#like you see i also had to cut natalie portman

[linkspooky]

TOGACHAKO VS. FUFFY: How To Save Your Evil Girlfriend

So, once again My Hero Academia has failed to deliver on its promise of saving / redeeming one of the main villains of its story, and victims of its ficitonal society. This time I'm going to make the added argument that not only does failing to save Toga make the story worse, it also makes Uraraka's character almost completely hollow. While you can dismiss Deku's lack of character development as him being a shonen protagonist, both Uraraka and Shoto had arcs and Ochako's is effectively ruined by her failure to save Toga.

In order to make my point I am going to compare it to a villain redemption arc in another piece of media that does it right, Faith's character, and her strained relationship with Buffy in Buffy the Vampire Slayer. A series which is overall anti-state punishment and pro-redemption and delivers on practically all the themes MHA promised us.

MORE UNDER THE CUT:

THE GOOD GIRL and THE BAD GIRL

There is a reoccurring dynamic between two female characters in media, usually between a heroine and a female villainness that I like to call: The Good Girl vs. Bad Girl complex.

However, if you were a Freudian you'd be calling this a Madonna Whore Complex.

To explain the Madonna Whore Complex, one of the biggest examples in other Media is Aronofsky's Black Swan. The entire movie is themed around the Madonna Whore complex, and the impossible double standards the male perception imposes upon women.

"The white swan and the black swan are not merely characters, and not merely characters that are relevant to Nina. The black swan and the white swan are archetypes of women. They are emblematic of the Madonna and the Whore [...] . The white swan is the Madonna, she is pure, innocent, the ingenue. The black swan is the whore, she is cunning and deviant. The seductress. Nina and her ballet counterpart Odette are characterized as perfect ingénues. Ingénues are young, innocent girls who possess qualities of youth, innocence, kindness, naivete and purity. She is the fawn eyed damsel in distress and in literary films she's often the heroine or protagonist. On the other side of the coin from the ingenue, we have the seductress, embodied by Lily and her ballet counterpart Odelle. The seductress is characterized by her promiscuity, cunning nature and sex appeal. She is the alluring femme fatalle, willing to do whatever it takes to get what she wants. She's most often framed as the village. These draw parallels to Freud's psychoanalytical theory, a theory that suggests in the minds of some men they struggle to fully see women as fully realized and rather view them in archetypal categories." [SOURCE]

Black Swan is also a movie where Natalie Portman attempting to live up to the impossible expectations society has placed on her to be both the White Swan and the Black Swan goes insane, and quite possibly dies at the end of the movie.

Considering that Toga's entire story is that she is a shapeshifter who went mad because she could not fit both her parent's and society's expectations of being a "normal girl" then you can see why the Madonna Whore Complex is relevant, with the oversexualized, vampish, femme fatalle Toga quite obviously playing the part of the whore.

Before you call me a fraud for citing freud though, let me prove my point that the Madonna Whore Complex is quite literally everywhere in media.

I could literally keep going if this post didn't have an image limit: Jean Grey and Emma Frost, Jean Grey and Madelyne Pryor, Starfire and Blackfire, Raven and Terra, The Two Sisters from Ginger Snaps, t's literally everywhere all the way back to Lilith and Eve.

More intelligent takes on this trope play with the concept of the Madonna Whore Complex (MWC) to either present the archetypes as two fully rounded people (Catra and Adora) or demonstrate that it's impossible for women to fit into these two dinstinct categories (Natalie Portman in Black Swan).

Buffy the Vampire Slayer is a work that challenges the MWC, by allowing both its good girl, and bad girl to be fully realized characters. My Hero Academia plays the MWC straight to a sexist extent by not allowing Uraraka and Toga to escape their categorization of Good Girl and Bad Girl, and also going out of its way to punish and kill the seductress for her sexuality like this is a slasher horror movie. Actually, it's worse than a horror movie because at least Jennifer's Body plays with the MWC in a clever way.

It's not just bad writing anymore Hori's writing has crossed over into actively murdering female characters to enforce puritan values, but let's not get into that just yet we'll talk about the writing portion instead.

I'm going to outline what BTVS accomplishes, demonstrate how it does this below, and then go on at length picking apart how MHA fails.

BTVS:

Shows Buffy and Faith as fully realized people

Shows the pressure to conform to the "Good Girl / Bad Girl" label.

Breaks down those two categories

Redeems it's bad girl

With that out of the way let's get the ball rolling.

HOW TO (NOT) SAVE YOUR EVIL GIRLFRIEND

This is the part where everyone in the audience is going to gasp. Even though I'm using Buffy and Faith as a positive example of deconstructing the MWC and redeeming a villain, Buffy does not save Faith. The two of them reconcile in the end, but Faith is not redeemed or saved by Buffy, and in fact Buffy is in part responsible for Faith's fall.

So, why would I say Buffy and Faith are a better example of villain redemption then Uraraka who at least did everything she could to offer a helping hand to Toga?

Because Buffy not saving Faith is THE POINT and Faith receiving redemption even though Buffy gave up on her is also THE POINT. Lemme explain, by starting at the beginning.

BTVS is a story that exists to flip both horror tropes, and the idea of the chosen hero on its head. The concept started out with Joss Whedon noticing that the Cheerleader is always the first victim in any given horror movie, and wondering what it would look like if the Cheerleader could fight back. If the Cheerleader was the thing that monsters ran away from.

Which leads us to Buffy Summers. Buffy is chosen by the universe to slay vampires, she is hero with super strength that can easily take on legions of vampires and often has to fight even tougher villains for each season's conflict. Buffy carries all the classic features of both the ingenue and the chosen one protagonist rolled up into one:. Ingénues are young, innocent girls who possess qualities of youth, innocence, kindness, naivete and purity.

However, after dying in the first season, and having to kill her boyfriend in the second season after he turned evil and inflicted a lot of psychosexual abuse on her Buffy has also got a whole lot of trauma. Which is when Faith appears on the scene. One of the first ways that the show challenges the idea of the "Chosen One" is that there are actually two Chosen Ones, Faith being the other Slayer.

Buffy much like Deku has a case of protagonism brain rot, but in her case she was actually chosen by the mystic powers that be to be the protagonist of reality. Buffy, who views herself as the hero of the story as a coping mechanism (we'll get back to this later) is suddenly challenged when the fates chose yet another chosen hero, challenging her pre-conceived notion that she is the hero of the story. If Buffy is not the only hero then who is she? What is all the suffering she's endured so far if it's not a part of her own personal hero's journey?

Buffy begins to dislike Faith on sight for projection reasons, before Faith does anything wrong. In a way Buffy herself the female lead is enforcing society's standards of the MWC because all the reasons Buffy decides to disturst and dislike Faith on sight are because she exhibits qualities of the seductress.

Faith is openly promiscuous, often comparing the art of killing vampires to sex, she is also someone who is proud of her power as a a slayer and uses it for her own purposes. She is a slayer for selfish reasons (apparently) while Buffy is the selfless hero. In the first episode Faith appears in, Faith, Hope and Trick Buffy is almost immediately hostile to Faith who has so far done nothing wrong for, trying to get along with Buffy's friends, getting a little bit too into vampire slaying and openly relishing her strength, and like occasionally making lood comments.

FAITH: Don't… touch… me…! BUFFY - yanks Faith off the unconscious vamp with one hand, stakes the vamp withher other. Then she turns to Faith who is breathing hard, high on adrenaline, rubbing her fists. BUFFY: What is wrong with you? FAITH: What are you talking about? BUFFY: I'm talking about you living large on the great undead here. FAITH: Gee, if doing violence to vampires upsets you, I'm pretty sure you're in the wrong line a work… BUFFY: Or maybe you like it just a little too much. FAITH: I was getting the job done. BUFFY: The job is to slay demons. Not mash them into sloppy joes while their

Buffy then escalates to like ableist slurs towards Faith within half an episode for getting slightly violent in a fight against vampires that were trying to kill her.

GILES: Well, Buffy, you have to realize you and Faith have very different temperaments… BUFFY: I know, mine would be the sane one. Giles, she's not playing with a full deck. She has almost no deck. She has a three. GILES: You said yourself she killed one of them, she's a plucky fighter who got a little carried away. Which isnatural, she's focussed on Slaying,she doesn't have a whole other lifehere like you --

The twist this episode is that no matter how much Faith tries to present herself as a free-spirit, she's actually a scared homeless girl who just happened to become the Slayer. Unlike Buffy she does not have a watcher, a mother, or friends to support her. She lives in the cheapest motel in sunnydale. The reason she's so violent against vampires is because she is understandably having a trauma flashback because her mentor was murdered right in front of her by a different vamp.

This is repeating pattern throughout the whole season, Faith is shown to be a victim of trauma, and occasionally acts in ways that are understandable for a victim like her to ask, only for Buffy to start mischaracterizing her as someone violent and insane and throwing the slurs.

You can compare both Faith and Toga as characters who are complex victims of trauma who society turns their back on and become bad victims, but Faith is a special case because we actively see her turn to the dark side. Faith starts out trying to be a hero like the rest and she practically does nothing wrong for half a season, and when she does finally make a mistake and become a bad victim it's the hero's desire to punish her and castigate her that turns her into a villain.

We actively see Faith's fall happen onscreen, and it's like totally Buffy's fault. Buffy throws her completely under the bus, because she's so desperate to see Faith as the Bad Slayer and Buffy as the Good Slayer. Faith is almost pushed into evil because of the MWC, the characters around her can't see her as a fully fleshed out human being so they are quick to demonize her when she starts acting like a bad victim.

So the two episodes appropriately named: Bad Girls and Consequences depict Faith's fall. In that episode Faith and Buffy are fighting vampires, and one human is mixed among the vampires. The human grabs Faith by the shoulder, and Faith thinking that the human is a vampire turns him around and stakes him.

It's a complete accident, something that Giles even says later on is an accident that can happen to any Slayer on the job and is completely normal. It's a murder that Buffy herself could have committed.

GILES: This is not the first time something like this has happened. BUFFY: It's not? GILES: A slayer is on the front lines of a nightly war, Buffy. It's tragic - but accidents have happened. BUFFY: What do you do? GILES: The council investigates, meters out punishment if punishment is due… I've no plan to involve them,however. That's the last thing Faith needs right now. She's unstable, Buffy. She seems utterly unable to accept responsibility. Shows no remorse.

However, even in the same breath Giles explains that it's an accident and not Faith's fault, he's also calling Faith unstable and irresponsible. Basically when they're not calling her a psycho (just hitting her with the ableist slurs), the protagonists all lowkey imply that Faith is somehow inherently violent and unstable because she displays symptoms of a bad victim.

I might also remind you Faith has not done anything to earn any of these accusations, until she kills someone in a complete accident. A complete accident that Giles once again said wasn't her fault and wasn't really a big deal.

FAITH: My dead mother hits harder than that.

Faith is stated to be a victim of physical abuse, heavily implied to be a victim of sexual abuse, and is homeless (none of the main characters offer to let her stay in her house she spends half a season in a terrible motel). However, Faith is quickly demonized by the white wealthy main characters for acting in ways that are completely typical for a homeless teenager.

The moment she commits one mistake they all turn on her and use that mistake as proof of these violent tendencies they all want to accuse her of having. Faith can never be the ingenue so she must be the seductress, because she can't just be a person.

Buffy: So, I, uh... (sees Faith scrubbing) How are ya doin'? Faith: (still scrubbing) I'm alright. You know me. Buffy: Faith, we need to talk about what we're gonna do. Faith: (looks at Buffy) There's nothing to talk about. I was doing my job. Buffy: Being a Slayer is not the same as being a k*ller. Faith has nothing to say. She's finished scrubbing. Buffy: Faith, please don't shut me out here. Look, sooner or later, we're both gonna have to deal.

It is essentially two episodes of this, Faith after killing someone on accident in a life or death fight is constantly called a murderer by others. She wasn't even like, drunk, or high, or being especially reckless she was being a normal slayer.

FAITH: So the mayor of Sunnydale is a black hat. Shocker, huh? BUFFY: Actually - yeah. I didn't get the bad guy vibe off him. Faith shakes her head. Scoffs. FAITH: When you gonna learn, B? It doesn't matter what kind of "vibe" a person gives off. Nine times outta ten he face they're showing you? It isn't the real one. BUFFY: I guess you know a lot about that. FAITH: What's that supposed to mean? BUFFY: Look at you, Faith. Less than twenty four hours ago you killed a guy. And now you're laughing and scratching and zipidee doo dah. That's not your real face, and I know it. I know what you're feeling because I feel it too. FAITH: Do you? So, fill me in. I'd like to hear this. BUFFY: Dirty. Like something sick creeped inside you and you can't get it out. And you keep hoping what happened wasjust some nightmare…

Faith is dirty, faith is disgusting, faith is unstable, Faith is sick for... killing a guy on accident in a way that Giles said was a perfectly understandable accident, and not showing clear guilt because the moment she did it everyone around her jumped on her and started accusing her of being a murderer.

Why do the selfless main characters suddenly start demonizing this girl before she even did anything wrong - well it's because she's poor problem solved.

No, but it does play a factor. Why do most american white middle class look down on the homeless? Because, they must have done something to deserve it, right? If Faith killed a man, that clearly is an indication that she was violent all along and the heroes don't have to sympathize with the fact she's homeless or you know lift a finger to help her.

Now, this makes it sound like I hate Buffy, but Buffy is actually my favorite character in the whole show. The thing is Buffy's complete lack of sympathy for Faith makes her a better character. Buffy needs to demonize Faith and throw her under the bus, because Buffy is a victim of sexual abuse too. Her boyfriend turned evil after having sex with her once, and spent an entire season stalking her and terrorizing her the entire season 2 Buffy / Angel plotline is a thinly veiled groomer metaphor.

The thing about Buffy is she's not allowed to show any kind of reaction to her trauma. The episodes preceeding Faith, Hope and Trick are Anne, an episode where Buffy runs away from home after being sexually abused (stalking is sexual abuse) by Angel for a whole season and feeling like no one would understand her, and Dead Man's Party, an episode where every single one of Buffy's loved ones ruthlessly criticize her for having run away. Like, how dare a teenager not react perfectly to being horribly stalked by a serial killer after she had sex with him for like half a year.

JOYCE: Buffy! You didn't give me any time. You just dumped this… this thing on me and expected me to get it. Well -guess what? Mom's not perfect. I handled it badly. But that doesn'tgive you the right to punish me byrunning away. BUFFY: Punish you? I didn't do this to punish you XANDER: Well you did. You should have seen what it did to her. BUFFY: Great. Would anybody else care to weigh in? What about you? By the dip. XANDER: Maybe you don't want to hear it, Buffy. But taking off like that was selfishand stupid. Buffy's breaking down. It's all too much. BUFFY: Okay - I screwed up! I know it - alright!? But you have no idea. You have no idea what happened to me or what I was feeling

The reason Buffy is so hard on Faith is because everyone else is equally hard on her. The label of the ingenue is so difficult for Buffy to maintain, because she has to be pure, and without any flaws, especially when reacting to trauma that she throws Faith under the bus for her bad victim behaviors.

The white middle class demonize the homeless because they don't want to face the reality it can happen to them, Buffy doesn't want to reflect on all the things her and Faith have in common because she could very easily become Faith. Buffy is the victim of extremely similiar trauma to Faith, and being pressured to be the perfect victim of that trauma in a way that's destroying her mentally slowly.

FAITH: It was good, wasn't it? The sex? The danger? Bet a part of you even dug him when he went psycho BUFFY: No FAITH: See - you need me to tow the line because you're afraid you'll go over it, aren't you, B? You can't handle watching me living my own way and having a blast - because it tempts you. You know it could be you... ( Something snaps in Buffy. She rears back and POPS Faith a good one. Faith falls back, but she's smiling as she puts a hand to her bleeding mouth. ) FAITH: There's my girl…

Buffy is suffering under the expectations of the MWC too, but in her desperation to make Faith out to be the seductress instead of... like... a csa victim... Buffy is reinforcing those standards on both herself and another woman.

The entirety of Bad Girls and Conesequences is Faith being called a murderer by several people, having another trauma flashback to a sexual assault because Xander came to her motel room under the guise of "helping her", getting hit over the head and chained to a wall, then getting the swat team called on her and almost dragged to London for trial. Then the heroes do nothing to help her. The first thing Faith does is go to the main villain, who buys her an apartment AND A PLAYSTATION. So... the evil main Villain of the show helped Faith with her homelessness situation while none of the main characters lifted a finger.

it sounds like it sucks but it doesn't because it's all intentional. Buffy cannot process her own sexual trauma so she is just awful to people who are also domestic abuse victims. here's one of my favorite scenes, Buffy yells at a girl being beaten by her boyfriend with a visible black eye.

Buffy: Where can we find him? Debbie: I-I don't know. Buffy: You're lying. Debbie: What if I am? What are you gonna do about it? Willow: Wrong question. Buffy takes her by the arm again and pushes her up against the sink in front of the mirror. Buffy: Look at yourself. Why are you protecting him? Anybody who really loved you couldn't do this to you. She takes a few steps away. Debbie turns around to face them. Debbie: Would they take him someplace? Buffy: Probably. Debbie: (shakes her head, sobbing) I could never do that to him.(Willow sighs) I'm his everything. Buffy: (disgusted) Great. So what, you two live out your Grimm fairy tale? Two people are dead.

That poor girl gets her neck snapped like five minutes later and Buffy just kinda, moves on even though it would have been an easily preventable death.

Buffy getting mad at an abuse victim for showing textbook behaviors of abuse victims in bad relationships. Buffy is a good character because she is a hero, she can be empathic, but she really only understands heroism in term of defeating the bad guys, and when called to relate to people with complex trauma, especially trauma that reflects her own trauma she can't! She just can't process it! The expectations of being the ingenue, the perfect hero are so crushing she can't cope with a messy reality so she needs to have a black and white view of herself and other people.

Buffy needs to be firmly in the good category, and Faith needs to be firmly in the bad category in order for Buffy's brain to keep working.

Not only does Buffy's conflict with Faith characterize how much Faith suffers for being a bad victim, it shows how the pressure to be a good victim destroys Buffy mentally to the point where she starts using Faith as a punching bag.

Literallly.

It's all intentional too, Buffy gets called out on it, Faith always gets the last word and the final episode of the season makes out Buffy to be a hypocrite. After Buffy literally threw Faith under the bus, called her disgusting for murdering a man, Buffy is completely willing to murder Faith to get a cure for her vampire boyfriend who's been poisoned.

All human life is sacred and needs to be protected, but Fuck Faith I guess.

Faith: I could say the same about you. I mean, you're still the same better-than-thou Buffy. I mean, I knew it somehow. I kept having this dream, I'm not sure what it means, but in the dream the self-righteous blond chick stabs me, and you wanna know why? Buffy: You had it coming. Faith: That's one interpretation, but in my dream, she does it for a guy. Faith: I wake up to find the blond chick isn't even dating the guy she was so nuts about before. I mean, she's moved on to the first college beefstick she meets. Not only has she forgotten about the love of her life, but she's forgotten about the chick she nearly k*lled for him. So that's my dream. That and some stuff about cigars and a tunnel. But tell me, college girl, what does it mean? Buffy: To me? Mostly, that you still mouth off about things you don't understand. (Sirens) Uh-oh. I guess somebody knows you're here.

So the show goes to great length to show you that there are two sides to this conflict, Buffy demonizes Faith, because her friends expect her to be the perfect hero. Faith reacts badly to trauma because she has no support system, and the people around her have no empathy for her because they're too privileged to imagine the things in Faith's life ever happening to her.

Buffy and Faith are fully realized people.

Buffy and Faith are presented to the audience as the ingenue and the seductress but they're both fully realized characters. Buffy's not the ingenue because she's just as capable of murder as Faith is. Faith isn't the seductress because she's a homeless teenager. They are both victims of sexual trauma, though one reacts in what people consider an "acceptable way" and the other is a total slut about it.

Shows the pressure to conform to the "Good Girl / Bad Girl" label.

Buffy throws Faith under the bus specifically because the pressure in her life to be the perfect slayer is so immense that it could be her that takes the fall so she needs to believe in black and white concepts like she is inherently good and Faith is inherently bad to justify the bad things that happen to Faith and therefore convince herself said bad things could never happen to her. "You can't handle watching me living my own way and having a blast - because it tempts you. You know it could be you..."

Faith: Angel said there was no way you were gonna give me a chance. Buffy: I gave you every chance! I tried so hard to help you, and you spat on me. My life was just something for you to play with. Angel - Riley - anything that you could take from me - you took. I've lost battles before - but nobody else has -ever- made me a victim. Faith: And you can't stand that. You're all about control. You have no idea what it's like on the other side! Where nothing's in control, nothing makes sense! There is just pain and hate and nothing you do means anything. You can't even.. Buffy: Shut up!"

Buffy needs to fit her and Faith into neat little boxes because she cannot face the inherent senselessness of the world (and also that she is a victim too "you made me a victim")

Breaks down those two categories

Even in Seasons where Faith is not present she haunts the narrative, because the writers were well aware that Buffy and Faith are the same person under different circumstances.

All of Season 6 Buffy is faced with many of the same situations that Faith was, she suddenly becomes poor and in danger of losing her house, she has extreme depression from coming back from the dead (long story) she can't share those feelings with any of her friends because they treated her much like they did Faith - having no sympathy for imperfect victims. Buffy even gets into an unhealthy, sexual relationship, and like Natalie Portman basically changes from the ingenue into the seductress.

