#lili horvát

[widgenstain]

I honestly don't know if this is because the universe is making fun of me again, or if someone actually reads my blog, but thank you thank you THANK YOU!! Lili Horvát, Queen, I don't have much to offer, but if you by any chance want someone who can give funny yet informative tours through Vienna and its history CALL ME!!!

[oldfilmsflicker]

new-to-me #734 - A szerdai gyerek (The Wednesday Child)

[letterboxd-loggd]

Preparations to Be Together for an Unknown Period of Time (Felkészülés meghatározatlan ideig tartó együttlétre) (2020) Lili Horvát

June 17th 2023

[allweknewisdead]

Preparations To Be Together For An Unknown Period of Time (2020) - Lili Horvát

Sorry, but I’ve never seen you before.

[dalyankiz1981]

So excited for this. Our wonderful little Irish starlet is unstoppable at the moment! 🤩 The storyline sounds really interesting and we already know that he and Greta are mates so they’re gonna slay with this!! 😍

'EXCLUSIVE: Emmy and Golden Globe nominees Greta Lee (Past Lives) and Andrew Scott (All of Us Strangers) have inked deals to star in My Notes on Mars, a sci-fi romance marking the first English-language feature from renowned Hungarian filmmaker Lili Horvát (Preparations to Be Together for an Unknown Period of Time).

Set to shoot between Budapest and Vienna next spring, Horvát’s latest centers on Margot (Lee), a brilliant young scientist with a troubled marriage, who disappears inexplicably while hiking with her husband Sam (Scott) and a group of friends. A few weeks later, she miraculously reappears the day of her own memorial service. Margot is clearly not the same as before the accident. Nevertheless, Sam sees his wife’s miraculous reappearance as a second chance.

For Horvát, the film is “a story about the labyrinthine human psyche, about the ever-changing faces of love. To start over a marriage, to rediscover the other, to fall in love again — our story is about the grueling realization of this impossible desire.”

Noting that she’s “particularly drawn to characters who dare to make surprising, unconventional choices in both their private and professional lives,” the filmmaker added, “I feel that this is true for Greta and Andrew as well. It is an incredible honor for me that I can accompany them on the journey of creating Margot and Sam Fogel.”...

Lee gave one of the best performances of last year in A24’s romantic drama Past Lives, earning the Santa Barbara Film Festival’s Virtuoso Award for her work, as well as nominations at the Golden Globes, Critics’ Choice Awards, Independent Spirit Awards and Gotham Awards. Otherwise perhaps best known for her Emmy-nominated work on The Morning Show, the actress will next be seen in Disney’s Tron: Ares and Kathryn Bigelow’s still-untitled new film for Netflix.

Scott is currently up for two Emmys as the producer and star of Netflix’s stellar Steven Zaillian miniseries Ripley. Prior to the crime thriller’s April debut, he was seen staring opposite Paul Mescal in Andrew Haigh’s acclaimed romantic fantasy All of Us Strangers, a Searchlight title for which he was nominated for a Golden Globe. Most recently tapped to star in the D-Day pic Pressure for StudioCanal and Working Title, he’ll also be seen coming up in Netflix’s Wake Up Dead Man: A Knives Out Mystery...

Lee is represented by UTA, Entertainment 360, and Jackoway Austen Tyerman; Scott by CAA, United Agents, and Johnson Shapiro Slewett & Kole; and Horvát by UTA.'

[leonardcohenofficial]

i watched 120 new-to-me films this year; here are the posters from a few of my favorites in no particular order!!

faults (riley stearns, 2014) out of the blue (dennis hopper, 1980) wake in fright (ted kotcheff, 1971) entergalactic (fletcher moules, 2022) histoires d'amérique: food, family and philosophy (chantal akerman, 1989) the woman king (gina prince-bythewood, 2022) waking life (richard linklater, 2001) on the count of three (jerrod carmichael, 2021)  thank you and good night (jan oxenberg, 1991)

i’ll tag @lesbiancolumbo / @draftdodgerag / @localpubliclibrary / @calicoskiesacoustic / @jerrylandis / @columbosunday / @harrierdoobie  / @sightofsea and anyone else who’d like to do this!! 🌟

entire watchlist from 2022 is below the cut:

the world to come (mona fastvold, 2020)

nancy (christina choe, 2018)

la bouche de jean-pierre (lucile hadžihalilović, 1996)

