#list building techniques

[digital-marketing-raipur]

E-mail List Building Techniques: How to Grow a Quality Subscriber List

Building a high-quality email list is one of the most valuable assets for any online business or digital marketer. An engaged email list can drive sales, increase customer loyalty, and help you build lasting relationships with your audience. However, growing an email list requires strategy, creativity, and a focus on delivering value to your subscribers.

This guide covers proven email list building techniques that will help you grow your list, engage subscribers, and convert leads into loyal customers.

1. Why Email List Building Matters

An email list is one of the most effective ways to connect directly with your audience. Unlike social media, where algorithms control visibility, email allows you to communicate with your subscribers in a more personal and direct manner.

Benefits of Building an Email List:

Higher ROI: Email marketing boasts one of the highest returns on investment (ROI) compared to other marketing channels.

Targeted Marketing: With a segmented email list, you can send personalized messages based on subscriber behavior, location, and interests.

Ownership: Unlike social media platforms, where changes in algorithms or policies can affect your reach, your email list is entirely under your control.

Brand Loyalty: Consistent email engagement helps build trust and customer loyalty over time.

2. Effective Email List Building Techniques

2.1 Offer a Valuable Lead Magnet

A lead magnet is a piece of valuable content or an incentive you offer to encourage visitors to join your email list. A strong lead magnet can make the difference between a visitor leaving your website and becoming a subscriber.

Types of Lead Magnets:

E-books and Guides: In-depth resources that provide valuable information on a topic relevant to your audience.

Checklists and Templates: Easy-to-use, downloadable tools that solve specific problems or help with a task.

Free Trials or Samples: Offer free access to your service or product to give potential customers a taste of what you offer.

Webinars and Workshops: Live or recorded sessions that provide educational content, which also allows you to interact with your audience.

Discounts and Coupons: Offer exclusive discounts or special deals for subscribers.

Tip: Make sure the lead magnet aligns with the needs and pain points of your target audience. The more valuable it is, the more likely people are to provide their email addresses.

2.2 Use Exit-Intent Popups

Exit-intent popups are a powerful tool for capturing email subscribers as visitors are about to leave your website. These popups are triggered when a user moves their mouse towards the browser's exit button or closes the tab.

How to Use Exit-Intent Popups Effectively:

Offer a Time-Sensitive Discount: Give a special discount to visitors who are about to leave your site, encouraging them to join your list.

Promote Your Lead Magnet: Offer your lead magnet, such as an e-book or webinar, just before the visitor exits.

Ask for Feedback: If someone is leaving your site, you could use a popup to ask for feedback or a reason for their exit in exchange for joining your email list.

Tip: Make the popup design attractive and non-intrusive to avoid frustrating visitors.

2.3 Implement Content Upgrades

A content upgrade is a strategy where you offer exclusive, downloadable content that enhances the blog post or page the visitor is already reading. It’s one of the most effective ways to convert website visitors into email subscribers.

Examples of Content Upgrades:

Checklists, Worksheets, and Actionable Guides that complement your existing blog post.

Case Studies and Reports that dive deeper into the content discussed in the post.

Templates or Toolkits that your audience can use to apply the concepts from the article.

Tip: Make sure your content upgrade is closely related to the article’s subject to increase relevancy and conversions.

2.4 Use Social Media to Drive Email Signups

Leverage your social media platforms to direct followers to your email list sign-up page or lead magnet.

Social Media Techniques to Build Your Email List:

Link in Bio: Add a link to your email sign-up page or lead magnet in your social media bio (Instagram, Twitter, etc.).

Share Valuable Content: Post about your lead magnets or special offers on social media and encourage followers to sign up for exclusive content.

Social Media Ads: Use Facebook and Instagram ads to promote your lead magnet or special offer and collect email sign-ups.

Contests and Giveaways: Run a contest or giveaway and ask participants to enter with their email addresses.

Tip: Make sure the offer you promote is appealing enough to your followers to convince them to give you their email address.

2.5 Add an Email Signup Form to Every Page

Make it easy for visitors to subscribe by including an email sign-up form on your website’s most important pages, including the homepage, blog posts, landing pages, and checkout pages.

Best Practices for Email Signup Forms:

Place Signup Forms Strategically: Use forms in high-visibility areas, such as the header, footer, sidebar, or as a sticky element that follows the user.

Keep It Simple: Ask for only essential information (name, email address) to reduce friction.

Include Social Proof: Highlight the number of subscribers or testimonials to show that others have already trusted you with their email.

Offer Incentives: Offer discounts, exclusive content, or a free resource in exchange for signing up.

Tip: Test different form designs (pop-ups, slide-ins, embedded forms) to see which performs best.

2.6 Run Lead-Generation Ads

Paid advertising can be a highly effective method to grow your email list, especially if you have a compelling lead magnet or offer.

Types of Ads to Run for List Building:

Facebook and Instagram Lead Ads: These ads allow users to sign up directly within the platform without needing to leave the app.

Google Ads: Target relevant search queries with ads promoting your lead magnet or email list sign-up page.

LinkedIn Ads: If you’re targeting B2B audiences, LinkedIn’s lead gen forms are a great way to capture professional email addresses.

Tip: Always ensure your landing pages are optimized for conversion. High-quality visuals, strong copy, and clear calls-to-action can make a significant difference in ad performance.

2.7 Partner with Other Brands or Influencers

Collaborating with other businesses or influencers in your niche can help you expand your reach and grow your email list more quickly.

Collaboration Strategies:

Co-Host Webinars or Events: Partner with a complementary brand to host a joint webinar or live event, asking participants to register with their email addresses.

Cross-Promote Lead Magnets: Promote each other’s lead magnets or exclusive content to your respective audiences.

Guest Blogging: Write guest blog posts for other websites in your niche and include a call-to-action for readers to sign up for your email list.

Tip: Choose partners who share a similar target audience but are not direct competitors to maximize your reach.

2.8 Run Webinars or Online Workshops

Webinars and online workshops are excellent opportunities to provide valuable content while building your email list. Participants are typically required to register with their email addresses in advance.

How to Use Webinars for List Building:

Offer High-Value Content: Make sure your webinar or workshop provides actionable insights that your audience will find valuable.

Promote the Event on Social Media: Use social media platforms and email to promote the event and encourage sign-ups.

Follow-Up: After the webinar, send follow-up emails with additional resources, offers, or a recorded version of the session.

Tip: Record webinars to offer on-demand access to anyone who couldn’t attend live, which can continue to generate leads.

3. Optimizing Your Email List Building Efforts

3.1 Segment Your Email List

Segmentation allows you to group subscribers based on shared traits or behaviors, such as demographics, interests, or past purchases. By sending tailored content to each group, you can increase engagement and conversion rates.

Segmentation Tips:

Segment by behavior (e.g., opened an email, downloaded a lead magnet, abandoned cart).

Segment by demographic data (e.g., location, industry, job title).

Create different email workflows for different stages of the customer journey.

3.2 Maintain List Hygiene

Regularly clean your email list by removing inactive subscribers or those who haven’t engaged with your emails in a long time. This helps improve deliverability and open rates.

Best Practices for List Hygiene:

Re-engage inactive subscribers with a special offer or a reactivation email.

Use double opt-ins to ensure subscribers genuinely want to receive your emails.

Periodically ask subscribers to update their preferences or unsubscribe if they are no longer interested.

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4. Conclusion: Growing a Quality Email List Takes Time and Strategy

Building a high-quality email list isn’t just about quantity; it’s about attracting the right subscribers who are genuinely interested in your products, services, or content. By using these email list building techniques—offering valuable lead magnets, using social media, running targeted ads, and collaborating with partners—you can grow a list of engaged subscribers that will provide ongoing value to your business.

[marsdevs]

2600+ High DA & Dofollow Profile Creation Sites List 2024 (Download Excel File)

Today in this Video I will tell you about 2600+ new Profile Creation Sites List for link building in 2024. If you are working in SEO industry then you must watch this video. This Video help you to find the High DA & Dofollow profile creation sites list where you can create your company profile easily. I have collect this data after 5 years of research in Link Building.

