskittles

[thalfbloodloser]

i wish we had alloaro representation in media. a charming character who fucks - both literally AND aesthetically. one that makes other characters go "wow! they're so cool and good in bed, but ultimately un-datable, because as soon as they sense any romantic intention on you, they flee" (kinda like lucifer morningstar from "lucifer". he's aroallo in my heart)

a character who's funny and has a horrifyingly 80's sense of fashion (they have a curly combed-out mullet and mismatched earrings. you'll find them at pride wearing a corn costume because it "matches the aroallo flag" and they're "being subtle") or one who's the embodiment of a 60's greaser (their motorcycle helmet is themed after the aro flag and the back of their leather jacket says "LOVELESS / LOVE LOSES") or one who's a girly fanfiction writer that has more ships than a star wars movie (their fics are muntifandom-ly famous and most their stuff is covered in yaoi/yuri patches and stickers. everyone thinks they're a hopeless romantic because of it, but that's exactly why they're so big on the fiction ≠ reality discourse) or...

anyone else, really. just ultimately a HUMAN who's casually aromantic. one who doesn't make it a parade but isn't subtle about it, either. will they hold other character's hands? maybe. kiss their cheek? perhaps. hang out with them, on picnics and walks along the river? can't see why not! but platonically. or maybe have them be genuinely romance-repulsed & not so eager to participate in anything socially perceived as romantic. that would also be amazing.

let them express themselves sexually! let them fuck. give them a..."fuckbuddy", if you must. or a best friend who's sexually involved with them - classic romcom material, i know - but without it being "complicated"; because there's no romance involved to complicate it.

give them funny scenes. another character tries to kiss their lips or ask them on a date? they laugh nervously, the scene cuts and we get a hilarious shot of them escaping through the bathroom window. or audibly saying "ew" and then regretting it. another character is struggling to write a romcom/romance book without it being corny? we get a scene where our character casually describes the most romantical (and, to them, unappealing) plot ever - because, much like aces acing the smut department, they're far from misunderstanding what is or isn't heartstopping for alloromantics - only to have the other character stare at them like "?????????? HELLO????". give us a scene of them being confused as to why their hookup is yelling at them for acting "so casual" and responding with a quotable shitty line ("just because we had sex last night i can't call you "bro"? / "what? expected me to marry you or something? get off my bed, it's 9AM" / "would you rather have me mad? sad? what's happening here. give me a hint")

but give them complicated scenes too. scenes portraying the loneliness that comes with being aromantic but not asexual, the lack of community. them talking about how hard it is to maintain sexual relationships just sexual. the painful "breakups" because one of their friends declared their undying love for them but they cannot possibly match that energy, even if they wanted to. have them weep because somehow that keeps happening. the unfairness in being accused of heartlessness and selfishness by other queers. the shame on being told they're fetishistic and the reason why queer men/women/people are seen as sex-crazed or impure.

...anyways, i'm rambling- do y'all have any aroallo ocs? or ideas for alloaro characters? maybe aroallo headcanons? i'd love to know what you think! :)

(don't tag as #ace / #asexual / #asexuality)

[decayofroses]

Succession war Kurapika

I've completed all the available HXH chapters (400), and there were a few scenes that really stood out to me with Kurapika.

I love and adore him as the main character of this arc, and we've seen his perspective and his downward spiral in yorknew.

Seeing him now, and how far he's strayed definitely makes his POV the most interesting to me.

I wanted to point out/ talk about some of the panels throughout the SW.

This panel especially stood out to me, and it's one of my favorites out of the entire manga. He mentions how every time he got a part of his brethren back- he lost something. While I think it could be a physical presence, I think he's talking about himself here more than anything.

Each time he's threatened, coaxed, paid people off, he's lost a part of himself.

Kurapika strays away from his relationships, while to protect them- and also what I believe is out of guilt (and the other which I'll go over in a moment). I think he knows what he's doing to himself, and I don't think he can handle facing it head on, or risking harming his friends physically or emotionally.

And again, when Kurapika agrees to join the zodiacs.

Straying even from Leorio, it's clear he'd rather face things alone, and without distractions. Which is exactly what they are, distractions.

His quest to collect his family is coming to an end. "Where would I go?" I think he means this in a literal, and metaphorical sense. Where will he end up by the end of this? Which path will he go down? He has no place to call home, and he truly believes he has nothing left, and nobody to welcome him back.

Despite having allies, and who quickly became close friends.

He didn't realize it at the time, but shortly after teaming up with Bill and others- he understood the importance of allies.

"Things didn't proceed so simply", things weren't as simple as gathering pawns, and walking the path of revenge alone.

He formed genuine bonds that mean more to him than simple pawns for his quest. He's now torn between his isolation, and his care for his friends. Despite this, he will continue to punish himself and walk this path alone- it's much harder than he'd originally intended. Pushing his friends away to complete his goal, because it serves as his only purpose in his eyes. Even if he knows it's wrong.

Oito asks if spying on the 4th prince is for his convenience. Kurapika takes a moment, and tells her this is simply a strategic choice. I don't think he's lying, but I do think he wants to protect her, and wobble- while still keeping contact with the Prince.

At the moment, he will prioritize protecting the two of them. I think it happens to align with his goal, but it isn't necessarily for his convenience.

