#like you can do so much cool stuff in animation you can't do in live action

[mintmatcha]

obsessed with kirishima in that new sero series ngl,,, if you ever want to or decide to write, i'd love to hear abt kirishima and reader hanging out- or just how they are with each other. how they became friends etc etc

anyways,,, how have u been miiiint how's it going ;w;

on her knees, his mom smoothed his hair down one day and told him he had to be friends with the girl across the hall. the city was still half built from after the war, his own cuts healed, yet pink.

"you're such a sweet boy," she mumbled, with a kiss on the forehead. "go be sweet."

and so, he was marched over, box of sweets in hand.

"i'm eijiro-" he uses his given name when you answer the door, instead of the family one labelled outside their door. "my mom made these for you."

You don't reach out to take the box. he's afraid you're about to back up and close the door when you shake your head.

"you d-didn't need to do that," you whisper, ducking away from eye contact. Oh, he thinks. That's why his mom sent him over here.

"it's cool!" He pushes the box forward and you gingerly take it, "My mom loves to do stuff like this."

You bow, just a dip of your head, and Kirishima gets a view into the apartment. It's smaller than his family's, with the living room right by the front door and the walls glossed with pink posters. There's a bookshelf packed with figurines and manga.

"whoa." Kirishima gapes. "your parents much really like anime."

"Oh, uh-" You shut the door a bit, trying to block his view. "I-it's just me. I like anime."

"Your parents let you decorate the apartment? That's so cool."

"no, it's just me." You still can't meet his eye. "My parents live out in the country side and it's too far away from my school."

It's not uncommon for students to get apartments near their high schools, but Kirishima thinks it's a strange choice for something as skittish as you. Living by yourself, in the middle of the city, while they rebuild it all: he doesn't know if he could do it.

"That genius school down the road?" Kirishima points in the (probably incorrect) direction. It's not UA, of course, but it's just as competitive to get in. "You gotta help me with math sometime-- I'm drowning."

For the first time, you smile.

"I am not a genius," you say. "But I can take a look."

-

Thursdays turn into tutoring sessions. You're a year behind him in school, but a year ahead of him in math, which makes you a tough grader. Kirishima thinks that you might actually be a genius sometimes. His mom pays you in warm meals, his dad irons your uniform for you when he has the time.

It fills the gap leaving the dorms left in his social life.

"don't you get lonely?" he asks one night, sitting in the middle of your apartment. the faucet leaks, a constant, drip, drip, drip, that your dad promises to fix the next time he can make the train ride over. "your friends from school never come over."

you've scribbled little Xs across your piece of scrap paper, each one tiny and dark, drawn with a shaking hand.

"yeah," you say, "it's okay. they're just busy, i guess."

[twobeesinatrenchcoat]

"I'd love to see (insert character) in live action!"

No

NONO

no.

GOD

PLEASE

NO

please

[keeps-ache]

mm i Neeed to go the beach

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

[fountainpenguin]

Wild Life Session 1 takeaways thus far:

- Tiny Grian blends in with the fish

- Scar and Jimmy are doing their best... I don't have anything specific to say, but I like their cherry hill base plans. And I'm just really glad Scar decided to call them Bam Boys instead of Bang Boys.

- Grian's reputation as a cheater precedes him and it cracks me up... He really is out here like "You really think I'd cheat on you guys? I've been gone for like 5 minutes" and Mumbo and Skizz are just not having it.

- Grian: "I'm not here to share." [Realizes Martyn took all the sugarcane right in front of him.] "Oh, wait... Can I have some?"

- Etho calling BigB his big brother and saying he's nervous about wandering away and needs someone to hold his hand...

- I really enjoyed the Etho-Bdubs banter over the black horse. Bdubs had so many great lines throughout this episode. I especially liked "Wait, I can't take this- That's a bad example for the children."

- Giant Etho and Tiny Scott in the boat...

- Martyn looking around in confusion when he can't find Ren like "I think Ren shrank so much, he perished."

- Ahasbands... save me, Wild Life Ahasbands... Martyn gushing over Mumbo (to Ren) and imitating Mumbo's voice and talking about how cool he is (followed by their later teasing chat over Martyn inventing the wheel) is killing me slowly...

-> sldkfjsdklfj wait, Martyn really is gunning to bring Mumbo on his team, huh? Yeah, that's not gonna last.

- Ren and Martyn talking about how they were going to claim the top of the cherry hill unless someone already put down a sign, and then they reach the top of a long climb and there's just a sign saying Scar and Jimmy live there. Comedy gold...

Martyn: I think [Grian] thinks of you as 'less than half.' Mumbo, who has spent an entire episode bragging about being tiny and loathing anyone big: Or more than half. That'd be worse.

I'm crying.

- I enjoy Martyn saying "I love that for us" in regards to a group he's trying to schmooze his way into, but isn't yet part of.

- I'm fascinated by Sub 1 Club's obsession with getting as tiny as they can and opting to go into swim mode as a form of land travel.

- Oh gosh, Mumbo knows Martyn so well... The lack of faith he has in his honesty is incredible.

- Mumbo screaming at Martyn, "I knew you were tall! I knew it! You're just pretending to be small!" in regards to his personality despite him being small enough to fit in a pocket.

- Martyn leaving by saying "I'm not your friend anymore" sdklfjskd?? Drama in the Ahasband household tonight (/jk)

- Pearl, reluctant to kill animals that have low respawn: Yeah, but porkchops...... Scott: Taste great; yeah, you're right!

- The dichotomy between the other groups I watched, who mostly kept trying to mine or build after they shrank, and GGG + Impulse who started doing parkour.

- CACKLING at Pearl dying, asking her teammates for food, and Cleo looks straight at her and says "Arguably, you shouldn't need any" since her hunger meter refilled when she died.

- Impulse is going to be a really interesting balance to GGG because Cleo is being lightly "aggressive" towards Pearl (Denying her food, teasing her and Impulse for having a thing for soup since they're the Soup Group with Gem). Cleo and Scott cling to each other a lot, so Pearl having a close friend and not ending up a third wheel is interesting.

Scott, digging, calling up in a wobbly voice with his heavy Scottish accent: Pearl, there's a drowned down here! Pearl: There's a... clown down there? Impulse: There is now!

- I doubt the bit will be continuing, but wouldn't that be hilarious if the Clocker family tree extended due to Cleo joking that Pearl and Impulse were her parents?

