#link redesign

[corpsecowboy]

silly link redesign

[eiochevart]

Finally “completed” one of the Link designs! I say “completed” because, you know me… I’ll most likely keep making changes. Especially those pants, my creativity flopped on that front.

Anyways here’s Champion, or BotW/TotK Link! There was a 3/4-year time gap from the events of the first game to its sequel, and I am fully convinced that Link is supposed to look at least slightly older in TotK, even though the game doesn’t really represent that? I tried to keep his design relatively simple and consistent between the two designs, where TotK is more of an “upgraded” version of BotW, rather than a redesign. He wears more or less the same basics but with upgraded gear!

[casunnart]

A redesign of Link and Zelda from Zelda ss! I love them so much 😍

[zelda-fanart-n-stuff]

Wip!

Finally working on a character lineup! It's been long enough, I think it's about time I draw all my link designs alongside one another. It's coming together well enough, I got most of the sketching done. Then it's inking and colouring which is definitely gonna take me awhile 😅

[eddies-silly-art-gallery]

Some extremely fucking rough concepts for Link designs!

If you have any questions on my thought processes, feel free to ask.

You can tell I don’t give a shit about Tracks or Wild and that I’m minimally interested in Time or Chaos. I was really uninspired when doing those.

Anyways, I’ll probably refine these later.

Twilight is supposed to have mutton chops, but they got lost in his hair.

[linked-history]

Day 7 done!!!! God damn I am falling so far behind, I was almost done with this on Monday but then got tired and thought I'd finish it yesterday but forgot I had Parent Teacher Conferences last night so I didn't even open my computer by the time I go home. Finally I was able to finish it tonight.

Regardless here it is following the prompts (with some alteration)

I chose to use Captain for this one as he is a member of Hyrule's Nobility and betrothed to Zelda before joining the Hylian Knights. Ignoring the O.C. part of the second prompt I figured this scene from Hyrule Warriors, where Cia lure's Link to a trap and we first meet his Shadow, was a great direction for the trap, and then of course we have Temple/Dungeon and this scene once again fit as they are in the Temple of Souls.

Originally I planned to use Prince but honestly none of the ideas I came up with really felt good to me so I scrapped them and did this.

[icecream-puffu]

Some more link redesigns (+ravio and shadow)

Once again I apologize for my handwriting

[uncharted-constellations]

The Princess and Hero of the First Great Calamity

The orange snoot is very important to me….

[sirsketchedoodle]

Winx Redesign done!

[verflares]

(draconifies your zelink) oh whoops lol

+ an extra pic of em hanging out together :]

btw, you can find these guys on inprnt! both as a pair, or apart :] You Choose.

[autisminfinite]

sorry i made your horses bigender, it will happen again

[eiochevart]

Yo! I redesigned some Links

Here are my Links so far, I know some are missing, but honestly I don’t know their games too well so I wasn’t as inspired to redesign them (yet).

I’m still figuring out names for them! So far here are the ones I’m testing out:

BoTW/ToTK: Champion

ALTTP—ALBW: Atlas

WW: Sailor

OoT/MM: Prophecy

SkSw: Ancestor

TP: Rancher

[casunnart]

I don’t know if I should make him keep his masks or not?

Also for the name I let you choose

If you have any other name suggestions, feel free to leave them in the comments! 😁

I also practiced facial expressions

I just wanted to show you, so here it is!

Have a wonderful day !!!🥰☺️

[zelda-fanart-n-stuff]

Raising the Dead

Hyrule warriors Link's first introduction of the hero of Time! I had so much fun with this drawing. it took me way longer than i initially thought it would take but i finally got it to a point at which i can call it done.

Since tumblr ate the quality, heres some screenshots cause i spent WAY too much time on this just for the quality to suck so hard

[die-auster]

Some "if Yue is alive and went travelling with the Gaang" designs

With a ton of text about cultural inspiration.

The main book 2 look

I wanted to show cultural differences between the tribes, so Yue's look is sort of Mongolian. There were Mongolian-styled hats in the Northern tribe, and Yue's dress under the coat looked like a Mongolian deel (thanks @atlaculture for all these posts about clothes and everything else!), so it's not much against the canon information.

So she's wearing a deel again with a second layer - there are chinese actors on photos as far as I know; I hope it's okay. One-shoulder silhouette refers to later Aang's clothes because Yue is still kind of a spiritual person (she wasn't a fighter, so I want her to have some other useful talent – not a bender or healer like Katara or a non-bender warrior like Suki). Violet, pink and white were originally her colors, no changes here. Three blue characters would be too much for a group of five, and total white is not practical at all. I like to think that violet color shows high rank in the Avatar universe; in the original series it was only worn by princess Yue, Kanna, the chief Hakoda's mother, and by king Bumi.

Yue's boots here are mongolian gutals/gutuls (the collage is already big, but I used them again for one of Book 3-looks).

Her hair become simpler – just two braids and a hairpiece, to match her previous decorated hairdo. I guess if she's travelling with the Gaang she's not that much of a Moon Spirit anymore (maybe she returned the part of the moon spirit that saved her and was healed other way?), so I decided to forego the moon-referring part. Also it will be easier to do by herself since she has no servants now... The headdress I took from modern Mongolian dancers; the front part is crescent-moon-shaped.