The reason I bring this up is to highlight that despite the fact he wants to push his friends away, and work towards his goal- he won't risk the lives of others.

He says he will repeat it as many times as needed, that they are there to protect her and the prince. To trust him.

He tries to be someone who will risk everything for the sake of recovering the eyes, but deep down he can't. Much like how he cannot truly abandon his friends, only isolate himself.

Kurapika is loyal, and unwilling to sacrifice others for the sake of his goal. He forced a stalemate, and took advantage of his nen knowledge to level out the playing field. A stalemate buys them more time, making it so it won't be as easy for experienced nen users to take advantage of non nen users.

It was a brilliant idea that may be risky, but also offers protection for him, and the queen.

During this conversation with Mizaistom, it's clear that Kurapika has not abandoned all of his morals, he wants to avoid killing the Prince despite having the remaining eyes. He would rather try other methods, and is opposed to killing.

Mizaistom and Kurapikas dynamic is one of my favorites, but that's for another time.

That's all I have to talk about, for now. I wanted to go over my favorite panels, and his relationships in the succession war.

[actual-changeling]

Welcome back to Alex's unhinged meta corner - although today it is less unhinged and more of a watertight analysis.

What I am about to present you is something most people have probably already noticed, but it has been three months and I still lose my mind while going through the final fifteen frame by frame (which is a normal thing normal people like us do, right? right).

You literally cannot convince me my following meta is wrong, and the only person whose criticism I will accept on this post is Michael Sheen and Michael Sheen ONLY. If you're not Michael Sheen (hi Michael Sheen who probably has a secret tumblr account) then your guess is as good as mine, though again, I think mine is solid.

So.

We all love and hate Aziraphale's "I forgive you", but what I find even more painful is the fact that before that he almost said "I love you". Then he stops himself and changes it, and the amount of micro-expressions on his face as he makes that decision is my current cause of death.

Here's the clip as evidence #1, and while it can definitely support itself, let's dive into the pain a little more, shall we?

One important thing I noticed is that Aziraphale doesn't look at Crowley while he stutters his way through his initial reaction. He blinks up at him for a few frames before averting his eyes again and only holds eye contact after the almost-confession (from here on referred to as IL-).

This is Aziraphale holding eye contact with Crowley (left) vs. him looking away (right):

The frame on the left is from the I forgive you (IFY) part of the scene, the other one from right before IL-. If we go through the above clip little by little we will find that he avoids Crowley's face the entire time and his gaze slips further and further down, which I interpret as him overthinking/trying to come up with something to respond to this entire situation.

He is overwhelmed and surprised, caught between his two main desires: Crowley and being a Good Angel.

Combing through the frames, we can actually nail down exactly when Aziraphale first makes eye contact before the IL- and when he stops. Keep the above comparison in mind! The angle is slightly different because his chin is lower and he straightens up throughout the scene.

So! This is where he starts looking at Crowley:

And this is where he stops:

Hard to see? Let's zoom in on his eyes (numbers are the file names):

Now, you might ask me "Alex, this is all fine, although a bit insane, but why is any of this important?"

Because, fellow tumblr user and good omens enthusiast, I think that looking at Crowley is what changes his mind about what to say.

He doesn't look at him -> about to confess his feelings.

He looks at him -> says the absolutely worst possible thing.

Partly to hurt him because they're both lashing out at each other during this argument, but he looks at Crowley, looks at the person that just kissed him, that told him they could have been an us, that wants him and has always wanted him, screw everyone else.

He looks at Crowley and he wants to say l love you but then what? Once he says those words, he can't leave. He just can't.

We have to remember that they have existed within a complicated dance, a game that they have been playing for centuries without ever telling each other what that game actually is, what the rules are - because they couldn't. It was based entirely on trust and knowing the other person well enough to play it safe.

Crowley just flipped the playing board. Nothing is the way it should be, he is refusing to do their dance, refusing to play. He is looking at him and daring him to stop trying to put the pieces back on the board. The only thing neither of them has done yet is actually say I love you out loud.

Saying those words would mean stepping away from the playing board and acknowledging the room they have been playing in. It would mean saying fuck you to heaven, yes, but it would also force Aziraphale to finally define himself outside of the role he has been playing for both Crowley and heaven, and he isn't ready for that yet.

Additionally, there is the fear and/or knowledge (depending on what else the Metatron might have said or done that we did not see) that heaven will retaliate against him and Crowley if he disobeys them now, and he does not want to risk that either.

All that is what, in my opinion, happens in his head when he averts his eyes and interrupts himself. I do kinda what to make a whole different post about his facial expressions leading up to the IFY, so I will end this one with one more bit of pain.

Ready?

Firstly, the face he makes when he makes his decision.

Look at the tight line of his lips, the pain etched into his face, the pure pain in his eyes.

This is the face of someone who knows exactly how badly he is going to hurt Crowley and himself. This is an apology, an I'm sorry for what I'm about to do, this hurts me as much as it hurts you. I'm sorry but I have to.

And then he winces afterwards. I don't know about you, but this is exactly the kind of face I make when I'm emotionally torturing myself with my own thoughts. For the final blow, please look at the picture very, very closely, especially the last frame, because Aziraphale isn't just sorry and he isn't just in pain.

Aziraphale is scared because he knows* that he might lose Crowley over this. He knows that saying I forgive you is (almost) unforgivable. He KNOWS.

