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dcxdpdabbles · 7 months ago

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I've been thinking about a pit assumed mermaid Danny so long. Like the GIW gets their hands on Danny and Danny ends up running away after being dissected and lands right into one of the Lazarus pits not the one that the league of assassin has and he ends up finding out that all of the pits are connected to each other so he uses them to like you know travel around and not be stuck in one place while healing. Damien standing by the pits without being supervised though something down there like just a child being curious he been here is a grumbling thank you. After a while Damien and Danny just get a big brother little sibling relationship and Damian when he leaves to go to his dad is like I promise to come back to save you Free you from the Lazarus pits. Couple years later after Damien established himself as Robin and a barrel agent with his family Damien's always been talking about going back and saving his friend Danny and the rest of the Batfamily is just convinced that Danny's like I'm imaginary friend. So when Damien gets kidnapped by the League of assassins and they're all getting ready to go back home Damian just walked up to the Lazarus pits and goes Daddy I'm here to save you you can come out now then it starts rumbling and outcomes this giant electric glowing green eyes mermaid being like Oh Damian you came back. Sorry for the rambling it's just that I really been thinking about this idea also I love your works.

"Robin! Where are you going!?"

Damian ignores Richard's call. He knows they should be running to the exit where Drake or Todd should fly around with the escape helicopter. He also knows they don't have time to make detours because if they missed that window of escape, the League would not allow them a second chance.

Damian knows. But this is the closest he's gotten to Danny since he was sent away. Now that he knows better, now that he is aware of just how horrible Grandfather and his lot really were, he couldn't just leave his friend here.

Every day that passed, Danny was at risk of being discovered, and who knew what the League of Assassins would want to do to him?

He needed to get him out.

Tonight, Danny was coming to Gotham with him, one way or another.

"Robin, we don't have time for this!"

"I know! I know, but I can't just leave him!" he shouted back, breaking into a sprint down familiar hallways. He dodged a sword swing, tucking and rolling between the legs of an assassin. He twists mid-landing to throw in a Scorpio kick to the head.

He only waits long enough to hear the man grunt. Damian is running away even before the thump of the body hits the ground. He's so close.

"Robin! Nightwing! We're fighting them off, but we can't hold the position for long," Drake shouts into the com that Richard had given him. "We need to do the extraction in two minutes or we're all going to be trapped here!"

He wants to shout at them but can't waste even a second. Damian forces himself to push faster and ignore the burn in his legs as he rounds down the last hallway, attacking the special guards at the gate of the pits.

Unlike the rest of the castle, these two are some of the best the league offers. Damian struggles to find an opening between them and their teamwork. He can also feel the time ticking away with each punch, swing, dodge, and heart-pounding killing blow that nearly lands on his person.

Just a little further. He thinks, panting as he blocks sword after sword, hissing in pain every time one of them manages to make small cuts through his defense. I just have to get a little further!

Bang! Bang!

The two bullets fly, breaking the guard's knees and pinning him down in a sword stalemate. Damian has a moment to thank the heavens that Todd and Richard appeared not even a second later—fighting away the two remaining guards. He watches them fight for a moment, trying to catch his breath.

One minute! Drake hisses, the sounds of gunfire and the wind of the helicopters' wind nearly drowning his voice.

Damian glances at the door, and then his brothers fight, and he makes his decision. He rushes to the door, kicks it open, and sprints down the pathway into the cave. He hears the battle pick up speed behind him, along with Todd's outraged cry of his name, but he does not slow down until the slight green glow comes into view.

"Danny!" he shouts, hoping his voice's sound waves can travel through the green liquid to what is hidden below. "I've come to rescue you!"

Are you kidding me? Todd yells in the coms. We're risking everything while being outnumbered and outgunned so Demon Brat can get his imaginary best friend!?

Damin tushes to the pit, leaning over, trying to spot the mermaid in the glowing water. He splashes the surfaces in the same way he used as a child, when calling for the creature, face darkening at the causation meanwhile. "He is not imaginary! Danny is real!"

Robin, we don't have time for this! Richard screams. We have to go! Now!

"In a minute!" Damian splashes the water more urgently. He could stick his head in, but he was healthy right now, minus the few cuts, and he could not afford to lose his head mid-escape.

