#like this can't be my main personality trait

[zablionsea]

I need to be more normal about Remora this CAN'T keep happening.

[penofwildfire]

Y'know I'm pretty sure obsessively thinking about a lego cartoon all day every day for over a decade to the point that it's a key part of your entire personality and one of the first things people know about you is just. Not a very allistic thing to do. Y'know? You understand me?

[gilgil-machine]

I wish some people never had access to internet at all...

TW assault, TW r*pe

[collarful-clover]

I draw them kissing a lot it's kinda embarrassing

[sygneth]

.

[unproduciblesmackdown]

in passing saw a scene and a half of Young Sheldon like in this day and age can a new series (didn’t it start like idfk. last year. maybe the year before) where clearly a premise is audiences being familiar with your “we all know people who are just Like That right” character archetype it’s like. writers have to be at all aware that so much of that always overlaps with like unknowing caricatures of autistic people, right. and you’ve also made a premise the Young part so like, now the butt of the joke is like 7 or something

anyways from what i immediately gleaned the episode’s bit had to do with 7 or something young sheldon being preoccupied with trying to reconcile inconsistent details of lotr lore. in the first half scene a teacher remarks in front of the whole class that it is bad enough to be around young sheldon for an hour a day. in the next scene some [the comic book store guy who is a hippie and lore nerd] is listening to young sheldon and i’m like oh nice so this will be about how something uninteresting / weird to some is not universal and this guy will act normal to young 7 or something sheldon. the guy does and gives a knowledgable response & then you know, there’s young sheldon basically just clearly expressing the response in an involved / specific way some would find unusual, and then the punchline is comic guy having whatever revelation about getting to be normal now b/c he’s like gosh do i sound like that to other people

and i mean you know, given what we get when it’s like, this character is Textually Autistic. or even when like it’s a reality show and people are autistic and everything’s framed in xyz way. out here where sometimes winston [clearly of that “we all know people who are just Like This” genre] billions is given such verisimilitude / there are certain details at times that make it like, could anyone on the writing side of things be aware that this Could be a “oh, parodied Autistic People here” situation, but how then it’s like well would you even want them to know if the fundamental “punching bag / butt of jokes” status isn’t changed, which hasn’t yet ever changed for winston (though he is also a plot device in others’ character arcs, so he can get material re: that sometimes which lets him Not be currently punched / treated as a joke) so kind of have to presume it won’t. wherein like the highest hopes here even re: “you realize this is an autistic character, inadvertently” does in fact hinge on letting winston’s idiosyncracies simply ever be invoked in material that is at all sympathetic / just treats it seriously or you know, more matter of factly ever. where now it’s like well if winston & tuk being friends continues to be anything rather than a momentary joke to get winston, a third of tmc, out of the other two thirds of tmc’s way for a while, that’ll be the closest to winston being treated normally / sympathetically / matter of factly but probably only b/c tuk Also can be given [punching bag / butt of the joke] material so it’s like, well two wrongs make an amicable interaction....penning an open letter short essay to the writers that just goes “why do you think a character based at all on A Way Actual People Can Be would be universally regarded via a perspective that firmly Others him” like why are we never ever given winston any arcs for his own sake examining his emotions & motivations when this is a series about that, and not bringing up that i think he is autistic b/c then it’s like, well i’d just expect any incorporation to be like, we know winston is textually autistic, while characters & the material are as dismissive to hostile as ever lol, like well especially if the material itself operates the same, that is a bit worse. however if i was talking to will roland or his mother i would be more open about it all. or any other actors perhaps lol. if i had brian koppelman on the line i would ask for david levien but still be skeptical.