The Ba Sing Se dress

I fell in love with this Ao Dai dress, it's simple, long and elegant. But... it's mostly Vietnamese… and I'm afraid that it's modern and not historically accurate. Also it does not really go together with other Ba Sing Se dresses :( because I did not want to just copy-paste some background look. But there is at least one dress with a tail, thigh high slits and a standing collar on the dress underneath, so... I guess my choice is not that bad? The tail makes her look more royal. The fan is the same which Toph and Katara had. For the palette I chose Yue's white color with EK greens and warm yellow/ochre to match Katara and Toph. The hairdo is copied from the series; I chose one with the tassel on the right, to refer the NWT/Korean accessories.

The Fire Nation disguise

A confession – I don't like FN clothes. I wasn't sure if I would be able to do it properly, so I almost copied that attire (left one) – asymmetry, as a Thai touch, which again matches Aang's Invasion Buddhist-like clothes. The palette keeps Yue's signature white, with some pink of a warmer shade, as they wear it in the Fire Nation. And the "royal" long skirt, 'cause she's still not a fighter. The look is simplified so I could not keep zigzag ornament on her longyi skirt, therefore I moved it onto the top part.

I used Thai dancers jewelry and... flip flops? idk how they are called in Southeast Asia (don't like Sokka and Katara's FN shoes at all, why the design is so complicated?).

For covering her hair I used a turban, inspired by Myanmar turbans; a white one, so if some hair will show, it won't be too noticeable. Also Yue could still be easily recognised on screen/page by her white head. The long end of the fabric on her right resembles burmese hairstyle silhouette.

The Invasion-and-till-finale look

For her dress I used a deel (again); the sleeveless jacket is an hommage to her original design and has some Korean vibes, like Toph's Ba Sing Se dress (at least I hope so). Katara and Sokka's season 1 looks have Korean influence, so I guess it's okay. Gutals are from her Book 2 main look. I have a soft spot for them.

My favorite thing is her hair :)))) It's a mix of Inuit/Mongolian braids and a hairpiece, also from the Book 2 look. This time there will be more braids. Two on the front – I wanted to keep them from her original hairdo, but now they are braided together (I saw this on the Alaskan Inuit/Eskimo women photos). On the back there are five, inspired by a Mongolian hairdo for young unmarried girls, who wore multiple braids. I decided to make five, because Alaskian Inuit language uses this amount for counting and with two front braids it'll make seven, which is a lucky Mongolian number. And in theory a limited number should be easier to animate.

The post-canon noble look

After the final battle I thought Yue will come back to Agna Qel'a and become a more active political figure. I chose a white kuspuk (blue color is still for Katara and Sokka), showing that she is ready to lead her tribe after this journey, not the passive perfect princess she was before. "She is associated in canon with the masculine yang of the yin and yang and the moon which, in most Inuit and Eskimo cultures, is considered masculine as well. While white kuspuks are associated with men and specifically family patriarchs, a feminine kuspuk in white makes plenty of sense for Yue's character" – @mostly-mundane-atla helped me a lot with the cultural meaning of the clothes (I am so grateful!). Also it's an hommage to her total-white Moon Spirit look. And I changed her hair again to Greenland updo with two tied braids on the front – more complicated than the simple braids she wore during the journey. It looks formal.

NWT is less Inuit-inspired and has a strong Mongolian touch (to make them look more "modern"? dunno) but I guess the formal wear for the spiritual princess could refer to older traditions. Which should be the same with SWT, 'cause SWT was originally a part of NWT – or so I heard. For example, Kuruk, the NWT Avatar who lived about 400 years ago, has nothing Mongolian in his look.

All the looks are simplified to match the style of the original cartoon. I know there should be more details and embroidery, but my goal here was to draw something (at least theoretically) applicable for animation. And no Hahn's betrothal necklace of course.

Also I want to mention here other great Yue designs, since they are the inspiration behind the overall idea of the post – the moon looks and "Yue joins the Gaang" outfits by amazingly talented @chiptrillino.

P.S.: an important note

This is my first attempt ever to design outfits that could fit the world of A:tLA. I am not Asian or ingenious, not an expert in their cultures or costume history at all, not a professional character designer. I am just a fan who tried to create designs with respect to real cultures and people. Nothing here was supposed to be offensive in any way. If something still is – please inform me so I could fix it as soon as possible.

I hope, as a fan, I have the right to draw fanarts looking for an inspiration in the cultures that inspired the original cartoon.

If you see mistakes in my post, be it in drawings or a text, also feel free to tell me. I will deeply appreciate it.

[shirecorn]

Neither unicorn nor pegasus, Alicorns appear to have traits from both species, but are so much more beyond that.

The first alicorns are known as The Two Sisters, a pair of unicorns with magic so potent, they changed the face of the sky forever. After growing wings, the young alicorns were called princesses and treated like royalty, thanked for their gift of the sun and moon. But as time went on, it became clear that these were not simply horses with extra features, but something else entirely.

When mature, alicorns are massive deities that stretch across the sky, ferrying the sun and moon to all corners of the world, leaving magic and dreams in their wake.

Being larger than the tallest mountains, goddesses generally don't interact with ponies on an individual basis. When they do, it is a terrifying honor; one that will alter the course of your life forever. Listen to the Sun speaking into your mind, and pray you are still the same pony when she is done.