[nenelonomh]

eat the frog (time management)

"eat the frog" is a popular time management technique that comes from a quote attributed to mark twain: "eat a live frog first thing in the morning, and nothing worse will happen to you the rest of the day." in the context of productivity, the "frog" represents your most challenging or important task of the day—the one you're most likely to procrastinate on.

how to implement the "eat the frog" technique:

identify your frog: at the start of each day, determine the most crucial task you need to accomplish. this should be something that has a significant impact on your goals but may not be the most enjoyable or easy task.

tackle it first: instead of putting it off, focus on completing this task before anything else. by tackling it first, you can get it out of the way and prevent procrastination.

break it down: if the task seems overwhelming, break it into smaller, manageable steps. this makes it less daunting and allows you to make steady progress.

avoid distractions: minimize distractions while you're working on your "frog." turn off notifications, close unnecessary tabs, and create a focused work environment.

reward yourself: once you've completed the task, reward yourself with a break or something enjoyable. this positive reinforcement can help build a habit of tackling challenging tasks first.

why it's effective:

reduces procrastination: by tackling the hardest task first, you eliminate the temptation to procrastinate and delay important work.

boosts productivity: completing a significant task early in the day can give you a sense of accomplishment and momentum to tackle the rest of your to-do list.

improves focus: knowing that you have to address the most important task first can sharpen your focus and attention.

stress reduction: getting the most daunting task out of the way can reduce stress and mental burden, making the rest of the day feel more manageable.

remember, the key is to prioritize your most important tasks and tackle them head-on. if you have any specific tasks in mind or need help with prioritizing, feel free to share!

i hope this post is helpful! ❤️nene

instagram | pinterest | blog site

[theambitiouswoman]

How to Stop Procrastinating by Managing Your Emotions

Procrastination happens when we delay doing things, and it's often connected to our emotions. Feelings like being afraid to fail, feeling worried or stressed, getting bored, or lacking motivation can all contribute to procrastination. To stop procrastinating and get more things done, it's important to learn how to handle our emotions better.

Boredom:

Break the task into smaller, more engaging sub-tasks.

Find ways to make the task more interesting or challenging.

Set a timer and work on the task for a specific amount of time, followed by a short break doing something enjoyable.

Feeling Overwhelmed:

Prioritize tasks and focus on one thing at a time.

Break the task into smaller, more manageable steps.

Delegate some parts of the task if possible or seek help from others.

Use tools like to-do lists or task management apps to stay organized.

Anxiety:

Practice deep breathing or mindfulness techniques to calm yourself.

Challenge negative thoughts and replace them with more positive and realistic ones.

Start with the easier or less intimidating aspects of the task to build momentum.

Set realistic expectations and remind yourself that it's okay to make mistakes.

Self-Doubt:

Focus on past accomplishments and successes to boost your confidence.

Seek support or feedback from others to gain reassurance.

Remind yourself of your skills and capabilities to tackle the task.

Use positive affirmations to counteract negative self-talk.

Perfectionism:

Embrace the concept of "good enough" rather than seeking perfection.

Set realistic and achievable goals for each task.

Recognize that mistakes and imperfections are part of the learning process and growth.

Indecisiveness:

Break decisions into smaller steps and make one small decision at a time.

Set a time limit for making decisions to avoid overthinking.

Trust your instincts and make the best decision you can with the information available.

Apathy or Lack of Interest:

Find aspects of the task that align with your values or long-term goals.

Break the task into smaller, more manageable parts and focus on completing one at a time.

Reward yourself for completing the task to make it more appealing.

Stress or Burnout:

Practice stress-reduction techniques such as meditation, exercise, or spending time in nature.

Break tasks into smaller steps to reduce the feeling of overwhelm.

Prioritize self-care and take breaks to avoid burnout.

Feeling Uninspired or Creatively Blocked:

Engage in activities that stimulate creativity, such as brainstorming, mind mapping, or seeking inspiration from others' work.

Start with a simple and basic version of the task to get the creative juices flowing.

Collaborate with others or seek feedback to gain new perspectives.

Fear of Success:

Identify and challenge the negative beliefs or fears that may be holding you back.

Visualize the positive outcomes of completing the task successfully.

Focus on the benefits and personal growth that come with success.

Impatience:

Break long-term goals into smaller milestones to track progress.

Practice mindfulness to stay present and patient throughout the process.

Remind yourself that progress takes time and effort.

Lack of Confidence:

Celebrate your past accomplishments to boost your confidence.

Seek support and encouragement from friends, family, or mentors.

Focus on building specific skills related to the task to increase confidence.

Avoiding Discomfort:

Acknowledge that discomfort is a natural part of growth and improvement.

Break tasks into smaller steps and tackle the more challenging aspects gradually.

Remind yourself of the long-term benefits of facing discomfort.

Overestimating Future Motivation:

Practice discipline and commit to starting tasks even when motivation is low.

Set specific deadlines for tasks to create a sense of urgency.

Establish a routine that includes regular work on the task to build consistency.

[friendlyneighborhoodshark]

"How to Life" Masterlist

Cleaning and Tidying

Make your bed in the morning. It takes seconds, and it's worth it.

Reset to zero each morning.

Use the UFYH 20/10 system for clearing your shit.

Have a 'drop-zone' box where you dump anything and everything. At the beginning/end of the day, clear it out and put that shit away.

Automate your chores. Have a cleaning schedule and assign 15mins daily to do whatever cleaning tasks are set for that day. Set a timer and do it once the timer is up, finish the task you're on and leave it for the day.

Fold your clothes straight out of the tumble dryer (if you use one), whilst they're still warm. This minimises creases and eliminates the need for ironing.

Clean your footwear regularly and you'll feel like a champ.

Organisation and Productivity

Learn from Eisenhower's Importance/Urgency matrix.

Try out the two-minute rule and the Pomodoro technique.

Use. A. Planner. (Or Google Calendar, if that's more your thing.)

Try bullet journalling.

Keep a notebook/journal/commonplace book to dump your brain contents in on the regular.

Set morning alarms at two-minute intervals rather than five, and stick your alarm on the other side of the room. It's brutal, but it works.

Set three main goals each day, with one of them being your #1 priority. Don't overload your to-do list or you'll hit overload paralysis and procrastinate.

If you're in a slump, however, don't be afraid to put things like "shower" on your to do list - that may be a big enough goal in itself, and that's okay.

Have a physical inbox - a tray, a folder, whatever. If you get a piece of paper, stick it in there and sort through it at the end of the week.

Consider utilising the GTD System, or a variation of it.

Try timeboxing.

Have a morning routine, and guard that quiet time ferociously.

Have a folder for all your important documents and letters, organised by topic (e.g. medical, bank, university, work, identification). At the front of this folder, have a sheet of paper with all the key information written on it, such as your GP's details, your passport details, driving licence details, bank account number, insurance number(s), and so on.

Schedule working time and down time alike, in the balance that works for you.

Money

Have. A. God. Damn. Budget.

Use a money tracker like toshl, mint, or splitwise. Enter all expenses asap! (You will forget, otherwise.)

Have a 'money date' each week, where you sort through your finances from the past seven days and then add it to a spreadsheet. This will help you identify your spending patterns and whether your budget is actually working or not.

Pack your own frickin' lunch like a grown-up and stop buying so many takeaway coffees. Keep snacks in your bag.

Food and Cooking

Know how to cook the basics: a starch, a protein, a vegetable, and a sauce.

Simple, one-pot meals ("a grain, a green, and a bean") are a godsend.

Batch cook and freeze. Make your own 'microwave meals'.

Buy dried goods to save money - rice and beans are a pittance.

Consider Meatless Mondays; it's healthier, cheaper, and more environmentally friendly.

Learn which fruits and vegetables are cheapest at your store, and build a standard weekly menu around those. (Also remember that frozen vegetables are cheap and healthy.)

Learn seasoning combinations. Different seasoning, even with the exact same ingredients, can make a dish seem completely new.

Misc

Have a stock email-writing format.

Want to start running, but find it boring? Try Zombies, Run!.