- Considering I'm currently in the "Impulse and Cleo struggling with half-smothered resentment and weirdness over 3rd Life and stuff" arc in Dog's Life... their conversation about Cleo saying she doesn't trust Impulse is perfect timing. That is literally the arc I've been posting.

- Etho said they're playing in a 500 x 500 world instead of a 700 x 700 one this time. There are so many people this time, so this should be interesting!

-> Even on a server brimming with people, BigB's alone again... (It is very late when I'm scheduling this, so I will watch him another time <3)

[jet-teeth]

Finally got caught up on that funky Bravern show the other day and omg. It's so much fun. Have some scribblin' More yelling under the cut (and also mild spoiler alert if you haven't seen any of it:)

Loved seeing more of the other Deathdrives, even if they were kinda short-lived on-screen and all (guess that's what happens when a buncha story stuff needs to get compressed into just 12 episodes)

I'm enjoying the hell out of this silly show it's fucking BUCKWILD. I can't remember the last show that made me laugh this much I am just constantly chimpanzee screaming at the screen Wasn't super sure at first because I was a bit "???" about where this was going in the first few eps but oh my god. It's def become a fav now. It's for sure meant to be a parody of itself/commentary on the entire mecha anime genre and all the tropes that it's loaded with but then the story actually gets interesting too. The TWISTS. IDK it just seems like they had so much fun making this Also, sentient robot characters yippee! (That stuff just seems to be super rare, I've always kinda wondered why, but it's like the mecha genre is allergic to the concept unless you go full into Transformers territory (which is its own whole thing at that point.) Like idk maybe I'm the weird one for loving that idea, but I do wish more of that existed outside of the context of parody or "for little kids" or whatever. Anyway I'll take whatever I can get on that front. I'm adopting all of these idiots) Cupiridas is my fav, Extremely Silly Guy. Kunus (Cunus?) is completely off her shits but I actually love that super wingy design. Pessimism has some really cool silhouette nonsense going on, can def approve of straying from the usual humanoid look. I could throw in some sketches of the main mechs (Bravern, Superbia) but they already get most of the fan art, so I wanted to doodle some of the others..

[secondbeatsongs]

Hello, you said in some tags in a poll that Speed Racer (2008) is your favorite film. If you’re okay with it, I’d really like to hear more about why you love it. I love the Wachowskis’ work (they’re among my favorite directors), but I kinda ended up bouncing off Speed Racer (2008). So, hearing that it had a real impact on someone makes me very curious why. I’m not interested in criticizing your opinion or arguing with you, I’d just really like to know why you love it in the hopes I might be able to enjoy that movie more in the future.

oh god this is from seven months ago, I'm so sorry - but I do love almost everything about Speed Racer (2008) and I still think about it nearly every day.

I love that it's so bright and colorful and absurd. I love that it's an anime in live action form. and I love that at its heart, it is a story about love.

it's about the mistakes people make out of love, and the consequences of that. it's about the way children grow to understand why the adults around them make the choices they do, and maybe choose to do the same things. it's about taking risks for the people you love, and the pain of failing to change the world, because everything is capitalism and everything hurts.

(and it's also about being transgender btw. like, that's one of the main things about it - it is very much a movie about being transgender)

what if your father's choices hurt your older brother, and your older brother's choices hurt you, and now it's you and your younger brother staring down a future where you're going to end up hurting him by making the same choice?

and then...what if you can escape that? what if the broken parts put themselves back together, and the hope doesn't run out, and you're not alone with the things that haunt you? what then?

and now you're at the end and mistakes were still made, people were still hurt, but everyone's grown and changed and they're different now. and they've figured out that maybe, just maybe, you can change the world by doing something you love, by creating art and beauty and making people feel things.

maybe you really can defeat capitalism by driving a car really fast. and even if everyone thinks you can't...don't you have to try anyway? shouldn't you fight with the skills you have, the only way you know how?

what if it works?

and I'm not even gonna get into most of the Racer X stuff (because I want people to go watch this movie, and most folks probably won't be spoiled for it), but his whole deal is just...everything. I love him.

(if there's a guy from Speed Racer that I want to put in a jar and shake every so often, or maybe wrap in a blanket so he can have a nice nap, it's Racer X. he's a great character. prime blorbo material)

anyway I've been rotating this movie in my head ever since I saw it for the first time, and I think I've seen it...seven? times now? and I still cry at the final race, and I still get blown away by the intro sequence.

(the beginning of the movie is genuinely one of the best things I've ever seen - it does an amazing job of introducing you to the world and the story of the characters, and gets you emotionally invested in it right from the start. it's fantastic filmmaking)

also like. story stuff aside, from a technical standpoint, the movie is a masterpiece. it's the type of thing that people hated when it first came out, but when you look at it now and see how it was made, how it intentionally looks bizarre and cartoonish, plastic and surreal, you can see the exact vision the Wachowskis were going for, and it's brilliant.

the way they did the visual effects, the way they made the outdoor scenes feel so detailed, the way the driving and the tracks work - they put so much thought into that, and the behind-the-scenes vids show how cool their process was.

also uhhh cars go vroom, crash into each other, flip upside down, explode, maybe have bees and hammers in them sometimes?

(the above is me complimenting the unhinged vibe of the races themselves, which I love very much)

anyway I could make other full posts about the script of the film and how much I love it, or the cool side characters, or the fanfic potential of the amazing world of the film, or how I can prove that it's set in 1991...but I guess if anyone wants those rants, they'll just have to watch the film and then come talk to me. :)

(please. please come talk to me about Speed Racer.)

so, yeah! I kinda lost my mind there and made this post way longer than I intended, but I do feel strongly affected by this movie, and I hope this has helped explain why.

[genericpuff]

I'm honestly amazed by how well you can imitate the LO S3 art style! Have you always been good at this sort of thing or is it a skill you developed due to your work as a tattoo artist?

ahhh thank you, but ima let you in on a little trade secret -

it's literally just referencing LMAO which is a valuable skillset to have! but one that I think a lot of folks tend to overlook because they think "learning to draw" means "I need to be able to draw everything perfectly from imagination!" Which sure, learning how to draw things without needing references might be cool, but it's ultimately not the sole defining feature of a "good artist" and I think there's frankly way too much emphasis put on "drawing without references" these days because it creates this unrealistic expectation of what an artist is. Referencing is part of the process! It's important! And it's a valuable skill to have so that you can actually grow your skills beyond your own limits! Referencing is as important to the process of creating art as research is to the process of writing, you can only produce so much new stuff if you're not taking in new stuff alongside it.

