#like we're sharing different things we love that share a similar thing.........

[cry-stars]

Sharing my Kiibouma propaganda here!!

While Kokichi teases Kiibo all the time and Kiibo reacts negatively, it's shown as being in a comedic way, something like a bokke/tsukkomi pairing. Kiibo has agency, and if he was very bothered by Kokichi's teasing, he wouldn't spend so much time with him. This is also shown when Himiko makes a "robophobic" comment towards Kiibo in one of the later trials, and Kiibo responds, "I don't think we're close enough to be cracking those kinds of jokes with each other," implying that he doesn't mind so much if it's someone he's friends with.

I understand if people dislike the teasing, it can get pretty harsh, but even if Kiibo gets upset, he never stays upset, and continues to spend time with Kokichi. It's not an abusive ship. Any ship involving Kokichi is going to be Interesting, and Kiibo definitely takes his quirks in stride.

Another interesting point regarding the teasing is that it nearly always happens after Kiibo says something related to him being either human or a robot, and Ouma viciously points out how he's a robot and different from a human. At the end of the game, Kiibo acknowledges that he was trying to be human, but realizes that he wants to use his power as a robot to save everyone. As Ultimate Supreme Leader, Ouma shows a lot of mastery over reading people and situations. It could be that Ouma was able to understand Kiibo's true feelings about being a robot, and was, in his own prickly way, trying to push Kiibo towards the conclusion that he would eventually come to in his own heart: learning to accept himself for who he is and fully appreciating his talents as a robot.

While Shuichi and Kaede are the player characters of v3, Kiibo was the "audience surrogate," and has many similarities to Makoto Naegi in both design and in his beliefs about hope. Because of this, you could see Kokichi as being the rival to Kiibo's protagonist. They are frequently seen together, have contrasting colour palettes to make them look visually interesting together, and most importantly, interact frequently.

The thing that makes them the most like a protagonist/rival ship, and what maes them very compelling to me, is when I compare them to Komahina from SDR2, which is much more textually supported. Komaeda does many bewildering and upsetting things, but even when Hinata is angry and upset by them, he never gives up on trying to understand Komaeda's point of view. Kiibo treats Kokichi the same way. While others, including Shuichi, give up on trying to understand Ouma after chapter four, Kiibo is the only one to try to talk to Ouma after he's holed himself up in the hangar. He also believes that Ouma's dying words could be trusted.

Most of all, in worlds without killing games, Kiibo genuinely considers Kokichi to be his friend, according to Ultimate Talent Development Plan. He decides to "re-examine his view of" Kokichi, stating, "Though I can't trust your words, I do trust the three years we spent together as classmates. So the truth I choose to remember is that we are--and always shall be--friends." By doing this, Kiibo shows more understanding of Kokichi than most other characters in the games. Kokichi's words can't be trusted, but his actions can be.

I ship Kiibouma because their interactions make me laugh, and because I love how they work to understand each other! In happier worlds without killing games, they are friends who argue in a friendly way. I love their comedy but also the deeper ideas that lie beneath the surface. They're an underrated ship that is often maligned as being abusive, but if you are able to accept the teasing as comedy, it's such a fun ship.

Danganronpa Shipping Battle - Round 1

Kiibo & Kokichi: C’mon guys Kokichi and Kiibo interact so much in the game they’re literally found in the same room at the beginning Kiibo is the ONLY ONE who tried to reach out to Kokichi in chapter 5 to talk things out they’re in love your honor

[inkedmyths]

Me: I have several art projects I've started that I need to finish

Brain: Oh oh! New idea what if we did this

Me: no stop

Brain: OHHH and we could even make it a series of similar drawings

Me: nooooooooooo

[cowardstiel]

i think it should be mandatory that everyone watch The Social Dilemma at least once every six months

[tarotwithavi]

Venus in houses

Venus signifies love, beauty, relationships, art, aesthetics, and harmony in astrology. It also represents how we express affection and what we're attracted to.

These post are general and won't resonate 100% because we have to consider other aspects too.

For entertainment purposes only!

Venus in the 1st house

People with Venus in the 1st house tend to be naturally charming and attractive. They have a friendly, approachable vibe that draws others in. People often find them physically appealing, even if they're not aware of it. These individuals have a certain grace and poise about them. They carry themselves with elegance and may have a good sense of fashion and style. They know how to make a positive first impression. Venus represents beauty, and when it's in the 1st house, these folks have a deep appreciation for all things beautiful. They may have a keen interest in art, fashion, or design. Socializing comes naturally to them. They enjoy being around people and are often the life of the party. They make friends easily and can adapt to different social situations with ease. Relationships play a significant role in their lives. They are often focused on creating harmonious and loving connections with others. They may fall in love quickly and enjoy the romantic aspects of life. In conversations, they tend to be diplomatic and tactful. They have a way of saying things that doesn't ruffle feathers, which makes them excellent mediators in conflicts. People with Venus in the 1st house are generally well-liked and popular. They have a magnetic quality that draws others to them, and they can often get what they want through their charm and charisma. Many of them have artistic talents, whether it's in music, visual arts, or any other creative endeavor. They may find joy and fulfillment in expressing themselves artistically. On the downside, they may have a tendency to indulge themselves a bit too much. This could manifest in overeating, overspending, or other forms of self-gratification. They often have strong preferences when it comes to aesthetics. They know what they like and don't like, whether it's in their home decor, clothing, or personal grooming. They value harmony and balance in their lives. Disruptions or conflicts can be particularly distressing for them, and they may go to great lengths to restore peace. Their personal values are very important to them. They are likely to stand up for what they believe in, and they seek partners and friends who share similar values.

Venus in the 2nd house

Having Venus here often means you appreciate the finer things in life. You might have a knack for making money and enjoy spending it on beautiful stuff – whether it's a fancy car, a stylish wardrobe, or a cozy home. You're likely drawn to luxurious and high-quality items. Quality over quantity is your mantra. You'd rather have one exquisite piece than a bunch of cheap stuff. Venus in the 2nd house can bring a touch of charm and grace to your financial dealings. People might find it hard to say no to you when you're asking for a loan or negotiating a deal. Your values play a significant role in your relationships. You're attracted to partners who share your values, especially when it comes to money and possessions. Harmony in these areas is important to you. You tend to be generous with your loved ones, showering them with gifts and treats. It's your way of showing affection. You usually have a good sense of how to manage your money. Financial stability is essential for your peace of mind, and you work to achieve it. Venus also rules beauty and art, so you might have a keen eye for design and aesthetics. You could excel in professions related to art, fashion, or interior decorating.You find pleasure in the sensory experiences of life – good food, beautiful surroundings, and physical comfort. This can also extend to your romantic life, where physical intimacy is essential. if Venus isn't well-aspected here, it could lead to overindulgence in spending or a tendency to be materialistic. Be mindful of not equating your self-worth with your possessions.

Venus in the 3rd house

Venus in the 3rd house blesses you with a silver tongue. You have a natural charm in the way you speak and interact with others. Your words are like sweet melodies, making it easy for you to connect with people on a personal level. You're a great conversationalist and can easily win people over with your pleasant demeanor. Venus is the planet of beauty and creativity, and in the 3rd house, it infuses your communication with a touch of artistry. You may have a talent for writing, public speaking, or storytelling. Your creative ideas flow effortlessly into your conversations, making them engaging and memorable. You're socially adept and thrive on building relationships with those in your immediate environment. This placement often indicates a strong bond with siblings, making you a friendly and supportive sibling or enjoying close relationships with your brothers and sisters. You may also have a knack for forming close friendships with your neighbors or people you encounter in your day-to-day life. Venus in the 3rd house can make you a lifelong learner. You have a curiosity about the world and a love for acquiring knowledge, especially in subjects related to art, culture, and aesthetics. This placement can encourage you to pursue studies or hobbies that involve beauty, such as literature, music, or the visual arts. While you're charming, your interactions with others may sometimes be perceived as flirtatious, even if that's not your intention. You enjoy the playful side of communication and may engage in witty banter or playful teasing. This can make you quite popular and fun to be around. In relationships, you express your affection through words and gestures. Love letters, sweet text messages, and small romantic surprises come naturally to you. You appreciate the beauty of love and use your communication skills to strengthen your romantic connections. Your relationship with siblings tends to be harmonious and supportive. You're there for them when they need you, and you bring a sense of ease and understanding to your family dynamics. The 3rd house also relates to short journeys. With Venus here, you may have a fondness for weekend getaways, road trips, or other short adventures, often with loved ones.

Venus in the 4th house

You find a deep sense of emotional security and comfort within the confines of your home and family. There's a strong need for a harmonious and loving domestic environment. You have a strong attachment to your home and might enjoy decorating and making it aesthetically pleasing. Your home is often a place of comfort, love, and artistic expression. Family plays a significant role in your life. You may have a close and loving relationship with your family members, particularly your mother or maternal figures. You attach sentimental value to family heirlooms, traditions, and memories. Your family's history and heritage are important to you. Your approach to love and relationships is nurturing and caring. You may express love through taking care of your loved ones, especially within the home environment. You seek a harmonious and peaceful home life, and you might go to great lengths to maintain a loving atmosphere. You enjoy entertaining at home and often find happiness in hosting gatherings. Venus in the 4th house can grant a good sense of style and design for home decoration. You may enjoy collecting art, antiques, or items of beauty for your living space. Your early childhood experiences, especially in your family, can strongly influence your attitudes and behaviors in love and relationships as an adult. There can be a strong interest in real estate, and you might invest in properties or find a career related to homes and interior design. Striving for balance and emotional security is crucial for your happiness. You seek relationships that provide a sense of comfort and emotional well-being.