Keep a goddamn first aid kit and learn how to use it.

Update your CV regularly.

Keep a selection of stamps and standard envelopes for unexpected posting needs. (It happens more regularly than you would think!)

[inky-duchess]

Fantasy Guide to Interiors

As a followup to the very popular post on architecture, I decided to add onto it by exploring the interior of each movement and the different design techniques and tastes of each era. This post at be helpful for historical fiction, fantasy or just a long read when you're bored.

Interior Design Terms

Reeding and fluting: Fluting is a technique that consists a continuous pattern of concave grooves in a flat surface across a surface. Reeding is it's opposite.

Embossing: stamping, carving or moulding a symbol to make it stand out on a surface.

Paneling: Panels of carved wood or fabric a fixed to a wall in a continuous pattern.

Gilding: the use of gold to highlight features.

Glazed Tile: Ceramic or porcelain tiles coated with liquid coloured glass or enamel.

Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.

Bay Window: The Bay Window is a window projecting outward from a building.

Frescos: A design element of painting images upon wet plaster.

Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.

Mouldings: ornate strips of carved wood along the top of a wall.

Wainscoting: paneling along the lower portion of a wall.

Chinoiserie: A European take on East Asian art. Usually seen in wallpaper.

Clerestory: A series of eye-level windows.

Sconces: A light fixture supported on a wall.

Niche: A sunken area within a wall.

Monochromatic: Focusing on a single colour within a scheme.

Ceiling rose: A moulding fashioned on the ceiling in the shape of a rose usually supporting a light fixture.

Baluster: the vertical bars of a railing.

Façade: front portion of a building

Lintel: Top of a door or window.

Portico: a covered structure over a door supported by columns

Eaves: the part of the roof overhanging from the building

Skirting: border around lower length of a wall

Ancient Greece

Houses were made of either sun-dried clay bricks or stone which were painted when they dried. Ground floors were decorated with coloured stones and tiles called Mosaics. Upper level floors were made from wood. Homes were furnished with tapestries and furniture, and in grand homes statues and grand altars would be found. Furniture was very skillfully crafted in Ancient Greece, much attention was paid to the carving and decoration of such things. Of course, Ancient Greece is ancient so I won't be going through all the movements but I will talk a little about columns.

Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.

Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.

Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.

Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.

Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.

Ancient Rome

Rome is well known for its outward architectural styles. However the Romans did know how to add that rizz to the interior. Ceilings were either vaulted or made from exploded beams that could be painted. The Romans were big into design. Moasics were a common interior sight, the use of little pieces of coloured glass or stone to create a larger image. Frescoes were used to add colour to the home, depicting mythical figures and beasts and also different textures such as stonework or brick. The Romans loved their furniture. Dining tables were low and the Romans ate on couches. Weaving was a popular pastime so there would be tapestries and wall hangings in the house. Rich households could even afford to import fine rugs from across the Empire. Glass was also a feature in Roman interior but windows were usually not paned as large panes were hard to make. Doors were usually treated with panels that were carved or in lain with bronze.

Ancient Egypt

Egypt was one of the first great civilisations, known for its immense and grand structures. Wealthy Egyptians had grand homes. The walls were painted or plastered usually with bright colours and hues. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds. Woven mats and tapestries were popular decor. Motifs from the river such as palms, papyrus and reeds were popular symbols used.

Ancient Africa

African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.

Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.

Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.

Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal

Japanese Interiors

Japenese interior design rests upon 7 principles. Kanso (簡素)- Simplicity, Fukinsei (不均整)- Asymmetry, Shizen (自然)- Natural, Shibumi (渋味) – Simple beauty, Yugen (幽玄)- subtle grace, Datsuzoku (脱俗) – freedom from habitual behaviour, Seijaku (静寂)- tranquillity.

Common features of Japanese Interior Design:

Shoji walls: these are the screens you think of when you think of the traditional Japanese homes. They are made of wooden frames, rice paper and used to partition

Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.

Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.

Japanese furniture: often lowest, close to the ground. These include tables and chairs but often tanked are replaced by zabuton, large cushions. Furniture is usually carved of wood in a minimalist design.

Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.

Islamic World Interior

The Islamic world has one of the most beautiful and impressive interior design styles across the world. Colour and detail are absolute staples in the movement. Windows are usually not paned with glass but covered in ornate lattices known as jali. The jali give ventilation, light and privacy to the home. Islamic Interiors are ornate and colourful, using coloured ceramic tiles. The upper parts of walls and ceilings are usually flat decorated with arabesques (foliate ornamentation), while the lower wall areas were usually tiled. Features such as honeycombed ceilings, horseshoe arches, stalactite-fringed arches and stalactite vaults (Muqarnas) are prevalent among many famous Islamic buildings such as the Alhambra and the Blue Mosque.

Byzantine (330/395–1453 A. D)

The Byzantine Empire or Eastern Roman Empire was where eat met west, leading to a melting pot of different interior designs based on early Christian styles and Persian influences. Mosaics are probably what you think of when you think of the Byzantine Empire. Ivory was also a popular feature in the Interiors, with carved ivory or the use of it in inlay. The use of gold as a decorative feature usually by way of repoussé (decorating metals by hammering in the design from the backside of the metal). Fabrics from Persia, heavily embroidered and intricately woven along with silks from afar a field as China, would also be used to upholster furniture or be used as wall hangings. The Byzantines favoured natural light, usually from the use of copolas.

Indian Interiors

India is of course, the font of all intricate designs. India's history is sectioned into many eras but we will focus on a few to give you an idea of prevalent techniques and tastes.

The Gupta Empire (320 – 650 CE): The Gupta era was a time of stone carving. As impressive as the outside of these buildings are, the Interiors are just as amazing. Gupta era buildings featured many details such as ogee (circular or horseshoe arch), gavaksha/chandrashala (the motif centred these arches), ashlar masonry (built of squared stone blocks) with ceilings of plain, flat slabs of stone.

Delhi Sultanate (1206–1526): Another period of beautifully carved stone. The Delhi sultanate had influence from the Islamic world, with heavy uses of mosaics, brackets, intricate mouldings, columns and and hypostyle halls.

Mughal Empire (1526–1857): Stonework was also important on the Mughal Empire. Intricately carved stonework was seen in the pillars, low relief panels depicting nature images and jalis (marble screens). Stonework was also decorated in a stye known as pietra dura/parchin kari with inscriptions and geometric designs using colored stones to create images. Tilework was also popular during this period. Moasic tiles were cut and fitted together to create larger patters while cuerda seca tiles were coloured tiles outlined with black.

Chinese Interiors

Common features of Chinese Interiors

Use of Colours: Colour in Chinese Interior is usually vibrant and bold. Red and Black are are traditional colours, meant to bring luck, happiness, power, knowledge and stability to the household.

Latticework: Lattices are a staple in Chinese interiors most often seen on shutters, screens, doors of cabinets snf even traditional beds.

Lacquer: Multiple coats of lacquer are applied to furniture or cabinets (now walls) and then carved. The skill is called Diaoqi (雕漆).

Decorative Screens: Screens are used to partition off part of a room. They are usually of carved wood, pained with very intricate murals.

Shrines: Spaces were reserved on the home to honour ancestors, usually consisting of an altar where offerings could be made.

Of course, Chinese Interiors are not all the same through the different eras. While some details and techniques were interchangeable through different dynasties, usually a dynasty had a notable style or deviation. These aren't all the dynasties of course but a few interesting examples.

Song Dynasty (960–1279): The Song Dynasty is known for its stonework. Sculpture was an important part of Song Dynasty interior. It was in this period than brick and stone work became the most used material. The Song Dynasty was also known for its very intricate attention to detail, paintings, and used tiles.

Ming Dynasty(1368–1644): Ceilings were adorned with cloisons usually featuring yellow reed work. The floors would be of flagstones usually of deep tones, mostly black. The Ming Dynasty favoured richly coloured silk hangings, tapestries and furnishings. Furniture was usually carved of darker woods, arrayed in a certain way to bring peace to the dwelling.

Han Dynasty (206 BC-220 AD): Interior walls were plastered and painted to show important figures and scenes. Lacquer, though it was discovered earlier, came into greater prominence with better skill in this era.