A relationship she has to keep a secret because once again, Buffy must fit into the box of the ingenue in order to be loved by her friends. This leads to her committing several bad behaviors, and at times borderline emotional abuse towards her sister (and debatably her boyfriend) and all comes to a head when Buffy is faced with the exact same situation as Faith.

Buffy in Season 6 believes she has killed a person accidentally while being the Slayer. It's a repeat of Bad Girls with several paralels, including someone trying to hide the body only for it to turn up later, and Buffy insisting she has to turn herself into the police and face jailtime.

However, in this version Buffy unlike Faith has friends who try to stop her from turning herself in and explain to her the murder wasn't her fault - and Buffy still reacts the same way Faith does. She basically borderline quotes Faith.

Faith: Shut up! Do you think I'm afraid of you? [Faith grabs Buffy and throws her down, then sits on top of her and starts punching her.] Faith: You're nothing. [Punch. Punch.] Faith: Disgusting. [Punch. Punch.] [Faith grabs Buffy's hair with both hand and bangs her head.] Faith: Murderous bitch. [Bang. Bang...] You're nothing. [Bang. Bang...] Faith: [Switches back to punches] You're [Faith is now crying.] disgusting.

This is an earlier scene which plays out as an exact parallel to this scene:

BUFFY: You can't understand why this is killing me, can you? SPIKE: Why don't you explain it? She hits him a few more times. He takes it, not fighting back. SPIKE: Come on, that's it, put it on me. Put it all on me. (She kicks him) That's my girl. BUFFY: (yelling) I am not your girl! She hits him hard. He falls back onto his butt. Buffy gets on top of him and begins hitting him over and over. BUFFY: You don't ... have a soul! There is nothing good or clean in you. You are dead inside! You can't feel anything real! I could never ... be your girl! She continues hitting him throughout this. Now Spike goes back to human face. He's looking very bruised and bloody, but he doesn't fight back, just takes it. Buffy hits him again and again, looking angry and desperate. Finally she stops and looks at him in horror.

So if Buffy can react the exact same way that Faith does, when faced with the same trauma there is no good girl or bad girl, there's only two people who are complicated human beings.

The story *gasp* lets the hero be a bad girl.

Redeems it's bad girl

Faith's redemption is a shocking contrast to MHA the plot of BTVS does not allow Faith to commit suicide in order to redeem herself. In fact, her entire arc is an argument against the "put her down like a mad dog" trope. Starting with the fact that the heroes who are partly responsible for Faith's fall in the first place, are all too willing to just let the homeless teenager fall by the wayside, and then put her down for her own sake.

As I stated above, the inherent hypocrisy Buffy shows in her calling Faith a murderer and irredeemable for killing someone on accident because all human life is sacred to her, and then going on to try to murder Faith at the end of the season already shows the "put her down like a mad dog" argument doesn't work. Faith isn't too far gone, it's just Buffy who sees her that way. And because Buffy has given up on Faith she's failing at being a hero.

As I said above, Buffy is not the one to rescue Faith. In fact, in the episodes where Faith's redemption arc starts, Buffy is the one trying to hunt her down and enforce punishment on her. The episodes "5x5" and "Sanctuary" are both focused on Buffy going to LA to hunt down and interfere when Angel is trying to help Faith get back on her feet. The two episdodes basically explore the concept of redemption vs. punishment and how punishment saves no one.

5x5 depicts Faith's spiral as she runs away to LA to escape Buffy who is hunting her down, and accepts a job to assassinate Angel, which if she succeeds will get her rich and also get the cops off of her trail. We're led the whole episode to believe Faith has learned nothing until the confrontation with Angel at the very end, which you should really watch because it's great television.

Faith: You hear me? - You don't know what evil is! - I'm bad! - Fight back! Faith keeps whaling on Angel, sometimes he ducks, sometimes the hits connect. Angel grabs a hold of her: Nice try, Faith. He tosses her away from him. Then walks after her. Angel: I know what you want. She hits him and he hits back dropping her. She comes back up hitting and screaming, but not making much of a dent. Wesley leans out of the window and sees Faith beating up on Angel. He goes into the kitchen and grabs a butcher knife, then heads for the door. Angel as he dodges another hit: I'm not gonna make it easy for you. Faith throws herself against Angel screaming: I'm evil! I'm bad! I'm evil! Do you hear me? I'm bad! Angel, I'm bad! (She begins to sob, grabbing a hold of Angel's shirt and shaking him) I'm ba-ad. Do you hear me? I'm bad! I'm bad! I'm bad. Please. Angel, please, just do it. Wesley comes running out of the house. Faith sobbing: Angel please, just do it. Just do it. Just k*ll me. Just k*ll me." Angel wraps his arms around her shoulders and pulls her against him. She over balances them and they sink to their knees, Angel still holding her as she cries. Angel: Shh. It's all right. It's okay. I'm here. I'm right here. Shh.

Faith tries to take the Toga approach to commit suicide in order to atone, but Angel actively understands that is what she's trying to do, and denies her the chance to die to redeem herself and instead holds her until she calms down.

Angel doesn't just save her once though he spends the entire next episode defending Faith from Buffy who has come to LA to take her revenge, and trying to talk Faith into believing she can still keep on living in spite of all the bad things she's done.

Faith: Are you saying I got to apologize? Angel: Think you can? Faith: I don’t' know. - How do you say 'Gee, I'm really sorry tortured you I nearly to death? Angel: Well, first off I think I'd leave off the 'Gee.' And secondly I think you have to ask yourself: are you? Faith: What? Angel: Sorry. Faith: And what if I *can't* say it? There are some things you can't just take back, no matter how sorry you *are*, right? Angel: Yeah, there are. I've got some experience in that area. Faith: Right. And you've been doing this for a hundred years! I'm not gonna make it through the next ten minutes. Angel: So make it through the next five, the next minute." Faith: "I don't think I can. Angel: Yes, you can. Faith walks away: God, it hurts. I hate that it hurts like this. Angel follows her: Oh well, it's supposed to hurt. All that pain, all that suffering you caused is coming back on you. Feel it! Deal with it! Then maybe you've got a shot at being free.

Angel's advice is "Guilt is supposed to hurt but if you face your pain you can try to find a way to be free of it" which is something much more profound then any of the forgiveness crap they peddle in MHA. More importantly though, the conflict the whole episode goes out of its way to show that revenge is bad, and punishment doesn't save a soul.

Angel: I didn't - I didn't think it was your business. Buffy: Not my business? Angel: I needed more time with Faith. I'm not sure... Buffy: You needed - do you have any idea what it was like for me to see you with her? That you went behind my back... Angel: Buffy, this wasn't about you! This was about saving someone's soul. Buffy: I came here because you were in danger. Angel: I'm in Danger every day. You came here because of faith. You were looking for vengeance. Buffy: I have a right to it. Angel: Not in my city.

Faith's suicidal ideation is a recurring theme that carries through her character arc in the following season - she does in fact go to prison for awhile (Elizabeth Dushku had to go make Bring it On) but Buffy remains anti-state punishment because going to Prison doesn't help her whatsoever. In fact, she just breaks out when she has to save Angel and spends the rest of the season free.

There are two episodes that actually are dedicated to showing prison didn't help, and what Faith needs to redeem herself is to spend every day of her life trying to be good, not just accepting punishment.

ANGEL: Faith, wake up! FAITH: (wakes) I've rolled the bones. You for me. ANGEL: I used to think that. That there'd be a point when I'd paid my dues. Angel and Angelus are fighting in the alley again. Angel leaves the fight and goes over to Faith's side, holding her up in his arms. ANGEL: Faith, listen to me. You saw me drink. It doesn't get much lower than that. And I thought I could make up for it by disappearing. FAITH: I did my time. ANGEL: Our time is never up, Faith. We pay for everything. FAITH: It hurts. ANGEL: I know. I know. ANGEL: Get up! You have to get up now. Faith, you have to fight. I need you to fight. Do you understand what I'm saying?

So you have one manga series where the teenage girl who did bad things commits suicide because she believed she was going to be in prison for the rest of her life and had no future, and you have the other where the teenage girl tries to commit suicide - only for Angel to stop her and encourage her every step of the way that there's still a future for her even if she can't be "forgiven".

One work ends Toga's life because she's done "unforgivable things" and the other tells Faith that the things she should feel guilty for the things she's done, and she should feel that guilt so she can keep working to be a better person every single day.

One of these is a good message to send to your teenage homeless trauma victim, the other is incredibly harmful. With that out of the way let's switch to BNHA.

HOW TO BURY YOUR GAYS

Now I'm going to attempt to demonstrate why MHA fails to truly deconstruct the MWC, and this not only ruins any potential character development for Uraraka, it also sends a deeply harmful message with Toga's death.

I think I've gone to great length above explaining how BTVS communicates it's stance of being anti-punishment and pro-redemption and even goes as far to demonstrate how punishment does not save anyone. Yet, here is the manga about heroes saving people that completely fumbles those exact same themes.

MHA:

Doesn't show Toga and Ochako as fully realized people

Doesn't show the pressure to conform to the "Good Girl / Bad Girl" label.

Doesn't break down down those two categories

Doesn't redeem it's bad girl

So let me start by saying outside of the context of the story Ochako and Toga both had the potential to be great characters. Unforunately this isn't Gacha, so the way the characters are written in the story, and the quality of their story arcs affects how well they are characterized.

Toga is much better off as a character as opposed to Ochako who sort is reduced to a satellite that revolves around Deku, but their story arcs and the way they conclude does a disservice to both of them as characters. They fail entirely to be shown as fully realized people by their narratives, because of the narratives desire to force them into the good girl and bad girl box.

More or less, Ochako isn't allowed to have flaws, and Toga isn't allowed to redeem herself in any way that doesn't involve killing herself.

Let's get to the characters though, the basic premise of the comparsion between Toga and Ochako is that Ochako perfectly fits into the mould of what society considers a "good, nice girl" she perfectly embodies the ingenue. Whereas Toga was horribly abused for most of her life until she snapped, because she was unable to simply pretend to be the normal girl that Ochako is naturally.

One thing I will give credit to MHA for, it does Toga being pushed to the margins and eventually falling off the edge of society as a young eventually homeless girl that no one cared enough to help about as effectively as Faith did. Toga and Faith were also both demonized before they did anything wrong, and were further demonized because they didn't act the way good victims were supposed to act.

The manga is almost masterful at portraying how much being forced into the box of the ingenue caused Toga's mental decline, until she eventually snapped and became the seductress instead.

Toga hasn't even done anything yet, she's already being punished and demonized simply for appearing deviant. Because once again the categories of Ingenue and Seductress aren't for viewing women and girls as fully realized people, you are either a perfect, innocent, girl, or you're a whore.

Toga is also hypersexual the same way Faith is. Of course it's not done with any of the same amount of nuance of BTVS because Hori has a habit of using Toga for fanservice, but Toga does have a habit of sexualizing herself, in a way that would be classified as deviant love. We also in the manga first view her as nothing more than a shallow yandere who creeps Uraraka out with her blushing and hot desire for blood, only to be shown she's actually capable of being an emotionally intelligent and caring individual when it comes to how she relates to her friends.

Toga viewing sucking blood as love is a clear metaphor for deviant sexuality, or even hyper sexuality, it's something that makes her a literal vamp. Toga being overly sexually aggressive and suggestive with the way she sucks blood is something the society she's in demonizes her for, Deku even makes a thoughtless comment that pushes her off the edge that he'd never even think of hurting someone he loved.

Faith is a CSA victim who is constantly trying to play off her trauma, so she's totally into sex guys, she loves sex, she loves it rough, she goes to clubs and grinds on guys, she's all into sex and violence and safety words are for chumps.

Toga was told her way of expressing love and attraction was wrong and deviant from a young age, and as a result of that the same way that Faith embraces hypersexuality, Toga embraces her femme fatalle / yandere persona and plays it up. Well everyone was right about her, she's fine with being a monster, so she just wants to live as a monster stabbing people randomly and taking their blood before moving onto the next victim.

They can't ever be the ingenue, so Faith and Toga embrace being the seductress instead. Yes, Hori does use Toga for fanservice, but at the same time you can't deny she's deliberately playing up her sexuality like a femme fatalle in a way that is not healthy (Faith is a hypersexual teenager too, I'm saying it's a trauma response for both of them).

MHA also shows much like with Faith how Toga despite being just a teenager is someone all of society has given up on - the same way that everyone gave up on Faith for being a homeless teenager. Then further demonized her for acting in ways homeless teenagers act, until she at last finally committed one crime and they turned on her.

Toga's first crime was committed after her mental breakdown, but it's revealed much later on that Toga wanted to ask Saito for permission to drink his blood, and if she'd just been granted it or at least the emotional abuse heaped on her had stopped she never would have had her breakdown.

For Toga it was Saito, for Faith it was killing by Mistake, after being abandoned they endured violence that further radicalized them with no help from the heroes.

Toga's character also textually acknowledges that the heroes are not going to help her, and are likely going to kill her, whereas in Buffy it stays subtext. Which isn't a problem, it trusts it's audience to go "Oh, the good guys are being jerks here" however, it's a direct facet of MHA's worldbuilding that Toga has watched the heroes kill her best friend, and now thinks she has to fight to the death because the heroes will kill her too. She can't back down and let herself be saved, because the heroes don't even see her as human.

Buffy can't forgive Faith for accidentally killing some random guy because all human life is sacred, but also she tries to kill Faith multiple times, because Faith's not human I guess. Uraraka and Deku believe themselves to be heroes but they actively support people like Hawks, who murdered Toga's best friend and have done absolutely nothing to show her that they won't kill her.

Toga reflects a lot of Faith's suffering for being a bad victim that society allowed to fall through the cracks, and a Seductress who needs to be punished for expressing her sexuality. In fact if it were just Toga, you could call it at least an effective deconstruction of the "seductress/whore" because Toga is a fully realized character and her entire backstory is about how society's expectations for her to be a perfect ingenue, and then punishing her when she wasn't a perfect ingenue is what led to her complete mental breakdown. She couldn't be the white swan or the black swan, so she became the blood-soaked swan instead.

Where the comparison starts to fall apart is Ochako. Toga is a character, and Ochako is not. Just like Deku Ochako more or less just kind of morphs into a plot device that exists to save the villain counterparts to prove what good heroes the kids are - and then she doesn't even do that part. Failing to save Toga is the final nail in the coffin for Ochako being a character and not a plot device to show how good and virtuous the heroes are.

BTVS goes to painstaking extents to establish how Buffy and Faith are the exact same girl in different circumstances. They are both victims of sexual abuse. They're both the Slayer. They both lose their mom at different points in the story. They both struggle with the fact that slayers are also killers, they're both the "chosen one". They both have issues that makes them conflate sexuality with violence.

Buffy is put through several situations that parallel Faith, she loses her mom, she becomes financially destitute, she starts exploring her sexuality in a very faith-like way. The two of them swap bodies at one point and nobody can tell the difference.

There's no strong parallel between Ochako and Toga to give the audience a reason why we should care about the relationship between the two girls in the first place. Ochako's connection to Toga tells us nothing about her character, because there's no strong parallel as shown to us by the story.

There are some parallels, the story attempts to tackle the emotional repression angle of how much the ingenue suffers because she's forced to repress her emotions and how much she envies Toga's free expression.

Why does Ochako think that way? Why does she focus on Toga in particular? The plot tells us why Buffy feels she has so much in common with Faith, they're both the chosen one but Buffy feels like she's under such intense pressure to be perfect that seeing Faith get to act out and express herself makes her jealous.

The manga tells us that Ochako is emotionally repressed, but it doesn't show us, because there are never any real consequences for Ochako repressing her feelings. Natalie Portman in Black Swan, and Buffy both experience mental spirals because the pressure to be the perfect woman is too much for them - to meet the impossible purity standards of the ingenue while still being a sexual creature.

In Uraraka this is the extremely simplified belief that she can't have feelings for a boy, while also being a hero because those beings are selfish and she should be focused on saving people. However, we never see her suffer because of these feelings. We don't even get the bare minimum of having her angst over unrequited love.

I don't want to give Ochako too little credit, there are several things that could have been a connection to Ochako, but they all turn out to be non-starters. Ochako is poor and often makes remarks like "The best way to save money is to not eat" in omake and she hangs out with mostly rich friends. She had early angst about the fact that her friends were becoming heroes for mostly altruistic reasons and she became a hero for money.

That could have also connected to the scene where Ochako witnessed the scene of a hero quitting amongst all of the destruction after the end of the first war arc, to show her the consequences of all the heroes who were heroes for less than altruistic reasons.

Ochako could have even told Toga something along the lines of "I was poor, I know how it is to struggle" especially since Toga spent a good portion of time homeless after she was throne out by her parents.

Instead that goes unaddressed except in this scene which makes it look like Toga is ignorant for assuming Ochako never suffered.

Toga and Ochako both feel like they need to repress their feelings but Toga was emotionall abused by her parents, then experienced psychiatric abuse, and then was disowned after her mental breakdown led to a violent incident. Uraraka feels like she can't tell the boy she loves how she feels. One of thsee things is not like the others.

There are more possible connections that you could draw between them, Uraraka gives a big speech about how the heroes have it rough too guys and at that point it cuts to a picture of Toga crying and that could have led to a revelation that if Ochako is asking the common people to see heroes as human beings, then they should try to see villains as human beings too.

This could also couple well with the fact that Toga believes Ochako wants to kill her the same way that Hawks killed Twice. Both of these facts, Ochako originally only being a hero for money and watching heroes for money quit, and also Ochako learning about Twice killing Toga's friends could lead to some self-reflection on the hero system and Ochako could listen to Toga and be the one to convince her that heroes will save her.

However, none of these happen so we don't know why Ochako feels compelled to save Toga, other than the fact that Ochako is just that nice.

It is really a repeat of Deku's writing, we are told that Himiko just really, really, really wants to save Toga, but not only are we never given an in character reason why that is, but we're also supposed to ignore all the evidence that contradicts this.

Ochako wants to reach out and touch the sadness inside of Toga, but she never actually does anything to try to understand or talk to Toga until the last possible minute. In fact, it's Toga who reaches out several times and Uraraka who ignores her. It is Ochako who insists several times that Toga's deeds are unforgivable and then the conversation stops there.

There's also the scene where Deku and Ochako are looking over the cliffside and Ochako is actively reminding herself of the damage that Ochako caused as a reason that she doesn't have to think of her as a human being.

Ochako doesn't even go in with a plan to take down Toga non-lethally like Shoto did with Toya, nor does she even think about what she wants to say to her until the last possible moment.

Ochako's actions make her more like Buffy, someone who actively doesn't empathize with the villain and doesn't want to save her because of her own personal hangups. (However, we're given no personal hangups for why Ochako, the most perfect hero ever wouldn't want to save Toga). Her actions are like Buffy's, not reaching out a hand to Toga she only gets worse and worse, but we're told the opposite. That she's someone who wants to reach and touch Toga's sadness.

It would be better if Ochako DIDN'T want to save Toga, because at least there would be an arc to it. The lack of empathy would be a character flaw on Ochako's part, something that she needs to overcome to be a proper hero. It would be better if Ochako DIDN'T want to save Toga, because then she'd need an in character reason why she doesn't empathize with Toga, like Buffy does with Faith.

Ochako is supposed to be deconstructing the ingenue, but she's not allowed to have any flaws, or be anything other than the perfect, empathic hero and because of that she ends up reinforcing the Ingenue instead. The ingenue isn't allowed to be anything other than perfect, and the Seductress must be punished.

Doesn't allow the Bad Girl to be redeemed:

Toga's death ends up reinforcing basically every backwards double standard about the MWC including the need for men to punish and villify women who freely express their sexuality. Toga's entire character arc is asking the question if soemone like her is allowed to live in this society, if the heroes will save the life of someone like her and the answer we receive is: no she can't live.

Toga can't live in this world, she has to die. Not only does Twice die and never receive justice and his murderer get off scott free, Toga who asks the question of if she's going to die too, the answer is yes.

In both of these plotlines you have young woman who have done bad things but are still teenagers, who are struggling with suicidal ideation who believe their only escape is death. Faith is told that the guilt of the things she's done is painful, but she has to live in order to make up for it because that's the only way to free herself. Whereas, Toga comes to the conclusion that there is no future for her other than being in jail for the rest of her life and therefore it's not worth living.

Toga has to be punished by the narrative in a way that's completely unnecessary, because characters like Bakugo and Edgeshot somehow survived doing open heart surgery in the middle of an active battlefield, but Toga dies from a blood transfusion.

One of these narratives is telling a troubled young abuse victim who's still a teenager to live, and the other is telling her to die. Now which one of these plotlines would you want a young girl to read?

[hannagoldworthy]

Looks like Someone stole her mommy’s phone to circumvent my IP block lol. You need some attention, Domina? You getting bored under your bridge? Get used to it, because now this IP is blocked too.

Still, I have to laugh, because once again you are utilizing big words to try and intimidate me, but because you’re about as literate as a rock at the bottom of the Marianas Trench, you’re doing it wrong. Female chauvinism is an entirely different beast from plain chauvinism (also called MALE chauvinism, for reasons that should be clear to you). Next time, just cut out the word ‘female’ and call me a misogynistic sow again - we both know that’s what you wanted to call me in the first place.

Also, it’s amazing how someone who’s trying to accuse ME of misogyny just referred to two prominent female characters as objects that were readily interchangeable, with their only impact on the story being their effects on their male love interests. This is tragicfantasy-girl, folks! Voice of downtrodden women EVERYWHERE!

