#like. the show is fine. its like if a kids cartoon was made for adults. its literally fine. its not bad and its not groundbreaking.who cares
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i think the whole "miles is ALSO spider man" debate becomes worthless when you realize miles is in fact referred to as spider man in every single rendition of him..... except for the ones aimed at 4-8 year olds. which at that point makes your argument mean nothing
#.text#we know hes spider man. getting mad because of a cartoon show for 5 year olds gives the spideys different names#so it doesnt confuse its audience. of 5 year olds. is like. dumb. dont you have better things to do.#it again just circles back around to the timeless debate or whether or not good cartoons should really be labelled as kids shows#like that one post talking. about how at is still a kids cartoon. even if its good. its a good kids cartoon.#like that.#ultimate spiderman is good! but its still made for 10 year olds.#them giving the different spideys different names so the kids dont get confused isnt like#damning. idk why people act like it is. he is spider man everywhere else. its fine.#like he is one of the few other spideys that DOESNT have a real alternate name even#am i even making sense. who cares. this argument is dumb as hell.#i think people should watch or read things meant for adults every now and then. maybe itll open their eyes#and distract them from problems that arent real
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oh wow, you hate this this show that youre clearly not the target audience for? youre soo special! everyone tootally wants to hear your opinions about it! do you want a gold star? maybe some brownie points?
#my post#oh my Gosh no one cares dude#unless a show is an utter insult of existence. who cares!#like velma for example sucked ass and deserved it#but this new show? dude who fucking cares oh my gosh#like. if people didnt passionately hate the creator of it. no one would say anything#personally idgaf about the people behind something unless theyre super super bad. i especially dont care when it wasnt a solo project#like. the show is fine. its like if a kids cartoon was made for adults. its literally fine. its not bad and its not groundbreaking.who cares
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I don't think there's anything wrong with enjoying kids shows as an adult per se, like that's obviously fine by itself. however I think the fact that there are so many Queers™ that almost exclusively watch shows made for children, and that most of those shows were produced by disney, is indicative of a broader trend of reactionary ideologies in mainstream queer society. often they praise these shows for having "queer representation" in some form, such as a gay couple, usually comprised of young children given who these shows are usually about. of course even these meager scraps of representation are often enough to get a show canceled, but the fact is that for them to even be on children's television in the first place, they must be extremely sanitized. disney in particular is notorious for scrubbing any and all content that any hypothetical evangelical conservative might take issue with from their shows, but this is a problem inherent to children's tv.
I say this not to disparage people who like these shows, but to point out that these shows serve to impose heterosexual norms onto queerness, and it concerns me how many queer people seem to be completely fine with this. why should disney channel and cartoon network get to define what an acceptable level of queerness is? the most radical thing you can expect to see is a same-sex couple briefly kissing. they are wholly sexless and sanitized, stripped away of any challenges to heterosexuality, cissexism, monogamy, and patriarchy. Straight People get the idea that they don't have to worry about queerness, as long as it conforms to their sensibilities and doesn't threaten their dominance.
but worst of all is that queer people themselves approve of this sanitization. I suspect the reason that so many queer people's media landscape revolves entirely around these shows is because they seek acceptance into Straight society, and must prove that they won't rock the boat too much. in doing so, they seek out only portrayals of queerness they consider "safe", and eagerly distance themselves from any form of "degeneracy". queer sexuality, for instance, must be a wholly private endeavor, as it is something shameful. any form of kink that isn't acceptable under wider heterosexual norms is something they must vehemently abhor, and engaging in it must be responded to with violence, whether social, physical, or both.
to be clear, I'm not saying that exclusively watching children's shows causes queer people to be reactionary. on the contrary, I think it's the other way around. queer people who already hold reactionary beliefs flock to these shows because it allows them to see themselves in media while still being able to gain temporary, limited access to the heterosexual project and the privileges doled out to its participants. this is deeply disgraceful. not only is the queer project of assimilating into straightness an inherently harmful one given that it necessitates intentionally throwing queer people who can't assimilate due to being trans, black, disabled, poor, etc under the bus and subjecting them to violence; it's also a fool's errand, given that straight people ultimately still hate the queer people that do try to assimilate and will discard them the moment they stop being a useful tool.
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I’m On Fire, But I’m Trying Not to Show It || Chapter Two
Pairing: Angus Tully x fem!reader
a/n: Hi guys! Back with chapter two!! Thank you for all the love last chapter! You guys are too sweet! I hope you like this chapter as well, although we get a little angsty in this one oops. Also author note at the end!
Word count: 5k.
Find: Part 1 Part 3 Part 4
Enjoy!
December 17, 1970. Still.
Paul Hunham didn’t think his luck could get any worse but then that moron at the Janie Patrick's Girl School had to go make his problems, his. Then at the young lady’s arrival Angus Tully practically had hearts popping out his eyes like those cartoon characters on TV. That would be an issue. An issue he had to deal with at once.
As the boys grumbled and moaned on their way to the infirmary, as if they were the Athenians sent to march to Marathon in 490 BC, he made his way to the kitchen, looking for a certain cook.
“Hello, Mary,” he greets. She sits at her desk with a cigarette between two fingers, writing something down in her notebook.
“Mr. Hunham. I heard you got stuck with babysitting duty this year. How’d you manage that?” Her tone tiptoes on the edge of teasing.
“Oh, I don’t know. I suppose I failed someone who richly deserved it.”
“The Osgood kid? Yeah, he was a real asshole. Rich and dumb. Popular combination around here.”
“It’s a plague. Uh, and you? You’ll be here, too?” God, he hopes she is. He doesn’t think he will be able to survive as the only adult on the school grounds.
To his relief she nods her head, “All by my lonesome. My little sister Peggy and her husband invited me to go visit them in Roxbury, but I feel like it’s too soon. Like Curtis will think that I’m abandoning him, you know. This is the last place my baby and I were together, not including the bus station.”
Paul pursues his lips, unsure of what to say. “Well, maybe you won't be completely alone. How would you feel about letting a female student sleep in the staff common room? We could push some couches together, I'm sure. Make a nice bed that way.”
“Female student? What do you mean?”
“I’m unsure about the exact details, but I have been entrusted by the idiots across the lake with taking care of one of their students.”
“Ahh,” Mary is beginning to understand.
He nods, “Her name is Y/n L/n, I think she and Tully are in cahoots somehow. You should've seen the way he looked at her.”
“Oh no, don't do that though. You can’t have that poor girl sleep on a lumpy couch all break. She needs a bed.”
“I just want this whole ordeal to go smoothly. If I can keep those two as far away as possible, I believe all will be well.”
“Please that Tully boy wouldn't try anything. Sometimes he is the only one to say thank you when we place the food down on the lunch tables.”
Paul mulls it over for a second. “I suppose I could give it a try. Not that I think it is wise.”
Mary smiles slightly, “I know those kids are hard to handle but hold out hope for them. Some trust too. It's not too late yet. Their brains are still moldable or whatever corny crap you teachers say.”
Paul smiles slightly, his attention pulled to the bottle of bourbon on her desk, “You mind if I uh…”
“You want some of that? All right.”
“Thank you.”
“You know this is a necessity,” Mary says as she pours the liquid into a mug for him.
“Oh yes,” for life, love, pain or the next two weeks. Paul understands too well.
…
“Put the bed farther away Angus,” you say, your arms on your hips and you watch him struggle to drag his bed closer to yours.
“Why? Do I smell or something?”
“It's already a stretch to think he might let us sleep in the same room, he's definitely not going to let your bed be that close to mine.”
Huffing he begins to scoot it back to its original place, “Fine.”
Music has started blaring loudly from where Teddy and Jason are bunking in. Park and Ollerman are minding their business in their own space. You are across, what you think will be the place Mr. Hunham will stay in. Your hope is that him having an accessible view will make him more lenient towards you and Angus, despite his earlier warning of having you be on your own.
You situate your lavender near the window and begin to unpack your things. Angus does the same and you can hear his rustling get faster.
“What's wrong?” You ask.
“My…” He trails off. Suddenly he storms off like a man on a mission. You ignore the magazine you were flipping through and let it fall on the floor as you get up to follow him.
You see him head directly towards Kountze. “Where’s my photo?”
“What photo?”
“I think you know what photo, and you stole it.”
“I resent that baseless accusation.”
“Give me my goddamn picture!” Angus shouts.
“Hey man, if you took the photo just give it back,” you plead exasperatedly to Teddy, already tired of his whole innocent act.
“Stay out of it Y/n, it's alright,” Angus assures you and you move back to lean against the doorway. You sort of hope Angus socks him.
Kountze leaps to his feet and stalks towards him, “You need your girlfriend to defend you now? Seriously, what's your problem, Tully? Homesick? Maybe the little boy misses his mommy?”
“Fuck you, Kountze. Leave her out of it. And hey, why are you even here anyway? Where’s your family?”
“We’re renovating our house. It’s all torn up. They’re storing the tools and stuff in my room.” “That’s what they told you? It’s winter, idiot. Nobody renovates their house in the winter. Your parents don’t want you around because you’re a fucking insecure sociopath.”
“Hey, take it easy, guys.”
You can see Angus getting angrier. His shoulders are tense and in a last ditch effort you go up to him and whisper in his ear, “Punch him later. In private. Hunham won’t even hear our reasoning for rooming together. He’ll punish you by punishing me.”
Misery loves company, right? That was the saying at least. In your mind, suffering with Angus was better than the alternative. You didn’t want to spend these two weeks inside a glass case. From what you had seen, Hunham would have no problem in making you sit at your own lunch table or study in a separate classroom. You know that is what Ms. Orchard would have done if she was forced to take in the boys. She would have locked you in your dorm and insisted it was because you would “distract” them.
You can see the gears turning in Angus’s mind. He bites the inside of his cheek and finally nods before turning back to glare at Kountze. “You’re an asshole. I just needed you to know that.”
He turns around to retreat back to the room only to run straight into Mr. Hunhams chest. Angus leaps off and leans his back against the wall. Your own eyes widened, you hadn’t even heard the man's footsteps.
He surveys the room and notes all your disheveledness. Teddy's face looks flushed while Angus is still trying to control his heavy breathing. Everyone is completely silent and too scared to even make a move.
“What is going on here?”
“They weren’t fighting,” Alex squeaked. Mr. Hunham only seems to grow more suspicious. He shifted his sights to you and his eyebrow begins to raise, “They weren’t bothering you were they.”
“No. We were just talking,” you swallow the lump in your throat.