Venus in the 5th house

With Venus in the 5th house, you have a magnetic charm that makes you naturally attractive and romantic. You seek love and pleasure in creative and playful ways. You enjoy the excitement of romance, and your relationships tend to be passionate and full of affection. This placement enhances your artistic and creative abilities. You may have a talent for music, art, or any form of self-expression. You find joy and fulfillment in creative pursuits and often use them as a means of showcasing your love and affection. Your inner child is very much alive, and you enjoy fun and playfulness. You may have a special connection with children and might excel in roles involving teaching or working with young people. Your love life often resembles a romantic fairy tale. You have a love for entertainment, whether it's through the arts, sports, or other leisure activities. You enjoy the finer things in life and are willing to invest in experiences that bring pleasure and luxury. Your charm and charisma are accentuated, making you a natural flirt. You tend to be social and love attention, often becoming the center of attraction in social settings. This can be a positive trait in your love life and personal relationships. You may be more willing to take risks in matters of the heart. This can lead to exciting and passionate relationships, but it may also involve some ups and downs. Love and creativity often go hand in hand for you, and you're not afraid to pursue your passions. If you become a parent, your love for children will shine through. You're likely to be a warm, affectionate, and creative parent who encourages your children to explore their own creative talents. Venus in the 5th house can bring out your dramatic side. You enjoy being in the spotlight and expressing yourself with flair, whether on stage or in everyday life. You may have a wide range of hobbies and interests that allow you to express your creativity and love. Your interests can become a big part of your identity and how you attract and connect with others.

Venus in the 6th house

You have a natural flair for bringing beauty and creativity into your job. You tend to enjoy work that involves art, aesthetics, or social interactions. You are likely to be diplomatic and pleasant in your interactions with colleagues and clients, making you a valuable team member. Venus in the 6th house often bestows good physical health. You are inclined to take care of your body and may be drawn to activities like yoga or other forms of exercise that are not only beneficial but enjoyable too.You are charming and diplomatic in your interactions with co-workers. This can create a harmonious work environment, but be cautious of overindulgence in office gossip or drama This placement can signify a love for helping others. You may be drawn to careers in healthcare, social work, or any field that involves assisting and nurturing people. You have a strong need for beauty and aesthetics in your daily life. You might decorate your workspace, have a well-organized and visually pleasing schedule, and appreciate the finer things in your daily routines. Your creative talents can be expressed through your work. You may find ways to infuse artistry into even the most mundane tasks, making your daily routines more enjoyable and fulfilling.Be cautious about romantic involvements in the workplace, as Venus in the 6th house can lead to romantic attractions with colleagues. It's essential to maintain professionalism in such situations. You may struggle to find a balance between work and personal life, as you can become so absorbed in your job or daily tasks that you forget to take breaks for self-care and enjoyment.

Venus in the 7th house

Venus in the 7th house indicates a deep need for harmonious relationships. You are drawn to partners who are attractive, charming, and cultured. You seek equilibrium and balance in your partnerships and may avoid conflict whenever possible. You have a natural ability to attract people and form meaningful connections. You may be seen as diplomatic, charming, and well-liked in social situations. Your charisma can be a significant asset in your personal and professional life.This placement often signifies a strong desire for committed and long-lasting partnerships. You are likely to value the institution of marriage and may dream of a fairy-tale romance. Venus in the 7th house can enhance your artistic and creative talents, as the 7th house represents partnerships, and Venus is the planet of aesthetics. You might find artistic expression through collaboration or partnerships. You have a refined sense of beauty and may be drawn to artistic or visually appealing partners. You appreciate art, fashion, and all things aesthetically pleasing. In your relationships, you tend to be diplomatic and value compromise. You may go to great lengths to maintain peace and harmony, sometimes at the cost of expressing your true feelings. This placement can influence not only your personal relationships but also your business partnerships. You're likely to have a good sense of business and can form lucrative partnerships, particularly in ventures related to beauty, art, or design. While Venus in the 7th house brings a lot of positive attributes, there can be challenges too. You may struggle with being overly dependent on your partner for emotional well-being, and at times, you might fear being alone. People with Venus in the 7th house often attract love into their lives. However, the challenge lies in maintaining that love over the long term, as you may idealize your partners. Your ability to negotiate and find common ground with others is a significant strength. You're skilled at resolving conflicts peacefully.

Venus in the 8th house

You possess an intense and deep emotional nature. Your feelings are not superficial; they run profound and can often be veiled, even to yourself. In your romantic relationships, you seek deep, passionate, and transformative connections. You're drawn to intense, soulful bonds with your partners. Your desires and pleasures are deeply rooted in the physical realm. Sensuality plays a significant role in your life, and you may have strong sexual appetites. The 8th house is also associated with shared resources and joint finances. You may have financial dealings with others, such as business partnerships or shared assets with a spouse. Venus in the 8th house can give you a magnetic and alluring presence. People may be naturally drawn to you because of your intense charm and charisma. You are inclined towards personal transformation and growth. You're not afraid to confront the darker aspects of life and explore the mysteries of the human psyche. You take your relationships seriously and are willing to invest a lot of emotional energy into them. Loyalty is crucial to you, and you may have a tendency to hold onto relationships longer than most. Financially, you may experience highs and lows. Joint financial matters can be a source of both gain and loss. It's essential to be cautious in financial partnerships. The 8th house is associated with the occult, mysteries, and hidden knowledge. You might have a natural inclination towards astrology, tarot, or other mystical subjects. Venus in the 8th house can also lead to a desire for control in relationships and financial matters. You may find it challenging to trust others completely. Your love life is often transformative. Relationships have the power to change you, and you may go through periods of intense emotional growth and change through love. On the downside, you might struggle with jealousy and possessiveness in relationships. It's important to work on trust and open communication. Venus adds an element of grace and elegance to your personality. You have a refined taste and may enjoy indulging in luxurious and beautiful things.

Venus in the 9th house

You possess a deep love for exploring new horizons, whether through travel, higher education, or spiritual pursuits. The desire to expand your worldview through these means is a significant part of your life.Venus brings harmony to your beliefs and values. You seek a sense of unity and may find beauty in various cultural, philosophical, or religious traditions. This placement often indicates a person with a more liberal and open-minded approach to different belief systems. You're attracted to intellectual and philosophical subjects. Learning is not just a duty but a pleasure for you. You may excel in fields related to higher education, publishing, or teaching. Venus in the 9th house encourages an appreciation for art, culture, and aesthetics from around the world. You might have a love for foreign languages, literature, or art. In relationships, you may be drawn to partners from diverse cultural or educational backgrounds. Romantic relationships often have a touch of adventure and exploration. Travel can be a source of pleasure and learning for you. You may have the opportunity to travel for pleasure and education. These experiences can be pivotal in your personal growth. Your ability to express your beliefs is marked by diplomacy and charm. You can discuss sensitive topics without causing offense and might even be a mediator in philosophical or religious debates. You seek deeper, spiritual truths and might explore various belief systems to find your own path. This placement often indicates a person on a lifelong journey of self-discovery. Your sense of aesthetics is influenced by your exposure to different cultures. You appreciate the beauty in diversity and may incorporate elements of various cultures into your personal style or home decor. At times, your strong desire for expansion and exploration can make you restless or commitment-averse in relationships. You may need to find a balance between your love for freedom and the stability of a long-term partnership.

Venus in the 10th house

You are likely to be quite focused on your career and public image. Venus in the 10th house suggests that you have a strong desire for success and recognition in your chosen field. You're drawn to professions that involve art, beauty, fashion, design, or anything that allows you to express your creative and aesthetic talents. You possess a natural charm and diplomacy that makes you adept at dealing with people in authority. This can be a valuable asset in your professional life, as you have the ability to network, negotiate, and create positive relationships with influential individuals. You have a refined sense of aesthetics, which can be applied to your career choices. Whether you are an artist, a fashion designer, or even in a corporate setting, you appreciate beauty and elegance. This can help you stand out in your profession. Your public image is important to you, and you are often seen as someone with a strong sense of style and grace. People may view you as a tastemaker or a person who embodies the ideal of beauty and harmony. Venus in the 10th house can also indicate an interest in social standing and a desire to be associated with those in higher social strata. You may feel comfortable in elite social circles and aspire to climb the social ladder. You tend to approach authority figures with diplomacy and grace. This can help you navigate your way through the corporate world or other hierarchical structures with finesse. There can be a connection between your career and your relationships. You may meet significant others through your professional endeavors or choose a partner who is supportive of your career goals. Careers in public relations, marketing, or any field that involves presenting an appealing public image may be particularly suitable for you. Your ability to make things look good is a valuable skill. You are likely to gain popularity and recognition in your career, which is influenced by your charm and your ability to win people over. However, be mindful of balancing your personal and professional life. With Venus in the 10th house, there can be a tendency to prioritize your career at the expense of your personal relationships, so it's important to find equilibrium.