He does it anyway because he will lose Crowley either way but he'd rather have him alive and hating him than dead.

With that I am concluding today's unhinged meta corner, thank you for your attention and you're welcome for the pain.

Also: If you want to call me a 'tin hatter' or insane or otherwise make fun of me - this is very much a girl, what were YOU doing at the devil's sacrament moment because you read my meta post all the way to the end. <3

-

*authors note: what Aziraphale thinks he knows and what is actually real is not the same thing but that's a different post

[sailoryooons]

BOONGI REQUEST THE SEQUEL !!! honeymooning with yoongi and your trip is a little too richly scheduled considering how horny you both are.... leads to fucking in some interesting places 🙈

❀ Pairing: Yoongi x f. reader

❀ Summary: Your tropical honeymoon is planned down to the very minute to get the most out of your trip but it seems that Yoongi has plans of throwing off your itinerary every time his hands touch you. 

❀ Word Count: 4,355

❀ Genre: Established relationship, pwp

❀ Rating: 18+ Minors are strictly prohibited from engaging and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.

❀ Warnings: Absolutely self-indulgent and gratuitous smut, literally this is the most porn without plot I have ever done, explicit language, explicit sexual content including unprotected vaginal sex, fucking from behind, semi-public fucking, light degredation, oral (m. and f. receiving), riding Yoongi, fucking from behind, face sitting, throat fucking, a lot of cum and spit and holes, Yoongi and reader fuck in public spaces where they cannot be seen a lot, temperature place, use of ice (please do not ever take ice from a random ice bucket and put it in your partners vagina, this is fiction and it was handy but do not do that lmao), cum swallowing and cum eating when you squint. 

❀ Published: August 9, 2023

❀ A/N: This is sort of a part two? You do not have to read the first request to read this one, they are easily read separately. Thanks for giving me an excuse to just write porn. There literally is nothing here but porn, I don’t even know if they have chemistry, but they fucking. Honestly I had to cut scenes out of this because I also imagined the infinity pool moment and so many other moments because M and I are fucking insane and ruminate on this shit, but at one point it was just… getting longer and I was RUNNING OUT OF WORDS FOR DICK AND COCK AND I HATE THE WORD DICK IN SMUT IF FEELS NOT VERY SEXY. Okay. Here is my ode to the love of my life, M. This somehow made me more insane.

❀ Disclaimer: All members of BTS are faces and name claims for this story. This is entirely a work of fiction and by no means is meant to be a projection, judgment or representation of real-life people. Any scenarios or representations of the people and places mentioned in works are not representative of real-life scenarios.

Part One | Masterlist | Ask | Hali’s Happy Agust | Listen Along |

“Come on,” You murmur, lips pressed against Yoongi’s warm forehead. “We have a breakfast reservation at that place we talked about.” 

A deep groan rumbles through Yoongi’s chest. It’s dark in the bedroom of your resort, the lights still off and the sliding glass door window still shuttered. Your newly wed is tangled in white sheets, face pressed against the pillow and swollen with sleep. You bite your bottom lip to hide your smile as he buries his face deeper into the pillow.

It’s tropical warm in the room, your skin still heated from the sun the day before. Yoongi’s cheeks are sun-kissed blossom, bottom lip jutted out as he pouts. You think about the night before, biting that bottom lip hard as you came around him in the shower, cold water pebbling on hot skin. 

Sighing, you climb onto him, knees on either side of his waist as you sit. His chest is flushed and warm as you lean down, dress riding up your thighs as you press your forehead to the side of his head. His hair is messy, an inky halo around him as he lets out a sound again, very close to whining. 

Yoongi smells like coconut shampoo and palm breeze. It makes your stomach flip having him this close to you, flashes of the night before making your already sore thighs twitch. Ignoring your more carnal urges, you nudge him with your nose, huffing. Sliding your hands around to the back of his neck, you thread your fingers through his silky hair, holding him there. 

“Don’t you want breakfast?” you ask, hoping the promise of food will lure him from bed.

Yoongi is fully awake now. “Mhmm.” 

Yoongi frees his hands from the sheets and places them on your thighs, squeezing. His hands are warm and callused, sparking a curl of pleasure in you as he rubs them up and down your legs. It’s an innocent touch, but your thoughts turn devious. 

When Yoongi’s hands trace to the round curve of your ass to grab a handful of flesh, you let out a breathy sound and tighten your grip on his hair. He hisses in appreciation, hips twitching off the bed as you growl, “What are you doing?”

Yoongi turns his head to face you, your foreheads pressed together as he bumps your nose with his. “I don’t need to leave for breakfast,” he murmurs, breath hot against your lips as he talks. His right hand gives you a playful crack on the ass, making you squeak as the sweet sting riles you up, your knees squeezing his waist. “I can eat right here.”

His hands are firm, fingers dimpling your rear end as he pulls you against his stomach and rolls your hips. Your eyes flutter shut at the barely-there friction, Yoongi lifting himself up a little to help you grind against him. 

“Yoongi.” 

The chastisement is nothing more than half of a breath, already feeling arousal curl in your stomach. Your thighs stretch painfully from the night before, a feel-good burn that makes you spread your legs a little wider to feel the pleasurable strain. 

“Come on,” Yoongi grunts. “Girl breakfast.”