“What about?”
“Hmm?” You hum, straightening up.
“What were you all discussing mere seconds before I barged in on what, I am sure, was a highly intellectual conversation.”
“Shocking Blue,” you blurt out and Hunham turns his head as if asking for clarification. “The band that was on the radio.”
“Yeah, we love Shocking Blue,” Angus nods. The rest of the boys chime in, faking their agreement.
“They’re so good.”
“I listen to them all the time.”
Mr. Hunham continues to look unconvinced. Without a word he walks out, and you all collectively let out a sigh of relief. For a moment, you all stare at each other with giddiness. Like when you're a kid and get away with stealing a cookie from the cooling tray. You let yourself relax but shrivel back up upon the echo of Mr. Hunham's haunting voice, “Mr. Tully, Ms. L/n, in here. NOW.”
You frown, gazing up at Angus, “I think he found the room.”
…
After a stern talking to, Mr. Hunham begrudgingly agreed to let you and Angus sleep in the same room. He took a string of jingle bells that hung from a nearby Christmas decoration and tied it around Angus’s bedpost so that if he dared to move, he would hear it. You two were just fine with that.
Later you were escorted to the large dining hall. Mr. Hunham sat at the head of the table as the rest of you indulged in mindless chatter. You and Angus were on your third round of rock, paper, scissors, competing for nothing, when a lady came in to set down a platter of chicken, potatoes and asparagus.
“Lovely. Thank you, Mary.” the older man says.
You wait for the initial rush of grubby hands and pushing elbows to pass before you serve yourself, when you find that Angus already did it for you. He sets down the plate in front of you and then gets himself a serving of the green vegetable on his own dish.
“Didn’t we already have this for lunch?” Jason asks.
“And it was crappy then,” Teddy says through his eager chewing. You gag at the scene.
“Consider yourselves lucky. During the third Punic campaign, 149-146 B.C., the Romans laid siege to Carthage for three entire years. By the time it ended, the Carthaginians were reduced to eating sand and drinking their own urine. Hence the term punitive.”
The woman from earlier, that you now know is Mary, returns with some water. You give her a passing smile which she returns.
“Mary, maybe you’d, um, maybe you would care to join us,” Hunham stumbles through his words.
Kountze looks up from his food then glances at you with alarm. Like he can't fathom the idea of sitting with the cook.
You think Mary can sense his disdain when you notice her demeanor sour after a glimpse in his direction. “No, I’m all right. Thank you.” She escapes through the kitchen doors.
Teddy pipes up, “I mean, I know she’s sad about her son and everything, but still, she’s getting paid to do a job. And she should do it well, right?”
The chewing and scraping of silverware halts. You and Angus gauge each other's reaction, both of you completely shocked and slightly horrified. That boy for some reason just never knows when to shut up and continues, “But I guess no matter how bad a cook she is, now they can never fire her.”
“Will you shut up!” Mr. Hunham yells loud enough for you to flinch. He slams his fork and knife down. “You have no idea what that woman has… For most people, Mr. Kountze, life is like a henhouse ladder -- shitty and short. You were born lucky. Maybe someday you entitled little degenerates will appreciate that. If you don’t, I feel sorry for you, and we will not have done our jobs. Now eat!”
…
You're on your bed and catching up on some reading and soaking in the orange hue that the bedside lamp offers you. The boys are still getting ready for bed, and you were graciously offered the first shift in the showers. You’re waiting for your hair to dry when Angus walks in with his pajamas on, and a towel draped over his shoulders.
“You look very dapper,” You smirk.
“Thank you,” he plops down into his mattress. “You think Walleye is still mad?”
“Probably. I don’t blame him.”
“It made for a pretty awkward evening though.”
“Not one of the worst dinners I ever had. I’d rather endure another night like this than any dinner with my parents.”
“Oh yeah,” he sighs, “Your parents... You never did tell me the reason why you’re here holding over.”
You shuffle around in your bed and bring your blanket up to your neck, “Doesn’t matter.”
“Come on, it's just me now. Tell me. I told you!”
“It's no big reason, just small ones. They didn’t specify. I didn’t want to go home. It's complicated.”
“Okay you just gave like four different excuses right there. What happened? Is it super embarrassing? Did they forget about you or something,” he laughs.
You wince at his words and pray that the world opens up and swallows you whole. Realization dawns on his face, “Oh shit. Did they?”
You nod solemnly and begin picking on the thread of the blanket, trying to make the threading come undone.
“How could they do that? The same assholes who always make a huge deal about RSVPs and invitations. Seriously?”
“It’s alright. I’ll live. I mean what would I have done if I was there? I’d be in my room and waiting for them to drag me out so they could introduce me to people. They’d act like doting parents, ditching me a second later to play blackjack with their friends.”
“I’m sorry. I wish you would have told me, we could’ve… I could have done something.”
You smile, “I didn’t tell you cause I know you. You would’ve cursed them out the minute you had hold of them. Anyways, maybe it was faith to get stranded at Barton.”
“Or bad luck,” he quips, “maybe the universe wants us to die of mundanity together.”
“Either or,” you grin. “I don’t want to talk about it anymore. Let's go to bed.”
Angus nods and spreads his long limbs across the bed exaggeratingly before turning to face the wall. “Whatever you want. Goodnight, Y/n.”
“Goodnight,” you go to turn off the lamp, wondering if you're being paranoid in sensing something off in the way he says your name.
…
December 20, 1970
The last few days had been the same grueling routine. Mr. Hunham would wake you up with the banging of bedpans and you would groan and try to shove yourself deep into your pillows.
“All right, you fetid layabouts,” he would say, “It’s daylight in the swamp. Arise!”
In the quad you were all forced to run laps. You hadn’t anticipated doing exercise, so you were forced to wear some joggers from the lost and found. You had been able to convince him that walking would be better suited for you and your imaginary cramps. His face had completely paled, and he hadn’t even let you finish speaking when he said you walking would be just fine. Men and their immaturity, you think.
When Angus and the rest of the boys would pass by you, he would glare jokingly at you while you would stick your tongue out and wave him goodbye as he flew past you.
During study hall, you would read some more and ignore the ongoing feud between Kountze and Angus. In the span of the last few days, you must have read three entire books. There was a lot of downtime in between recreational time with Mr. Hunham and dinner.
Today you had all decided to walk along the river. You can hear the church bells in the distance signaling the fact that it is the afternoon. Angus is swinging around a branch while Teddy and Jason pass around a football. You steer clear of both. You walk in sync with Alex and Ye-Joon. You’ve taken a liking to them. They remind you of the little sibling you always wanted but never got.
“What about your car?” Angus suggests, “We could take it, go somewhere. Boston maybe.” Jason shakes his head, “Nah, we’d get in so much trouble. Face it. We’re stuck.”
“If we just had some way to get out of here. Just split,” Angus kicks a pile of snow.
“Well, you could put a chopper down right in the Quad.”
“A what?”
“A helicopter, dumb ass,” Teddy snaps, “His old man’s CEO of Pratt & Whitney.”
“Got his own bird,” Jason confirms, “Takes it from Stamford to the city every morning. Lands right in our backyard. Pilot’s name, Wild Bill.”
“Wild Bill?” Ye-Joon awes.
“Yeah. Flew up to Haystack with it. Took the presents and everything. Minus me,” he shrugs.
“Flying with presents, like Santa Claus,” Alex comments with glee.
“Yeah. Just like Santa Claus.”
Jason whistles and tilts his head for Teddy to “go long.” They play catch, getting farther from the group as they go.
“If I was back home right now back in Provo, it would be really warm inside, and my mom would be making baked apples, and the whole house would smell like cinnamon and brown sugar,” Alex reminisces. You smile sadly at the boy.
“That sounds so nice,” Ye-Joon agrees.
Kountze runs back suddenly and grabs one of Alex’s gloves and throws it into the river.
“What's wrong with you?” You intervene.
“Hey!” Alex says simultaneously.
“That’s what you get for ratting me out, little Mormon,” Teddy laughs, not an ounce of regret at what he just did. You tap Angus’s shoulder as you go trailing after the young boy, “I’m going to go help.”
“It’s gone! My glove’s gone!” Ollerman shouts. You continue searching for it through the clearing.
“Twisted fucker orphaned that glove on purpose. Left you with one so the loss would sting that much more,” Angus shouts back.
Ollerman looks to be on the verge of tears. He stares down at his hands and starts walking down a snowy ramp. He throws the other glove before you can do anything to stop it. He watches it disappear downstream as you make your own way down.
“Did your mother make you that?”
He nods. “It’s alright. I know where he keeps his wallet. We’ll steal it and buy a new one.”
You manage to bring out a muffled laugh from him. You consider it a win.
…
Angus wakes up in the middle of the night to see you knitting. He gets up from the bed to see your progress.
“Oh hello, grandma,” he scoffs. “When did you learn to do that?”
“Girl scouts before I quit. You guys had a bunch of yarn just rotting behind your auditorium stage. Did you know that?”
“No? Are you making that for the kid?”
“Yeah, I feel bad.”
“That looks like crap,” Angus chuckles as he messes around with the gloves fingers. You swat his hand away.
“I never said I earned the badge. Besides, it's the thought that counts.”
“I’m going to get a glass of water. You want some?”
“No thanks.”
Angus leaves the room, only to return a couple seconds later.
“Ye-Joon is crying,” he whispers. You furrow your eyebrows and get up to follow him. His cries become louder, and you turn the corner to see the poor boy shivering.
“Are you all right?” You ask.
“I had a nightmare,” You crouch down so you can hear him better.
“Don’t worry we get nightmares too. Right Angus?”
“Yeah, I’m always falling. Or drowning.”
“Also, I had an accident,” he weeps.
You motion for Angus to check. He doesn't have to look far.
“Yeah, you did. Shhh. Stop crying. If they hear you, they’ll crucify you. Which would be ironic, since you’re Buddhist.”
“I know it’s an excellent school, and my brothers went here. But I miss my family, and I have no friends,” he sobs full-on. You hush him gently.
“You have plenty of time to make friends. You’re like a freshman, right? I would start worrying when you're fifty and living vicariously through your kids.”
“Yeah man. You could have a thousand friends and not like any of them. What would be the point of having them then,” Angus adds.
“We’ll help you hide the sheets in the morning, all right?” You wipe his tears with a tissue from a Kleenex box nearby. “Find a dry spot and try to get some sleep.”
“Thank you,” Park smiles consoled. Before going back to bed you ask him one last thing, “Hey do you like gloves?”