Though I use this skill a lot in tattooing as well, it's mostly rooted in my animation schooling which broke me out of the habit of drawing purely from imagination and taught me how to properly reference other material for educational purposes.

And I'm sure there are people in audience right now gasping at the fact that I simply cropped a bunch of different shots of Minthe from S3 and rearranged them like some surgical madman playing with body parts-

-but this is like, the actual majority of the process when it comes to learning other art styles and this process is taught as a skill in a lot of art schools because it forces you to draw what's there rather than what you think is there. This is the basis of master studies, to learn the techniques of other artists by trying to mimic them as closely as possible. Don't know what tools that artist used specifically? Try to recreate the work anyways with your best guess. Even if you only get close but not perfect, you'll still likely learn a lot along the way and may even develop some brand NEW techniques that weren't present in the original work you're studying from.

Imagination is necessary to the creative process, but it's only part of that process, you can't suddenly learn how to draw the way other artists draw through imagination alone because your imagination is limited purely by your own lived experiences. Our brains don't come pre-installed with these skills, they can't just magically unlock the capability to "do the thing". Just like how we have to learn to follow recipes as a means to becoming a baker or learn to read the alphabet to learn how to read and write, we have to learn how to draw what we see and reference the material around us if we truly want to expand our own innermost knowledge which will allow us to draw from imagination.

Here are some other examples of studies I've done, such as my attempts to learn the art style of The Doctor Foxglove Show:

As well as a background study from S1 of LO:

And of course here are a handful of the shitloads of studies I've done to try and "figure out" how to draw Hades and Persephone from S1 of LO:

Aaaand just for the fun of it, here are some completely non-LO studies, like the ones I did of Kazuma Koda's background work and Akihiko Yoshida's character designs for Nier: Automata:

And this sorta rotoscoped ??? animatic of Mitsuhiro doing the opening jig for Still Feel by Half Alive which is 100% not done and probably never will be LOL

I'm always progressively doing studies of both LO and other media in this way so that I can update my knowledge and continue to improve my skillset.

Though, despite my best efforts to mimic the original creator's style, works like Rekindled will always have my own stylizations present, as that's just an inevitable consequence of it being made by myself and Banshriek (and the fact that we just refuse to draw worse to look more like LO because jfc so much of LO's original art, even the stuff we love, is rooted in Rachel's trial and errors lmao), but that's a feature, not a bug :') <3

So the answer is yes, the Minthe S3 redraw was done through skills I developed over time, though not necessarily through tattooing, simply through learning how to actually practice properly beyond "drawing a lot". And you can too! Draw lots, but also remember that your brain isn't naturally just going to "get better" at whatever you're trying to achieve just because you really want to achieve it. I try to avoid the mantra of "just practice" because it oversimplifies what's truly necessary to learning - having something to learn from outside of your own imagination. If you don't learn how to practice properly, then you'll just wind up repeating the same mistakes and reinforcing the same bad habits over and over again.

All that's to say, if you want to learn how to draw like a certain artist, try and recreate their art for yourself ;0 (but like also please for the love of god remember that it's for EDUCATIONAL PURPOSES, I shouldn't have to tell y'all not to copy directly off other artists' work for your own because that's just deadass stealing lmao) I know this enters the ethical dilemma of tracing, and whether or not it's a "valid" way to learn, but there's a lot of virtue in learning through referencing other artists and building new skills through them. I'm sure folks will argue that it's a 'crutch' or 'training wheels', but that's all often being touted from the perspective that crutches and training wheels... are automatically bad things and aren't meant to help people ?

Like obviously if you want to create your own thing that isn't purely "living in the shadow" of the works that inspired you, you WILL have to make that leap into the unknown. But that leap's a lot less scary to make when you have a parachute.

[onelastskip]

reject canon, embrace delusion, the keyframes cast WILL PLAY D&D AND THEY WILL LIKE IT!!! (jokes, all love, so much love, I dearly love them and am happy with my headcanons blank house please don't hate me)

edit: i painted over some stuff the original is below still

context:

some rambly thoughts about keyframes and dnd below the cut:

you mean to tell me, Mr Percy Tozaki, lover of story based videogames, would not like DND??? Blasphemous.

Anyway between their individual lives and Deja's SGB duties, they don't have much time for DND, BUT WHEN THEY DO!!! it is so very lovely, oh I have so many thoughts on this,,,

Deja,,, my shining star,,, she would love dnd combat,,, I just know she's scouring the book and pulling off crazy combos and minmaxxing and subclassing and everything,,, can't even narrow her down to a class coz she'd be too good at all of them

AND PERCY!!! I hc him as playing a warlock coz personally I find them to have the,,, not the easiest,,, but like,,, when you run a campaign with a warlock you're basically required to weave their patron and their story into the main story,,, like in my opinion... so yeah they're the class for actually writing and playing out lore,,, plus they're just really fun to roleplay as,,, percy charisma spellcaster realness,,,

Jamie!!! We already know he likes mystery and convoluted magic systems and just all that stuff, he would have so much fun in dnd where the homebrew potential is endless??? IDK I just love ttrpgs so much a good GM can like just give enough stuff away to engage the players who are interested in learning about the world and still keep stuff hidden and and being able to improvise and oh my god I just love the genre so much,,, anyway I think he'd play a wizard or some other type of spellcaster

Cam!!! I just know they would have so much fun designing a character and maybe even,,, roleplaying??? perhaps,,, they do have a flare for the dramatic y'know? (the anime foam pit fight),,, idk just some thoughts,,, plus cosplay!! I could see them loving that,,,

Elio,,, oh my boy elio,,, now,, perhaps at first glance there isn't as much of a hook for him,, but y'know what I think he would simply enjoy being able to hang out with his friends and maybe his competitiveness would have him building his character in cool and unexpected ways idk,,,

now I do think perhaps there would be a bit of strife between the minmax combat group and the lore story group but this isn't real life so Chi can be an expert GM who's good at managing that stuff,,, okay? everyone's happy :)

Ahhh and I would've drawn Reynah but even in my delusions I know there's no universe where she has time to join a long running dnd campaign,,, it's the sad sad truth,,,

[centrally-unplanned]

Saw this really cool post of a 1982 "SF" (Science fiction but in Japan that included things like anime, manga, tokusatsu, etc at the time) magazine that did a survey of active fan groups/circles at the time - ~woo, precious data! Lets see what we got:

Love to see a good gender breakdown - as is often the case in these things, while it is of course majority men the number of women participating is very strong. You do notice the age imbalance there - many women in their teens and college-aged, but it drops off quickly. I suspect that this is primarily because this survey is right in the middle of the first wave of the "pop SF boom", where more approachable works like Gundam and new manga subgenres were rapidly growing the community. So the older cadre was more heavily men, while the new group is more balanced. However, this is the early 1980's - it might just be that when a woman graduates college she was expected to marry and "settle down" still, inhibiting participation in these kinds of groups. I think it is primarily the former, Japan had pretty rapidly changed in the 1970's and female creative types were commonplace by then, but I won't pretend the latter players no role.