[coolskeleton3000]

I feel like my every other post about human body (mine, in the most cases) is low-key human!John-coded

I am annoyed by the fact I am weirdly aware of my bones. I am forgetting that humans need to eat and going "oh uh right this body needs at least some maintenance" when realizing that last time I ate was 8 hours ago, with grumbling stomach (quite new development, either I didn't pay attention to it or my eating schedule was more regular in the past) and feeling of dizziness. And I don't understand shitton of concepts other people are used to

I like my human!John short and bulky with strong "just some guy" (or "just some guy trying to survive") energy. (it's basically John from Formaldehyde fic (appearance-vise) go read it it's good as hell). I also like to think he tends to pick clothes based on how it feels on him (not too tight, not too bulky, not too restricting, doesn't rub in the wrong ways, etc etc) (this is how I pick most of my clothes lol). Can't decide anything about eye contact but I either don't make it at all or stare directly in the eyes and I'm handing it to him too

he also doesn't really understand romance and sexual attraction as a concepts or understands them only on superficial level

[ewatsonia]

i'm still not normal about the line “I mean, what’s going to happen if I don’t say bye now?" btw

[kestalsblog]

Basic Tips to Improve Your Writing

I used to read a lot of unprofessional writing online, and through that endeavor, I started mentally compiling different qualities that turned me off to people's work right away. I'm sharing some of my thoughts about ways to improve your writing so others don't click off your work right away!

-Change paragraphs when different characters are speaking.

-In that same thread, remember to make new paragraphs and not have one giant block of text. This isn't only discouraging for some readers, but actually physically impossible to read for those who are visually impaired.

-Learn grammar. Sorry, but there is no way around this one. For example, commas aren't just for aesthetic appeal or your personal choice, and it will turn some readers away if your writing is littered with grammatical errors. You can't break the rules for creative purposes if you don't even know them, and the difference is generally apparent.

-Remember the narration style you've chosen. For example, if you're writing in third person limited, you can't think outside the mind of your main character. Don't jump suddenly to the thoughts of other characters or an all-knowing, omniscient voice.

-Slow down. Each word matters, so try not to think of writing as "I must get from Point A to Point B," but "I must get from Point A to Point B beautifully."

-Avoid repeating the same word or phrase too much, especially within the same paragraph. There are exceptions in dialogue, of course. (It's sweet when writers acquire their own personalized phrasings that mark their voice, but I have turned away from works where the exact same line just kept coming up again and again).

-Don't forget about setting. You might be able to imagine where your characters are, but no one else can if you don't let them know.

-Use a consistent verb tense.

-Your characters are not you and generally shouldn't always be mouthpieces for you to share your own values and thoughts.

-Your characters should sound distinctly different from each other, including their talking styles.

-Don't bog the reader down with too much description, and make sure the description you do have is realistic. Think about it. In the morning, do you wake up, go to the mirror, and think to yourself, "I looked at my shaggy dark hair and emerald green eyes"? Nobody thinks that way about their own appearance, and it feels like a forced way to let the reader know what the main character looks like.

-There's no need to start tossing out every character trait if it's not relevant to the story.

-Last, show some passion and excitement for your own work. Make sure the language embodies that passion because if you don't even care about your writing, who will?

[schattenhonig]

The A in LGBTQIA+ doesn't stand for aspec because they're not repressed!

(please read the disclaimer at the end of this post)

Ummm, excuse me? Would you mind telling me what your definition of repression is, then?

Because I feel repressed when a doctor asks me about my sex life, and if I say I have none, it gets marked down as a symptom without being asked if I suffer from it.

I feel repressed when my gyn tells me I can't get a hysterectomy yet despite losing so much blood on every period that I need to take iron supplements all the time, because I could change my mind about not wanting children (which is a whole other post, I know, but it's most likely linked to sex).

I feel repressed if I can't use dating apps or platforms because my sexuality doesn't even exist there, and the one time I tried, I got called names because I didn't want to meet for because it was clear where this date would go, despite my explicit "what I'm looking for".

I feel repressed when I think about how recently a paragraph was finally abolished in my country that considered sex a vital part of a marriage, basically entitling the spouses to having sex with their partner (both gender neutral, because entitling people to having sex with somebody else by law is wrong. It's basically a rape permission).

I feel repressed when I can't watch any film or show without it being about love and/or sex, no matter if it fits the narrative and furthers the plot.

I feel repressed when I plot my own stories and automatically put a romantic couple in there as main characters, even though I have no idea why this would be important for the plot. Not even my own stories, my own thoughts are mine.