Ye-Joon gives you a quizzical look. …
December 22, 1970
Once again, you’re all studying in silence in a fancy room with portraits of dead white guys on the wall.
Mr. Hunham clears his throat loudly and Jason leans in to mutter in disgust, “Are you kidding me? It’s only eleven and he’s already lit. I can smell the whiskey on him.”
“Can you blame him? It’s freezing in here. It’s fucking Greenland in here,” Angus retorts.
From outside you hear the faint whirring of a machine. Not a car but something else. You all approach the window and spot the helicopter flying above the trees. It lands in the quad just like Jason had said it could. An older man steps out and he looks like one of the men you imagine roam Wall Street.
“He finally caved, the big softie!” Smith exclaims. He all but skips to the door and turns to you all, “Hey, any of you guys like to ski?”
You and Hunham stay behind as the rest go racing after him, filled with hope for what must be the first time in days. He goes to subdue the riot they make as they whoop down the hall, but you stop him by grabbing a hold of the end of his sleeve.
“Uh, sir? If Jason is inviting us, would you have to call our parents?”
“That would be proper protocol, yes.”
“Oh. Is there a way I could stay here then? I never cared for skiing and my parents would say no anyway.”
“Let's not get ahead of ourselves. I’d have to ask Woodrup about this first. Come on along,” he clears the path for you.
Grumbling, you find your way to the administrative offices. Hunham, Jason and his father shut themselves in a room. The boys along with Angus all try to listen in on the conversation by pressing their face as close as humanly possible against the glass. You watch from the sideline as Jason gives you guys a thumbs up. The hallway erupts in cheers and a minute later Mr. Hunham steps out with an announcement, “Gentlemen, good news. I was able to reach Dr. Woodrup and your parents. Most of them, anyway.”
Paul glances at Angus and you. Angus expression falters.
As the rest pack, you find refuge in your room. You can, however, hear Angus’s pleads.
“Try calling again. Just one more time. Please.”
“There’s no point. The desk clerk said no one’s answering. He says they’re away on some excursion.”
“Excursion,” he repeats.
Mr. Hunham scoffs, “I’m as disappointed as you are, if not more so. I could be spending the rest of my vacation reading mystery novels.”
“Maybe they’re back by now. Just call again.”
“Okay,” he gives in and marches down the corridor.
Ye-Joon had wished you goodbye a moment ago and now does the same for Angus, “Happy Holidays.”
“Same to you.”
“Take care, Tully.” Smith follows Park, giving him a pitiful pat on the arm.
You catch Alex as he is about to exit. You’ve wrapped the gloves you worked on endless last night in newspapers. “This is for you. Try not to get them stolen by Teddy again. I don’t think my fingers can handle another round of knitting.”
Ollerman smiles genuinely, giving you a hug you didn’t expect. You’re unable to return it as he has your stiff arms completely glued to your side. You follow him out, and Angus scowls in your direction.
“Why aren’t you more upset about this? That was our only way out and we blew it.”
“Don’t be so dramatic. Did you really want to go skiing with Kountze that badly?”
“No, I wanted to get out of here badly. Your parents seriously didn’t answer either?”
“Um-.”
“Hey, you know what! Maybe Hunham can call them again and they can take us both in!”
“Angus no-,”
“Yeah, come on! Let's go ask,” he tugs at your hand to get you through the corridor.
“No Angus. I don’t want to.”
“What, why?”
You run your hand through your hair, “I asked Mr. Hunham not to ring them.”
“Wait. So, you didn’t even try to leave!”
“No! I thought I was clear the night we talked about why I didn’t want to go back to that house. If they answer they’ll pull the victim card and be all ‘I can’t believe you guys kept my child from me! Who do I sue?’ before coming to fetch me and berating me all the way back.”
“Listen, I wasn’t going to say anything because I could tell you were upset but you could have at least let them know for both our sakes. Then we could have spent the holidays in a hotel in Boston or something! We didn’t have to stay with them.”
“I knew you were off that night!” You curse the way you’ve managed to read him. “Anyways, with what money? To do what?”
“I don’t-, I don’t know… we could have figured it out.”
“I can’t believe you're getting mad at my decision.”
“It’s a pretty selfish one,” his eyes widened like he couldn't believe the words that came out of his mouth.
You gasp and hit him harshly at his side. “Ow!” he yelps.
“You’re being an asshole right now. I’ve never been madder at you in my entire life.”
“Really? What about that time I spilled mashed potatoes all over your dress? Your face was beet red,” he mocks.
You go to swat at him again only for him to dodge you. You try once more and fail, almost falling onto the floor but stopping yourself by putting your hand on the nearest wall. If you weren’t so angry this would have reminded you of the times you would wrestle when you were eight. Especially now and the way he holds you back by putting his hand on your forehead to keep you at arm's length. You give up with a huff and you b-line to your room.
“Tell Mr. Hunham I won't be at dinner tonight!”
You hear him groan behind the door you slammed shut and then the sound of his footsteps fading. In your solitude you collapse on the bed, letting out a scream into your pillow. Even though it's muffled, you hope Angus can feel it from where he is. That it reaches him and causes goosebumps to arise all over his stupidly long arms. …
You had skipped out on dinner like you said you would. Although Mr. Hunham had been polite enough to bring a plate down to the infirmary. As he handed it to you, he said lowly, “I’m not sure what that little deviant did, but I’m sure it's related to his foul mood and your absence tonight. Let me know if I can do anything.”
You almost wanted to cry at his politeness. Later he invited you to the kitchen common room and claimed there was a TV there. Considering you had only stared at words on a page for the last few days, you jumped at the offer. You saw Mary there and to your displeasure Angus had been forced to tag along so that Mr. Hunham could supervise him.
Your eyes were glued to the television, not letting Angus’s burning stare get the best of you. They were watching “The Newlywed Game” and drinking from mugs. It was not half-bad. In fact, it was starting to get pretty good to see these couples have their relationship crushed within a thirty-minute runtime with ad breaks in between.
The boy had begun throwing pieces of balled up paper at you and you picked them off your hair and tried your damnedest to not pay him any mind. You could hear him tear a new page from that magazine of his and finally you snapped at him. “Will you stop it? You’re wasting paper.”
“Thank God. You’re talking to me,” he stood straighter in his seat. “Here's the thing, I'm sorry. I should have never said that you were selfish. Cause you’re like, not. You’re honestly the most unselfish person I know.”
“I don’t want your apology right now. I’m watching TV.”
“I just got caught up in the moment is all. The truth is that-.”
“Angus, I said I don’t want to hear it!” You raised your voice loud enough to catch the attention of both Mr. Hunham and Mary.
“Everything alright back there?” Hunham takes the pipe out of his mouth to ask.
You get up, brushing invisible dust off your skirt. “Can I be excused. I’m pretty tired.”
“That’ll be fine.”
“Thank you,” You pick up your discarded book from the nearby coffee table before leaning down and whispering in Angus' ear, “Don't follow me.”
As you stomp away you hear Mary say, “We need to get those two onto this program. Win us a trip to Bermuda.”
Mr. Hunham lets out a suppressed chuckle, embracing it soon after along with Mary. You roll your eyes at the pair and their drunkenness. You’re comforted by the fact that they’ll have a big headache tomorrow. …
You’re shaken at a frantic rate. You went to sleep early but were awoken now by a mischievous looking Angus. He dangles a set of keys right in front of your face.
“What are you doing?” You squint under the harsh glare of the flashlight.
“Inviting you on a night of adventure. Walleye is completely blacked out. He won’t even notice us gone.”
“No thank you,” you turn away from him and drape your blanket over your head. He tugs it back down.
“Come on. Please?”
“I’m still not in the mood. Plus, now I’m tired.”
“Y/n,” he whines.
“If you find a cookie in a pantry somewhere you know what to do,” you murmur, already being lulled back to sleep by the warmth you feel under the covers.
“Y/n,” he says more seriously, “I am sorry.”
“I know,” you sigh. Maybe you had been too harsh. You prop yourself up on your elbows, “It’ll be better tomorrow. We will talk then.”
“Promise?”
“Promise.”
He embraces you tightly in a hug. As he parts away, you two are face to face. You’re able to notice his eyes gleam under the light of the moon. You wonder when his eyes got to be that dark of a brown. Those same eyes flicker to your lips. You stare at him wearily as he clears his throat, scratching the back of his neck. He walks backwards to leave, his back bumping into a nearby lamp. “Shit. Sorry. Uh, goodnight. Bye.”
You were probably disorientated. Sleep deprived most definitely. Or maybe that secondhand smoke finally got to you. Surely you were just seeing things. Because surely, your best friend hadn’t just looked at you the way songs and books always seemed to describe love.
a/n: Thanks again for reading! Just to clarify some things, obviously Y/n knows about Angus’s dad, but just like in the movie, he doesn’t let it show how much it affects him. That’s why Y/n is unaware of why Boston is such a big deal. Anyways bye :)) until next time. Let me know your thoughts.
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Okay I see your "if Hobie and Noir meet they would be besties and punch nazis together" and I totally agree with that! But also consider:
Hobie is Spider Noir's biggest fanboy!
Like in the comics he's like a HUGE Gwen Stacy stan and he's such a goofy little dork about it. In ATSV him and Gwen's relationship is more like chill friends, and I'm okay with that. But I think it be so funny that when Hobie was recruted into Spiderverse society and Miguel was showing him all the other universes with the different Spiderman variants he pauses by the computer screen with that one gritty black and white universe cuz he just saw some guy in a fedora and trench coat PUNCH A FUCKING NAZI!!! WHO IS THAT GUY?!?! HE'S SO COOL!!!
He asks Miguel a million and one question about the guy and when the old grump annoyingly shoos him away he asks Peter as he briefly met him during that one incident in Miles is dimension. When that still isn't enough he asks Lyla to tell him everything she knows on Noir. Now obviously Lyla has no obligation to do this but she's also never seen Hobie this giddy and excited over something other then music. Its adorable, he's almost like a little kid wanting to know everything about their favorite cartoon. Also she low key likes to annoy Miguel and Hobie's rebellious spirit that gets under her straight laced boss is skin which is hilarious.
You know when Gwen first met Hobie she was a bit intimated cuz he just had that "too cool" vibe about him. But as soon as she mentions that she has worked with other Spider people before, which includes Noir, he did a whole 180 and became a complete dork!
Hobie: Get out, you actually met him! 🤩
Gwen: Uh, yeah?