The writing on this page just contextualizes the piece, not much to report, though it does note that "3 people replied 'other' for gender...as a joke!" Sure, jan!

Anyway, on to page 2, what is our poll question of the day...

ロリコンについてどう思いますか? What do you think about lolicon?

....*siiiiiighs* guys I didn't, I didn't look at the second page before typing this up! I just wanted to report the gender data! This just happens to me, I swear -_-

But I can't back out now I guess:

It actually splits the question by gender - men are asked "are you a lolicon" while women are asked "what do you think of guys who are lolicon" - sexists, way to erase the female lolicon. Not actually joking there, it is a quite a thing due to its overlap with rape and dubcon fetishes - but I won't pretend I have expertise on the prevalence of that in 1982 Japan's SF community, even if it you see it today. Anyway, most men are not lolicons (the tallest line), though others fall on a spectrum from interested to "graduated", certainly a choice of words one could make.

Funnily a good dozen say they are called that by others, but not themselves - I believe that is related to the vague line between loli & shoujo aesthetics at the time. Which is important to emphasize, as I always do on this topic - sometimes the word lolicon just means "youthful" or "cute", sometimes it means like high schoolers, and sometimes it means real-deal underage stuff, and you won't know without context.

Meanwhile two women label lolicon men as "cute!", good for those two living their truth, while others are broadly tolerant but have Opinions. Which is fun, because the rest of the page is people sharing said opinions, sorted into "good" or "bad"! Some choice ones:

��� It's a symptom of modern civilization’s sick parts, but also an inevitable phenomenon. It’s better than having a rabbit or cat complex. Don’t lay hands on young girls. Lolicon must remain platonic. (♂/19/)

You see this theme a bit, "symptom of modernity", the new sexual fetishes are a product of a changing world. Certainly up for debate, but also very "in vogue" for the 80's & 90's to worry about that sort of declinist narrative. Then again, guy is a catgirl and bunnygirl hater, not sure we should listen to their shit taste.

On the flip side you get the "natural way of things" types, of which this is my favourite:

★ There’s nothing abnormal about having a dream involving an uncontrollable urge towards pre-teens. Even Romeo and Juliet would have made Romeo a lolicon given Juliet’s age (14), but people don’t think of it that way. Only at that age can girls love and respect men without ulterior motives. (♂/19/)

That last line, you are telling me so much about you with that one!! You can see how this is discourse, right? Like if one side says you are a "symptom of modernity" you ofc respond with "this is how all guys are" and with callbacks to traditional culture.

The "bad" side has a lot of ruthless condemnation, with more than one call for the lolicons to simply die or labelling them worthless scum. The magazine's writers do try to keep the tone breezy but I do think this topic being actually contentious in the community pokes through here. Though this serious one really did undercut herself a bit at the end:

★ I can understand why one person of the same gender might feel admiration or affection for a child or young girl, but for a man to only be able to love much younger women? That’s a mental illness! If they aren’t willing to fix themselves, they might as well die. They’re enemies of women. It's not going to turn out like Nabokov's Lolita. (♀/20s/)

I mean they did also kill jesus Humbert Humbert in Lolita. that was a pretty significant thing that happened. like i understand where you’re coming from here but they very much did kill the Lolita guy.

There is an editorial at the end, and it echoes something one of the comments also states; that the lolicon boom was seen as coming from "hard" SF fans, the people who did the really nerdy stuff. There is a word they use actually which is neat: 根暗/Nekura, meaning someone with a "gloomy root". It began seeing use as a slang for hyper-serious, boorish people in the late 1970's and became a fad to use in precisely 1982 - here is a live record of that! They associate "hard SF" fans with these sort of gloomy types who can't take a joke or appreciate hanging out with the buds at a bar, that kind of thing. From there, and here I am reading between the lines, these fans like a sort of "idealistically sterile" world, and lolicon as a preference (in comparison to Real Adult Women) flows naturally.

I mention this because astute readers might be going "oh, like otaku?" and that word was only just buzzing around at this time - it is typically dated to 1983. The editorial writers note that these nekura-types are nowadays proud of that fact, wearing it like an identity:

A: I’m not really sure why, I don’t fully understand the inner workings of the SF world, but it’s like, out there, hardcore SF fans are considered gloomy. Maybe that’s why there’s this connection to lolicon? B: But surprisingly, everyone’s actually pretty cheerful. In today’s world, the 'dark and gloomy tribe' is trendy. It’s like they’re enjoying calling themselves gloomy, almost as a fashion statement.

So yeah, I can totally see proto-otaku discourse going on at the edges here.

There is a third page but it continues in a similar vein. A bunch of mentions of Hideo Azuma, who I am growing increasingly convinced was more of a lodestone for the lolicon boom than is currently appreciated - he is the ur-reference everyone makes. More discussion of girls in sailor uniforms as a gateway drug, yeah yeah, "is fine as long as its fiction", of course of course, one of the magazine editors remarking he wants "a wife for practical uses but a daughter as a pet" yeah okay we can call it we're done here, no more survey data anyway.

Not the topic I expected to find, but still this is really valuable "primary source data" - you can't trust the literary class fully on these things, having first hand quotes from community members on otaku culture in the era is always valuable.

Sorry if you got tricked into reading this - in my defense I did too!