I felt repressed when I was asked accusingly in a relationship if I wasn't missing something before I even knew asexuality as a spectrum was a thing, and having to lie about this being a side effect of my medication instead of genuinely not feeling attracted to someone in this way.

I feel repressed when I can't tell people I'm not sexually attracted to them because they will take this personally no matter how well I explain myself.

I feel repressed when everywhere I look there's advertising relying on naked skin, suggestive posing and objectification. Why are expensive cars still presented by women considered beautiful and tempting? It's not like that's necessary to convince people of spending so much money on a thing that gets you from A to B. Couches with women in smart dresses and high heels. That's not what a normal person looks like on a couch. But the worst is a truck in the town where I live: it's from a small fruit and vegetable stand, so whenever I see it, it comes from the warehouse, delivering groceries. On it is a woman clad in very little, presenting fruit. I'm sorry, but why? Does a misogynistic picture convince you of the necessity to avoid scurvy?

I feel repressed when I tell people and get the answer "you just haven't found the right person yet", because there are two possible assumptions from that point: I'm either not trying hard enough (so it's basically my own fault) or something about me is not right, appalling even (which circles back to I'm not trying hard enough or frames me as a victim of my genetics, upbringing or circumstances to be pitied).

Do not tell me how I feel. Do not try to tell me everything is fine and I shouldn't complain or ask for acknowledgement if everywhere I look, I'm reminded of how odd, how weird and how not normal I am. How much it inconveniences you to even acknowledge my existence, let alone respect any of my traits, views and choices.

And while I can only write from my own asexual point of view, I wrote this with all kinds of flavours of aspec in mind, so I'm explicitly including aromantics, aroace people and every shade of the spectrum in this. Not all my examples may apply to you, but I hope you can find something to relate to.

ETA: please feel free to add your own experiences of repression!

[writingquestionsanswered]

Someone mentioned that main characters can get overdeveloped. I'm familiar with characters being underdeveloped, but how do you tell if they are overdeveloped?

5 Signs Your Character is Overdeveloped

#1 - You spend time illustrating personality traits that aren't important to the story. Your character's personality traits should have some bearing on how they move through the story. Don't take the time to illustrate your character's stubbornness if being stubborn won't have some impact on the story.

#2 - You excessively describe their physical appearance and what they're wearing. While it's a good idea to give the reader a sense of what the character looks like and to describe what they're wearing when it shows something important about the character, world, or situation, the reader doesn't need an in-depth physical description--or even reminders--every time the character appears on the page.

#3 - You spend a lot of time illustrating their interactions and relationships with minor characters even though they have no bearing on the story. We like our characters to feel real and three-dimensional, which means giving the reader a sense of who they are, what their normal life is like, and who is important to them. However, we don't want to spend a lot of time on characters/relationships that don't really do anything for the story. For example, it's nice that your character has a good relationship with their elderly neighbor, but if the relationship isn't necessary to show us who the character is, set up or execute a plot point, or fulfill a thematic/symbolic role, it probably shouldn't be there.

#4 - Your character is a "jack of all trades." It's great for your character to have hobbies, skills, and experience in various things, but we don't want our characters to look like a walking, talking, padded resume. For the most part, any hobby, skill, or experience highlighted should play an important role in the story. If being proficient at roller skating doesn't tell us something about the character we can't learn another way, allow for the setup or execution of a plot point, or fulfill a thematic/symbolic role, it's probably not important to highlight that hobby, skill, or experience--or any other that doesn't contribute to the story.

#5 - You spend a lot of time on unnecessary backstory - Backstory plays an important role in helping us to understand who the character is, how they got to where they are in life, what things led up to their internal conflict and emotional wound/s, etc. However, we don't want to spend time on things that aren't ultimately important to the story in some way. For example, there's no point in flashing back to your character's week at surfing camp if nothing happened that week that is important to who they are or anything else that happens in the story.