Hobie: How was he like? What did he say? Did he talk about fascist corruption that not only plagued the system back then but even now as well? Was he super cool during the fight?! 😃🤩💫😻
Gwen: ..........He was nice.
Hobie: That's so rad! ✨️🤟🤩
I also feel like, aside from Miles, Gwen keeps in contact with the other Spider peeps from the first movie and tried to recruit them into the Spider society but obviously Noir and Porker didn't join. Porker because he’s a cartoon that follows "toon logic" and Miguel's ideologies are too serious for his taste. And Noir because, and I quote: "The last I heard of a secret society designed to 'keep the peace for the greater good of humanity at any cost' a whole world war came about it. I know fascism when I see it, kid."
Gwen relays that message to Hobie when explaining why Noir isn't joining and Hobie's response to that is: "He gets it! He just like me fr! 😭💕"
I think it be really cute that in the next movie when they finally meet Hobie is kinda awkward and shy. Like this guy has never respected an adult in his life (at least not any that didn’t deserve the disrespect) and with Noir his all like "Hello sir" "How are you sir" "It's very nice to meet you sir!" And Noir is actually just a really nice guy if a little broody but he's heard so much about this kid from Gwen and how much of a good friend he's been to her so Noir already likes him on principle.
Hobie: Uh Mr. Noir-- Parker, sir! It is such an honor to meet you! The work you do in your universe is amazing and I hope to learn more while working alongside you however briefly.
Noir: Ah, Peter is just fine really, or Noir if it gets to confusing. No need to be so formal, we're all on equal footing here. I've heard a lot about you and your world as well from Gwen. Although it does sadden me that such a young man has to take on the burden of saving the world from such a corrupt society yet again, you're going about it quite well. War is hard and ugly and violent but you are amazingly brave to be able to stand up for what is right in the face of it all. If anybody is honored here it is me, for being able to meet such a remarkable young man like you. And knowing that my friends have made such honorable allies in the midst of all this chaos.
Hobie, externally: Yeah, it's whatevs 😎
Hobie, internally: Dont cry dont cry dont cry dont cry dont cry dont cry dont cry dont cry YOURE GUNNA LOOK SO UNCOOL IF YOU CRY IN FRONT OF HIM NOW 😭💕😭💕😭
I just think it be really cute if they had a wholesome father-son sort of relationship where they shit talk corrupt government systems and punch fascists together. You know, regular father-son bonding!
(Also I think that's another reason Miguel didn't invite Spider Noir to the Spiderverse, cuz he knew that both of these menaces together would cause a bigger headache than its worth 🤣🤣🤣)
#spiderverse#spiderman across the spiderverse#atsv#spider noir#spider punk#hobie brown#DO NOT TAG AS SHIP!!#father son relationship#spiderman#bunny talks#headcannons#hobie brown is a dork and we should all accept that#Noir is adopting ALL the colorful spider children
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this isn't so much a "play this game" message but i heard you mention that you might play the bl*ey game in a similar vein to the p*ppa p*g game. thought i'd note that bl*ey as a franchise is far more genuine and has more spirit in comparison, not to mention the fanbase has expanded overtime a la my l*ttle p0ny.
during the pandemic my friend group bonded heavily over the show bc of its writing which based on my own experience is capable of appealing to adults in a subtle but still deep emotional and wholesome manner. it's a NZ gov't-funded kids show that truly has a purpose as edutainment for young families and fulfills it beautifully.
point is that doing a "wtf is this game about" stream of the recent game may not be the best idea for an otherwise beloved piece of media. also i wouldn't want you to deal with unwanted attention from toxic toon buffs. but don't wanna be bossy, i'm not ya mum ofc. that game does look very silly and adorable like the source so maybe you'd enjoy it! but just wanted to give you a heads up in case the original stream idea is in the works.
PS i listened to the beginning of the final pikmin stream early in the morning chasing around a mouse the cat brought in. so now my brain has connected the existence of the gumby movie to "where is that DAMN mouse"
I have been getting multiple questions and comments and messages about this recently, and I do not understand why.
I made one off-hand comment about wanting to play the game with friends (who like the show, and who were already planning on playing it) because it has multiplayer, and that sounds funny.
It is made by a company that exclusively does kids show licensed shovelware. I do not think it matters if the source material is good. People have been making bad video games out of good properties since video games became a widely produced thing.
(The friends I want to play this with are both fans of the show, and I think it'll be fun to try and understand it through their eyes. They also agree with me that shovelware is weird and funny and fun to pick at. LOL)
There's this weird thread of presumptions in these messages I keep getting, that if I do end up streaming this, it's going to be some weird irony-poisoned thing, or I'm going to be really unnecessarily mean or something. I do not understand. I know I can be kind of a bitch sometimes, but... Have you seen my streams?
"I wouldn't want you to deal with unwanted attention" I already am. I have received like 8 messages about this in the span of a few days. If you are going to get mad at shadows on the wall you do not need to make it my problem.
It's a children's cartoon. It's fine. The dogs will be fine if a bad game comes out and I have a chuckle about it.
Please do not send me questions or comments or presumptions about this anymore. Thanks.
#I have been talking about this with Frankie because he is one of the above-mentioned friends & he said#''i dont think bluey would read all that''
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I keep thinking about TBB and how it ended. Or the whole season i should say, the ending was pretty good with a few flaws ( in my opinion ).
And you know, I'm not surprised, as much as i LOVE this show, I'm used to cartoons getting shit. Its been going on for far too long.
Its Disney AND Netflix. And here is a list of shows that were doing good, got told mid season its getting canceled, and a rushed ending.
Amphibia
The Owl House
She Ra and The Princesses Of Power ( 2018 )
Centaurworld*
My Little Pony G4* and G5
Steven Universe*
OK KO lets be heroes.*
Star Trek Prodigy*
Kipo and the age of the wonderbeasts.
The Mandalorian ( i know its not a cartoon but it has the same vibes as TBB ).
And probably many more. It sucks, so bad, for animation. And I'm saying this because i fully believe Disney or whoever was going to cancel TBB if it already isn't. They just didn't want to announce that.
Other notes:
*Centaurworld ; Was meant to be an ADULT cartoon and very much has left overs from that, however Netflix decided it was too MLP-esc so they made it for kids instead which ended up just being a bunch of fart and butt jokes. And then got canceled anyways so everything had to rush and wrap up in season 2. Which SUCKS because it is so beautiful when it can be and has beautiful music.
*MLP G4 is not Netflix nor Disney and while it did get multiple seasons and an ending, it had new writers during, i don't know, s6 or s7. And things slowly went backwards. And the end felt rushed imo. It wasn't a bad one but it didn't feel.. satisfying.
*Steven Universe ; i love Steven Universe, it was canceled because the creator got an Sapphic wedding AND kiss scene on screen, on a kids cartoon. But they compromised by after the finale they would get a spin off and a movie. The finale is good. Whats rushed here to me, was the spin off. And again, this is not Disney or Netflix, but Cartoon Network.
OK KO and Star Trek prodigy are also not Disney or Netflix ( which apparently Netflix is trying to save Star Trek Prodigy ) but also kicked the bucket.
All this to say ; there is a huge problem within the animation area and I'm tired of CEOs or whoever forcing creators and writers to cancel or shorten their stories.
The Bad Batch s3 is no better in my opinion. I loved a lot of scenes of it and I'm grateful for a lot of it and I'm not honestly sure if this is Disney or Jennifer or someone else but it really hurts.
Here is why it bothers me:
I'll just get this one out of the way first. Tech. Tech COULD have been sacrificed. He COULD have died. In a way that was actually meaningful. Omega got captured anyway, she was probably going to whether Tech went home with them or not. His death IS sad and i DO see them trying to honor it, i do. But its bad to me because it really does feel like "gotta kill the autistic person". Its really annoying when shows try to have an autistic character and then mistreat them ( She Ra 2018 as well but Entrapta didn't die but she does get mistreated a lot ). Its annoying and hurtful. Especially with the writers and such teasing his fans so strongly. There was no reason to. Its not a spoiler.
The TALKS in between that we missed. Tech talking to Phee about Crosshair. Crosshair learning about Tech's Death from Omega. Omega talking to Emerie about her brothers. Crosshair coming back with Omega, we don't even see them just silently watching him walk into the ship. Its just nothing. I'm sure i am forgetting some because it happened, SO much during this season.
What happened to Cody. Like its fine if he's being saved for another series but then perhaps say that.
Creators do not have to be extremely secretive about everything. Fans who don't want spoilers don't go looking for it. I'm not implying they need to spoil the ENTIRE plot, but saying Tech is dead-dead is not something to be secretive about, An hour long finale is not something to be secretive about, etc.
The other Clone X's, while they are very very cool and supposed to mirror CF99... they weren't overly needed honestly. It felt so rushed. Like I'm not saying they needed to be someome either, they don't need to. But i wasn't fearful or full of impact when i saw them my genuine reaction was "this is too much now". It was like if they DID decide to put Darth Vader in it at last second. Like i fully believe Omega was supposed to be home with Crosshair for a little longer and help Echo and Rex with the clones. And then these new CX clones were supposed to show up in s4 and be the ones to get her again.
The fans.. would have wanted.. season 4?...... i don't know why its so bad to want that. And honestly atp, i don't get why its so bad to have plot filler. Its BAD for series that got canceled or shortened, but its not bad for a series that you want more of, because then you get more time with them or more lore if you're lucky.
It occured to me there was not one flash back. Not one about the past. The most was Omega talking about how she watched CF99 be made and that it implied shes older ( and is ) than them. Could you imagine the emotional impact on us and for Omega, watching her, watch them grow up. I don't think Rebels or TCW really had flash backs either but they usually did it in other ways.
I'm not like.. a good writer, so maybe writers on here will disagree and thats okay, I'm open to that.
TLDR: I'm tired of Cartoons kicking the bucket too soon for far too long. I feel like The Bad Batch s3 also had this treatment and it isn't fair to the fans.
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My take (that no one asked for) on every single Star Wars show and non-saga movie:
The Clone Wars (movie): It’s…okay it’s rough. This wasn’t supposed to be a movie at all, putting three episodes of the show together and releasing it theatrically was part of the distribution deal with Cartoon Network, as far as I know, and it does show. It’s grown on me, though.
Clone Wars (The Tartakovsky Series): I think I’m probably in the minority here, but I actually don’t love this one. It’s fun, slick, and stylish, like everything Tartakovsky does is, and I don’t dislike it, but it just doesn’t do much for me. It’s cool. Maybe it’s a little too cool. Great art style, though.