[crumplstiltskin]

i love ur aus! your interpretations of the relationship dynamics in new ways that still feels true to the characters is really cool- take supernatural crazy stuff and making it fit in a more normal dynamic can't be easy.

do you have any opinions on how sukuna or choso get along with wasuke? (and do sukuna + choso both privately think of themselves as The Oldest Brother, or is one of them a middle brother?)

hey!!! thank you for sending this. i take it as a really big compliment ! i get very particular about that kind of thing so i'm glad it reads the way i want it to.

i'll answer this in the context of my aus. depending on the au there are minor differences though! and i hope you don't mind if i yap a little bit under the cut!

the most important part of this question is how wasuke's personality would mesh with them respectively so it's important to first consider what type of person wasuke is and how he would engage each of them. besides his appearances in the manga/anime we can deduce some of his personality through yuuji (how he was raised, his conduct, etc).

wasuke seems to be very even-tempered, family-focused so i think choso would get along the most with wasuke. choso is very gentle at heart and also family-oriented himself so wasuke would think highly of choso who is very outrightly passionate about it. wasuke himself doesn't seem to be overly affectionate physically or verbally but we know that he cared deeply for yuuji. choso being sort of the opposite way complements him well, at least in the context of caring for yuuji and i see him appreciating choso for making up for perhaps what he would consider his own limitations. wasuke would probably find it embarrassing but as a grandfather who loves his family he would be grateful for having choso in their lives.

sukuna and wasuke would clash more but not to the point where there is any real tension. i think they would bicker a lot, but only because they both seem like the stubborn type....probably share other personality traits too...idk..i feel it in my bones (and tbh in normal peoples au sukuna had a weird edgy phase where wasuke found him cringe af and he never let sukuna live it down 😭). in unckuna au and 12 years au they would both be very involved in rearing yuuji so they'd have long discussions about things after yuuji went to bed or something so this gives them a purpose to get along. not saying that sukuna wouldn't get along with him but to be completely honest sukuna is not the type of character to really care about much beyond himself. so they're like coworkers........but the work is yuuji. sukuna would respect wasuke out of principle (principle being he is an elder, he is his father/grandfather) and wasuke expects that from him, the end.

but knowing people like wasuke, neither of them are getting praise from him no matter how well they do or how much they impress him lol. he will tell them off immediately if they do anything wrong, and is not the type to say pretty words. if he wants to be nice to them he'll probably show it through action though; he'll go out of his way to buy their favourite fruit ("i got x today at the market, peel/cut them up for us"), drink tea and have snacks in the same room instead of sitting on the porch alone, things like that.

about the birth order...i think that's complicated. in normal peoples au i usually consider choso the oldest by a couple years (kaori's child from a past marriage or an ex). if it's the cousin choso au (where kenjaku is kaori's brother) he's around the same age as sukuna give or take. in sorceror au where he is a death painting choso is the oldest by far but sukuna won't acknowledge him as family for reasons (usually infantile and superficial) 😭😭😭.

in most aus sukuna kind of looks down on him for not looking like them and/or for not being human, and in most aus choso is not interested in sukuna beyond asking him to stop being mean to yuuji. almost writing off sukuna as yuuji's brother at all. almost... if it's any uncle au it's harder for him to ignore that i think...choso respects his elders...unfortunately...(he secretly thinks ill of sukuna in his head).

[hotdaemondtargaryen]

EWAN MITCHELL TALKING ABOUT AEMOND TARGARYEN IN EPISODE 3 FOR VULTURE MAGAZINE.

I CAN'T REMEMBER THE EXACT WORDING, BUT I REMEMBER SEEING SOMEONE POST A GIF OF PRINCE AEMOND'S SAPPHIRE-EYEBALL REVEAL AND SAYING, "THIS IS THE MOST ANIME-LOOKING MOTHERFUCKER WHO HAS EVER APPEARED ON A LIVE-ACTION TELEVISION SHOW." THERE'S AN OTHERWORDLY AIR TO HIM.

"So much of the work is done through the costume and the long hair and the eyepatch — because of the talents of makeup designer Amanda Knight and our costume designer, Caroline McCall."

"By taking one look, you can make a rough assumption that he’s probably going to be the bad guy."

"But for me, bringing that otherworldly texture to Aemond, I never watched Game of Thrones, because I wanted to present something fresh."

"I drew on other aspects of pop culture, with ’80s horror icons like Michael Myers: a character who walks so slow but always catches up to Jamie Lee Curtis."

"Aemond hijacks the show and turns it into a horror sequence in the skies above Storm’s End at the end of episode ten of season one."

"It’s this idea of inevitability, something more like an energy as opposed to an actual human being."

"That’s the image Aemond wants to co-opt, that he’s godlike. He operates on a different plane."

"It comes from that cold exterior he’s cultivated over the years, down to the sapphire stone in his eye socket. You don’t know what is going on behind his eye."

THERE REALLY IS SOMETHING VERY "FINAL FANTASY VILLAIN" ABOUT HIM: ELEGANT BUT FIGHTENING.

"You don’t know what he’s thinking."

"People who sit back and smile, don’t say much — they’re the people whose brains you want to pick, but at the same time, you don’t know where you stand."

MY FAVORITE AEMOND MOMENTS ARE WHEN YOU DO GLIMPSE HOW HE FEELS. IN THAT CHASE SEQUENCE ABOVE STORM'S END, AEMOND IS REALLY UPSET WHEN HIS DRAGON KILLS LUCERYS VELARYON. IN THIS SEASON, HE TALKS TO THE SEX WORKER HE'S BEEN SEING ABOUT HOW IT GOT TO HIM.

"I agree. Between episodes seven and eight of season one, he’s manufactured himself into a weapon."

"He possesses this code that stops him from ever being hurt again, like he was as a kid."

"He has to be seen as this bulletproof, untouchable, ethereal presence no one can grasp."

HE BRINGS UP HIS CHILDHOOD IN THE BROTHEL, TOO — HOW HIS BROTHER AND HIS YOUNG UNCLES USED TO PICK ON HIN FOR BEING DIFFERENT. IS ALL THAT IN THE BACK OF YOUR MIND EVEN WHEN YOU'RE DOING THE COOL, SAPPHIRE-EYE STUFF?

"Yeah. It’s partly down to seeing the young Aemond actor, Leo Ashton, in episodes six and seven of season one: the boy underneath the veneer."

"This kid was bullied day in and day out for not having a dragon egg like the rest of the kids in the family. He recognized very early on that he was going to have to go out and get what he wanted."

"I always carried that around with me in season two."

"So he ended up claiming the largest, baddest, oldest dragon in the known world in Vhagar. She’s so enormous, she can’t fit within the confines of any castle wall. Aemond is able to identify with that."