A good rule of thumb for really any detail in a story is to ask yourself, "What is lost if I remove this detail?" If the answer is "nothing," you can probably go ahead and remove it. :)

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[kaizokuou-ni-naru]

The "Luffy's fruit is a Zoan" reveal/retcon was extremely controversial when 1044 was first released; do you think Oda did a good job foreshadowing it?

yes!! it addresses a lot of idle questions i had about luffy's powers for quite some time (while also raising a ton more, of course, but that's the nature of one piece).

(all of my thoughts here and on gear 5 in general owe some credit to @grainjew, who has been my main discussion partner on this topic)

luffy's fruit has always been, from what we've seen, kind of weird for a paramecia? obviously since the categorization of 'paramecia' is sort of a grab bag and a lot less well-defined than logias or zoans, that's kind of a hard claim to make, but generally speaking, most of the paramecia users we see throughout the series do not have their powers always on. (the strongest counter-example i could think of to this trend is brook, and even that is one i think you can argue.) luffy's power is way more passive, in the sense that he doesn't have to activate it- it's just there, always. even seastone and seawater do not make luffy not rubber, they just sap his energy and stop him from stretching himself, as we see as early as arlong park.

that is weird! what we see of most other paramecias is that they have to use their powers intentionally, even when those powers do involve transforming their body in some way, like with mr. 1 or alvida. there's a whole plot in dressrosa about knocking a specific paramecia user unconscious so she'll lose her grip on her power and it'll disappear. luffy will stretch when he is asleep, when he is underwater, and without knowing he's doing it. he's always rubber.

so luffy is weird for a paramecia, though not completely unprecedented. his power has always seemed to me to be... almost logia adjacent, in the sense that he's made from a specific material and all his powers are based on being that material, but that doesn't quite track either. aside from the fact that the thing he's composed of is tangible and, again, he can't turn it off, he clearly has access to a greater level of complexity in his transformations than logias do (whose devil fruit powers seem to be basically a binary system).

which actually leads me to compare him to chopper, who is the zoan we know the best, and who, conveniently, also ate a version of the hito hito no mi.

i think the way luffy and chopper interact with their powers is actually very similar. much like luffy, chopper was fundamentally altered by his consumption of a devil fruit in a way he cannot return from. he can still look like a normal reindeer, but he can never actually be one, because the most important trait his devil fruit gave him was human sentience. and he would still have that if you put him in seastone, he just wouldn't be able to transform. similarly, luffy had his body fundamentally altered by his fruit in a manner he does not seem to be capable of even temporarily reversing. he can't make himself not rubber any more than chopper can return himself to being a normal reindeer.

like chopper, luffy's power progression has been based around finding new ways to transform his body and force it into new and more powerful forms. his gears are roughly comparable to chopper's points. that is zoan stuff! chopper is the main other person we see interact with his fruit in that specific way. so, yeah, i actually do think it does make sense for luffy's power to have actually always been a zoan. at the very least, it makes more sense than him being a paramecia, to me.

however, having said that, i also don't think it's as straightforward as luffy just being a zoan instead of a paramecia. we see that the awakening of his fruit definitely has both paramecia and zoan qualities, since he's transforming both himself and the environment around him, as well as other people. (the wiki puts this down to him being a mythical zoan but i just don't think that's true. kaidou is also a mythical zoan and he is completely baffled by what he's seeing.)

i made a bunch of jokes in discord about luffy being devil fruit nonbinary while i was reading this chapter- there's three genders and you have to pick one, and you can't just go switching it up, etc- and i do think that what luffy's fruit indicates is that the sorting system of devil fruits itself is imperfect. outliers do exist that don't fit cleanly between the lines- which we already knew! just look at katakuri.

[franzivonkarma]

I desperately need people to understand that Franziska's whipping thing really isn't solely a silly character gimmick. Of course it is to a degree, just like Godot and coffee and Klavier and air guitar in court, but so often I see people dismiss Franziska's whipping trait as an annoying feature that adds nothing to her character and I cannot stand it. This is a bit of a rant and I touch on gender inequality and the way I see a lot of men treat her as a character a decent amount within this because I feel like the fact that she is a woman is actually very important to this element of her character, and her treatment is also a lot of the reason why I feel compelled to talk about this in the first place.