“That’s not what that meme means.”

“Who gives a fuck. Sit on my face.”

Ignoring him is impossible. Yoongi’s hands palm your ass, pulling you forward. On unsteady knees, you shuffle up from his waist to his face, lifting the hem of your dress as you go. Yoongi hums appreciatively, slipping a hand between your legs to press his fingers against your clothed pussy. 

“Fuck,” you whisper, the stimulation jolting. “We have an itinerary.”

“Fuck the itinerary. You were going to go to breakfast like this?” he asks, slipping a finger under your underwear, swiping through your dripping folds. “All wet and sticky?” 

You whine, fists tightening in the fabric of your dress. He drags a curled knuckle up and down your pussy, pressing into your clit purposefully as he does, making your hips swivel a little. Yoongi laughs underneath you, mouth hot on your thighs as he leaves sloppy kisses, air cooling his spit on your skin as he goes.

There’s no escaping this. Any desire you had to go to breakfast with a view of the beach is gone as Yoongi nips at the tender flesh of your inner thighs, your legs trembling in anticipation. Yoongi is so good at this, making you bend to his will with just a few words and guiding hands. 

Yoongi’s breath is hot on your center as he peels your underwear to the side. You look down at him, pressing your dress flat to give you the perfect view. His dark eyes are focused on your cunt, his lips bubble gum pink, tongue darting out to wet them. His hair is fanned out around him, some pressed to his forehead. 

Smirking, Yoongi uses one hand to pull you forward, lowering you to his mouth. You hold your breath as he drags his tongue slowly from your leaking entrance to just below your clit before rolling licking back down, ignoring your bundle of nerves entirely. Your toes curl, immediately going white hot at the slow feeling of his tongue dragging through your folds. 

“Oh,” you sigh, eyes shutting as Yoongi hums and repeats the motion, determined to take his time. 

With one hand wrapped in your dress, you lean forward, pressing the other hand against the wall to keep you upright. You hang your head down, heady-heavy, eyes falling shut as you heave shuddering breaths.

Yoongi’s tongue is wicked, laving up and down experimentally as you shake on top of him. He hums appreciatively, pulling you down to his mouth further by your ass. A sharp moan escapes you when he fastens his mouth to you, sucking your clit gently. The suction makes your head spin, your skin over warm and tingling, feeling faint in the dark room.

“Shit,” you pant, listening to him make a mess of you, all wet smacks and happy hums. “Fuck, Yoongi.”

“Mhmm,” he agrees. “Girl breakfast. Or is it wife breakfast?”

You’re too busy rolling your hips gently against Yoongi’s face to shoot something smart back, lost in the rough drag of his tongue against your cunt, the buzz of his mouth when he hums. You feel the way your stomach tightens, the way that pressure in your core builds, the tensing thighs. 

The sweet, saturated sound of Yoongi’s mouth backtracks your whines, your fist pressed against the wall, knuckles popping with the force. Sweat slicks down the back of your neck and your thighs tremble as you fuck his mouth in earnest, hips flexing.

It feels hot in the room, your dress sticking to your skin, panties stretched to the side as Yoongi has his way with you. The strap of your dress falls down, abandoned as you quiver, your shoes and purse long forgotten by the door as you start to come undone.

“Come on,” Yoongi pants against your pussy, tongue prodding your throbbing hole. You squirm at the feeling, wanting more. “Breakfast is supposed to have juice too.”

Your laugh sounds hysteric, closer to a high-pitched cry than anything. Yoongi is vicious, pressing his nose to your clit as his tongue fucks your entrance, drinking you in. You’re dizzy, ears ringing as your orgasm mounts. You start to tense up, teeth clenched, fingers pressed numb against the wall.

Eyes shut, head back, balmy skin, you come hard in his mouth, Yoongi’s tongue pressed against you, not missing a drop. You feel fuzzy drunk, letting Yoongi control your hips. He moves you against his mouth, bobbing his lead as he slurps, dropping staccato mhmms as he goes. 

When you’re falling into his lap, skin sweaty and panting, Yoongi sits up, the lower half of his face shining with your slick. He licks his lips, grinning like the cat that ate the canary. “Thanks for the meal,” he teases. “I want more.”

-

A high-pitched zing whines through the air, drawing your attention to look at the fishing rod on the back of the boat. The reel spins out of control as the line runs wild, handle circling as the fish on the hooked fish runs wild with the line. 

“Yoongi,” you gasp, turning back to him. 

“Fuck the reel,” he growls, fingertips pressing into your hips hard enough throb.

The vinyl cover of the boat seat is slippery with sunscreen, sweat and a little cum. Sun heats your bare back. The burn on your shoulders is nothing to the fiery arousal spooling in your stomach as Yoongi pulls you up by the hips, dragging you along his slick cock.

It’s a calm day on the water, the only motion coming from the way you roll your hips, fucking Yoongi in earnest on the bow of the boat. Blue water glitters around you, reflecting the sun back up toward a cloudless, azure sky.

Salty wind cools the back of your neck as you throw your head back, gasping when Yoongi presses a thumb to your clit, circling slowly. The gentle lapping of the water against the hull is drowned out by the wet slap of your ass on Yoongi’s pelvis, already soaked from your first orgasm.