I love it, you completely disregard Padmé’s and Satine’s feelings on this matter. As much as I may joke about how Obi-Wan is the objectively more attractive man, I sincerely doubt Padmé would be more than passingly interested in dating him - Natalie Portman specifically said that Padmé liked Anakin because he helped her escape from her adult life into a romantic fantasy she hadn’t had the opportunity to indulge during her short childhood. Obi-Wan was not in the business of escapism, so she never really thought of him as more than a friend or a coworker.

And Satine? Satine would have ripped Anakin a new asshole, let’s be honest. She would have started gently, hinting strongly that she still thought of him as a child, wearing the dowdiest clothes in her wardrobe, maintaining a minimum distance between them, setting up a cover story as a brother and sister traveling rather than a married couple. Then, she would have firmly denied his advances, tried to set him up with her younger sister (and her nephew, when that fell through), had him sit and watch her do paperwork all day, and when he broke out the amateur-night Shakespeare monologue, she’d haul out the big guns and say “oh, Obi-Wan used to say the same things to me when we were young.” And, when she heard that he committed the war crime of collective punishment by killing Tusken Children for the crimes of their parents, she’d have reported him to the Council immediately upon seeing them, middle of a battle or no. Anatine as a concept is DOA.

But don’t let that stop you! If you really want to write that fanfic, you go on right ahead, Domina! I know you’re probably blonde in real life because you have this weird fixation on blonde female characters that makes you take any slight against them too personally! Why don’t you turn that energy into writing the Anatine fic nobody except you has ever asked for? Project your rancid personality on Satine and bone Anakin in effigy as much as you want! It’s what fanfic was MADE for!

[taraljc]

One of the things I've been thinking about recently is how most of the things that upset me about The Dark World relate to pacing, and cutting a significant portion of Jane's storyline so that she ends up a damsel in distress for a huge chunk of the movie. It's a massive disservice to the character and the actor, and I remember really empathizing with how frustrated Natalie Portman was when Patty Jenkins was no longer available because she had mostly signed up to do the movies specifically to work with Jenkins.

But I remembered that apart from scrapping the entire original Jane and Thor ending where they break up and also Odin voluntarily leaving Asgard and decides to wander Earth for a while, that they had gone back and added scenes with Loki. I kept thinking that they were more of the banter while attempting to fly Malekith's ship, but it turns out it was two scenes that I can't actually imagine the movie without.

I had some notes saved in a file but I had to figure out where they came from so I actually dug up the original article from 2013.

Here are the excerpts that are relevant to my and probably other Loki fans interests:

[Director Alan] Taylor was very clear to say they were not "reshoots," but "additional photography," he gave some insight into the Marvel process:

"It's my experience with the Marvel process they save a portion of the budget for this and what we were basically doing. A lot of it was getting more Loki stuff, because we realized how successful he was in the movie, so we sort of "Loki-ed it up" a little bit.

"There's a scene that we probably shouldn't identify too much, that's one of the funniest scenes in the movie where Loki's a shapeshifter. That was a very, very late addition. And there's a connective thing at the beginning that bridges from The Avengers story to sort of explain how Loki is in prison or why he is in prison. That was a very, very late addition. That was probably "more Loki is a good thing," but also we decided it was an expositional link that was needed for the audience. So those are two examples of Loki stuff."

Tom Hiddleston further clarified:

"[The bridge scene and morphing] were the only scenes [added], yeah. What does it do, adding scenes? It's interesting, because I had actually always wanted there to be that scene with Odin. I remember saying when I first got the draft of the script, "Shouldn't he have a scene with Odin where you see them lock horns one more time?" So I was very glad to do that and I think it makes more sense of the references to Odin all the way through the film.

"And the morphing scene was just so fun. It was just adding more mischief, more playfulness to the character. His charm is so much of the character and is a facet I love to play. I suppose the challenge of adding stuff later is just trying to capture the same psychological and emotional continuity, because there were many months between... Of course when you're shooting, that's when you're focused solely on that particular job and then once you wrap you go off and get distracted by other things, other projects in your life. So it's having the discipline to shift back into the right gear, but it was worth it."

You definitely want to read the entire article because from a production standpoint, the fact that they were still rewriting well into post-production. like they didn't have a complete script until picture lock which I just can't even imagine. No wonder Idris Elba was so disgusted with the process that he asked specifically to be killed off in the next film. and I know that Christopher Eccleston was very disappointed in the final film because a lot of the material that he shot was cut. and the thing is if you look at all of the excise material, and all of the additional photography, it would be very easy to recut the movie into a significantly better movie in every way.

The deleted scenes with Jane and Odin by the way are not available on any of the home entertainment releases that I've seen. The only place I found them was on YouTube. If I can dig up the links, I will post them next.

[a-gassy-antelope]

Miscellaneous Tag Game

Made by the one and only @ronald-speirs <3

Thank you for the tag @grumpy-liebgott ! Am I finally doing this after being tagged almost a month ago?....maybe

Favorite place in the world you’ve visited?

I haven't been many places truthfully. I loved hiking near Niagara Falls and also hiking in the Smokies near Gatlinburg. (I'm going to Alaska later this year so that will likely take the cake for me!)

Something you’re proud of yourself for?

Working 3 jobs while also caring for a terminally ill parent. Not to get too sad, but yeah, that was a time.

Favorite books?

Oof, gonna age myself with this. The Harry Potter will always hold a special place in my heart even though it has aged terribly. Because I am Furniture by Thalia Chatlas made a big impact on me as a teenager. One Flew Over The Cukoo's Nest by Ken Kasey is a favorite classic. Recently Dead Inside by Chandler Morrison kept me very entertained with pure shock value (although I just finished The Slob last night and it by far takes the cake for the most disgusting thing I've ever read)

Something that makes your heart happy when thinking about it?

When I think about the people I choose to surround myself with. I am a very open person with those I love. Once someone is in my inner circle I am a no boundary kinda person. Let's cut the small talk and bare all our trauma and then tease each other about it. Let's rot on the sofa together. It makes my heart happy to know that I have people I can be like this with.

Favorite thing about your culture?

...what culture... I could say there's a certain culture of the American Midwest that i love. Mainly the 'midwest goodbye' where you stand in the front door chatting for way too long, then in the driveway then in your car with the window rolled down. Also, ever had a midwestern dessert salad?????

When did you join the HBO War fandom? What was the first show you watched?

Well, my brother is older than me and he was very much ww2 obsessed. So watched Band of Brothers way younger than I probably should've. Probably when I was like 8? When I got into my career there was this song at work that would play and it felt so oddly nostalgic until one day I realized it sounded the intro credit music for Band of Brothers. Then it was put on Netflix and it was all down hill from there. Very different to watch again as an adult vs what I remembered from my childhood.

Have you read any of Easy Company’s books? If so, which ones were your favorite?

I just finished Dick Winters' memoir not that long ago! I think I'll read Shifty's next!

Favorite HBO War character and your favorite moment with them?

Everyone in b.o.b is my precious baby. See that generic white man? Yep, thats my child. Honestly though there are certain quotes from various characters that just scratches my brain. Buck with: "Your ass?!" Webster with: "You ignorant, servile scum! What the fuck are we doing here?" and the cadence in which he says "Don't salute the Germans!" Liebgott with "Hershey Bar!" Winters with: "What's that? A piece of paper? I dont wanna see another piece of paper" and Speirs with: "You talk to an officer you say 'sir' " (totally not because it made me feel some type of way)

Do you make content for any fandoms, if so; what sort of content?

I have made Band of Brothers stuff here on tumblr, classic text post as memes. Ao3 I've made Band of Brothers, Star Wars and My Hero Academia content!

Favorite actor/actress and your favorite film of theirs?

hm....that's hard to pick a favorite. Meryl Streep is always delightful, as is Gillian Anderson. Natalie Portman? Keira Knightly? ok, ok, maybe I should list a man...James McAvoy. Jack Nicholson. I dunno, I don't like picking favorites.

Favorite quote/s that you wish to share with others?

"I paint self portraits because I am so often alone...Because I am the person I know best." This Frido Kahlo quote really sticks with me because I feel like I can relate to being isolated and enjoying spending so much time on my own. I am my best companion and draw from my own experiences and emotions.

Random fact your mutuals/followers don’t know about you?

I am a licensed massage therapist and I work with patients with chronic pain and injuries. I love my job and my patients even though it is a very draining profession.

If you’re a writer, do you need a beta reader (say yes so I can be your beta reader 🤭)?

I am a writer! I want to say that I'm open to beta readers but I am also simultaneously afraid of others reading my work and embarrassed that people might not like it. That being said, I am working on a multi part Winnix fic rn.

Three things that make you smile?

My pets: a cat, 2 snakes, 2 leopard geckos and a pink tongue skink

Sweet gestures from my partner (or their dumbass jokes)

Writing!

Any nicknames you like?

Instead of Alex, a friend once called me Al Pal and I'm bewildered that it took me over 20 years to ever hear that.

List some people you love to see around on tumblr!

Uhm, everyone???? I love seeing people share whatever they're passionate about or find cute and funny. I love when people love things unapologetically! @grumpy-liebgott, @blueberry-ovaries @lewis-winters @easycompany123@andromeddog @hanniewinnix and honestly so many more!

What would you do during a zombie apocalypse?

I have two options. Get to my Marine Corps brother who is a borderline doomsday prepper but lives an hour and a half away or die immediately.

Favorite movie?

Again with the favorites? Some of my comfort movies include: Pride and Prejudice (2005), Mamma Mia, Hellboy 2 The Golden Army (specifically 2, not the first one) and Coraline

Do you like horror movies?

Yes! If my above mentioned books weren't an indicator. I love modern paranormal, 80s slashers and any Vincent Price movie

Tagging (no pressure!) : Also, Sorry if you've already been tagged! (does anyone else get nervous tagging people for no damn reason?)

@hanniewinnix, @pettypumpk1n @multifandomfanfic @hbowarandchill @fxxiva

[wellthatwasaletdown]

Camille didn’t stay friends with H cause she has self respect. I wouldn’t be surprised if she does anything to stay in his circle no matter what

I think the reason Camille didn’t really stay friends with Harry is because their relationship wasn’t everything to her. Doesn’t matter if you think Harry’s relationship with Olivia was PR or not she definitely loved the attention that she got from it. She was never someone that the general public paid attention to. She was a fail doctors. Her acting career wasn’t going anywhere, if you think of all the actresses in her age group she wasn’t doing the things that they were doing. think Anne Hathaway, Emily Blunt, Natalie Portman, Scarlett Johansson, Mila Kunis, Amanda Seyfried.  those actresses Are the ones that the directors are calling if they are casting for a role in that age group. All of those actresses I just named either has Oscars or have been a part of critically acclaimed films or even Oscar-nominated. Olivia Wilde hasn’t done anything impressive since Tron Legacy. Which is why she made the switch to directing. She had a hit with booksmart and she thought that she was going to get something even bigger with Harry and don’t worry darling and whether or not you think that their relationship was PR she loved this newfound fame. She was in rooms that she was never in before, she was in conversations that she was never into, she was the talk of the town. She was getting magazines and interviews that she never would have gotten if it wasn’t for hairy. She would have never gotten Vogue if it wasn’t for hairy. She loved the 15 minutes of fame. So when the relationship ended she was pissed and she wanted to try to see if they could work it out or wanted to be seen at his concert one last time before the break up article comes out. She gave up her entire life, follow this man around the world, put her children on the back burner, and also her career for a guy who was never going to claim her. This man did not give a fuck about her and I don’t think that he took this relationship seriously. He refused to claim her, she was sent so much hate about everything about herself and her children and he never once stepped into defend her, when it was first and that if they were dating people had questions on if she cheated on Jason and he put out an article from a “source“ calling himself blameless, when GQ article came out confirming that he and Olivia broke up in November 2020 he made her leave Italy and she was seen at the airport the next day, when she was served on stage she didn’t do a thing, when the Shia LaBeouf situation happened before Venice he was it seen with her for weeks leaving her to stand for herself, When the nanny situation happened again left her to fend for herself and at Venice completely made her look like an absolute fool. She wanted to uproot her life to the UK to fit him and his needs and he ended up breaking up with her. I don’t think she ever took this relationship seriously and when things started to get messy in her life he saw her as a liability because it was now starting to affect him and his reputation and he dropped her. I don’t think they were going to last much longer but with all of the stuff that has happened I think he thought it was easier to cut her loose again he never took her seriously or the relationship with her seriously. The fact that he looked miserable half of the time should have showed that to people. But again not only was she upset with him she was obsessed with the idea Associated with him. She was using her stylus, being invited to events, wearing Gucci, getting to make connections and all of that backfired on her face. Harry was the thing that made her relevant and if you take Carrie out of the equation she’s not relevant anymore. By next month we won’t even be talking about her or the relationship anymore. And I think that’s what she scared of. She scared of fading back into obscurity. She will forever be a C list actress who couldn’t make it much into Hollywood who then had to turn to directing and will be known for making a flop movie and focussing more on her relationship with her lead actor than making the set and movie the best it could be that’s her legacy 

.

[nsfwhiphop]

Angelo & Anne Hathaway Dialogue:

Anne says: "Hey Angelo! Why do you always ignore me? You know I'm following your show, right? I read this blog just like everyone, but you never mention my name. Now, why is that?"

Angelo says: "Because you're too hot, and we're the same age. I was born in 1981 and you in 1982. There's a lot of sexual tension between us, so I decided to ignore you. It solves all my problems that way I don't have to become horny whenever I write to you, you know? It makes sense, am I right?"

Anne says: "I didn't know it was that serious. You're that attracted to me? Boners and all? Thanks for letting me know. Now I understand why you always ghost me. You ignore me because you get horny whenever you're in my presence. I bet you watched The Princess Diaries back in the 2000s, admit it, come on?"

Angelo says: "Yes, I never forgot your famous quote, 'Shut up!!' when she found out she was the princess of Genovia. Good times. I watched all your movies, even that 2011 movie called One Day. So romantic; that film was dope. I had a similar love story with a girl, which is why your 2011 movie One Day means so much to me. I was in love with a girl, but since I'm a spy, I couldn't be with her. So I always longed to be back with her 'one day,' just like in your movie. You're one of my favorite actresses in the world. You're very talented, and it's rare that I'm sexually attracted to an actress. There are a lot of Hollywood actresses that I don't want to f*ck because I'm just not attracted to them, but Anne, you're different. You make my heart smile and my boner smile too. I hope I'm not too straightforward with you, but that's how I feel about you, my dear Anne."

Anne says: "Awww! I don't know what to say besides awww! Thank you for all these compliments. You're so sweet to me."

Angelo says: "I'm a big fan. You're welcome, Anne! I also watched your latest COVID lockdown movie with Chiwetel Ejiofor. It was so funny. The dialogues in that film were really written by a screenwriter who was on lockdown himself. That's why the dialogues were out of this world and so realistic. The timing of that movie was perfect; it was made during the COVID lockdown."

Anne says: "Yeah, I'm kind of proud of that movie with Chiwetel Ejiofor. It was well written during the COVID lockdown."

Angelo says: "Guess what? I also watched your latest movie on Netflix, The Witches (2020) with Octavia Spencer and Stanley Tucci. I enjoyed this movie too; it was so entertaining. Your acting was perfect, as usual."

Anne says: "Yeah, yeah! I'm a great actress, I know. So let's cut to the chase. What I want to talk about is, why don't I get a share of the money?"

Angelo says: "Pardon me, money, you say? What money?"

Anne says: "Come on, Angelo! You know you can help me out, so why don't you help me?"

Angelo says: "I want to help you, but you need to understand that there are a lot of Hollywood actresses who will be angry because they were waiting in line before you. It's kind of unfair to them, you know? It's like the waiting room of the neighborhood dentist. If women arrived at 10 a.m. and waited until 3 p.m. to see their dentist, I can't let Anne, who arrived at 2:55 p.m., get to see the dentist before the other women who've been waiting in line since 10 a.m. Get it? It's a metaphor."

Here is a funny quote: "Hollywood actresses be like: 'Hey Anne! The f*ck you think you're doin'? You can't see the dentist before us. We've been waiting in line since this morning at 10 a.m. and you just arrived here at 2:55 p.m. and you think you'll see the dentist before us? You're daydreaming. Get in line or you'll start a catfight in the waiting room.'"

Anne says: "Oh, I didn't know it was that serious. So, tell me, how many Hollywood actresses are waiting in line right now? Give me the names."

Angelo says: "Mila Kunis, Gwyneth Paltrow, Gal Gadot, Natalie Portman, Zoe Saldana, Rosario Dawson, Jessica Alba, Sofia Vergara, Salma Hayek, Penélope Cruz, Rihanna, Marion Cotillard, Adriana Lima, Shakira, Kristen Bell, and so many more that I can't remember all the names."

Anne says: "Thanks, I will call them."

Angelo says: "You're welcome, Anne. You know I got your back, so relax, alright? I care about you, Anne. I know we will become lovers someday in the not-so-distant future. You will let me hit it. I'm keeping the faith. I got my fingers crossed."

The end of this dialogue.

P.S.:

I forgot to mention that I also watched your latest TV series "WeCrashed" with Jared Leto. I have to say, you were so hot in that. I enjoyed every minute of "WeCrashed."

My dear Anne, you have to believe me when I say that I’m very attracted to you. It's because I love your work and watch all your new movies.

Here is the trailer of "WeCrashed."

[queen-daenerys]

@madzie-bane​ said: i'm lowkey shocked keira knightley didn't make the list 👀

she WAS in the top 20 list i started out with, but then it came down to like her or Cate Blanchett being cut and I would take a bullet for Cate Blanchett I could not leave her out of the list..!

[kimnjss]

uncharted territory | kth

⤑  series: kinda hot

⤑ pairing: campus flirt!taehyung x sweet girl!reader

⤑ genre: lmao i don’t even know... angst? smut?

⤑ rating: explicit

⤑ word count: 7.5K // unedited.

⤑ warnings: use of alcohol and weed, cursing, dirty talk, slight hair pulling, over-the-shirt nipple play, dry humping, ruined orgasms.

⤑ A/N: hihihi! just here to remind you how much i appreciate all of you guys reading this story nd getting as invested as you are!! don’t hesitate to let me know what’s on your mind - no matter what it is ., feedback is my favorite!!

JANUARY 30TH, 2021 | 19:07

Hoseok is leaning handsomely against the side of his car when you're stepping out. Arms crossed over his chest as his teeth nibble on his lower lip, eyes seeming to sparkle when he's looking at you. The shine only getting brighter when the corners of his mouth lift into a smile. Body lifting from the side of the car to pull the passenger's door open, gesturing to it with his hand.

“Ooh, check out the gentleman,” You're teasing with a laugh, ducking into your seat as he rolls his eyes. Jogging around the front of the car until he's sinking into the spot beside you, taking another moment to let his eyes travel over your body.

Nodding slightly to himself before he's grinning, “You look hot,” His warm hand landing on your thigh to give it a little squeeze before he's pulling from his parking spot and onto the road.

Compliments from Hoseok came sparingly, wasn't really one to gush over your appearance with mere words. He was more of a show-er than a talker in that sense. So when he was paying you a compliment, it was never anything all that deep. Never once compared the brightness of your eyes to the sunlight or whatever Shakespearean shit he could muster up. He was just going with what he thought and you appreciated that.

It kept things from getting confusing between the two of you. If he was constantly dotting on you and telling you how amazing he thought you were (and you were amazing, no doubt about that), but if he was telling you.. it would definitely put a damper on your whole arrangement. You were a simple girl to be completely honest. Words got to you, you'd be head over heels in love if he was calling you beautiful every chance he got.

Hot was good. Hot was fine. Hot was safe. Because catching feelings for Hoseok? You'd be better off standing in the middle of the road waiting to be run over. And then getting the driver to put it in reverse. Hoseok was brutal when it came to girls and relationships, didn't waste time on feelings or the overly emotional.

A bit of an asshole, but that was why you liked him. He knew how to keep things fun and exciting, loved being surrounded by people. But he wouldn't hesitate to tell someone to fuck off if the circumstances called for it. He was cool. To put it simply. A very cool guy taking you out on a date. Anyone would be giddy about that, it was Jung Hoseok for crying out loud!

“What you got a taste for?” His eyes don't move from the road in front of him. One hand steering the wheel while the other keeps its hold on your thigh. Skin easily warming under his touch, you force yourself to focus on what he's saying.

Having to keep yourself from suggesting, (for the first time in person but the eighth(?) to him) skipping dinner and going back to your place to make proper use of your time. You bite that down. He wanted to take you out to eat, so you planned to humor him. Eat with him so he can eat you out. Simple.

“Anything, really. You like pasta. Should we just go to that Italian place?” With a slight nod, he's directing the car toward the restaurant. The smile on his face lets you know that he had been secretly hoping to get to eat there tonight. It was his favorite place to go, knew the menu like the back of his hand.

So he's pleased that you're suggesting it.

The car ride is filled with soft music and playful banter about whatever comes to mind. He's challenging you, saying things that he knows will get under your skin just to hear you argue why he's wrong. Laughing as you outline all the reasons why mints and chocolate should be far away from each other.

He keeps a gentle hand on the small of your back as he leads you into the restaurant. Still egging you on with why he thinks you're wrong, laughing at the way your face twists up at him. Pausing only briefly to get your table, but the debate is in full swing the moment the two of you are settled across from each other.

There's a subtle type of competitiveness in his tone, paired with the playful smile on his face. Not even a full hour here with him and you were starting to see what Jimin was talking about. Being out with Hoseok, talking beyond where you should do it next, was something you never considered. 