Tang Dynasty (618–907) : The colour palette is restrained, reserved. But the Tang dynasty is not without it's beauty. Earthenware reached it's peak in this era, many homes would display fine examples as well. The Tang dynasty is famous for its upturned eaves, the ceilings supported by timber columns mounted with metal or stone bases. Glazed tiles were popular in this era, either a fixed to the roof or decorating a screen wall.

Romanesque (6th -11th century/12th)

Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles. The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways. As per the name, Romansque Interiors relied heavily on its love and admiration for Rome. The Romanesque style uses geometric shapes as statements using curves, circles snf arches. The colours would be clean and warm, focusing on minimal ornamentation.

Gothic Architecture (12th Century - 16th Century)

The Gothic style is what you think of when you think of old European cathedrals and probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe. Decoration in this era became more ornate, stonework began to sport carving and modelling in a way it did not before. The ceilings moved away from barreled vaults to quadripartite and sexpartite vaulting. Columns slimmed as other supportive structures were invented. Intricate stained glass windows began their popularity here. In Gothic structures, everything is very symmetrical and even.

Mediaeval (500 AD to 1500)

Interiors of mediaeval homes are not quite as drab as Hollywood likes to make out. Building materials may be hidden by plaster in rich homes, sometimes even painted. Floors were either dirt strewn with rushes or flagstones in larger homes. Stonework was popular, especially around fireplaces. Grand homes would be decorated with intricate woodwork, carved heraldic beasts and wall hangings of fine fabrics.

Renaissance (late 1300s-1600s)

The Renaissance was a period of great artistry and splendor. The revival of old styles injected symmetry and colour into the homes. Frescoes were back. Painted mouldings adorned the ceilings and walls. Furniture became more ornate, fixed with luxurious upholstery and fine carvings. Caryatids (pillars in the shape of women), grotesques, Roman and Greek images were used to spruce up the place. Floors began to become more intricate, with coloured stone and marble. Modelled stucco, sgraffiti arabesques (made by cutting lines through a layer of plaster or stucco to reveal an underlayer), and fine wall painting were used in brilliant combinations in the early part of the 16th century.

Tudor Interior (1485-1603)

The Tudor period is a starkly unique style within England and very recognisable. Windows were fixed with lattice work, usually casement. Stained glass was also in in this period, usually depicting figures and heraldic beasts. Rooms would be panelled with wood or plastered. Walls would be adorned with tapestries or embroidered hangings. Windows and furniture would be furnished with fine fabrics such as brocade. Floors would typically be of wood, sometimes strewn with rush matting mixed with fresh herbs and flowers to freshen the room.

Baroque (1600 to 1750)

The Baroque period was a time for splendor and for splashing the cash. The interior of a baroque room was usually intricate, usually of a light palette, featuring a very high ceiling heavy with detail. Furniture would choke the room, ornately carved and stitched with very high quality fabrics. The rooms would be full of art not limited to just paintings but also sculptures of marble or bronze, large intricate mirrors, moldings along the walls which may be heavily gilded, chandeliers and detailed paneling.

Victorian (1837-1901)

We think of the interiors of Victorian homes as dowdy and dark but that isn't true. The Victorians favoured tapestries, intricate rugs, decorated wallpaper, exquisitely furniture, and surprisingly, bright colour. Dyes were more widely available to people of all stations and the Victorians did not want for colour. Patterns and details were usually nature inspired, usually floral or vines. Walls could also be painted to mimic a building material such as wood or marble and most likely painted in rich tones. The Victorians were suckers for furniture, preferring them grandly carved with fine fabric usually embroidered or buttoned. And they did not believe in minimalism. If you could fit another piece of furniture in a room, it was going in there. Floors were almost eclusively wood laid with the previously mentioned rugs. But the Victorians did enjoy tiled floors but restricted them to entrances. The Victorians were quite in touch with their green thumbs so expect a lot of flowers and greenery inside. with various elaborately decorated patterned rugs. And remember, the Victorians loved to display as much wealth as they could. Every shelf, cabinet, case and ledge would be chocked full of ornaments and antiques.

Edwardian/The Gilded Age/Belle Epoque (1880s-1914)

This period (I've lumped them together for simplicity) began to move away from the deep tones and ornate patterns of the Victorian period. Colour became more neutral. Nature still had a place in design. Stained glass began to become popular, especially on lampshades and light fixtures. Embossing started to gain popularity and tile work began to expand from the entrance halls to other parts of the house. Furniture began to move away from dark wood, some families favouring breathable woods like wicker. The rooms would be less cluttered.

Art Deco (1920s-1930s)

The 1920s was a time of buzz and change. Gone were the refined tastes of the pre-war era and now the wow factor was in. Walls were smoother, buildings were sharper and more jagged, doorways and windows were decorated with reeding and fluting. Pastels were in, as was the heavy use of black and white, along with gold. Mirrors and glass were in, injecting light into rooms. Gold, silver, steel and chrome were used in furnishings and decor. Geometric shapes were a favourite design choice. Again, high quality and bold fabrics were used such as animal skins or colourful velvet. It was all a rejection of the Art Noveau movement, away from nature focusing on the man made.

Modernism (1930 - 1965)

Modernism came after the Art Deco movement. Fuss and feathers were out the door and now, practicality was in. Materials used are shown as they are, wood is not painted, metal is not coated. Bright colours were acceptable but neutral palettes were favoured. Interiors were open and favoured large windows. Furniture was practical, for use rather than the ornamentation, featuring plain details of any and geometric shapes. Away from Art Deco, everything is straight, linear and streamlined.

[teaboot]

do u think physical build is an important part of being security? im 5'5 and think i look very timid, but ive seen some entry level security job listings around me that ive been interested in.

I've only been private security for around five years, so I'm still relatively green compared to my colleagues, but I personally am about 5'3" and I've been doing great!

And again, I'm not incredibly experienced, but if I were to make a hire, I'd be prioritizing a number of things before considering height.

Physically you need to be capable of doing your duties without pain- so if you have chronic pain, foot patrol may not be your bag, but CCTV monitoring might work. If you can't drive, being a site manager may not work, but working door duty somewhere local might be.

Physical presence- in regards to 'looking timid'- is something that you can work on if you want to, but sometimes an unassuming appearance is your advantage.

A "problem demographic" (using HEAVY quotations there) for a lot of places like malls and downtown areas is adult women with trauma, addiction, and mental health issues- they're seen by a lot of clients as "crazy ladies" and treated less like people by the general public, and a good number have very good reason not to trust men ESPECIALLY in uniform, but are more often than not perfectly easy to get along with if you're polite, respectful, and don't come off as a threat or authority figure. Being able to offer menstrual products and having resources around the area you can recommend is good, too.

And if I HAVE to move people out from behind buildings and such, saying "fuck off asshole" like folks imagine is NOT as effective as "Hey, sorry, this area is restricted, but here are some other places that might be okay- I need to do another check in about an hour, so heads up, and the church up the street is doing hot chocolate right now".

Really, if you want to do well in security- at least basic work- I'd say you want to focus on the following:

Wear your uniform and keep it tidy

Show up prepared and on time

Be able to approach strangers and talk to them

Keep a positive, non-agressive attitude, and be willing to give people the benefit of the doubt

Learn deescalation techniques to diffuse conflict

Have a strong handle on your personal emotions and opinions

Kerp calm and rational in an emergency

Learn basic first aid and get certified if you can, it's not technically necessary but I've used that more than I'd like to admit

Keep a strong moral compass

Really, I'd say it boils down to keeping to your sense of ethics, showing up on time, and knowing how to follow orders with nuanced interpretation.

Beyond that, you're golden

[thesirencult]

Pick A Card Reading: Your 2025

Pile 1

Temperance, 8 Of Cups, The World

Where your energy flows is what you will be manifesting. You don't need to start the year over-the-top, making lists of goals and going to the gym 7 days per week. Do not go crazy at the start of the year just to give up. Everything in moderation. Let yourself align with your goals naturally. Do you want to walk 10k steps per day? Start walking for 15 minutes a day and slowly build up to it. This is the year you are choosing yourself. No tears left to cry.