Your second high blazes through you hotter than the beaming sun. Yoongi growls between gritted teeth, his grip savage as he helps you fuck him. Up down, up down, up down. His chest is flushed and raked with angry red nail marks.

Fishing plans long forgotten, you continue to ride him, the feel of Yoongi’s cock stomach-deep, your walls gripping him tight as you race toward another orgasm. It feels so good, your knees slipping as the boat bobs under you, the up and down motion aiding the way you glide on his dick. 

“Just like that,” Yoongi moans, head tossed back, hair damp and sweaty. He’s worked up, a beat of sweat dripping down his tan neck, jaw flexing as he tries to stop himself from coming. “Use me just like that, baby.” 

And you do, the tip of his dick brushing your g-spot every time you slide down, working your closer and closer until you’re seated in his lap, cock pushed to the deepest parts of you while you come hard around him.

Yoongi waits for you to come down for your high, post-orgasm twitching and panting before he pins you to his chest and holds you while fucking up into you a few more times before he clenches his teeth and comes.

Hot and spent, you both melt into one another, skin sliding against skin as you lay on his chest. He softens inside of you and you become hyper aware of the slide of your mixed juices dripping from your folds and running down your leg. You don’t care, closing your eyes as you inhale deeply.

Eventually, Yoongi lifts his head to peer over your shoulder. You turn around to see that the line has broken on the road and Yoongi laughs, sounding exhausted.

“Fuck it,” he sighs, laying his head back down and tightening his hold on you. “I don’t care.”

-

“My wife is such a little slut,” Yoongi grins, leaning against the sink as you take him further into your mouth. “You love having a mouthful of cock, don’t you?”

Looking up at Yoongi with wide, teary eyes, you hum the affirmative. Dark blush creeps up his neck, his skin visible where the top button of his white shirt is undone. He looks to die for tonight, with his long, dark hair slicked back and just touching his shoulders, a white short-sleeved button up, and dark pants. 

And you? You looked nice earlier, but now your dress is messy with sand from the bathroom floor, mascara running down you face as you swallow around your husbands cock, feeling your throat tighten as you force yourself to the limits. 

You’d at least manage to pay the bill before dragging him into the palm-textured bathroom and dropping to your knees, ignoring the way stray grains of sand from the beachside restaurant burn your knees in favor of taking him into your mouth.

Yoongi slouches against the sink, his shoulders pressed into the mirror as he closes his eyes and angles his head back. You take him further into your mouth, letting spit escape the sides and run down your chin, working what you can’t fit with your hand. Your wedding ring flashes in the low light and drives you mad, loving the way the diamond looks on your hand while it’s wrapped around him. 

You’re ravenous tonight, staring up at him with clenching thighs, watching the way Yoongi unravels. Pulling back, you pop off of him, strings of spit and precum connecting the brown tip of his cock to your lips. You break it, leaning forward to run your tongue along the frenulum of his cock, earning a whine from him.

Grinning, you continue your assault, dragging your tongue down the thick vein on the underside of his cock until you reach his balls, giving a teasing lick that makes his hips cant off the sink.

“Don’t fucking tease me,” he warns. “I fucked you the way you asked for three times today, baby. Don’t I deserve to cum in that pretty little mouth?”

“Yeah?” you ask, pumping him with your hand as you come back up. “Want to come in my mouth?”

Yoongi’s hand shoots to the back of your head, fingers squeezing your skull. It’s not painful, but it’s firm, making you grin up at him, delighted. “Okay then,” you agree, tightening your fist on him a little more, pumping him a little fast. “Fuck my throat.”

You don’t have to tell him twice. Yoongi’s grip on the back of your head stays solid, a comforting feeling as you get a little dizzy from the way he looks down at you, eyes fathomless. Starving. He uses his other hand to prop himself against the sink before he drives his cock into your mouth.

The slide is rough and messy. You flatten your tongue and open up the back of your throat, the sound of you choking wetly around him drowning out the hiss of air between his teeth. You breathe through your nose, your hands gripping his thighs and digging your nails in hard into his flexing thighs.

Absently, you wonder if anyone walking by can hear the gurgle of your mouth, the stilted grunts as he flexes his hips.

Throat burning, eyes stinging and dripping tears, you let Yoongi go wild until he’s coming deep down your throat, a hot and thick mess. He pulls out gently, letting you gasp for air, mouth swollen and sticky as you pant.

Yoongi pulls you up from your knees, holding you tight as you lose your balance. His grip is crushing and he smashes his lips to yours, licking into your mouth to taste the mix of cum and spit, hungry for it.

When he pulls away, his lips are pink and slick and his chest is heaving.

“We’re going to miss that concert I bought tickets for,” you complain, giving him a pout.

“Fuck that concert, we’re going back to the hotel room and I’m going to fuck you for the next three hours, baby.”

-

Admittedly, hiking wasn’t the best event on your itinerary. When you’d planned the adventure originally, you hadn’t accounted for the fact that your legs would be near unusable from days of Yoongi folding you in half to drill into you, or the fact that the jungle is, in fact, hot and humid.

Yoongi walks next to you, his thumbs tucked into the straps of his backpack as he goes. His hair is pulled up into a bun, a few loose strands sticking to his sweaty forehead. He hasn’t complained once since starting the uphill trek through the trees and sifting sand, though you can tell he’s also spent from his inability to stop touching you this entire trip.