Venus in the 11th house

Venus in the 11th house is like a social magnet. People with this placement often have a natural charm and are well-liked by their friends and acquaintances. They're the ones who make social gatherings more enjoyable. This placement fosters strong and meaningful friendships. Venus encourages harmonious connections, and in the 11th house, it means you're likely to have a wide circle of friends who genuinely care about you. The 11th house is associated with social causes and humanitarian efforts. With Venus here, you might be drawn to charity work or other activities that promote social well-being. Venus in the 11th house makes you great at networking. You easily connect with people who can help you professionally and personally, which can be a significant asset in your career. You're a team player by nature. Collaboration and group activities bring you joy, and you're likely to excel in team-based projects. You might find yourself involved in social or community events, and people often look up to you as a popular figure. Your charisma and appeal can lead to a high level of popularity. In matters of love, you're an idealist. You seek a partner who not only shares your goals and dreams but also someone who is your best friend. Your love life is often intertwined with your social circles. This placement can also bring creative friends into your life. You're drawn to artistic, musical, or creative individuals who inspire you. On the flip side, there can be a tendency to keep some emotional distance from friends. You might appear more aloof than you actually are, which could be misunderstood by some. The 11th house represents your hopes and dreams. With Venus here, you're likely to have artistic and aesthetic aspirations. You may want to make the world a more beautiful place. Venus is linked to money, and in the 11th house, it can bring financial opportunities through your network and friends. Your social connections might play a role in your financial success.

Venus in the 12th house

This placement often indicates secret or clandestine love affairs. You might find yourself drawn to relationships that aren't out in the open, maybe due to societal or personal reasons. You've got a vivid imagination and a strong creative streak. This could manifest in artistic talents or a penchant for daydreaming. You tend to keep your emotions hidden, even from yourself. It can take a while for you to truly understand what you want and need in love and relationships. The 12th house is about self-sacrifice, and with Venus here, you might find yourself giving a lot in your relationships, sometimes to the detriment of your own needs. You have a deep well of compassion and empathy for others. You might be drawn to help those who are less fortunate or in need. Venus in the 12th can inspire artistic pursuits in seclusion. You might excel in creative fields where you can work behind the scenes. This placement can also indicate a strong connection between love and spirituality. You might seek a partner who shares your spiritual beliefs or find love in places of worship. On the flip side, relationships can be a source of inner turmoil. You might attract partners who are emotionally complex or who bring hidden issues to the surface. Your idea of romance can be dreamy and idealistic. You might have high expectations in love and may need to learn to balance these with reality. The 12th house is often associated with past life issues and karma. You might feel a strong karmic connection with some of your partners. Privacy is essential to you when it comes to love. You might not be one to flaunt your relationships on social media or in public. Your desires in love can be somewhat unconscious, and you may not always understand why you're attracted to certain people or situations.

[lady-of-endless]

I THUNKED A THOUGHT! Because of Jotaro's stoic and reserved nature he is most likely not into PDA, HOWEVER. What if he used his stand instead? It's not public, and non standusers can't see stands!

So with that information, may I request hcs for part 3 joot giving PDA to gn s/o through Star Plat?

Jotaro showing affection with the help of Star Platinum headcanons

Author's Note: YES! I love it when some ideas I once had get requested, it feels like we're sharing the same neuron. Thank you so much for this. I love Joot and Star Plat, big cuties. I hope I got it right and you'll enjoy!

- Once you accept this type of affection, you'll discover that Star Platinum is a very clingy Stand to the ones Jotaro cares for. And Star Platinum, much like his owner, has no shame but the difference is that his Stand doesn't grasp the concept of PDA, he's just happy to be able to express his attachment to Jotaro and you.

- It starts with Star Platinum staring at you with big eyes whenever he's around you, almost scaring you as you turn around and see him like that. He is a simple warrior Stand who likes to stare at pretty things and people, don't mind him.

- From the beginning, we know that Star Platinum manifested to help Jotaro but he was rejected as a protector and pictured as an "evil spirit" instead. Seeing how Jotaro didn't accept his presence at first, Star started spoiling him by bringing everything Jotaro liked. Expect him to do that to you as well. Snacks, flowers, things he things you enjoy.

- Jotaro will scold Star Platinum for spoiling you like that but that's all. He doesn't tell him to stop though, realizing how this might be a good compensation for his lack of PDA. He can't help but sigh and let it happen.

- Star Platinum does whatever Jotaro wants and is a softie so once he gets the green light from Jotaro, get ready for affection. You won't notice it but before any move, Star asks Jotaro for permission. For example, if he wants to hold your hand, he points at your hand, looking back at Jotaro until he nods and gets the sign that it's alright to touch your hand.

- Whenever Jotaro feels his hands itching to touch you while you are in public, he'll just have to stare at you until Star Platinum understands what he has to do. He feels your warmth through his Stand's touch and he's pleased.

- Jotaro rolls his eyes at everything. He thinks that Star Platinum is going soft because of you. But guess what? Everyone knows that a Stand is an extension, a manifestation, of the soul and that only means that deep down in his soul, Jotaro craves giving you this kind of affection but doesn't allow himself to show it to you just yet.

- Star considers you a part of Jotaro since he notices how much he cares about you and how much he feels about you. So, whenever you're in danger, he's there, protecting you just like he protects Jotaro. Above all affection, you feel protection from him the most.

- Other stand users are going to be petrified when they see Jotaro's tall frame and intense look on his face next to you and a huge-looking purple Stand looming over you from behind while you're there just smiling, minding your business. You're going to have scary dog privileges with both of them.

- Star Platinum's favorite way of being around you is by having his large arms around your torso from behind. (a bit similar to the gif I attached)

- Jotaro notices that you enjoy this affection so he keeps it going in public until he's alone with you and it's his turn to be affectionate without the help of Star Platinum.

[togglesbloggle]

For the Reverse Unpopular Opinion meme, Lamarckism!

(This is an excellent ask.)

Lamarck got done a bit dirty by the textbooks, as one so often is. He's billed as the guy who articulated an evolutionary theory of inherited characteristics, inevitably set up as an opponent made of straw for Darwin to knock down. The example I recall my own teachers using in grade school was the idea that a giraffe would strain to reach the highest branches of a tree, and as a result, its offspring would be born with slightly longer necks. Ha-ha-ha, isn't-that-silly, isn't natural selection so much more sensible?

But the thing is, this wasn't his idea, not even close. People have been running with ideas like that since antiquity at least. What Lamarck did was to systematize that claim, in the context of a wider and much more interesting theory.

Lamarck was born in to an era where natural philosophy was slowly giving way to Baconian science in the modern sense- that strange, eighteenth century, the one caught in an uneasy tension between Newton the alchemist and Darwin the naturalist. This is the century of Ben Franklin and his key and his kite, and the awed discovery that this "electricity" business was somehow involved in living organisms- the discovery that paved the way for Shelley's Frankenstein. This was the era when alchemy was fighting its last desperate battles with chemistry, when the division between 'organic' and 'inorganic' chemistry was fundamental- the first synthesis of organic molecules in the laboratory wouldn't occur until 1828, the year before Lamarck's death. We do not have atoms, not yet. Mendel and genetics are still more than a century away; we won't even have cells for another half-century or more.

Lamarck stepped in to that strange moment. I don't think he was a bold revolutionary, really, or had much interest in being one. He was profoundly interested in the structure and relationships between species, and when we're not using him as a punching bag in grade schools, some people manage to remember that he was a banging good taxonomist, and made real progress in the classification of invertebrates. He started life believing in the total immutability of species, but later was convinced that evolution really was occurring- not because somebody taught him in the classroom, or because it was the accepted wisdom of the time, but through deep, continued exposure to nature itself. He was convinced by the evidence of his senses.

(Mostly snails.)

His problem was complexity. When he'd been working as a botanist, he had this neat little idea to order organisms by complexity, starting with the grubbiest, saddest little seaweed or fern, up through lovely flowering plants. This was not an evolutionary theory, just an organizing structure; essentially, just a sort of museum display. But when he was asked to do the same thing with invertebrates, he realized rather quickly that this task had problems. A linear sorting from simple to complex seemed embarrassingly artificial, because it elided too many different kinds of complexity, and ignored obvious similarities and shared characteristics.

When he went back to the drawing board, he found better organizing schema; you'd recognize them today. There were hierarchies, nested identities. Simple forms with only basic, shared anatomical patterns, each functioning as a sort of superset implying more complex groups within it, defined additively by the addition of new organs or structures in the body. He'd made a taxonomic tree.

Even more shockingly, he realized something deep and true in what he was looking at: this wasn't just an abstract mapping of invertebrates to a conceptual diagram of their structures. This was a map in time. Complexities in invertebrates- in all organisms!- must have been accumulating in simpler forms, such that the most complicated organisms were also the youngest.