It's nice.

JANUARY 30TH, 2021 | 19:59

Conversation between the two of you doesn't die down even after your food is being set down in front of you. You're only now noticing that you never really talked to Hoseok before. You were friends, of course, that's what the 'F' in FWB stood for, but you were more like group friends.

Never really hung out alone until some months ago when you were starting this whole thing up. And fucking didn't really account for all that much talking. You knew nothing about him aside from the fact he was Taehyung's asshole womanizer roommate. No idea how witty, how animated, how attractive he could be.

It made you want him even more.

He's in the middle of explaining the King Henry VIII drama he had seen the other night, which is also surprising. He almost seemed 'too cool' to be this interested in a period piece starring Natalie Portman. But he's speaking so excitedly, that you can't help but hang on to every word from his lips. All until your phone is flashing on the table beside you, Taehyung's smiling face lighting up the screen.

The buzz steals both of your attention from the conversation, your brow furrowing slightly. A part of you knows that he's only calling for nonsense, probably in the midst of a fight with his girlfriend and he's calling for you to tell him he's right. It's hardly ever an emergency when he's calling you, so there should be no problem with letting his call go to voicemail.

Especially this close to the end of your date, you'd be heading back home with Hoseok in no time. Plus he could just text you if it was something important. There was no reason to answer, and yet, you can't keep your hand from reaching for the device. Shooting an apologetic smile over at Hoseok.

“He knows I'm with you... he wouldn't call if-,” The nod of Hoseok's head cuts you off, waving you away with a smile to take your call. And you're excusing yourself quickly, pressing the phone to your ear once you're far enough away from the table.

He better have his dick caught in a mousetrap or something to justify interrupting your dinner. “Tae. What's going on?” You listen, for any telling sounds of things being out of the ordinary. All you hear is the hum of the TV and his heavy breathing hitting the line.

“Yn, you've gotta get over here.” There's an urgency in his voice that has the hairs on the back of your neck standing. “Why? What's going on?” It's probably something stupid, it usually is when it comes to Taehyung. But curiosity has already set in and you find yourself thinking of how to tell Hoseok you have to go. 

“I can't just tell you... you have to come,”

Groaning into the phone, your hand lifts to pinch the base of your nose. A deep sigh leaving your lips. “Tae. I'm out right now. If this isn't urgent-”

He's quick to cut your words, “It really can't wait.” He almost sounds serious, which has the slight annoyance you feel melting away. “Okay, okay. I'll be there in a minute,” Quick to hang up the phone and head back over to the table.

Hoseok has his head bowed, full attention on the plate of lasagna as he shovels forkfuls into his mouth. Reaching for his glass as you slip back into your seat, gulping down his water. And you're two seconds from telling him that you have to go when he's reaching for his napkin, wiping the corner of his lips.

“Taehyung needs you to rush over?” How he was able to just guess that is beyond you, but you're nodding your head a sheepish smile taking over your features. “He says it's urgent,” You genuinely feel bad. Even though things between Hoseok weren't any deeper than hooking up, you still had agreed to come out with him. To stay out with him.

To leave in the middle of it (not to mention before you could wrap everything up and go back home) felt shitty. You were having a good time getting to know him, but if you didn't go see what was going on with Taehyung, you knew it would bother you for the rest of the night.

Despite everything, Hoseok seems to understand. Insisting you finish the rest of your risotto before he's paying the bill. He even keeps up with the bubbly conversation from earlier, enjoying the sound of your laughter all the way to the car. Guiding you in with a gentle hand on the small of your back.

He lets you choose the music and hums along with the songs you play. It's not long before he's pulling up in front of his house, car staying on as he steps on the brake. You wait for him to put the car in park and when he doesn't, you're shooting a confused look in his direction.

“You're not coming in?”

He's quick to shake his head, fingers tapping against the steering wheel. “I'm gonna go see what's up with those girls in building E.” Oh. Right. You almost forgot for a second who you were dealing with. Jung Hoseok, notorious fuck boy. If he wasn't sleeping with you, then he'd just find someone else to do it with.

Feeling bad for cutting your date short was useless. “See you later, then.” He meets your words with a nod, waiting patiently for you to get out of his car. Spares a moment to lift his hand in a wave before he's speeding down the road.

JANUARY 30TH, 2021 | 20:21

Taehyung is sat on the couch when you enter the house. Hunched over a bowl with chopsticks in hand. Torso bare and hair falling in a ruffled mess around his face. He doesn't budge at the sound of the door, too focused on pushing long strings of spicy noodles into his mouth.

He could've at least put together a fake emergency if he was going to call you over like this. Pretended his arm was broken or something, instead of coolly sitting on the couch trying to gulp down his beer around the mouthful of Ramen.

“Hey! What's so urgent? Why are you half-naked?” Your loud voice startles him, droplets of beer falling from his lips and rolling down his chest. He swallows, reaching forward to grab up a napkin, using it to wipe at his well worked on pecs. 

Your eyes follow the movement of his hand, long fingers brushing the droplets from his tanned skin. It must be the anticipation of getting fucked tonight because you're finding it hard to tear your gaze from the ripples of his stomach. “I'm in from the gym,” He explains the no shirt, the tightness in his arms that have fallen victim to your greedy stare. Flexing obviously as he reaches for his drink again, taking a few sips before he's picking up his bowl. His chest tenses with the movement.

Has he always been this... wow? Quite literally staring in the middle of the room, greedily enjoying the sight of your best friend without his shirt on. Yet, it's not the first time you've seen him sans shirt. Countless sleepovers and pool parties, but his bare stomach seemed different now.

Seriously. Did he always have abs like that?

You're forcing yourself to look away, face grimacing at the loud burp he lets out. Enough to snap you from your thoughts, wherever they were going was uncharted territory. And you had no interest in exploring that, especially when you were supposed to be annoyed with him!

“What's the problem? Why'd you make me rush over?” Wearily, you step closer to him. Eyes scanning over his body in a less pervy way, trying to detect any sign of injury. Maybe even a paper cut a little too deep. “Are you okay?” Your face inches from his, still searching.

He's laughing, hand lifting to rest on your forehead, pushing your head back slightly. “I'm fine. Want some?” Taehyung lifts the bowl between the two of you. And your gaze drops to the spicy scent. And normally you'd be letting out an excited whoop, accepting his generous offer and plopping down beside him.

But right now, all you are is annoyed. Annoyed and frustrated. If it wasn't for him, no doubt you'd be off somewhere with Hoseok, minutes from having your eyes rolled back, nails scraping against his skin. Instead, you're here, no emergency in sight. You shaved for this! Matched your lingerie for this! What a waste.

“Are you fucking kidding me!? I was out with Hoseok, Taehyung.” As if he didn't know. And he had the audacity, to sit there, slurping his noodles as if he wasn't at fault for this annoying ache in the pit of your stomach. Something that would've been long taken care of if it wasn't for him.

His shoulders lift in an uninterested shrug, jaw falling slack as he shovels another mouthful into his mouth. “Well... now you're not. It's extra spicy. Your favorite,” He's offering more food up to you and all you do is roll your eyes, letting out a frustrated huff.

“You're fucking ridiculous,” You scoff, hands rummaging through the contents of your purse until your fingers are catching onto your phone. “I'm calling Hoseok,” You announce for no real reason, especially because he acts as if he hasn't heard your words. Attention back on the hot bowl in his lap.

He's being weird and you don't know what it is. Noticed it in doses these past few days and assumed it would just blow over... but he just seemed to be acting more and more out of character the more time passed. It confused you. And you hated being confused.

Part of you was convinced that it had something to do with him now knowing that you're sleeping with his roommate. The side comments, inadvertently trying to cock block, and now this being proof enough. But there was another part of you... a much smaller, poorly trained part, that was convinced these were the actions of a jealous man.

What would he have to be jealous of, right? It wasn't like he wanted to be the one sleeping with Hoseok. Well, debatable... but seriously, the way he's been acting lately has led you to believe that there was something else going on that he wasn't telling you. Tae's known the guys you've fucked around with before and never has he acted so... stiff?

Something changed. Something was different. And you can't help but wonder if the picture incident had something to do with it. Highly unlikely, as Joon said, he has probably already forgotten about it. But, nothing else made sense.

Hoseok doesn't answer. Not like you actually expected him to. He went to 'see what's up with the girls in Building E'. No doubt busy with that, why would he answer his phone? “Come on, Yn.” Taehyung is beside you now, you're not sure when he stood up, but you can smell the sweetness of his body spray. Even after the time, he spent in the gym.

“Listen, I'm sorry I interrupted you.” His hand is reaching to lower your phone, halting your request for an Uber. “...but you're here now. Just stay. Relax.” Flashing that breathtaking smile of his and it's becoming apparent how he gets away with so much. This boy knew how to use his looks to his advantage, there was no denying that.

But, you're not easily fooled. “You can't just interrupt my dates because you're lonely,” Some of the bite is gone from your tone. Not entirely sure how upset with him you really were. Of course, calling you out when he knew you were with someone else was shitty... but it was Taehyung!

A terrible reason, but the best one you could come up with. There was no way staying mad at him was an option, when he has done the reverse many times with you involved. He's smirking at you, picking up on the anger melting away from your features. “So it was a date. You told me it was just dinner,” He teases.

Not entirely pissed at him anymore, but that didn't mean you'd just let his stupidity slide. This was the second time he's interfered with your much needed Vitamin D and it was about time he heard something about it. “Just dinner. A date. A fucking square dance. Taehyung, you can't just cut in because you want.” He's looking at you funny, this dazed expression that you've never seen directed to you before. From him.

It makes your heart stutter, so you ignore it. “What if I did the same with you? If you were out with Ailee and I called you up with some stupid excuse?” He doesn't even hesitate, dark eyes glued to yours. A stare so intense, you feel the heat rising to your cheeks. “I'd come running,” The deepness of his voice and the seriousness of his tone has your breath hitching.

There was no way this was happening. You were used to flirty Taehyung, got pretty good at compartmentalizing your feelings when it came to the Taehyung that you dealt with on a day-to-day basis. But this... this was different. Uncharted territory, indeed. The way he was looking at you? Talking to you? Nothing like you've ever handled before when it came to him.

No idea how you were supposed to react, so you decide to just leave to keep from making a fool of yourself in front of him. “I'm leaving. Goodnight, Taehyung. Call your girlfriend.” A halfhearted request, you're really just reminding yourself that he has one. And while 'The Other Woman' was a great song, that wasn't you.

“She broke up with me like an hour ago,” Again? You want to say, feigning disbelief. Their routine breakups were far from surprising and they always ended up in the same way: them back together and holed up in Taehyung's room for days on end. Only to end in a pointless fight that would repeat the cycle.

They were always broken up, but that didn't mean they were done with each other. It never meant that. “Please, stay.” He's pouting obnoxiously, so you're confused why you find it so cute. Fingers laced with yours as he lightly shakes your arm. “I miss hanging out with you,” Puppy dog eyes aimed right at your heart.

He's not wrong. It's been a little while since the two of you just hung out. Lounged around in sweats, ate, and watched bad TV. And it was very unlikely that Hoseok would be returning your call. Jimin is surely busy with Jungkook or something. You'd just be going home to sit around and do exactly what you could do here.

“Fine.” Eyes rolling to exaggerate your annoyance. “Go make another packet while I change,” Soft hair bounces as he nods his head, turning to pick up his half-empty bowl from the coffee table, carrying it into the kitchen.

You're halfway up the stairs before he's calling out to you, smiling when he sees your head poke around the corner. “I'm really sorry I ruined your date. That was not cool,” There's sincerity in his tone and in his eyes, every last bit of annoyance or frustration you felt dissipating at the sight.

“It's fine,” The prettiest smile he's ever seen pushes onto your lips, nearly stealing his breath away. “I'll just have to text Hoseok and explain your issue with separation,” Giggling at your own lighthearted joke and he's matching the sound. 

Silently praying you hurry upstairs so he can get his heart in check. So he could think. Something he's been skipping out on that since the moment he picked up his phone and decided to call you.

JANUARY 30TH, 2021 | 21:43

You're wearing basketball shorts. His basketball shorts. Paired with a sports bra that you must've left here for one reason or another. It takes everything in him not to zero in on the jiggle of your ass as you pass him. The pebble of your nipples pushing against the fabric. You always complained about how cold his apartment was.

He tries not to stare as you stretch to pull a bowl from the cupboard, laughing out loud when you realize that he's already taken one down for you. Thanking him as you move to stand close. Your cheeks are red and irritated from the quick way you removed your makeup with the dried-out wipes you left in his bathroom. Hair let out of the tight ponytail, cascading down your back in pretty waves.

It's not until you're pinning him with a furrowed brow and an upturn of your upper lip, does he realize he's literally gawking at you. With this unmistakable love-struck look in eyes. “Why are looking at me like that?” Spoken while plucking a piece of meat from the pan and pushing it into your mouth.

Caught and he doesn't even think of trying to backtrack. With a shrug of his shoulders, he's turning his attention back to the food in front of him. “I don't know. You just look beautiful or whatever,” He can hardly look at you as the words leave his lips, afraid you'll catch the blush on his cheeks.

“Or whatever?” You joke with a laugh, ignoring the flip of your stomach at the compliment. Instead, you move to the fridge, retrieving a couple of eggs while chastising him on forgetting the best part. Not sure what was up with him, but you refuse to let yourself get carried away.

You've spent so long accepting that he has and only will see you as a friend. Best friend, even. And just because he was throwing a few compliments your way didn't mean that everything all of a sudden changed. Nothing has changed. The two of you were still in the same spot you had been two years ago.

 Taehyung serves you with a smile ten minutes later, fingers lingering on yours for a moment longer than normal. Not long enough to be weird, but definitely long enough to get the wheels turning in your brain. And then he's plopping down across from you like nothing, head ducked as he takes the first steamy bites of his food.

It takes everything in him not to profess his unclear feelings. Trying to limit how often he looks at you, censoring his thoughts as they teeter between mushy and cringe. It's hard with the way you're joking between bites the way you always do, he can't help but notice how pretty you are.

He felt lucky to have you like this. Even if it wasn't truly having you. Just the fact that you were comfortable enough around him to be like this. Even if it had been years, it felt different now somehow.

Everything felt different since he's started to notice little things about you that he failed to see all along. Your cute habit of flicking and tossing your hair as you spoke, more often with how animated you got. How your eyes lit up when you were excited. That tiny dimple at the corner of your mouth, which only made an appearance when you were laughing really hard.

On top of it all, he was noticing how obvious you were. Not exactly sure when it clicked in his mind and it could very well be his ego talking, but he was starting to feel like he wasn't the only one keeping a mental scrapbook. The more attention he paid to you and your little mannerisms, the more he picked up on the fact that you were doing the same.

Whenever he'd bite his lip, rest his cheek on his palm, angle his head in a certain way – your eyes would follow. And how could he forget the lust-filled look on your face as your eyes devoured him, it hadn't even been a full ten minutes since you got there and you were so obvious.

A wonder he didn't notice it before, but now that he thinks back... all of the signs were there. Everything that he missed has been screaming at him for the past-however-many years. And as much as he wanted to do something about it, he knew he had to be careful.

Extremely careful.

JANUARY 30TH, 2021 | 23:52

Right now, you had your legs in his lap – ankle inches from his junk, but that's the least of your concerns. You're more focused on tucking every last crumb of weed into the paper, eyes flickering between your fingers and the TV screen. 

“How is she this oblivious?” You're commenting with a wrinkle of your brow and Taehyung has to act like he's been following the plotline all along.

From what he was able to pick up with your brief summary of the plot and the way you talked over every scene with backstory, the main character was set the be married to a man with much more experience than her. In life. In the bedroom. The scene playing in front of you right now she was just finding out that he had been lying about not being able to have children.

You had suggested starting from episode one, but he denied the offer. There was something about watching you explain a show while getting frustrated about the scenes that played out before you that he found endearing. Not a new feeling, but holding a new meaning now.

He can hardly hear what's being said because you're in the middle of a rant on how there was no reason for her to be so clueless and sent into a marriage. And how her mother should've gone into the nitty-gritty before shipping her off. And how her husband was just a compliment douche bag for taking advantage of her ignorance.

Taehyung is positive he looks like you just agreed to go riding off in the sunset. Leaned back against the couch and watching you with this dazed-dopey expression that you sum up to him just being high. You were working on rolling the second joint you'd share.

His eyes follow as you lean forward, hovering over his lap as you reach for the lighter on his side. Not even thinking to ask him to pass it over, not that he's complaining about the closeness. Elbows holding your body up as you fiddle with the spark, bringing it toward you when it stays.

You catch his stare as you exhale, handing the joint off to him before moving back to your end of the couch, legs falling back in his lap. He doesn't pull his gaze from you, letting the weed burn out between his fingers. “What?” You're asking with a soft laugh. He's hissing out a breath, bringing the smoke to his lips and inhaling.

“You're fucking gorgeous, it's annoying.” He says with a shake of his head, a thick cloud of smoke leaving his lips. “You're always talking shit,” Speaking through a burst of laughter, but he doesn't entertain the thought any further. Extending his hand to pass it over, eyes flickering up to the screen.

There had been something that he had paid attention to when you first turned this show on. The conversation that was being had on the screen about best friends and getting married and falling in love. And how that's how you should do it. Marry your best friend and it would work out.

No matter how many porn-like sex scenes appeared after that, he was still stuck on that one conversation. And the thought that if you looked so pretty next to him right now, there was no telling how much prettier you'd look done up and dressed in white. He has to laugh at himself, though.

Blaming his raging thoughts on the half-empty bottle of liquor on the table and the green you're handing back over to him. Which is why he doesn't bother to stop the question that slips out next. “Do you think that's really the key?”

Half forgot that even though you never left his mind, you couldn't read it. So you have no idea what he's talking about. “Key to what?”

“Being happy in a relationship?”

He hardly ever really talked about his feelings being with Ailee. You just knew what he told you and that was very limited. She annoyed him, but she was sometimes funny and knew what she was doing. That was pretty much it.

So you're a little shocked that he all of a sudden was bringing this up as if you knew their relationship from a hole in the wall. “Are you not happy with Ailee?” Someone who fought with their significant other as much as Taehyung did, couldn't really be happy. But you could be wrong.

“I'm sure I could be happier,” He's looking at you with those eyes again, flicking the ash off with his finger before bringing the joint back to his lips. “Do you think falling n love with your best friend is the key to all that?” He pauses, the blurts the last part out like he's lost control of his tongue. “Like you and me,”

You're letting out a harsh cough that has nothing to do with the smoke cruising through your lungs. Eyes tearing up while your back shakes. “Me and you?” You manage, letting out a gasped breath. “Like me falling in love with you and you falling in love with me?” Finger used to point between the two of you, just to be sure.

Taehyung nods his head, unphased by your dramatic reaction. “Yes, that's exactly how that would work. A money-less transaction,” You're letting out a laugh and a shake of your head, pushing the thought from your head. He was only joking, talking shit for whatever reason.

“Yeah, no. That would never work out,”

His words chase yours, “Why not?” You don't miss the small pout of his lips, as if he's actually asking. Wondering why you thought the two of you together wouldn't work out.

“I know too much. You know too much,” Going with the first reason that pops in your head, one that you've used countless times with convincing yourself. “There's gotta be some mystery,”

Taehyung is rolling his eyes, “Oh, come on. We're not the Scooby-doo kids, Yn. Mystery is overrated.” He's really pushing for this and you're not sure why. Most likely entertaining the thoughts that pop into his foggy mind, so you don't allow yourself to think too hard on his words.

Or what they could mean. “It's perfect,” He continues. “You meet someone, become best friends, decide to fall in love and now you're married to your best friend. That's the dream,” He says with a grin. And you're not sure if he's actually talking about you or if he's just talking.

“That's lazy,” Either way, you attempt to get the race of your heart to slow down. No matter how much closer he was to you now, backs of your thighs pressed against his. You're nearly seated in his lap and you just now noticed the mindless way his fingers drag over your knee. “You can't pick off from your existing friends. You meet someone, fall for them and then you become best friends,”

His laugh rings through your ears, then your entire body. Just the sound has you feeling warm all over, something that you were sure you had gotten under control a long time ago. “You just said the same thing as me, except you changed the last two steps,”

“It makes a huge difference,” It did. One was the two of you and the other could be any two strangers on the street. For the sake of you, your version was the one you'd go with. Anything else and it would be hard to talk yourself out of it.

But Taehyung has been a lot more attention, putting the pieces together as they appear. And one thing he was always good at spotting (except when it came to you for some reason) was when someone was into him. And judging from the subtle changes in your demeanor throughout this entire conversation, you were so into him.

With caution on his mind, he's shifting focus. Hand lowering to discard the dead bit in the ashtray. Leveling you with a squinted eyes and a purse of his lips. “What's the real reason you didn't want me to know about Hoseok?” Sort of had an idea of what this might be, but he wanted to hear it from you.

“What do you mean? I already told you,” You're reaching for the bottle on the table, taking a swig to keep your hands busy. And to keep you from having to look at him, no doubt the unfiltered thoughts in your mind would be slipping out with one glance. 

He doesn't pull his gaze from you, though. “No, you said you didn't want things to get awkward. I think that was a lie,” His face is much closer to yours now, you can clearly see the faint beauty marks scattered against his skin.

Just a simple stretch of his leg and you're pushed further on to his lap. Back resting against his arm now that he has his hand is pressed against the armrest. He's close, but not suffocating, has left enough space for you to get up and move if you wanted to. But that's the farthest thing from your mind right now.