But you really want to attempt to get to a single thing on your itinerary for this trip, and the ruins will be out of the question tomorrow when it rains. So, you persist, legs wobbling as you high up the path, shirt sticking to you and scent of sunscreen following you like a coconut cloud.

“You’re sure we’re going the right way?” Yoongi askes, looking up at the gleaming sun filtering between branches. “We haven’t seen a single person.”

“There’s steps, aren’t there?” you ask, gesturing to the path. “There’s ruins that aren’t as much of a climb that everyone prefers. Plus, it’s hot as shit. I wanted to see the good ones though.”

“Anything for you.” 

A few more minutes pass before Yoongi sees you lagging a little. The burn in your thighs is real, remembering acutely the way Yoongi had pressed them to your chest last night as he fucked you slow and deep. The memory makes you shiver, a post-orgasm twitch still haunting you an entire day later.

“Come on,” Yoongi urges. “It’s flat up here, we can step off the path and take a break.”

Yoongi finds some broken trees that have fallen sideways to sit on. You’re grateful, taking deep gulps of water. It immediately cools you down and you close your eyes, rolling your shoulders. Yoongi guzzles down water next to you, his arm pressed up against your.

After a few minutes sitting, you get up and turn to face the fallen tree, bending over at the waist to lean against it in a deep lunge, stretching your hamstrings. It’s a soothing sort of pain, the extension of muscle a relief. 

Yoongi looks at maps on his phone behind you, waiting as you you switch legs and arch your spine, feeling a few joints pop in release. It feels good and you sigh, letting the tension bleed out of you.

Hands find your ass, gentle and curious. You look over your shoulder to find Yoongi looking at you with his brows raised and head tilted. A question. You know he’ll back off immediately if you shoo him away. Instead, You burst into laughter and shake your head, “Seriously?”

“What?” 

You stare at him. He looks delicious, sweat dripping down his Adam’s apple, hair pulled back. He’s dressed simply and yet, looking at him looking at you, wanting you the way that he does makes you vibrate. It doesn’t matter how many times you have him, you always want him more. And again.

You married Yoongi for a myriad of reasons. Because he is gentle and kind, because you like the way he takes his coffee and reads the paper in the morning, because you like that he uses mint shampoo, because you like that he has to line his shoes up perfectly next to the door. 

Everything about him enchants you, and you’re over the moon to have someone who doesn’t shame you for your carnal desires, that you have someone who matches the energy, who can take it and give it to you anywhere you want. 

Yoongi is the perfect balance, always knowing when to initiate, always knowing when it's a good time.

“I know that look,” he smiles. “Now you’re thinking about it.”

“Can you be quick? I don’t want someone to stumble on us.”

“Fuck yeah I can,” he promises, dropping his backpack and popping the zipper on his pants. You let out a pathetic sound at the sight, earning a smug look from Yoongi. 

Yoongi peels your legs and underwear down to your knees, just enough to get access to you but also safe enough to pull them up quickly if you need. His clothed chest presses against your back as he leans forward, wrapping his arms around your middle in what seems like an innocent hug.

You gasp as the tip of his cock breaches your entrance, the stretch a little painful with no prep. It doesn’t matter, though. He pushes in slowly, letting you get used to it until he’s pressed in to the hilt, your pussy fluttering around him. 

“I love you,” Yoongi whispers, pressing butterfly soft kisses to your cheek and temple. He starts thrusting shallowly, stealing your breath away. “You are my perfect, beautiful, wonderful wife.”

“Fuuuck,” you whisper. Yoongi isn’t fucking around, making his thrust precision perfect, pressing that soft spot inside of you. Your thighs are pressed together, making the fit even tighter, feeling him even more. “You’re just saying that cause I’m letting you fuck me against a tree.”

“Untrue, I say this all the time.”

That’s fair. Yoongi does tell you that he loves you. More often now than he used to, more verbal than his little utterances of love by readying your coffee long before you were awake in the morning or picking up the things you were missing from your pantry on the way home. 

“You’re right,” you pant, head lolling to the side as his mouth seeks the heat of your throat. “I love you too”

The tree bark bites into your hand as you take him fully. With the way your legs are pressed together and the angle that you’re standing, it feels like Yoongi is punching to the very core of you, making the world spin. You think you might collapse over the tree if he weren’t holding you up. 

“You’re just saying that cause I’m fucking you against a tree.”

You can’t help but laugh, despite the fact that Yoongi picks up the pace, fucking you hard and with purpose. His hand slips between your legs, finding your clit and pinching it lightly, making you squeal and twitch. He laughs, choosing to circle it instead, working you faster toward an orgasm as he pounds into you, punching the breath from your lungs. 

Sex with him is different every time. You don’t know how you manage to never get tired of it, but it never feels the same. Not with him. Every time feels like you’re discovering something new, 

When you do come, you suddenly feel like you can run the rest of the way up to the ruins, energized on the endorphins alone. 

“I’ve heard of post nut clarity,” Yoongi jokes, tucking his cock back into his pants. “But never post nut energy.”

“It’s like a second wind.”

“Dickened wind.” 

You glare at him, tossing his backpack to him. “Stick to writing songs, not jokes.”

-

“You’re so fucking swollen,” Yoongi groans, thumbs peeling apart your folds. “Cute.”