The Clone Wars: Very high highs, very low lows. Though to be honest, I actually love a lot of the goofier episodes. They’re fun. It doesn’t have to be all drama all the time. Sometimes you can let Jar Jar be an agent of chaos. Sometimes you can have an episode about interest rates. I don’t have the nostalgia factor going with TCW the way a lot of people do—I didn’t watch it until I was in my twenties—so I do have to admit that it is tied with one other show as my least favorite of the animated shows, but that’s not a bad thing. I still love it.
Ewoks: I’ve only seen about six episodes. It’s veeerry 80’s. I think eight year old me would have gone insane for this show had I seen it. Adult me actually has a bit of a soft spot for it. I’ll watch the rest of it eventually. (Aaaand now I have the theme song stuck in my head. It’s. It’s definitely a theme song.)
Droids: I…haven’t seen it.
Resistance: I finally had a chance to get all the way through this show (I was eyeballs deep in “okay fine we’ll try this college thing AGAIN” when it was airing and just didn’t have time to check it out) and you know what? It’s actually pretty good. It’s definitely skewed even a little younger than Star Wars typically is, but it does what it does really well. Sort of feel like this one is slept on.
The Mandalorian: It’s a fantastic adventure of the week show. I actually don’t dislike the “plot” episodes, but mostly I’m just here to watch what shenanigans Din and his small green force son get into. Season three is weaker than the first two, but I don’t even really think that season is bad. There was some great stuff in it—just uneven and mixed in with some not so great stuff. Overall, good popcorn viewing, as far as I’m concerned.
Andor: Okay, yeah, Andor is fantastic. I do think some of its popularity is that it’s one of two (maybe three) Star Wars shows made for adults more than anyone else, so some people don’t quite have the same “why isn’t this making me feel like Star Wars did when I was a kid?” dissonance watching it, but it is also genuinely amazing. Probably the best thing Star Wars has ever done even if it’s not technically my favorite.
The Book of Boba Fett: Is it a mess? Yes. Do I still enjoy it? Yeah. My main problem with BoBF is that it’s got some serious structural issues. Even besides Din coming in and taking over two whole episodes, I think that the telling the story via flashbacks was a mistake, and that we should have followed Boba through the childhood bits and slowly caught up to him in the present. Maybe revealed it was all a flashback while he was in the bacta tank from there. And I…don’t love Robert Rodriguez’s directorial style all that much, never really have. That said, I do hope we eventually get more of this, though if we do I think it will be folded into something else. Still don’t love the live action pike design. (I actually have a conspiracy theory that BoBF was originally just a few episodes or even a season of The Mandalorian, and that it was made its own thing for marketing purposes.) I want more Boba, more Fennec, and more Sand People, if nothing else.
Solo: One, killing off Val Beckett was a huge mistake. It’s not story breaking or anything like that, but doing so when she’s one of very few black women in Star Wars and half of one of, like, two interracial couples in the entire franchise means that it hits in a way it wouldn’t if she was someone else. So, yeah, don’t like that. Two, the rest of this movie is a blast and audiences just hate fun. I don’t care that no one asked for this movie, it’s fun and campy and there’s a heist and I like it. Three, Enfys Nest has the sickest armor design in the whole franchise and I need more of her.
Kenobi: So…maybe unpopular opinion here, but…I really like Kenobi. Kenobi’s a delight. It’s not perfect, it’s got some problems, but I like that it’s about a guy who’s that depressed and alone slowly regaining his sense of hope, I like that we had something focus on Leia for a while (because Anakin and Padme had two kids and Leia always gets left second string), I like that you’ve got grifters like Haja and former imperials doing what little bits they can to help even though they can’t fight the whole empire. And I know that thoughts are mixed on this, but I actually thought it made a couple bits of A New Hope make more sense where Leia is concerned; kid me could never figure out how she knew who Ben Kenobi was when that was the name he only went by in exile on Tattooine (“Ben Kenobi? Where is he!?”), and it kind of made the switch from the very formal request for aid on behalf of her father to the more personal, “Help me, Obi Wan Kenobi,” a little more poignant, for me, anyway. Reva is an amazing character, she’s a perfect parallel and eventually perfect foil for Anakin, she’s a mess and a he’s in pain and I just. I love her. I have mixed feelings on the live action Grand Inquisitor’s performance (and mixed feelings on the makeup—on the one hand it could be better and on the other hand the other main live action pau’an we’ve got—the actor’s head was just shaped like that). Nevertheless, this show for me was mostly about the big emotional beats, and it hit all of those really well.
The Bad Batch: This is a magnificent show and I adore it apart from That One Thing and the fact that everything was left completely open, even going into the epilogue, apart from Omega’s coming of age and the Hunter’s and Omega’s relationship’s arc. That was resolved very well. I am mildly insane about this show. I love it. Also, it vexes me. Tied with two other shows as my favorite Star Wars show in spite of all that. Amazing soundtrack. Sidebar: If it turns out I’m right and That One Thing is an extended fake out and we’re not quite done with these characters, I’m sorry, but I’m going to be the most insufferable person alive.
The Acolyte: Everyone is very pretty and just a little stupid. Mae is very fun. The good scenes are very, very good. The writing is pretty uneven; judging from interviews I have a completely different view of writing than Leslye Headland and had a hard time picking up why a lot of the characters did anything, but when it hit, it hit. It’s…very CW drama, which isn’t a bad thing—just not always my thing. That said, Sol is a fascinating concept for a character and Lee Jung-jae did an incredible job with what he was given. Same with Qimir and Manny Jacinto. It’s honestly not my favorite Star Wars show, but I’m still disappointed that it looks like it’s not moving forward. The leftover story might end up being folded into the high republic book series, but I still hope we get some kind of on-screen continuation. I think the public needs more of Darth Babe the Jacked.
Rogue One: It’s great. Yes, the entire main cast dies, but the central message was still about hope. Vader gets to pun. I remain somewhat dismayed that the only thing a portion of the audience took away from it was that the Vader hallway scene was cool. He’s a horror movie monster there. Still a great movie. (Also, Saw, why do you have that??)
Young Jedi Adventures: This skews very young; most Star Wars is for kids in the first place apart from Andor, the Acolyte, and mmaaaaaybe the Tales of anthology (the other live action shows are, in my opinion, solidly whole family), but this really is made for very young children. That said, I have watched it, and it’s a very well done show for very young kids. Also I would die and kill for Nubs.
The “Tales Of” anthology series: Yes, I am counting this as one, because even though there’s a shift in focus from the Jedi to the empire between seasons, it all follows the exact same format and structure. I’d argue this series is the one that’s primarily for the adults who either grew up watching Star Wars animation or got into it as adults. It’s good, lots of atmosphere, the episodes do range in quality but I generally like them, and it’s nice they get to play around with different techniques, like making miniatures and incorporating them into the animation. The Dooku and Barriss episodes are probably my favorites.
Ahsoka: I know the fandom is divided on this, like they are on most things, but I love this one, okay? It’s not perfect, but I have a good time watching it. It just happens to be this perfect blend of campy, fun, dramatic, and mystical that really feels like Star Wars for me. I like it when Star Wars gets weird, has silly little guys, and doesn’t take itself too seriously. Lucky for me that this series has extragalactic travel via whale, Ahsoka being dragged to Force Therapy by Anakin, and Ezra hanging out with the space fraggles. That, and I love some of the concepts. I like the idea that force sensitivity isn’t the be all end all, that connecting to the force is something you can learn with practice even if you weren’t blessed with the genetic lottery. Peridea and the space it occupies in folklore is neat. And the music is wonderful. It is a little uneven, it’s not Andor or anything quite that amazing, but I’m eager for more.
Visions: This anthology is fantastic and you’re missing out if you haven’t seen it. I don’t love every entry, but even the weaker ones are worth seeing once, and the stronger ones are worth seeing a whole lot more than that. It’s a great blend of styles and takes from people normally not involved in creating Star Wars. This is in a three way tie for my favorite Star Wars show.
Rebels: Again, it’s not perfect, because no show is, but I also think it’s the strongest standalone show Star Wars has besides Andor. Yes, there are weaker episodes, but on the whole it’s remarkably consistent, and the second half of season four might be some of my favorite Star Wars outside of parts of the original trilogy. Also, it has some stunning backgrounds, and while the art style doesn’t always work for every character, the character animation ends up really hitting its stride towards the end of the second season, and just gets better from there. And, as always, the music is fantastic. Rebels rounds out that three way tie for my favorite Star Wars show along with TBB and Visions.
#Star Wars#this is all just personal taste#I guess tldr is that I enjoy some more than others#but I enjoy basically all of it on some level
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I've seen you mention on some posts that Ninjago had an affect on your relationship with being Asian, and I was wondering if you had any thoughts you wanted to share on the subject of Asian representation in Ninjago.
Feel free to disregard if the subject is too personal.
This is absolutely fine! In fact I’ve been itching for an excuse to talk about it for a while, because this show deeply influenced my writing growing up, and honestly I'm sick of most of the people getting noticed for discussing it being white.
So, I think Ninjago’s Asian representation is garbage. It’s not unique: there was a common trend in 2010’s kids’ media to make everything cooler by including Ninjas or, more generally, Asians Doing Martial Arts. I remember it being in media as distant as Club Penguin and many Flash games back in the day, as well as worse cartoons I don’t bother to remember the name of. I’m fairly sure adult-geared Kung Fu movies also had a hand in this, but I didn’t watch those as a kid.
But Ninjago’s particularly bad in that they’ve kept doing this for over 10 years, and it’s baked into their story.
Everything from them not checking up how ‘ninjutsu’ was spelled, to them not actually making the characters have Asian skintones in that one anime segment, to that one time they based Nya’s outfit off a clearly named Cheongsam from Pinterest and called it a Kimono? It all just reeks of people who wanted to make a quick buck of an entire continent’s ‘aesthetic’ and the mysticism around it, rather than portray them as actual people.
There’s a really great website by someone (who I can’t remember the username of) detailing all the Orientalism of the show up until about season 10. It dives very deeply into how the design language of Ninjago always seems to be based in making the actually ‘Asian’ parts of the show evoke more of a feeling of East Asia than actually being accurate to any one culture, and a lot of inaccuracies and why they arose.
A poignant point it raises is that any time we get a cool character or place, they’re always portrayed as more western-coded and ‘civilised.’ Jamanakai Village is poor and the villagers are rude. Ninjago City is civilised and clearly closer to what white people are used to living in. Lloyd is this world’s destined saviour, and he is blonde. There was *one* Asian voice actor on the VA team. And 2/3 of the Ninja team is white-coded by name.