Eyes on the prize! But, do NOT overdo it or it will backfire. I know that those bad feelings are what's pushing you to change directions. I want you to know that negative feelings can be alchemized to positive results. We can create our best art while being in our worst space mentally and emotionally. But, we have to remember that we can't hate ourselves to our best self.

What gets you through the door doesn't take you up the stairs. Realign when necessary.

So, in 2025 you will be ascending to a higher plane of consciousness. You will cross the threshold that takes you to the next level. You will be doing the same things and going through the same things but your mindset will be completely different.

I feel that you have a talent for motivating others. Try to preoccupy yourself with that and in that way you will also see that a fire burns within you. You don't know how many people you have touched with your "testimony".

Let your fire warm others up. 2025 will be the year you wrap things up. I know that you didn't get the closure that you expected to get, but I want you to know that sometimes we can give that closure to ourselves. We deserve to let that book come to an end so we can begin to write a new one. Happy new year <3

Pile 2

The Magician, Knight Of Wands, The Lovers

I sense that many people will be choosing this pile or reading it as a second pile, as its themes transcend the norm and will "quench the thirst" of those of you who are looking for an inspiring and empowering message.

As I was shuffling, two other cards fell out, while the energy was "shakey"-- the Ace Of Wands and the 3 Of Wands. I believe that these two cards symbolize the place you are at right now. In 2024 you set the right foundations for a powerful 2025. You've done lots of inner work and experimented with your ideas and techniques of manifestation. You were inspired and trying to do the best you could ahve done with what you had. Still, you felt like zero opportunities presented themselves to you, or whatever came up you did not like or it didn't align with your goals and vision for the future.

You were right! Those were "tests" from the Universe/God that helped you come into alignment. In 2024 you saw what you didn't want and in 2025 you will be sharpening your intellect and powers of manifestation qand that will lead you to manifesting what truly aligns with your spirit.

Lots of wands, the energy is already hot and steamy and now we have The Magician! Mercurial energy, same as The Lovers which we'll be looking at later on... In 2025 you will recognize your power. Scratch that! 2024 already helped you see what you're capable of. You hit some milestones and tasted success, as small as it was and now you are addicted to the rush of conquering. This will NOT stop in 2025, in fact the fire will burn brighter and in an engulfing way. You will stop at NOTHING to get where you need to get. This is not a want but a NEED. It's okay if you overdo it, as you have spend many years playing small.

The cub has now grown into a young lion. Still finding your footing, with immense strength and potential at heart. Important thing to remember: align your intentions with your actions, where your energy flows-manifestations appear. You have realized that your thoughts and mental patterns are powerful, both when it comes to good and bad outcomes. Focus on the positive. Focus on abundance, manifestation, feeling good. Do things that make you feel powerful. In fact, call back your power. Stay mindful of your ability to manifest outcomes and take RESPONSIBILITY. Recognize that you are THE creator of your life. God brought you here in his image, to realize your potential. You will take the reigns. God gives you what you ask him to give you. So, ask wisely!

The Knight Of Wands reminds us to come in with full force. BAM! That's the mindset you should be going into this year with. You have made yourself a magnet, take advantage of that! Balance that drive with intentionality. Every action taken should have a purpose. Do not waste your energy and strength. Power doesn't come from force. The more powerful you are the less force you need to use. Weaklings waste their energy, trying to keep up with the powerful, don't do that. Conserve your power and control your temper. Be disciplined and inspired. Mastery takes time and you will reach your highest potential at some point.

The Lovers showing up after the Knight Of Wands bring two messages to you. One, it could be that a Knight Of Wands figure enters your life and your relationship will evolve to a true partnership as time unfolds and two, as a bearer of advice: Be mindful of the choices you make. They will have ripple effects. Seek relationships and partnerships that resonate with your values, and don’t settle for less than you deserve. I'm seeing passion and potential to build something significant. This also speaks of vulnerability and the choice to keep your heart open for love. It is your choice. You CAN manifest love. The power lies in your fingertips.

Have a blessed 2025! As, I'm sure that you will <3

Pile 3

The Hermit, 3 Of Cups, 2 Of Swords

The last couple months you've been feeling isolated. Friendships have fallen away, but, at the same time, the fog has cleared up.

Now I see.

Your intuition will guide you home. It is the lantern that will illuminate the way back to your soul. In 2025 you will no longer feel lonely. You will realize that true friendship is loyalty and mutual feelings. It is not toxicity, back-handed compliments and unspoken words. You deserve to find your soul family and in order for this to happen you need to let your inner light guide you towards a different path, a path of self-reflection, inner strength and self-compassion.

Self-compassion happens when you let your own self become the compass. Trust yourself. Cultivate self trust. That's the most important thing.

You will be looking at things from a higher perspective and it will allow you to make better decisions, informed by logic. Should you explain to that friend again that you don't like arguing about the same old things? No. Should you give that guy who cheated on you a second chance. Definitely no. This is the level of cold you will reach.

I hope this year brings you closer to yourself and further away from what doesn't serve your best interest.

[chloe-skywalker]

Smarter - Ghostface / Billy & Stu

Billy Loomis x Fem!Reader

Stu Macher x Fem!Reader

Warnings: Murder mentioned?

Word count: 618

Summary: When they're talking about the murder in town Y/n makes a comment that gain’s two boy’s attention.

Authors Note: Not really a romantic mention but they're intrigued by her. First Ever Scream Imagine, it’s short but it’s a start!

Also

Happy Halloween!!!!!

I'm at Horror Nights !

Masterlist

Scream Masterlist

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

“What do you think Y/n?” Sidney asked looking to her friend that sat in front of her as they all ate lunch around the fountain.

“About what?” Y/n asked having zoned out of their conversation, she turned her attention up to Sidney.

“The murderer in town? Duh.” Tatum teased her friend playfully, rolling her eye’s.

Y/n furrowed her eyebrows and asked. “What about them?”

“Why do you think they're doing it?” Sidney was curious even if it brought up feel’s and memories she’d rather forget. Y/n alway’s thought of points and views none of them considered. She looked at it in a different, less gernetic way and it gave them a different perspective.

“Could be mindless killing.” Y/n shrugged thinking about it but even to her the kill’s being mindless killing’s just for the hell of it didn’t seem correct.

“Doubtful. It’s gotta have a motive, otherwise why call first?” Randy shook his head in disagreement as he took a sip of his soda.

“True. Maybe it’s to raise the stakes? Build adrenaline for a better chase.” Y/n tilted her head with a smirk at the corner’s of her lips. The killer called to get their victims into a false sense of security before making them completely terrified for their lives. They were playing with their prey.

“Before WHAM! Spill your guts.” Stu said loudly making Sidney and Tatum jump and Y/n laugh at his usual Stu antics, Billy just shook his head while Randy scoffed.

“It’s all so disgusting.” Sidney shook her head and her face contorted into a very disgusted look.

“Sick.” Tatum fake gagged.

“Could’ve been more creative.” Y/n shrugged her shoulders thinking the killer wasn’t very creative besides the phone call. Even though she had spoken lowly in a almost inaudible volume it caught two of the boy’s complete attention.

“Let’s get to class.” Sidney grabbed her bag, Y/n and Tatum followed suit with Randy on their heels as Billy and Stu stayed behind under the disguise of cleaning up.

“Hear that Billy? More creative.” Stu turned his head towards his best friend and partner in crime.

“Fuck off.” Billy shoved Stu’s shoulder to make him back up a bit. Billy’s attention was still on Y/n as he watched her retreating form. Without even knowing she had guessed correctly about ‘Ghostface’ techniques and it didn’t surprise Billy but it did make the wheels start turning in his mind. Especially when she made the comment about the kill’s not being very creative.

“You think she knows?” Stu questioned in a whisper so others wouldn’t hear their conversation.

“I think she suspect’s.” Billy had noticed Y/n’s eye’s flick to him and to Stu when she answered Tatum’s question. But whether it was from her having a feeling they were behind the murders or just because they were friends Billy didn’t know and it frankly bothered him. Y/n was smarter than the other’s and if anyone would figure it out Billy’s money was on Y/n.