You let out a shaky laugh, your face pressed down into the pillows of the daybed, ass up in the air with Yoongi behind you. The sound of the pool and anyone beyond the closed curtains of the banana are muted by the tropical music of the DJ. All the better to drown out the sound of your husband spitting onto your exposed heat. 

“Cause you’ve been fucking me insane all week,” you protest, body vibrating. Yoongi hums thoughtfully but doesn’t say anything, letting his spin trail slowly down your slit. You’re already wet from the way his greedy mouth sucked at your chest. “Baby, please. I want your mouth.”

“Yeah? You all hot and bothered?”

“Yes.”

“Let me cool you off.” 

Yoongi’s hands leave your ass for a moment. You’re too overheated from days in the sun and the rising tropical temperature to look at what he’s doing. You’re in a slow daze, a little buzzed from sweet drinks and Yoongi’s mouth, from sloppy kisses that taste like strawberry and Yoongi’s cute little sunburn on his ass from falling asleep after letting you drive him insane with your mouth on the private balcony the day before. 

Now, you hear the clicking of something moving around the ice bucket. Your brows furrow and you’re about to turn your head to look at what Yoongi is doing when you feel ice cold water slow drip onto your ass. 

“Shit,” you hiss, grabbing the edge of the daybed and arching your spin. The water is a cool burn, a relief that drives you mad as he makes a pleased sound. “Ohhh fuck, again.”

“More?”

“Fuck yeah.”

There’s the sound of more ice and Yoongi is dripping the cold water on your ass again, making your lower spine tingle and toes curl. The cold drips move closer to your cunt until he’s directly over your clenching hole. The shock of cold against hot sends you into a frenzy. You wiggle your ass back and forth, asking for more, eager for it. 

Yoongi has never been one to deny you. This time, you feel his lips around an ice cube, dragging his cold kiss over the swells of your ass, letting the ice melt on his tongue before lapping at your pussy, tongue cold against your dripping heat. 

It drives you mad. Your fingers ache with the way you clutch the pillows, pressing your face hard into the daybed as Yoongi does this a few times, bringing his cold lips to mouth hungrily at you until it’s all he’s focused on, forgetting the ice in favor of sucking greedily at your clit. 

Your spine feels like it might crack, bowed dangerously as you press back into his face. He moans at your eagerness, tongue twisting between your folds as eats you out in earnest. If it weren’t for the privacy curtains and the DJ booth, you’d never get away with this. Yoongi is not quiet, smacking his lips like a glutton. 

Air escapes you. You squeeze your eyes shut as an orgasm bears down on you. Your face is pressed so far in the cushions that you don’t think you can breathe, your lungs contracting and your chest squeezing as you come on his tongue without warning, a silent scream raging through you.

Stars burst behind your eyes. Yoongi takes it in stride, licking you long and slow as you remain rigid for the duration of your high. When it finally begins to subside, you fall to the side, sprawling boneless and feeling drunk.

“Holy shit,” you croak, voice gone. “You were right. Fuck the itinerary. This is so much better.”

[lunarriviera]

Big Dumb Hot Cop & Effete Possibly Sociopathic Genius Consultant: A Manifesto

So it has recently come to my attention that this, my archetypal pairing formulation, has broken containment, probably because I've been flinging these terms around like a deranged person wielding a blunt instrument. Therefore it behooves me to explain what the hell I mean by all these adjectives, and who are some classic and contemporary examples of the idiots under discussion—who are by the way extremely in love with one another whether they realize it or not. (Don't you say "bromance." Don't you dare SAY that word to me.) I will use blorbo from my shows to illustrate.

I first realized that I am in fact a Big Dumb Hot Cop whisperer thanks to Chinese police procedural 猎罪图鉴 | Under the Skin (2022). Right away, it's very important to note that Big Dumb Hot Cop is NOT in fact all that dumb. He's only less intelligent IN COMPARISON to his Effete Slightly Sociopathic Genius Consultant, who is, as already stated, a genius. Big Dumb Hot Cop is in fact ruthlessly good at his job. He's driven, he obsesses about cases, he can walk into a crime scene and pick up on the one thing everyone else has missed. There is no suspect he cannot intimidate upon investigation. And he's even better when he's working with (or against, depending on what stage they're at) the genius consultant. They need each other, whether they're fighting or collaborating. They can only clear cases together.

Here are, then, police captain Du Cheng and his genius consultant, sketch artist Shen Yi, eyeing each other significantly as some witness is, I think, lying his face off? Honestly I can't even remember what's happening because the important thing here is their nonverbal communication. This is crucial for this pairing. They can think circles around each other without saying a word. Love that for them.

Effete Possibly Sociopathic Genius Consultant has two levels of Possibly Sociopathic. Most maddeningly of all, he has secrets. Sometimes many secrets. So at first, Big Dumb Hot Cop is going to think he's the criminal, or in some way involved in the wrongdoing. The second level is that he'll find Genius Consultant just worryingly, disturbingly good at predicting criminal behavior. And he will continue to be suspicious of him for exactly one or at most two episodes, until he's then swept off his big dumb feet by the rapidity and correctness of Effete Genius's deductions. There's nothing Big Dumb Hot Cop loves more than solving cases. Well, maybe beer. He also loves beer. Once he sees that Effete Consultant is useful, he'll do a 180º and stop complaining to his chief of police, and instead start demanding that Effete Consultant be his forever. He'll start hanging out in his office. He'll literally drag him to crime scenes by the wrist.