This is the essential revolution of Lamarckian evolution, not the inherited characteristics thing. His theory, in its full accounting, is actually quite elaborate. Summarized slightly less badly than it is in your grade school classroom (though still pretty badly, I'm by no means an expert on this stuff), it looks something like this:

As we all know, animals and plants are sometimes generated ex nihilo in different places, like maggots spontaneously appearing in middens. However, the spontaneous generation of life is much weaker than we have supposed; it can only result in the most basic, simple organisms (e.g. polyps). All the dizzying complexity we see in the world around us must have happened iteratively, in a sequence over time that operated on inheritance between one organism and its descendants.

As we all know, living things are dynamic in relation to inorganic matter, and this vital power includes an occasional tendency to gain in complexity. However, this tendency is not a spiritual or supernatural effect; it's a function of natural, material processes working over time. Probably this has something to do with fluids such as 'heat' and 'electricity' which are known to concentrate in living tissues. When features appear spontaneously in an organism, that should be understood as an intrinsic propensity of the organism itself, rather than being caused by the environment or by a divine entity. There is a specific, definite, and historically contingent pattern in which new features can appear in existing organisms.

As we all know, using different tissue groups more causes them to be expressed more in your descendants, and disuse weakens them in the same way. However, this is not a major feature in the development of new organic complexity, since it could only move 'laterally' on the complexity ladder and will never create new organs or tissue groups. At most, you might see lineages move from ape-like to human-like or vice versa, or between different types of birds or something; it's an adaptive tendency that helps organisms thrive in different environments. In species will less sophisticated neural systems, this will be even less flexible, because they can't supplement it with willpower the way that complex vertebrates can.

Lamarck isn't messing around here; this is a real, genuinely interesting model of the world. And what I think I'm prepared to argue here is that Lamarck's biggest errors aren't his. He has his own blind spots and mistakes, certainly. The focus on complexity is... fraught, at a minimum. But again and again, what really bites him in the ass is just his failure to break with his inherited assumptions enough. The parts of this that are actually Lamarckian, that is, are the ideas of Lamarck, are very clearly groping towards a recognizable kind of proto-evolutionary theory.

What makes Lamarck a punching bag in grade-school classes today is the same thing that made it interesting; it's that it was the best and most scientific explanation of biological complexity available at the time. It was the theory to beat, the one that had edged out all the other competitors and emerged as the most useful framework of the era. And precisely none of that complexity makes it in to our textbooks; they use "Lamarckianism" to refer to arguments made by freaking Aristotle, and which Lamarck himself accepted but de-emphasized as subordinate processes. What's even worse, Darwin didn't reject this mechanism either. Darwin was totally on board with the idea as a possible adaptive tendency; he just didn't particularly need it for his theory.

Lamarck had nothing. Not genetics, not chromosomes, not cells, not atomic theory. Geology was a hot new thing! Heat was a liquid! What Lamarck had was snails. And on the basis of snails, Lamarck deduced a profound theory of complexity emerging over time, of the biosphere as a(n al)chemical process rather than a divine pageant, of gradual adaptation punctuated by rapid innovation. That's incredible.

There's a lot of falsehood in the Lamarckian theory of evolution, and it never managed to entirely throw off the sloppy magical thinking of what came before. But his achievement was to approach biology and taxonomy with a profound scientific curiosity, and to improve and clarify our thinking about those subjects so dramatically that a theory of biology could finally, triumphantly, be proven wrong. Lamarck is falsifiable. That is a victory of the highest order.

[taniahylian]

Paulina and Regulus

Okay, I'mma post this cuz I think I'm going insane (I probably am), but here me out. There's too many coincidences that point out to there being a connection between the two, even if don't know exactly what kind of connection.

First let's start for the most obvious thing... Paulina's blue polka dot scarf.

It's not the same as Regulus', obviously, but it is very similar. Yet, if this was the only coincidence I wouldn't be making this theory... yet here I am.

Next it's this peace sign sticker that's next to Paulina's picture at the restaurant, but also on Regulus' backpack. Again, on it's own could be just a coincidence, but maybe it's not.

In that picture it says Apple on the background, and there's an apple in that same poster, and I don't think I need to saw how this connects to Regulus. To the side there's also a vinyl disc, like those Regulus always carries with her, which wouldn't be a big deal... except we're in the 1990's, when using CD's was already a lot more popular than vinyls.

And there's also the fact that Paulina's mom married J's father, who was from a world-famous family of alchemists. How is this relevant to Regulus? Well, she's an alchemical genius. Maybe Paulina's mom had an interest in alchemy too and that's how she ended up meeting J's dad.

Now... I want to point out that, at least to me Regulus and Paulina look quite similar.

It's not a one-to-one resemblance, of course, but they look similar enough for me to think they might be related, maybe, especially since Paulina's blue scarf was a gift from her parents. That said... as funny as it'd be to say to Regulus "So you are a mother!", I don't think that's the case at all. Firstly because Paulina is French, while Regulus is British, but most importantly because Paulina is human; she doesn't have any powers at all.

Of course we don't know Regulus' lineage, so she could be only half-arcanist, and therefore she'd be able to have a mostly-human child if she married a pure blood human, but... I don't think that's the case. Sonetto says in ch1 that Regulus' talent is rated "S", which most likely mean she's either pure blood, or very close to it, so any child she had would be at least a half-blood arcanist.

That said... the dates would match. Regulus was 15 in 1966, and lets assume Paulina was the same age when she left J, let's say 1989, one year before the event takes place. That'd mean Paulina was born in 1974, and Regulus would've been 23 years old at that point. However, if she is Paulina's mom, she died very young (around 30 years old?), as we know Paulina and J became orphans soon after becoming sibilings... and, believe it or not, the fact that Regulus would die young is actually hinted at by Mr. Apple in the mini chapter after ch7.

So... it is possible that Regulus had a child with a French person, said child, Paulina, happened to be born without powers despite her arcanist lineage (like Kumar, for example), then they moved to San Francisco, where Regulus met J's father, bonded with him thanks to their shared love of alchemy, got married and then died soon after. However... idk, it doesn't seem right to me? I think there might be different kind of connection between them, although I'm not sure what.

Maybe I'm just losing my head, idk. Most likely, honestly, but it's fun to speculate XD

Anyways, thanks for reading! Let me know what you think.

[aliteralsemicolon]

Been seeing a lot about writing Spencer "accurately" online and idk where this wave of criticism is coming from, but I need every single one of you to be so fucking for real rn. Yapsesh below the cut.

Spencer Reid is a fictional character. Fiction means he's not real. He's a not real character from a not real universe. There's no "wrong" way to write a fictional character.

There is no canon guideline on how to write every part of him. Yes there are certain traits and characteristics we're shown, but people are complex. What we see the character do on screen isn't a complete representation of how they live every aspect their life.

Even the show runners couldn't get him "right" all the time, Hell, Mathew himself deviated from Spencer's canon traits sometimes. For example: his birthday, the fact that he's a germaphobe but you can still see him shake hands with characters when he normally wouldn't and there's SO many more if you just watch the show and pay attention.

Also there are things about Spencer that the fandom has deemed canon when they are not, in fact, canon. Like the converse: it's commonly believed that Spencer has a preference for wearing converse, which is wrong. That's a purely MGG thing. Spencer only wears converse in a few episodes through out the whole show. Most of the time he wears formal/work footwear, like loafers.

Now, there are definitely aspects you can't take away from a character in your writing because that's what makes the character who they primarily are. You'll notice that even in most alternate universe stories, Spencer still has the traits he's known for. IQ of 187, eidetic memory, socially awkward genius. That's literally how he was intended to come across during the initially seasons.

We only got new traits as the show progressed. Like how he's a sassy little shit who isn't scared of authority. The reason we can deviate from those is because they're not his core traits. His personality changes throughout the show. At times he appears like his same socially awkward self, but we also get to see his confident side with strangers at times.

It's literally impossible to label him a black and white character because there's so much we don't get to see. We don't get to see how he acts with love interests in every season (every season is a slightly different version from the last), we don't get to see how he acts when he's home alone, how he changes in so many aspects of his life. I think I'm just repeating myself now, but I think you get the point.

I find comfort in Spencer Reid's character, which is why I write about him. He acts however I want him to act in my writing because that's how I see him. Everyone has their own interpretation of the character. A lot of the interpretations share similarities with each other, so they're deemed as "the right way to write Spencer" by us, but that's not possible because there is no right way.

All this to say: Please stop criticising writers for how they write a character. You don't have to agree with their interpretation. There are other writers out there who you may agree with more. Engage more with them and disengage from the content you don't want to see.