run (aneesh chaganty, 2020)

the mosquito coast (peter weir, 1986)

mass (fran kanz, 2021) 

a field in england (ben wheatley, 2014) 

angels wear white (vivian qu, 2017)

a cape cod christmas (john stimpson, 2021) 

shook (jennifer harrington, 2021)

outing riley (pete jones, 2004)

love & mercy (bill pohlad, 2014) 

small engine repair (john pollono, 2021) 

the fallout (megan park, 2021) 

clemency (chinonye chukwu, 2019)

red elvis (thomas latter, 2022) 

calendar girls (nigel cole, 2003) 

the little hours (jeff baena, 2017)

out of the blue (dennis hopper, 1980) 

aya of yop city (marguerite abouet and clement oubrerie, 2013) 

fresh (mimi cave, 2022)

jesus camp (rachel grady, 2006) 

bamboozled (spike lee, 2000)

master (mariama diallo, 2022)

the world of us (yoon ga-eun, 2016) 

jezebel (numa perrier, 2019)

the cat, the reverend and the slave (alain della negra and kaori kinoshita, 2009)

cohabitation (lauren barker, 2022)

the queen of versailles (lauren greenfield, 2012)

secret ceremony (joseph losey, 1968)

the northman (robert eggers, 2022)

the silent partner (daryl duke, 1978)

in secret (charlie stratton, 2013)

the ground beneath my feet (marie kreutzer, 2019)

the man who haunted himself (basil dearden, 1970)

woodlands dark and days bewitched: a history of folk horror (kier-la janisse, 2021)

the miseducation of cameron post (desiree akhavan, 2018)

roadrunner: a film about anthony bourdain (morgan neville, 2021) 

karen dalton: in my own time (richard peete and robert yapkowitz, 2020) 

fire music (tom surgal, 2018)

histoires d'amérique: food, family and philosophy (chantal akerman, 1989)

fruit of paradise (věra chytilová, 1969)

a different image (alile sharon larkin, 1982)

preparations to be together for an unknown period of time (lili horvát, 2020) 

candyman (nia dacosta, 2021)

fan girl (antoinette jadaone, 2020)

chicago 10 (brett morgen, 2007)

pray away (kristine stolakis, 2021)

mavis! (jessica edwards, 2015)

M (yolande zauberman, 2018)

wake in fright (ted kotcheff, 1971)

thomasine & bushrod (gordon parks, 1974)

desire me (released uncredited; jack conway, george cukor, mervyn le roy, and victor saville, 1947)

faults (riley stearns, 2014)

premature (rashaad ernesto green, 2019) 

mother joan of the angels (jerzy kawalerowicz, 1961) 

the loft (erik van looy, 2014)

the black phone (scott derrickson, 2022) 

no exit (damien power, 2022)

nope (jordan peele, 2022)

paprika (satoshi kon, 2006)

our eternal summer (émilie aussel, 2021)

playground (laura wandel, 2021) 

not okay (quinn shephard, 2022) 

everything everywhere all at once (daniel kwan and daniel scheinert, 2022)

pressure point (hubert cornfield, 1962)

sharp stick (lena dunham, 2022) 

on the count of three (jerrod carmichael, 2021) 

martha marcy may marlene (sean durkin, 2011)

waking life (richard linklater, 2001)

sicaro (denis villeneuve, 2015)

arrival (denis villeneuve, 2016)

this magnificent cake! (emma de swaef and marc james roels, 2018) 

chevalier (athina rachel tsangari, 2015)

young and wild (marialy rivas, 2012)

alice (krystin ver linden, 2022)

shame (steve mcqueen, 2011)

good madam (jenna cato bass, 2022) 

black bear (lawrence michael levine, 2020)

speak no evil (christian tafdrup, 2022)

wet sand (elene naveriani, 2021)

the catholic school (stefano mordini, 2021)

poly styrene: i am a cliché (celeste bell and paul sng, 2021)

the violators (helen walsh, 2015)

the woman king (gina prince-bythewood, 2022)

the killing kind (curtis harrington, 1973)

oleanna (david mamet, 1994)

entergalactic (fletcher moules, 2022)

the more the merrier (george stevens, 1943)

primrose path (gregory la cava, 1940)

watcher (chloe okuno, 2022)

enemy (dennis villenueve, 2013)

darlin' (pollyanna mcintosh, 2019)

sissy (kane senes and hannah barlow, 2022)

till (chinonye chukwu, 2022)

black panther: wakanda forever (ryan coogler, 2022)

the hunt (thomas vinterberg, 2012)

the other side of the underneath (jane arden, 1972)

barbarian (zach cregger, 2022) 

the intervention (clea duvall, 2016)

sorry to bother you (boots riley, 2018)

the silent twins (agnieszka smoczyńska, 2022)

tahara (olivia peace, 2020)

arranged (diane crespo and stefan schaefer, 2007)

swimming (luzie loose, 2018)