(And did I mention Effete Consultant must be very pretty? Did I mention that? He is lovely. Long, thin fingers to steeple while he thinks. Delicate features. Haunted dark eyes. Never sleeps. Shocking self-neglect. You may see where I am going with this.)

Another important attribute of Big Dumb Hot Cop: he's big. Or anyway strong, or a gifted fighter. Let's face it, he has to be, because Genius Consultant is going to be reckless with his own personal safety to the point of stupidity (now who's dumb, huh?). For example, consider another Chinese procedural, S.C.I. 谜案集 | S.C.I. Mystery (2018). Captain Bai Yutong is sort of impossibly physically talented (former fighter pilot! national sandu champion! runs over moving cars and then shoots at them, like some kind of weird urban biathlon!) and, like all good Big Dumb Hot Cops, his entire life is thrown upside down because he now has to drop everything to protect his effete consultant, criminal psychologist Dr. Zhan Yao, who's so careless with himself that in any another drama he would probably be driving Bai Yutong to drink. Thanks to the danmei on which SCI Mystery is based, however, we can safely assume Bai Yutong is taking it out on Zhan Yao in blow jobs.

Note that Bai Yutong is the cook, even though he's the gong, and that he moves in with Zhao Yan to "protect" him from...something, I can't ever remember what, and then just sort of forgets to move out again. For the length of the entire series.

I would argue that 镇魂 | Guardian (2018) is a procedural, even if it also has ghosts, a talking cat, snake lady, eerie dark energy that gets flung around like paintball splatters, and a whole bunch of other supernatural stuff that was not approved of by Big Red (it's based on a danmei of the same title by Priest, a novel which has been pulled from circulation for censorship). Further confusing matters, Zhao Yunlan isn't particularly Big or Dumb, nor is he even really a Cop, technically; but I'm claiming him for this genre not least because of his Effete (drop-dead gorgeous) Possibly Sociopathic (Chief Zhao thinks he's a suspect for a good third of the story) and Definitely Genius, Later Gangpressed into being a Consultant, chock-full of secrets Professor Shen Wei.

Once they finally team up, though, they do this genre/pairing proud. Why, there's nothing they can't solve except how to stay alive. Look at them here enjoying some fine nonverbal communication: "Oh my god, you're just like me—you too will fling yourself directly into bodily harm in order to save a clueless civilian. Okay this could be inconvenient for both of us. Also wow for a genetics professor you're really fucking built, do you lift my bro." (Yes. Yes he does lift.)

A final example: the cruelly short-lived 光渊 | Justice in the Dark (2023), which like Guardian is based on a danmei by Priest, 默读 | Silent Reading. I got baited into watching the eight (8) existing episodes by seeing a cut of Captain Luo Wenzhou taking on like forty guys with a champagne bottle, a pair of curtains, an axe handle, and a birthday cake, like some kind of cultivator. He's so big and hot, and he's so very dumb. He's also a cop, and ACAB (which is sort of the plot of Silent Reading); and Fei Du is possibly using him for his own nefarious ends (cf. possibly sociopathic and secretive). But underneath all of Fei Du's "I am the abyss, fear me, rawr!" scary posturing, like a puffed-up kitten, he's just a very pretty tender-hearted effete genius, and you can watch Luo Wenzhou melting, and practically pinpoint the exact moment when his whole heart flies out of his eyes and he decides: Yeah, okay, that's it for me. That one. The annoying little traumatized fuerdai with some kind of a death wish that I do not understand. I'll be throwing myself in front of bullets for him and/or cooking him dinner for the foreseeable future, thanks.

Priest is gonna mess with this dynamic of gong/shou caregiving and safeguarding, because that's what she does; but the fundamental beats are still there. Look at these ninnyhammers, just this second figuring out they're actually kind people who belong to each other.

Here they are confronting a suspect together. (You will notice the large butcher knife wavering in the foreground.) Luo Wenzhou, highly trained, nonetheless cannot de-escalate the situation. It takes a pretty playboy in an arm sling to come wandering into the room, and then, using his superb personal knowledge of what it's like to be traumatized to the point of insanity, getting the suspect to disarm. I just love the way they look at each other, incredulous (Luo Wenzhou) and mock-fascinated (Fei Du). If I ever meet the person who directed this scene I'm going to need to kiss them on the mouth.

Once you accept the gospel of Big Dumb Hot Cop and Effete Possibly Sociopathic Genius Consultant into your media-based life, you'll find it has many applications, not all of which have to be procedurals. Consider: characters from the Daomu Biji franchise, possibly (Hei Xiazi is the biggest dumbest hottest not-a-cop I've ever met). Leverage, in a weird OT3 way. Assorted combinations of Avengers. Teen Wolf fic, absolutely. Various Stargate incarnations. Several other Priest danmei, not only procedurals. Definitely Mysterious Lotus Casebook. Et cetera. (You're on your own with MXTX, though.)

This has gotten long and there are still so many nuances and features and wrinkles and problems with the theory that should be ironed out, but it'll have to do for now. I'll simply close by saying: yes, there is also a classic example and you already know exactly who it is.

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.