Firstly what you need to understand is that not only is Franziska a woman, she is also laughably young when she becomes a prosecutor. She's a 13 year old girl trying to hold the attention of a courtroom of mostly grown men and be taken seriously. It's no secret that misogyny does exist in the Ace Attorney universe of course (see: Godot), but aside from this, maybe it's just because I've been playing Ace Attorney Investigations recently, but she is just very small all around. It's a running gag in Turnabout Reminiscence that she is short, she's small, she can't see things Edgeworth can - although granted Edgeworth is definitely fairly tall, most estimates I've seen linger around 5'8-5'10 (around 170-180cm). And of course, she is only 13 here, she's not done growing, but it's at this age that she actually did begin to prosecute. Naturally, she'd often be underestimated, and we can see a strong desire to prove herself during Turnabout Reminiscence, even just to her father; I can only imagine that this would extend further into her trials as a young girl. Secondly, she's the daughter of Manfred von Karma, whom she idolises to a godlike status and who teaches her everything she knows about prosecuting, and also a lot about life in general - he's her father. There's a lot I could say about their dynamic, but I feel that much of it doesn't need to be said in this specific post if you're already here dedicated to Franziska enough to bother reading this post.

Manfred's courtroom (and often, regular) behaviour revolves a lot around him taking complete control of the entire courtroom, with him even speaking over the judge, overruling objections he does not like and sustaining his own, and instructing witnesses himself. He also often snaps his fingers to direct attention to himself and his point. Franziska learns this, but how does a literal 13 year old girl follow her father in this regard? Well, by force. Whipping someone is a very clear way to get their attention. Not only the person it hits but the people around - whips cracking are loud, they take up a lot of visual space, and they also obviously cause harm to the person they hit. These are all things you can't really ignore - it forces you to look at her and pay attention to her and gives her control of the room exactly like Manfred. I've also been thinking a lot about the end of Justice For All in relation to this. She's lost to Phoenix multiple times and she couldn't beat him even once just to prove that she was better than Edgeworth as she so desperately wanted to. This brings me to another point about her use of her whip. While I think control is a huge aspect and is my main focus here, I think it falls more under the umbrella of Franziska's own perceived shortcomings. We also know that she doesn't believe she lives up to her father's genius, and that she consistently feels like she's walking in Edgeworth's shadow, she says it herself:

I think at least some part of the reason her whip is so important is because she believes she could very well be less than equal to others in the room in terms of certain traits. She sees her father as a genius, knows she isn't equal to him, and internalises this (whether she is actually less intelligent or not I personally don't know what I believe, I haven't played Justice For All in over a year and a half and I would have to replay it to decide my thoughts).

In having to be perfect, there are many expectations she cannot live up to, and this leads to many ways in which she falls short of what she believes she should be. By using her whip, again, she can account for her perceived shortcomings in other areas - control, her intelligence, her ability as a prosecutor. I think this last scene of JFA actually introduces us to the idea that Franziska is somewhat self-doubting in some ways and compares herself a lot with others, not just Manfred, but also Edgeworth, which we see more of in Ace Attorney Investigations during Turnabout Reminiscence, where we see her at 13 attempting to prove that she can "out-logic" Edgeworth for the entire case, and essentially, that she is "more perfect" than he is.

But to come back to her whip, control, and the end of Justice For All.

She is left with little of who she was before and doesn't know how to move on - everything she was taught to be from the moment she was born, she no longer is. She is 18 here, prosecuting for 5 years already and desperate to be prosecuting for even longer. As far as her life was set out, this was basically it for her - become a perfect prosecutor and prosecute perfectly just like Manfred - the ideal prosecutor in her eyes.

A Von Karma is perfect, but she is not - she lost, just like Edgeworth, whom she shamed for the same thing. She gives up her whip here, and I feel that it's truly symbolic of how she feels like she's completely lost control of herself, her life, her relationship with her father and most obviously her occupation as a prosecutor. How could she continue being a prosecutor when she no longer lives up to the idea of it that she's had her entire life? What use is her whip if she will not need to hold the court's attention any longer?