“Wanna know what I think it is?” Voice so low he might as well be mumbling. His eyes flicker down to your lips, noting how soft they look. And he finds himself wondering just how they'd feel pressed against his. “What?” You sound breathless like you had been thinking about the same exact thing.

He's smoothly moving his arm from you, guiding the way your back falls against the couch. “I think you're into me, like how I'm into you... and you didn't want me to know because of that,” The risk of fucking up your friendship takes the backseat because he knows he's right. Took his time and put the signs together.

“Yeah, right.” You laugh it off, but he's learned how obvious you are.

A grin spreads over his features, hand dropping to your hip. “You're making the face you do when you've been caught,” The heat of his palm spreading from your side to your entire body. And you've come to terms with the fact that you've lost control of your heart. Wrapped up in the moment where Taehyung, Kim Taehyung, your best friend and former crush revealed he was into you.

His head bows, nose nudging against yours. It's embarrassing the way your lips instantly pucker, eyes falling shut as you wait for the soft press. Eyes fluttering open after a moment of waiting and receiving nothing, catching the devious smirk on his lips. 

“You're into me, aren't you?” While he was sure, positive after seeing how ready you were to have him kiss you, he needed to hear it. Needed to be sure that he wasn't missing something, he's been doing a lot of that lately.

The nod of your head is answer enough, followed by your warm hand reaching to rest on the back of his neck. Not sure who moved first, if you were pulling him down or he was lowering himself and you really didn't care. 

A tiny moan escapes from your lips as he shifts above you, the sound being sent straight to his crotch. His mouth is pulling from yours, brows raised and eyes wide as he stares down at you – surprised by the fact that you could actually sound like that. Before he's given a chance to comment on it, you're pulling him back down.

Kissing you is everything he's imagined it to be and more. The soft push of your tongue paired with the deliberate scrap of teeth on his lip. Your hummed moans fill the room and stir him on, his grip falling from your hip to your thigh. Easily pulling your legs apart to slot himself between them.

Fingers tangled in his hair and heavy breath hitting his lips each time you pull away, only to dive right back in. Mouths moving over each other messily, Taehyung can barely ask the groans that die on your lips. Free hand pressed against his chest, you can feel the hammer of his heart.

Thighs squeezed to his hips, bodies so close the thinnest of papers wouldn't fit. So it's no wonder you feel it. The twitch of his cock hardening against you, so enticing you can't help the way your hips lift to meet his just as he's dropping down to press into you. A hissed moan falling from your lips at the contact.

“Fuck,” He's groaning, a switch seemingly turning on inside of him. Mouth breaking for yours and hand moving up the toward your chest. His thumb brushes over your hardened nipple through the fabric of your bra as he rolls his hips into yours.

Just the heat from pressing against you like this was enough to rile him up, mind reeling with thoughts of what it would be like to really fuck you. And the sounds you'd make. You sounded so pretty with the simple rolls of his hips, what if he was actually buried deep inside of you.

His head drops, mouth latching onto the crook of your neck to suckle at the skin there. Your senses are fogged with nothing but him. The smell of him, the feel, the taste. Still lingering on your lips and hitting your taste buds as you lick them. There's a definite heat growing between your legs with each drag of his covered cock, angled perfectly that he's just barely tapping your clit.

You want more. So much more and it's making you delirious. Needy. Hips rolling up to meet his and he's pushing you down every time. Teeth scraping against your skin and fingers pinching at your chest. “Taehyung,” It sounds more desperate than you intend it to. He's groaning back in response, face lifting from your skin to admire the red mark he's left behind.

Tongue dragging over it, soothing it with a simple swipe. Hands re-positioned on either side of your head, his gaze drops to watch the way your hips move in order to meet his, a smirk pressed on his lips. “Fuck, look at you... such a mess.” He's pushing forward, cock meeting your clit perfectly.

Strained whimper ripping through your throat as you brace your hands on his side, back arching into him. “Grinding that pretty pussy all over my cock, didn't even let me get undressed. You're so wet, huh?” Now you knew what the boys were on about when they clowned him for being mouthy. Had laughed along before, but having his words directed to you was no laughing matter.

You knew what you were doing. You could feel the effect of what you were doing but something about having him point it out in that breathy tone of his was hot. What you didn't expect was for him to want you to talk back, but the slow of his hips is quickly warning you of your role.

“Don't stop,” You're gasping, hands reaching out to him. “I could cum like this,” Your whispering, cheeks heating up at the admission. How embarrassing, losing it over dry humping, you half expect him to laugh it off as a joke.

But he doesn't, instead, he's lowering his body back onto yours, the movement of his hips picking up in speed. “Me too,” He breathes out, fingers tangling in your hair as his tongue teases against your covered lips. “Wrap your legs around me,”

His words are muffled, but you understand him enough to lift your legs, ankles locking behind his back. He drives into you like he's balls deep inside of you, pulling gasps and moans from your lips. Nails pressed into his skin as you beg him not to stop, chanting your near release. And just as you feel it bubble up in your stomach, his low pants of your name getting to you. Just as you're about to be knocked over the edge you've been teetering on, Jin's voice is breaking through.

His loud laughter bleeding through the door behind you, followed by the low grumble of Joon's voice. The jingle of his key is what snaps Tae out of it, body freezing as his head lifts to glare at the door.

“Fuck, fuck, fuck.” You're quick to push him off, looking away as he adjusting the throbbing bulge in his pants – leaving you to wipe at the slobber-dampened mark on your chest. Jin and Joon are stepping in just as you're rushing upstairs for a shirt. Their laughter filling the downstairs as you rummage through drawers for something to pull on.

All while shoving your raging thoughts out of your mind. Still in shock that that actually happened... whatever that was. Taehyung was into you. He had said it and then kissed you. God, he kissed you. Would've been to be able to fully enjoy it if you weren't so damn greedy.

Just one taste and you were wanting the whole thing and from the look of it, he was willing to give it to you. But what if it had been a fluke. A one-off because of whatever happened to Ailee and the fact that you were there. Into you, but what did that really mean? Would that change anything?

You dare to hope, even though you're sure you're wrong. There was a lot going on tonight. Him fighting with Ailee, you being torn away from Hoseok before you can do anything properly. You were high! Still, high to be honest. Would he still be into you when he was sobering up?

Finding out is the last thing on your list. Fitting yourself as his best friend after your quiet crush was one thing. Doing that after he's taken back being into you was another. You didn't want to think about what a disaster that would be, you'd rather just go home and sleep.

Jin is turning to happily greet you as you make your way downstairs, while Joon makes room for you on the couch. Taehyung doesn't look up, cheeks flushed and eyes glued to his knees. You'd give everything to know what he's thinking.

“Yn! Tae said you were here. We're gonna open Monopoly, wanna play?” It's an invitation from Jin that you'd usually be jumping at. Claiming your designated money bag piece without a thought, so he's shocked when you're shaking your head. “Think I'm gonna just head home, turn in early.”

Tae looks up at the sound of your departure, eyebrows furrowing in confusion. He had hoped you would want to stay, so he could have a chance to talk to you properly. Tell you how he was feeling even if he didn't fully understand it yet. He wanted to tell you that he liked you and he wanted to hear you say it back.

Let you know that he wanted to try to be good at relationships because he wanted to try with you. He's standing with that in mind, shrinking back when you're looking at him. There before did he feel nervous around you, but with all this weighing on his chest, he doesn't know how else to feel.

“Let me walk you home,” He offers, it's a twenty-minute walk across campus. Enough time for him to talk to you... or just be around you for longer.

You're shaking your head, though. Pushing an easy smile onto your lips. “It's fine. I texted Jimin,” It's a lie and he knows it is, but he doesn't call you on it. Obvious that you didn't want to be around him. Most likely regretting the whole thing.

Nodding as he plops back down beside Jin. He watches as you pull your shoes back on, throwing a quick goodbye over your shoulder before stepping out. Not even sparing a proper look in his direction. A huff leaves his lips as he sinks into the couch, hands tugging through his hair.

He really screwed up.

>> PART TWO COMING...SATURDAY.

— you’ve always been cute, soft, tiny in taehyung’s eyes. but that’s changing one night when you’re accidentally sending him a naughty picture. forcing him to realize, maybe his best friend is kinda… hot?

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[eideticmemory]

TWO GHOSTS IV | MATTHEW GUBLER

It’s been 15 years. 15 years has to be long enough . . . right? Read PART 3.

Set 15 years after the end of Ever Since New York, so give that a read first!

Word Count: 3.9k.

Warning: Usual angst, porn, and poor communication amongst characters.

SOUNDTRACK:

Love Affair - UMI

Debt - Eliza McLamb

Sometimes Sunshine - Seasalt

A nonstop flight, from New York City to Los Angeles, is three hours long. On a good day. And May 16 was supposed to be a good day. A great day. The best day of Matthew’s life. He tries not to think about it, not to reminisce too often. About the way he walked through the airport with a little jog, a little pep in his step. And the way he smiled through security, and constantly checked behind him as if you would magically appear. The roses he bought for you in a gift shop near the terminal.

See, a nonstop flight from New York City to Los Angeles is three hours long. On a good day. But Matthew wasn’t looking for three hours. He wasn’t asking you for a few hours of your time, or even a good day. He was asking you for a lifetime.

And that day, he had booked you two a connecting flight that totaled over six hours, with a two hour layover in Colorado. There was a little ice cream shop in the Denver airport, and they served blueberry ice cream. Matthew remembered it was your favorite, and saved just enough money to get your tickets and an entire pint. He couldn’t shake the thought of flying across the country with you, seeing a few small parts of it at a time. A few small parts at a time, until someday, you two had seen the whole world together.

He bought a blanket for you and, while waiting at the terminal, he sat it in the seat beside him, keeping it warm for when you would arrive. He had a little itinerary written in his notes app, and so far everything was going to plan. He had a bouquet of roses in his lap, and he killed time by looking up engagement rings online.

He didn’t start to worry until maybe, an hour, an hour and a half before the plane was set to depart. He called you, just to check in, and it went straight to voicemail. But he was still hopeful. There was very little that could destroy his peace that day. His hope. His happiness.

He tries not to think about it. The way the seconds inched by like a caterpillar moving across the limb of a tree. Slowly, painfully. The way his hope dwindled, and dwindled, and the insane amount of times he heard,

Hey, it’s [y/n]! Leave a message!

He can’t think about it anymore. The way he spents those six hours alone. Bawling his way through flight after flight, and eating a pint of blueberry ice cream by himself. He spent hours on his own. And weeks, months, hell, he spent years thinking that maybe, just maybe, you would find your way back to him.That the universe would magically correct itself.

And you’d come home.

Fifteen.

It took him fifteen years to find you again. It took fifteen years for the universe to bring you back together, and Matthew spent the first five thinking it was all some really shitty nightmare. It took him fifteen years to get close to you, to hear you say his name again, to get inside of you again.

And he managed to fuck it all up in a matter of twenty-four hours.

His body is paralyzed. His mind is moving a mile a minute, and he can’t take his eyes off the ceiling. His chest feels tight, like he can’t breathe properly. He knows he should not feel sorry for himself. That he, alone, is responsible for this wreck. But he can’t seem to shake it. He can’t seem to move.

“What the hell did I do?”

A knock at your door wakes you up. You don’t remember falling asleep, you don’t know how you were able to. But now, it’s all you want to do. You want to stay in the bed, in a state of unconsciousness and dreariness where you can’t remember your mistakes. But someone is knocking. Incessantly, loudly. And they won’t stop.

You roll out of bed, and drag your body across the floor. Zombie like, your shoulders are slouched, your eyes are hooded. Your feet shuffle along the floor like they’re weighted to the hardwood. Your footsteps are slow, hesitant. You don’t know what you’ll do if Matthew is on the other side of that door. You just . . . you don’t know. The very thought of it is making your stomach churn, and you suddenly feel very, very nauseous. The banging continues, and it’s as someone is using all their force. Like they’d break the door down if they could.

“[y/n]!”

You instantly relax at the sound of her voice. You speed up, hurry to the door, “[y/n] [y/l/n]! I know you can hear me! Open up!”

The door swings open and you catch her with her fist in the air, ready to strike the door once again. She’s pissed, doesn’t try to hide it, couldn’t hide it even if she tried.

“Good morning,” you rasp.

“It’s one in the afternoon,” she corrects you, pushing her way into your home.

“Please,” you say, shutting the door behind her. “Come on in.”

“Y’know,” Everest starts, clasping her hands in front of her as a wild look graces her face. “You’ve always been one of the good ones . . . hell, you’ve been . . . great, if that’s the word. You’re better than the others. The ones that really write my checks. But, um, you’re testing me, [y/n].”

You don’t even have to ask.

“Now, if there’s is some magical relationship blooming, or a monumental disaster about to strike, then you need to tell me now, so I can fix it. I’m a fixer, you know, that’s what I do. So, why are you making this so hard for me?”

“If it . . .” you clear your throat, cross your arms as you stare at her feet. “If it makes you feel any better, um, this is hard for me, too.” You attempt to joke. But you just sound sad.

“Yeah?” she raises her eyebrows. “So hard that you come out of his hotel in tears? And what the hell were you doing over there anyway? Was there a plan? Did he call you to come over?”

“I don’t see how any of this matters.”

“It matters because I woke up at seven in the morning — on a saturday — to all sorts of choas and speculation, and picture evidence of you doing exactly what I told you not to do!”

“Yeah, well, I’m a idiot. Don’t worry, that’s been established.”

“The internet is undefeated. Okay? People are . . . great at making up stories, making assumptions. And as your publicist, I need to know the whole story, the real story, before it gets twisted even further.”

You sigh, and walk over to the couch. As you sit down, you pull a pillow into your lap for just a little bit of comfort. “What do you mean the whole story?”

“Wrong choice of words,” Everest says. “The important parts of the whole story. Like are you dating him? Are you fucking him? If so, how long has this been going on?”

You can’t make eye contact as you speak, “I . . . fucked . . . him . . . a few times, a long time ago . . .”

She nods. She motions at you to continue, “. . . And?”

“And . . .” you breathe out. “I fucked him, again. Recently.”

“Last night? At the hotel?”

“Last night . . . not at the hotel.”

“Sooo, when? — Oh, my God,” she lowers her eyebrows at you, purses her lips. “You didn’t.”

“Oh, I did,” you nod. It’s a shameful nod. “You know they say there’s no sex like sex in a dressing room.”

“They also say polka dots are making a comeback, you believe everything you hear?”

“Sorry.”

“So you fuck him in the dressing room, and?”

“And . . . we go our seperate ways . . . again. And, then I realize that’s a lot easier said then done, so I . . . I go for him. I go for him . . .” Everest can hear the way your voice is cracking, the way the weight on your shoulder is slowly pushing the air out of your lungs. “And, uh,” you clear your throat. “Yeah. Yeah, it didn’t work out. Hence the . . . photos of me crying, I guess.”

“Mm,” she nods, crosses her arms. “And the other girl?”

You freeze, cut your head up at her. “What other girl?”

“What do you mean? The girls that came out right behind you. Same sad face? Kinda got a Natalie Portman look to her?”

“I . . .” you shake your head. “I didn’t know she came out after me, I must have left by then.”

“Who is she?”

You give her a shrug, “I don’t know.”

“His girlfriend?”

You huff, “Guess so.”

“Ah, so, some people online actually got it right. Huh, look at that.”

“Look, if the point of all of this is to keep me away from him, you can stop now. I don’t plan on seeing him ever again.”

The doorbell rings, as if on queue, and Everest instantly gives you a look. “What?” you ask. “I don’t know who it is. Your guess is as good as mine.”

She scoffs at you, and turns around, marching towards the door with a certain determination. She pulls it open, and immediately puts her hand on her hip. “You gotta be fucking kidding me.”

“Oh,” Matthew gasps. “Uh, oh . . . fuck . . . sorry, I must — I must have the wrong house.”

“You sure do, Romeo.”

You stand from the couch, your face laced with shock and anger and confusion, “What the fuck are you doing here?”

“Don’t engage, [y/n], what the hell?” Everest interjects.

You roll your eyes and cross your arms over your chest. “How the hell did you find my house?” you direct at Matthew.

“Oh, what?” he scoffs. “Like you’re the only one around here who can play stalker?”

“Go home, Matthew.”

“Five minutes. I’m asking you for five minutes. You can time me if you want.”

“Go back to California, Matthew.”

“Look, I know I fucked up. I know, but —“

“Do you?” you snap. You take slow, calculated steps towards the front door, and your voice is lowering to a rumble. “Do you know that you fucked up? Because, if you did, if you truly knew just how badly you fucked up, then you would leave. You would get on a fucking plane and leave, and you would never come back!”

The way Matthew is looking at you right now.Like he can’t fathom what’s happening. Like he is trying his very best not to feel defeated. “Can I . . . can I just —“

“No.” Everest says. “You heard her. Fuck off, string bean.”

You walk away, retiring to your kitchen. You try to keep yourself busy, but you’re trembling like mad and you can barely breathe.

Matthew leaves. You know because you hear the door close. Everest comes into the kitchen, and you feel stuck. Frozen to the spot and position you’re in. Your back is to her, and you can’t begin to imagine or guess what look is on her face right now.

She’s quiet for a moment, eyeing you with her arms crossed at her chest. She leans against the entryway and sighs, “Tell me more.”

Ramona walks up your driveway, and it isn’t until she looks up from her phone that she sees Matthew. She notices him, and he notices her, and Ramona tries to act like it didn’t happen, But when Matthew opens his mouth to speak, she blows past him, “I’m not supposed to talk to you.”

“I know,” he says instantly. He is well aware, but it doesn’t stop him from running in front of her, blocking her from your front door. “I know, I know. I’m sorry, but . . . please, can you give this [y/n]?”

Matthew holds out an envelope. It’s bright red, your name is printed on the front of it in his handwriting.

Ramona glances at it, but she quickly glances back up, “Do I look like a mailman to you?”

“She won’t take it from me. She won’t talk to me. She might take it from you.”

“Yeah, or she might fire me for even taking it from you in the first place.”

“[y/n] wouldn’t do that.”

“Yeah, yeah, she’s usually pretty amazing, except for when you’re around, or when you’re brought up, or when you’re fucking with her head. You make her a different person, dude. I want no part of it.”

He nods, looks down, “Fair enough . . . I’ll put it in her mailbox.”

“Yeah, why don’t you do that?” She shrugs, and she continues on by him.

“Damn . . .” Everest says. “You ghosted the guy at the airport?”

“Basically,” you shrug.

“Well, fuck,” she scoffs. “That is some serious great gatsby shit.”

“Yeah, we’ve always had a flair for the dramatic.”

The doorbell rings, and you both turn your heads sharply towards the entrance. “You don’t think he would come back, do you?” Everest asks as she walks to the door.

“Well, he never listens much to anything I say, but he’s probably a little scared of you.”

She laughs, and when she opens the door, she tells you it’s only Ramona, who walks in quickly, looking for you. She gives you a soft smile, and joins you in the kitchen as Everest follows close behind.

“So,” Ramona pips. “What’s the game plan?”

“You and [y/n] come to my office in the city and we’ll figure it out. Hey, did you pass him on your way out?” Everest asks her.

“Uh, who?”

“Matthew,” you tell her. “He was just here, you didn’t see him?”

“He was here?” Ramona questions, putting on a look of bewilderment. “When?”

“Just now. He left right before you got here.” Everest explains.

“Holy shit,” Ramona says. “What’d he want?”

“[y/n].”

“So,” you interrupt. “Your office? Now? We can go ahead and get going.”

“Whoa, whoa, whoa,” Everest stops you in your tracks, throwing her hands up. “Not so fast, you . . . you need to shower first.”

You look down at your outfit. You’re still dressed in Claire’s clothes and they’re completely disheveled. You haven’t showered or brushed your teeth since the last time you had sex, and the very thought makes you feel dirty. You look exactly how you feel. You sigh, “Fair enough.”

“We’ll wait in the car,” Everest nods, and motions to Ramona to follow her.

“What are we gonna do with her?” she says to Ramona as soon as they’re out of the house and walking down the driveway.

“I don’t know, she’s my boss . . . I can only help so much.”

“Yeah, well, I’ve known [y/n] for a long time now, and she’s never needed saving. But, something tells me we’re going to have to keep her away from this one.”

“From Matthew?” Ramona stops in her tracks.

“Well,” Everest stops, turns around to look at her. “She’s a grown woman. She’ll do what she wants. But, that zombie in there,” she motions to the house. “Who walks around the city in her pajamas for a man, is not [y/n]. Atleast, not the world’s [y/n]. People love her. She’s one of the few celebrities that’s kind and passionate and isn’t problematic. I’m just being proactive here.”

“Proactive?”

“She says she’s done with him. She told him she’s done with him. Now, we will just keep her on that path. Few months later, she and the rest of the world forget this ever happened and everything is back to normal.”

“You sound very sure of all of this.”

“Yeah, well, I like my schedules and I happen to like [y/n] so I better be sure. Come on, our ride’s further down the driveway,” Everest continues walking. While Ramona is stuck in place.

“Hey! Uh,” Ramona stutters, suddenly, loudly, causing Everest to turn around once again. “I think I left my water bottle in the house. I’ll meet you in the car?”

“Okay,” Everest eyes her. “It’s just around the corner. And tell [y/n] to hurry up.”

“I will!”