Some my own observations over the years also include:
Jay’s ‘yin to my yang saying’ being completely made up.
That intro to… season 7, I think? Where the Ninja fight off some slave-drivers whipping people working a rice farm. Which never gets brought up again.
Nadakhan’s entire design is the only bit of South-Asian rep we get for the first few years, and his mythology is inaccurate to how actual Djinn work, and he’s acknowledged by the creators to have a sexy voice and be an absolute creep.
Having enjoyed Monkie Kid, I think Ninjago’s Asian rep is fundamentally unfixable. It was built to appeal to a western audience that simply thought the concept of ninja were cool, and thought of Asia only as a conglomerate where people had powers and did cool fight sequences or were otherwise savages. And also where the entirety of South Asia doesn't exist.
Like, I've tried to make an AU where I overhauled things completely to be better rep, and you just can't do it without breaking the show in half. Half of a character's name comes from Japan, and the other half from China. You're going to be losing something whatever you choose (shout out to Koko from the movie), and it gets uncomfortable to think about real quick, especially when the show's strongest suit is its characters.
As a kid who was part of a diaspora, Ninjago definitely didn't help my fucked up viewpoint of being cool only if I passed as white enough and viewed my parents' country as a magical but ancient land rather than part of reality.
#like legit that website and seriously thinking about all this lead to me bringing this up to my therapist and unpacking it lmao#I think that's as personal as I will get with it#thank you for giving me this ask I was feeling kinda down tonight and this let me calm down a bit lol#i'd apologise to all my non-ninjago followers for the wall of text but i love this mutual of mine and they *will* get interesting commentar#ninjago critical#asks#dots dots dots
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Oughhhhhh its like 2 am but im getting so fucking madddddd, I just saw someone be like "dont get me wrong, I love atla and I think Zuka is a great charater but I really think people with low media literacy really took away the wrong thing away from him" and I got kinda excited because I definitely think that about Zuko and him being held up as this great pinnacle of redemption arc writing but I feel like people rarely ever talk about it, but then the post went on and they were like "and by people with low media literacy I mean people creating cartoons nowadays, and by took the wrong thing away from him I mean theyre just giving everyone a redemption arc even though they didnt eeeeeeeaaaaarnnnnnn iiiiiittttt" and then the first thing in their tags was them complaining about steven universe and it made me so mad I didnt even finish reading the tags, I just blocked them. it was very lily orchard-esque if Im being honest
And like, okay, first of all, I think when people talk about Atla making redemption arcs more popular or "trendy", as Im sure this person would reductively say, I think theyre fundamentally misdiagnosing the issue. Atla didnt make redemption arcs popular in kids shows because it was a popular kids show and had a redemption arc in it, atla contributed to serialized kids media becoming more popular where redemption arcs are more common because idk, its just an obvious thing to write when you can write a continously flowing story where there are consequences and where characters can change, rather than having to reset everything at the end of an episode like with episodic shows. I feel like asking "why are there so many redemption arcs in serialized kids shows?" is like asking "why are so many prestige dramas about amoral assholes doing fucked up shit?" because its compelling, next question
Seriously though, while I as an adult like redemptions arcs in general as a tool for teaching kids about different perspectives and that people arent born evil and that life isnt just black and white, I can tell you now, kids dont watch kids shows to learn stuff, they watch them to have fun and drama is fun to most kids and redemption arcs are dramatic, so theyre showing up in kids shows a lot
So thats on redemption arcs in general, now lets talk about my issues with Zuko specifically, or rather, my issues with his arc being held up as the pinnacle of redemption arc writing. This is actually something that the original poster Im talking about mentioned as a positive, but Zuko isnt really a villain; hes an antagonist, but every season contrasts him against a Bigger Bad (Zhao, Azula, Ozai), Im pretty sure hes portrayed as atleast somewhat sympathetic as early as episode 3 of season 1 (although its been a while since ive seen the show so dont quote me on that), and he doesnt really have a lot to atone for because while he did believe in all the fire nation propaganda because thats what he was raised with, he clearly never liked doing what he was doing and didnt really want to do it. Like, all of his villainous actions have this air of being coerced somehow, which is fine, Zuko's arc isnt bad by any means, its a good character arc, but it is really annoying how it made people think that the only characters that its acceptable to redeem are good people who were manipulated, when I find redemption arcs about actual villains who actually did bad stuff of their own volition a lot more compelling.
It think it stems from a fundamental (and very christian) misunderstand of what redemption even is but this post is already very long and its almost 4 am now and my brain is turning into mush, so I'll save that for another time.
Tldr: Zuko's arc is an example of a good character arc, but I wouldnt say its an example of a good redemption arc because I dont feel that he was really that bad or was ever really portrayed as that bad, and I wish people would stop holding it up as the pinnacle of villain redemption arcs when its really more of a well-meaning guy who doesnt really know any better and is in a pretty tough spot rn that makes him do bad stuff redemption arc
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Black Cat Detective movie rant
Ever since I made that video about black cat detective I've realised how much I despised the movie. It missed the mark so badly that after I vented I felt like I had more things that I hated about t.
Im not going to urge people to watch the video because I am cringing at it but I also want people to find it and maybe have more people be interested in black cat detective.
I'm going to be honest, that video made me never want to make a video again. Im just going to be mostly text based, I might start posting animations or something some day but don't expect too much from me.
Useless rants away, Im going to get to the point.
Im starting from the beginning since Im kinda hoping no one reading this watched the video. Bcd is widely considered a classic by Chinese people created in the 80's. I didnt grow up with it, I was more interested in western shows , but I did see people from 2000's which is my age range say that they did. To me this was kind of a red flag, you see, liking western shows means my norm is watching the newest rendition for a series. For example, I watched tmnt 2012, I didnt grow up with the 80's one. So colour me surprise when I started trying Chinese media and they had so little good kids shows that after the 2000's they were still referencing shows from the 80's.
By that point I've already started watching more kids shows, I just didn't want to sit through anime and tvs shows and feel drained in the end anymore. So it was definitely a surprise when the main character started absolutely obliterating the villains. It also showed the more dark side of nature, like praying mantis eating their mate so their offsprings can have more nutrition. The whole show as a concept was kinda cool, my only gripe was that they didn't kill off the main villains despite killing smaller villains you know, typical hero movie tropes.
In 2015 they created a movie, which was where it all went downhill. (It might also be the series's season 2 but I couldnt bring myself to watch it so Im not counting it) They movie was loved by a lot of adults because they toned down the violence. Whatever, its fine, a show didnt have violence as long as they have good plot.
The movie didnt have good plot.
Characters
The characters, weren't good. First off, I didnt like how they added thick eyebrows for bcd and like he still barely had any expressions.
the whole thing about animation is that you can distort facial expressions, surpass what humans cannot do in real life, even the original series had bcd puff up from anger.
Im going to do another section just based on animation later
Other than that they added gag characters like a goddamn duck that keeps coming in with underwears on. It was so goddamn annoying, they even repeated it several times as if taunting me. I find it to be a problem with chinese cartoons in how they dumb down humour for children despite China supposedly being smart. I might bring this up for another rant on a show that I might do in the future but you'll understand what Im saying if you watched any chinese children show in recent years.
They also brought back the iconic villain, one ear, who is both unlikable and barely entertaining, his voice was annoying, I never liked it when he was on screen, he was mostly useless either way.
They also brought in a new "one off villain" a gorilla who's story sorta had potential. He basically got pissed at a friend over a misunderstanding, thinking that his friend was selfish trying take the credit of both of their work despite his friend mostly using "us" and "we", while the people back at base used "you found it". It could've been a pretty good lesson on miscommunication. Other than that, he also started thinking he should take all of the credit, a good lesson on how jealousy can blind a person. Everything was in place and yet they still messed up. I liked how even after seeing his friend apologise to him through a hologram he still couldnt forgive him. He wasn't like the best villain but he was certainly a step in the right direction.
Alright now for the main character, yup that's right, bcd wasnt the main character. It was a pig kid. With a hedgehog for a mother, which is a goddamn pun that can only be translated in Chinese. 豪猪 hedgehog and 猪 pig. Weird design choice aside. The goddamn kid is the most annoying little shit I've ever seen.
Alright Im going to start with the positives, the kid could be a good example on stress on children, which is also a theme for another pig related kids show that I hate, might talk about it someday but I didnt like the show so I'm probably going to take a while. He goes to tuition every single day, his mom honestly kinds of neglects his interest to be a policeman. Only allowing one poster of bcd in his bedroom, giving him tons of homework in one scene, it would've been a good chance to show the stress he is in, already having so much pressure to succeed in life despite only being in primary school. Instead, the show decides to play it off as a gag, haha relatable, dont you think this is funny? As someone who grew up in a competitive Chinese school, I would say no. Story for another day tldr, it ruins your mental health and your relationships if you're not careful.
Now for the negatives, the kid is annoying. Well immature traits are annoying to me, so I might be biased. First off, the kid keeps trying to save the day despite it being wildy out of his capabilities. Exhibit A, trying going against 2 adults, one being a prisoner who escaped from a high security prison. He was lucky that his idol, bcd arrived in time to save him. Bcd even told him that he shouldve contacted him instead of facing 2 dangerous adults alone. And yet the kid kept going in and save bcd, being a kids movie they of course want everything to go well but his presence did cause the two villains to escape containment at one point. His presence did cause bcd to have to hand over a dangerous item as he was held hostage, why? He decided that instead of calling bcd to warn him about his battery being stolen and probably being used to escape, he goes on his scooter to warn him. Mind you, this show has phones, they had a gag were a girl liked bcd and asked for his number, which he replied with China's emergency number so contacting him via phone was an option. In the end everything works out, he was even rewarded for being reckless, now assuming this show was targeted at kids ( based on the juvenile jokes ), what message would this send to the children watching? It certainly isnt a good one now is it.
He also doesnt freaking tell bcd about the plan of the villains instead kept telling him how much he likes him and shit and waiting until he gets asked before splurging out the information. He also made the high stakes feel so much weaker as people's lives were at stake when he was freaking stanning and crap.
There's also his friend who was only introduced to give the kid a vip ticket so he can be at the scene when the 2 villains arrived there despite it not being opening day yet. His friend is absolutely underutilized, his father is the curator of the green star which was the place, and the weapon that the villains used, yeah the event was held on a spaceship, which the villains were planning launch to space as some sort of sick revenge. High stakes that were absolutely underplayed by the protagonists but I digress.