[athousandbyeol]

i can't stop thinking about this scene.

it was so light-hearted. sheng wang was all-smiley after finishing (perhaps multiple rounds) of revising and studying. but the lively atmosphere simmers down into this thick and stifling tension once jiang tian opens his closet.

honestly, if i were sheng wang, i would have so many questions too. why is he packing? is he going somewhere? but where? so, whatever sheng wang is thinking or feeling at the moment is valid (to me, at least, it is.)

i think it has so much to do with sheng wang's expression here (liu dong qin, the actor you are) that breaks my heart into tiny, million pieces.

it's in the way his eyes follows every movement of jiang tian, but particularly directed at the opened luggage, that has me thinking of sheng wang's fear of separation. the trauma he experienced when he was just a little boy.

i can't imagine how he felt when he saw his beloved mother collapsing to the ground—at the age so little to grasp the situation—to comprehend the meaning of sadness and grief and death.

he was broken. he was devastated. but those feelings as a child were just feelings. but the adult sheng wang now understood that those feelings come with bitter memories and realisations that death is inevitable, and death is permanent. his mother won't come back to him no matter how frequently she visits him in his dreams (and wake).

his heavy breathing. his fixated stare. that feeling of abandonment is washing over him again. they're coming in slow, steady and destructive.

so when jiang tian approaches him with the said book that has more extensive questions, he still can't look away. not until jiang tian realises that sheng wang's attention is now elsewhere.

and he finally asks,

i personally adore how benjamin acted this scene out. jiang tian immediately glances over at the luggage, somehow already knowing the context/direction of this conversation. (it's in the subtlety of benjamin's acting here that has me going nuts.)

when sheng wang asks this question, it reminds me of this scene in episode 1,

jiang tian was looming in front of sheng wang's house, wondering if he should stay or leave. possibly his only destination would be uncle ding's house. maybe he has nowhere to go, to be honest.

sheng wang immediately called him, voicing out his thoughts. and the context is similar—are you leaving?

although jiang tian answers sheng wang's question, not leaving him hanging the way he did in episode 1, it's still not enough. the reason being, as of right now, we're knowledgable of sheng wang's past. but what about jiang tian? we know nothing about him. we just know this boy is closed off and distant and cold and grumpy. but why?

these questions are the answers. but sheng wang doesn't know. not yet.

they could have just dropped the conversation here. but this is one of (the many) things i notice about sheng wang: he's always curious. always seeking answers. even in his studies, he would ask crab (i love you, friend) for the solution. and we saw some instances where jiang tian would share the method he used, etc, only to help him. and i think it's being presented at a different light here. sheng wang is waiting. he's waiting for jiang tian to give him answers.

as jiang tian says it's a habit, it might not be the answer sheng wang wanted, but it was needed, at least, only for the night.

it's so overwhelming to me how jiang tian has always been providing sheng wang with safety, happiness, anger, irritation, fun, answers and questions. how susceptible sheng wang is with everything jiang tian is. they are like mirrors reflecting one another. because for me, jiang tian is like a closed book, but i could understand him once i start reading. but sheng wang, he's more layered. he's open but also secretive. he expresses emotions, but not everyone reciprocates and understands him. not until jiang tian.

and i'm no longer sane in the head because of this.

[museenkuss]

Marie Museenkuss Advent Calendar

For this advent season, I've prepared a selection of little treats - recipes, things to read or things to watch that I enjoy (or wrote) and am excited to share with you over the next few days. Each day, I'll 'open' another door to reveal the treat. I hope we can celebrate and have fun together!

[💎] To start, a cosy Christmas crime classic: Hercule Poirot's Christmas

[🦊] One of my all-time favourite fairy tales, Allerleirauh, can be read on this website! If you'd like to turn pages and see an illustration or two, you can also read it in the Green Fairy Book via archive.org, but beware - that version is censored!

[🪞] An all-time classic of a different kind, maybe just in time now that the New Year is slowly seeping in: Joan Didion's Essay "On Self Respect"

[💌] Feelings inspired to write? I’ve got some shimmering, cool, delicate december prompts ready for you!

[🗝️] In the spirit of the censored Allerleirauh: Read my thoughts on death, mutilation and the gruesome in fairy tales

[👢] On the morning of the sixth, German children will find little treats in their boots that Nikolaus left for them the night before. Let's use some of them (apples, marzipan(optional), nuts) to make a traditional German christmas treat - the Bratapfel. Rezept. Authentic English recipe.

[🏮] Let's take a virtual trip to the Tate and look at Sargent's Carnation, Lily, Lily, Rose in two short videos that focus on description and technique!

[✨] The nostalgic excitement of entering a theatre and watching the other guests before the show - Chanel's A/W 2024/25 Haute Couture Show blends Opera and High Fashion.

[☕️] Today (very appropriate for the temperature drop), we're learning how to make French hot chocolate: [written recipe] [video]

[🦢] Do you have an hour to spare? Enjoy this charming little volume on perfume from 1928, a love letter to fragrance filled with anecdotes from all over the world and illustrated by the wonderful George Barbier: The romance of perfume by Richard Le Gallienne

[🌹] A Renaissance princess and her baroque prince... Here's a magical performance of Sleeping Beauty by the Bolshoi Ballet

[12] 🎪

[🍰 ] With eleven days left, there's still more than enough time to make the Fortnum&Mason Christmas Cake in time for Christmas! [the official F&M christmas cookbook has a very similar recipe for a fruit cake, but without the soaking and with a layer of fondant on top. let me know if you'd be interested in that, I'll post a pic]

[💋] today, let’s read one of my favourite sensual poems for winter: Francis Jammes — Tu Seras Nu (You will be nude), translated by Kenneth Rexroth

[🖋] This sunday, let's write! Or, alternatively: Let's daydream! Here are some brand new prompts for inspiration.

[🎞️] In the spirit of daydreaming: You and I by Papooz, Weak for your Love by Thee Sacred Souls, Mystery by Raveena are three extremely different but visually stunning music videos to songs I absolutely adore. To start this week, take a little moment to watch and listen, dream and dance.

[🍷] Easy poached pears in red wine with vanilla - a gorgeous, ruby-coloured dessert. I've made (regular) poached pears before and they are just as easy as this title suggests. But I'm SO eager to try (and share <3) this variant!

[18] 🎠

[🐻] After a long, tiring day of Christmas shopping (or Christmas stress), let's relax with a whimsical film! Panna a netvor (Beauty And The Beast) from 1978 <3

[💫] Imagine a zine, except more whimsical and more complicated - today, we're learning how to make a Victorian Puzzle Purse! They're so pretty, perfect add-ons for a christmas gift - or adorable presents in their own right.

[🩰] I feel like Christmas is the time where we can truly reconnect to the magic of childhood. So today, let's put on our (imaginary) ballet slippers and do a little 5-min Nutcracker ballet choreo in our living room! Whether we're dancers or not honestly doesn't matter - nobody is watching us, this is all about enjoying the fantasy of a snow-sparkling night. We're playing pretend! And if you'd rather improvise to something more dramatic, I used to whirl around to Borodin's Polovtsian Dances.

[🕰️] During this cold, dark evening, I present to you one of my favourite poems, caught between romanticism and irony: Heine's Old Chimney Piece (in translation).

[🎟️] About a year ago, Joel Haver made a video looking back on 4 years of uploading weekly short films. It's one of my favourite videos, visually, in its tone and regarding its message, and I feel now that the year is coming to a close, it might be a really inspiring watch: it's been fun.

[🎄] I wish I could invite you all over to show you the illustrated edition of E.T.A. Hoffmann's Nutcracker that my parents gifted me in 2001. Instead, I offer you a very nice translation: Nutcracker and the King of Mice - and, if you're the audiobook type, I found a good translation with Tchaikovsky's music here. The story is haunting, delicate, glittering, unheimlich. It starts on Christmas Day and infuses the following days and nights with magic. It was such a joy to share this Advent Calendar with you and I hope that with this, I can share some of my Christmas festivities with you, too, since they're so entwined with this story (and since the first chapters also somewhat accurately depict how I celebrate Christmas, too - on the evening of the 24th, after decorating the tree). Lots and lots of Love, darlings! I hope you have a magical day, a magical evening, and a very Merry Christmas!

[cher-rei]

27 w trent :)

date night [ T.A.A ]

I like the way you stare into my eyes [soren– beabadoobee]

pairing: trent alexander arnold x fem!reader

summary: date night? but on a baking show? and he's flirting with you?

genre(s): flufffffff

[wc: 1.9k]

notes: my little take on lando's chicken shop date a few months ago xxx

baking up chemisty: date night. that was this evening's episode and you were all too excited because of the guest that the director was able to reach out to. you'd had your fair share of football players on the show and it was so much fun.

it was a fan favourite to have you bring out a different side to the usual personal football players put up on camera, so it was highly requested. just last week you baked a horrible excuse for a lava cake with marcus rashford which was all too fun.

not too long after the episode aired, twitter was blowing up over the interaction and thanking you for having him as a guest wherein fact it should be the other way around. viewers loved that you didn't shy away from any of your guests and praised you for the chemistry you tended to have with them instead of keeping it formal.

so when the guest of this week's episode was announced, you bet that the show had a trending hashtag again.

you stood in front of the camera, behind the counter of the kitchen-styled set that felt so close to home. you accounted for all the ingredients on the counter one last time before it was quiet on set, everyone's eyes on the director.

"action."