#like (sarah pirozek, 2019)

babysitter (monia chokri, 2022)

chico and rita (tono errando, fernando trueba, and javier mariscal, 2010)

pleasure (ninja thyberg, 2021)

john the violent (tonia marketaki, 1967)

fat girl (catherine breillat, 2001)

lemon (janicza bravo, 2017)

thank you and good night (jan oxenberg, 1991)

what about me (rachel amodeo, 1993)

the KKK boutique ain’t just rednecks (camille billops and james hatch, 1994)

sun don’t shine (amy seimetz, 2012)

zero fucks given (emmanuel marre and julie lecoustre, 2021)

piggy (carlota pereda, 2022)

ladyworld (amanda kramer, 2018)

wolf's hole (věra chytilová, 1987)

[barrowsteeth]

For Horvát, the film is “a story about the labyrinthine human psyche, about the ever-changing faces of love. To start over a marriage, to rediscover the other, to fall in love again — our story is about the grueling realization of this impossible desire.” Noting that she’s “particularly drawn to characters who dare to make surprising, unconventional choices in both their private and professional lives,” the filmmaker added, “I feel that this is true for Greta and Andrew as well. It is an incredible honor for me that I can accompany them on the journey of creating Margot and Sam Fogel.”

[codycawdren]

White God (2014)

Director: Kornél Mundruczó Starring: Zsófia Psotta, Sándor Zsótér, Lili Horvát Thirteen-year-old Lili fights to protect her dog Hagen. She is devastated when her father eventually sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to find her dog and save him. 13-Year old Lili’s parents are divorced. When her mother goes away for three…

[statoprecario]

"PREPARATIVI PER STARE INSIEME…" di Lili Horvát. Dal 2 MARZO al cinema | Cineclub Internazionale

Presentato alle Giornate degli Autori della 77° Mostra del Cinema di Venezia e proiettato al 45° Festival di Toronto nella sezione Contemporary World Cinema, il film è stato presentato dall’Ungheria per la corsa agli Oscar 2021 e segna il ritorno alla regia della cineasta ungherese Lili Horvát. Dopo l’esordio con “The Wednesday Child”, vincitore del 27° Trieste Film Festival e del Karlovy Vary…

[cinquecolonnemagazine]

Preparatevi per stare insieme

Arrivano le clip ufficiali del film “Preparativi per stare insieme per un periodo indefinito di tempo” di Lili Horvát, nelle sale italiane dal 2 marzo grazie a Cineclub Internazionale Distribuzione. Presentato alle Giornate degli Autori della 77° Mostra del Cinema di Venezia e proiettato al 45° Festival di Toronto nella sezione Contemporary World Cinema, il film è stato presentato dall’Ungheria per la corsa agli Oscar 2021 e segna il ritorno alla regia della cineasta ungherese Lili Horvát. https://www.youtube.com/watch?v=zaubSrmDX_o&feature=youtu.be Preparativi per stare insieme, il regista Dopo l'esordio con "The Wednesday Child", vincitore del 27° Trieste Film Festival e del Karlovy Vary International Film Festival nel 2015, la regista si cimenta nella storia di un amore a prima vista che si trasforma in ossessione, dipanata attraverso una trama enigmatica e piena di suspence. Al centro della vicenda Marta, neurochirurga di 40 anni. Un giorno, durante una conferenza medica in New Jersey, l’incontro inaspettato con un medico ungherese accende in lei qualcosa di nuovo e potente. Ma all’appuntamento che hanno preso lui non si presenta. Marta inizia disperatamente a cercarlo e, quando finalmente lo trova, l’uomo le dice di non averla mai vista prima: per la donna inizia così una solitaria ossessione amorosa, che potrebbe essere reale oppure frutto della sua fantasia. Fino a che punto avrà il coraggio di spingersi? Le dichiarazioni “Nello sviluppo di questo personaggio così complesso e affascinante, mi sono ispirata a personaggi di donne guidate da grandi ossessioni” - ha dichiarato la regista Lili Horvát- “alla protagonista del dramma ‘Käthchen’ di Heinrich von Kleist, a Madeleine di ‘La donna che visse due volte’ di Hitchcock, o ancora ‘Adèle H.’ di Truffaut, alle protagoniste femminili dei film di Kieslowski. Durante la fase di scrittura, ho deciso che Marta sarebbe stata una neurochirurga. In questa specializzazione convivono un aspetto di grande concretezza (la carne, le ossa, il sangue) ma anche un elemento misterioso e affascinante, quasi poetico, dato dal fatto che il chirurgo tiene tra le sue mani i pensieri e i sentimenti di una persona. E la dimensione del ‘pensare” e del “sentire’ è così enigmatica che risuonava bene con il tema del film. Con le immagini, volevamo catturare l’inesplicabile: l’intuizione profonda e misteriosa dietro le nostre irrazionali scelte d’amore”. Read the full article