HOW SO? THE BULLYING DIDN'T MAKE HIM FEEL SMALLER?

"It’s the story of the underdog. I have this theory that it’s not so much the person who claims the dragon, it’s the dragon who claims the person as well."

"I don’t believe Vhagar is someone you just stumble upon."

"Although Aemond had to seek her out, she must have seen something in him that he himself hadn’t seen yet."

"Aemond’s the kid who held on. When he realized he wouldn’t get a dragon egg like the rest of the kids, he held on."

"When he was bullied for being different, for not having a dragon of his own, he held on. And when Vhagar took off over the beaches of Driftmark in episode seven, he held on tighter than he’d ever done before."

"I don’t know if any of the other characters would have held on as strongly, because they were gifted dragons when they were kids."

"It’s a tremendous feat of courage to approach Vhagar."

"That’s one of Aemond’s redeeming qualities: He possesses a drive."

"Maybe that kid is still underneath that manufactured exterior."

I WAS HONESTLY SURPRISED TO FIND AEGON AND HIS BUDDIES STILL BULLYING AEMOND DURING THE BROTHEL SCENE IN THIS EPISODE. HISTORICALLY, BULLYING AEMOND HAS NOT WORKED OUT VERY WELL FOR PEOPLE.

"Aegon catches Aemond in a vulnerable spot."

"Picking up the script for the first time and seeing those brothel scenes in episode two and three, I saw a brilliant opportunity to offer a rare glimpse of his vulnerability."

"You only ever see him in his Targaryen blacks, so to see him in that world — not only that, but then humiliated by his brother — is quite shocking."

WHEN HE GETS UP AND WALKS OUT WITHOUT BOTHERING TO DRESS FIRST, SO SURE OF HIMSELF EVEN IN THE FACE OF THAT HUMILIATION, HE SEEMS SCARIER TO ME THAN WHEN HE'S RIDING ON VHAGAR.

I love that line from Michael Mann’s Heat, when Bob De Niro’s character says, “Don’t let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner.”

"That’s the code his character utilizes so he’s able to maneuver around this world without getting caught by Al Pacino."

"Aemond has a similar code that stops him from being hurt like he was as a kid."

"That’s why he’s able to walk out on the madam in that scene."

"He’s humiliated by his brother and all his crew, and it’s like this switch flips. The madam is no more."

"All of these people in front of him? They mean nothing. He stands up, he owns it — Yeah, I’m bulletproof. Anything you say, it will not work. Like you say, it’s scary."

A LOT OF COMPARISIONS ARE MADE BETWEEN AEMOND AND DAEMON, BUT THAT'S A BIG DIFFERENCE: DAEMON GETS INTENSELY ATTACHED, WHETHER TO HIS LATE BROTHER KING VISERYS OR TO HIS NIECE AND WIFE QUEEN RHAENYRA. WE'RE SEEN HIM LEAVE DIFFICULT SITUATIONS, BUT HE STORMS OUT, HE DOESN'T GLIDE OUT. THAT'S AEMOND.

"One hundred percent. You rarely see him lose his cool."

"As soon as you start raising your voice and shouting, you lose the power."

"It’s not to say Aemond isn’t as angry as everyone else behind the smile. He probably is. But he’s able to keep a lid on it and channel it in different ways."

IT'S ALSO A NUDE SCENE, AND I HAVE A FEELING YOU'RE ABOUT TO GET A REACTION AT A VOLUME FEW PEOPLE ON THIS SHOW HAVE SEEN BEFORE. DID YOU HAVE THAT IN MIND WHILE SHOOTING IT?

Mitchell says that the dragon-rider’s display, a topic of much discussion between himself and the creative team prior to filming, was a move “encoded in Aemond’s DNA” — a shock tactic designed to demonstrate that this once-bullied boy will never allow himself to be chastened again.

"Scenes like this start with a conversation about how far you’re prepared to go. It wasn’t a choice we made lightly."

"But it’s true to Aemond that he shocks the audience."

"Weakness is not part of Aemond’s vocabulary."

[awkness]

Some Ben headcanons (the character from serial killer! platonic! yandere older brother story) bc I'm procrastinating writing the final chapter <3

Content Warnings: talks of murder, animal death, child abuse, manipulation, isolation, kidnapping, emotional dependency, and general yandere behavior

He would never admit it, but he wants your approval badly. So much of his life revolves around you, and to have you upset with him makes him feel terrible. Like soul crushingly terrible. He would do anything to get you to not be mad/upset with him

But at the same time, the fact that you hold so much power over him absolutely scares him. He loves you and they way you can bring out the more human parts of him, but hates how vulnerable you can make him feel. The very thought of you getting hurt/leaving him/or just plain not paying enough attention to him is enough to make his skin crawl

He copes with this by taking an incredible amount of control over your life, often through the use of manipulation. Suffering from paranoia and early signs of agoraphobia? It's sad to see you upset, but if it keeps you in the house, then it wouldn't hurt for him to enable it. After all, you can't leave him if you're always home! You want to go into the basement? That's just silly, you'll only spook yourself, besides, you have no business down there anyway. Leave all of that stuff to him. You want to make a new friend? Well, he won't ever say no directly, he may even encourage it. He'll even be there to comfort you when they inevitably die leave, reminding you that friends will come and go, be family is forever.

He will use force to keep you with him if necessary, but only as a last resort. So much of his identity is based on his concept of being a good brother, which was shaped in his early years to contrast his father's behavior. To him, it means being supportive, unconditionally loving, dependable, in control of his temper, and above all, non-violent to those he loves. Doing anything that breaks these rules of how a good brother should behave would send him down a spiral of self doubt and hate as he wonders if he's truly any different from his father, or if he's doomed to end up like him, a lonely bitter man with all his family hating him. This will usually end with him flying into a rage, which he'll take out on whatever poor victim he can pick up off the street. By the time he's done killing, dismembering, and disposing of his latest victim, he's cooled off enough to address the problem in a more rational manner

He had a very stereotypical start to his serial killing. He was (and still is) an outcast who had a difficult time emotionally connecting to his peers because he simply couldn't relate to them. One day, he killed a stray animal and realized he felt absolutely nothing over its death specifically, but felt panic over if this act of violence meant he was like his father or not. So, he did everything he could to keep himself from harming/murdering another living being. But an obsession with death/murder began growing in the back of his mind, especially as he was forced to deal with his father's abuse constantly. One day, it all reached a boiling point, and he decided to kill his father, and it was such a thrill for him. He decided that it was so exciting, that he should kill another. And then another. Until it became a habit. Whenever he felt the urge, he would go out at night when reader is asleep and pick someone he thought no one would miss to kill