He never went to check on his friend who, as stated was in the location of a crime. He was supposed to be the "best friend" and yet he never contacted his friend after the incident. I cant even entirely blame it on him as after the main character met his idol and "helped" him, he never contacted this friend to tell him about everything or something. Which made their friendship even less natural and making the fact that he was merely a plot device even more obvious.
Plot
After seeing how his friend was treated you already know the writing of this is going to be a treat right? I expected so much from China, who force their kids to memorize Chinese classics and read so much literature, you would think that the place that supposedly invented paper would have better writing but no, its absolutely garbage if you cant tell from my sarcasm in my first sentence.
Now now, Im going to start with the obvious, any writer or like writing enthusiast would know about the quote "show dont tell". Yeah, tell that to the writer of Mr Black: Green Star. Sorry I didnt being up the name of the movie sooner but, I dont like the name at all and was procrastinating on even typing out the words. They continuously repeated this elite group of policemen (yes, from what I can tell they were all male) yet never showed them, I had to go on 知乎 to even find any information about it. Even so, I wasnt even sure if it was official.
Other than that there was this plotline where bcd won his first award at 14 for defeating professor strange (generic ass villain, dr strange wannabe, can you tell how much I hate this movie?) look as much as it messes up the timeline, I might excuse him as maybe being younger in the original series causing him to be more violent. Like maybe he got more responsible causing a more child friendly new gen bcd but that's expecting too much from the writers.
I really, really wished that they started with a movie of him joining the elite team and defeating professor strange or something instead of whatever this is. It would've established his character. Maybe starting with a more feral and hostile bcd, maybe even mourning for his friend who died in the original series and wanting to kill the villains but being told killing is not the solution. It would've been a new chapter, it would've saved a few seconds of my life from listening to characters repeating the same thing, that could've just been in a movie.
Moving on, we have logic. There is barely any. Oh Ern! Stop being such a soggy cereal, can't you just enjoy a movie without debating the logic? No, not when they both cause stupid behaviour and ignore a goddamn chance to be educational which links it to the edu part of the original series. First off stupid behaviour, the kid drives a jet because his dad is a pilot, thats not how it works, I bet the writers thought they were smart like, chekovs gun moment! Remember how the friend made an offhand remark on how the main character's dad is a pilot? Well yes I do. But also I don't drive a boat because my dad is a fisherman because it doesnt work like that.
Other than that g force. Gravity altering device, whatever, I could care less but bcd withstanding 8 g force without equipment? Real shit. They couldve said something about how cats can handle higher g forces or something. Whatever , theres thankfully not much information about that but one thing I am sure of is, the goddamn jet the kid was driving also had g force. Why wasnt that brought up. Why cant the kid handle the device but could handle a jet? They could've thought the kid about g force and make him experience it himself. Maybe do a flashback on it when he was on the jet. It would've been an upgrade to bcd teaching him how to shoot and making the final scene about him never being able to aim well but dealing the final blow perfectly. The shooting part could've been more talent or something honestly, I dont care much of it.
Enough of the g force. Talk more about plot. What else is there to say? This whole thing is just a shallow movie, what am I gonna talk about, the one lff minion who was basically just there to fill in the chase scene? There is barely any substance in this movie, it felt more like a cash grab but like itt can't even sell merch because the character designs were mid and most of them are unlikable other than bcd but that's just my opinion.
Animation
Shit was weak, as I said they never utilised the fact that they used 2D animation. The animation techniques used felt more 3D than 2D.their smear frames are just a white blur. Their expressions are boring. and the side characters looks like this
Ive seen passion projects on youtube with better quality screenshots than these. I would rather it have self inserts of animators. Heck I've seen better quality animation in Bilibili productions. LOOK AT TGCF, HECK, LOOK AT WHITE CAT LEGEND. Those aren't even national culture icons, they weren't even released in theatres and yet look at the quality.
The worst part? They used 2D animation to honour the original series. It didn't feel like honour at all, in fact, it felt like an insult. I feels like the people who watched it only watched the series a few times as a kid and didn't even rewatch it to write the new show.
Anyways, I hope I never think about this movie ever again.
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It seems like you’ve been posting less about Trollstopia than you did about TBGO so I’m glad you’ve found something to enjoy about it (bizarrely complex shipping chart)
oh ive been posting a lot about trollstopia but mostly on twitter! and originally my trollstopia livetweeting was only on priv (while posting the occasional funny clip to main) but recently ive started posting on main just because. but ive been enjoying trollstopia a LOT! the first season was kinda meh, mostly bc they made val such a deeply unpleasant character while acting like she was totally fine AND having her in so many of the episodes, but it picked up really quick after s2!
SOME people (alex) lead me to believe trollstopia was gonna be bad 🙄 but its really good! yeah sometimes the plotlines are kinda meh (which i know is bc i am NOT the target audience! i am a full grown adult watching a kids cartoon. i am self aware) and sometimes the morals fall flat ("you can only respect a foreign culture if it is identical to your own" was a highlight) but most of the CHARACTERS are amazing and theres so many great little bits between them. if you sit back and enjoy trollstopia as a character focused comedy show instead of "dreamworks movie cartoon spinoff for parents to sit their kids down in front of and ignore them" its a FANTASTIC time
#ask#thats one of my favourite clips its SO fucking funny#the way holly doesnt even tuck and roll. she just falls off and thuds. and gust looks on in despair.#AMAZING clip#maybe when im done w the show (two seasons left 😢) ill compile some of the best clips
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"I'm not bad, I'm just drawn that way." -Jessica Rabbit
Inspired by the movie and novel "Who framed/ censored Roger Rabbit?!" And Chowder
In preparation for more Fatui Harbingers x reader stuff.
Creation! Reader x modern! Fatui Harbingers (platonic? Idfk, might be torn into separate fics, like Yandere, dessert or something)
Tags: fantasy/realism, some hidden violence(?, Dottore's in here), fluff(?), Innuendos, hints racism/disability (?) Using fem reader (but you can change it up), magical bunny assistant reader.
Imagine you're not realistic, I mean. You popped into Phantasia, a city for creations like you. Yep, that's right, you're a drawing! After you've been created. You don't fit the criteria of a drawing, how you walk the talk is a kin to a regular person. You're neither.
You aren't bound to the laws of human physics. You can bend in unimaginable positions that weren't possible, fold, electrocute, hell. You can jump off a cliff and you won't die. Still you bleed and get bruises from it before a few shake offs.
One of the things you didn't like about yourself is that you're an assistant bunny girl in a magician's suit. And yes, you do have stockings. Most people can't take you seriously when you tell them you looked up to Betty Boop. You'll show them, and rub it in their faces that a deformed 'creation' like you could have their own show!
No entertainment programs could accept you due to your humane features, you weren't eye catching enough. Nor do you do funny gags consistently enough to retain children's attention for a good amount of time like other regular normal cartoons like Tom and Jerry, SpongeBob, Looney toons or maybe even Disney's toons. But children's educational programs allowed you to star in their shows. Even if you also attracted adults to the program when you didn't mean to. As long as you're being paid, not in peanuts like dumbo the elephant and the others.
But there is a particular group of people you aren't that much aware of in the entertainment industry. Today you're supposed to air in other countries like in Snezhnaya. You're acutely aware of them, but as a creation you have nothing to do with it. And besides you got kids to teach!
Occasionally, you get to meet other people. Like this child named Teucer who's been your fan since the show aired. At the convention, you're here for a meet and greet with some fans, of course all of them are lovely like him. Alongside is his brother Tartaglia who watched your show with Teucer.
Soon, someone from the entertainment industry proposed to you to let you have your own show like your own show, with its own educational flair. Though you owe everything to the first educational program you've entered, it feels rather scary that they offered a position that pays well and higher exposure.
In the end, you stayed with your program until the series finale when your partner, Kiki the protagonist, has grown up to be a fine woman. Often she comes to you for help.
So right now with income gone, left jobless. With merchandising still going strong and passively giving you some retirement funds.
Thinking about that little boy named Teucer. You dabbled into a side gig of being an entertainer at parties. And of course your first customer would be the little ginger boy at his birthday party.
You entertained guests with neat tricks and gave all fun games and rewards for anyone who participated.
Except for one kid who you couldn't cheer up. An indigo haired boy in a formal suit. Whenever you looked at him, he made a deeper frown than the last.
You discovered his name is Scaramouche and was forced to go to this 'kid's birthday party'. So you tried to cheer him up with fun party tricks like being in two places at once, though it drains you to do that.
Teucer's older brother Childe seemed to be interested and asked for your phone's number.
It lead to multiple meetups like at the park or even at Phantasia. There you met some of his other friends like Mr. Capitano, Ms. Signora. The latter had given you great tips on how to sound better when singing.
Columbina and Arlecchino are an odd bunch, since they just gave you some treats and sweets, then left. But you recognize the maiden anywhere, she licensed your studio's theme song and soundtracks. So you're lucky to even see her.
Meanwhile this 'Doctor' person kept asking you out on 'dates' to quote on quote to 'investigate' further. But of course he was stopped by a high ranking socialite Mr. Pantalone.
This boss person, you could have sworn you've met somewhere before in your life. Him and creations don't mix like water and oil but after meeting you, he just tolerates you since you aren't as wacky as the other creations from Fantasia's studios or something of the like. He somewhat finds it odd to know that you worked in the education program instead of-... Nope nevermind!
You liked Sandrone and Pulcinella, (mostly Sandrone) since they interacted with you the most. Asking how creations like you work, occasionally gives you a drawing of an outfit which thankfully adds a variety to your wardrobe and not wearing the same outfits each visit.
Thanks to them, you get to meet a very special person. The Tsaritsa herself in private! She's kind and warm just as they described her as such.
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i need to know your south park opinions/hot takes/whatever you want to say about south park
My biggest opinion on South Park is to just let the fandom do whatever they want with the characters honestly, and I don't mean like bad shit or weird shit with the kids. Obviously.
I mean like, normal fan shit.
Like, if someone wants to write a fanfiction where Eric Cartman was an awful and terrible child of literally eight years old but grows up and gets better and actually ends up as a sweet guy then just let them, if people want to ship things like kyman then literally who cares? Especially if they're doing the redemption arc Cartman thing.