“Does that change the plan?” Stu hoped it didn’t, he rather enjoyed Y/n’s company and he liked that he could make her laugh. She got his humor and she didn’t judge him or view him as just the clown. Stu didn’t want her to be added to the list of who needed to die.

“No. We knew she was smarter than the others. This doesn’t change anything.” Billy didn’t see this as an interference to their original plans. Y/n was not on the kill list but she would be more watched from now on. To make sure she didn’t spoil anything. They had other plans for her . . .

Taglists:

@padawancat97 @maryvibess @gruffle1

[fear-is-truth]

FAMILIAR DANCE — THANOS

pairing — choi su-bong x choreographer!reader warnings — work relationship. mirror sex. MDNI ! jackie’s note — very rushed bc i got the random inspiration and wrote it all in one setting

spending hours in the studio, bodies moving in sync, the hum of bass shaking the walls. you had spent weeks, months fine-tuning his technique, smoothing the edges of his energy until his body obeyed without hesitation.

“look at you, senorita,” he murmured, the aggravating nickname more of a purr than a tease, his hands firm on your hips. “you love this, don’t you?”

you did. you hated how much you did.

because this wasn’t the first time.

it had started innocently enough—just the occasional lingering touch when he let you adjust his stance, the way his gaze would hold a second too long when you moved. harmless, you had thought.

you had convinced yourself it was nothing. that choi su-bong aka thanos was just flirtatious by nature. he is an a-list rapper with a bit of an ego, after all.

until the night he kissed you.

until the first time he had pushed you against this same mirror—hands fisting in your hair as he groaned your name like a prayer. now, here you were again. warm lips ghosted over the curve of your neck, dragging slow, open-mouthed kisses down to your shoulder. you could see him in the mirror—half-lidded eyes, jaw tight with restraint. he was always cocky, but now? now he looked nearly undone.

“let me teach you a thing or two,”

he breathed, hands slipping lower, fingertips teasing the waistband of your leggings. you scoffed, but the sound melted into a sharp gasp when he pressed his hips against yours, letting you feel all the heat and hardness pressing against you.

so, you let him show you how much of a student he really could be. pressing back and grinding your ass against him. his sharp inhale was all the confirmation you needed before he spun you around, lifting you easily, your back hitting the mirror with a muted thud.

then his mouth was on yours, all hunger and desperation. the kiss was deep, his tongue sliding against yours in a rhythm he had long since perfected. hands gripped your thighs, spreading you open as he ground against you, the outline of his arousal pressing insistently against the damp fabric of your leggings.

“fuck, senorita…” he rasped, voice rough with want. “been thinking about this all day.”

you but your bottom lip as he slid a hand between you, fingers pushing past the barrier of fabric, finding you wet and wanting.

“shit,” he muttered, almost in disbelief, his forehead dropping to yours.

“you’re soaked.”

you didn’t have it in you to be embarrassed. not when he was curling his fingers just right, not when he was watching you so intently through half-lidded eyes, like he was memorising every reaction. knowing su-bong, he probably was. silently cataloging what you like and what you didn’t like, and then building on that.

“please,”

he groaned, hastily pushing his sweats down, freeing himself. his other hand guided your leg higher around his waist as he lined himself up, pausing just long enough to meet your gaze.

you swallowed hard, nodding once.

he pushed in slowly, stretching you open inch by delicious inch, and your head fell back against the glass.

“fuck—” his voice was strained, his fingers gripping your thigh so tightly you knew there would be bruises tomorrow.

“so goddamn tight.”

he gave you a moment, let you adjust, but patience had never been his strong suit. soon, his hips snapped forward, setting a brutal pace, every thrust driving you harder against the mirror. the air reeked with sex and sweat, filled with the rhythmic slap of skin, the sound of your combined moans echoing through the empty studio. your nails scraped against his shoulders, clinging to him as pleasure tickled the base of your spine.

“look at us,” he rasped. with superhuman effort, you turned your head and forced your eyes open, meeting his gaze in the mirror.

the sight nearly undid you.

the image of your bodies tangled together burned into the glass, searing into your mind.

“you feel so good,” he groaned, burying his face in the crook of your neck.

“so perfect f’ me.”

your breath came in ragged gasps as white-hot pleasure coiled tight in your stomach. one hand left your hip, sliding between your legs, fingers finding your clit with practiced ease. the added stimulation sent white sparks bursting behind your closed eyelids, every nerve-end alight.

“hngm–fuck, ‘m gonna–”

your body tensed, pleasure crashing over you in waves, nails digging into his skin as you muffled a cry against his shoulder. he cursed, his rhythm faltering as he chased his own release, pulling out at the last second, finishing messily against your stomach. neither of you moved, your heavy breathing the only sound in the room. you swallowed, ignoring the way your heart clenched. this was nothing.

it had to be nothing.

so, you forced a smirk, arching a brow.

“… is this what you wanted when you called me in for extra practice?”

he laughed into the crook of your neck, trailing a few idle kisses before finally answering.

“what can i say? you’re the best teacher.”

 fear-is-truth 2025 — all rights reserved. do not modify, repost, translate, or plagiarise my content.

[brattyfics]

Dear Black Women: Things You Can Do Today to Prepare for What’s Coming

Start a Commonplace Book: Fill it with gardening tips, food preservation techniques, safe spaces that offer resources, uplifting quotes or scriptures, survival techniques—anything you might need or want to remember if digital access disappeared.

Consider a Vow of Abstinence: Childbirth has always been dangerous, but now it’s on another level. Protect your health and your body.

Talk to the Men in Your Life: If they’re not doing what’s needed to protect you and build community, it’s time to X them out. No room for dead weight.

Make a Plan: If things were to go wrong tomorrow, what resources do you have to protect yourself? Where’s a safe place you can go to find community? If you don’t have one yet, start looking—ASAP.

Get Real with Yourself: Look in the mirror and get honest about what you’re willing to do to protect yourself. Toughening up is non-negotiable. Nobody else is coming to save us.

Hone Your Skills: Whatever skills you have, build on them. You need to have something to offer to get what you need.

Do Your Research: Learn all you can about anything you feel might be useful to you. Whether it’s survival techniques, women’s rights movements in other countries, the impact of political unrest, or what to expect when this country inevitably falls apart—prepare yourself. Equip yourself with the truth, no matter how ugly it may be.

Trust Your Own Judgment: Strengthen your instincts and learn to use discernment. The time for letting others make decisions for you or simply going along to get along is over. Take an active role in your life and in shaping what happens to you.

Keep Your Spirits High: Don’t waste energy hate-watching Trump or his speeches—they won’t tell you anything new. Turn off the TV and make sure your own household is strong.

Remember Our Resilience: We come from people who survived much worse with a lot less. Celebrate the small wins and appreciate what you have.

Stand Together: Do not let them turn us against each other. The most powerful thing we have is community.

There are things on this list I still need to do myself, but this is the path forward as I see it. We aren’t superhuman and we can’t outrun what’s coming, but we can prepare ourselves and move accordingly.

[a-d-nox]

how can you glow up: your 10h - your public persona

here's the next hypothesis of how you can glow up using your venus persona. take a close look at your 10h!

paid reading options: astrology menu & cartomancy menu

enjoy my work? help me continue creating by tipping on ko-fi or paypal. your support keeps the magic alive!

10h aries (1°, 13°, 25°), 10h mars, and/or 10h ruler aspecting mars

define career goals

take initiative: initiate new projects, push forward in your career, and take bold steps toward achieving your professional goals.

action-oriented success: you’ll find that you can make progress quickly in your career when you’re proactive. use this momentum to advance in your field, whether through promotions, new opportunities, or recognition.

ambitious and goal-driven: you're determined to climb the career ladder. set clear goals, take calculated risks, and push yourself toward success.

build a reputation

project confidence: present yourself confidently in professional settings. whether it’s presenting ideas, networking, and/or taking charge in meetings, you’ll naturally draw attention.

leadership: mars gives you the courage to step into roles of authority and make decisions that others will follow. you can be a natural leader and motivate others with your energy.

embrace competition: you thrive in competitive environments and are motivated to prove your abilities. use this to your advantage in your career.

balance ambition

action toward legacy: you have the stamina and passion to work toward building something that lasts.

decisive moves: you’re likely to make bold, yet calculated decisions. trust your instincts and act decisively.