Ramona waits for Everest to continue down the driveway, and when she’s just far enough, Ramona turns around and acts as if she’s walking back up to your front door. When she’s positive Everest has made it to the car, she runs over to your mailbox. She opens it slowly, so it doesn’t creak as loud. The bright red envelope is the only thing in there, and she takes it out quickly. She looks at it for a moment, asks herself what the hell she’s doing. But she doesn’t have time to think right now, you could walk out at any moment. She closes your mailbox, shoves the envelope in her bag, and walks down the driveway.

Matthew Gubler, himself, is a disruption in the space-time continuum.

When you start tallying up the days, it just doesn’t make sense. Some days, every second feels like it’s crawling by. You’ll be in class, at the head of the class, and you’re surprised when your lesson plan ends atleast ten minutes early. And some days, time moves too fast. You find yourself running late for things, events, important people or things, which isn’t like you.

You call it Matthew Brain, and you keep that term to yourself. It happened fifteen years ago. And it’s happening now. It’s a slow, steady descent back to earth, back to reality. Time isn’t real with him, and you think that’s the reason you can’t remember much of your senior year. It’s a rush, a high to even be near him, and it’s the ultimate collapse when he’s gone. Really gone. Out of the life, for the second time.

Time has reset.

And what feels like one month with Matthew Gubler, only turns out to be four days.

You’re on a journey back to earth, and you haven’t even reached the bottom yet. It’s coming, but not now, you thought. You have time to prepare. And this time you’ll be ready. Ready to hit rock bottom, and spend another fifteen years digging yourself out. You have time, you’re sure of it.

Then Ramona comes into your office. She notices you crying, and you have to twirl around in your chair while you wipe the tears away. “Shit, Ro,” you try to laugh. “What’s up?”

“Uh, your afternoon class?” she reminds you. “With the girls at the community center? . . . What’s wrong?”

“Nothing.”

A lot. Not anything that you can really talk to Ramona about. And each day is something different. Like today, you’re feeling like a fucking idiot. You feel unbelievably stupid and lost and question why anyone in their right mind would choose to learn anything from you. You feel defeated, and you can’t get the look on that girl’s face out of your head.

You turn to Ramona with a soft smile, “I’m fine. I forgot about the class, thank you for reminding me. I just have to grab a few things before I go.”

“Well,” she sets her bag down in one of the chairs on the opposite side of your desk. She takes a seat in the other, “You’ve got some time, I haven’t even called the ride yet.”

You eye her, suspicious furrowing your eyebrows, “Oh, don’t do that.”

“Do what?” she seems genuinely confused.

“Sit there and feel sorry for me. I don’t need pity. I’m alright.”

“I’ve never seen you cry before . . . I’m just worried.”

“And I appreciate that, kid, I really do. But you don’t have to be, alright?”

“. . . okay.” she shrugs.

“Anyways,” you change the subject. “How much time do I have until I’ve gotta be out of here?”

“Um, I can call you a ride now, it should be here in about, ten minutes?” Ramona pulls her phone from her pocket, and holds it up as she dials the number.

“Sounds good,” you nod.

She leaves the room to make the call, and when she closes the door, you release a big sigh. As if you’d been holding it in the whole time she was here. You get up from your chair, and walk around the desk. Not paying attention, you stub your toe into the adjacent chair, so hard that the chair falls to the ground.

“Ow! Son of a b—“ your yelp is cut off by a painful groan, and your reach down to hold your foot. You look out in front of you, and Ramona’s entire bag has spilled out across the floor. “Fuck,” you mumble and instantly begin to clean it up.

It’s bright red. And it sticks out like a sore thumb. You reach over to grab it, but only because you recognized his hand writing. You run your fingers over your name, and your head is starting to hurt from the amount of pure confusion.

The door swings open, “Okay, they’ll be here in fifteen, but you have some wiggle room —“ Ramona stops when she sees the item in your hand.

You stand up straight, look her in the eye. She’s shaking. She’s trembling, and there are already tears in her eyes.

“I . . . can explain,” she says.

“Then explain.”

“Matthew . . . wanted me to — to give that to you.”

“When?”

“When, um, when he was at your house on Saturday.”

“You said you didn’t see him. You acted like you didn’t even know he had been there. You took this from him?” your voice goes up at slight octave. Not by much, but it stills cuts Ramona like a knife.

“No! No, I didn’t take it from him. I told him to put it in the mailbox. Which he did, but then I . . .”

“You? You what? Went into my mailbox and took it? Are you kidding?”

“It was crazy! I know! It was absolutely insane of me! But—But Everest was saying all these things about protecting your image, and being proactive, I just wanted to help. I thought —“

“Everest? Everest knew about this?”

“No. No. I took it when she wasn’t looking, and I just, I thought maybe if you didn’t know about the letter, you would be able to move on, y’know? Heal.”

“That was not your decision to make.”

“I know. [y/n], I’m so sorry. I can’t — I can’t even begin —“

“You’re right,” you interrupt her. “You can’t.”

You look down at the envelope in your hands, and shake your head. “God, Ro, I can barely look at you right now.”

“I’m sorry . . .”

You nod.

“I’ll . . . go wait for the car,” she nods, sadly and apologetically exiting the room.

You close the door behind her, and press your back against it. You slide to the floor, and bring the evelope close to your face. The day is not over, and you may need all night to take this in. You are not mentally prepared for whatever is in your hands, but, you rip it open anyway.

There’s a thin piece of paper inside. You pick it up, and it feels so frail that you worry it might rip. You set it on top of the envelope, and examine it. Your eyes dot over the page, until you realize, it’s not a letter at all.

American Airlines

[y/n] [y/l/n]

Seat: 14A

May Sixteenth, 2002

It’s a plane ticket. From fifteen years ago.

One you’ve never seen.

One you’ve never touched.

And now that it’s in your hands, you wish you never knew it existed.

[the-other-art-blog]

I read the whole original script for Little Women 2019 and you're so right. It is so much better, so much more true to the book. What do you think happened there?

Hi! I know right!

First, it seems like Greta never liked Bhaer, at least that’s what she kept repeating. He just didn’t fit in her idea of Jo and LW. But for the sake of adapting LW she had to put him into the script. I think there was some level of understanding of what Bhaer meant for Jo, though. It’s so weird.

Actually, the final script is very contradictory. And we see it in the film. First there is that lovely scene where Jo and Fritz dance and hug with lovely music and golden lighting. But then, the filter turns blue and Bhaer becomes a villain. Not even in her movie did I understood what did he do wrong. Was he brutally honest? Yes! But wasn’t Jo the one who say she liked strong words that mean something?

Gerwig also had Oscars aspirations.

She had already been close to be nominated for Lady Bird and a lot of people felt she was snubbed.

So, how do you not let that happen again? You make noise. You take a deeply beloved and popular story and transform it to fit the 21st century “feminist” agenda. You know many people don’t like the ending, so they won’t be angry for changing it. You spent the entire press tour talking about how only you understood Jo and LMA, how it is only in your movie that Jo gets the ending Alcott wanted, how you free Jo from that horrible old, ugly German man who only cut her wings. She even altered one of Jo’s dream of opening a school FOR BOYS and make it a school for girls. Again, she did this to fit her “feminist” agenda, cause it wouldn’t be feminist to open a school for boys, right? Who cares if Jo never really had any girl-friends, made fun of girly manners, and even in the sequels she keeps preferring boys over girls. Not to mention she literally says she likes “manly men”.

I swear I felt at some point she believed to be LMA reincarnated.

Plus, you put some of those thoughts into Amy’s character and get praised for making the character “likeable”, even if you alter important facts about her and made her Laurie’s toy.

She could have made noise by casting a brown skinned actor for Laurie and addressing the immigration and racist issues in the Victorian era. She could have addressed more adult themes, but that risked box office numbers.

Someone else pointed this out already, but Gerwig really spent most of the movie saying women don’t need men. Yet in the last 10 minutes, the story becomes a conflict between two sisters over a man! And not even a great man. Laurie has no growth in this movie.

Again, it’s so contradictory. First Jo insists she doesn’t love Laurie in a romantic way, prompting people to say she’s lesbian or asexual/aromantic. But then when she tears apart the letter, the script says she’s saying goodbye to her “childhood love”. WTF! And let’s not forget she cast Timothée Chalamet and Saoirse Ronan, who people already ship.

TBH, most of these problems were already there in the first draft. But it was still better.

You gotta give it to her, it worked like magic.

The movie did pretty well at the box office. And, people were furious that she didn’t get nominated. They were shouting “fuck you” at the Golden Globes. Even Natalie Portman included her in her cape with all the female directors that weren’t nominated. But she did got one for the script. And because the Academy knew people would get even angrier if she went home empty handed, they gave her Costume Design (not deserving!). When you compare this movie with the rest of the nominees, it had absolutely no chance. It was the weakest movie.

Additionally, she got the Barbie movie as a director!

The praise from the cast was so over the top. Even before realizing how bad this movie was, I thought it was way too much. Lady Bird is not that much of a revelation and many thought it was just another white feminist story.

Anyway, thanks anon for this question!

[jewishbarbies]

Still sad over the fact we are getting 4th thor movie (when 2/3 were complete shit) and iron man was in everything ruining everything while we had to wait for natasha to die to get her film and cap's last film was turned into ironman 4. Also they've managed to turn FFH in ironman 5 without ironman physically being in it

Rant below the cut lmaO

Honestly I enjoyed the dark world if anything just for the Loki content/development, I’ve never been interested in mcu!Jane because she’s just used to further Thor’s plot with inconsistent characterization. But it’s disappointing that Natalie Portman would choose THIS movie to come back in. Like...why?? I don’t trust Taika with any topics of importance, but especially not something as serious as cancer, something that hits home for a LOT of people. Whatever garbage he spews into the movie will just be praised by “ThOr FaNs” or paraded as “jUsT a JoKe” either way, but it really does suck.

The female characters in the mcu have always been given shitty storylines and underpowered for the sake of the plot (bc let’s be honest, if they were given their full power the movie would be over in 5mins bc the plot is so fucken weak), and then both Gamora AND Natasha are tragically killed and don’t get to come back - unless it’s a prequel movie or every ounce of character development they had is erased. And they bring in Carol, which is fine, but the marketing team made it seem like she was the First and Only female superhero in the mcu, when that’s just not true??? Natasha has been there since the beginning and, as you said, she had to literally DIE to get her own film. Gamora isn’t even the real Gamora we all came to know and love. Wanda is whitewashed and severely underpowered. Valkyrie is an alcoholic slave-trader whose “redemption” is wrapped up in getting revenge. Carol Danvers is Tony Stark 2.0. There’s no happy ending for Nebula, who should’ve been the one to kill Thanos. Who handles these characters?? WHO?? I JUST WANNA TALK.

I refuse to watch any new spiderman movie from the mcu. I just won’t. The way they introduced Peter to their universe was to literally make him a tonky fanboy who was blackmailed into going to a foreign country as a teenager, who also was not told what exactly he was fighting for/against and then abandoned by the guy who brought him there. And then his whole storyline from then on is just Iron Man Jr. and copying Miles Morales like. Why. Just why. They killed tonky, but to what end? What was the point if they were just going to bring him back for cameos, spin-offs, prequels, and cram him into every marvel movie after?? Sure, the public only knows what has been released. They don’t know all the shit tonky is responsible for. At the same time, they know a lot? All the shit and murder he caused in the middle east? The destruction of Sokovia? How many supervillains does tonky have to create before we stop making monuments? ENOUGH.

The mcu has a gross history of sexism, racism, and terrible storytelling. But arguably one of my biggest problems with their movies, is that they show you who the bad guy actually is (who’s not the Big Bad of the film, but the Hero themself or -most times- the Government) and paint them as good. There was nuance to Captain America bc, while he IS pro military to an extent, his story is only pro military/government when those parties are actually doing their jobs. When shield is infested with Hydra, Steve says it ALL has to go. There’s no allegiance or hidden loyalty to the government in any way. Whereas with the Iron Man movies, especially the first, it’s pro military through and through. The message is “it’s okay when WE kill people, but not anyone else”. That theme is carried through most of the movies in general where you’re expected to see the Government as good and trustworthy. And while there ARE subtle hints that they’re corrupt or not so trustworthy, they’re so subtle that 99% of their fanbase misses the point. And marvel seems to be okay with that.

anyways, as you can tell, I had a lot to get out. sorry this is so long lol. thanks for the ask though! it was cathartic.

[ode2cm]

British Glamour

November 2003

By Deborah Joseph

Photographer: Alex Reilly

He's Irish, hangs out with Colin Farrell and is heading for big things... but Cillian Murphy is no bad boy. Deborah Joseph meets the up-and-coming actor with eyes you could drown in.

Having cancelled me three times in two weeks, I finally get to meet not Tom Cruise, not Brad Pitt, but 27-year-old Cillian Murphy (pronounced Kill-ian). Not heard of him? You will. That's why I've booked and cancelled two flights to Edinburgh in the hope of catching him. I've waited all week for an interview in London. Finally, five days later, I'm summonsed (sic); he's available tonight in a hotel. I do the only thing a self-respecting girl who's been stood up can do, and turn up late, determined to dislike him.

I know I'll recognize him from his eyes; huge translucent whirlpools, haunted by disease and death in 28 Days Later..., watery and stoned in his new film Intermission, and darkened by a mass of long hair in Girl With a Pearl Earring, due out in January. In contrast, his look today is grungy muso: slouchy army jacket, tight scuffed jeans and skinny legs. He assesses me suspiciously until I request a beer, at which point he visibly relaxes. I may be a journalist, I may be late, but at least I drink! And beer! I think it's going to be OK...

So come on then, I say, what's with the cat-and-mouse chase? "I'm sorry," he shrugs. "I've been so busy, I've not even had time to scratch my arse. I was doing a play at the Edinburgh Film Festival last week, then I went to the States and Dublin, and now back to London to start filming Red Light Runners tomorrow. It's with Harvey Keitel and Michael Madsen: a dream."

I guess that's what happens when your film (28 Days Later...) has just made massive waves in the U.S. Now he has another three films coming out: first off, he's staring in the crime comedy Intermission, with his friend Colin Farrell...

"I knew Colin when he was in Ballykissangel, long before he became a zillionaire," he reveals. "I rarely see him now, but we hung out then. If we went for the same part he'd call me and say we should go out on the piss—and we did. He's not competitive, because obviously he's far more successful."

So what was it like working with him on Intermission? "You have to be on form to keep up with Colin," he laughs. "It was boozy. Normally, I'd never drink while I'm working on a film, but my character probably drinks a lot, so it was all in the name of research."

Cillian plays a supermarket worker who gets embroiled in a bank robbery. Has he ever been in trouble with the law? "Only for riding a bike without due care and attention. I got put in a cell for two nights. It was horrible, but probably softened by the amount I'd had to drink," he laughs. Is that really as bad as you get? "Really. I bloody hate this image of Irishmen as bad boys. We have artistic souls—there are many writers, poets and musicians." Doesn't Colin Farrell exacerbate the bad-boy image? "But with him, it's not contrived," Cillian insists.

Cillian's research for his part as Scarlett Johansson's butcher boyfriend in the beautiful adaptation of Tracy Chevalier's best-selling novel, Girl With a Pearl Earring, was somewhat different. "I learned to carry the pigs and cut the meat in an abattoir." He screws up his face. "The smell was pretty vile. And I'm a vegetarian. I haven't seen the film yet," he admits. "But I loved the script."

Cillian's worked with some major stars now, including Natalie Portman—"breathtakingly beautiful"—and Jude Law—"a great guy"—in Cold Mountain, also due out next month. But he was most excited about meeting Jack White from The White Stripes, who's also in the film. "He was so cool. We had a long, long chat about music. I was so in awe."

Cillian grew up in Cork with music in his family. While many of his contemporaries were playing rugby and being typical lads, he spent his childhood singing around the piano with his parents and siblings, and singing and playing guitar in a band with his brother.

Cillian's reported to have a girlfriend, but refuses to discuss it. He will reveal, however, that he prefers dark women to blondes. "I like kooky, intelligent women with something interesting about them. Maggie Gyllenhaal is cute. She's a brilliant actress and is not your standard beauty. I've never met her, but thought she was incredible in Secretary."

What he can't understand is the relationship between two of the world's most famous brunettes, Demi Moore and Ashton Kutcher. "You'd imagine Ashton-whatever-his-name-is has the pick of the bunch. Good-looking bloke, famous—and he picks Demi Moore. I like older women, too, but she's just not my type," he smiles.

It's raining when we finish our chat and a power cut has brought London to standstill, so Cillian offers me a lift. In the car he confesses he met Westlife on a plane and, as boybands aren't his thing, was incensed when they tried to talk to him. He says he once studied to be a lawyer, but pleads for us not to name this article Murphy's Law. He may not be Brad Pitt, but Cillian Murphy is bloody funny and has amazing eyes and he's certainly redeemed himself in mine.

[365days365movies]

January 19, 2021: Léon: The Professional (Epilogue)

Hey, look! An elephant in the room! We should address that, huh?

So, recently, actress and Léon star herself Natalie Portman was interviewed about acting in this movie, and she said that the movie itself was fine to act in. It was the response to that work from...y’know what, perverts - let’s not dance around that - that she wasn’t the biggest fan of. It changed the roles she was willing to accept, and her acting style in general. Which makes absolute sense for her to do.

But now, you may understand why this film is...awkward. Because let me clarify something: this is a good movie! But, especially with relatively recent revelations from Hollywood in the last few years, you know that some people enjoyed this movie in a WHOLLY UNACCEPTABLE fashion. Which is...well, again:

Because of that, this film was gotten a lot of negative attention, then and now. And, let’s also be fair here: I’m not a fan of the fact that Luc Besson put Natalie Portman in this...uncomfortable position in the first place. It’s a little squicky to be putting a 12 year-old in that context, is what I’m saying. Roger Ebert agrees, in the closing statement of his review on the movie:

But always at the back of my mind was the troubled thought that there was something wrong about placing a 12-year-old character in the middle of this action. In a more serious movie, or even in a human comedy like Cassavetes' "Gloria," the child might not have been out of place. But in what is essentially an exercise - a slick urban thriller - it seems to exploit the youth of the girl without really dealing with it.

.Yeah, I agree with that. But OK, if we take that uncomfortable aspect away from the movie (and it is possible to do so), then what did I think? Well, let’s get into that, shall we?

Recap

Cast and Acting

Strap in, this one’s gonna be long. Three parts, and a coda at the end.

OK, first I gotta talk about Léon, or rather Jean Reno as Léon. Here's the thing about these heroic bloodshed protagonists; they’re always these cold, reserved badasses with armored hearts that have been closed off by a personal tragedy, from when they were more innocent. But with Léon, we never see that tragedy; we have no idea what makes this man who or what he is. And yet, he still has dimension as a character, hidden depths within an unknown past, and also a surprising innocence injected into him. He genuinely enjoys going to see old movies, he’s teaching himself how to read, we only really see him drink milk, he cares deeply for his plant. And, before Mathilda, he’s lonely, and you actually feel for him? THis is, by the way, despite the fact that the first sequence of the film is him MURDERING A BUNCH OF PEOPLE. And despite that, I really did feel for him in the end there. And while the directing and writing take a part of this, GODDAMN does Reno do an amazing job! He perfectly portrays the nuances of this character, but puts on an incredibly badass demeanor when he needs to. Reno deserves more credit as an actor in the USA, because he’s astonishingly great in his movie, seriously.

And then...then there’s Natalie Portman. See, back in the wild, wild west of the ‘90s, child actors were ALL OVER THE GODDAMN PLACE. And the vast majority of them weren’t very good, let’s be honest. But in her turn as Mathilda, awkward preteen crush and all, Portman KNOCKS it out of the goddamn park with this portrayal. And by the way...THIS IS HER FIRST ACTING ROLE. Yeah. Holy shit. She’s brilliant, and I’m a little mad that she didn’t get an award nod AT ALL for this role. She’s fantastic, seriously, it’s insane. And yeah, her character and the dynamic with Léon definitely makes me uncomfortable...but maybe it’s because Mathilda is surprisingly believable, acting with a surprise innocence of her own. Seriously...amazing job to Nathalie Portman.

If Reno was understatedly nuanced and complex, and Portman was talented and emotional, Gary Oldman was BATSHIT INSANE. And holy shit, is he a wonderfully engaging and terrifying villain. This is Oldman dialed up to...eh, 8? You get him dialed up to 10, and I’m pretty sure you get Dracula. But he’s a HELL of a lot of fun here, honestly, if also extremely creepy and frightening. He steals every scene that he’s in, with his speeches, mannerisms, and affectations. He upstages, well...EEEEVERRRYYYYYOOOOOOONNNNNE!!!

And is everybody else in here good? Yeah, they are, but they’re completely drowned out by these three. The acting in this film is wonderful all around. 10/10. I mean that, 10/10.

Plot and Writing

If I had a single word about the writing, it’d be...French. There are some lines, ESPECIALLY Mathilda’s lines about love, that definitely sound more French than American. After all, this is a French film, and the writer is Luc Besson himself! And other than that...the writing’s fine. Plot’s fine, too, straightforward and all that. I really don’t have much to say about the plot, if I’m honest. And if I had one negative thing to say...yeah, the childhood crush thing is still super uncomfortable, honestly. Still, put in context, it’s a little bit better. And I should mention that, while it’s SUPER CONTROVERSIAL here in the good old US of A, this wasn’t nearly as big of a deal in France. And I should also mention...it’s mildly autobiographical. Yeaaaaaaaah, that blonde girl in the very beginning of the movie is actually Besson’s WIFE. You know...the 17-year-old, who’d known Besson since she was 12 and he was 29, and they started dating when she was 15, and the had a child a year later, before this movie was made. Y-yeah. Yeah. Yeah.