I'm sure a million other people have thrown their coin in the pot on this exact topic, and I'm sure many have said the same thing as me and many have said something different, but I needed to write my thoughts out about it because I couldn't stop thinking about her. This is one big reason why I feel like I see a lot of men who don't understand Franziska and see her as very annoying, gimmicky, and my least favourite - a "female Edgeworth." She is a woman who steals attention and space forcibly; both from characters in-game, and also from the player with her animations that take up time in trials and a lot of the visual space. Of course this makes her unpopular with a lot of men. I'm not saying that if you dislike her or the whip it comes from a place of misogyny, I am saying that I think her whipping trait is reduced to a stupid, annoying gimmick more than, say, Godot and his coffee, because a lot of people don't really care to see that there is intention behind it that reveals a lot about her character, just like how Godot's coffee problem is relevant to his backstory.

[uwublr]

Pine's Ridiculously Long List of Free Japanese Study Materials

First Month Edition

All my current study materials, because sharing found resources is caring. These are not JLPT-specific and are for pre-beginners to beginners like me. I can't believe I have been studying for a month. Comparison is truly the thief of joy. I am a slow learner, but that's okay. Find a community because it truly does make a difference. Shoutout to Seitokai's Nihongo Discord, and to @tokidokitokyo whose post let me know about it and is just overall a great person too.

Main study material: Marugoto Online A1 Self-Study Kastudoo and Rikai with downloaded PDF and Wordbook (my original post about it)

Supplemental references:

A Dictionary of Basic Japanese Grammar (The only NOT free resource in this list, sorry! The e-book sold on Amazon does not have good reviews as it's a scanned copy of the book, rather than a properly formatted e-book. A free alternative to this is JapBase which also contains Intermediate and Advanced content.)

Marugoto Plus which accompanies the Marugoto courses and includes videos, audio files, etc.

Apps: Anki, Renshuu

Anki decks:

Tatsumoto's Kana (Recognizing and Writing)

Tatsumoto's AnkiDrone Sentence Pack V7

Official KanjiDamage Deck (from the creator of KanjiDamage, crude language warning for both the deck and the site)

Marugoto A1 Rikai Katsudoo 2021

Dictionaries:

Rikaitan browser extension (installed JMDict English V4, JMExtra, 日本語文法辞典(全集), and Kanjium)

Takoboto app (with offline access)

Other resources:

Sukiruma for practice writing sheets

Reader Ttsu for reading Japanese materials on a browser (used in conjunction with Rikaitan, since I couldn't find an e-book reader that I can install a Japanese dictionary in)

Sousakuba for downloadable genkouyoushi without watermarks

Youtube:

Favorites marked with a ⭐️.

Comprehensible Input for what it says on the tin, in bite-size formats

Daily Japanese with Naoko for vlogs with Japanese subtitles

Dogen for the funny videos that you can learn from and/or relate to

Game Gengo because Japanese learning through games, and has JLPT geared content if you're looking for it

Gino Kei who has shorts teaching Japanese in a not so serious way

Hiro - Food in Japan for cooking videos, not in Japanese, but these make me crave for Japanese food anyway so that counts

⭐️ Japan Eat for Japanese food commentary in English and also makes me hungry. So, yeah, not in 日本語 but it's delicious so that also counts

Japanese Koro mostly for kana reading practice which actually helps you get short serotonin boosts for when you do actually get to read the words correctly

Japanese Quest which plays games in Japanese

⭐️ Japarrot! for fun, animated comprehensible input videos

Let's ask Shogo for culture content

⭐️⭐️⭐️ Matcha Samurai for delightfully unhinged culture content, debunking Japanese misconceptions one video at a time

Namba Tsuyoshi for no narration Japanese walk with me style vlogs, very chill and relaxing

⭐️ NihongoDekita with Sayaka for fun, short grammar content

ShekMatz Japan has videos/playlists where she teaches Japanese in Tagalog, so if you can't understand Tagalog, you'd better skip it

Sora The Troll because why not

⭐️ Takashii from Japan is honestly one of my favorites, even before I started learning Japanese. His interviews are just really good!