"good evening everyone." a smile set on your lips, "and welcome back to 'date night'!"

from the corner of your eye, you caught a glimpse of this evening's guest who had you feeling a little more nervous than usual. "tonight, we have a very special guest joining us, a football star known for his skills on the field and his charm off it."

a hearty chuckle came from him off-camera that sent your heart leaping but your eyes remained on the camera. "and before anyone asks–" you sighed in mock disappointment. "no, it isn't mason mount. trust me, I tried."

behind the camera once again, there were a few laughs that lightened the mood of the studio. that's what you loved most about it– the atmosphere and how there wasn't a set script. when you were hired, your director, lewis shaw, gave you one clear instruction– "go with the flow."

and that's exactly what you found yourself doing for every shoot. having genuine conversations with your guests and keeping the atmosphere lighthearted and entertaining. it helped a great deal in making it less suffocating, and more rewarding.

which is why you loved your job so much, being a presenter was one thing. but being given the freedom to do as pleased as long as you do it well was a privilege.

"please welcome trent alexander-arnold!"

the studio was filled with cheer as they greeted the right back as he made his way beside you, adorning a bashful smile and the two of you exchanged a friendly hug that you tried to keep as professional as possible.

after the formalities were set aside it was time to properly start with the segment, and to do so you quickly grabbed something from one of the cabinets and handed it to trent who was more than familiar with what was in the box.

he mocked a gasp and delicately held up the black apron. it wasn't just plain, however, on the right pocket side there was your name and his embroidered beneath it with a heart.

"I've never felt so special my entire life," he said teasingly. "I can't believe I have matching aprons with everyone who was on this show."

you couldn't help but roll your eyes at his comment. it was customary that everyone got an apron with a similar design, only with their name on it. you shook your head to the side and bit back your smile as you looked at him. "yours is different though."

trent cocked his head to the side amused. "oh really?"

you gestured to the apron, "there's a heart on yours, and–" you fished something else from the cabinet and held it up proudly, "we're matching. you're the only guest I have matching aprons with."

a chuckle left his lips once again and you felt something tug at your heart. he was standing beside you so casually, amused by an apron and your quips and you couldn't help but wonder what it looked like from the viewers' perspective.

soon after you were done putting your aprons on, you began with the interview part. eager questions and playful answers leaving your mouths as if it were just the two of you in the studio. " I have to ask. have you any experience in the kitchen? this is a safe space, don't worry."

he looked down at the rolling pin in his hands and gave a lopsided smile. " I'm afraid not. I'm more comfortable on the pitch than I am with a rolling pin."

it was your turn to laugh, your hands absentmindedly adding the dry ingredients into the bowl while trent passed them on. "I mean we're only baking chocolate chip cookies. I'm sure you'll be fine."

he leant in a bit closer, watching carefully as you measured the amount of baking powder to add in. "chocolate chip cookies are actually a favourite in my family. a close friend of mine once baked a batch for a family movie night and ever since then my mum and brothers see it as an essential when she comes over."

a flush of pink rose to your cheeks instantly but you tried to play it off and cleared your throat. "wow she must be really good then."

trent shrugged his shoulders with a flick of mischief in his eyes. "she's okay I guess."

you glared at him from the corner of your eye and handed the bowl to trent so that he could put it in the mixer with the slow adding of the wet ingredients. "well then, what's your idea of the perfect date?"

you listened as he hummed in thought, adding to the whir of the mixer until it was done.

"I think just spending your time with someone special you know? it doesn't have to be anything fancy. just good company and good conversation."

his answer prompted you to nod in agreement. "I'm heavy on the good company part."

the space between the two of you decreased immensely, as you were now standing flush against his side while gathering the batter and putting it onto the cooking tray.

"oh really?" he questioned suddenly which caught you off guard. "what do you look for in a partner?"

your head quipped to look at him with your eyebrows raised but he innocently continued with putting the batter down. a scoff left your lips. "I'm supposed to be interviewing you right now."

"interview?" he asked and spared you a quick glance. "I thought this was a date, love."

you froze in your spot, unable to fully comprehend what was happening because all you wanted to do was wipe that smile off his face. but you had to carry on. once again you found yourself clearing your throat, watching as trent took the initiative to put the tray in the oven.

"well then?" he asked.

"I'm not picky." you walked over to the sink and put some soap on your hands while he did the same. "just someone genuine and passionate. I need to feel loved, not just be in love. and how about you?"

a low hum echoed from beside you and he put on the tap and rinsed the soap from them. he locked eyes with you and grinned, "someone who can keep up with me, both on and off the pitch. and maybe someone who can bake a decent batch of cookies."

you playfully rolled your eyes. "well I think most people can manage that. so, what do you value most?"

unlike yours at the moment, trent's expression softened and before you knew it your hands were in his beneath the running tap, lukewarm water having no match for the feeling of his hands on yours.

"honesty and trust," he looked up at you with his nose scrunched. "and a sense of humour never hurts."

you looked up at him with your eyes slightly squinted, sharing a moment of silent communication, but I know something that will.

not too long after, the episode wrapped up and you bid your goodbye to the viewers until next week, while also thanking trent for joining you for the evening.

he was more than delighted to be as modest as he could and waved it off with a, "the pleasures all mine. we should really do this again sometime."

it took a lot for you not to roll your eyes at him but you remained professional until you heard the director yell, "and cut! that's a wrap, well done, everyone!"

at that. your shoulders relaxed with a heavy sigh. this was by far the most stressful episode that you'd ever filmed, which completely went against your original statement.

you watched as the rest of the camera crew flooded to the break room, leaving you and trent alone on set. when it was all clear you turned to look at him with your lips pursed.

"one job. you had one job," you said blatantly but he couldn't suppress his smile, his hand instinctively finding yours on the kitchen counter and putting it in his.

your eyes bored into his, the sound of a familiar laugh leaving his lips before ge placed a gentle kiss on your hand. "you wanted chemistry and I gave you chemistry. I think I did my job very well actually."

"oh really?" you quipped sarcastically but that wasn't enough to get at him, in fact it only amused him even more.

the space between you lessened in a matter of seconds, his hands were now draped around your waist and slowly reaching for the back of your apron that was still on. he nodded in agreement and continued to gently untie your apron.

"but what did you expect?" he asked again and placed it on the counter. "how was I supposed to act natural around you? you're literally my girlfriend, so this is natural for me."

you couldn't bite back your smile anymore, not with the excited gleam in his eyes. "but you could've toned it down a bit, trent."

his eyes widened slightly and a quick peck was placed on your cheek. "tone it down?" he shook his head at your response, saying that he was being way too obvious but he didn't care. you'd been together for nearly 3 years, so he'd be more than delighted to have people finally find out.

"and miss the opportunity to tease you like this? baby you were an absolute blushing mess and I enjoyed every single moment."

no way you were blushing that much. you refused to believe it, and said that it was just his way of trying to embarrass you right now. you pulled away from his grasp and began to pack up your things, your boyfriends loving gaze watching you as you complained about his behavior.

he wasn't really paying attention, but he loved seeing how riled up you were and considered this as payback for every single day that you've been together that you've had him blushing like an idiot. it was only fair that he got you back eventually.

"I really wished that we had mason mount on today," you muttered and his smile immediately dropped.

"woah there," he interjected in disapproval and you turned to look at him with your arms crossed. "but we had fun today!"

"yeah but I would've had fun with mason too."

"incorrect."

your eyebrows raised at trent's sudden quip, "you can't just say--"

"wrong," he interrupted again with a smile, watching you from the other side of the counter."

you shook your head to the side as he made his way to your side, the same cheeky smile plastered on his face. "you're such a child I swear."

he hummed contently and took your bag, using his free hand to hold yours as he usually did. you felt another jolt in your stomach, the swarm of butterflies only worsening when trent pressed a light kiss to your temple. "it takes one to know one, love."

[thoughtfulchaos773]

Sorry my English isn’t great but Can we have more thoughts on Syd & Carm and sex? How do you think they would both go about interacting with it and each other if we ever got a scene of them like that? (Which I don’t think we will but one can hope 😭)

Don't apologize! Fun fact- I used to write E fanfiction, but nothing for sydcarmy (yet maybe in the future)

But if we're talking cannon: it would happen in the daylight similar to the table scene. Morning after and just the beginning. There wouldn't be anxiousness from Carmy in the morning or showing Carmy's mind somewhere else. He's very present with Sydney and always aware of where she's at. She takes space in his head anyway - so sex would be all about her pleasure and strong eye contact.

You know what would be great for me? They don't even have to show explicity sex, show me the morning after Sydney has spent the night and Carmy is ready to go down on her- she's the first thing on his mind in the morning and she's in bed- with him, post sex? Yeah, he's not wasting a moment.

After all, it’s FX—it's an MA-rated show, so we already expect explicit love scenes and how they will be portrayed. Give us a good surprise! They've already shown explicit positions of certain characters, so why not illustrate how things are different this time?

Here are my thoughts on Sydney and Carmy: it's a popular belief that Sydney is the dominant one, I think Carmy actually holds a more dominant role in bed, at least at first. There’s a suggestion that in the end, Sydney will always have emotional power over him; she has his heart in her hands and ultimately calls the shots when it comes to the core of their relationship.