[retyerutya]

egyszer majd megnéznék egy drámát a moziban arról, milyen belső küzdelmek zajlanak mondjuk egy jó szakember lelkében, aki érvényesülni akar, ambíciója van, de emiatt szemet kell hunyjon egy csomó mutyi felett, bűnrészessé válik, ezt tudja, de nyugtatgatja magát, lassan felemészti a tehetségét, a teste tiltakozik, szívproblémák, kórház, túléli, a hazugságokat megpróbálja elmismásolni a gyerekének is, relativizálás, öröklődik tovább a hazugság - valami ilyesmi Kocsis Ágnes, Szilágyi Fanni vagy Horvát Lili rendezésében, Stork Natasa főszereplésével, 600 millió forintos költségvetésből :) . 

szembejött a valóság

[maggiecheungs]

“I wanted it so badly that I made the whole thing up. I wanted it so badly that I forgot I dreamed up the whole thing… and I lost myself in it.”

Natasa Stork as Márta in Preparations to Be Together for an Unknown Period of Time (2020) dir. Lili Horvát  

[artfilmfan]

Preparations to Be Together for an Unknown Period of Time (Lili Horvát, 2020)

[denimbex1986]

'What do you get when you put the star of the best film of 2023 and the co-lead of one of the best films of 2024 on screen together at the same time? No, it's not the set up for a strangely specific cinephile joke, but rather a hamfisted way of saying that Past Lives' Greta Lee and All Of Us Strangers' Andrew Scott are making a movie together. Per Deadline's reporting, the dynamite acting duo have signed up to lead sci-fi romance My Notes On Mars, the English-language debut of Hungarian filmmaker Lili Horvát (Preparations To Be Together For An Unknown Period Of Time).

Lili Horvát has written the script for this one herself, with the film set to shoot early next year between Budapest and Vienna. And whilst further casting details remain under wraps for the time being, we do have a curiosity piquing description of the plot from Deadline's piece. It reads as follows: "[My Notes On Mars] centers on Margot (Lee), a brilliant young scientist with a troubled marriage, who disappears inexplicably while hiking with her husband Sam (Scott) and a group of friends. A few weeks later, she miraculously reappears the day of her own memorial service. Margot is clearly not the same as before the accident. Nevertheless, Sam sees his wife’s miraculous reappearance as a second chance."

In a statement accompanying the movie's announcement, Horvát — who has previously said her follow-up to 2020's Preparations... would be a contemporary take on Pygmalion — describes her latest as “a story about the labyrinthine human psyche, about the ever-changing faces of love." She goes on to note how she's “particularly drawn to characters who dare to make surprising, unconventional choices in both their private and professional lives,” drawing a line of comparison between her new film's leads and the parts they play. “I feel that this is true for Greta and Andrew as well. It is an incredible honor for me that I can accompany them on the journey of creating Margot and Sam Fogel.”

With Horvát behind the camera and two of the most exciting actors working today in front of it, we've no notes so far for My Notes On Mars beyond "this sounds amazing!" and "please inject it into our eyeballs ASAP!" Although, if Lili's taking alternative title suggestions, how about Past Lives Of Us Strangers? No? Fine... we'll stick to the day job.'