 7/10 here, nothing bad, nothing great. Basically average heroic bloodshed plotline, with some...other elements.

Directing and Action

Fun fact: Luc Besson’s reception in his home country is mixed, especially early in his career. This is because his directing style is focused far more on spectacle and bombast than it is on emotion. Definitely more American in style than French. And this movie definitely has some of that, although it’s definitely not as crazy as some of the other movies on this list. But some of the shots here are weird, some of them here are crazy cool, and most of them are just great. But this movie still focuses more on emotion and character buildup and revelations, than it does on action. Which is great, but this is Action January, so how was the action? This takes off of the gun-fu genre, with essentially all of it focused around gunplay. And the interesting thing is, while these aren’t the most bombastic action scenes, its the emotion around them that keep you on the edge of your seat and invested. So, weirdly, this might be the movie that’s integrated the action scenes with the movie’s overall emotional tone the most seamlessly. Well...of the English language movies, anyway. Overall, 8/10 here!

Production and Art Design

START SPREADING THE NEEEEEEEEEEWS, because it’s New York, New York! Most of this film was filmed on location, and it shows! As someone who grew up going to NYC on a regular basis, it definitely feels authentic to ‘90s New York. Which, of course, it is. Costume design, for Mathilda especially, is good, although one or two of her outfits feels a little over-complicated at times. Still, no complaints, really. I love Léon’s tiny glasses, and Stansfield’s suit (plain as it may be). Really, this movie is simply an authentic feeling New York, and there isn’t too much else to say about that. 8/10 again. 

Music and Editing

Music’s definitely good, including this song by Sting that we hear at the end. Editing is mostly OK, although there are some weird cuts here and there. And...I’m not sure I have much to say about this category. Oof. Sorry, honestly, this is probably a sign of good editing, since it wasn’t obvious. And as for the music, I remember it...but it was mostly overshadowed by the events of the film itself. So...7/10?

80%! And I’m satisfied with that, honestly!

This movie is built to make you a little uncomfortable while watching it. But, I still believe that it’s a movie to be watched. Good action, prominent emotional development, great acting. This one’s good, and give it a watch! 

Luc Besson, Luc Besson. You gave me a French English-language heroic bloodshed action movie about an older man saving a girl a generation or so younger than him, that also produced a well-known meme on the internet. More, please!

January 20, 2021: Taken (2008)

[sunfortune]

you know why it sucks actually bc if thor is thor and jane is thor then valkyrie gets viciously sidelined no matter how you slice it and shes already a SIDE character. and jane being thor sounds like a huge spoiler but if theyre revealing it now, it means its not gonna be like sam getting the shield at the end, its gonna be apart of the story A LOT. and the whole valkyrie might be confirmed lgbt(???) (ill believe it when i see it)�� is so corny bc she should have BEEN confirmed as bisexual in ragnarok but marvel went out of their way to cut that scene that was Already filmed AND now it just sounds like every dumbass bullshit we had to hear these past two years from white fans whenever anyone mentioned thorvalkyrie and also it sucks bc if this exact thing happened in ragnarok it wouldve been so fun but now after all the shit its like okay......way to make me disillusioned by the coolest thing marvels done in forever. also why the fuck wouldnt valkyrie be thor?? going out of their way to bring natalie portman back when she left on her own. and tessa was Right There. mickey mouse kill yourself

[lightsandlostbells]

wtFOCK season 3, episode 1 reaction

So! It’s a million years too late, but I decided to talk about wtFOCK season 3. 

I had fairly positive feelings about S1 of wtFOCK. It was the scrappy underdog of the Skam remakes, in a way, and what it lacked in polish, it made up for authenticity. I was very willing to overlook its flaws because of what I perceived as genuine attempts to connect with teenagers. I was really, really holding out hope that future seasons would improve on its flaws. And ... well. (Disclaimer: I still haven’t seen S2. Sorry! I just failed to keep up with all the remakes and S2 is my least fave so I didn’t feel that motivated to make it a priority, even though I did like Zoë a lot in S1.)

Heads up - I didn’t care for this season. A lot of people did, and I would never, ever want to ruin someone’s enjoyment of something, even if I personally didn’t like it. So please take this as a warning that I have a lot of negative things to say, and don’t read if it’s going to harsh your buzz for a pairing or a story that you deeply love. However, I didn’t want to just be grumpy and angry the whole time, so I tried to think of constructive ways to fix certain problems I had with this season. No guarantees that they’re satisfying solutions, but it was an interesting exercise.

Also, I didn’t watch this in real time, and I paid barely any attention to fandom reactions and/or drama, so it’s very possible that I am missing context, or that pacing issues didn’t register with me quite as strongly, etc. If one of the actors ate a live dolphin on Instagram, and then got into a fight with fans on Twitter about their right to eat live dolphins, and now fandom has canceled the problematic dolphin-eating actor, I legit do not know, do not come at me if I’m like “This actor is doing a good job” with “Wow, didn’t know you stanned dolphin-eaters??? YIKES.” Honestly, for the purposes of just grading this season on a storytelling level, I would prefer not to know anything about the cast or crew unless it directly has an impact on the show itself.

Clip 1 - House party

OK, I did like this flashy intro shot, immersing us in the Wild ‘n’ Crazy Teen Party of Wild ‘n’ Crazy Youths.

Amber rejecting every dude in site … When Will Gay Vilde Rise. (I know there have been some f/f storylines in the remakes, but if there’s one involving an actual Vilde, please let me know.)

Luca saying “We’re not walking around in a high school drama” - you can hear the rimshot.

I do like the transition from the party up to the bathroom, that’s a cool shot. wtFOCK’s directing so far is more ambitious than it was in S1.

Robbe is clearly a mess and they acknowledge his problems at home right off the bat.

We go back downstairs. wtFOCK’s version of Magnus knocks his drink on Amber and she gets pissed. She gives him the finger and he falls in love. Still a better love story than S3 Daphne/Basile.

It’s a small point, but I don’t get why we didn’t get this moment before jumping up to the bathroom with Robbe and the others? It would be a far smoother transition, just on a practical level and also in the sense of fully immersing us in Robbe’s POV after a quick update with the other characters.

Belgian Magnus joins the guys in the bathtub and announces he’s in love. They roast him when they find out it’s Amber and start talking about hot chicks. Moyo starts grilling Robbe about his type of girl, in a crass, sexual way.

This is honestly not a bad start to Robbe’s story at all. Robbe is clearly more reluctant to get into his interest in girls than Isak was - Isak was more fuckboyish from the start, Robbe seems like he’s about to start squirming and doesn’t really give an answer to Moyo’s questioning. Which is fine! I think it’s fine to start off the POV character at different stages of performing heterosexuality, as long as it’s taken into account in the writing of the character’s whole arc. The fact that the boy talk is so crude and sexual just ramps up Robbe’s alienation.

I swear, I will never understand how the girls in this scene just go into the bathroom and pee in front of strange boys … like maybe I am just a ~prude but that seems like a recipe for disaster and I would not trust those little fuckers to not be secretly recording me on the toilet.

Her peeing is kind of a power move, like marking her territory.

Also L M A O at Robbe starting to flirt with the girl while she is pissing … like now this comes off as a kink thing. OK, Robbe. Jokes aside, this gets across the same meaning as the scene with Isak: he starts to flirt with her because he was encouraged by the other guys.

Uh, flush the toilet, lady. And use some TP.

Now this version of Emma seriously radiates some Natalie Portman in The Professional vibes.

She orders him to stand up and then starts kissing him. I get way less of a vibe of Robbe’s mad game with women (like how Isak negged Emma into kissing him) and more like this girl is the love interest out of an indie romcom, all mysterious and spunky. She kisses him like once after taking his jay and then leaves. The boys all crack up. Moyo tells Robbe it’s his responsibility to get the weed back which lmao, no it’s not, all you assholes were there and could have intervened.

This scene is perfectly fine and even effective! Not entirely the same vibes as OG, but it still has a purpose and some obvious cause-and-effect, and there are some nice stylistic choices.

Clip 2 - Party pt. 2

Robbe is now making out with mystery girl. We already have a divergence in characterization from OG. Isak was being performative about making out with Emma and shut it down once the guys left. Robbe is making out with this girl because he wants to be straight, I guess? If it’s not to appeal to his friends, it’s likely that this is for himself. Again, I have no real problem with this change if it’s incorporated into Robbe’s overall arc and characterization. My thing is, if you’re writing this scene, do you realize the differences in characterization? Or do you think this is interchangeable from what happened with Isak? The latter is where you run into problems, because then the writing shows lack of nuance. I bring this up here because, well, you can guess how I feel about later events. 

Luca seems rather aggro about the mystery woman, which I assume is because she still has the hots for Robbe?

It makes me laugh that we got this first-person POV as Robbe leaves through the garage, because of the “Smack My Bitch Up” song being played in the last clip (the song had an infamous music video, banned from MTV in the ‘90s, that was from a first-person POV). But again, WTFock is trying harder with the cinematography and direction, good for them.

Robbe ditches the cops by jumping on the bike with Belgian Emma. OK, I get it, Belgian Emma is too cool for school. 

I have kinda mixed feelings on that, actually. I mean, I’ll be honest - I don’t see why any Emma has to be made into someone more palatable. Definitely don’t demonize her or present her in a misogynistic way! She deserves sympathy and dignity as much as any character on a Skam. But … it’s fine if she and the Isak aren’t like, amazingly compatible except for his sexuality. The Even character is supposed to be the one who really shakes up the Isak’s world! The Isak is supposed to be lost and confused and drifting and then Even comes in and is someone he can really open up to. Not just because he’s another guy who’s into guys, but because Even’s personality meshes with Isak’s so easily while still challenging him and introducing him to new things. In a way, it does kinda diminish the effect of the Even if the Isak meets ANOTHER mysterious stranger who’s an awesome person. Or at the very least, it lessens the feeling of the Isak’s detachment from everything.

And again, this could work if the writing realizes it. You can totally craft a subtly different arc from the pieces of Isak’s season. It’s just that (speaking from the future) I do not feel this is what happened.

Clip 3 - Tagging time

I don’t think it’s necessary to break up all the parts of a longer scene/set piece into a bunch of different clips. If you start a scene at 16:00, it’s OK to have the clip take place over several hours. You don’t need to chop it up unless there’s a reason why this pacing might benefit the story. Honestly, if you’re watching in real time, I think this method is often less effective at building tension/emotion/etc. But wtFOCK is not the first remake to try this tactic.

... this part where Robbe and Noor put on masks sure hits differently in 2020.

Belgian Emma’s name is Noor and she takes him to a warehouse, or something? It’s very secret and Cool Kid. And IDK, it’s fun, but again… I think making the Emma that much of a fun mysterious cool exciting person is very much diminishing the effect of Robbe’s isolation. We had a good start with establishing that alienation while he was in the tub, but now his reactions to her rad hipness feel way too sincere and act against the major character conflict of his season. He seems nervous to go with her, but not because he’s with a girl, just because it’s a risky scenario.

Noor hands Robbe a spray paint can and leads him to tag a wall. There’s  a guy taking pictures. So I’m assuming one of the guys in masks is the Even? The POV seems to shift to the photo guy briefly, like we’re seeing Robbe through his eyes. And even though I’m not a fan of POV breakage, I do think this is a cool way to introduce the Even without really introducing him, you know? If that’s him. (EDIT from the future: Ummm, so that wasn’t Sander, right? I’m rewatching and it doesn’t look like him. Soooo that part has even less relevance than I originally thought. Got it.) (EDIT from the future beyond the future: @hellswolfie tells me that this actually was Sander, so I am just bad at recognizing people, lol.)

Robbe and Noor take off their masks briefly to kiss. Uhhhh, did the scene really just … cut off there? Because L M A O what a weird choice. We don’t get to see what Robbe creates on the wall, which could be a great way to establish his character, AND we end with him on a smiley, contented note which does not boost his POV at all. It legit just makes him seem like a guy who’s into this girl, and sorry, even if that’s his public persona at this point in time … that’s not what we, the audience should be getting at all. 

Clip 4 - Boy squad morning after

Robbe skateboards to meet up with the guy squad. Again, the directing is far better IMO than in S1.

Robbe got the weed back so that conflict is over, I guess.

He gets a call from his mom and stops laughing with the guys and gets serious. He walks away to take the call. Then he starts to open up to Jens about his mom freaking out, and then Moyo spots some girls so they all ditch Robbe to go chase girls, and WOW, Jens, please turn in your Jonas card. 

Don’t love that we didn’t hear his mom on the phone. There’s no reason not to let us hear what she’s saying since it would be in Robbe’s POV AND as it turns out, they just tell us about the situation with his mom right off the bat, anyway, so it’s not like there’s much point in hiding it. 

This was effective in a sense to establish how girl-crazy his friends are, as well as setting up Robbe’s isolation, which I was worried wouldn’t come across as strongly after meeting Noor. But I think they could have NOT mingled in his mom issues to make this part more effective. Like if the goal was to show more of Robbe being alienated because he’s gay, then that’s not entirely successful, because there are non-gay reasons why Robbe wouldn’t join his pals on the girl chase. I mean, even a horny hetero Robbe might not want to chase girls with his bros because talking to his mom is a downer, so it’s not necessarily because of his sexuality. Plus he just found a girl he liked in Noor, so apparently, he’s not on the prowl. What this part IS communicating that the Belgian guy squad doesn’t have much interest in their friend’s family struggles, which ... ehhhh, maybe not great in the grand scheme of the storyline? These guys can be flawed, for sure, but we do need them to care about Robbe’s well-being. And Robbe tried to open up here, so the flaw is not in him, it’s in his friends. I’m going to let it slide because Jens was offering to help Robbe in the first clip, so it’s not like he’s been a totally insensitive friend this whole time. 

Clip 5 - Phone call from Robbe’s dad

Noor jumps on Robbe and they make out. She shows him the garage and they talk about the tagging world or w/e. Again, not sure why they are portraying Noor as like … a legit love interest. I don’t get much of a sense of discomfort from Robbe. Isak was just not into Emma and was uncomfortable when his bathroom flirting came back to haunt him. And I don’t think it’s TERRIBLE not to follow that route, but you can’t just make this huge change if you don’t account for it in future episodes and Robbe’s overall arc. (EDIT from the future: Which I don’t think they do, otherwise I wouldn’t care.) Every scene should count in furthering Robbe’s character, especially this early in the season where we’re just getting to know his particular struggles. If Robbe is trying to convince himself to like girls, then I want to see definite vulnerability in how that’s portrayed.

I blame the directing/writing more than the acting for the lack of discomfort, since I sensed Robbe’s lack of comfort just fine in the bathtub scene.

Makeouts get interrupted when Robbe’s dad calls. Again, not sure why we aren’t hearing both sides of the conversation? Because we’re in Robbe’s POV. Why wouldn’t we hear them? This seems like they just want to create some suspense or mystery over the situation with his parents. But it’s perfectly possible to do so while still letting us in on the phone calls. In fact, it’s arguably more intriguing to let us listen to some phone calls where we get some vague details but nowhere close to the whole story. It’s not like Robbe’s dad is going to explain the whole situation to his son in an exposition dump. We can get some crumbs to tease us, while still keeping us in Robbe’s POV and not feeling like the show is cutting corners.

Robbe gets mad at his dad and tells Noor he needs to be alone. Closeup on Noor as Robbe walks away. OK … why? Why on her and not Robbe when it’s his POV? Why the focus on Noor’s feelings when we really need to be establishing our protagonist’s mindset in the beginning of this season? I’m not saying her feelings don’t matter, I’m saying that well, this isn’t her story. It would be better to see Robbe’s pained reaction as he leaves.

Clip 6 - Robbe’s dad drama

Jens comes running up while Robbe is being sad. Robbe says that it may be necessary for him to stay with Jens because Robbe’s mom has been committed to a mental health institution and Robbe doesn’t want to stay with his dad. Ah, so I guess we’re hearing that right away. Which honestly makes not hearing his phone calls to his parents even funnier - like you lock us out of his POV arguably for the suspense, but then you end the suspense anyway by just telling us what happened a scene or two later? All right. I guess there’s suspense in that we don’t know exactly what’s up with the mom, mental health-wise, or the root of Robbe’s problems with his dad.

It occurs to me that maybe they just didn’t want to hire people to voice Robbe’s parents? Or put in the time to film both sides of the conversation? I have a hard time believing either of those because it’s so lazy, but. 

I mean, just turn the phone conversations into text conversations if you’re not going to let us listen to Robbe’s parents on the other end.

They go and play football without really resolving the situation. Sad music plays while Robbe joins in. Also, someone was calling Robbe, and I assume it was his dad, but it’s not shown.

These clips are VERY short and choppy so far. You could easily combine the last two, so Robbe is with Jens instead of Noor when he gets the other phone call from his dad, leading into this conversation.

We know immediately about Robbe’s mom’s situation instead of it being a mystery, like with Isak. Which, again, isn’t inherently wrong, but then I want them to DO SOMETHING with it. 

Clip 7 - Jens and Jana

Oh hey, Jana got her braces off! IDK if that happened last season or this one, but it was something I liked, seeing a teenage girl with braces on a teen drama. That rarely happens unless it’s a joke or a plot point.

OK, they really need to film Robbe’s phone so I can actually see who’s calling…

Jens tells Jana about Robbe’s parental situation. I’ll note that first she asks if something’s up with Noor, so news of the Robbe/Noor relationship must have traveled really fast since they’ve only just gotten together. Like Robbe and Noor are clearly dating, going off Jana’s comment, and not just hooking up. Then Belgian Magnus wants to know about hooking up with Amber. Meanwhile Robbe is having a conversation off screen with his dad? Guess it wasn’t important!

And that’s the problem, obviously. It’s his POV season, anything you decide to show SHOULD be important to his storyline. 

Also … it’s fine that we’re focusing on Robbe’s shit home life since that’s relevant to his story, but almost nothing in these clips has set up Robbe’s attraction to men, and only slightly his lack of interest in girls, which was negated by him seeming very interested in a girl afterwards. And knowing how long this season takes to get going with the Even character, it’s a pretty glaring omission.

So we don’t see Robbe’s phone call with his dad, but he gets snappy about it when Jens asks. One of the boys (I can’t tell who) says that Robbe’s on his period.  Gonna be real, I don’t care for this squad so far. 

What was the point of this clip? We already know Robbe is having problems with his dad, which is the most relevant part to the plot here. We shouldn’t be wandering from Robbe’s POV so much, but even taking that into account … we already know Belgian Magnus likes Amber, so that’s not necessary to establish. And we didn’t need to see Jens tell Jana something we already know. I assume he tells her so Zoë can find out and offer a room, but there’s no reason to see Jens tell Jana this, so. Filler clip. 

Clip 8 - Zoë and Robbe at the lockers

Yeah, Zoë offers Robbe a place to stay here, but again, we didn’t need to see the news travel down the Jens-Jana pipeline. It could have been condensed more efficiently.

Robbe doesn’t want to because he says his dad wouldn’t approve. Zoë says she hopes things get better with his mom and Robbe at first snaps and tells her to leave it, then says thanks. This is an actual good interaction, writing-wise, kudos.

I liked Zoë a lot in S1 and I like her here again. I really should watch her season despite my Noorhelm allergy. The scene of them kinda smiling at each other across the hallways reminds me that this is probably the strongest relationship in the whole season, tbh.

Why was this clip so short? So many of these clips could have been combined into one. I mean, Zoë could have said, “I heard from Jana who heard from Jens...” without us needing the previous clip. Although, did Robbe really want anyone else to know about his home life? Lol @ Jens just blabbing Robbe’s private business.

So I guess they didn’t set up the Eskild situation in S2 that would lead to Eskild offering Robbe a place to stay? 

Clip 9 - Robbe gets roommates

Robbe is in Zoë’s room. He sees her “everyone you know is fighting a battle” quote next to the mirror, which is a detail I actually quite like in context with the rest of this storyline and Even’s condition. It’s a good Skam thesis overall.

I guess Zoë met with Robbe’s dad. Zoë calls him a tough cookie. Robbe doesn’t want to speak to him. They bond a little over their parental problems. Again, a nice detail.

Belgian Eskild appears and teases Robbe a little before announcing that Robbe’s dad has agreed to let him stay in the flat. Yay!

Oh, so Senne is staying there, too? At least they didn’t do a pointless Noorhelm breakup in this version.

Milan (the Eskild) tries to go in for a hug and Robbe isn’t cool with it, so at least that’s something with Robbe’s issues with men. (I think? The thing is, Robbe also does not really know Milan, so it’s not as weird that he’s not ready to be affectionate with a near-stranger.)  (EDIT from the future: Keeping the S2 almost-kiss that’s referenced in the next clip in mind, I can rationalize this moment as a continuation of that awkwardness from Robbe’s POV.) 

They chat with Lisa (Linn) who wants to direct Robbe on what he is and isn’t allowed to touch in her room, heh.  Milan and Zoë have cute interaction, and Robbe looks happy. I do like the flatmate vibe so far, they seem fun.

Clip 10 - Robbe and Milan

Senne and Zoë get cute. I haven’t seen S2 so I can’t give my opinion on their version of Noorhelm, but I did think a few things about them were less creepy in wtFOCK’s S1 than in OG. Milan talks about how they’re a Disneylike couple and Robbe laughs.