10h gemini (3°, 15°, 27°), 10h mercury, and/or 10h ruler aspecting mercury

define career goals

embrace variety: gemini thrives in roles that allow you to wear multiple hats. consider careers in media, education, marketing, writing, public relations, or technology - fields where communication and adaptability are key.

stay flexible: your career path doesn’t have to be linear. give yourself permission to explore different fields, projects, and/or interests. it's never too late learn new things... that being said...

lifelong learning: invest in expanding your knowledge and skill set. take courses, read, and stay curious about emerging trends in your field.

build a reputation

showcase your intelligence: this energy shines when you’re seen as knowledgeable and quick-witted. share insights, teach others, or present new ideas in your industry.

refine communication skills: whether it’s public speaking, writing, or networking, invest in becoming a proficient communicator.

embrace social media: use platforms to share your thoughts, connect with others, or even build a personal brand. a podcast, blog, or youtube channel could work especially well for you.

balance ambition

prioritize focus: curiosity can sometimes lead to scattered energy. use time management tools like task lists or productivity apps to stay organized.

practice mindfulness: with a mind always racing with ideas, grounding techniques like meditation or journaling can help you avoid burnout.

embrace breaks: allow yourself to step away and recharge when needed - you thrive on change, so even brief shifts in environment can boost your energy.

10h cancer (4°, 16°, 28°), 10h moon, and/or 10h ruler aspecting moon

define career goals

follow your emotional compass: think of roles where you can nurture, protect, and/or support others (ex: caregiving, teaching, counseling, creative fields, or advocacy).

create a safe space: aim for a work environment where you feel emotionally secure and valued.

build a reputation

lead with love: show your nurturing side in your professional relationships. be known for your reliability, emotional intelligence, and willingness to support others.

authenticity matters: lean into your vulnerability and emotional depth as strengths.

be approachable: this energy makes you relatable and warm. cultivate trust by being a good listener and showing understanding.

balance ambition

avoid over-nurturing: don’t let yourself become overly focused on caring for others at the expense of your own goals. set boundaries and prioritize your ambitions.

emotional resilience: this energy can be sensitive to public criticism. build inner confidence by focusing on your strengths and maintaining perspective.

work-life balance: your emotional health directly affects your productivity. create routines that allow for rest, family time, and self-care.

10h aquarius (12°, 24°), 10h uranus, and/or 10h ruler aspecting uranus

define career goals

innovate and rebel: you might find fulfillment in careers that are unconventional or ahead of their your. this could mean embracing technology, alternative industries, or positions that challenge the status quo.

pioneering spirit: you may be drawn to pioneering projects or cutting-edge fields where innovation is key. don’t be afraid to pursue new technologies, digital spaces, or progressive causes in your career.

reinvent yourself professionally: embrace reinvention and the possibility of sudden changes in your professional life.

build a reputation

align with your unique self: your public image and career should reflect your true, individual nature. don’t conform to societal expectations if they don’t align with your true desires.

challenge conventional norms: trust this impulse, as it can lead to innovative achievements and greater personal satisfaction.

create a unique professional identity: you may stand out from the crowd, and that’s a strength. cultivate a professional identity that is distinctly yours, and don’t be afraid to express your individuality through your work or public image.

balance ambition

career shifts: your career path may be marked by sudden changes, disruptions, or unexpected opportunities. while this may feel unsettling at times, these shifts often lead to growth and progress. learn to embrace the unexpected.

flexibility is key: rigidity is not your friend. be open to change, and stay flexible with your professional goals. opportunities might appear suddenly, so adaptability is crucial.

breakthrough moments: you may experience moments of sudden insight or a flash of inspiration that leads to breakthroughs in your career. trust your intuition and be ready to act when these moments arise.

10h nn and/or 10h ruler aspecting nn

define career goals

embrace your public role: build a meaningful career or life purpose that contributes to society. this may feel uncomfortable at first, but growth happens outside your comfort zone.

take responsibility: own your actions and decisions. success with this placement comes from being reliable, consistent, and committed to your goals.

have big ambitions: you’re meant to focus on long-term goals and create a legacy. dream big and work toward achievements that will stand the test of time.

build a reputation

get comfortable being seen: step out of the shadows - start sharing your voice and talents with the world.

develop a professional image: polish your public presence by curating your personal brand, whether that’s through social media, professional profiles, and/or networking.

own your achievements: never downplaying your successes - learn to celebrate them and share them confidently.

balance ambition

master time management: 10h requires discipline and structure to achieve your goals. use tools like planners, calendars, or apps to stay on track.

consistency is key: show up for your goals every day - over time, your efforts will compound into success.

learn from mentors: seek guidance from people who’ve already achieved what you’re aiming for. their insights can help you stay focused.

10h part of fortune and/or 10h ruler aspecting part of fortune

define career goals

find a career that brings joy: your greatest happiness comes from pursuing meaningful career goals or becoming recognized for your work.

define your mission: reflect on what kind of career feels truly aligned with your values and passions. you’re happiest when your work is purposeful and impactful.

be ambitious: the 10h rewards you for aiming high and committing to goals that will leave a lasting impression.

build a reputation

public recognition: your sense of fulfillment comes from being respected and acknowledged for your contributions. cultivate a professional image that reflects your authenticity, dedication, and skill.

leave a legacy: think long-term - how do you want to be remembered? focus on building something meaningful that reflects your talents and effort.

balance ambition

step into leadership: this placement often points to natural leadership abilities. don’t shy away from roles where you take charge, make decisions, or guide others.

be a role model: others may naturally look up to you for inspiration. lead with integrity, and you’ll find success comes easily.

learn from mentors: surround yourself with accomplished individuals who can guide you toward your goals and help you refine your ambitions.

10h ruler in the 5h

define career goals

infuse creativity into your career: with this placement, you thrive in fields that allow for artistic or creative expression, such as art, music, writing, fashion, theater, and/or design. even in non-creative industries, you’ll want to find ways to bring originality and fun into your work.

pursue your passion: you’ll feel most fulfilled in a career that aligns with your personal interests or hobbies. think about what lights you up and explore ways to turn that into a profession.

entertainment and performance: you may have natural talents in areas like acting, performing, and/or public speaking. if these fields interest you, don’t hesitate to put yourself out there.

build a reputation

leadership through fun: you’re well-suited to leadership roles where you can inspire others with your enthusiasm.

encourage creativity in others: you may excel as a mentor, teacher, or leader in fields like education, creative coaching, and/or team-building where you can bring out the best in others.

stand out publicly: your career may involve being in the spotlight or receiving recognition for your individuality and creativity.

balance ambition

work that doesn’t feel like work: you’re driven to create a professional life that feels enjoyable and fulfilling. you’re not someone who thrives in overly rigid or monotonous work environments.

create a balance between fun and productivity: while it’s important to find joy in your career, be mindful not to lose focus on long-term goals. blend fun with discipline for sustained success.

have ideas for new content? please use my “suggest a post topic” button! 

return to nox’s guide to metaphysics

return to nox's hypotheses

© a-d-nox 2025 all rights reserved

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[scarletttries]

Write A Kiss Request: Sanji (One Piece) x Reader ...a kiss to shut them up

(prompt list here) & 2025 Request List - requests open

...a kiss to shut Sanji up

You really could listen to Sanji talk about cooking forever. From the way he danced effortlessly around the kitchen as he described the flavour profile he intended to build, to the way his eyes sparkled as he so beautifully presented a bowl of heartfelt sustenance in front of you day in and day out, it was a joy to be a part of his whole creative endeavour. The only problem with Sanji's ability to take non-stop about ingredients, techniques and far-off cuisines, was sometimes he almost seemed to forget to cook as he spoke.