Taro's Sewing because my toxic trait is thinking I can sew the cool things they post. Also comes with short Japanese commentary on screen

Tokyo Lens counts as uh, immersion even if it's not in Japanese, but it's in Japan so that counts? Yeah, let's go with that

もしもしようすけ for Japan vlogs/walk with me with Japanese and English subtitles

Yomii Japan Piano if you like piano and the occasional trolling

Japanese Calligrapher Takumi because my other toxic trait is thinking I can write this beautifully

[gb-patch]

Another query of mine, hoping that's fine after my first being so soon just now, is that knowing there won't be additional LIs ( like how Derek became one in the first game ), I'm wondering what makes Tamarack ( I LOVE HERRRR ) and Qiu ( They're sups cool ) so highly complex for that reason? Cove seemed pretty complex too! Or was it a time crunch reason? Or maybe an actual game mechanic? I hope I'm making sense and not offending or overstepping! I wonder how diverse the branching of choices are

It's the fact that there's two main leads who get as much time as Cove did instead of one, significantly more choice options on the menus, more personality traits being tracked, more ways to customize your relationship/dynamic, and your choices/personality impact more of the script.

With all of that combined, Moments in OL2 already require twice as much words/effort at a minimum than they did in OL1. And I'm not even in Step 2 yet where there will be more elements to manage, ahah. I can only spend so many years on a single project. For OL2, all the time I've got has to go into the main game and the DLCs for Qiu and Tamarack. I'm afraid I can't add side character DLCs on top this time around.

[somerandomdudelmao]

I think this scene is so far my favorite part of the whole comic. Those three panels put my little writer's soul at ease. Major kudos from a storytelling point! It just accomplishes so freaking much. It highlights all of Leo's best character traits (love, strategic thinking, leadership skills), and fixes the problem of having an OP character in your story that otherwise would be able to solve the main conflict in a heartbeat. It does so much for Mikey. There is no one-person-per-portal limitation and I'll always end up wondering why they would not gather the resistance and simply take everyone and go. Sure Mikey might die or end up being left behind if he does so and of course, Leo/April/Casey would try to stop him but in the end, I feel like he would do it anyway cause as long as his family is saved Mikey does not mind. But with this clever twist, he can't do that, cause Leo would be stuck with him, alone and with no resources, and doomed. Not an option. Mikey loves his family above all. Don't get me wrong I think he'd sacrifice his own life to help everyone else (he does so already), but he would never sacrifice his brother. It's a greedy and beautiful love that always gets to me. The moral dilemma of one versus the many. Revealing the core of who you are and what you stand for. It makes him so much more real, more human. It elevates his character from good to great...

I don't know scenes like this - one willing to sacrifice himself and the other refusing - tend to come with a bitter aftertaste. But Leo is not brushing Mikey off. He says not 'no', therefore allowing Mikey's own agency to shine. And in adding his condition he still gives Mikey a choice ultimately helping to shoulder his brother's burden.

Don't get me started on Mikey's 'thank you' as a response cause I already have tears in my eyes! Here both of them bring the best out in each other and the thing I love the most is that it's never at the cost of the other.

All in all this scene is a great character moment, explains plot holes (from the movie), and did I forget something? Ah yes, sets up the upcoming conflict of Casey having to choose between them. And oh my gosh, I wouldn't want to be in his shoes. Leo's declaration to stay with Mikey makes it kinda unlikely for him to go with Casey and leave Mikey behind and though Mikey has some wiggle room in this regard, it is a decision that will not come lightly aka it hurts just to think about separating them...but then again they might even are not together in the first place. Wherever this may be. Who knows?

Thank you so much for creating and sharing this beautiful piece of art!!!

I..mhm..I mean...igdjndukvdjj sorry my brain don't want to do English words today. Thank you oh my god I don't know what to say it's just

T h i s