Then Robbe apologizes for something that evidently happened in S2, where Milan tried to kiss Robbe at a party? Again, I didn’t see the scene. Milan says he’d never try to do that. He offers Robbe a hug, which he accepts - tbh I don’t know if Robbe SHOULD accept based on where he is in his character arc, maybe he should have more skittishness? But it’s a nice character moment, at least. They really have to make up for lost time with the Robbe-Milan relationship, so I can get that they need to establish some closeness fast.

Not being in the wtFOCK fandom, I kinda wonder if there was backlash to that scene from before and this is damage control, LMAO.

I feel like you could’ve tweaked this to be more representative of Robbe’s issues, like have him stress here that he’s not gay, because it’s a sweet scene but again, I don’t feel like this episode built up Robbe’s internal dilemma very well. You could make this not just about smoothing over whatever bump there was in this relationship, but also about setting up some internal tension with Robbe’s sexuality issues. Multi-tasking - it’s great!

EDIT from the future: OK, I tracked down the S2 scene, and yeah, while it illustrates some of Robbe’s internalized homophobia, I really think you needed to carry this through to this clip. Because that was a very public situation, and they made a point of emphasizing onlookers’ reactions. I feel like you need to show that Robbe’s internalized homophobia isn’t just about external reactions, but internal struggles, because ... so far, that’s what it is? Like what is he doing with Noor otherwise? 

Clip 11 - Housewarming party

Party is underway. Yasmina is there and is friendly with Robbe. It sounds like they’re working on a school project together. Aaron (Magnus) and Moyo are talking about hot chicks again.

Noor arrives and the boys tease Robbe about how far he’s gone, Robbe looks pretty chill and happy until Moyo says Robbe’s getting laid tonight and you can see the nerves and reluctance take over. Okay! A character detail that actually works for his arc! Yes!

Partying, makeouts with Noor … sorry but they are wasting a lot of time with this relationship. ROBBE ISN’T INTO HER. Here’s the thing: I don’t want to demonize any of Evak’s female “love interests,” right? It’s pointless anyway because Evak is the endgame pairing, Sonja and Emma aren’t “threats” in the end, but also because they’re not bad people just for wanting to date these two guys who happens to want each other instead. And I think you can do interesting things with Sonja and Emma as characters. I’ve read Sonja fanfic that’s really good!

But when it comes down to it … this is not the story of Robbe/Noor, and there’s a point where it feels like there’s too much development for something that is really intended to be a speed bump in Robbe’s journey. 

I guess it’s a pet peeve of mine when gay stories devote a ton of time to het relationships, to the point where it begins to overshadow the main gay relationship. Love, Victor did this to an absolutely ridiculous degree. (I actually made notes for Love, Victor reactions, but hesitated to post them because 60% consisted of me typing I DON’T CARE ABOUT THESE STRAIGHT ROMANCES.) And I GET it, this is an experience many gay kids go through in their coming out journey, but also, less charitably… you don’t need het romance to dominate everything. You don’t need to make this about how a gay person being gay hurts a straight person. I genuinely appreciate that once Isak kisses Even, it’s fucking over with him and Emma, that plot thread is done. 

Anyway, Noor tells Robbe he’s so fucking hot and Robbe looks more uncomfortable, moreso when she wants to see his room and he goes off like he’s headed to Mordor.

Aaron checking out Amber … okay, again with all the het. I don’t care!!! This is not important right now!! 

Noor pushes Robbe onto the bed, ugh please don’t have them Go There.

She takes off her top and Robbe touches her boob like he’s sticking his hand into a porta-potty. We see his discomfort so at least this part is effective and relevant to Robbe’s arc. Noor is taking off her bra when the boys come into the room, wanting the weed. Okay, you dumb fucks, you’re teasing your bro about getting laid and yet you think it’s cool to enter his room when he’s with a girl? I mean, that’s a lucky break for Robbe, but his friends are extra stupid.

The mood is killed, Robbe goes hunting for weed. Episode ends.

HOW I WOULD REWRITE THIS EPISODE:

Lmao, some of my changes sounded a lot like “be like OG Skam S3.” Because Skam S3 was well-written and made sense. But I tried to think of edits that worked with what wtFOCK was presenting, not just repeating OG.

(I’m also repeating a few things in this section that I said above, btw)

While this episode doesn’t make me angry or anything, it’s got a serious problem with dithering. The first clip is a solid start to the season, but afterwards, so many of these clips feel like filler. There’s a lack of substance to them. It was hard to write about them because they ended up feeling like two minutes of nothing. 

Did we need to see repetitive mentions of Robbe’s troubled relationship with his dad? No, it’s an important plot detail but we could have established that more concisely in fewer clips. Did we need to see the process of how Robbe comes to stay with Zoë, Senne, and Milan? No, not really. Or at least not dragged out over at least three clips. 

I don’t feel like I’m in Robbe’s head to the extent that I should be  so far. Some of this is because the show just flat-out locks us out of his POV, like not showing the phone call in the Jens-Jana clip. But a lot of it is also because of the narrative dawdling. There’s just not as much to analyze unless I bring in Skam season 3 and project what we know about Isak onto Robbe. And that’s not a good way to adapt a story.

The framing of Robbe/Noor needs to change. Combine the bathroom intro with the aborted sex scene - the boys are sitting in the tub, teasing Robbe about getting laid, so he makes out with Noor and they go into a bedroom where he’s clearly not into this, and then Moyo and Aaron come in asking for weed because Robbe still actually has the weed from the bathtub at this point. Or do what Skam France did (can’t believe I’m referring to Skam France) and have the arrival of the cops interrupt the makeout/sex session and Robbe takes his cue to exit.

But frankly, it’s not great to have Robbe acting or looking too cozy with Noor, like this is a legitimate romantic arc except when it gets to the sex. The point is that this isn’t a romance. Even if you want to show some cuddly, non-sexual scenes with Noor, you have to show more of Robbe’s reluctance and fear throughout. 

Show Robbe’s fucking phone conversations with his parents!!!! Good Lord. He’s not ordering a pizza. These are important aspects of his story. Capitalize on that family tension, show us what a bad place Robbe is in at the start of this season. 

Now, about the lack of Even in this episode. Not introducing Even is a bold move, but not necessarily a smart one. Even’s introduction in Skam is not just the intro of “the love interest” - he’s the catalyst for almost everything in Isak’s story. Consider that in episode 1, Isak is seen mostly unhappy and bored - he’s distraught after kissing Emma, he’s checked out of his friends’ lunchtime girl talk, he zones out staring at his teacher’s boobs, he doesn’t want to be at kosegruppa. Isak is actually very passive and just going through the motions, doing what people tell him to do. But once Isak meets Even at kosegruppa - well, that’s when Isak wakes up. In the next few clips, we see Isak taking action. And sure, they’re small actions, searching for Even online, watching the Even video over and over, asking Vilde if there will be more kosegruppa meetings. But we can see that Isak now cares about something, he’s paying attention. Of course, Robbe’s story doesn’t have to follow the same arc. However, it does the season a huge benefit to get him intrigued by something at this point, so we the audience are not just sleepwalking along with him for a few episodes.

There’s also just the simple fact that we have only 10 episodes to establish a love story and make us care about the Even character, and it’s a very risky move to waste too much time. If you are really killing it with the rest of Robbe’s arc, this could still work, but ... well, that’s not what’s happening here.

If they didn’t want to full on introduce the Even directly, one thing they could do is subtly and indirectly find ways to include him in the narrative and create some mystery. Let’s say Robbe sees the Even’s artwork somewhere and is like whoa, that’s cool, and we can tell that it resonates with him. Or he admires Even’s graffiti, or it makes him laugh, whatever. Basically Robbe has some kind of emotional reaction to a thing the Even has created or done, which helps to set up that relationship even before we officially meet the Even.

If we want to add a little more, perhaps Robbe sees a mysterious dude in a mask tagging a wall, but they get interrupted by the cops or something and have some kind of brief but intriguing interaction with each other, and Robbe’s like, who was that guy in the mask? Or Noor takes Robbe to the tagging place, the police/security bust them, Robbe and Noor get separated, and Robbe gets helped out by the Even so he can escape. So it’s an important moment, lots of adrenaline, we can frame it like there’s a sudden ~charge~ between them (ooOOOooo the Even helped Robbe stand up and their hands touched like this was a fanfic, etc.), but he doesn’t learn Even’s name, maybe he doesn’t even see his face because Even has a mask on, so Robbe spends part of the next few episodes trying to figure out who that guy is, casually asking Noor if she knows a guy like that, keeping his eyes open. Maybe we have some fakeouts where Robbe thinks he sees the Even again but it’s just a false alarm. He’s on edge, eager to know more about that mystery guy, and so are we. Bam, we have “awakened” Robbe from his deep sleep. 

If you’ve seen Netflix’s The Get Down, there’s even a scene like this where Jaden Smith’s character gets caught tagging by the cops, he runs and flees with another young dude, and they have a moment where they recognize each other as graffiti artists they admire. While watching that scene for the first time, without any context or spoilers, without even knowing if there would be LGBT content in that show, I immediately thought, “This guy is his love interest.” Not even because it was overtly romantic. Because the way it was written and shot told us that this meeting was important. Because they had an instant connection. Something similar could have worked for Robbe and his Even. But in any case: it would have been best to establish something between those characters, even if it wasn’t an “official” introduction.

Stop focusing on Aaron/Amber when it’s not in Robbe’s POV. Reverse the scene at the beginning with Aaron videotaping and Amber getting spilled on. She gets pissed, he falls in love, and then we follow him upstairs and we meet the boy squad. That is a very obvious, very clean transition that doesn’t interrupt Robbe’s POV as it technically hasn’t started yet. So IDK why they didn’t do that, lmao.

Some changes with the Milan relationship:

Tweak the apology scene to be more representative of Robbe’s issues. Have Robbe apologize while still stressing that he’s not gay. Have Milan be chill and not question that statement, but maybe Robbe is so defensive that it comes across as unconvincing. 

Then have Milan be the one instead of the boys to interrupt the Noor almost-sex scene. Milan wanders in acting drunk, haha Milan, he’s wacky. Robbe doesn’t realize it (though the viewers do if they’re paying attention) but Milan is only pretending and is “subtly” rescuing Robbe because he realizes, based on the earlier scene, that Robbe might be struggling with his sexuality and he wants to give him an escape option. (Although I still think it’s best to combine the not-sex scene into the opening clip, but this could work, too.)

Basic questions we need to be asking, clip to clip: what is the conflict? Where is Robbe’s head right now? Why is this scene necessary? How did this scene come to be - what’s the cause and effect here? How does it advance Robbe’s story? Is it redundant? How do we tell this story in a narratively economical manner? 

[celebritytgcaptions]

Requests (5/8/2021)

Hi lovelies! I just filled up the queue through May but I have a LOT of requests left. So I’m posting the remaining requests below! If you see your request here that means it’ll be posted in June at the earliest. If you don’t see your request it means it’s probably going to be posted in May (although I did delete two messages that weren’t “requests” as much as “demands”, messages that said, “Do this,” or, “Make that,” which I don’t respond to). There are some requests I addressed in a post on April 27th though that won’t be posted until June also so be sure to check that out. Thanks for the support lovelies! Hope you like what’s to cum. ;)

Anonymous said:

Could u do emma stone from amazing spider man i like her look from the 2nd one but its fine whichever u use

Yep! Second one it is. :)

Anonymous said:

Hi was wondering if you could do a caption of a superhero that is captured by their villain and turned into an evil hench woman thought about anne hathaway as cat woman if you could thanks love your captions btw

Sure thing!

Anonymous said:

Could you do a caption where a white guy gets turned into Kerry Washington. And becomes addicted to sleeping with black men? I was thinking of using the scene from little man where shes in bed after a night of "doing it". Can that be done or is that too graphic of a description?

I don’t think it’s too graphic? I’ve never seen Little Man (idk what it is tbh) but I googled “Kerry Washington Little Man” & found a pic I think works so I can do this.

Anonymous said:

I don't remember if I requested this already or not but could you do one of Haley atwell from captain america I was thinking like a super soldier test turns a guy into her but he then finds out that was the plan that the government wanted to make super sissies instead

You did not request it and I can do it!

Anonymous said:

Hi could you do a caption using Betsy brandt? Shes the aunt from breaking bad incase you didnt know I just think shes beautiful and hope you could do a caption for her idk what about maybe something about milfs thatd be good ig whatever you decide anyways thanks

I DO know who that is! And there have been quite a few MILF requests (as you’ll see) so all you MILF lovers will be happy going forward. :)

Anonymous said:

Hello first off big fan 2nd off im sorry if this is too much but I have abit of a list for ya if u can do these thats great if not its ok just sorry i know its alot.  Emma thompson(saving mr banks)  Sean young, (ace venture)  Rhea Pearlman, ( matilda)  Christina agulara( burlesque)   sigourney weaver, (alien or ghostbusters)   emma stone (cruela)  thank u there will be a part 2

Heres part 2 its just ones I dont really have any specific thing in mind.    Tia and Tamara. Idna menzel.   Adele.    Bonnie Tyler.    Ruby rose.    Sarah chalke.   Kristen schaal.  Melissa McCarthy.  Megan trainer.    Elizabeth gillies.   Like i said if u can great if not thats alright atleast u'll have some stocked up for a rainy day thanks again and sorry again

Hello im the one who gave the list of requests sorry once again I just wanted to further explain one of them the christina Aguilera from burlesque one to be specific I would like the one where she is wearing the bowler hat with the  loose frizz curls thats the only one I can think of to elaborate on the rest are up to u thanks again sorry again

Ok so this is A LOT of requests and in the future I would like to ask people to limit their requests to three celebs at a time, but I’ve never said that before so it wouldn’t be fair to the person who requested all these. So yes I can do these requests. The only one I won’t do is Sean Young from Ace Ventura because her character in Ace Ventura is really really transphobic (or, more specifically, how that character is written). And I can do that specific Christina Aguilera one. Also since this IS so many requests I’ll probably be sprinkling them in through instead of doing them all at once, & I already wrote an Elizabeth Gillies one coming out towards the end of May.

Anonymous said:

If possible could you do Elizabeth perkins as Wilma Flintstone I had the idea of it litterally being set in cave man times and depicting the forat instance of feminization, the first sissy, being of a weaker evolution and stuff causing the tribe to pick him as the tribes cave sissy

Oooo, sounds fun. Totally!

Anonymous said:

Could you do Marissa tomei? Was thinking hero type story by night hes a crime fighing vigilante by day She is a stay at home sissy wife waiting for hubby to get home to pleasure him

I can do this!

Anonymous said:

Could you try making one where a boy who’s always been short his entire life gets feminized by his friend? I was thinking someone like Skai Jackson would be great for this

Sure thing! I found one of Skai where she’s of age so I’ll use that. :) (I won’t use a GIF of here her though since most of them are from Jessie when she’s under 18)

Anonymous said:

I was wondering if you could do one about a college professor named Peter whose autocloset gets hacked by his students.  They transform and feminize him into a sexy latina milf so they have someone sexy to look at during class.  Actress of your choice, someone over 30 please.

Oooo, I’ve got the perfect celeb for this. ;)

Anonymous said:

Hi I actually have 3 u may have done them before but if u can thatd be great. 1 Natalie Portman (V for vendetta ) the little girl outfit with the pigtails I was thinking like a lost bet. 2 P!nk (beautiful trauma) the house wife look is so good.  3 Elizabeth olsen (wandavision) when shes in the bed wearing her costume like a morning after thing.  Thats all like I said if u can thank u love ur captions

Ah gotcha. I can do these!

Anonymous said:

Hi id like to start off by saying i love your captions. Was wondering if you could do one of Mary Elizabeth Winstead as Ramona flowers when she had Green hair as far as the story I dont really have anything other than green being the guys fav color idk hopefully you can do something with that anyways thank you for your time have a good one

I can work with this. :)

Anonymous said:

Hey I have a specific scene in mind its of kaley cuoco when she was on the big bang theory I dont remember the episode but its where shes sitting on the couch when her BF walks in and shes dressed in this purple lingerie and shes got her hair up its beautiful I was thinking if u could do a caption on that? Maybe like a roommates thing sorry I dont have enough info on the scene

I’VE HAD THIS IMAGE FOR SO LONG BUT COULDN’T THINK OF A STORY SO YES I CAN DO THIS! :D

Anonymous said:

Could u ro Lindsay sloane from bring it on I had to look up the name I just remember her as "Big red" what they called her in the movie

Yep! I love Bring it On. :)

Anonymous said:

Omg i love the Alex kingston caption u did recently whenever u get a chance could u do more River song captions also the billie piper one again whenever u get the chance

You got it. :)

Anonymous said:

Ok if you could i have an idea for a caption of a guy who wants to be internet famous but cant cut it as a guy so he pretends to be a lady on an onlyfans but doesnt show off anything too much then he gets surprised by his Male roommate who found out and his roommate blackmails him into making more "Private" videos to get cash I was thinking using meg turney if u could thanks

Sounds fun. Sure thing! :)

Anonymous said:

Hello I know you mightve done this one already but the one of Katy Perry from "Hey hey hey" music vid could u do another one from that still her with the blonde hair but when shes just waking up instead thank you

You bet!

Anonymous said:

I know you got alot of requests lately but if you dont mind one more could you do Drew Barrymore from Batman forever?

I had to double check how old she was in that but yes! I can do this. :)

Anonymous said:

I know I probably wont see this for awhile but if u could can u do a caption of debby ryan from jessie where she is dressed like a little kid and has her hair in pigtails? I was thinking like a babysitting gig gone wrong for the story like dress up goes too far or something anyawys thank u

Do you know what episode that’s from? I found the image and I think it looks great but I just want to make 100% sure that Jessie was an adult when she made it. If you know the episode feel free to message me & I can go ahead with it. :)

Anonymous said:

I have 3 if u could do them 1. Zazie beets  2. Zendaya  3. Tessa Thompson. Thats all thanks

I actually have Zazie Beets and Zendaya caps coming up before May ends, but you’ll get the Tessa Thompson one in June. :)

Anonymous said:

Hi could you do another caption tor jenna fischer from the office please?

Yep!

Anonymous said:

Could you do a cap where a teacher named Peter gets feminized into a latina housewife and use Marisol Nichols from Riverdale?  Can't ignore the MILFs.

Damn right you can’t! I’ll be sure to do this. :)

Anonymous said:

Addison Rae or Ariana Grande please

I’ll do both! :)

@tammyboy25 said:

Hi there! I was wondering if you could please do one where a sister or best girlfriend guilt trips a boy into being their maid of honor for her wedding? Bachelorette party, Dress shopping, getting their hair done, dancing with other boys at the reception are some ideas I had. Thank you so much either way!!!

Ooooo I love this! You got it sweetie. :)

Anonymous said:

Wow, I really loved the "From the Amazons" caption you did with Wonder Woman! Could you do something similar with a guy named Rene put into the body of a sluttfied superheroine?  Maybe Scarlet Witch/Wanda? Thanks!

“From the Amazons” has been getting a lot of love so thanks everyone! I can totally do this with an Elizabeth Olsen pic. :)

Anonymous said:

I'm not sure if youve seen falcon and the winter soldier yet but Erin kellyman who plays kharli in that is a relatively new actress so I could understand if you dont know her but if you do could you make a caption for her? Thank you

I actually do know who she is! I saw her in “Falcon & Winter Soldier” and Solo so I can totally do a cap with her. :)

Anonymous said:

Hi, yesterday I said how much I loved that Wonder Woman caption you did with Gakl Gadot. And I've since discovered the manips made by Saturdays24. My name is Rene, and I'd loved to be turned into a girl in one of his pics, particularly Taylor Swift! Thanks!

Sure thing! @saturdays24 gave me permission to use their stuff a few years ago so I can do any caps with their manips. :)

Anonymous said:

Can you please do Priyanka Chopra captions

Sure!

Anonymous said:

Can you do Lala Anthony captions. I am a big fan of her

Totally! (For some reason I can’t find a good GIF of her though)

Anonymous said:

Can you do a cap with the new Billie Eilish Vogue Pics? That would be so so amazing.

Anonymous said:

billie eilish or addison rae?

Anonymous said:

Hi I remember someone else asking for a billie eilish caption since she was of age now but it was still too recent to have any pics of her at the right age well now shes 19 and I just saw she was on the cover of vogue afew days ago ....would that work?

Don’t worry, a Billie Eilish cap from British Vogue is on the way! She is an adult now & so I can make caps with her. :) (Also to the person who asked about Addison Rae, like I said earlier I’ll make one for her too. :D)

Anonymous said:

I really liked ur newest caption of Kelly lebrock as a boss being spotted enfemme I was wondering if u could do a follow up to that one? Maybe with her from woman in red. Id just like to see the coworker confront the boss

I like that idea! Totally. :)

Anonymous said:

Could you do a caption with Jhene Aiko or Jenna Ortega? They’re both similar to me in body build so it would be pretty amazing to see them in a caption.

Jhene Aiko yes. Jenna Ortega MAYBE. Jenna Ortega only JUST turned 18 and that was during the COVID-19 pandemic so there aren’t going to be a lot of projects where she’s an adult to pull from. So if I can find something maybe otherwise you might just have to wait a bit. Sorry if that’s a bummer. :/

Anonymous said:

Can you do Nikita Dragun captions please?

I’ve no idea who this is, sorry.

Anonymous said:

Idk if u know the band pentatonix or not but if u do could u do a caption for Kirstin Maldonado they just came out with a music video for 90s medley and she is gorgeous in it much appreciated :)

I’ve actually done some Kristin Maldonado caps already so I can totally do another. :)