I think based on the show- Sydney has a praise kink, but it seems to be specific to Carmy. She pokes fun at Marcus in the show when he gives her praise. But Carmy gives her praise? She melts. So imagine Carmy giving her so much praise during sex?

Their relationship shows how Carmy pulls vulnerability out of her when he reads her. Being a dominant partner is a skill; it helps the more submissive partner switch off their racing thoughts and open up. For the submissive partner to really let go, they’ve got to trust that their dom will catch them if they fall. If the dom doesn’t support them, that’s when problems come up.

Sydney and Carmy play these roles on the show, dont they? and it's a challenge. Carmy is working on being someone Sydney can rely on to catch her when she falls, and for Sydney, she knows how scary it is to completely give in. When Carmy is confident enough, he reassures her by saying things like, “I won’t let you” showing that he’s up for the challenge and ready to give her what she needs. He's ready to care for her because she cares for so many people- so wouldn't it be nice for her for someone to take care of her? To make her happy and satisfied?

For Carmy, stepping into the dom role is great practice. He wasn't really feeling it when Claire was leading the chase; she lead the getting his number, in their private scene notice she's the one leading the questions to get to know him more, she's the one in the morning telling him "everything is fine" the morning after- Claire is the one on top of him while Carmy sits up at night.

Carmy wants to build enough confidence to take charge himself with Sydney, and after she gives over, he looks to Sydney for a bit of reassurance, asking her if she liked what happened. He’ll gently ask her to share what she enjoys and what doesn’t work for her - Carmy is the one who leads with questions.

Even if Carmy is the dominant one, Sydney won't make it easy for him. She doesn't make it easy for him anyway, and he deserves to be questioned and challenged as she does in canon.

[maochira]

Ways of being a father. (Kengan dads & child!reader)

I wrote this almost a year ago, originally with Blue Lock characters assigned. But I thought a lot about assigning Kengan characters so here we go! The quotes are all translated from Alligatoah's song Nicht adoptiert. Also! The song may originally be about being born into a family and not being adopted, but reader can very much be seen as an adopted child in this if that's what you prefer!

gn!child!reader (reader is implied to be different ages in different parts)

If you're listening to this, you're alive, congratulations / I always knew you'd become more than a broken condom

Let's be honest, you weren't planned. Being a father initially wasn't part of his life plan, but then you happened. But he wouldn't replace you for anything in this world.

-Adam, Raian, Lihito, Kanoh, Ohma

Cause I don't believe in marriage you were born a bastard

-Ohma, Raian, Adam, Hatsumi

Sure, we love you, but there's a reason for that, kid / Nature arranges it like this so we won't kill you

Sometimes being a father can be frustrating and exhausting. But no matter how annoying you might get, his fatherly instinct always wins. In no way would he ever intentionally do harm to you.

-Ohma, Kanoh, Kazuo

It looks like you're family / Looks like it's just us now / We've got to get through it now, blood's thicker than beer / [Sorry, you ain't adopted]

-Adam, Kanoh, Hatsumi

I have no idea how to take care of children / But don't worry, I'll find a tutorial

He went into fatherhood completely without knowing what to expect. It all came a bit out of sudden for him, and he was too anxious to prepare himself properly. But when he held you in his arms for the first time, he knew he'd figure it out just fine.

-Lihito, Inaba

The good thing is, I don't even have to share any knowledge with you / You can just read the wiki entry

-Saw Paing, Lihito, Kanoh

I won't always be there for you, I have to party hard too / Did I say "party"? I mean "work"

Being a father doesn't mean that's the only part of his life now. He'll try to be there for you whenever possible, but there will be moments when he gets lost in other things.

-Saw Paing, Lihito, Sekibayashi

Joking aside, the ego-pig in me is happy that you are coming / Cause then I can play with Lego blocks

A part of him is still a child as well. And hey, being a father means he gets to play with toys again - that's something he can look forward to.

-Cosmo, Saw Paing, Inaba

Cause even though I'm putting effort and thinking about how / I can take the pressure off and still get you into bookstores / Something I do will lead to trauma, c'est la vie / I'll be the star of your psychotherapy, have fun

As careful as he is with you, he knows at some point he'll do something wrong. He's perfectly aware of how he won't always be the perfect father, but he's still trying his best.

-Raian, Kazuo, Wakatsuki, Suekichi

You're programmed for me, I'm programmed for you / Now we're sittin' here, I say now we're sittin' here / Sorry, you ain't adopted

He didn't choose to have you as his child, and you didn't choose him to have as your father. But still, you're perfectly made to be this role for each other.

-all of them.

You may not become president or student representative / Reality will throw your dreams in the chick shredder / I know what I'm talkin' about, life ain't no show

You won't achieve the greatest things in the world, and that's okay. You don't have to do that to make your father proud. He knows exactly what it's like to fail, and that's why he will always encourage you to reach your dreams, no matter how big or small they may be.

-Gaolang, Kazuo, Suekichi, Setsuna

You'll see my burdens, I've given them to you / If you think your genes are bad, they're Papa's genes / But you're my update, you can fix the bugs

You may not be a carbon copy of your father, but the similarities are undeniable - both the good and the bad.

-Ohma, Setsuna, Kanoh, Raian

In the beginning it's ambition like in a chess duel / You will emulate me until you outshine me / The balance of power is on my side - currently / But your chance is good, because Papa's withering parallel like a leaf

Being his child also means being his rival - in a fun way. If there's something to compete in, there will be playful competition. Board games, soccer in the backyard and running random races when you're just walking somewhere together - things like that.

-Raian, Koga, Saw Paing, Lihito

This has to come out now 'cause later I won't be the same / When you're around I'm sure I'll write some corny shit / No more tasteless jokes, no more Hitler comparisons

He was more of an immature person before, but he knows after your birth he has to become more serious as a father - at least that's what society expects from him.

-Lihito, Raian, Naoya

I stand in front of the mirror and see a caricature / But I train every day for my father figure / I practice "La-Le-Lu" on the keyboard / And I subject myself to a motherfucking radio censorship / And I learn all the movie clichés, after birth / You'll get a wristwatch with your name engraved on it

At first, knowing he'll be a father soon felt so unreal to him. But the closer the day gets, the more the realization sets in. But that realization makes him nervous, so he's putting extra effort into learning how to be the best father he can be. And even though he doesn't want to be "like the other dads", he finds himself following every cliché possible.

-Kazuo, Sekibayashi, Adam, Suekichi

Even though being strict clashes with my liberal nature / I'll pretend I'm interested in your Spanish exam

He doesn't care how much of a good or bad student you are, but he knows you'll have to pass school somehow. As much as he doesn't care about your grades, he pretends as if he does to keep you encouraged. But of course you'll get praise for your hard work when you get good grades.

-Ohma, Kazuo, Lihito

I'll be mad at you for every adolescent booze story / But don't be afraid of me just because I fuck your mother

-Raian, Lihito, Adam

I'm just an old cynic who writes frustration poems / But I swear I'll give it all to you till the end of my chapter

He'd do anything and everything for you. He will always make sure you feel safe and loved, no matter what age you're at. Even when you become an adult, he will always be your father and protect you as good as he can.

-all of them.

If you enjoyed this, please remember to reblog with tags! That's the best and easiest way to support me and my writing!

[relentlesslyexisting]

I'm not convinced that Kaze to Ki no Uta is that cut in dry in it's relationship to pedophilia and sexual assault. I think it's obvious that Gilbert's relationships with older men are supposed to be interpreted as unhealthy and self-destructive. We're supposed to think that's tragic and want for Gilbert to experience more healthy connections with people. I mean, his relationship with Serge banks on the reader feeling that way. But Takemiya is a weird pervert lady, and she actually does write plenty of stories with much older dudes sleeping with much younger boys that aren't particularly interested in unpacking the morality of such a thing. I dare say she's fujoing out about it, and I don't think Kaze Ki's exempt from that.

There is an aestheticism to Gilbert's relationship with Auguste that is meant to compel a certain kind of reader. It's that codependency, its that Gilbert is the only person Auguste ever shares his wounds with. Auguste made Gilbert because he needed Gilbert. A lot of the ways Auguste grooms Gilbert is his own fucked up way of saving himself. He genuinely believes hes doing whats best on some level, and I think he really does care about Gilbert. It's very stimulating!!! I can understand why there are people who are more interested in that dynamic than what Gilbert has with Serge. I mean, JUNE magazine, (of which Takemiya was a major contributor) is full of similar dynamics.

Side tangent: Kaze Ki's much more light-hearted cousin, Mari to Shingo is incredibly flippant about pederasty. Mari fucking loses his virginity to one of his dad's business partners when he's 14 and literally no one cares. Mari's just like "i guess I must be gay for that, I never thought about it before." In fact, Mari keeps sleeping with the guy no problem after returning to Europe. I bring this up because I think historical context is important and I think MariShin is really funny for pulling shit like that....