The reason he's so attached to reader is because he was pretty much forced to raise them. In the beginning he wasn't really thrilled, and a lot of the raising in your early years was actually done by your mom. But she was pretty emotionally negligent, and your dad was a shit show, so that left only Ben for you to seek out for love and comfort. He would never admit it now, but that used to annoy him so much as a kid. But he also knew it was more work to leave you alone as you would cry for him to come and hold you and play with you, so it was easier to play along

As time went by, he began to notice how happy you got when he walked into a room, how excited you sounded when you said his name. He could do just about anything and little you would be over the moon, taking about how amazing he is. You were the only person in years to hug him and say I love you. He increasingly became dependent on you and you on him, becoming each other's sole force of familial love and emotional validation. So much of what he does is to get you to continue to look at him with the unquestioning and unwavering love like you did as a child

If you were to ever say you hate him, he would be distraught. To him, hearing that would be nothing short of pure, raw pain. It would be a blow to his self-esteem, and he would be scrambling to try and find a way back into your good graces, and there's very little he wouldn't do just to get your approval again, whether thats by giving you expensive gifts or manipulating you into apologizing. He would pretty much be acting like a kicked and lost puppy until you said you were sorry and told him you loved him again

If you were to ever leave, he would be absolutely devestated. One moment he's feeling this soul crushing emptiness that has him unable to function, then he's going into a blind rage because you're his sibling, how dare you leave him? Why would you betray him like that? Didn't he take care of you and love you? Wasn't he good enough for you? There will be times he'll be dissociating so badly he'll lose hours and not be able to remember them. And in between all that, he'll be hunting you down whenever he can. The only thing that could make him stop is if he were dead

Speaking of dead, if you ever died that would absolutely break him lol. Like his entire personality would be broken down and he would have to spend years painstakingly trying to pull himself back together and rebuild his concept of self in order to be half as functional as he is now. Buts that's only if he wants to try and move on from you, which I have my doubts on. Most likely it'll get to the point were he becomes so consumed by his grief and lost sense of self that he just says "fuck it" and kidnaps a look alike to take your place. Deep down he knows it isn't the same but at this point he's mostly managed to delude himself into believing that this is the same as having you around. Well, that is, until your look alike does something that doesn't align with his perception of you and he has a breakdown over it. He might end up killing the look alike in a blind rage, which brings a whole other level of pain and grief to the table (until he kidnaps another look alike and deludes himself into believing everything is fine again lol)

[superb-fox]

I wanna talk about how Sousou no Frieren treats heroes and demons, because in my opinion it's masterfully done.

We really only learn about one hero, Himmel. Sure there's the Hero of the South but what do we really know about him besides he had future sight and he died? I'll focus on Himmel. I think what sets Himmel apart is how he acts, in typical hero stories they're portrayed as kind, strong, willing to do what's right, all that nice stuff and while I do think those are good traits for a hero, Himmel is shown differently. We almost never see him fight, every time we see him it is in relation to an action he took that influenced people for the better. He takes on countless detours and quests because he can't turn down people in need, every where he goes he's doing good, when people talk about him they never talk about how strong he was or how cool he was it's always about how his act(s) of kindness changed their lives. They're happier, better people because he came through their town. He changes everywhere he goes for the better because of who he is and how he acts. He quite literally changed the world not because he killed the demon king, but because everywhere he went he improved people's lives, and those people because they are better change more people's lives and it spreads and spreads and spreads until the world is better. From random towns people to our main characters, everyone is better because of him. Look at Frieren for example, a complete stoic who before Himmel just was living her life in the woods doing whatever. But after? She takes on an apprentice, travels from place to place continuing the good Himmel did, she learned so much kindness from him in the relatively short time they spent together. Pre-hero party Frieren would have gone to a town, blended into the background, and moved on. But now? She's taking on quests, helping people, and making lives brighter. Why? In her own words it's what Himmel would have done. Fern owes her life to Himmel despite never meeting him because Heiter took her in because that's what Himmel would have done. Frieren looks after her after Heiter's passing because that's what Himmel would have done. Think of all the good she's doing traveling with Frieren just because of that! It ripples outward forever because of a great hero's influence. In other words, he's not a hero because of his great feats or his power, it's because of who he was and that's how you write a truly great hero. 

Now let's talk about demons. People with third grade reading comprehension have made the comparison to real life peoples. That the text is saying that demons being just an irredeemable evil race is racist and compare it to how in real life people do that to justify genocide, but this cannot be further from the truth. Demons in this world are an offshoot of humans like elves and dwarves are. They're similar enough to look like humans, speak like humans, their magic is something special to them but similar enough that with study humans can use it just as well. However demons are truly the farthest thing from humanity you could be. The best way to describe them is how when you see two animals that look so similar but they're in entirely different evolutionary families. How a rabbit and a hare look similar but are so SO very different. Demons are closer to animals in that they do what they can to survive. They trick, they deceive, they hunt. These are not evil things, this is nature. A lion is not evil for hunting in packs to eat one antelope, a bird is not evil for walking a certain way to imitate rain and attract a worm. However when it's applied to something that looks and acts so incredibly human it can be seen that way. The lion ganging up on someone is not a fair fight, the bird is lying to and tricking the worm, these are absurd statements. Demons are a divergent evolution of humanity that cannot comprehend the traits that make us human but will use them to hunt us. They do not understand malice or bonds or guilt or love, they are solitary beings that understand power and magic. They biologically cannot understand it, them learning these emotions is like if a cat suddenly sprouted tentacles, it just can't happen. But because they lack the very traits that make us human while looking so human, they appear evil to us. How could something so human-like act so inhuman? Perform such evil acts without a seconds thought? But they're not evil, they can't even understand evil. Them using maternal love to have someone drop their guard and become easy prey is such a basic thing like waking up in the morning they cannot comprehend why people think it's bad. The problem isn't that one is evil and one is good, it's that evolution set these two species on such polar opposite courses that they truly can never understand each other. Yet they're still so close that there's always that feeling of that things could be worked out, that these two peoples can co-exist, but it is just biologically impossible. And that's tragic, that's heart breaking, for one species to exist peacefully the other must die. These beings so close to us yet so far must die. There's no way around it, no negotiating, no compromise, evolution and nature have played this sick dance to pit these two brothers against each other and it absolutely should hurt your soul, but it must happen.