You really thought you could listen to the blonde-haired, lovesick chef talk about cooking forever. But sometimes you just really need him to focus on making you breakfast.

You had just passed a grueling night keeping watch from the crow's nest, near countless waves appearing on the horizon just tall enough to need adjustments to the vessel's steering. You had been concentrating for the full ten hour stretch before finally only one thing stood between you and your well-deserved rest; breakfast.

Sanji was alone in the ship's kitchen as you dragged yourself through the heavy doors, the hour still too early for any of the rest of the crew to have risen from their hammocks. His face lit up the moment you appeared, watching you eagerly as you retreated to the furthest corner of the room to settle in while he worked. It wasn't long until his usual parade of comments came your way, describing the dish he intended to cook in the utmost detail. However you couldn't help but notice that as he described each ingredient he intended to use, his hands would dance around in front of him, rather than doing any of the tasks required in the meal's preparation.

"Sanji, I usually love your recipe chat, but it's been a really long night. Any chance you could make me something a bit quicker than usual?"

"Right, of course, I won't be more than a moment sweetheart." He shrugged off the comment, finally taking a pot of the shelves behind him, getting your hopes up, only for him to spend the next ten minutes debating the pros and cons of each of the shiny copper pans.

"Sanji, please! Breakfast?" You tried not to be short with him, your usual affections for the chef quickly getting shrouded by the growing hunger and exhaustion taking over your frame.

"Almost there my love." He lied, immediately launching back into his excitable monologue about how each dish requires an immense amount of thought, as you deserve only the finest of meals because you are the absolute finest of company. Normally his sweet talk and compliments were music to your ears, but today all you could focus on was that the more that he moved his mouth, the less progress he made in cooking. Finally you knew you needed to resort to truly desperate measures if you wanted to get to bed before the kitchen filled with the rest of the crew, and your chance for an hour of quiet to fall asleep in, went straight out the window.

Letting out an audible sigh of exhaustion, you rose from your seat, taking slow and deliberate steps towards Sanji, who had not stopped talking, even as he eyed you intently. As you drew closer to the chef, you kept your gaze solely fixed on his ever-moving lips, so much so that by the time you stood just a step away from him he was starting to trip over his words, cheeks getting flushed at the unusual, but not unwanted, attention.

"Is, uh, there something I-" You cut off his mumbled offer by placing one hand lightly on the nape of his neck, the other combing the blonde locks out of his eyes so you were sure his vision wouldn't be obscured for this. With his lips finally still, parted slightly in disbelief, you pressed our own gently against them. It was just a light peck, lingering for a moment longer than you had planned to, enjoying the welcoming warmth that his mouth seemed to offer but stepping away from his now dazed expression.

After a moment of processing that on this random Tuesday morning, all of his dreams had suddenly come true, a huge beaming grin broke out on Sanji's face. He leant forward to chase your lips again, looking like a sad puppy when you placed a hand on his chest to stop his getting close enough to taste you again.

"You can kiss me again," his eyes lit up,"as much as you want", his jaw dropped "but only after you've given me breakfast."

He scanned your intense gaze for any sign of joking or hesitation, but in realising the gravity of the situation he nodded like an army general given new orders and immediately got back to work, only letting himself steal the occasional lovestruck glance your way as he focused on his mission. You relished sitting in that comfortable silence as he worked, enjoying every manic smile he threw your way until your morning's peace was interrupted by an intruder to the tension between the two of you.

"Good morning Sanji! What are you working on today?" Usopp was cheery and chatty as he strolled into the kitchen, sitting directly opposite Sanji for their usual morning discussions.

"Shush!" Was all the frantic chef could dignify as a response as he finally plated up the dish he'd been working on for you, tossing his apron aside the moment he was done and dashing over to your table to set the plate in front of you. He squished himself onto the bench at your side, letting his arm lean against yours as he watched you take a first bite, almost trembling with excitement at the satisfied hum you let out in response.

"Can I have that too?" Usopp asked awkwardly from his seat, wondering why he was getting the feeling he had interrupted something.

"Feed yourself, I'm going to be very busy today." Sanji spat back, eyes never leaving your lips as you tried to savour every bite. Afterall, you probably weren't going to get much rest after this anyway.

***

If you enjoyed this, check out my one piece master list for more Sanji!

[yinyuedijun]

hsr oc kit ask game

character-building questions for oc, self-insert, and reader-insert authors in the hsr fandom! please feel free to explain the lore and characterization reasons, if any, behind the answers!

send an ask with a character + number(s)!

what is your character's name?

what is your character's “faction” (e.g., Belobog, Xianzhou Luofu, Intelligentsia Guild, IPC, etc.)?

on their information card, what is your character's introductory description?

what is your character’s path (e.g., hunt, destruction, nihility, etc.)?

what element type is your character (e.g., lightning, imaginary, wind, etc)?

are they a five-star or four-star character?

what type of weapon does your character use?

what are the major visual motifs in your character’s battle animations?

what are your character’s idle animations?

what are some of your character’s voice lines?

what are your character’s basic, skill, and ultimate attacks?

what is their talent?

what is their technique?

what are their best-in-slot relics?

do they have a signature light cone? if yes, what are its features? if no, what's their best-in-slot?

what are the most important eidolons for your character?

what are the best team comps for your character? which characters do they synergize well with?

does your character synergize well with your faves?

where would your character fall on the prydwen tier list?

are there any canon characters whose kits would “compete” with yours?

it’s your character’s debut in hsr! whose banner are they running alongside? what other characters are on their banner?

is there an event or story quest associated with your character’s debut? if yes, tell us about it!

how does your character do in the different types of endgame content? (e.g., pure fiction, moc, gold & gears, swarm disaster)

is there anything else you'd like to share about your character?

[literaryvein-reblogs]

More European Renaissance Art Vocabulary

for your next poem/story

Halo - The gold circle or disk placed behind the heads of Christ and saints, a symbol of their sanctity or the light of God.

Hatching - The drawing or engraving of fine parallel lines to show shading. When the lines intersect each other, it is called cross-hatching.

Horizon Line - The line where the sky and earth appear to meet. The horizon line is drawn across the picture at the artist’s eye level.

Hue - A particular variety of a color, shade, or tint.

Lunette - A semicircular shape.

Magus - A member of the ancient Persian priestly caste, skilled in Eastern magic and astrology. In the New Testament, the Magi are the three wise men who came from the East to pay homage to the newborn Christ Child.

Majolica - Tin-glazed earthenware.

Palazzo - An Italian word used to describe a large building. It may be a mansion or palace, or an official government building like a town hall, court, or embassy.

Passion, or The Passion of Christ - The events surrounding the Crucifixion of Christ; a popular subject for religious drama, painting, and sculpture.

Perspective - A technique that artists use to represent the three dimensional world on a two-dimensional surface, such as a piece of paper, canvas, or wood panel. Using perspective, an artist can create the illusion of depth or space and show the proper proportion between objects. Without perspective, a painting or drawing will appear flat.

Pictorial Space - The illusion of three-dimensional space created on a two-dimensional surface.

Predella - An Italian word for the series of small paintings that form the lower section of large altarpieces. It usually has narrative scenes from the lives of the saints who are represented on the main and side panels of the altarpiece.

Putto - From the Latin word meaning “male child.” In 15th- and 16th century poetry and painting, putti are depicted with wings and connected with the god of love, Eros, also known as Cupid.

Red - In Christian paintings, a symbol of the blood of Christ or the Passion.

Relief - A raised surface; for example, sculpture that is carved or modeled and which projects from a background.

Star - In Christian paintings, a symbol of divine guidance or favor. The Star of the East guided the three Magi to Bethlehem.

Triumph - An ancient Roman tradition honoring the return of a victorious general, who paraded his soldiers, prisoners, and spoils through the city streets.

Tromp L’oeil - French for “fool the eye”; a style of painting intended to trick the viewer into believing that the minutely observed objects shown are part of the viewer’s three-dimensional world.

Vanishing Point - The point where parallel lines appear to meet on the horizon line.

Source ⚜ More: Word Lists ⚜ Part 1