Serge and Auguste aren't as different as they seem on the surface. We want to see Gilbert and Serge happy together, but what Serge envisions as healthy for Gilbert is rooted in his own selfish desires. If Serge can "fix" Gilbert, he can perceive himself as noble. We have to remember that Serge is someone who got very little love and support growing up. He freaks out when Gilbert is called dirty because he was seen as dirty and lesser for his background. He sees himself in Gilbert and wants to save him because of that. (God, Utena really is daytime television Kazeki) To some degree, Serge is on the same level as all of Gilbert's "suitors."

I think its kind of dumb to analyze media in an effort to glean to moral standing of an author. It kind of takes away from the fun. Taboo themes in media are always erotic because the content is always meant to shock the reader to some degree. People like the danger.

[giulliadella]

Speculative Biology of Euclydeans (and Bill Cipher) part 4

Part 1, Part 2, Part 3

Euclydean society and Bill Cipher's disability

Reading the first part is highly recommended before reading this one, since in that part I explained how Euclydia functions as a dimension.

This part is going to talk about disability, discrimination and eugenics of geometric shapes, so tw if you're sensitive to that.

Society

Euclydeans were intelligent, sapient organisms that lived in a complex society. From Bill directly, we find out that they had schools, jobs, families, social structure and developed medicine. This makes them seem very much like humans here on Earth.

We know that Bill had a family, his mother and father, however, we don't know whether those two were married. So I can't tell you whether the institution of marriage even existed in Euclydia. Bill never talks about marriage, so I'm inclined to believe that they didn't really have wedding vows, but rather, a pair would stay together because they loved each other and for their children.

However, Bill does talk about divorce. He sees his falling out with Stanford as divorcing, so it's pretty clear that Euclydean "marriage" consisted of a pair being together and deciding to spend their life together, but if they wanted to break up, that was called a divorce and they probably had disputes over who gets house and kids.

And when we're speaking of love, Bill claims that he can't see the difference between love and fear in humans. This is kind of true: both intense feelings of love and fear activate the sympathetic nervous system which causes the heart to beat faster, deepens and quickens the breathing and makes us all sweaty and flushed. Love in humans causes the same things to happen as fight or flight response and Bill is too dense to accept that there is a difference.

This, however, tells us that in Euclydeans, feelings of love do not activate their equivalent of fight or flight. Bill is a person very prone to angry outbursts at slightest provocation. But Ford can do a lot more to him than any other person before he gets angry. This means that love in Euclydeans is a soothing feeling. Love makes them feel calmer and safer. Hell, Stanford's mindscape was Bill's safe space. Now, of course, love in Euclydeans isn't all about calm - they also get excited. Excitement upon seeing the one you love, but expressed as happiness, with most likely slower heartbeat. Again, loved ones in Euclydeans are seen as a safe space, a little lighthouse in a stormy sea to hang onto.

Euclydeans also express love in a similar way to mammals: they bring gifts (Bill catching rats and arranging them to form Ford's name), they want attention from the other person and their affection, they share food and drinks and overall want to spend time and have fun with their companion.

But when it comes to anger, fear and joy I don't see any significant differences between humans and Euclydeans. Sadness is a tough one, because Bill expresses it by not expressing it. This man is in so much denial that he could flood the Nile. However, distress in Bill is more or less the same as in humans. He also gets drunk after break up and acts as a drunk person would. This tells me that sadness is expressed somewhat similarly in Euclydeans as in humans with maybe some tweaks here and there.

Bill is obsessed with The Great Gatsby, so much so that he dedicated a chunk of his book to literally citing the second chapter of it. This is a very concerning behavior (but, to be fair, most of his behaviors are). However, I believe that his obsession comes from a feeling of nostalgia and familiarity. When I look at Bill's attire I see a guy wearing a fancy hat and a bow tie which were a staple for evening dress of 1920s gentlemen. He also sports a cane, which they also wore. I can't remember much from The Great Gatsby and I'm too lazy to read it again, but it does take place in 1920s America. So, maybe the society Bill was born into resembled that time period.

If that was the case, the societal structures and certain expectations would have been rigid. Euclydia is very much based on Abbott's Flatland and, while that world is a critique of 1800s Britain, it depicts a very sad and bleak society where everyone has to fit in a role that was determined by their shape. In Flatland, Triangles were the lowest class, with isosceles being the lowest of the low and used as slaves and soldiers, while equilateral Triangles (like Bill) could rise in the society and perform the roles of merchants. Scalene Triangles were considered abominations and were killed as kids.

I don't think that Euclydia was exactly as Flatland. However, some Gravity Falls material point towards triangles being lower class citizens. I sadly don't have Journal 3, but I know about the page where Stanford goes to a second dimension and he talks about how Triangle people are low class citizens and Circle people are high class citizens. This is very similar to Flatland, but what about Bill?

Well, Bill was probably from a lower middle class family. Him wearing oversized shoes that were probably bought on sale or given by someone whose child had grown out of them, speaks about them being kinda poor. Bill was also bullied by his peers at school, but notably by rhombuses and trapezoids. These shapes were one class above him, because they had four sides. Better off kids bullying a poorer, disabled kid is a tale as old as time.

The eugenics policies in Euclydia were probably much less strict than in Flatland. However, if they were anything like laws controlling disabled people in 1920s USA, then Bill and his mother were probably forcibly sterilized because of his mutation.

2. Bill Cipher's disability

Bill was born with a disability - well, to be fair it was more akin to superpower - of being able to see into the "third dimension". Bill could see outside of Euclydean borders because he had his eye placed on the front of his face and not on the side, like other Euclydeans. This allowed him to see the stars of the surrounding universes. (please check part 1 of this analysis where you have detailed sketch of Euclydia in relation to other universes).

However, because of his mutation, even though he had much broader view of the universe, Bill was considered legally blind by his peers. Because his eye was on the front and he could move only sideways, Bill was seeing his home dimension only with his peripheral vision. He could make out basic shapes and colors, but not the details. He probably draws his parents as blue and red triangles because that's how he saw them. He could never see the details of their faces. He could, of course, recognize them by touch, smell and voice, but he could never see them as they could see him.

Bill also behaves a lot like a person with ADHD. Now, I have ADHD and I got that diagnosis when I was SEVENTEEN. My early school years were hell. If Bill does have ADHD, he was probably a problematic child at school and that just added more fuel for his bullies. The lack of control over his emotions and his special interest in stars were definitely a reason for him to get bullied, maybe even more than his disability. There were no schools for special needs children in 1920s USA, which doesn't mean that they didn't exist in Euclydia. But, since little Bill was from a poor family, he didn't get to go those schools if they existed.

Another quirk of his mutation in Euclydia meant that Bill had problems feeding himself. Since Euclydeans use their eye as a mouth, Bill had to eat sideways. Imagine if your mouth was on your back and you had to reach behind to feed. Bill was lucky that his eye was much bigger than other Euclydeans which made his mouth bigger as well. His parents also accommodated his needs - his mom was removing crust from his bread and he was also given his medicine in liquid form.

I made art to explain this more easily:

So, with Bill being bullied and rejected by his society because of his disability (and likely neurodivergency), there was no wonder he wanted to somehow prove himself. Talking about stars and the existence of something outside of Euclydia was considered illegal, but why? Well... stick around for part 5, where I will explain how I believe Bill Cipher accidentally destroyed his entire dimension. It will be fun ;P

@ok1237 and @unoriginal-starwalker I hope you'll enjoy this =D

PS: I hid Dipper and Mabel in the art! Can you find them?

[snowbunnywatching]

How would you have met Malik? Work, apps, at a bar? Is the attraction instant and overwhelming? How does it build up to the point where you decide you need to leave your bf for him? And how difficult is it to not cheat in the mean time? Would it have been something you were looking for as well in the context of Blacked Denmark, presumably with other women/girls doing similar things? Or something you never would have expected of yourself?

(Follow-up to this post - note that all of this is fantasy.)

I meet Malik at the arrival center where the Black visitors are registered and briefly stay before being assigned a permanent home. I work as a volunteer at the center - as so many other young Danish women also do - helping the newly-arrived Black men fill out the required forms.

It's a rainy afternoon when I see Malik for the first time. He’s tall, with deep brown skin, close-cropped hair, and a quiet strength in the way he moves. We're sitting next to each other at a small desk as I'm going through the various fields in the form.

I notice he's looking less at the form and more at me. I look up and our eyes meet.

"Your hair," he says. "It smells like the flowers that grew outside my village."

I blush and lower my eyes. But as we continue filling out the form I feel myself sneaking little peeks at him as well.

A week later we share our first kiss. I have been volunteering at the center every day after work, seeking out Malik and talking with him during my break. About life in his village and what he left behind. About my disappointing love-life. About the life we could have made together if things had just been a little different.

It is with both exhileration and despondence that I make my daily visits to the center. Exhileration at getting to talk to Malik again. Despondence that I'm starting to fall for him. Realizing that I will need to either stop talking with him or leave my boyfriend.

The kiss is wonderful. All of our pent-up desires are finally released.

I tell Malik I need to end things with my boyfriend before we take things further. It's difficult for the both of us. I want to take my clothes off together with him, feel his naked skin against mine. I want to feel what it's like to experience all the pleasure that my body was made to experience.