If people want to draw anime teenage versions of the boys then who cares, it's actually really funny
Gender and sexuality HCs? Awesome, everyone everywhere does that, yet I've seen people say it's "just cringe" with this fandom? Yeah, this is FANDOM of course it's cringe, "but the show itself would make fun of-" nobody cares! The show makes fun of EVERYTHING dude! Have fun! You think Stan Marsh is a girl? Awesome! Butters as well? Epic!
This is SOUTH PARK. Go crazy.
If you personally disagree with something or dislike it, then just move on. Who cares if people are doing cringey fandom shit with the adult comedy cartoon. Who cares if they're shipping Cartman with people. Seriously it's never that deep
Unless people are doing harmful and dangerous shit, it's fine. Like, it's kinda funny??
Side note, because its funny as fuck:
I've been watching this show since I was the age of the main characters, I've been in the fandom since we were drawing Kenny as a lanky anime boy with purple eyes. I remember being like.. maybe seven at MOST sitting on my dads carpet while he watched this show and i played with littlest pet shops.
I remember those slide show fanart music videos of twink anime boy Kenny to "time of dying" by three days grace. This fuckin show introduced me to three days grace lmfao
I've seen some wild shit around here, the uwu-ification of Kyle for weird Style shipping purposes, etcetera etcetera. But this shit is literally so.. normal, in fandom spaces?? Yeah it's weird or silly or something but, meh.
I cosplayed Wendy to my first day of fifth grade.
I wore a neon pink jacket almost identical to Kennys in middle school. This show is like fucking stuck with me for life lmfao
I made a paper cut out of Kenny and another of Tweek and glued them to popsicle sticks and carried them around everywhere when I was a kid. (My dad hated those things, "perfect show for a kid to be watching" as if he didn't introduce it to me)
Whenever my mom lost me outside she'd do the "Oh my god, they killed Kenny" thing to find me, but I wasn't allowed to swear as a kid so I couldn't finish the line, I'd just run to her.
This show is a special interest for my autistic ass and it really, really shows. I stopped in my tracks in a Walmart to buy hats that reminded me of Craig, when I was supposed to buy new shoes and pants. (I did not, in fact, buy shoes.)
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1873
[SHOWERS]
When taking a shower, does your hair become straight or is it still somewhat curly (if your hair is curly)? It becomes straight, then wavier as it dries, then it either remains wavy or very frizzy, depending on the weather.
What kind of shower/bath would you have if you could have any shower/bath in the world? Idk if they have an official name, but those rain-type kind of shower heads. They seem very comfortable; the luxury feel of it is a bonus.
Do you use expensive or cheap shampoos, and does it matter either way? Both of mine are on the relatively more expensive side since my hair requires more maintenance (it's dyed purple, and generally, has undergone bleaching more times than I can count lol). I've tried cheaper products before and it's always led to my hair being excessively dry and losing its color so much more quickly.
What kind of shower head do you have? Just your standard handheld one.
Do you ever burn your skin while taking a shower? Not to that extent, but it's hurt before.
[TOXIC RELATIONSHIPS]
Have you ever been in a relationship (romantic or not) that was considered toxic, and who was that person and how were/are they toxic to you? My mom and I are the quintessential toxic relationship; like if there was a book on all you needed to know about toxic relationships, I'd be pretty offended if we weren't called to be on the cover LOL. I don't feel like delving into it. My one and only relationship was also very toxic on both sides.
Do you know anyone who has been in a toxic relationship, and what made that relationship toxic? I know someone who's been cheated on recently. To her credit she stormed out as soon as she heard, but she's also resumed talking to the guy again. They talk everyday, just like the days they were still together – but like she will also be randomly passive-aggressive? like she will make shots at the cheating from time to time. An example is if she walks by this restaurant she could go, "Remember this place? This is where you went on a date with her hahaha" What kind of response from the guy is she even wanting from all the references she's throwing around? Anyway, kinda sad and also kind of an ick.
How you do feel about people going back to their toxic relationships, and can you relate or do you find them dumb for ever considering to go back? It's understandable to see such dynamics. I went through it as well, and for me it was both because 1) I had already invested a lot into the relationship so "what a waste" if it doesn't succeed and might as well try until the very end; and 2) I've grown so used to the relationship and the person that imagining how life would be without them seems impossible and such a really big adjustment to cope with. Eventually you just have to learn to make a brave face and move on.
What kind of toxic relationships do you find more damaging: Romantic, friendship, or family member? Toxicity is damaging, period.
Now, out of these options, which do you find the most damaging: Physical, emotional, or verbal? I never liked the idea of comparing different kinds of abuse/pain.
[Cartoons]
Would you rather watch little kid’s cartoons, older kid’s cartoons, or adult cartoons? Older kid. It satisfies the nostalgia bug + many of the jokes I still laugh at anyway, hahaha.
How about watching regular cartoons or anime? I don't like anime. But what does regular cartoon even mean if not for younger and older kids?
Would you rather watch cartoons on Disney, Nick (Nick Toons/Boomerang doesn’t count), or Cartoon Network? Nickelodeon did the cartoons better; but I preferred Disney for the real-life shows. From Cartoon Network I really only liked Pokemon.
What cartoons/anime do you actually like, if you like any at all? I don't watch any these days.
If you could bring back one cartoon/anime from your childhood, which cartoon/anime would it be? I'm fine, I grew out of them a long time ago haha.
[Jobs]
Do you have a job right now, are you content with your job, and, if you don’t have a job, are you looking, underage, or just don’t care enough to have a job right now? I do. I am quite neutral about it at the moment – I've reached a point where I've mastered most things and can do stuff blindfolded, but I no longer have that fresh-grad-spark-in-my-eyes kind of excitement for it. Which I think is fine and nothing to worry about Work is work. I still have passion and I still feel happiness and fulfillment, but I reserve that now for my personal life; vs the past where I equated work with life.
What is your dream job that you could have at your age right now? The dream job I NEVER even considered having was being a PR director. I just aimed to be a manager and figured I'd be stuck there until I can find another company. Then they promoted me a step higher hahaha. It's been fine, but I hate how intertwined with business development it is.
Have you ever read notalwaysright, and what is the worst story you have read on there; if you haven’t read any story on there, have you seen or heard any stories about awful customers? Never heard of that.
What are a few “dream” jobs you have in general? In-house PR for WWE; museum curator; historian.
What are a few places you would refuse to work at? Anything that would deal very directly with customer service, like a restaurant manager. I'm too nonchalant with people's complaints.
[Cultures]
Out of all the cultures in the world, what culture do you find the most interesting? I find all of them equally interesting :)
If you get rid of one culture in the world, what culture would you rid of? ?
What is your culture like, do you like your culture, and do you even follow your culture at all? Filipinos are non-confrontational and are accepting of whatever and whoever we encounter – that's why we're always described as hospitable (would do *anything* for a visitor) and resilient (cracking jokes and making memes during a chest-level typhoon flood). For a long time we thought it a source of pride that we embrace whatever comes our way; but the sentiment has shifted more so for the younger generation to be more like "Why should we just accept things as they are?" anyway we have a long way to go but at least there've been some starting blocks.
Filipino culture is also very religious, conservative, community- and family-based, and uhhhh idk just a very messy pot of mostly Western influences lmao. No thanks to the Spanish, Americans, and Japanese who took away our identity and killed a lot of us too :D :D
Do you have friends of different cultures? I know a few of Chinese ancestry.
Are there any cultures that are very similar to yours, and how about the most different? Similar would 100% be Southeast Asia. Most different, idk probably Europe? The individualism stuff is definitely different from what I'm used to; as someone who comes from an extremely community-based background it's very fascinating to imagine doing most stuff alone or being away from my family all the time.
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Thoughts on the first Michael Bay Transformers movie? Allways get confused how on the internet everybody hates it while the original cartoon was also just a cheap toy commercial. I get when people complain about a bad adaption of a good work, but transformers is just cool robot action - and thats what we got - cool robot action with cgi thats looks betterr than alot of stuff that comes out today.
I think I've said it before but I think I was too young for a lot of Transformers stuff. It started airing a year after I was born and by the time I was starting to enter its target demographic, the show ended.
I was more about Ghostbusters, Ninja Turtles, Jurassic Park, and Sonic the Hedgehog. Transformers was something my brother had more of a connection with than I did.
The toys were also mega expensive. Truth be told, there was a brief window where I was enamored with some of the Transformers toys. But they were often more than twice the price of, say, a $4 Ninja Turtle action figure. I remember Hasbro or whoever doing some G2 reruns in the mid-to-late 90's and I saved up a whole month's allowance to buy a tiny little Bumblebee for like $9. It was nuts.
So there was a lot going against my ability to care about Transformers as a kid.
With that in mind...
The first Transformers movie is... okay. It's not great. It's got that signature Michael Bay look all over it: high contrast, high color saturation, excessive orange and teal color grading, everybody's always sweaty, it's always night time or sunset, lens flares all the time all over the place, the camera is always too close to everyone at all times, and there's this uncomfortable obsession with "hotties." We gotta have at least one lingering close-up shot of a woman's body framed by the summer heat. For a decade or more every movie this dude made looked like this.
But I don't remember that first movie being unwatchable. It was fine. True enough, the action is a bit incoherent, because it's all whirling chrome and the camera's too close to see what's going on except for a flash of sparks.
I don't like the way the robots look. The original Transformers, at least for me, were already hard enough to draw. For someone who has trouble drawing three dimensional shapes, all these rigid robots that are big rectangles full of hard-edges, it's not easy. But Bay's Transformers are next level impossible. There are thousands of shapes -- maybe even millions. I get wanting them to look like advanced alien technology, but it's sort of a mess.
Later Transformers movies definitely got worse, as they leaned more in to the toyetic qualities of the characters. They kind of wanted to have their cake and eat it too by making something that gestured at still being a kids property while you had weird adult humor and mega violence (it's okay, that decapitated robot wasn't human, and that's not blood, it's cyberton goo).
It's not hard to see things from the perspective of the OG Transformers fans, either. Like, Optimus's lips are a dumb compromise. A lot of it smacks of "what if we took this kids property and made it EPIC and BADASS." I may not have connected much with Transformers media, but that's still more than a little silly in a way that feels degrading for all involved.
"It was always bad, so it's allowed to be bad in a different way" isn't really landing for me as an excuse, either.
But that first movie's still not awful, I guess. It did not necessarily offend me (though later movies did). I just have no desire to rewatch it. Or any of the Transformers movies.
Except... y'know what? That standalone Bumblebee movie was very alright. And it seemed a little more respectful to the source material! Wouldn't mind seeing that one again.
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