[liquidorcard]

Okay, I need context— WHAT did Mikaila trace??

I think she's traced a few things. I kinda thought this was common knowledge she does this, lol.

But the example I saw was a frame of clay face from the Harly Quinn show?

I thought Essence of Thought drew this one, but maybe it was Mikaila? I don't know.

Tracing discourse is more of an art hobbiest thing. Not really something people who do it for a living worry about. The issue with tracing is that if you do it instead of learning anatomy, rendering, the design fundamentals, etc-- you're just never going to improve.

But like, if you're working as an illustrator, animator, graphic designer, concept artist, etc. You need to know these things.

Photobashing is a very useful skill when you're a professional artist. It's basically like, high skill tracing, where you're rendering directly over/incorpating reference directly into your image. Here's an example, this concept art for Resident Evil Village is photobashed, and that's pretty industry standard:

You can see the photographed elements have been integrated directly into the painted elements.

There are deadlines to be met, prints to go out, and finals to get delivered. Especially with concept art, that's just preproduction stuff, it's really not the time to lovingly render every single aspect of something you're client or project manager's going to make you redo 3 million times, if not totally scrap to go in a different direction.

Photobashing is a cheat you need to have all the skills required to render, paint or draw something properly already to do right though. You need to be able to match lighting, perspective, scale, etc. Or else you'll get fired for being incompetent and handing in something that looks like a bad photoshop job.

I wouldn't photobash while I'm painting on my own personal time because, like, why am I painting just for fun at all at that point, but. It does take longer, however.

Doing figure drawing exercises and studies are also really important to keep your abilities sharp-- it's like an art workout. Tracing or photobashing those defeats the purpose.

Honestly, I really don't care if hobbiests trace personally. If they get that they won't improve and they're okay with it, who am I to poopoo on what they do for fun?

Mikaila charges way too much for her commissions given her skill level, but. Like, you can just tell Mikaila is very limited in her abilities, so . . . You know, it's not really false advertising? It's hard to fake being a better artist than you are, lol. You'd have to be stealing art and impersonate a real artist to do that.

I think hobbiests see tracing as a sort of "stolen valor." And, yeah, it's a little funny to me if Mikaila is in her 30s and trying to hide how she does her work, but. Unless Mikay starts trying to pass someone else's work as her own to scam people, I don't give a shit, personally.

I don't want to bully here in a way I don't think is cool, but like, look at this. Look at the mismatched perspectives, anatomy and styalization. I'm kind of shocked anyone can't tell this is all traced:

[kerubimcrepin]

Wakfu Manga - Tome 3, Part 1

[looks at the cover art where he's doing literally nothing] I'm insane. I',m insane.

He likes to stay in the shadows but didn't hesitate to help.....

He likes the brotherhood of tofu so much that it overpowers his rational thought and social anxiety.

Not Joris being drawn with Shojo Sparkles around him. I bet he thinks he looks so cool. LOSER!

The sad thing is that,,,, he does look cool. His cringe charm works on me.

He looks so tense-yet-chill... fgjdfg.

The thing about Joris is that he is 600 and there's very little in this world that actually makes him feel afraid for his life. Though intellectually, he knows that he probably should be scared shitless.

Don't worry though, he is about to feel some capital-letter-f Fear.

I do think that when it's not just him that's in danger, he gets a bit more anxious.

HE LOOKS LIKE A BUG. @dullard anyway hey your pfp.

Pictured: pack of wild animals.

Joris trying to comfort Ruel by putting a hand on his shoulder and saying, "No, let Yugo cook with this one. I think he has a point. We should cross the ravine."

He's so emotionally constipated.

DFGSDFGAKSLDGDIFJAOISDFJSADLKGHSA;LGASDFGHSJFGHSDFUGSHDFJGVHSDNFGJSHRDGJVLKDFHGSUFGHDFJKGHSDJFG

"Very nice flight, Ruel." said with a blank expression of terror.

They keep asking him this stuff and he keeps not knowing anythinggg. And it's funny every single time.

"Ruel, try dodging the rocks."

I don't know why he's so funny. He's so fucking unemotional it's actually insane.

The way Joris stammers here...

He went from knowing shitfuck about cracklers, mostly being useless during the fight save for one moment, holding onto the train somewhere offscreen for his dear life, saying "CAN YOU TRY DODGING THE ROCKS", to still being alive.

He's probably,, dissociating by now. fsjdkgdf

LEGENDARY Joris moment.

He's so cute... So excited to fish together with Yugo... And the way he casually calls him "Master".

Some important things to know about Joris is that he is petty and hypocritical. YES I believe he's known Eva and Amalia since they were kids, YES I think he cares about them in some way... but I think he likes Yugo more.

Simply because Yugo won't die that fast. He's worth spending time on. He can be a mentor to him ("do as I say, not as I do"), he remembers what it was like — living, spending time together with Lilotte and Simone, and knowing that he was going to outlive them. Knowing that he was going to have to outlive everyone else. And, his childhood ended at 10, while Yugo's ended at 12.

He can't help but look at him and think these things.

I think Joris doesn't exactly look down on mortals, but instead has something much more mentally ill going on there. He can't allow himself to care about people like Amalia and Eva.

The way he looks at Ruel's fishing rod... fjgsfg.

It's so difficult to have relationships with people who aren't childhood friends or his uncle and dad. He can barely talk, or come up with any way to get closer together. So the best way he knows is gift-giving.

A very brief moment of vulnerability, and then —

A casual lil shrug. He's insane. He wants them (especially Yugo) to ask questions so bad. dfgjdkgsfd

And also, OF COURSE Amalia and Ruel know of Khan Karkass! Nerds...

He dropped this lore so, so casually, and then did not elaborate. The true Joris Jurgen approach to building friendships.

Ruel can't count </3 it's 600.

[puts on tinfoil hat] I think Joris is feeling mixed emotions. On one hand, this is Yugo, and Yugo loves his gift. On another hand, he just gave away one of the remaining pieces of his friend. Was it the right choice? Is this worth it?

casually sticks his pinky out like a princess, looking like he is going to have some sort of violent episode.

THEY'RE SO CUTE... THE FRIENDS.

Begging him to stop talking and acting like a beautiful damsel from a castle.