We don't have a minute! Drake cries. A worrisome beeping noise accompanies his words. A loud boom is heard along with Drake's screech. I've been hit! I'm going down!

No!

"Danny, please! I need you!"

A small head of pure white hair peaks up from the water, gentle green eyes staring at him. The glowing green hides the rest of his face since the creature did not go further than his nose about the water, but Damian can tell he's smiling.

"Hello, little one."

Damian allows himself one moment of relief before the world starts to shake, and Danny leaves the Lazarus Pits for the first time in fourteen years. He rises out of the water, long, glowing angle fish tail darkening into shadows as his form shifts into a thing of nightmares.

Damian smiles up at him. "Hello, brother. Can you help my other brothers and me escape? "

Danny doesn't even have to consider the request already growing bigger and bigger until Damian is no bigger than his thumb. He then moves grabbing Damian in his ice-cold grasp.

Danny flies through the walls and picks up Ricard and Todd before they go up and out through solid stone. Damian closes his eyes, pressing against Danny's body to protect himself from whiplash and the strong wind.

Danny is insanely fast, which he proves by diving for the falling aircraft and not only catching up to it but also managing to lift it out of the sky. He angles his hand against the doorway, shaking his palm so Damian, Ricahrd, and Todd all tumble out of the gaint being hand into the safety of the chopper.

Danny then swings his massive body towards the horizon, ignoring the Leauge's attempts to capture him. The island is out of sight in seconds, and Damian can breathe a little easier, even though he is pressed against the wall with his screaming siblings.

Danny is going a little too fast in his escape.

"What's happening!?" Drake cries and checks to wiggle back a little from how fast they traveled.

"I invited Danny to live with us!"

"You did what!?"

#dcxdpdabbles #dcxdp crossover #Pit's Merman #Danny hurt himself so his body shift into a mermaid to hell #He was chilling in the pits underground tunnels #He has a mind link with Damian due to how often the boy was thrown in there #Danny could have left whenever he just choose not too #Dick jason and Tim are not impressed

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withthewindinherfootsteps · 1 month ago

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Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him. (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)!

#get ready for tag thoughts because there are a LOT of them #it’s for THIS reason that fanon wwx bothers me so much (didn’t want to get negative on the acual post)#bc so often all the changes are changes that woobify him!#self-sacrificial idiot wwx?? only doing things because… poor him he has so many internal issues and values himself so little-#-so of course he’d sacrifice everything before thinking of another option? woobifying #(whenever he sacrifices something it’s a deliberate choice to act on his morals because he values his morals so much – and he’s also very-#-capable and DOES often find ways for no people to get hurt!)#wasn’t aware that what happened to him at lotus pier was wrong and needs lwj to tell him that for him to have any idea if it?#woobifying (as we see in the lotus seed pod extra he KNOWS it’s unfair)#(he downplays it retroactively in his memory (links into not focusing on the bad things in his life))#(but that’s the actions themselves that are being downplayed not their fairness!)#he chooses to act! he is defined by acting! not tragedy – all the more impressive in the face of the amount of tragedy that’s happened #he could SO EASILY have been a woobie but instead he’s the opposite of one: defined BY his agency instead of the absence of it #that doesn’t mean he’s not impacted by tragedy or trauma – he is! but it’s not the most important aspect of his character (bc he doesn’t le #it’s also something that bothers me about the changes cql made #by making qq path and nightless city the fault of someone else it means he IS someone who’s more a victim of circumstance than anything els #he had no control over the tragedies of his first life at all #apart from ig his death being controlled by him? because he just leaps off the cliff during the nightless city siege?? but in THAT case it’#i watched that part recently (i’m getting through it very slowly) and yeah it reaffirmed my love for this aspect of the book even more #despite. having these exact thoughts for two years already #he also dwells on the past events a lot more than book wwx which adds to that version of him BEING defined more by tragedy rather than who #anyway over 7.3k words total (and 400 more in the tags apparently)... it'll be posted to ao3 in its completion this evening!#mdzs meta #my meta #wei wuxian #mdzs #mo dao zu shi #魔道祖师 #grandmaster of demonic cultivation #gdc

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